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Snow Chapel

Yosemite National Park Chapel after a full day of snowfall. The first light of the day breaks the clouds and lights the chapel and mountains behind.

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Snow Falls

Lower Yosemite Falls as viewed after 2 days of snowfall. Snow covered every possible inch of the Valley and created a winter scene for the ages. Yosemite National Park, California

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

To assist you in your selection, please read the guide below.

Size

My photos are taken in a 3:2 ratio — Different ratios are available for purchase and custom order, but any deviation from the 3:2 ratio may induce cropping of image as shown. Ask to see the crop before printing.

Prints come in a variety of sizes based upon classic frame and photo dimensions. Most of my photos are in a 3:2 or 2:3 ratio, but panoramas may have special sizes for the crop if available on that medium.

Have a frame already? Check the measurements of the frame by measuring the back of the frame from inside edge to inside edge or the glass size. Also consider if you’ll have a matte board surrounding the print.

If you don’t have a frame, consider how big the space is that will be housing the print and also the viewing distance. For example, while a large print will cover much wall space, it might not look best in a narrow hallway, but rather over a fireplace, mantle or dining area.

Once you’ve chosen the size, use the drop down menu to select a size to fit a frame or a space. Please make sure you check the orientation of the print prior to purchase.

Don’t see the size you need? Contact me with the size you need. I can print from 4x4 to 40x60 and can fit most frame sizes.

Medium

One of the hardest choices is what medium to print on. Below are some descriptions of the different mediums offered. If you still need help contact me.

Luster Paper - $$ - Classic and beautiful, its colors are rich and life-like with true blacks and pure whites. It has a slight reflective sheen with a very subtle texture. I love this as it is not overly glossy and does have a slight texture to it. It’s my favorite paper and will look great on almost all my prints.

Glossy Paper - $$ - This distinctively bright and bold paper brings a slick, contemporary look to your print. Colors are saturated, and whites are brilliant.  Glossy offers the widest color range and texture, but it also has quite a glare to it and can show fingerprints.  Rest assured; it’s quite a durable paper, and you can usually wipe off fingerprints easily. This paper is great for colorful images such as sunsets and sunrises.

Metallic Paper - $$$ - Metallic paper has a unique sheen for stunning impact and depth.  The most dramatic paper for colors that jump right off the print and black and whites that shimmer and shine! Its surface is smooth and reflective. This paper is a little more than the rest, but the splurge is justified when you see the results. I love my stars and milky way on this paper.

Matte - $$$ - Those with significant photo experience and an appreciation of nuanced imagery. A more expensive poper option. Not recommended for work with dense shadows and rich blacks.

Deep Matte - $$$ - Those with an appreciation for nuanced fine art imagery will appreciate Deep Matte paper. Sophisticated, artful scenes benefit from the depth and detail of this paper. Deep Matte has a smooth finish and a velvet touch, but is not recommended for work with dense shadows and rich blacks.

Fine Art Paper - $$$$$ - The most expensive paper option is available in 3 textures. Texture type will be confirmed per print after ordering.

Low Texture: A smooth, matte surface made with sustainable bamboo fibers. Medium Texture: A traditional watercolor paper that brings an artistic feel to any image. Heavy Texture: A more coarse surface to add visible texture to your photos.

Canvas - $$$$ - If you like the classic art feel, canvas might be the right fit for you. Printed on high-quality, heavyweight canvas that will provide that real artistic feel. Each Canvas Print is protected by a UV coating to shield from scratches or light damage. Canvas Prints are stretched onto a sturdy wood frame, so they come ready to hang and are carefully inspected for quality.

Metal - $$$$$ - Prints are heat infused onto a sheet of durable aluminum using dye-sublimation. Metal Prints remain stunningly vibrant for a lifetime. No fading or staining, 100% heat & water resistant, dry-erasable and easy to clean. I typically print these with a floating wall mount, but easel, or pedestal are available by special request prior to ordering. This is by far the most expensive medium, but also the most modern and visually stunning.

Mounting

Paper Prints - Come rolled in a protective tube with no frame. If you’d to purchase a frame please contact me so I can fit your needs. I have many frames to choose from and simply too many to list.

Canvas - Canvas is hand wrapped around a sturdy wood frame and are ready to hang.

Metal - Metal comes with floating wall mount, but also has easel and pedestal options. If you’d like no mount, easel or pedestal please contact me to let me know after ordering.

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All of my prints are printed through a nationally recognized printer, Adoramapix, rated #1 by Consumer Digest for overall quality amongst national printers. Prints are quality checked for perfection and shipped with care.

All pricing shown includes the cost of shipping.  Custom orders cost may differ from prices shown.

Upon completion of payment processing I will begin printing on your order.   Please allow up to 7-10 days for final product to be delivered.  Shipping is included with all orders within the U.S.A. and Canada. If you'd like to ship internationally, please contact me prior to purchase, Canada not included.

If you are interested in special sizes, mediums, framing, merchandising or licensing please via info@chrisewencrosby.com

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Milky McWay

Vertical Panorama of the Milky Way above McWay Falls, Big Sur, California. This magical location along the Big Sur coast is made even more special when a clear night allows the viewing of the Milky Way.

Best viewed in 1:2 ratio

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Manhattan Pipe Dream

Sunset down the middle of the Manhattan Beach Pier in California This alignment happens twice a year in the fall and spring.

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Hot Milk

Milky Way composite over Hot Creek, a geothermal area, Mammoth Lakes, California Hot air released from vents cools into steam in the crisp air of the Eastern Sierra nights. The creek is called Hot Creek for a reason, the water is warm and even dangerously hot in areas.

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Grove of Dreams

A magical grove of aspens in the Eastern Sierra Mountains, California. Long grass covered the ground and leaves dotted the grove, making a magical scene that left me spinning in amazement. Alone with the quiet sound of the aspens blowing in the wind I was on an Island of bliss.

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Frosty Milky Way

The Milky Way rising over an alpine lake in the Eastern Sierra Nevada Mountains, California. The winter was especially harsh this winter and the snow and ice hung on well into the late spring and early summer. The extra effort during the hike to the lake was all worth it when we came upon this winter view.

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Fairytale Coast

Long Exposure from the beautiful coastline of the Natural Bridges area of the Southern Oregon Coast. This breathtaking coastline is forged straight from a fairytale with large sea stacks that protrude from the jagged cliffs.

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Clearing Reflections

Reflection on the Merced River as the first light of a clearing storm hits Half Dome in Yosemite Valley, California

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Chocolate Strawberry Tall

Morning light shines on the badlands of Zabriskie Point, Death Valley National Park, California, USA. The swirls of colors are a sight to see. The first light is the best time of day as the warm light is received by the many peaks, valleys, and rolls of the badlands.

Also available in Landscape Format

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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Barrel Cactus Milk

The Milky Way rising over a small Barrel Cactus in the Alabama Hills, California

Purchase a high quality, professional print of this image. All prints are hand selected, hand printed, numbered and shipped with care. A flat shipping rate of $6.95 is added to all orders. Orders over $50 receive free shipping using code “SHIP50”

NEED HELP WITH YOUR ORDER? TRY MY PRINT FAQ

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NiSi 100mm V7 Night Photography Kit

Features the new NiSi V7 Holder

Includes the new True Color CPL and adaptors for 67mm, 72, 77mm and 82mm

The holder allows the use of 3 square filters + 1 circular polarizer

No vignetting at 16mm (Full Frame)

Includes two filters: 100x100mm Natural Night and 100x150mm Star Soft

Includes the NiSi Caddy Pouch, Lens Cap, Clever Cleaner, Cleaning Cloth, and Blower

SAVE 15% compared to purchasing the included items separately.

Value if purchased separately $665

he NiSi 100mm V7 Night Photography Kit is designed for night photography and offers our popular Natural Night Filter, the new Star Soft Filter plus the NiSi V7 100mm Holder.   The kit includes the most popular adaptor rings (67mm, 72mm, 77mm and 82mm) with others sold separately. The NiSi 100mm V7 Night Photography Kit represents a great saving compared to buying all the included items separately.

What’s included in the kit?

V7 100mm Holder

The NiSi V7 100mm Filter Holder Kit with True Color NC CPL and Lens Cap is the most advanced 100mm filter holder we have ever created, with a refined design based on feedback from photographers. The V7 allows for the easy use of up to three 100mm wide, 2mm thick filters along with an included brand new NiSi True Color Circular Polarizer Filter, and has no vignetting at 16mm with wide-angle lenses on full-frame.

It is made from aviation-grade aluminum with single element processing by CNC machine, and the matte black frosted finish on the surface minimizes reflections. The V7 kit comes complete with the 100mm filter holder, an ultra-slim True Color CPL, four adapter rings for the most popular wide-angle lenses (67mm, 72mm, 77mm, and 82mm), a lens cap, and a storage pouch. The V7 features a unique rotation wheel design, so the CPL filter can be rotated independently with filters still in place via a cog on the back of the filter holder.

This version of the V7 features the brand new True Color CPL that prevents the yellow cast introduced from most CPLs. The True Color CPL features our proprietary NiSi Pro Nano Coating helping to reduce unwanted reflections and provides a waterproof and oil-resistant layer to assist in the cleaning of unwanted fingerprints, dust, and water stains.

Our new Point to Point CPL Design allows for easier guided installation of the CPL into the main 82mm adapter. By lining the white markers on the CPL up with the white mark on the main adapter and twisting, you can easily secure the CPL in place, and remove it with little effort.

Our unique clip system is designed to grip only along the edges of the filter avoiding contact with the surface of the filter. Filters are easy to insert, and contact with a filter’s main surfaces are avoided, particularly when using graduated filters, whose effect can be adjusted to better suit changing lighting conditions or creative demands by sliding them up or down within a filter slot.

Use of the NiSi V7 100mm Filter Holder can be easily accomplished by first screwing the included 82mm adapter ring onto a lens with 82mm front filter threads. Step-up rings are included to allow the adapter ring to be used with lenses that have 67mm, 72mm, or 77mm front filter threads, with additional step-up rings available separately for lenses with 49mm, 52mm, 55mm, 58mm, or 62mm front filter threads. After being fitted onto the adapter ring, the filter holder’s pull-and-release locking pin helps to provide a reliable connection that allows the holder to be rotated 360°. To further secure the position of the filter holder, it features a lock that can be activated by rotating a small wheel around the release pin which prevents any rotation of the filter holder.

Adapter rings for lenses with 86mm or 95mm front filter threads are also separately available. The combination of either of those adapter rings with the filter holder cannot accommodate a NiSi 86mm circular polarizer filter; however, a polarization effect can instead be obtained by placing a separately available, 100mm wide, 2mm thick polarizer filter between one pair of the filter holder’s slots.

The V7 kit includes a push-on lens cap that will protect the CPL while still connected to a lens and a padded holder pouch for safe storage and transport.

Natural Night

The NiSi Natural Night Filter is our first filter exclusive for night photography.  Between mercury vapor, sodium, Low CRI streetlights, there are many undesirable wavelengths of light that pollute the night sky. The glow from these can keep your camera from seeing the sky properly and effect your night images. Because of this, NiSi has created the Natural Night Filter to block the most common wavelengths of light pollution.

Star Soft

The NiSi 100x150mm Star Soft Astrophotography Filter is a filter for astrophotography designed to make stars appear bigger and to make constellations stand out. The brighter the star the bigger it will appear. Make the constellations and stars sparkle in your night sky images.

The Star Soft Astrophotography Filter is designed just like a GND filter with the effects full strength on the top 100mm of the filter, while the bottom 50mm is clear with no effect. This will allow placement so the effect can enhance the stars without affecting the foreground. Some photographers tell us they love the effect also on the foreground so the filter can be pushed all the way down in the filter holder to have the effect over the entire scene.

The Star Soft Astrophotography Filter has no loss in light and offers a neutral tone with no added color cast. The filter is compatible with our V6 100mm holders and compatible holder that supports 100mm wide filters at 2mm thickness.

100mm Caddy Filter Pouch

The NiSi Caddy 100mm Filter Pouch for 9 Filters is designed for the NiSi 100mm system filters and will hold 4 x 100x100mm and 5 x 100x150mm.  It features an adjustable cross-body sling strap and can be carried as a shoulder bag, messenger bag or waist bag.  It can be conveniently mounted on a tripod leg for easy access and use and is designed from a lightweight material that protects your filters from scratches.  The pouch can hold up to 9 filters in the combination 4 x 100x100mm and 5 x 100x150mm and features a flip-top design to keep the pouch open when in use.

The NiSi Caddy 100mm Filter Pouch can also hold a NiSi 100mm V7 holder in the first slot of the pouch (reducing the filter slots to 8).

The case is very light coming in at 350g and while still small enough to fit into most camera bags. The physical dimensions are: 19cm x 13.5cm x 8cm.

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Summit Creative Tenzing 50L Roll Top Bag - Your next bag? A Review

Summit Creative Tenzing 50L Roll Top Bag - Your next bag?

By Chris Ewen Crosby

A new camera bag company, Summit Creative has appeared on the market and they asked me to take a peek at the new bag line and to let you all know my thoughts. I’ll admit that I was a bit hesitant to review the bag since I’ve been with F-Stop Gear for a few years as an ambassador and I have enjoyed that bag and I still do. However, I felt the insight I might be able to provide due to that partnership would be valuable to someone looking at purchasing the bag. I will say I’m staying with my F-Stop for now and I’ll explain why at the end.

First Thoughts

Upon receiving the bag I was immediately surprised by a few things:

There are lots of pockets in area’s of the bag where you normally wouldn’t see them, namely the shoulder straps and waist strap have pockets.

There are lots of padding on the shoulder straps and back area of the bag.

Tons of adjustable straps, including shoulders, securing and pocket size adjustments

Good expandability, including the roll-top expansion and bag depth expansions

After looking it over I packed up my gear and took it for a test spin on some local trails in Palos Verdes, CA. Check out the video below of my thoughts after wearing the bag for a while and take a look at all the bells and whistles that this bag has.

So what are my thoughts on this bag? As I said in the video, I think this is a great bag! It was very comfortable to wear, especially after adjusting to my body. It has great expandability for those bigger day hikes where you need to pack more gear. The inside of the bag holds quite a bit of gear comfortably and is easy to customize to fit the gear you need to bring. The 50L model I tried out could easily fit 2 bodies and 3 or 4 lenses if not more.

As I also mentioned in the video, there are a few things that I wish this bag had. I wish there were some smaller pockets in well protected areas for things like batteries, memory cards, small tools and other small items that slide around easily. There are few pockets on the sides and inside the main compartment, but they aren’t ideal for these things that I mentioned. I would recommend a smaller container to hold those items that could be placed in the top of the bag. One thing that I forgot to mention during the video is that it is missing an area to place a water bladder. There is a hole to place a bladder inside the top pocket, but it’s not the ideal size to have a bladder. It would be much better if there was a pocket that could protect the bladder away from other things that might be in that top pocket.

So a question some of you might have is how do I compare it to my F-Stop Gear TILOPA 50L. I still prefer my F-Stop Gear bag for a few reasons. First, F-Stop Gear is a modular system, so I can quickly shift from my 50L bag to my 80L bag without much thought or planning. F-Stop Gear has smaller bags and carriers from that hold all of my small items, star tracker, cleaning tools, batteries, memory cards, etc. This is something that I would miss moving to the Tenzing. Second, my F-Stop Bag has lots of expansion capability as well. It can hold all of my camera gear and an extra jacket, star tracker and more quite comfortably. I will say that the attachment straps for adding your tripod and any other gear to the outside of the bag is very similar between the two bags. F-Stop gear still has a slight advantage in this department due to the numerous strap options available. Summit Creative have also made some additional strap options available to purchase for attaching more gear to the bag securely.

Well there you have it, my thoughts on the new Tenzing 50L Roll Top Bag from Summit Creative. Overall, I am impressed with the new camera bag line. It meets all my photography needs while looking great. If you are in the market for a bag this might be serious contender for your next bag.

Have a question about the bag? Drop a comment below and I’ll answer it for you as quick as possible.

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Seascapes and Wildflowers in San Francisco

Join Chris Crosby and Bruce Getty, for a sunset workshop in San Francisco! Learn how capture the best results in difficult lighting conditions at sunset through proper exposure, solid compositions, long exposure, exposure blending, use of filters and more. See more below

There are two sessions available. Choose one or take both!

April 15th at Marshall’s Beach (Seascape)

April 16th at Golden Gate Bridge (Wildflowers)

Overview

During this workshop, Bruce Getty and Chris Crosby will guide you to some of the most interesting areas surrounding the Golden Gate Bridge in San Francisco, some well known and some hidden gems. Beautiful wave action, blooming wildflowers and the Golden Gate Bridge are just a few of the incredible opportunities for translating emotion and vision through our photographic medium. We are dedicated to providing the best instruction on all aspects of the art of landscape photography. Whether you are just beginning or are a seasoned pro, we are ready to help you move forward with your photography.

Curriculum

Curriculum will be catered to each individual’s skill level and may vary from student to student. Below you’ll find some common topics based upon different skill levels.

BEGINNER-INTERMEDIATE

Fundamentals are essential in the development of any skill, photography is no different. Below you’ll find some sample topics to help you develop yours:

Shooting in Manual Mode

Understand The Exposure Triangle and how each affects the image (aperture, ISO, shutter speed)

How to Meter and Expose for best results

Using light for better captures

Compositions made simple and easy

Understanding and using camera settings and menu options

ND’s, Polarizer and Grads - Which to use and when to use it

Tips and Tricks for easier workflows and shooting experience in the field

INTERMEDIATE - ADVANCED

Those who have a greater understanding of their cameras will get some more advanced shooting techniques to focus on light, location and making good decisions to make the most of the variables. Some advanced topics are listed below:

Exposure bracketing and blending

Focus stacking for depth of field and sharpness

Creative blending to bring the vision to life

Composing for interest, depth and focus

Physical Requirements

Since this is an infield workshop, some walking will be involved. Most locations are not far from parking areas, however, students need to be ready to be able to walk/hike to get to shooting area and good compositions.

Things To Bring

Equipment:

DSLR / Mirrorless camera and lenses

Wide Angle Lens – 12-24mm

Mid to Long Range Zoom – 24-70, 70-200, 100-400

A sturdy Tripod for wave and wind stability

Filters - Neutral Density Filters and CPL

Remote / cable camera shutter

Several memory cards

Spare camera batteries

Head torch (for any night or low light walking and shooting)

Rain cover for camera and camera bag can come in handy in some rare cases of water splash, rain or high wind!

Small Camping Chair or Stool for comfort if standing for long periods is an issue

Clothing Items:

Many layers – As the afternoons wear on it can get quite chilly and a jacket is recommended

Comfortable walking shoes or Hiking Shoes/Boots are recommended for wildflowers

Water Shoes are recommended for seascape session. Be prepared to get your feet wet to get the shot.

Food:

Food, Water, and all other essentials. No Food or water will be provided before, during or after the workshop. Plan ahead and have water and snack on hand to keep your energy up.

Payment, Fees and Terms

COST:  The cost of the workshop is $200 for each session and must be paid in full to reserve your spot in the workshop

PAYMENT: Payment(s) can be made using the Add To Cart button of this web page using a credit card via PayPal and Stripe. If you would like to pay by another method, please reach out to Chris.

CANCELLATIONS:  Cancellations require us to re-open enrollment and/or to engage in additional promotional efforts to fill the workshop on a short notice, therefore, our policy is that there will be no refunds of the payment within 30 days of the workshop date. All refunds are subject to a 6% processing fee. We highly recommend that you obtain travel/cancellation insurance for all workshops to protect yourself against unusual circumstances.

SUMMARY

Your satisfaction, enjoyment and educational experience is important to us.  The goal of this workshop is to allow you to further understand your camera, composition and artistic expression while using the amazing landscapes around the Golden Gate Bridge. We want to ensure that everyone comes away with great instruction as well as a great experience in nature. Most importantly, we are going to have fun! Having fun is a critical part of any good photography adventure. When you have fun, your mind is free to expand and learn!

Transportation

No Transportation will be provided to, from or during the workshop. All attendees are responsible for arranging their own transportation to and from as well as any parking fees that might be required.

[cecphotos]

NiSi True Color ND-Vario variable ND reviewed by a square filter guy

NiSi True Color ND-Vario variable ND reviewed by a square filter guy

By Chris Ewen Crosby (Chris is an official NiSi USA Ambassador and reseller)

A few weeks ago I was approached by NiSi to review their new True Color ND-Vario Variable ND Filter. For those that have worked with me you might be cringing now. For those that haven’t, I’m not the biggest fan of Variable ND filters. There I said it. My past experiences with Variable ND filters have been disappointing to say the least. So when NiSi approached me to test and review their new True Color ND-Vario you can imagine that was a little bit hesitant and somewhat skeptical. Nevertheless, I accepted the opportunity to put my money where my mouth was. I’ve been recommending to my students that they stay away from variable ND Filters and it was time to test if this was still sound advice. So, do you think I can change my ways? Well, let’s find out as I share my thoughts and sample images from the test.

Ladies and Gentleman, Full Disclosure

Before we begin I must first disclose that I’m now an Official NiSi Optics USA Ambassador and Reseller. So, yes, my opinions could come with some bias, but I only stand behind product I believe in. I wasn’t forced to NiSi products, I simply went with a superior product that turned into a great relationship with NiSi. If you are interested in hearing why I switched to NiSi please check out my blog where I’ve reviewed and compared NiSi vs other products I’ve used. So without further ado, let’s talk about the NiSi True Color ND-VARIO Pro.

Common issues that variable ND’S have

So as I eluded to in my introduction, I’m not the biggest fan of variable ND filters. My past experience with them have made me stay away from them. On of the most common things you find with Variable ND filters is vignetting as you rotate the filter to add or subtract darkness. Typically the extremes of the filters capability would produce the vignetting or what is commonly called the “X” effect where you see a dark “X” appear in the middle of your frame. They performed decently in the middle of the capability of the filter, but not at the extremes.

One of the other issues found with Variable ND filters is color cast. Often times it is a blue cast, but can also be a magenta, green, or yellow cast of color. This is something you never want in any ND filter as a photographer. You want to have the same color performance with your filters that you would have if you didn’t have them on. They should only darken your exposure and do nothing else to the image quality.

Frist Impressions

As I unboxed the ND-VARIO I was pleasantly surprised by a few things right away. The filter comes with a lens cap and a pouch in addition to a foam cushioned plastic case. That’s 3 forms of protection for your investment. I definitely didn’t get any of these 3 with my past variable ND purchases. I was lucky to get a plastic case, but most of the time you were on your own to protect and transport the filter. The lens cap is a real bonus. It can be used to cover the filter while walking between shots, or just storing the camera in your bag. No need to take off the filter and put it back on to protect the filter from scratching. This is very convenient in the field and will save you time during your workflow.

Another notable mention is the quality of the build. The filter ring is made from high quality aluminum, making it feel very strong, yet be very light in weight. The Knurled ring makes for easy gripping of the filter as your attach and detach the filter from your lens. The filter rotated very easily, but not easily enough that it would spin in a gust of wind or a slight nudge. The friction was just right.

Upon rotation I discovered another win. The ND-VARIO has hard stops at 1 & 5 Stops (Other models available for 5-9 Stops). This means that the filter does not rotate 360 degrees and there are marks on the filter ring to show you where each stop is. While the exact darkening does vary with your focal length and aperture, I found the indicated stop numbers on the ring to be with 1/3 of a stop of accuracy and spot on for most.

Bring on the images already!

OK, OK! I know by now you are ready to see some sample images. So without further ado…here they come. The first set of images were taken late afternoon in Death Valley. I thought this area would a perfect proving ground for the color and detail of the filter. Luck was also on my side due to the clouds that came into frame just before the test. Clouds are a great tool to use for testing the white balance performance of the filter. They are a neutral area during the middle of the day. For this test I used a fixed white balance of Shade so that there would be no variation in the white balance from photo to photo and we could see any color shifts that were taking place. The photos have only been sharpened, noise reduced and profile corrected. You may find a slight difference in exposure from photo to photo. Take a peak at the photos below.

After the first test in Death Valley I found that there was very little color shift. The only color shift I noticed was a extremely light shift to the yellow/red side. So little that it is hardly noticeable. Overall, I would say that the color performance was extremely good from the filter. I didn’t notice any vignetting and I was testing the 82mm version of the filter on my wide angle lens. I did notice a slight polarizing effect in the sky on the picture take at 1 stop, but it wasn’t something I was very worried about. The detail from photo to photo is perfect even at 100% zoom. To be honest, I liked the look of the badlands after putting the filter on, it did provide a very light polarization and controlled the color of the highlighted areas of the badlands.

Test #2

For a second test, to be sure that I was being fair, I went to a local location in the Port of Los Angeles next to the Vincent Thomas Bridge and took some shots during the blue hour. Not only did I think this would be a good test of the white balance, but also a better area for you to see the difference in shutter speeds and the effect it will provide. The water around the bridge was perfect for just that. Again, the white balance for test 2 was shot at a constant “shade” setting in camera to preserve the white balance integrity. See the images below.

As you can see the results of the 2nd test were equally impressive as it relates to white balance and color cast. Virtually no change in color through the photos. I will mention that both situations had changing light. The death valley scene had passing clouds changing the light and the Vincent Thomas scene was shot during blue hour so the colors were changing as was the light. Even in these difficult lighting situations the filter performed very well.

Fun Facts: Both sets of images were taken on a Canon 5D Mark IV & Canon 16-35mm F2.8ii. White balance was set to constant. No white balance adjustments were done to any photos. Very light sharpening, noise reduction, and some light exposure adjustments were made for constancy due to the changing light.

Summary of Wins for the True Color ND-VARIO Pro Variable ND

Great presentation of packaging and protection of of the filter by having a canvas case, plastic case, and lens cap for the filter

No Color Cast

Great Build with Knurled ring, aluminum frame and hard stops at 1 and 5 stops

No Vignetting during rotation and due tot he larger front threading, no vignetting even at 16mm on my 82mm lens ring

Overall, I was pretty surprised by the results of the test. I went into the test thinking that there was going to be an issue with vignetting and color as most variable ND filters have. I am very impressed by the build, color performance, and the presentation.

So, the question that some of you have probably is, “is this filter worth buying?”. My answer is yes, if you prefer circular filters over square systems, or if you are a videographer or portrait photographer. Variable ND filters are very handy for video and portrait because it allows you to adjust quickly in changing light when you are using a shallow depth of field. For those that prefer circular filters this is also a highly recommend as it performed very well. I would recommend this filter to anyone who fits those 3 categories.

Variable ND filters are something that everyone looks into when they first get into ND filters as they combine many filters into one. Traditionally that savings doesn’t mean great performance, but in this case, the NiSi True Color ND-VARIO Pro provides fantastic performance for a great value.

If you are interested in learning more and NiSi Filters, I offer free consultations, yes free. Schedule one below and let me tell you about the NiSi system and help you find exactly what you need for your camera and lenses.

Have a question about the True Color ND-VARIO Variable ND? Drop a comment below and I’ll answer it for you as quick as possible.

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NiSi Caddy 100mm Filter Pouch for 9 Filters (Holds 4 x 100x100mm and 5 x 100x150mm)

Hold up to 9 filter (4 x 100x100mm and 5 x 100x150mm)

Holds a 100mm Holder V6/V5 Pro/V5 (reducing the filter slots to 8)

Lightweight design at 350g

Can be mounted to a tripod for easy access and use

Compact and lightweight

Fits easily in your camera bag

Can be carried as a shoulder bag, messenger bag, and waist bag.

Adjustable cross-body sling strap

The NiSi Caddy 100mm Filter Pouch for 9 Filters is designed for the NiSi 100mm system filters and will hold 4 x 100x100mm and 5 x 100x150mm.  It features an adjustable cross-body sling strap and can be carried as a shoulder bag, messenger bag or waist bag.  It can be conveniently mounted on a tripod leg for easy access and use and is designed from a lightweight material that protects your filters from scratches.  The pouch can hold up to 9 filters in the combination 4 x 100x100mm and 5 x 100x150mm and features a flip-top design to keep the pouch open when in use.

The NiSi Caddy 100mm Filter Pouch can also hold a NiSi 100mm V6 holder in the first slot of the pouch (reducing the filter slots to 8).

The case is very light coming in at 350g and while still small enough to fit into most camera bags. The physical dimensions are: 19cm x 13.5cm x 8cm.

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Desert Nights in Death Valley

Price: $950, Optional Post-Processing After Workshop for $125

Only 6 Spots - Grab yours now!

Join me March 1-3rd, 2022 in Death Valley for a multi-day immersive experience in one of the most unique landscapes in the world. Spend 4 Golden Hours and 2 nights exploring the vast arid landscapes that the park has to offer. This workshop will be geared towards night shooting with some golden hour shoots as conditions permit. March is one of the last cooler months in the Valley and a great chance to shoot the milky way as it rises from the horizon.

Scroll down for all the details

About The Workshop

During this workshop, I will guide you to some of the most interesting areas of the park, some well known and some hidden gems. Rippled sand dunes, multi-colored badlands and salt flats of surprising patterns are just a few of the incredible opportunities for translating emotion and vision through our photographic medium. I am dedicated to providing the best instruction on all aspects of the art of landscape photography. Whether you are just beginning or are a seasoned pro, I am ready to help you move forward with your photography as all levels are welcome to participate. Together we will create an unforgettable photographic experience this fall.

Itinerary

Tentative Schedule:  Since this is a field workshop, we will remain flexible to weather and light conditions.  The final itinerary with exact times will be made available prior to our visit and discussed as we go along to make sure we are rested and ready to perform when the conditions are right. Middle of the day will be used for resting so that we are fresh for golden hours and night shooting. Lodging, airfare, transportation, park fees and meals are the responsibility of the attendee.

DAY 1: Tuesday, March 1st 2:00 PM Meet in Parking Lot of Furnace Creek Visitor Center 2:30 PM Depart for Sunset Shoot 7:00 PM Depart back to hotel for Dinner/Rest DAY 2: Wednesday, March 2nd 1:00 AM Meet for Morning Astrophotography 7:00 AM Head Back to Hotel after sunrise 2:30 PM Depart for Sunset Shoot 7:00 PM Return to hotel

DAY 3: Thursday, March 3rd 1:00 AM Meet for Morning Astrophotography 7:00 AM Head Back to Hotel after sunrise 9:00 AM Workshop Instruction Ends

Looking to extend your instruction privately either before or after the workshop? Can’t make it during these dates? Contact me for details on private sessions in the park.

Transportation

No Transportation will be provided to, from or during the workshop. All attendees are responsible for arranging their own transportation. Any car will be sufficient for our outings, but a vehicle with higher clearance may allow you more ease on some roads throughout the park should you explore on your own.

Airports

• The nearest airport is in Las Vegas. McCarran International Airport (LAS) is about two hours away from Furnace Creek. • Los Angeles International Airport (LAX) is about five hours away from Furnace Creek.

Rental Cars

Many options are available for renting a vehicle of any kind from either airport listed above. Any car will be sufficient for our outings, but a vehicle with higher clearance could make driving easier on some roads in the park.

Accomodation

Hotels:

The most convenient and recommended location to stay is with the Oasis at Death Valley in the Furnace Creek area for both the Ranch and the Inn, but rooms at the Ranch are priced lower. There are also room available in StovePipe Wells, which is about a 20-30 minute drive to the north of Furnace Creek.

Camping:

Furnace Creek Campground is conveniently located and it takes reservations in advance online and by phone. There are two other campgrounds in Furnace Creek that are first come, first serve. There are options for backcountry camping nearby if your vehicle has at least 9 inches of clearance, 4x4 not necessary. There is also camping available at the StovePipe Wells Campground. RV Camping is available at both Furnace Creek and StovePipe Wells. Showers are usually available for $10 per person at the Furnace Creek Resort or Stovepipe Wells.

Things to Bring

It’s always good to know what equipment you need. If you have any questions about the necessities I’m here to help, but here is a list of essentials and recommendations for the trip:

Equipment:

DSLR / Mirrorless camera and lenses

DSLR or Mirrorless camera is an essential tool to get the most out of the workshop and your photos

Wide Angle Lens - 12-24mm (Faster lenses are better for night photography, but not essential)

Mid to Long Range Zoom - 24-70, 70-200, 100-400 are great ranges to capture intimate scenes

Tripod (Sturdy as the Fall months can have very strong winds)

All filters you might have, a Circular Polarizer is a great tool

Remote / cable camera shutter

Needed for tack sharp images and long exposures

Several memory cards

You never want to run out of space for pictures. Bring several or empty at the end of the day

Spare camera batteries

Another thing you never want to run out of in the field. Bring several fully charged with you and charge over night

Head torch (for any night or low light walking and shooting)

Raincover for camera and camera bag cold come in handy in some rare cases of rain or high wind!

Small Camping Chair or Stool for comfort

Clothing Items:

Many layers - It can be quite cold in the morning hours, but usually mildy warm in the middle of the day. I’ll have more on the weather 1 week prior to our meeting date

Gloves, Warm Hat, warm socks for night and morning shoots

Sunglasses, Large Brim hat, and Sunscreen are recommended for the daytime

Hiking Shoes\Boots are recommended

FOOD:

Food, Water, and all other essentials. No Food or water will be provided before, during or after workshop; unless otherwise stated in the itinerary.

Plan ahead and have plenty of water available as it is very dry and can warm quickly on clear days.

Physical Requirements

Hiking will be required, but the hikes will be around 1-2 miles at most. The Sand Dunes and Badlands provide the most strenuous of the hikes, but are moderate at best. Typically shooting is done within a mile of the car and most hiking should be flat in elevation. We’ll be sure to move at a fair pace and no student will be left behind, but please consider that there will be walking involved and participants should be prepared physically.

What is Included and Not Included

INCLUDED:

• Tuition • Expert instruction in the field with Chris Ewen Crosby • Video Introduction and Presentation Prior to Workshop • Guidance to key compositional attributes throughout the park

NOT INCLUDED:

• Flights and transportation • Lodging • Meals • Park entrance fees • Travel and cancellation insurance

Payment, Fees and Terms

COST:  The cost of the workshop is $950 and includes everything listed in the “What’s Included” Section 

PAYMENT:  A non-refundable deposit of $250 is required to reserve a space on this workshop. The final balance of $950 is due and payable 30 days before the workshop begins. Full payment is due at that time or thereafter, and there will be no refunds on the full amount owed if you cancel after final payment. However, if another client happens to fill your space, you will receive a full refund, minus your non-refundable deposit. Payment(s) can be made using the Add To Cart button of this web page using a credit card via Paypal and Stripe. If you would like to pay by another method, use the contact form on this page to ask Chris about options for sending a personal check or bank transfer. 

COVID-19 ADVISORY:

In accordance with state and local public health organizations, Chris Ewen Crosby Photography & Samy's Photo School are following all COVID-19 related protocols. All participants will be asked to maintain social distancing protocols of 6 feet from anyone not in their household. Face coverings are mandatory for all. The class size for this event has been limited to only 5 students to further minimize the risks associated with COVID-19. Please do not attend this class if you are experiencing any symptoms related to COVID-19 including fever of 100.4 or higher, cough, shortness of breath, loss of sense of taste/smell, fatigue, diarrhea, muscle aches and headache.

Participants will be required to sign a COVID-19 addendum and assumption of risk form

CANCELLATIONS:  Cancellations require me to re-open enrollment and/or to engage in additional promotional efforts to fill the workshop on a short notice, therefore, my policy is that there will be no refunds of the deposit. The balance (minus the non-refundable deposit) is refundable up to the 60-day deadline. Thereafter, the balance is also non-refundable, with one exception: if we find participants to fill all canceled spaces and the workshop is ultimately full when it begins, then you will receive a refund of the balance within two weeks of the workshop’s conclusion. The deposit remains non-refundable. All refunds are subject to a 6% processing fee. I highly recommend that you obtain travel/cancellation insurance for all workshops to protect yourself against unusual circumstances.

PARK FEES: All attendees of the workshop are required to pay the National Park Entrance fees upon entry to the park and are not included in Workshop Fee. Further instruction will be provided to students prior to their visit.

Death Valley Entrance Fee - per vehicle - $30.00

This permit allows all persons traveling with the permit holder in one single private, non-commercial vehicle (car/truck/van) to leave and re-enter the park as many times as they wish during the 7-day period from the date of purchase.

Death Valley Entrance Fee - per motorcycle - $25.00

This permit allows persons traveling on one motorcycle to leave and re-enter the park as many times as they wish during the 7-day period from the date of purchase.

Death Valley Entrance Fee - per individual - $15.00

This permit allows a single individual traveling on foot or individuals traveling on one bicycle to leave and re-enter the park as many times as they wish during the 7-day period from the date of purchase.

Death Valley Annual Pass - $55.00

Annual pass providing free entrance to Death Valley for 12 months from the date of purchase

Curriculum

Curriculum will be catered to each individual’s skill level and may vary from student to student. Below you’ll find some common topics based upon different skill levels.

BEGINNER-INTERMEDIATE

I am a big believer in fundamentals in the development of any skill, photography is no different. I start all my workshops by ensuring that we have a good foundation to build on. Below you’ll find some sample topics:

Shooting in Manual Mode

Understand The Exposure Triangle and how each affects the image (aperture, ISO, shutter speed)

How to Meter and Expose for best results

Using light for better captures

Compositions made simple and easy

Understanding and using camera settings and menu options

ND’s, Polarizer and Grads - Which to use and when to use it

Tips and Tricks for easier workflows and shooting experience in the field

INTERMEDIATE - ADVANCED

Those who have a greater understanding of their cameras will get some more advanced shooting techniques to focus on light, location and making good decisions to make the most of the variables. Some advanced topics are listed below:

Exposure bracketing and blending

Focus stacking for depth of field and sharpness

Creative blending to bring the vision to life

Composing for interest, depth and focus

Conclusions and Expectations

SUMMARY

Your satisfaction, enjoyment and educational experience is important to me.  The goal of this workshop is to allow you to further understand your camera, composition and artistic expression while using the amazing landscapes of Death Valley. I want to ensure that everyone comes away with great instruction as well as a great experience in nature. Most importantly, we are going to have fun! Having fun is a critical part of any good photography adventure. When you have fun, your mind is free to expand and learn.

POST PROCESSING

Post Processing is not included with this workshop. You can purchase an additional 3 hours of post processing instruction with this workshop that will be completed following the workshop. Editing is done via group video session in the following weeks from the workshop. It is recorded and available for download shortly after the session is complete. Instruction is given in both Adobe Lightroom and Photoshop. Topics of post processing will vary upon your skill level. Common topics below:

Lightroom and Photoshop Workflows

Maximizing your RAW captures

Keys to clean editing

Stacking for depth of field and noise

Use of Luminosity Masks

Blending methods

Finishing an Image

and much more...

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Learn More About Chris

Chris is a photographer and educator based in Long Beach, CA. It is a desire to teach, love for the outdoors, and photography which resulted in his role as a landscape photographer and educator. When not sharing his photography knowledge he can be found exploring nature’s beauty in his endless search for perfect light and discovery.

Learn More About Chris’s Workshops

Chris’s workshops cover a wide-range of photographic instruction and all its aspects, but also put an emphasis on having fun to enable creativity to thrive. Chris puts the emphasis your development as a photographer, incorporating infield fundamentals and cutting edge techniques to help you find your vision and bring it to life in post-processing. Whether you are just beginning or a blooming professional, Chris will help you to create meaningful and inspiring photographs while leading you down a path towards finding your own creativity.