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THERE’S a common perception of emo music that it’s some kind of music-related, eyeliner wearing cult led by My Chemical Romance...

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THINK back to 2011, and Metronomy’s last album, The English Riviera. That album started with a chorus of strings and seagulls, followed by the album’s trademark pumping bass lines and upbeat synths. Now it’s 2014, and…

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THE SHORTEST month of the year was not short on musical quality, with a wonderful array of albums being released. These six are my pick of the bunch...

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ArcTanGent Make Their First Announcement For 2014

And So I Watch You From Afar, Three Trapped Tigers, TTNG, The Physics House Band, Baby Godzilla, Nordic Giants, St. Pierre Snake Invasion and Theo have all been announced to play the opening Thursday of the festival.

The Thursday has been billed as a night for returning artists from 2013, and with this in mind, the line-up announced makes a perfectly eclectic introduction to the weekend ahead and a great reminder of how brilliant the previous year was. Memories of Baby Godzilla spending the majority of their 2013 set either on the scaffolding or in the crowd; and The Physics House Band blowing any expectations out of the water whilst playing to an overfilled Bixler stage will surely get the punters pumped and ready the next two days to come, right?

2013 was the first year for ArcTanGent festival, but coming from the creators of 2000trees and Gocstock festivals, there were high hopes that it would replicate the community-centred atmosphere and excellent organisation of its sister festivals. Based upon how 2013 went, the hopes are even higher for 2014. Despite being in its first year, ArcTanGent demonstrated exactly how a small festival should be run, and had all the right reasons at heart. Every single person on the site for those three days was there because they love the underground experimental music scene, and love the community that has developed over the last ten years. I’m probably running the risk of sounding “hipster” (whatever that means) or cliqued, but at the end of the day, ArcTangent 2013 was 5000 music fans celebrating the music they love, and it was absolutely a special occasion.

The festival is a must-go for fans of post-rock and math-rock, and at £59 is a bargain. (Have a look over here for a nice video from Rataplan Film with clips from 2013).

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Bay Radio's Albums of the Year 2013 - Part (V)

Later than expected, here is the final instalment of our wonderful Radio Station's Top 5 Albums of the year. A big thank you to all 14 of you who have joined in the fun - and a big thank you to those who have reposted or liked them too! It is of course 2014 now, so we hope you had a great new year and are as excited as we are for forthcoming releases this year!

Such a fantastic mix of choices - you've done yourself proud Bay Radio. Without further ado...here is Part (V) - featuring Sam Scott & Charlotte Malbasa

Sam Scott - The Dead Last Broadcast

5. Jonathan Wilson – Fanfare (Bella Union)

In terms of creating an atmospheric folk sound that echoes that little carnival situated in the darkest part of your heart, Jonathan Wilson has it. Following the release of his 2011 album Gentle Spirit, Fanfare uses what it did so beautifully with the aforementioned and takes it to the next level. Canyon In The Rain, from Gentle Spirit is rivaled by Cecil Taylor, which seems to yearn the Appalachian Mountains with its picking patterns and constant percussion.  An absolute must for any folk fans. Reminiscent of a little Simon Garfunkel, Jose Gonzales, Crosby, Stills and Nash and Jackson Browne, this album tells its own tales whilst allowing you to conduct your own.

Top Track: Cecil Taylor

4. Cage The Elephant – Melophobia (4U2ASKY Entertainment)

Being a huge Cage The Elephant fan previously, Melophobia for me was long anticipated. The band themselves, known for ripping guitar lines, Eclectic vocals from front man Matthew Schultz and a party sound, have existed since 2006 but have reached new heights here. The album, providing that raw edgy Cage The Elephant sound, tears the listener apart and makes them press the replay button. Opening with Spiderhead a rip-roaring moment and ending in Cigerrete dreams, a confessional ballad the album was unlucky not to make the top three.

Echoing Dr. Dog, another band worth checking out, Cage The Elephant are worth a listen and a watch

Top Track: Telescope

3. The National – Trouble Will Find Me (4AD LTD)

Needing very little introduction, The National, born out of the Brooklyn music scene in 1999 have gone from strength to strength since their self titled debut album in 2001. Whilst the album High Violet, for me is one of the best albums of all time, Trouble will find me is a dynamite stick. Ranking in thousands of top 10 2013 albums, tracks such as Fireproof and Graceless drive the album through its paces and, ending on Hard To find it becomes very reminiscent of Vanderlyl Cry Baby Geeks the ballad which concludes High Violet. This album is an absolute belter gaining the deserved recognition.

Top Track: Graceless

2. The Skints - Part and Parcel (Bomber Records)

Renowned as “The hardest working band in the industry” after spending more dates on tour than relaxing in 2013, The Skints have continued to smash festival sets all around the country and further afield. Catching them twice this summer, the album (and their set) opens with the track Rise Up: and this is impossible to stand still to. Fronted by the lovely Marcia Richards, the band have developed reggae; dub infused sound born directly from the pavements of East London. The album Part and Parcel tells the stories of the life and times of the band intertwined with their city; London. Rat-at-at is a pile driver of a tune that vocally echoes hip-hop legends such as KRS-1 whilst tracks such as Live East Die Young supply much more classical reggae vibes, which provide an offbeat, skank to move to.

The album is a 2013 monster, which will continue to impress the scene the Skints were born into.

Top Track: Just Can’t Take No More

1.    Keaton Henson – Birthdays (Self Released)

Finally, Keaton Henson’s Birthdays sits top of the pile. Definitely an acquired taste, Keaton Henson, raising his gig listings from 3 to 7 in one year has created a sound that I believe was unrivalled in 2013.  Having severe confidence issues means Keaton Henson struggles to perform, but does this affect his music? One listen to Birthdays and you’ll understand. Seeing him in London this year was a humbling experience as he failed to make eye contact, submitted awkward banter to the crowd but then ignited the night playing “Sweetheart what have you done to us” Almost breaking at the line “So English” (as apparent on the album.) the song and the set was a marvel, and so is this album. With Tracks such as You and Lying To You, opening one mans soul and peering in has never been so easy. The album is worth a hundred listens and if you have any more time check out Dear his previous debut album, arguably, a tiny bit better.

But that’s for you to decide.

Top Track: Lying to you.

Charlotte Malbasa - New Wave Tuesdays

5. Justin Timberlake - The 20/20 Experience Part 1

JT is back. And he’s back to what he does best. I have chosen Part 1 from The 20/20 Experience for the sole reason that it announces his return to music in the best fashion possible… and has a party to celebrate (‘Let The Groove Get In’). He combines all of the best aspects of ‘Justified’ and ‘FutureSex/LoveSounds’ yet includes much more retro elements of Motown and his Southern roots. It is an album that hasn’t left my car since its release in March and doesn’t look like it’s moving for a long time yet.

Top Tracks: Don’t Hold The Wall, Tunnel Vision, Pusher Lover Girl

4. Wild Belle - Isles (Columbia)

Chicago brother and sister duo, Natalie and Elliot Bergman have needless to say, experimented with their debut album, offering a wide variety of different musical elements. What they appear to have discovered through doing so however is something very special indeed. The velvet tone of Natalie’s voice paired with dub undercurrents envelops you into nothing short of a trance as the album rolls on and they discover their very distinctive sound. Wild Belle have succeeded in fusing the smoothest of blends that you won’t help but want to keep indulging into. 

Top Tracks: Keep You, Another Girl, It’s Too Late

3. Fenech-Soler - Rituals (B-Unique)

The release of Fenech’s second album has been highly anticipated for me after having fallen in love with their debut album three years previously. It has not only lived up to expectation, but surpassed it. Written for large crowds, this album is oozing energy. Lead vocalist, Ben Duffy, is very much behind their strong performance levels which can be felt from listening alone; yet when seen live is really something special to behold and unfortunately rarely seen from popular artists of today. Powerful percussion throughout is certainly not something to be overlooked, strengthening the sound of the album. Yet their strength does not only lie in big synth productions; ‘Two Cities’ is lyrically emotive paired with the melodic tone of Duffy’s vocals. ‘Rituals’ is an album that is guaranteed to put you in a fantastic mood and head over to your nearest festival. Fenech-Soler are certainly made for much greater things and with an album as strong as this, they’re sure to get there.

Top Tracks: In Our Blood, Two Cities, All I Know

2. Louis M^ttrs - Beachy Head EP (SEG International)

It is a rare thing for me to hear an artist and instantly think, ‘this is perfect’ but Louis M^ttrs has successfully achieved this accolade. ‘War With Heaven’ sees time stand still as soon as the first bars arise. M^ttrs has produced something spectral and after having named his EP after one of the most notorious suicide spots in the world, what else can we really expect? Poignant lyrics and haunting melodies prove that he can truly stand on his own as an artist without the help of drum and bass icons, Chase and Status…

Top Tracks: War With Heaven, Killing Me Differently

1. London Grammar - If You Wait (Metal & Dust)

The best thing to have musically emerged from 2013 for me, is London Grammar. They encompass everything that gets me excited about music and their debut album has done nothing but confirm that. Masters in subtlety fused with the vocal power of Hannah Reid take the listener to a place of solace and reflection. There is something distinctively raw about this album that encapsulates you and can only be found through a debut record. With haunting tones throughout, ‘If You Wait’ will leave you breathless. A must have album from a band who are about to shape the next generation of music.

Top Tracks: Metal and Dust, Nightcall, Wasting My Young Years

If you want to get involved with the blog...get in touch at music@aberstudentmedia.com!

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Bay Radio's Albums of the Year 2013 - Part (iv)

Welcome back...and here is our penultimate (possible) entry for Bay Radio's Albums of the year for 2013! It's the day before NYE - why not take a look over some of these beauts if you haven't already!

Part (iv) welcomes the vibrant mixtures from Ryan Owens, Sarah Thornhill and Harry Taylor (who talks us through his favourite release of the year).

Ryan Owens - Behind My Earphones

5. London Grammar – If You Wait (Metal & Dust)

Bucking the trend of up-and-coming bands London Grammar took longer to perfect their album and If You Wait justifies that decision. The music showcases Hannah Reid’s amazing vocals while being exceptionally clever itself. The extras on the deluxe version show they’re capable of more rhythmic tracks but the main album is a piece of beauty from the Nottinghamshire trio.

  Top tracks – Shyer, Sights, Strong

4. John Grant – Pale Green Ghosts (Bella Union)

The sophomore album from former Czars front man John Grant is a beautiful mix of dance beats and powerful personal song writing perfect for a late night. Recorded in Reykjavik, Iceland has influenced his synths heavily sounding like something from the 80s. But these are interlaced with clever more melancholy tracks where Grant attacks his past, his new life since his HIV diagnosis and just how great he is (GMF).

Top tracks – Pale Green Ghosts, GMF, Ernest Borgnine

  3. Pet Shop Boys – Axis (x2)

Their first album since setting up their own record label and Tennant and Lowe sound like they’ve been let off a leash. Sounding robotic, brand new, retro and fun all at once the album returns to what the boys are good at while not sounding out of place in the clubs today thanks also in part to the brilliant production of Stuart Price. There’s also a shock guest appearance from Example and a brilliant cover of Springsteen’s Last to Die.

Top tracks – Axis, Love is a Bourgeois Construct, Vocal

  2. Public Service Broadcasting – Inform. Educate. Entertain (Test Card Recordings)

“Out of our past and into your future comes this news.” The opening lyrics from the BBC archive set the scene for an amazing groundbreaking album from this London duo. Guitars, synths, banjos and harmonicas are cleverly and brilliantly sculpted round old sound clips from propaganda films that when turned on in the car at first listen may sound like Radio 4; a concept good enough to warrant it’s place whatever the music, but that’s pretty good too.

Top tracks – Spitfire, Signal 30, The Now Generation

  1. Jon Hopkins – Immunity (Domino)

Those who know me well enough will have guessed this straight away such is my love for this album. Finally receiving the credit he deserves Hopkins delivers a beautiful album of such beauty that it can transport you to another world. Reviewing the album is difficult: I should know, I tried it! I leave two options to finish: read my review and buy the album or buy the album.

  Top tracks – Open Eye Signal, Collider, Form by Firelight

Sarah Thornhill -

5. Biffy Clyro – Opposites (14th Floor)

Biffy have had a pretty damn good year this year. Headlining at Glasto and Leeds fest, on top of releasing yet another brilliant album to add to their list. Good on them. The Kilmarnock boys are back.

Top Tracks: Opposites, Biblical and Black Chandelier

4. Franz Ferdinand – Right Thoughts, Right Action (Domino)

Franz Ferdinand have come back with another nail biter in their usual indie rock fashion. This feel-good album is suitable for fans of Ulysses and Take Me Out. Like Avicii and Foals, Franz Ferdinand, are touring next year and I cannot wait to see them. This album is a definite must.

Top Tracks: Right Thoughts Right Action, Evil Eye, Stand on the Horizon

3. Avicii – True (Universal Island)

Avicii gave us the party anthem of the year. In true Avicii style, his debut album is all about injecting the fuel to keep the party going. Wake Me Up was a record breaker for the UK number 1 and hopefully his album will be too. Avicii is touring next year and my fingers are crossed that next year is as good as this one was.

Top Tracks: Wake Me Up, Hey Brother, Hope There’s Someone

2. Foals – Holy Fire (Warner Bros.)

The sound of summer, Holy Fire is yet another great album by Foals. Their trippy however indie rock sound has made its way back onto our radios and iPods.  Best for pre-seshes or garden parties. This is their best release since Cassius. The band headlined at Latitude Also touring in 2014; Foals have a big year ahead of them.

Top Tracks: My Number, Bad Habit and Inhaler

1. John Mayer – Paradise Valley (Columbia/Sony)

Fans of last year’s Born and Raised will love this. He continues to play with the new twist to his country rock sound. He just keeps getting better. This album was long awaited, especially after his throat surgery, and it was definitely worth the wait. Having had the absolute pleasure of seeing him live on his Born and Raised world tour; once again he does not fail to impress. Featuring songs with Katy Perry, and Frank Ocean; Paradise Valley is well worth a listen.

Top Tracks: Wildfire, Badge and Gun, I will be found

Harry Taylor - Harry and Mitch Live

Arcade Fire - Reflektor (Merge/Sonovox)

Depending on how you quantify a "good album", Arcade Fire have produced the goods yet again with their latest release "Reflektor".

It's not laden with hit single, after hit single, and if that's what you're looking for them you will be sorely disappointed, but instead it's an album that grows, flows and progresses through its 16 tracks. If "The Suburbs" was the most mainstream offering from the band thus far, Reflektor is a step back towards their earlier years, particularly their debút 2004 album, "Funeral" but with heavy tones of "Suburbs" favourites such as "Sprawl II (Mountains on Mountains). The Canadian band's fourth album is unlikely to reach the heights of accolades such as the Grammy Award for Best Album that they got in 2011 for the Suburbs, but musically is definitely a worthy follow up.

Beginning with the title track "Reflektor", the album is what you would largely expect from the band by now, filled with distinctive trademark rhythmic quirks in each song. This is one of the potential stand-alone singles from the album, with Regine Chassange's influence prevelant throughout with French lyrics stemming from her Haitian background, although not quite in the same quantity as previous songs such as Haiti or Uné Sans Lumiere but the variety of language adds yet another angle to the album. However a contender for potential best single on the album is Afterlife, with the deep and searching lyrics that you might expect from the band "Afterlife. Oh my God, what an awful word" kicking the song off, this combined with a catchy tune only challenged by "We Exist" provides the listener with the best single from the album.

A cameo from friend of the band David Bowie features in the title track, but isn't quite as surprising as the inevitable double-take the listener will do from the Jonathan Ross cameo at the start of "You already know". Altogether a very commendable follow-up from the band after keeping the fans waiting for three years.

Stay tuned for Part (V) coming your way tomorrow! 

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Bay Radio's Albums of the Year 2013 - Part (iii)

So Christmas is over! and so onto the countdown to the New Year...what better way than to continue with Part (iii) of our best albums from 2013. Looking back on our first post a week or so ago, we were certainly blessed with an eclectic mix of choices so far - Alex Turner and his Monkeys have failed to set the list alight despite proving one of the most popular releases of the year!

Next up is the turn of Nick Robinson, Paddy Chapman and Ed Cullen!

Nick Robinson - The Dead Last Broadcast and New Wave Tuesdays

5. Villagers - {Awayland} (Domino)

The musicians album within the list. An emotional bullet from beginning to end - I can genuinely say this album has not left my car since it was released. Conor O'Brien is a master of his trade, piecing his melodic acoustic guitar alongside harrowing strings, a full band…and compelling, absorbing lyrics on each and every single track. A song for every mood.

Top Tracks - The Waves, Nothing Arrived , Rhythm Composer

4. Foals - Holy Fire (Warner Bros.)

I'd waited a long time for this album and it duly delivered. As one of my favourite bands you are always expected to become slightly biased, yet their rise to becoming one of the UK's biggest bands has been unprecedented since. From the fantastic 'Prelude', all the way until the beautifully haunting 'Moon' - Holy Fire stands above 'AM' as my guitar album of the year.

Top Tracks - Providence, Everytime, Prelude (Yes, an absolute masterpiece to open with)

3. Jon Hopkins - Immunity (Domino)

If albums were journeys, then Immunity would be the A44 out of Aberystwyth. Only in the sense and feeling of heading somewhere new - and noticing something different every time you use it. Venturing into the unknown, Hopkins, the mercurial producer, gives you quite simply his greatest piece of work.  If any of you are off on a long car/train/plane journey over the next few weeks…I implore you to purchase this record, some decent headphones and find yourself in another part of the universe. 

For a more in-depth review - our Tech Manager Ryan Owens passed his opinion a few weeks before (http://bay-radio.tumblr.com/post/67363146915/the-mercury-nominee-who-got-away-take-a)

Top Tracks - Open Eye Signal, Breathe This Air, We Disappear

2. Mount Kimbie - Cold Spring Fault Less Youth (Warp)

Dom & Kai have come a very, very long way since their Maybes EP back in 2008 - matured like a fine wine if you must. Hoping to discard their 'post-dubstep' tags, CSFLS brings alive their live show aspect (something to behold)…by recording the album as a band and away from tiny studios. Featuring two tracks from the talented King Krule, this duo are ruthless and will continue to produce as equally stunning records over the next few years.

Top Tracks - Made To Stray, Home Recording, You Took Your Time 

1. Bonobo - The North Borders (Ninja Tune)

Truly stunning. So unfortunate to miss him playing live in NYC - but got my chance over the summer at Beacons Festival. This is definitely my album of the year. Stunning vocals from an array of artists, amazing production, gorgeous strings and one of those albums you can play pre/during/post nights out - whatever your condition.

Top Tracks - Know You, Jets, Cirrus 

Ed Cullen - The Opinion Show

5. Daft Punk - Random Access Memories (Columbia)

I’m not the biggest connoisseur of music, but when Daft Punk returned, it was one of the first albums on my 2013 list, and it didn’t disappoint.

Top Tracks: Lose Yourself to Dance, Get Lucky, Instant Crush

 4. Avicii - True (Universal Island)

I was a bit of a latecomer to the Avicii scene, but holy god damn do I see what the fuss is about. I was hoping ‘Hey Brother’ would remain an unheard gem, alas.

Top Tracks: Hey Brother, Addicted to You, Wake Me Up

3. Frank Hamilton - All of #OneSongAWeek (Self Released)

It’s a huge album, all 52 of Frank Hamilton’s one song a week campaign in which he released a new song for every week of 2012. Some are amazing and some are so-so, but to admire the feat, it’s a definite for my 2013.

 Top Tracks: Two Kids, Another Love Song, This is England, Summer

2. Bastille - All This Bad Blood (EMI/Universal)

Ever since I heard the City High cover Bastille did a few years back, I’ve been waiting for an album. Thank god it was amazing.

Top Tracks: Pompeii, Icarus, Flaws

1. Imagine Dragons - Night Visions (Interscope)

Everybody should listen to this album at least four times. This got me through my dissertation, and I cannot fault a single song on there.

Top Tracks: Radioactive, Bleeding Out, Amsterdam

Paddy Chapman - The Metal Show and EDM Tuesdays

5. Knife Party - Haunted House E.P (Big Beat)

The third release from the Australian electro-house duo is a stunning work. After Gareth McGrillen and Rob Swire decided to leave Drum & Bass act, Pendulum to focus on Knife Party, many questioned the move. However with only 3 e.ps and 11 original songs under their belt, Knife Party are one of the biggest names in EDM music today, and for good reason. Haunted House sees Knife Party stray further away from the dubstep elements of previous songs (Centipede & Bonfire to name a few) and get drawn more into the ever growing House music scene. The e.p showcases three original songs all of which are phenomenal in their own unique way, and a jaw dropping remix of possibly their most famous songs to date. Whilst this e.p is short, it is far from lacking in quality and each song has what it takes to get the dance floor pumping. An incredible release from a group who are only going to get bigger.

Top Tracks: Power Glove, Internet Friends (V.I.P Remix)

 4. Defeater – Letters Home (Bridge Nine)

 It’s not often that I get completely sucked into albums like I did with this one. For those who are unaware, Defeater are a hardcore punk band from Massachusetts who on their third album to date are sounding stronger than ever. Whilst their uniquely haunting and beautiful sound means that in all likelihood they will never become a household name, in my eyes Defeater are one of the best bands in heavy music today. With astonishing writing and heart wrenching lyrics, if you are a fan of melodic hardcore, or good music in general then this is certainly the album for you. You don’t have to love heavy metal for you to appreciate the musical genius of Defeater, and this album is the perfect showcase of the skills of a band doing what they love in a way which has never been done before.

Top Tracks: No Saviour, Hopeless Again,Bastards

 3. Borgore – Legend E.P (Buygore)

The first of two e.p’s released by dubstep legend Borgore is undoubtedly the better of the two (see Wild Out E.P). ‘Legend’ showcases all the egotistical swagger which the name Borgore has become synonymous with in recent years and it is brilliant fun. Filled to the brim with filthy drops and chorus lines that will get stuck in your head for days it’s hard not to crack a smile when listening to this album. ‘Legend’ is much more accessible to a wider audience than his earlier work, and this can only be a good thing for the young Israeli who is still finding his sound. With four massive tunes including a haunting  performance by Adi Ulmansky who appears on much of Borgore’s work, Legend is a brilliant addition to the ever growing EDM scene and a must have for all dubstep fans.

Top Tracks: Legend, That Lean

 2. Benga – Chapter II (Sony)

One of the forefathers of the dubstep movement in the 2000s, Benga’s second album, Chapter II signifies everything that the genre stands for. With an incredibly varied selection of songs, this album appeals to fans of dubstep, grime, trap, drum & bass and even to some extent, smooth jazz including some phenomenal hits which deserve the same recognition as his classic track, Pour Your Love. This is an album with something for everybody and if you enjoy any kind of electronic music, I will guarantee that you’ll enjoy at least one or two songs from this album, if not the entire thing. Personally, I haven’t been able to stop listening to it since July and I don’t aim to stop anytime soon.

Top Tracks: Smile, Forefathers, Warzone,

1. Letlive. – The Blackest Beautiful (Epitaph)

The third major album from the Californian rockers, The Blackest Beautiful sees Letlive. instantly transform from a small, relatively unknown hardcore band into one of the driving forces of the movement. The fact that they were one of the first bands announced for Download Festival should be a testament to how far this band has come in recent years and this album only solidifies their position. Filled from top to bottom with jaw dropping tunes soaked in meaty riffs that’d give Highway To Hell a run for its money and some of the catchiest chorus’ I’ve ever heard, The Blackest Beautiful is a work of art from start to finish.

Thanks for more brilliant contributions - what a fantastic mix of albums so far...stand by for more soon!

[bay-radio-blog]

Bay Radio's Albums of the Year 2013 - Part (ii)

It's Christmas Eve...what better way to spend it (rather than wrapping presents), with Bay Radio and another splendid list of Top 5 Albums for this year!

If you still want to get involved - email us at music@aberstudentmedia.com for more info...

Nick Saunders - The Hangover Show

5. Imagine Dragons - Night Visions (Interscope)

I imagine this one will be on a lot of top five album lists this year, and there's a pretty good reason for that: it's fantastic. At 20 songs, it's inevitable got one or two in the 2nd half that don't really get more than a shrug really, and you might get a slight flashback to back when The Killers were good. However, you'll end up with 5 or so favourites that you'll be playing on a loop for days on end, and that more than compensates for it. A great debut album with some of the best songs to be heard this year.

Top Tracks: Amsterdam, Radioactive, Demons

4. Queens of the Stone Age - ...Like Clockwork (Matador)

Queens Of The Stone Age have always been something of an enigma for me. For a while now they've suddenly jumped ahead of everything, reminded me how great they sound and becoming one of my favourite bands to listen to. But then given 2 months, they're replaced by another band and forgotten completely for a good 2 years. At 12, they were replaced by Foo Fighters, at 14 by (regrettably) Lost Prophets, and at 16 by Rise Against. So is this the album that keeps the band playing in my earphones a little longer? In short: no. In long: Well considering I'd forgotten about it by September until I was trying to think of my favourite albums this year, kinda. It was pretty much on repeat most of my summer though, and I can't understand how I've forgotten it now, so I'd still recommend it hugely.

Top Tracks: I Sat By The Ocean, If I Had A Tail, The Sun Is My God

3. Jake Bugg - Shangri La (EMI)

Jake Bugg (specifically the album, but then obviously the musician) had some of my favourite songs of 2012, and I was left wanting more. Great then that it's only taken a year for Bugg to bring out the next, and this time it's even better. A fantastic Folk-Rock balance makes this an album definitely worth your time. The genre's not exactly revolutionary and yet Bugg sounds genuinely unique and creative. Successor to Bob?

Top Tracks: There's A Beast And We Feed It, Messed Up Kids, Pine Trees

2. Hugh Laurie - Didn't It Rain (Warner Bros.)

This was my dark horse for number 1, especially considering how surprised I was by it. I remembered enjoying Dr. House's last album, 'Let Them Talk', but did not expect at all to fall in love with his follow up this year. This album is as much about the Rhythm as it is the Blues, and there's plenty of varying tones (and even singers) that keep things interesting. It's smooth, it's cool, it's rocking. The more exciting songs will leave you with twitching feet and a longing for New Orleans or Chicago. The others will just leave you in a beautiful, dreamy, hypnotic, dopamine-filed coma.

Top Tracks: The Weed Smoker's Dream, Kiss Of Fire, Wild Honey

1. Frank Turner - Tape Deck Heart (Xtra Mile/Interscope)

This is a special one for me. I've basically listened to this guy religiously since my older sister made me to listen to Million Dead (his old post-hardcore band) when I was 10. So I admittedly had quite high expectations for this one. Lyrically, it's brilliance, but then what album (or song) by the word smith isn't? Musically, every song has the potential to be your ears best friend after a few plays. The style's changed, and it certainly feels like a new album, with its own unique take to it. Some songs (which I dare anyone to listen to without wanting to sing or dance along to it) seem like they might be aimed at the arenas Frank's now selling. That's a good thing, as it makes it much better to be rocking out to them with 10,000 odd people come the February tour. I call that a positive result. Another great piece of work from the bard.

Top Tracks: The Way I Tend To Be, Four Simple Words, Recovery

Mary Wright - Dovey Junction Discs

5. Ellie Goulding - Halcyon Days (Polydor)

Ellie’s new album keeps the familiar electronic and slightly repetitive style of her first album but with a different feeling. This album feels a bit like it’s trying to be grown up; where ‘Lights’ was the shouting of a teenager with nothing to lose ‘Halcyon Days’ feels like the twenty something with lots to prove and plenty to say. I like it a lot, but as with ‘Lights’/’Bright Lights’ I feel it was much improved by the added tracks in the repack which is a bit of a cheat for those who bought the album as soon as it was released.

Top Tracks: You My Everything, Goodness Gracious, Anything Could Happen

4. OneRepublic - Native (Polydor)

This release was quite a surprise for me as I had forgotten OneRepublic existed after falling in love years ago with a few tracks from their ‘Waking Up’ album. The lead single has been played daily in the Union and it is certainly catchy with the mix of guitars and orchestral instruments that I loved so much in tracks like ‘Made For You’ from ‘Waking Up’. 

Top Tracks: Counting Stars, Feel Again – With Heartbeats, Can’t Stop

 3. James Blake - Overgrown (Republic)

I didn’t expect to like this album at all, but something about it just makes me feel so calm without feeling melancholy. It reminds me a bit of Little Dragon in its feeling and sentiment and that all of this music came from one man I find amazing.

Top Tracks: Life Round Here, Retrograde, Take A Fall For Me

 2. Sting - The Last Ship (Cherrytree)

It will be no surprise to anyone who knows me fairly well that I will devour anything Sting releases. However I am certainly glad he has listened to the cries of the masses and put down the lute in favour of sounds and arrangements more familiar to those who enjoy his live albums where he is backed by a large, varied band. This album is tipped to become the soundtrack to the musical he is writing under the same name. As is always the way with Sting’s song-writing the strongest songs are those with clear, engaging stories.

Top Tracks: Dead Man’s Boots, And Yet, Practical Arrangement

1. Daft Punk - Random Access Memories

Without a doubt my album of the year. The one I was most excited for and most lived up to the hype in my head. Having used Musique Vol.1  to get through my GCSEs and being a big fan of Air, another French electronic group, the stakes were high. Especially with the coverage it was getting on 6Music. But as soon as the stream was up, and I listened to it all the way through turned up loud I knew it was going to be the soundtrack to my summer. To me, it’s nigh on perfect.

Top Tracks: Doin’ It Right, Lose Yourself to Dance, Giorgio by Moroder

Jozef Raczka - Unsung Heroes of Radio and The Arts Show

5. Kanye West – Yeezus (Roc-A-Fella/Def Jam)

No, it isn’t My Beautiful Dark twisted Fantasy and yes, some of the lyrics were bad (start a fight club, get Brad re-Pitt-ation) but Yeezus was a great album. It is startling, unpredictable and sporadically genius, much like Kanye himself. Whatever people may think of Kanye as a person (and I have some strong opinions on that matter), he is still is capable of making thrilling and original music. Combining the propulsive backbeats of 90’s hip hop and industrial machinations of Nine Inch Nails, it sounded like nothing else this year. Benefitting from some well-chosen guest slots from the likes of Frank Ocean, Charlie Wilson and Bon Iver, it helped prove that experimentation can still be enjoyable to listen to.

Top Tracks: Hold My Liquor, New Slaves, Bound 2

 4. CHVRCHES – The Bones Of What You Believe (Glassnote)

 It is incredible to think this is still just their debut. This Scottish trio have come out fully formed and used their debut album as a mission statement. They tell us that synth pop isn’t just a genre of 80s nostalgia but a vibrant, contemporary and very warm, humane force. Lead singer Lauren Mayberry has some of the best pop vocals in ages and the band is more than capable of backing her up. If this is their debut, prepare now for their sophomore effort.

Top Tracks: The Mother We Share, Lungs, We Sink

 3. Chance The Rapper – Acid Rap (Self Release)

Acid Rap captures a moment. That moment just before you become an adult and you are dealing with what you believe to be everything. It impressively segues between party jams, smooth love songs and paranoid glitch-hop thrumming with a feeling that his hometown is trying to kill him. On top of that, it’s one of the best produced albums of the year with barely a beat out of place. His flow may feel at times like an amalgamation of his influences but it is the sound of an artist finding his voice. When he finds it, it will be truly something to behold.

Top Tracks: Paranoid, Favorite Song, Cocoa Butter Kisses

2. Deafheaven – Sunbather (Deathwish)

It was a close call. I nearly put this album first but here it is in second. A metal album for non-metal fans, a shoegaze album for people who have no idea what that term means and let’s faces it, most fans don’t. It is pure emotional empathy, every scream; every wave of feedback seems perfectly placed to trigger some form of reaction in the audience like Sigur Ros if they ran into Discharge in a dark alley. It is at once terrifyingly intimate and upliftingly anthemic. There are going to be many who will probably hate this album with its extended song lengths often recalling Tool at their most self-indulgent but if you are willing to give it time and a good pair of headphones, it is music at its most raw and most beautiful.

Top Tracks: Dream House, Sunbather, Vertigo

1. Vampire Weekend – Modern Vampires Of The City (XL)

The purest pop album of the year. It was everything the band had threatened to be over the first two releases with their Paul Simon’s Graceland meets Beach Boys vibe but this time, they really nailed it. Where the earlier albums had a lot of invention and energy, at times the energy over-spilled and the experimentation became overly-cute. This time, the mix was injected with a healthy dose of melancholy, tempering and controlling things. It was still a summery album full of catchy melodies and bright guitar lines but it never forgot that the summer is only a few months, that in the end the beaches close and we all go back to work and school. I couldn’t describe why this album is better than Sunbather because fundamentally I’m not sure if it is but something about it hit me on more of a gut level than anything else this year. On this occasion, I’m going to trust it.

Top Tracks: Unbelievers, Step, Everlasting Arms

Part (iii) will be available after Christmas! Have a good one everyone! 

[bay-radio-blog]

Bay Radio's Albums of the Year 2013 - Part (i)

That time has arrived. The flippin' meticulous, continual ends of years lists…constant nostalgia ridden splurges from experts 'in the know' - all making you feel a tiny bit smaller on how you have definitely missed out on their album of the year. 

Well, we're going to be no different! What I do know is, as a station (a small student one in comparison), we hold host to a wonderful, eclectic mix of DJ's, music lovers and music haters alike. So come on a journey (join in too if you so wish), as we pass on to you our Top 5 lists from the year over the coming week or two. If I can pass on one tiny piece of advice…go check some of them out if you haven't already!

…you might surprise yourself!

Andrew Noel

5. Waxahatchee – Cerulean Salt (Don Giovanni Records)

American Alt-Folk songstress Katie Crutchfield returns merely a year after the release of her debut album as Waxahatchee. On Cerulean Salt, Crutchfield expands her repertoire from bedroom set acoustic folk to short, snappy alternative numbers, which musically broaden the project’s horizons. Cerulean Salt feels clean, sharp, and the combination of DIY rock and Crutchfield’s exquisite voice makes for one charming record.

Top Tracks: Coast to Coast, Lively, Peace and Quiet

 4. Queens of the Stone Age - ...Like Clockwork (Matador)

 With albums like Rated R and Songs for the Deaf, Queens of the Stone Age had already done more than enough to secure their place in Rock history. But with ...Like Clockwork, the band entered a new realm entirely. ...Like Clockwork is a juggernaut of an album, with Josh Homme’s signature vocals at their finest, and contributions from the likes of Alex Turner and Trent Reznor adding fine details to an already in depth album. The album may be relatively short, at only 10 tracks, but each track is absolutely perfect, and a full listen leaves the listener satisfied.

Top Tracks: If I Had a Tail, My God Is The Sun, Fairweather Friends

 3. Daft Punk – Random Access Memories (Columbia)

With perhaps one of the greatest marketing campaigns of the year, Daft Punk returned triumphant earlier this year with their fourth studio album, Random Access Memories. From the moment the 30 second snippet of Get Lucky was shown during an advert break, the entire dance scene was thrown in turmoil. Random   Access Memories exhibits why Daft Punk are one of the most respected electronic acts around at the moment, as the due take a musical direction nobody expected what so ever, by bringing in the likes of Niles Rodgers and Pharrell Williams to resurrect the disco scene, and bring life back to music.

Top Tracks: Giorgio by Morodor, Get Lucky, Doin’ It Right

 2. Savages – Silence Yourself (Matador)

 British Punk band Savages have easily produced one of the most exciting and powerful records of the last year. Jehnny Beth’s brooding vocals against a backdrop of chunky bass lines and reverb guitar present us with deep, emotional, raw combination that shakes the listener to their core. It’s hard not to appreciate the near flawless eleven tracks presented by the band; from the angry Shut Up, to the mystical Dead Nature to the touching Marshall Dear, Savages is angst-rock at it’s finest.

Top Tracks: Shut Up, She Will, Husbands

 1.  Arctic Monkeys – AM (Domino)

The last few years have presented us with a slight decline in the Arctic Monkeys’ discography, with Humbug and Suck It and See not exactly being the most exciting albums ever. With AM though, Arctic Monkeys recreated the energy that had during the WPSIATWIN era, and produced music no one else is doing. The classic Arctic’s themes are still there, but the band has layered RnB beats, added melodic backing vocals, and Alex Turner’s Elvis bravado comes across prominently. AM is like nothing being made right now, and, like when the band first came to mainstream attention, we watch as the residual effect of the album seeps through a new generation of bands.

Top Tracks: Do I Wanna Know?, Arabella, Knee Socks

Alex Pike - The Metal Show

5. The World Is A Beautiful Place & I Am No Longer Afraid To Die – Whenever, If Ever (Topshelf Records)

Once you get over the fact the both the band name and line-up is massive, it’s hard to ignore that TWIABP have crafted one of the most atmospheric and emotional albums of 2013. Taking influences of the emo bands of the late 80’s/early 90’s, such as Cap ‘n’ Jazz, Braid and Mineral, combined with the wealth of feeling  that comes with being an eight-piece band brings a sound that is set to hit the mark with today’s crowds. Yet the brilliant execution means that this album should be so much more than just a fad with the kids of today. Admittedly, the lead vocals might not be to everyone’s tastes, but with four members of the band contributing their voices to the mix, that’s no excuse not to give this the chance it deserves.

Top Tracks: Gig Life, Picture of a Tree That Doesn't Look Okay, Getting Sodas

4. Ttng – 13.0.0.0.0  (Sargent House)

Five years after their incredible debut full-length and a drastic line-up change down the line (with a slight name change to boot); I had mixed feelings about the release of Ttng’s second album. At first it took some time to get used to the change of vocalist, but two weeks after the release of 13.0.0.0.0 and I’d still not listened to anything else and I loved it.

The characteristic technical guitar work and subtly shifting time signatures of their previous work are all still there, but 13.0.0.0.0 works so much better as an album rather than a collection of songs. The variation and change a pace on the record really make it stand out.

Top Tracks: 2 Birds, 1 Stone and an Empty Stomach, Left Aligned, Cat Fantastic

3. 65daysofstatic – Wild Light (Superball Music)

Just when you think that the kings of the UK post-rock scene have mastered their art, they go and release this pearl of excellence. It’s nothing mind-bogglingly new for the band, but by blending everything that they’ve learnt on their first four albums, they’ve possibly created their most note-worthy album to date. From the glitch electronics from The Fall of Math, to the gentle piano pieces from The Destruction of Small Ideas (and even hints of the more dance-able beats found on We Were Exploding Anyway), it’s all tucked away within these eight tracks.

Yet this is no cut and paste job that I might be making it sound like. All of these different elements are finely pieced together with subtlety and a generally more minimalist approach than their previous efforts. Wild Light might lack the obvious crescendos of the stereotypical post-rock template, but that doesn’t mean it packs any less of a punch than any other instrumental music released this year.

Top Tracks: Prisms, Taipei, Safe Passage

2. Touché Amoré – Is Survived By (Deathwish)

If you like lyrical and emotive hardcore punk, then you definitely need to listen to Is Survived By if you haven’t already. If nothing on the spectrum of hardcore has previously grabbed your attention, from Black Flag to Refused, then I’d still implore you to give Touche Amore’s new album a try.

The songs are short and punchy with heartfelt vocals, which is nothing new for Touché Amoré; and saying that that is a formula that has always worked for them would be an understatement. However, if there’s one thing that raises Is Survived By above their previous work, it’s that the songs occasionally take a pause from the aggression to build the mood. The result is an album that really has room to breathe without compromising what is at the centre- frontman Jeremy Bolm’s lyrics and their delivery.

Top Tracks: Steps, Non-Fiction, Just Exist

1. letlive. – The Blackest Beautiful (Epitaph)

First the catchy hooks and soulful choruses will pull you in, then you’ll be intrigued by the jagged riffs and you’ll stay for the thought provoking lyrics. The Blackest Beautiful is well and truly a masterpiece that balances melody and aggression throughout. Every band member puts in an amazing performance, yet they don’t compete and all pull together to create an incredibly cohesive record. The poetic wordplay of frontman Jason Butler is a highlight, with topics ranging from religion to politics to relationships.

From start to finish, there’s not a second in the album where the standards drop or the passion wanes. In that time, it’s impossible for the listener not to be completely engaged- singing with every gasp of air they’ve got and pulling every jaunty dance move they’ve ever known.

Top Tracks: Banshee, That Fear Fever, White America's Beautiful Black Market

(NB: If I was including EPs on the list then Funemployed by Gnarwolves and Management by Delta Sleep would be game-changers, so you really should go listen to them if you’re looking for new music and haven’t already.)

Joel Hughes - In the Belly of the Bay - @joelmofu

5. Nine Inch Nails - Hesitation Marks (Polydor)

When Trent Reznor revealed that his plans for NIN weren't exactly as he previously stated, and that the band would return with a new record in '13, I kinda lost my mind. I love this band and the record is a clear and concise representation of Reznor's current inspirational environment. So good.

Top Track: Everything 4. Arctic Monkeys - AM (Domino)

The best British band of the past decade. Danny and I both loved this record and for me it is a perfect Arctic Monkeys album. I've been a massive fan since their debut and although their sound has changed a lot, it has changed in a way that sounds like a genuine creative decision. Awesome.

Top Track: Knee Socks 3. dan le sac Vs. Scroobius Pip - Repent, Replenish, Repeat (Strange Famous)

Following on from Angles and The Logic of Chance sounds like quite a huge deal, but these boys consistently nail it. le sac's beats are multidimensional and better than ever, and as always, Pip's poetry is stunning and thought provoking.

Top Track: You Will See Me 2. letlive. - The Blackest Beautiful (Epitaph)

Basically, the boys in letlive. knocked this one out of the park. Jason Butler et al. managed to build upon the sound established by Fake History and take it even further, pushing post-hardcore to new artistic areas.

Top Track: Younger 1. Queens of the Stone Age - ...Like Clockwork (Matador)

I don't want to sound biased because listeners of the show may know that Queens are my favourite band ever, but in terms of both musicality and how much I've listened to it this is a clear winner for me. The record is musically very varied; heavy then soft, but also grandiose then frail at points. Homme's personal experiences play a huge part in the writing and the band's mates out there in the desert help round out this album to make it their best effort since the seminal (and unmissable) Songs for the Deaf.

Top Track: I Appear Missing

stick around for many, many more picks from our very own DJ's in the coming days/week!

If you want to get involved, you still can! email music@aberstudentmedia.com with your top 5!

[bay-radio-blog]

HNNY - No  9 days before Christmas and a few weeks before the end of the year…has this magician of a Swedish producer just released my track of the year? I have been waiting all week for its release & it fails to disappoint. 

If you're heading out to a club or even house party NYE, then I fail to see why this shouldn't feature. A heavy, palpitating beat and a gorgeous TLC vocal sample…reaches new levels of purity for the upcoming HNNY.

Released on Puss Records today, 16th December 2013.

- N

[bay-radio-blog]

The kid done good-James Arthur’s dazzling debut 

Annoyingly, this album is proof that The X Factor works. An album of musical maturity far beyond his 20 years, the Middlesbrough man has created an album that is the envy past winners of the ‘talent’ show. All previous winners have produced albums that are incredibly polished, Arthur’s first offering does not suffer for the lack of shine.

  From the smash hit “You’re Nobody Until Somebody Loves You” to “Get Down”, which harks back to Massive Attack’s heyday, to “Supposed” whose guitar rifts are hypnotic, this album is unashamedly honest and the best debut album of the year. During last year’s X Factor I remember the incredibly cringeworthy moment when, after Arthur had done a respectable cover of Mary J. Blige’s "No More Pain", Tulisa had drawled on that “I believe every single word that you’re saying”. I hate to say it, but James Arthur’s musical maturity and awareness makes it impossible not to believe his lyrics. He is fortunate that he won The X Factor the year before the country appears, at least superficially, to be getting tired of Simon Cowell’s money-making gimmicks. Duets with Emeli Sande on Roses prove that he already has a reputation within a highly-competitive industry. This will not be the last we see of him.

  I’m nothing if not cynical and you can understand why it was released at the end of last month. Hoping to make as much money and make a surge for The Christmas No.1, as well as using the competition he won last year to publicise his unimaginatively self-titled first record. Nevertheless he has created something that is surprisingly varied in it’s musical style and instrumental awareness is at the forefront of his work. Personally, I’m surprised that he hasn’t released it during the summer. On the contrary, I don’t doubt that he will be touring with this album in Summer 2014. It irks me, but well played X Factor, I grudgingly tip my hat in your direction.

  An absolute must-buy.

- A-P   

[bay-radio-blog]

20/20- Hiatus ends for Timberlake with Smash-Hit Album

Future Sex/Love Sounds was the last studio album released by Justin Timberlake. Even his most loyal of fans would have to admit that a 7-year break from the music business may have been too much to bear. Never fear. The 20/20 Experience proves that regardless of Timberlake’s forays into Hollywood Music is what he does best. The 20/20 Experience is the musical equivalent of a bird-coming home to roost, or a drunken student returning to the warmth of bed after a mistake-laden night out. This is no slur on his acting ability by no-means, because he can act, but when you’re so good at another string in the artistic bow it begs the question: Why would you ever leave?

  The purpose of music is to provide in an album an opportunity to escape. Music albums are pieces of marketable escapism. With this album the escapism it offers is through the medium of beat. Beat. Helped massively by the productional genius of Timbaland in the modern market, it will get even those who despise pop music bobbing their heads to the inventive beats of Timbaland and the rest of the team at RCA records.

  The 20/20 Experience has two parts, inventively released separately under the titles, you guessed it, The 20/20 Experience Part 1, and-wait for it- The 20/20 Experience Part 2. Whether this is a plot to make as much money as possible is undeniable, however, with Timberlake’s bank balance, have no fear that this album was written for the love of music rather than any economic gain.

  The hallmark track off either album Mirrors is obviously an eight-minute public serenade of his wife Jessica Biel, and as many female listeners will appreciate the sentiment of “turning two reflections into one”, as Timberlake so eloquently expresses. The racy jazziness of Body Count implores you to move and is counterbalanced by the 1920’s violin opening to Pusher Lover Girl and The Boys 2 Men-Style harmonic opening to Don’t Hold The Wall and Spaceship Coupe . This is a love letter to music. Fuelled by sexiness that is also suave and sophisticated gives the urge to buy this album an added magnetism.

  The 20/20 Experience Part 2 is far more dark and introspective than the first instalment. TKO explores that ever-so-often used motif in music of the relationship gone wrong with a self-critical perspective. “This ain’t the girl I used to know, not anymore”. Through such lines Timberlake is trying to appeal to both the male and female demographic, using beat and linguistic fluidity in his lines to ensure people with interests in all genres will have their heads turned by this album that is fast-becoming a global sensation in 2013.

  With party anthems of soul such as Take Back the Night will ensure stylistic comparisons to Michael Jackson’s earlier soulful work in the late 70s as a solo artist with songs such as Rock with You and Don’t Stop Till You Get Enough. Timberlake is not alone in, intentionally or unintentionally, using the self-proclaimed King of Pop as stylistic inspiration in his work.

  It entered the UK Charts immediately at Number 1 earlier in the summer and Part 2 is still in the Billboard Top 20. This album has been top of the charts both sides of the Atlantic, evidence of its great appeal to music lovers the world over, at least in the traditional sense of dominating sales, airtime and the charts both in Europe and America.

  In the mould of the best artists of the last quarter of a century it is obvious that this album was written with the express intention of touring and performing live. The balance he has to find in doing so is the tread the fine line between mass popularity and peaking sales and overexposure. Now embarking on a near 10-month tour of his native country and Europe, the Memphis boy is to maximise his appeal in the traditional sense. Album, Tour, Record Sales. The formula is simple.

  Coming to our shores in April when he plays the Motorpoint Arena in Sheffield on the 30th March before two already sold out back-to-back dates at what is becoming the Mecca for all travelling performers, The O2 at the start of April (before returning on the 10th June-TICKETS STILL AVAILABLE). He won’t be finished there, continuing through the heartland of Europe as he visits Zurich, Berlin, before hitting the impressive Stade de France in Paris and MGM Grand when he returns to The United States in the twilight of the tour.

  Timberlake is the musical equivalent of a prizefighter before a pay-per-view bout. However, I have no doubt that all his selling will be worth it and the paying public continent wide will get their money’s worth. Having been nominated for the Best Male at The American Music Awards and one of GQ Magazine’s Men of The Year, for such a seasoned performer Timberlake’s 2013 is akin to a break out year. With the seven year break, describing it as such is justifiable.

- A.P 'Take Back The Night' currently features on Bay Radio's playlist - catch a show over at www.bay-radio.co.uk -

[bay-radio-blog]

"I think this is the truth…two men, one bike" - PMR Lifestyle

A captivating insight into the lifestyles behind one of the UK's hottest record companies - PMR.

Playing host to undoubtedly three of the hottest talents in the country right now, this mini-doc showcases Disclosure, Jessie Ware & Julio Bashmore's plights across the pond in the US during their time at Coachella.

We are put right under the noses of record company exec's, artists and fan boys/girls alike. For me, the documentary is eye-opening…being able to see just what artists and the like are up to when not on stage - and undoubtedly jealously will seep over you as you watch, as it did with myself.

Jessie Ware's Devotion was voted my top album of 2012 on a previously blog post last Christmas (http://bay-radio.tumblr.com/post/39299395742/top-5-albums-of-2012-as-chosen-by-bay-radio-members). & we shall be doing something similar this year too! So if you want to be involved in our definitive countdown of this years best releases, drop me a line at music@aberstudentmedia.com and we can get you involved.

- N

[bay-radio-blog]

The future for music videos?

Watch the exclusive interactive music video for "Bombay Bicycle Club - Carry Me"

A recent craze within the world of music video…the interactive feature. An innovative concept, most recently bought to the world stage by Bombay and their new single 'Carry Me'.

Endless minutes of fun as you 'direct' your way through the performance featuring all 4 members of the band. Are we witnessing the future here, and the end of the traditional concept for music videos?

& who will be next to jump on the bandwagon...

- N

[bay-radio-blog]

The Mercury Nominee Who Got Away...

Take a classically trained pianist and put him under the guidance of the hugely influential Brian Eno. That is maybe the only introduction that can give you some kind of understanding of the world of Jon Hopkins. His new album, Immunity, is one hour of more than simply just instrumentals by a man who can’t decide what genre he wants to fill. From the moment the opening track ‘We Disappear’ begins it is clear this is a man who takes beats and synths and rather than using them in the more conventional way to make you get up and dance he uses them to make you think and contemplate and in doing so transport you into another world. In many respects ‘Immunity’ is a fitting title as a description: you feel immune from the world around you when you listen to the album. It is very simple to just hear ‘Immunity’; hearing the beats and synths and piano keys pressed when they so wish but to do so is the biggest injustice this album can receive. Hopkins has shown under the stewardship of Eno that he knows how to arrange having helped come up with the string section to the Coldplay hit ‘Violet Hill’ and ‘Immunity’ shows his great understanding of how music should be arranged. This is not Hopkins first album but his fourth and it feels like a culmination, not and end and certainly not to say the albums before were not good. But Hopkins has been through a long learning process from learning piano at the Royal College of Music to backing Imogen Heap and working with Coldplay and Brian Eno on ‘Viva la Vida or Death and All His Friends’ and ‘Immunity’ brings all those skills into one solid outstanding hour of listening bliss and contemplation. Phrases within this review may seem all over the place and repetitive but ‘Immunity’ is without doubt one of my favourite albums of all time and trying to put how I feel about such an album into words is not easy. If nothing else I hope it tantalises you enough to simply go out and buy it and try it for yourself.

What you will notice is how individual tracks are not picked out but just described; this is an LP. The hardest part of this album for Hopkins I feel is to pick the proprietary singles; no track on this LP deserves to sit on its own. ‘Immunity’ should be put on with the intention of not turning it off until the album itself does so. From the moment ‘We Disappear’ finishes the scene is set for the next 55 minutes. The track starts bare and basic, building its way up to the crescendo before leading its way into ‘Open Eye Signal’. It feels like a continuation of the opening track and it’s very easy to get lost and not realise the two tracks are separate; but that’s not to say they sound the same. The mixing qualities of Hopkins blend it beautifully and show he is a rare breed of producer who can make great music.

Once the whirring synth sounds of ‘Open Eye Signal’ subside ‘Breathe This Air’ feels like an instruction from Hopkins: take this moment to breathe as the music does and recover from the previous onslaught. As the track threatens to build and erupt back into a similar vein Hopkins stops everything around it, maintaining only a feint drumbeat as the acoustic piano that characterises this track and much of the album is finally introduced in a quite simple but beautiful riff. The piano remains as the track builds again before suddenly dying away and the necessity to take that break becomes apparent. ‘Collider’ quickly explodes after a short period of winding itself up as backing beats come from the back and take over before disappearing behind the volts of electro synth that keep blasting through like flashing strobes in your face. For 10 minutes this track can seem daunting but in itself is an experience to behold as sounds you’ve never heard before work in ways they shouldn’t. That is the beauty of Hopkins, the sounds he introduce to one another should not work and that is what opens ‘Immunity’ up to so many different listeners: you cannot pigeon-hole the album into a category.

Despite the earlier break Hopkins feels ‘Collider’ is so much you have to get out and release yourself from the hold of the music. ‘Abandon Window’ is a sudden escape with little electro work and just an honest basic piano riff that relaxes you while making you unable to escape from its hypnotic nature. Hopkins training as a classical pianist rears its gorgeous head here; the best classical pieces are simple and captivating; as is ‘Abandon Window’.

The final three tracks take a similar nature as they relax you and transport you to another world. While ‘Form By Firelight’ does contain those electric pulses throughout it does not dominate but feels like an electric pulse in keeping the album alive. ‘Sun Harmonics’ is the long and difficult wake-up; as you have slept through the previous track the gentle and rising sun brings the listener to attention wondering where this will go next. The title track ‘Immunity’ ends the album on a very contemplative note. Hopkins introduces vocals properly for the first time, but while present they are incomprehensible: a beautiful drone to bewitch the listener and bring all kinds of thoughts across their mind. However throughout the track, and the whole album, questions are asked without the composer (in this case) asking them. Instead it makes the listener think about whatever is on their mind, but whatever it is you will feel more positive after your thoughts.

‘Immunity’ is a beautiful album of highs and lows, electric drones and piano riffs. Yet the album is always dominated by a constant pulse that makes it feel alive and it always reminds the listener of that. The passing time bears new answers to bring a positivity to your life and even if the album doesn’t make you feel that way, it’s still a musically brilliant and captivating innovative album. Now I read this back this is not a review, but an account of my listening to the album and the feelings it brings out in me. But if it makes even only one listener feel this way, then surely it is an album you cannot simply let pass? And what impresses me most is the album makes me feel the same way: every time, all the time.

- R

[bay-radio-blog]

Dream Team - Exclusive

Imagine the room…Disclosure, Sam Smith, Jimmy Napes & Nile Rodgers. I honestly couldn't myself. But here is the track - released only a few hours ago. Nile cannot put a foot wrong, and hasn't for nigh on 4 decades now. As for Disclosure and Sam Smith especially, the world is currently their oyster... A fresh beginning to your weekend, wherever you are... - N

[bay-radio-blog]

I KNOW that, as a critic, I am often prone to hyperbole but I hope as a reader you’ll allow me this one digression as The Bones of What You Believe might be the best British début since Arctic Monkeys’ Whatever People Say, That’s What I’m Not. CHVRCHES (pronounced churches; just go with it) are a three piece from Glasgow. Having suddenly sprung onto the scene earlier this year with album opener and possible single of the year ‘The Mother We Share’, the band seemed fully formed, displaying a knack for synth pop that delivered the fragile romanticism of their 80s forebears whilst maintaining their own modern twists.