Photo
Natalia Osipova in ROH Giselle
Photo Credit: Click on Photos for Caption
17K notes
·
View notes
Text
what is it about the subtle fuzziness and color/light distortion of old photographs that perfectly invokes the indistinct, dream-like quality of memory
18K notes
·
View notes
Photo
Raphael Sanzio - Bacchante and Satyrs. 1515-1516
2K notes
·
View notes
Photo
117 notes
·
View notes
Text
“Let’s disappear, shall we?”
— Vita Sackville-West, in a letter to Virginia Woolf, December 1926 (via dearestvita)
17K notes
·
View notes
Photo
Photography: Eyup Mosque, Istanbul, Turkey Photographer: Charles Roffey
14K notes
·
View notes
Photo
Orazio Gentileschi, The Lute Player (detail), c. 1612–1615. Oil on canvas, 100 × 74 cm. National Gallery of Art, Washington, D.C
12K notes
·
View notes
Photo
I imagined myself indifferent to her but I was only angry and resentful. Too late… too late I began to understand myself and her. Never have I met her equal in good sense or sweetness of character. She’s perfection itself. I’ve never loved any but her.
1K notes
·
View notes
Text
“‘You’ll get over it…’ It’s the clichés that cause the trouble. To lose someone you love is to alter your life for ever. You don’t get over it because ‘it’ is the person you loved. The pain stops, there are new people, but the gap never closes.”
— Jeanette Winterson (b. 27 August 1959)
975 notes
·
View notes
Photo
Heart in Hand Hooked Rug Untied States Mid-twentieth century
12K notes
·
View notes
Photo
Ceremonial weapons of the Majapahit Empire, Java
20K notes
·
View notes
Photo
Marble portrait of the co-emperor Lucius Verus (161-169 AD), detail. Metropolitan Museum of Art.
30K notes
·
View notes
Text
not gonna lie I really, really enjoyed watching rafa absolutely slaughter djokovic today
4 notes
·
View notes