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5 star yelp review for anyone who gives me this.

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Nick Sagar in Run the World 2.01

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well 🧍‍♀️ as a reminder this blog is NOT a safe space for trump supporters but it IS a safe place for women, queers, trans ppl, people of color, undocumented people, and any marginalized group.

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Charles Bukowski, "hurry slowly," from Come On In!

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List of “our marriage was a contract but now it’s more than just a contract” prompts

Requested by: Anonymous Request: “Heey! Could you do some prompts about two people entering in a marriage of convenience but then slowly falling in love with eachother.”

“Did you like… Want me to get you something as well?” “Oh? You’re actually going to go out of your way to get me something as well for once?” “Well… Yeah. I figured it’d be easier that way.” “I didn’t know you even remembered I existed.” 

“…I folded.” “Yeah, you folded hard.”

“I don’t care about the stupid fucking contract — I care about you.”

“…So we’re holding hands in public now?” “Yes. Yes, we are.”

“I could kiss you right now.” “But you wouldn’t.” “…Do you want me to prove you wrong on that?”

“…Maybe we should stay married even after the contract ends. I’m starting to enjoy your company and I don’t really want that taken away from me.” 

“Fuck that stupid contract, okay? I’m in love with you and that’s all that matters.” 

“Well, I never expected to feel this way for you so I guess fuck me, right?”

Calling the other an “asshole” (or any other insult) but in a much, much fonder way as time progresses, until all the edge is taken out of their words and all that’s left is undeniable affection in those “insults”. 

“I think I can actually spend the rest of my life with you, without busting a vein from pure irritation. And that fucking scares me.”  

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Beyoncé as Pamela Anderson for Halloween (2024)

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𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

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WOO DO HWAN as Kim Gun Woo BLOODHOUNDS 사냥개들 (2023) dir. Jason Kim

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THEY COULDN'T CATCH YOU AND THEY NEVER WILL..

+ THEMES; CRIME, SLOW BURN, VIOLENCE, THE BODYGUARD BASED (sorta), POTENTIAL AGE GAP, F/M.

Muse A is the mob mother of the LaMothe family creole mafia and has been successful since her father, the original boss has been doing time for twenty years but trouble is brewing and Muse A has caught wind of said trouble by her father who's heard through the grapevine of plans of stealing the paradise she has build along with all assets she has accumulated. Muse A has had quite a few bodyguards, keeping them around to guard the neighborhood and her other properties where business takes place but she needs a right hand man to jump before she can fix her lips to speak. Muse B is known in the underworld of crime as someone quiet and deadly, taking assignments from well known criminals and even special requests to get rid of abusive spouses to earn a decent living. Work became slow until Muse A's father puts in a word seeking out Muse A. Muse A is picky and hesitant about this one but can't turn Muse B down because she knows her father knows only the best. Somewhere down the line Muse A gains trust in Muse B and they slowly open up more. Side by side with arms grazing each other, nights on the balcony yapping away as Muse A grips a glass of chardenay, Muse B gripping his gun, random intense glances..something is abrewing but perhaps it isn't bad...

MUSE A; Giselle LaMothe, leader/mob mother. Muse B; Atticus Vaghel, the bodyguard.

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Tanerélle shot by Orin Fleurimont

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usual generational differences, the young one always getting into trouble and calling the older to come bail them out, public dates that have their close friends giving them looks and asking questions, exes making appearances, hard conversations turning into arguments...BUT also genuine love, respect, and appreciation for each other!!

someone give me a legal age gap plot with angst, drama and cute shit!!

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John Boyega as Fontaine They Cloned Tyrone (2023) dir. Juel Taylor

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*breathes* Write poc older muses, write canon poc older muses, write original poc older muses.

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do they have kids? do they want kids? if so, how many? (for kadiza)

Kadiza actually has three kids, adult kids, actually.

Akua & Okoye who are her biological daughters, only children she birthed. They are fraternal twins in their twenties. Jaemin is her son, adopted. She wanted another child but really didn't want to go through with carrying again. Originally, she wanted a baby that was only a few weeks old, but she saw him and couldn't go without him. Kadiza is satisfied with the number of kids she has and does not want anymore.

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BEYONCÉ x SIRDAVIS