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KIRIKOU ET LA SORCIÈRE // KIRIKOU AND THE SORCERESS (1998) - Directed by Michel Ocelot
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A NIGHTMARE ON ELM STREET (1984) dir. Wes Craven
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Richey Edwards for Select magazine, 1994 (source)
transcript under the cut:
What turns you on? Richey: "The books that I find erotic, that turn me on are stuff like Dennis Cooper's 'Frisk', or Mishima's 'Confessions Of A Mask', or JG Ballard's 'Crash'- which is very sexual all the way though. He dreams of being in a car crash with Elizabeth Taylor: auto-imagery, just piling into Elizabeth Taylor and the tail lights meshing into each other, the bonnet being ripped out. It's very violent. There's a Japanese film called 'Tetsuo, The Iron Man'. I love that film. All it is is a man turning into a machine, and in his mind he's got a girlfriend and a potential male lover. I find it really sexy. I think people are becoming more machine-like and that's the imagery I like. Also sex and death are closely linked. Sado-masochistic imagery, bleeding..." Is That Why You Cut Yourself Up A Lot? Richey: "I find it attractive. I find it... sexual."
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H.R. Giger: 'Biomechanoid' (2002) Location: Zürich, Switzerland
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the wrath of god illustrations from le livre de la vigne nostre seigneur, a 15th century french manuscript describing the end of the world, the last judgement and the punishment of the wicked in hell.
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The problem of an eidos in history, hence, arises only when a Christian transcendental fulfillment becomes immanentized. Such an immanentist hypostasis of the eschaton, however, is a theoretical fallacy.
Eric Voegelin
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Following the line of thought of Freud, who considered that every event deposited in the memory structures the unconscious of the individual, we can predict a connection between the implicit memory and the unconscious function of the mind in its “nascent state.” This early unconscious cannot be the result of repression, in that the structures of the explicit memory indispensable for removal (in particular, the hippocampus) are not mature before 2 years of life. Thus the presymbolic and preverbal experiences that are deposited in the implicit memory are not lost even if they cannot be remembered. They form the pillars of an early nonrepressed unconscious that will condition the affective, emotional and cognitive life of the individual even in adulthood and indeed throughout his or her whole life.
— Mauro Mancia, Psychoanalysis and Neuroscience (2006)
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The SPHINX, a super sci-fi looking computer design from the 80s.
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Fabrice Gobert - Les revenants, afiches de Carole Maurel
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