Text
The Kindness of Strangers - A Joel Miller one shot for ALL OF YOU
Neighbour!Joel x f!reader
Rating: Fluff, fluff, fluffiest fluff, gratuitous Jane Austen references
Summary: Let's fall madly in love with neighbour!Joel
Word count: 1,437 words
Content: Rom-com style fluff, Joel Miller AU but no ages mentioned (everyone is over 18 but they can be whatever you would wish), bit of alcohol reference, big swears, bad boyfriend mentioned, minimal descriptions of reader but just so you know, she is of course wearing A SUNDRESS even if I don't mention it. Always Fleabag coded.
A/N: I wanted to do a little something something for the @swiftiscruff friendship exchange, for all of those wonderful tumblr peeps out there who have been so kind to me, have read or shared my stories, or filled my dash with the most incredible fics of smut, angst and pure, delicious fluff. Thank you so much for being so welcoming and so utterly, utterly brilliant. You have all (honourable mention to Pedro of course for being the most delicious muse) made my life so much richer and I'm genuinely a happier person writing again and reading all your *amazing* fics.
This is also specially dedicated to @katareyoudrilling as she has been such a wonderful, supportive and fun friend to me on here and I know her love for Austen runs deep. I hope you enjoy my dear friend!
So what did I do?! WELL it's PURE JOEL MILLER FLUFF PALS! I wrote the original of this when I first starting thinking about writing again (5 whole months ago now) and I gave her a little glow up for you. It's not been beta'd so there will be mistakes, soz.
Note: All images from pinterest. Dividers by @saradika/@saradika-graphics
THE KINDNESS OF STRANGERS
You’ve been in Texas for a few days now and your Uncle has invited some of his ‘younger’ neighbours round for dinner and somehow, you’ve found yourself sitting outside on the porch next to Joel Miller. It happened so easily, you’re not even sure if you’d spoken to each other, a mutual understanding sliding between the two of you that led to being sat in companionable silence, watching the sun go down.
You let your eyes linger on this man, with a face so handsome it’s making you feel dizzy. The darkest, softest eyes, with the most disarming half grin aimed at you, you have to turn away before you start running your hands through that unkept hair, the hint of a natural curl feels like it’s begging to be smoothed by your fingers. You might need to resort to sitting on your hands. Jesus Christ. He’s making a heat rise to your cheeks just by looking at you. What a fucking look though.
You swallow thickly, try to regain some composure, “My Uncle is attempting to teach me how to drink red wine, so I can finally be a proper grown-up. Got to conquer that and then olives next.” You take a small sip, it tastes better already.
Joel nods at you simply and gestures for you to share a taste, his tongue running down the seam of his lip. Instead of handing the glass over, you realise you’re holding it to his now glistening pout and tipping gently, not breaking eye contact as you dare not breath.
Hot. God, it’s so hot.
It’s beyond intimate, you can feel your pulse thrumming in your ears as you watch a tiny bit of red wine escape from his lips onto his scruff. You have to physically stop yourself reaching over and licking it right off him. Jesus wept. He pulls a lazy hand across his chin to wipe the drip away, shaking his head appreciatively as you sit almost dumbstruck.
“S’good.”
You take another sip, exactly where his lips have just been and let your tongue brush against the warmth he’s left on the glass, certain he’s watching your every move under hooded, darkening eyes.
There’s a wave of energy cascading through you; both a heat and a coolness that’s leaving you a mess of contradictions. It feels intoxicating. Yet, weirdly comfortable, like you could just climb up onto his lap and it would be the most natural thing in the world. You don’t obviously. Obviously? Obviously.
How is it possible to feel this much chemistry with someone? An almost stranger you’ve barely met? Is this how other people feel about their crushes? Is it, in fact, normal? Are you the odd one for being slightly detached from the boys you’ve dated before, almost like it was happening to someone else?
You’ve never felt like this before, nostalgic for something as it’s happening; snapshots of sensations becoming a scrapbook you know you’ll keep revisiting forever. The feeling of the sun warm on your skin, the deep taste of the wine, the intensity of Joel’s gaze.
He clears his throat, looking down at the beer bottle in his hands and you bristle, preparing to hear something you don’t want to. “I know you’ve got a boyfriend… but, I’m trying to find the right words. This feels good. We feel good together.
Words are getting stuck, you sort of choke out, “I know.”
It’s making you dizzy again. It physically aches to look at him. You’re sitting as close as two people can be without actually touching, an energy vibrating in the space between you and what feels like a high-pitched scream in your head every time Joel moves to take a drink of his beer and his thick thigh brushes against yours. You hope he can’t see it playing out across your face and you let out a little sigh, which he misinterprets for sadness.
“You finding this hard? I don’t want to mess anything up for you.”
You shake your head slowly, “My boyfriend, he’s very controlled… when everything is on his agenda it’s fine, but he can’t deal with things that aren’t exactly as planned. I spend a lot of time trying to fit myself around him and I’m thinking… maybe I shouldn’t be ok with that. Maybe I should want more.”
Joel nods, lets you talk, and he’s listening, really listening. You continue nervously, “I get this feeling in the pit of my stomach when I’m around him that I thought was butterflies, but now… now I’m thinking it didn’t feel good.”
You don’t say it’s because now you know what those butterflies people talk about actually feel like.
“It felt bad. Like, anxiety. I wasn’t excited to be around him, I think I was nervous.” You sit with it for a moment, “Thanks for listening to me.”
A warm smile passes between you both, Joel shrugs those heavenly broad shoulders, “I’m not one to tell anyone how to live their life, but… this boyfriend sounds like kind of an asshole?”
He looks so genuinely bemused, you laugh instantly, and it’s funny because it’s true. Stupidly true.
“Yeah maybe, but then maybe I deserve him?” You scrunch your face up, you’re thinking of how you’re sitting here talking shit about your boyfriend with a man who you desperately want to touch you, desperately want to kiss your idiot boyfriend’s name right out of your mouth.
“Can’t imagine that for a minute darlin’. Might not be as innocent as you look, but that’s something else entirely.” He smirks at you, brings his beer bottle up to cheers your glass. A wolfish grin slips your way and you feel a guilty smile tug at your lips.
“What you reading?” He drops his shoulder, gently bumps against you, raises an eyebrow at the book propped up next to you, cover curled from so many re-reads.
“Oh. My favourite Jane Austen, Persuasion. They make you read Austen any in school?”
“I didn’t do much reading of anything in school… too busy chasing girls and listening to music.”
You tilt your head at him, “Steinbeck or nothing kind of guy, ey?”
“Somethin’ like that…” He lets out a low chuckle, “Nah, I liked the plays, really. Always enjoyed a bit of Tennessee Williams.”
“Fuck’s sake Joel, stop trying to break my heart on purpose.”
“What? Marlon Brando in Streetcar had a profound effect on a young man who was trying to get laid.”
“I bet he did, I bet he did. He had quite the ‘profound’ effect on me and my friends too.”
You can’t help but think Joel would look pretty damn fine in a dirty white tank top and Baker Boy hat.
“Ever get you laid?” He leans in, a mischievous hand curling around your jaw and you push against him with the flat of your palm playfully, enjoying the sensation of him so close to you and the delicious teasing.
“Not in front of Austen please… I’ll read some to you if you’d like?”
“I’d like that.”
That’s how you end up with his head in your lap, divine almost curls in reach as he looks up at you and you flick through the book to get to your favourite bit. Your left hand has fallen on his chest, so warm against your skin even through his soft grey t-shirt. It is soothing, the gentle feel of his breath against you, the rise and fall of his chest hypnotic. Fucking hell.
You’re putting on your best Captain Wentworth voice; “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone forever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you.”
“You’ve fallen asleep haven’t you?”
“Hmm… no… I’m awake. Just restin’ my eyes.” He’s gazing up at you now, those beautiful eyes searching for yours and making you feel a bit like you might have to bite down on something so as not to press your lips to his.
He repeats you, “Half agony, half hope. I like it.” His hand reaches up and he traces the line of your cheek so lightly it’s making your head spin. “Does this Wentworth get his girl then?”
“Of course.”
You read until your Uncle fetches you both for dinner.
Tagging in some wonderful, amazing tumblr people who always make my day better. So much love and big Pedro kisses to you all.
@pascalssbabyy @luxurychristmaspudding @toomanytookas @futuraa-free @missladym1981 @survivingandenduring @janaispunk @mrsmando @goodwithcheese @undercoverpena @secretelephanttattoo @inept-the-magnificent @tinytinymenace @drewharrisonwriter @lu62 @readingiskeepingmegoing @morallyinept @freelancearsonist @holacia3 @beskarandblasters @atinylittlepain @party-hearses @wannab-urs @trulybetty @halfpastgrace @fhatbhabie @tuquoquebrute @swiftispunk @ramblers-lets-get-ramblin @la-vie-est-une-fleur29 @rulexofxnines @chronically-ghosted @jessthebaker @mysterious-moonstruck-musings @ozarkthedog @sp00kymulderr @burntheedges @nerdieforpedro @ghotifishreads @mothandpidgeon @bitchesuntitled @missredherring @tightjeansjavi @ezrasbirdie @kiwisbell @lowlights @toxicanonymity @whatsnewalycat @yorksgirl @5oh5
Know that if i left you off it's because I'm a dumbass
#devouring this ASAP#thank you for tagging me 🥺#I am so grateful for you#your comments always make me smile so big and I appreciate you so so much#<3#schnarfer#tbr
674 notes
·
View notes
Text
The Margay
Series Summary: Santiago recruits Frankie to contract for a covert government agency that pairs them with danger in more ways than one. Two frayed things toe the line between the highest of highs and the lowest of lows. And maybe, just maybe, they make it out alive. A series of one-shot snippets taking place during and around missions. * - Denotes smut. WIP - Undetermined amount of chapters.
Pairing: Frankie Morales x Sniper!ofc Audrey Goddard. No age gap.
Rating: Explicit 18+ / Minors DNI
Chapter 1 : There was Bogotá That One Time * Chapter 2 : Not So Much 'Squeezing' as 'Crushing' Chapter 3 : The Laughter of Damned Things * Chapter 4: His Other Nickname * Chapter 5: 'That Your Husband?' * Chapter 6: If You're Both Lying to Me, I Swear * Chapter 7: Apologize to Housekeeping * Chapter 8: Benadryl* Chapter 9: Memorize it. Destroy it. *NEW* 3/15
The Margay One-Shots
Written about Frankie/OFC but flipped to reader perspective, can be read as standalones.
Dominica * He’s like this sometimes. When his demons curl their talon-tipped fingers into the back of his skull. That’s when he replaces them with yours. Barbados * You've been carrying on with whatever this is for months, pushing and pulling, until one night Frankie wants control.
Old chapters are hosted on the OFFS Library page. New chapters will be posted to Ohforficsake - follow me over there for future updates.
Shoot me a message @ohforficsake or comment under this post if you would like to be added to the taglist for updates! Thanks so much for reading.
111 notes
·
View notes
Text
On The Green: 1
Ezra x f!reader
Rating: Mature (violence, slight gore, killing - typical Ezra 😌 — will be explicit in later chapters)
Summary: Two strangers meet.
a/n: New series alert! Man alive first chapters are hard, and so I am going to yeet this into the universe before looking at it anymore. I owe everything to @bageldaddy for educating me hardcore and for being so extremely kind and thorough, and to @the-ginger-hedge-witch for her Ezra eyes and inspiration and to @familyvideostevie for her support and enthusiasm and notes. It took a VILLAGE to get through this one. Enjoy meeting our stranger. :)
--
You come to surrounded by unnatural stillness.
An absence felt in the air surrounding you, there is something about it that tugs at the foggy corners of your brain, beckoning you closer to the surface. You try to listen for anything beyond the ringing in your ears, and there is…something.
A beeping sound emerging through the fog, its incessant chirping grows clearer. You blink slowly, your limbs made of lead when you try to turn your head. Instead of trying to investigate, you let yourself slip slowly back into the lush darkness, closing your eyes.
But the strangeness of the silence tugs at you, and the beeping gets louder.
Splices of memory come through in sharp flashes:
The deep, bone-shaking tremble of turbulence.
The grating sound of tearing metal.
Beeping - so much fucking beeping, every sensor in the transport pod going off - and the whole cabin jerking to the left, your body weight pushing against the fabric restraints, your dad’s voice raw with hoarseness as he screams orders at you and –
Oh shit. Your dad.
Your eyes pop open, and you sit up - or rather, you try to, but every muscle resists. Battered and bruised, you fumble at your harness with clumsy, shaking fingers. Looking up as it finally clicks open, you’re about to leap from the chair when you freeze.
He’s there next to you, unmoving.
Dead.
“Dad?” you whisper.
You can see without even checking for a pulse that he’s gone. That’s the feeling that pulled you awake, the vibration of life gone from the air. The stillness weighs heavy in the small space, and the beeping gets shriller somehow, more noticeable in the utter silence.
The pod shrinks to a claustrophobic dome, and your breathing starts to come fast. Harsh, rapid exhales out of your open mouth and then you’re vomiting, right onto the floor. A cold sweat breaks out under your thermals, and you swallow hard against more bile that threatens to come up.
There is blood splattered on the dash, pooled around the buttons. A deep gash gouged across his temple, his left eye already swollen beyond recognition. You stare at the dark, pulpy wound that runs with blood and with a heave, lose the remaining contents of your stomach.
To have hit his head like that, he must have unbuckled and tried to fix something mid-crash, but why? Why the fuck would he do that? He knew better than that. You try to think about the sequence of events, but there is only a blur. A foggy, black spot in your memory, hazy images obscured by panic.
You remember pieces: watching Puggart Bench grow smaller as you ascended through the atmosphere. The vague details of your father’s latest scheme, along with promises that this would be your last job. The frustration you felt at those words – ones you’ve heard a million times.
You remember rolling your eyes and slipping on your headphones, and then scolding you for not paying attention after he jabbed you in the shoulder to take them off, and then…this. Somehow this. Guilt settles deep in your gut.
Keeping your dazed eyes glued to the floor, you ignore the blood and beeping and the dead fucking body. You crouch low in the safety of your chair, winding your grip around the harness strap as an anchor and you sit for a moment, trying to steady your breathing.
You sit.
And sit.
–
“Think she’s got anything left?”
The words spread condensation across the lower half of his visor, and Ezra listens for an answer he already knows isn’t coming.
He always asks anyway: a constant dangling bait, in hopes his partner will bite.
He hasn’t yet.
Ezra bends back over the rough dug pit, his fingers splaying through the loose dirt. Anything worth digging for is sealed in his case already, but he stalls, thinking.
He had watched the pod streak across the sky; the sight not unusual on the Green. Mercs and prospectors landed here every day to try their luck on the uninhabitable planet, but the speed in which the pod broke through the sky was unusual. Ezra could tell it was going too fast, even from the ground. His dark eyes had tracked the potential opportunity’s descent from behind the shield of his visor, and when the ground shuddered with the impact, he felt it through his gloves.
If it had landed safety, protocol would be to keep his distance – no use needlessly engaging in a potential threat. However, he doubted that was the case after watching it fall to the earth like a stone. If he had to guess, the occupants were probably dead, and therefore, in his favor.
His old pod flashes through his mind; nonfunctional and by now, probably stripped bare. If he doesn’t get there quickly to stake his claim, this one could fall to the same fate. It didn’t look sizeable by any stretch of the imagination, but he doesn’t need big.
He just needs enough to fit one man, and his case.
Ezra keeps his voice light and conversational.
“Did you feel that?”
He looks up at his silent partner, and is met with a blank stare. Or at least Ezra assumes it’s a blank stare, with the man’s visor blackened. He can’t see his face, and has never been able to. He’s had many offers of partnership while on the Green - some out of desperation, some through coercion, some forced upon him – and though his current partner is one of the latter, he had been secretly pleased at the sheer size of him. Brute strength a valuable commodity; the hulking man is more of a utility than a partner.
“Think it’s worthy of our time to investigate, or do you suppose there won’t be much left after a landing like that? If you want, I can go it alone?”
Met with more silence, both from his partner and from the unforgiving atmosphere of the Green, Ezra grimaces with annoyance when his partner starts to walk in the direction of the site without him.
“Hang on now. We approach together.” Climbing out of the pit, the loose soil slips under his boots. He scrambles up as quickly as he can, unwilling to see his chance at the remains slip through his dirt-crusted fingers.
“Now then,” he breathes heavily. “I think it would be befitting of us to use caution in our approach. The passengers may still be alive, and feeling panicked enough to pose a risk. I think –”
The hulk appears to listen to half of what Ezra says, and then turns abruptly mid-sentence, walking away.
Snatching up his case, Ezra switches off the comm link in his helmet and his expression falls from tactful to annoyance. His eyes narrow on the man’s broad back, his fingers itching for his thrower.
Grumbling, he follows.
“Fucking idiot.”
–
You’re going to have to touch it.
You wonder what it will feel like – stiff with rigor? Still pliant with traces of warmth? Heavy and impossible to move?
In all the ways you imagined you’d probably find your father dead, you somehow hadn’t thought about the logistics of actually moving his body. You imagined someone else would be the one responsible for it. Medical staff, most likely, who were used to the clammy skin and the stiff weight of death.
Not you.
Yet another thing you’ll have to do unwillingly for him.
The reason you’re on this godforsaken planet in the first place, he’d forced you along to help him pay a debt owed for those fucking drops he relied on to get through his days. Days that bled into nights spent waiting for him, more his parent than his child. A freefall into the nomad life since your mother died, you’d been trailing behind him for years - an afterthought, only remembered when he needed something.
A reluctant digging partner when he forced you to be, but also a navigator, a cook, a laundress, a caretaker. You were a lot of things to him, but never the one you wanted to be the most.
Never a daughter.
Your eyes slowly scan the disarray of the cabin, taking in the damage. For all the things he asked you to do, he had kept you in the dark when it came to any actual useful skills that might help you in this situation. Prospecting, digging, self-defense – anything that would have afforded you a glimpse at the possibility of independence – all of those were kept from your reach.
Never a mechanic either, unfortunately for you. How the fuck you’re going to fix this thing, you have no idea. The manuals for it were tucked away somewhere, but they required at least a basic understanding, and you have barely that.
You could stick with the harvesting plan he had vaguely outlined to you on the way here (assuming you could even find the gems, let alone dig them up), try to come back and fix your pod during the evenings (assuming you could even figure it out) and then try to catch the next slingback home (assuming you could even get off this planet).
Your other option would be…none. There are no other options.
The entire situation expands into something overwhelming, each step far outside your base of knowledge and your breathing starts to come fast again. You scold yourself, willing it to slow.
Panicking again isn’t going to help shit.
Wrestling with your emotions, you take a deep inhale and close your eyes, focusing on the first step.
Before anything else, you have to move him.
–
Through the edges of lush greenery, a pod.
Ezra tries to tamp down his excitement, kicking his senses into high alert to scan for whomever it belongs to - but there is nothing.
Fucking silence, the bane of his existence.
Though in this case, a good sign.
His own pod taken from him months ago in a standoff between himself and his former crew, this off-white piece of rubbish appears as treasure to him. It’s banged up for sure: one of the engines loose from the frame and the metal surrounding the bottom crumpled from hard impact. Unlikely that anyone survived the crash, anticipation thrums through him at the harvest in front of him.
Keeping his expression measured, he beckons his partner to approach with him, silently advising caution.
The idiot doesn’t though. Instead, he stomps forward and punches at the hatch button with force.
Ezra frowns deeply, anger slipping into his tone. “Hey,” he reprimands sharply.
The man pays Ezra no mind as the ramp slowly opens.
–
One hand extended towards your dad’s shoulder, it hangs hesitantly in the air for a moment. Inching forward, you try to summon every ounce of bravery that you have and just when it’s about to touch—
A loud thump sounds outside the pod, and your hand jerks back. Crouching low along the side of the pod, you crawl through the ship's scattered contents all over the floor and grab the thrower, trying to desperately wind a sufficient charge for a shot or two. The rummaging outside grows louder, and you crouch behind your chair, gripping the weapon in your sweat slick hands. Panic floods through your veins, the sharp stink of fear oozing from your pores as your body shivers with adrenaline, and you flex your hold on your weapon.
The door to the pod opens with a hiss, and two men emerge.
One slighter than the other, which isn’t saying much—anyone would be slight compared to the size of the second man. You aren’t even sure how he managed to get into the pod, between the width of his body and his height.
Rising swiftly, you point the weapon at them.
“Stop,” you force out, trying to mask the tremble in your voice.
The lithe man freezes, surprise showing on his face for a split second before disappearing. Tilting his helmet in thought, he speaks.
“Now this is something I’ve never seen in all my time in the Green,” he muses with a drawl. “A little girl.”
A statement, not a question, and you bristle while he continues to study you curiously.
“Leave, or I’ll shoot.”
Your finger flexes on the trigger, and he raises his hands in front of him.
“Calm down, little bird. My partner and I merely ventured this way to see if all was okay after that crash we heard.” His eyes scan the cabin, a scattered mess. “Seems it was quite the landing.”
Shuffling your stance a fraction closer, you keep the thrower trained on them. “I’m fine. Now please. Go.”
“Doesn’t look like you’re fine.” He sounds completely unbothered, like you aren’t pointing a weapon directly at him. Taking a slow step forward, he peers around you. “Your partner sure doesn’t seem fine.”
“He’s not my partner. It’s my –” You freeze, scolding yourself for immediately volunteering information and his gaze drops down to your father’s lifeless form. The stranger's face sobers, and he looks back at you.
His jaw shifting in thought, his partner seems to grow bored of the conversation and takes a heavy step forward, advancing on you.
“Stop,” you try to order, panic creeping into the command, but he doesn’t. He keeps going, his large arm reaching towards your thrower. His massive grip choking the barrel, he rips it clean from your hands before you can even think about stopping him, and you crouch back behind your chair, trembling.
“My apologies for my partner, little one. He’s not keen on having weapons pointed at him. You can understand, I’m sure. Why don’t you come out from behind that chair and let’s talk. A deal, if you’re open to it.”
You don’t want to strike a deal with them. You know that any deal you attempt to broker on your behalf is going to be in their favor no matter what the conditions are. Your father never taught you the skills of negotiation – those were always done out of sight. Your mouth dries, sweat beading along your nape. What fucking deal could there even be to make that doesn’t end up with you dead? Or worse?
With so much happening in the last two hours, it’s hard to process anything, let alone a negotiation with deadly strangers on a hostile planet. How you handle this situation could be literally life or death for you, and you beg your brain to pick up pace.
Please. Please. Come on, think.
Your mind still struggling but knowing you’re running out of time, you force yourself back up.
“The deal was leave, and I won’t shoot.”
He only grins at that, and rage at the unfairness of it all flares bright through you.
“Besides, why should I believe anything you say? You’ll probably just kill me the first chance you get.”
“Why would you assume I intend harm?”
You don’t have anything to say to that, instead looking at his partner. Fear at his sheer size displays clearly on your face no matter how hard to try to mask it. “Why else would he steal my gun? Shoot me first before I can shoot, right?”
“If that was the case, he would have shot you already.” He lets a beat pass, his eyes narrowing in their focus on you. “Still could though, I guess.”
There is something behind the indifference in his voice, something in his eyes that begs you silently to listen to him — but then his partner raises his thrower, and several things happen at once.
You whimper, dunking behind the tattered chair.
The smaller man whips his railgun from his hip, pulling the trigger.
You scream, and the bullet hits his partner square in the chest.
The larger man stumbles forward as if to grab him but the smaller one shoots him again, the second shot landing in his gut. The force of the close shot pushes the larger man backwards, his heavy body slamming into the pod wall.
He slumps down, collapsing into a lifeless heap.
There is a beat of weighted silence; your form frozen.
The roguish man’s profile faces you: dark features partially obscured by the dome of his helmet, you can see closely shorn brown hair in matted disarray with a shock of white that smears just above his temple. Black eyes that glimmer in the fluorescent light, the edges lined with age. Tanned skin, a strong nose, plush lips under a mustache.
He stares at his dead partner with something akin to satisfaction, and it turns your stomach to think of not only how quickly he resorted to violence, but also how much he seems to enjoy it.
“Well would you look at that. Now we have two to move.”
Still in shock, the violent scene in front of you startles you just as much as his nonchalance does. You watch as he turns to face you; a hooked scar marring the skin under his eye.
“Now little one,” he says with seeming politeness. “You ready to hear that deal?”
275 notes
·
View notes
Text
Love at First...Fight
Summary: Your night is rescued by a cowboy. (Part of the Love at First... anthology.)
Pairing: Jack Daniels x f!reader
Rating: No explicit content, but 18+ please.
Warning: mention of alcohol, mild violence
Word Count: 1K
That drink cost twelve bucks.
That’s your first thought as you watch it fly from your fingers, watch it tip in mid-air to splash rum and Coke and ice onto the scarred wood of the barroom floor. Sure, it had tasted like paint thinner and made you wince, but you’d barely even had a dollar’s worth of sips yet.
But another thought swiftly replaces that one – oh, shit.
The drunks who are tangling with shouted curses and limp punches behind you slam into you a second time, sending you to your hands and knees in the puddled mess on the floor.
“Break it up!” You catch a glimpse of long legs in dark jeans and polished boots stepping past you. The broad-shouldered man they belong to moves his body into the space between you and the fighters, and you turn your head in time to see him shove them into the arms of their friends.
“Get your boys under control.” His voice is deep and authoritative, cutting through the air like the crack of a whip, and the two groups of men corral the bleary-eyed brawlers and pull them to opposite ends of the room.
“You alright?” For you, his voice is gentler. It drawls soft and sinuous as he crouches next to you, and he pushes up the brim of his cowboy hat to look into your face.
“Least it wasn’t glass?” You shrug limply as you look at the plastic cup upended on the floor. You shake your hands with a frown; they’re sticky with liquor and soda, plus God-only-knows what germs from this grimy floor.
“Anything hurt?” He rises, his fingertips light at your elbow as he eases you up with him. He takes a half-step back, his eyes moving from your face to your feet and back again. “Nothin’s bleeding. Probably wanna wash up, though.”
You nod, shivering at the trickle of your overpriced drink down your bare shins.
“Ladies’ room is right over here.” He blazes a trail across the crowded floor of the bar; you stay close behind, fingertips just touching the crisply-ironed cotton of his cobalt blue shirt. In his protective wake, you avoid the jostling and the ‘accidental’ brushes of your ass that had been your company for the last half-hour you’d been in this place.
It doesn’t hurt that he smells good, too: spice and smoke, second summer and wide open skies.
“Thanks.” You give him a smile as you push the restroom door open with your elbows, tacky hands held high in the air.
“No need to thank me.” He touches the brim of his hat, and you notice his dark eyes are nearly as black as the felt of his Stetson. “If I woulda rounded ‘em up quicker, they might not have laid you out like that.”
“Well, you kept me from getting stepped on, so…” You let the words drift off, tilting your head towards the restroom. “Going to go clean up now.”
He smiles – full lips beneath a neat dark mustache – and nods. “Yes, ma’am.”
The tap labeled ‘hot’ at the bathroom sink is misleading – the stream that dribbles out is tepid at best. It takes a few handfuls of cheap paper towels and a dozen squirts of pink hand soap that smells like a hospital corridor before you feel somewhat clean. You dry your legs and hands with another wad of paper towels, then stuff them into the already-overflowing trashcan.
You sigh, looking in the mirror. The flickering fluorescent light adds a sweaty sheen to your skin that you hope is just an illusion, but you force your shoulders back and your chin up with a determined nod. You paid the cover and you love this band and you’ll be damned if you’re going to let a spilled drink and a couple of drunks ruin your night out: not when there are cowboys to be danced with.
The narrow hallway delivers you back onto the crowded floor, and you fight your way to the bar that stretches along the back wall. You try – and fail – three times to catch the bartender’s eye when you catch the scent of familiar cologne. Your cheeks feel warm as you turn to see the man from earlier leaning against the bar next to you.
“Good as new?”
“Just a couple of sore knees. Not the first time.” His eyebrows flicker up as your words offer an interpretation you didn’t intend; your cheeks grow warm but you meet his eyes. "Yeah, I heard that, too.”
A dimple flashes on his cheek but he mercifully changes the subject. “What were you drinking?”
“Rum and Coke. But I’m going with plain Coke this time.”
“Didn’t like the rum?”
“That rum is lifting the varnish off the floor as we speak.”
He laughs and you like it – it rumbles deep in his chest and crinkles the corners of his eyes. “Coke it is.”
Somehow, he barely lifts his hand and the bartender is there, nodding at his order: one soda, one beer, one shot. He downs the whiskey – the shot glass is doll-sized in his thick fingers and you let your eyes linger. He leaves the glass on the counter and picks up the beer, turning to face you.
“You here to dance or just to listen?” He angles his jaw towards the stage where a roadie is taping a strip of guitar picks to each mic stand.
You take a sip of your Coke, contemplating which answer you want to give. A quick inhale – that scent again. “Not sure yet. How about you?”
“I might be obliged to dance.” The corner of his mouth lifts. “If your knees aren’t too sore.”
“They might be.” You smile with a tilt of your head. “You’d probably have to hold me up.”
He grins and reaches out his hand. “If I’m going to be doin’ that, we’d best introduce ourselves. Jack Daniels.”
You point to the empty shot glass on the counter. “Are we giving fake names? It’s that kind of night?”
“Darlin’ –” his dark eyes twinkle beneath the brim of his hat – “it can be whatever kind of night you want.”
187 notes
·
View notes
Text
Endurance - A Frankie Morales Story
Frankie Morales x f!reader
Rating: Explicit 18+ minors dni
Summary: In the darkest of times, there will still be music.
Series content: Frankie Morales AU, 1944 stately home in the UK, set in wartime but intentional no graphic violence or politics of the time mentioned, mention of death and PTSD, heavy on the British emotional repression, Frankie is an American pilot, Will, Benny & Santi makes appearances but no Tom (no thank you Tom) no specific ages mentioned but reader and Frankie would be early twenties, alcohol and cigarette references, cheating/infidelity, no physical descriptions of reader except she has hair and there are outfit descriptions, much swearing, angst, slow burn, will post smut content for each part, pet names (Lady, baby, cariño), some historical references but we're not going for heavy realism here, more, you know, vibes. Let me know if I missed anything.
A/N: I have always wanted to write historical fiction and World War Two really is my era, so I hope you like this exploration of a pretty angsty love affair with Frankie. I promise there will be a (sort of) happy ending, but I might put you through it first.
Let me know if you would like to be tagged 🖤
✨Part 1:
✨Part 2
✨Epilogue
Tags: @pascalssbabyy @katareyoudrilling @morallyinept @5oh5 @secretelephanttattoo @survivingandenduring @papipascaaaal @luxurychristmaspudding @magpiepillsjunior (let me know if you'd like me to take you off/add you on!)
211 notes
·
View notes
Text
Clot | Joel Miller
summary: joel has lost something. but once he pieces himself back together, he'll remember what it is.
pairing: jackson!joel miller x f!reader
ratings/warnings: mature. canon typical violence, mentions of blood and injury. mentions of a dead child (sarah), lots of grief, canon suicide attempt, suicidal thoughts. canon divergent. abby wants a cure and she’ll break up families to get it. joel losing a limb and hating himself for it. wanky formatting as a treat. reader has hair but is otherwise not described. no use of y/n.
wc: 3k
an: i can't edit this anymore, it's making me ugly cry.
Everything is hot, heavy, and delirious,
and Joel has lost something.
A tight band is wound around his head, and it’s making him ache. It’s making his skin pull taught with blisters, wind and throb with thick blood. For so long, it’s all he can feel. Everything else is too dense.
His head revolves like a planet on strings, like it rolls on some unstoppable, destructive axis between galaxies. He doesn’t know if he shifts and pitches it, or if someone else does, or whether it really moves at all. The whole inside of his skull spins, and between deep, deep black and boiling red, he can feel the acid of that spin climb up his throat and dribble out his mouth. It burns and tastes foul, but he can do nothing to stop it. He can do nothing but spin and float somewhere both within and outside his body, and feel - more than know - that something is missing.
There is something viscid around him, like he’s been wrapped and bound, like everything’s too tight and too thick. He can’t hear properly, which isn’t something new - but it’s deeper, soupy. It panics him, tightens the skin around his chest.
He’s sure he’s drowning.
He’s sure he’s drowning, but he doesn’t know how or why. All he knows is that it’s taking him too long to get back to his body, to surface, too long to remember something.
But he is so, so tired. And leaden, everything burning or burned - scarring and flaking and broken and agonising.
When he is something only close to conscious, something a hair away from lucid, he can feel himself twist in clinging sheets, can feel his fingers clutch at a mattress. He can feel broken bones unset themselves in blind fury and fear, can feel bloodlust and scorching wildfires of pain. He can sense loss which grows bone deep, a cavern he cannot turn his face from. High-pitched, too-fast breaths, a wisp of coconut against his chin. Something he hasn’t smelled in so long, something his arms ache to reach out to touch, to snatch, to hold. It’s a desperate feeling. It clings to his chest and cloys his breaths and drips through his ribs, sticky and tar-like, oozes down his body until it fixes him where he lays. He tries to move, he really does. But he can’t match the thoughts with his muscles, can’t see his body, can’t feel his brain. He needs to wake up. He needs to wake up. He needs to wake up he needs to wake up he needs to wake up
he needs to wake up, because he’s failing again. He’s losing again, something is slipping away again. High-pitched, quick, gasping breaths, the clutch of brown curls in his fist, coconut, the wet flash of her eyelashes against his neck, her fear, oh god, her fear, how scared they were, how scared she was, so scared he thought he’d be sick, the clutch of her hands as she pushed against him, as she tried and begged not to move, the blood so much blood the terror in her eyes i know i know i know
tommy help me
come on babygirl, nothing nothing nothing he could do nothing but feel wet, warm blood rapidly cooling in the night air help me don’t do this baby come on please -
Come on, Tommy is saying, come on, we’ve gotta go.
But he can’t. His brother is there, his daughter is here. His body is welded to where he holds his girl in his arms, but his body is nowhere at all. His body is a gaping emptiness of a thing, and he thinks that alone in this vacuum, this grief, this misery, he might consume the whole universe and everything in it.
And he would not be sorry, to destroy the thing that took his baby away. He would not be sorry to destroy the coward who flinched from his own bullet.
He has lost something.
Things are dark for a long time.
There are sounds that reach and pull to him, droplets of rain which patter quietly along roofs and find their way through gaps to drip and run towards him. If he were a body in the dirt, he would grow things. This would be new life.
But he is not. Instead he absorbs and swallows and pays no attention except to the destruction of what is leaking into him. He gnashes at the darkness he is locked within, wrestles with the lumps of his heart.
When the tenor and tone of their voices becomes tangible, he can taste it.
He can taste the cigarettes he used to share with Tommy while their mama wasn’t looking, he can taste canned ravioli from out on the road to… somewhere. He cannot remember. He lets Ellie and Tommy soothe and lull him in and out of consciousness, lets the swell and tangle of their voices sew shut the gaping wound he has become. Something pulls, something tugs, something that is still missing. Joel searches for it in their muffled conversation, but he can’t summon it. Can’t get them to say it aloud until there is a familiar sound, a name, rough palm pressed to his aching head, a squeeze of a smaller hand to his, and Tommy is saying again come on, we’ve gotta go.
For the first time since the floating darkness began, Ellie’s voice stops. She doesn’t speak, she doesn’t sing. There’s no rhythmic sound of her sleepy breathing, no hollow tone of a guitar. The comfort and company he has heard in Tommy’s voice for days stops, too. He drifts in and out on the swell of a tide, grasping for purchase at a starless shore, and then Maria comes to his ear, quietly furious, outwardly heartbroken. He can’t understand what she’s saying, but he understands the intonation.
Tommy has always loved so hard, been so loyal. Whatever the reason he’s disappeared, it must be good. And Ellie must have gone with him.
The knowledge brings him no peace, and his shapeless, fervid nightmares become worse.
Echoes of what Maria had said swirl around his brain like leaves circling a drain, illuminating with each dull thud of his tired heart. They’ve gone… they’ve gone… they’ve gone to…
He tries to grapple with it, he does - so hard. Gone to find - He feels like he should apologise. To Maria, for having some part in whatever idiot ploy Tommy has dragged himself and Ellie away into. To others. Faceless, nameless people who he waits to reveal themselves. To Sarah. Sarah.
He has.
Every night he has apologised to his little girl for failing to keep her safe, for failing to die instead of her, with her. He has been on his knees beside his bed on so many nights, sobbing into his hands with his full body, the grief making his chest so unbearably tight, his throat raw, and even if he screamed for the rest of his life it would not be enough. It would not be enough. He has apologised to Ellie, so softened and so drowned in sadness that she had to forgive him. Pathetic, broken. But there’s someone else, someone else. A dark figure slouched in the corner, the dark smell of blood. Dark, dark, dark.
A small girl in a hospital gown, a gunshot echoing in an underground parking lot. The smell of her hair, pine needles lingering even after a wash. The heat and pressure of her against his chest. No blood cooling in night air, but holding her just as tightly. The ache, the ache, the grief years in advance of what he’d have to confess, what he’d have to admit to her. They were gonna kill you. I cannot fail again. A tiny person curled up in a stream of light and grass, the twitch of something long broken in his heart. He knew, he knew even then I'm taking a ride with my best friend I hope he never lets me down again it’s okay babygirl it’s okay it's me i’m sorry i understand it's me i love you. The crack and bright of her grin through an astronaut's helmet, the scramble of limbs through a window. She’s not my kid, not my kid, my kid, my kid, my kid is dead, yeah she’s mine. My girl. Mighty and fierce and blood of my blood flesh of my flesh as close as she can be to -
The twitch of a limb which is no longer there. The phantom ache and strike of pain which should not be able to breach air.
Without opening his eyes, he can tell. He does not know how long he has been out for, what drugs they gave him, but now, through this crack of bright in his skull he is beginning to understand. Sarah letting him go, Ellie bringing him back - come on, old man, you gotta work it out soon - it’s gone. His leg is gone. The dark, slouched figure in the corner. Smell of blood -
Where are you?
His breathing is so quick, so agitated, so panicked and wheezed, his body spasming so tightly that he hears Maria call for the doctor, for something beyond the grasp of his comprehension. He has lost something. He is useless - he will be nothing, he will rot. The people of Jackson will place him outside the wall because they would rather watch him crawl in circles in the dirt than let him back in, useless old man. If he has only one leg, he cannot keep people safe. He cannot patrol, he cannot ride, he cannot walk. He cannot stand to have anyone look at him like he is half a man, have Ellie look at him like she does not know who he is, have you, have you -
have you have you have where are you where are you where are you he wants to grab Maria’s hand where from its place on his mattress to ask her where are you but the doctor where is pressing something sharp into his where are shaking arm you. Hold him still, he says and Joel is powerless against the hands that find him. Useless old man who can no longer fight, no longer protect, and he is so disgusted with himself, so betrayed and overwhelmed by his body that he understands why you haven't been around because you must feel the same.
Disgusting, useless old man. Puckered with scars, beat up and burnt out and mutilated, and you have left you have gone and it clefts his heart in two, wet as the blood between your teeth as you chomp his chambers and arteries somewhere in Jackson, or worse, elsewhere entirely.
Somewhere else, somewhere else where he might never see you again. Something crawls down tendrils to scratch at his brain but he can’t pick at it enough before the burning and the pain and the panic fades again, the doctor’s needle working its magic.
Soft, easy breathing, your face turned to his, your hair tickling the crook of his arm. I love you. Every morning, your eyes so far away at first flutter and then sharp into his, barreling like no one ever had before i love you. A force he could never try to stop, a choice he never could make i love you the inevitability of the promise you made each other i love you, the soft of your hands on his cracked knuckles, the way his nose fits to your neck to breathe you in i love you.
I love you, be safe.
And through thick, rolling waves of fog, Joel begins to piece it together. He cannot remember what happened, where it came from. Who did it. But you were there. He remembers through dreams he cannot wake from, how you screamed and cried and begged and pleaded from the floor, your cheek pressed into the wood, blood leaking from your hairline. The rivulets of it running across your temple, your cheek, into your eye so it stained the white pink. Your eyes, so wide with terror. How bright, how red, how deep the blood had been. How pretty. The pool and glisten of it as it spread from him, your fingers scrabbling and slipping through it as you tried to reach for his hand.
He remembers how hoarse you had been as you told them your name.
No. Not your name.
Ellie, you’d said. Ellie. I’m who you’re looking for. The thrust of your forearm as you showed them the scarred and gnarled bite mark from the savages who had held you captive for the first years of the apocalypse. The chunk one of them had torn from you in a fit of fury. In low light, it looks little different to Ellie’s, and Joel thinks they must have no idea what the girl he took from the hospital looked like.
Because they took you instead.
They took you instead.
The shock of it is enough to reel Joel awake. Maria is sat at his bedside, keeping vigil over the man who looks so much like her runaway husband. She is the only one who sees him break this time, who witnesses the gaping, festering wound ripped open, the rot of the universe, the decay of his grief. The way he howls and gasps and cries and begs and pleads where is she i don’t know where are they i don’t know when are they coming back i don’t know i’m sorry joel i’m sorry i’m so sorry if i had known if we had known maria i’m sorry
He does not know how long they hold each other for. He does not know when Maria climbed onto the edge of his bed, does not know if there’s anything more that tethers him to this world than his sister-in-law's arms.
When he wakes, he is cruelly alone and limitlessly hollow. The room is small and he can focus on nothing beyond that, beyond the press of the walls and how close it feels and the bloodied rags they are using to blot and clean his stump while it dribbles crimson. It’s still clotting, the doctor says, and Joel doesn’t care. He wants to bleed. He would rather die than stay here in this bed, knowing in his heart that you won't come home, won’t survive this. He won’t wait to see whether Tommy and Ellie make it back safely, because if he loses again, if he fails again, there will be nothing left. Empty shell of useless man.
He empties the thin contents of his stomach several times a day into a bowl they keep at his bedside. They pump him full of drugs and tell him eventually the pain will lessen and we’re already pleased with how you’re healing we’ll just keep you in here for a little longer even through he’s already been cooped up for weeks. He hasn’t been able to remember you for weeks. And it’s not his phantom limb, not his broken bones and torn skin he’s recoiling from.
Your screams as they dragged you from the floor, your own pain. Noises Joel had never heard you make before in all the years you’d been together, patrolled together, been at war together. Something awful and ragged and already broken leaving your throat as they hauled you out the door and up the stairs as Joel could only useless old man watch you be taken, watch you sacrifice useless yourself to save him, your family, Ellie and Tommy. Animalistic, strong, straining the tendons in your neck as you stretched to scream, your ankle flopping at a crooked angle, blood drip drip dripping and swiping along the floor, soaking into the wood and that’s all he can remember.
He couldn’t say anything to you, couldn’t help. Not even a last I love you. He had failed. Because he’d heard it in your scream - i love you i love you please stay alive please live just this last thing for me make it out get back to jackson back to ellie live long and be happy but don’t forget don’t forget don’t forget i love you don’t forget i was here and don’t forget nothing but this could drag me away i love you please be safe be alive - and he had forgotten. He had forgotten your promises in his blood and your cries, in your scar and your lie. You would not leave him. Not over a sawn off leg. But you would leave him so he and your girl would live, so he will. He will. He will push aside the maw of his heart and try to fill the space he knows he is wasting. The shift feels light and heavy in his chest. He doesn't know how to be happy in a world without you pulled tight to his chest every morning, but if it's what you ask, he will do it. He will live long and happy and he will sit at that gate every day to wait for you and Tommy and Ellie to come back. He will spend the rest of his life waiting and telling himself he is okay if that's what you want him to do. Don’t forget I love you. Don’t forget I was here.
Sat on the hospital bed, he opens the gape in his chest so it can begin to devour the universe again, to suck you back into his orbit, bring you back to him. He won’t forget again. And when he can, he will start his vigil. He will live long and happy and wait for you to come back, wait for you to smooth this pain to dullness, this ache, this tightness in his chest that makes it so hard to breathe. Wait for it to ease, to deaden. But for now, all he can do
is sit and wait
for the wound
to clot.
174 notes
·
View notes
Text
Voices of the Dark Masterlist
My ‘Din’s Haunted’ comic series.
Summary: Din has had the Darksaber for a few months now after rescuing his son. With Grogu gone to train as a Jedi, he continues bounty hunting under Boba’s rule on Tatooine but there’s something more that’s tormenting him.
Setting/timeline: A few months after season 2
Length: 92 pages
Warnings: Violence, blood, gore, mental anguish, ANGST, fighting, rage, manipulation, man pain??
PDF of the full comic HERE. It’s totally free i promise
Playlist Because why not
Note: I did not come up with the concept of the Dark Saber being haunted. The original concept for ‘Din’s Haunted’ is from the lovely @kyberpistol and @keldabekush. Either way I fell in love with their concept and made my own story from it as well!
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
Thank you to everyone who read and shared this story. It means the world to me!
1K notes
·
View notes
Text
go west, to the southern plains, go west to breathe (lover, share your road - part i) series masterlist | AO3 Link | prologue | part ii
chapter rating: T
word count: ~21K
chapter summary: at the end of the line, you make a business proposition to Joel Miller. He brings you and Ellie home to the last sanctuary left in this world in exchange for your skills. What you find there and what you find out about Joel Miller is not what you expect.
chapter warnings/tags: depictions of going hungry and poverty, sexual harassment, period accurate sexism, depictions of a sick child, reader depicted as skinny but due to lack of food not her natural body type (and this will change), allusions to domestic abuse, hurt/comfort, pining, the beginnings of a praise kink, let the idiots in love begin
a/n: shout out to the ever incredible @jennaispun for beta-ing the prologue and this first part!
“After a long walk in hell, I found you. You made hell feel like home, you made the flames feel warm. It’s true, you haven’t saved me but you were the closest thing to heaven.” — Maram Rimawi
part i:
Beneath the soot-gray fingertips of your gloves, the dust of the high plains sits coarse and heavy on the tattered, yellowing strip of paper. You hold it down flat as a brutish wind snakes up the empty dirt road through the center of Dalhart, grabbing hold of the brown dust that clings to everything — and tugs. Underneath your pale blue dress, with the hemline torn and the collar in need of stitching, your heart pounds as you read the small, almost guilty, advert:
Help wanted. Can pay.
Contact Joel Miller.
The promise of actual money should have had every able-bodied American scrambling to answer the advert, but by its place near the bottom of the announcement board outside of the country store, buried beneath slashed prices for milk and eggs and headlines out of Washington – it seems certain to be relegated into obscurity.
For all you know, this could be months, even years, old. Miller, whoever he was, could be long dead, or gone with the rest of the exodus to California. Or he could have gone the way of your “Uncle” Robert – a huckster, discovered too late; one of many who prey upon the desperation that sticks to the country like the acrid smell of smoke. Your hand shakes as you pluck the yellow card from the wooden plank. There is no contact number, no address. Another trick? Dust stings the corners of your eyes when you pinch them close, your breathing quickening, your pulse sharp in the sleeve of your ratty glove.
Oh, God, what are you going to do? What if this is nothing, just like Robert’s promise? What if there’s nothing here for you? What if –
A small hand on your forearm centers your spiraling thoughts. From beneath a faded blue baseball cap, two brown eyes peer up at you, firm and reassuring.
“You okay?” She keeps her voice low, just like you asked.
“Yeah, El–Ellie, I’m fine.” You squeeze her too-thin hand, your stomach toiling with guilt and its own emptiness. “Just figuring out what to do next.”
“Is finding and murdering this asshole Robert still off the table?”
You frown, your niece’s quick temper more from your dead sister than you. “It is. Now, I’m going inside to ask about this advert. Maybe this Miller still has a job or two open.”
Ellie’s eyes fall to the slip of paper in your hand, her aggressive scowl tightening into something that too closely resembles fear. She knows what’s at stake just as much as you do and you hate that that knowledge ages her youthful face.
“You stay close and don’t let anyone get a good look at you, okay?”
Ellie nods, already familiar with the routine, and scoops up your luggage case, her tattered satchel hanging off her other shoulder. She had been wearing pants long before reaching Dalhart, but it soothed you to think the eyes of cruel men passed right over her, their interest rarely in young boys.
A bell above the door tinkles when you open it, but by the dull, muted sound, it most likely has a few dents. Behind you, the afternoon heat follows you in, the sunlight illuminating the floating dust mites in the air. The door whines as it closes, brightening the inside of the store, where the mites settle back into the silver layer that sits over cans of tomatoes and peaches, linens, boxes of gum and cigarettes. Nearly everything sits untouched and unmoved, old dust settling between cracks and grooves, patrons not having enough money to buy something and the owner not having enough to change out stock. Struck still, frozen in a single, long exhale. The slow, creaking death of the economic system has reached Dalhart too. You shudder, suddenly cold as if in a mausoleum.
The further away from Boston the train took you, the further back in time you felt. Here, you are reminded of the old general stores of cowboys and pioneers. But maybe, that is exactly where you are: out of time.
A man in long white sleeves, coiffed hair, and perfectly round glasses, looks up from the wilted newspaper spread out over the counter.
“Can I help you?” His accent hails from the east, North Carolina most likely. However, his manners are not reflective of that famous southern hospitality. He looks at you like you’re a bad dream and it unsteadies you.
“Y-yes. I, uh, I’m hoping that you know a-a Miller. Joel Miller? I have his advert and I’m, um, I’m looking for work.”
The man’s thin eyebrow jumps mockingly. Aren’t we all, sister? But eventually, he shakes his head.
“Look, I don’t know what you’re doing all the way out here, but this ain’t no place for a young lady out on her own, job or no job. Where’s your husband?”
“Dead.” Your voice doesn’t waver, but then again, why would it?
The clerk’s eyes soften, if only slightly. “I see. But I’m sorry to say, there is no job here for you.”
Your mouth instantly dries out. “What do you mean? Where’s Mr. Miller?”
“He’s a mean ol’ sunuvbitch, livin' God knows where. Comes in twice a month for supplies and he’s back out into the prairie.”
“I’m sorry, I don’t see why that’s a problem –,”
“He ain’t fit for civilized life, ma’am.” The clerk drops his nose, eying you seriously over the rim of his black glasses. “Whatever he’s offering, you don’t want no part of it.”
“I think we’ll be the judges of that.” Beside you, Ellie drops your suitcase and it loudly clatters to the ground. “Thanks for the tip though.”
The clerk’s eyes widen – this is terrible behavior even for a boy – his mouth unfurling to give a nasty tongue-lashing, when you interject, your voice thick with pleading.
“I would just like to meet the man. Please, sir.” The clerk, like most men without scruples, can barely resist the sound of a woman begging. Those uncanny blue eyes find you again. “Has he come in recently?”
You can feel Ellie’s wicked sneer behind you, the clerk’s gaze switching between the unlikely pair in his shop. Finally, he shrugs. Who gives a fuck if one more woman goes missing?
“He’s due for a resupply.”
“How soon?” Your palm sweats under your gloves.
He narrows his eyes, evidently annoyed that a woman would reject his warnings. “Soon. We have a parlor in the back if you’d like to wait for him. But you have to buy something,” he adds vehemently.
You nod, unsteady on shaking knees as you walk towards the door in the back of the store.
“Thank you, sir. You have been so kind. We very much appreciate it.”
Any chance that the clerk finds you sincere is lost when Ellie wraps her knuckles on the counter as she passes.
“Buh-bye, dude.”
The parlor is small, dark, damp, and smells faintly of kerosene and leather. A woman, most likely the wife of the clerk you just annoyed, glares from behind a counter as you and Ellie walk in.
“Lunch.” Not a question.
Ellie looks up at you, eyes wide, fearful. You hadn’t let her see what is left in your purse, but she knows it’s low.
With your stomach in knots, you wouldn’t be able to eat anyway. You pluck out a dollar, bringing your total down to three dollars, and giving it to your niece.
“Order whatever you want.”
The beating heart of the blazing Texas sun edges downward across the open sky, falling, until it drops completely behind the harrowingly flat horizon. Purple erupts in its wake, the last pump of blood of a dying muscle, and nearly instantly, the temperature drops. You watch the explosive coronary of the sky from a table at the back of the parlor, your own pulse doubling the later it gets. You squeeze your hand between your thighs to keep your fingers from drumming uneasily on the table. But for once, Ellie doesn’t pick up on your nerves.
A dollar went farther out here and, as a result, Ellie is allowed her first big meal in months. Twice now, she’s nearly forgone the silverware to shove food directly into her mouth with her fingers, had it not been for your glares to remind her to slow down.
“This is slow,” she grumbles as she licks her bowl of mashed potatoes clean. Of course, half of what she ordered sits waiting for you, but you know she needs this meal more than you do – even if your rumbling stomach disagrees. You’d already had lunch at the train station; one more missed meal won’t kill you and less for you means more for Ellie.
Suddenly becoming a parent to a very opinionated fourteen-year-old girl was not something you had anticipated, and most times you figured you were doing it all wrong. The least you could do is give her everything you could.
“You think he’ll show?”
You tear your eyes away from the parlor door, blinking back into your body out of your cloud of thoughts. Ellie’s little hands grip the bowl, a white smear sitting on her bottom lip, her eyes dark as they watch you.
You grin as her pink tongue swipes up to lick her mouth clean. How easy you forget she’s only fourteen, with her loud mouth and provoking eyes. “Eat your food, Ellie.”
The words have barely left your mouth when the door to the parlor bursts open. Two men, clearly drunk and smelling of it, stumble in. This is the part where you wish you too could believably dress up like a man. Your pulse thrums in your neck like a heightened prey animal.
One pushes the other’s shoulder, smirking, and grunting something. His friend, also in a cowboy hat but half his size, nods and makes an unsteady line for one of the tables, while the other does his best to get to the bar.
The man at the table has light green eyes, overly thick eyebrows, and a flat mouth, loose with drink. He flops into a wooden chair and you watch as the Texas Rangers badge on his chest flashes in the firelight behind him. Your stomach tightens.
He stretches out, feet crossed over his ankles, limp hands crossed over his denim jacket, hollering at his friend and the woman working, who looks equally displeased to see them as she did you and Ellie.
Smirking, his eyes slide from the wooden bar top, over the back wall, and right onto you.
You watch as his gaze blurs for a moment, a film of beastial hunger smothering the color of his eyes. You can feel your pulse in your ankles now.
“Well, now, what do we have here?” The lilt in his voice calls out two unspoken words: fresh meat. Distressingly steady, he climbs to his feet, his hat tilted obnoxiously on his forehead. “Where did you come from, you pretty little thing?”
He saunters over, his thumbs stuck in his belt, the gun at his side snug in its holster. The grin on his face is hideous. You’d smack it off if you weren’t suddenly overcome by a debilitating fear. A look like that on a man is never, ever a good thing.
“Whatcha got there, Lee?” his buddy calls out from the bar, beard drenched in beer foam.
“I dunno quite yet, Knapp,” he says over his shoulder, his livid green eyes never leaving your face. He nearly folds in half to press his spider-like hands on the surface of your table, coming inches from your face. His breath smells like corn whiskey and cheap tobacco. “Guess I’ll have to find out. What’s your name, pretty thing?”
“Or she could not tell you her name and instead, you could fuck off.” Ellie’s scowl wrenches her mouth open, her knuckles white around her spoon. There’s a part of you that fully acknowledges and accepts that if given the signal, she’d scoop the fucker’s eyes out with the silverware right here. “We’re eating here, or are you too busy smelling like a fucking whiskey barrel to notice?”
As with most adults when Ellie decides to show her teeth, Lee stares stunned before the self-righteous anger sets in. Your heart stops for a moment when you think he’s going for his holster, but instead, he uses the flat of his hand to swat her hat off her head.
“Shut up, you little fucker, where’d you learn your fucking ma–,”
Ellie’s long hair tumbles down her shoulders, the baseball cap on the floor behind her.
Lee is stunned into silence once again. The parlor goes deathly silent.
It’s Knapp who sets off the explosive spark again. “Holy fuck, you’re a little girl.”
Ellie snatches up her hat, cheeks flaming red, but Lee’s hand grabs her wrist.
“A kinda cute one at that,” Lee sneers. He twists her arm and she yelps. Knapp at the bar laughs, his paunch shaking as beer sloshes over the side of his glass. The woman is cleaning something with a rag, turned away from the scene, her shoulders hunched to her ears. You’re on your feet, your hand on her purse. “What are you thinking, hm? Dressing this sweet little girl up like a boy?”
The trigger clicks and Lee and everyone else in the parlor freezes. The edge of your lash line is wet, fear rolling through you like fog on the bay. Your hand is steady, miraculously, but your voice isn’t.
“L-l-let–,” your voice cracks and you try again. You only have one gun drawn on Lee and you pray to whatever god is listening that Knapp doesn’t remember his. “Let her go.”
This small pistol is your last line of defense against those who would take everything from you. You couldn’t keep your sister safe, your husband didn’t want to be saved, but you’d die before you’d let anyone come within an inch of Ellie. You pawned off your wedding ring long before you ever considered selling this weight in your hand. You couldn’t physically win a fight but you’d be damned if you weren’t going to take someone out with you.
There’s more than one reason you never let Ellie look into your purse. You won’t make eye contact with her now.
Lee’s eyes harden into black flints in his head. “Yeah? You’re shaking like a leaf. You ain’t gonna do shit about it.”
He twists harder, forcing Ellie to her knees, his mouth smearing into a sickening sneer, Ellie’s cries loud – “get off me, you fucker!”
All you have to do is miss. Once.
Your arm shifts right and you fire. You meant to hit the floor, but instead the leg of a chair at a nearby table shatters, wood and smoke sparking into the air. Lee and Ellie jump, their struggle broken, but Ellie’s quicker, smarter. Hunched to avoid debris, they are nearly eye to eye and Ellie doesn’t hesitate; she jerks her head back and then launches her forehead forward – square into his flat nose.
The crunch is sickening and it turns your already empty stomach. Lee shrieks, releasing Ellie, his hands flying to his misshapen nose to staunch the river of blood pouring from his nostrils.
“You bitch!” he whines, voice wet and gummy as blood trickles down his throat, eyes watering. You hear a roar of anger as Knapp stands, no longer finding any of this funny.
“Get behind me, Ellie.” You snap, eyes on Knapp as he lumbers forward. She hesitates, looking like she’d like nothing more than to kick Lee up the balls, but obeys the closer Knapp comes. She slots behind you, eyes sharp on the squealing man on the floor.
“She broke my fucking nose, man,” he cries, face already purpling.
“Yeah, and don’t you forget it, you fucker!” She snarls over your shoulder. One hand holds your elbow, and the other brandishes her mother’s knife that had been at the bottom of her satchel seconds ago. Fuck.
Ellie Williams is not, and never has been, nor will be, one to deescalate a situation. Knapp responds in kind. His drunk fingers fumble with his holster, his face contorted with rage.
“Shootin’ at an officer of the law – you’re gonna hang for this, you thieving little c–,”
“Knapp.”
A fifth voice – low, deep, a mammalian bark that grinds the chaos of the room to a halt. The large man stalls, his engine snagged by the rough grain of that voice. On the floor, Lee lets out one quiet whimper as he cracks open a pulsating black eye.
In the glow of the firelight, you watch as beads of sweat swell on Knapp’s big forehead beneath his wide-brimmed hat. His wide eyes flash between you and the man who just walked in.
“M-Miller, the fuck you want?”
Your heart seizes in your chest. Miller.
Joel Miller.
You never thought your saving grace would come in the shape of a hulking, dark-eyed man.
A well-worn handkerchief around his neck, crusted over with dust, his broad shoulders stretch a denim work shirt, the unbuttoned collar loose and just as dirty. Worked-over hands, dry and brown as the earth, curl into fists at his side. Tight jaw, flared nose, eyes black, his presence expands in the cramped room, a leviathan cresting dark waves to command the roaring void.
“Back off, both of you.”
Knapp sneers, desperately tugging at some misguided sense of bravery, with sweat running hot and fast and smelly down the sides of his rubbery face. “Y-yeah, or what?”
“You fuckin’ know what.”
Knapp visibly swallows and lowers his pistol, hands trembling. Lee whines from the floor, his eyes open as wide as the swelling will allow, abject terror on his face as he stares up at Miller. Neither of them move.
A guard dog satisfied by the corralled sheep, Joel’s heavy gaze roves from the two men, across the room, to you.
His expression doesn’t change.
The weight shifts across the stiff planes of his shoulders, and he turns, leaving as quickly as he appeared. Beneath his thick boots, the wooden floor creaks and it rouses you. Your mouth is so dry you can feel the skin of your lips split apart.
“Mr. Miller, w-wait.”
He doesn’t.
With a single glance to the men still frozen in terror, you follow him through the now-dark and empty store. The cold desert air cracks hard against your overheated cheeks when you burst through the door, into the black night. The moonlight illuminates the threads of silver hair in his beard that the dark parlor hid. His fingers work slowly, unhurriedly, as he tightens the leather buckle beneath the wide girth of his off-white horse. It lifts its head as you stumble out onto the dusty road, its round eyes watching you with more interest than its rider. White ears twitch forward, a snort from the long snout, and Joel rubs the soft place between two giant nostrils without looking up.
“J-Joel – Mr. Miller, please, I need your help.”
“Already got it.” His shoulders flex and roll as he loads up another loose sack onto the rump of the horse, then tightens the securing belt. It snorts again and shifts on its hooves, its long tail flicking back and forth.
You shake your head, swallowing the hot rush of embarrassment. The wind licks at your ankles and you fight back a shiver, bringing a hand to your shoulder to warm the goosebumps. “No, sorry, I mean – I’m here to help you. I saw your advertisement and I was wondering if the position was still open.”
The buckle quiets. The dirt at his feet crunches as he faces you.
There are no trees in Dalhart, Texas. There are barely any clouds, no coverage. Overhead, the few buildings not yet folded up in the wake of the financial collapse throw shadows over his angular face, but you can still feel the trace of his gaze over you. A curious search, the investigation of scent.
Then he shakes his head.
“No.”
Your entire chest tightens. “Has the position been filled?”
“No.”
“Then why–,”
“I don’t need you.” He lifts up the third and final sack and you feel your hope being carried away with it. “Need a farm hand. You’re not the type.”
“N-n-no, I’ve worked on a farm. I-I’ve only planted seeds but I’m a quick learner and I–,”
“No.”
“Sir – please, I’ll do anything–,”
“Then go home.” He unties the reins from the wooden post and clicks to the horse. Its big eyes watch you as he turns them for the road. “There’s nothing here for you.”
You absolutely will not cry in front of this gruff stranger. Panic icing down your spine, you follow him on weak knees. In the wake leftover from the wheat boom, Dalhart is quiet as soon as the sun goes down. Empty of people, of light, of any sort of guiding hand, you try to appeal to the last human you’ve found at the end of the world.
“Mr. Miller, there must be something you need. I’m a hard worker, smart, you won’t have to train me at all. Please. I’ve been a housekeeper, a seamstress – a nurse. I —,”
The horse huffs when Joel pulls tight on the reins.
In the moonlight, all of his hair looks gray. Your heart plunges in your throat. You can feel your stomach trying to digest your spine.
“Done any work with kids?” He asks, after a moment.
His brisk question is not what you expected. You can barely hear him over the pounding in your heart.
“Y-yes. I’ve treated children before. A-and I was a teacher, briefly. I’m very good with children, actually.”
The scarred hand at his side tightens, flexes open and closed, the tips of his thumb and forefinger twitching over the other. Over his shoulder, you think his head tilts a centimeter towards you.
“You know what? Fuck this.”
Out of the shadows of the county store, Ellie tears down the steps, her face pink and her hair stuffed back up her ball cap. She loops her small hands around your forearm and tugs, her eyes like chips of bark, glaring hatefully at the man in the middle of the street. Faint dust churns beneath her faded sneakers.
“She’s fucking begging you and you don’t give a fuck, you old shithead!” She tugs again. In the flash of the moonlight, a glassy film has settled over her eyes. “C’mon, we don’t need him. We – don’t need – him.”
“Ellie, please!” You grab her by the shoulders, a soft hand in a swirling tempest, and she settles, her mouth twisted up in anger and embarrassment. She hates that you have to beg anyone. “Please.” Shielding her from him, you squeeze her shoulders. “I know, Ellie. I know. But I have to keep you safe.”
Ellie finally turns that hot glare at you, eyes damp. Petulant when terrified, your sister was the exact same way.
Fuck, Anna, it should have been me.
“She yours?”
Joel rests his weight on his left knee, fingers loose around the reins. He’s lowered the mask around his mouth. You snap your head up, your voice thankfully steady. “She’s my niece. She . . . I’m responsible for her.”
Below your palms, Ellie stiffens.
Fifteen feet from you, Joel nods, the muscle in his jaw tight. The horse huffs and he glares at it like it just yelled at him too.
“I’m not in the habit of pickin’ up strays,” he says as if that means a lot.
Hope springs in your chest and it snags the air in your lungs. “We’re not. I-I mean, we’ll work hard. Please, give us just one chance.”
“And you expect me to take on the both of you.” It isn’t a question, but his eyebrow arcs all the same. “That’s two mouths I gotta feed, ‘steada one.”
“She can have mine.” In the silence, you think you can hear the faint choir of crickets. You remember the tarantulas and centipedes that lived inside the walls of your husband’s prairie dugout, and your stomach twists. “Ellie can have whatever you give us.”
She makes a brief cry of protest, but you squeeze her shoulders. The sharp flair of his nostrils smooths and the corners of his eyes pinches, tilting his eyebrows up. He’s still glowering, but somehow, his expression has suddenly opened, just a crack.
And then he nods.
“Stay here a night. I’ll be back in the morning with the wagon.”
And that’s it. You have a job.
You’re so elated it takes a minute for his words to sink in. He turns back down the road, the horse's hooves clipping on the dry ground. You follow after him, hand outstretched.
“Oh, no, w-we can walk, it’s no trouble. Let me just get our things and–,”
“Too far to walk. And there’s things out in the dark more dangerous than those fuckin’ rangers.” He nods to the country store, eerily quiet. It sits, ugly, like a brown old frog. “There’s a hotel just up the road. It’s not much, but it’ll do for one night.”
“But, sir, we really can’t stay. I don’t – there’s no –,”
You stumble to a stop when those merciless dark eyes root you to the ground. The leather reins squeak when he tightens his fist around them. Again, you are under the impression of a dog sniffing out your scent for any deception, any treason. He takes you in, all of you in – your ratty gloves, your torn hemline, your tattered collar – and by some miracle, he doesn’t say anything. Instead, the groove above his nose softens.
Wordlessly, he reaches into his back pocket and takes out five dollars from a brown leather wallet. He offers it to you between two fingers.
Take it, his eyes command.
You do, with a shaking hand. You hate charity, you hate that you’re at his mercy –
But Ellie has a bed for the night. Inside, warm. Where, hours ago, she didn’t. You smother your pride and nod, gaze at the scar on his cheek that you only now notice at an arm’s length away.
“One night,” he says. “For you and the kid.”
You nod again because that’s all you really can do, his pity clutched in your fist and held against your heart.
Ellie scowls as he swings up onto the horse and readjusts his mask.
“What a guy,” she murmurs to you, her eyes still narrowed. Joel clicks his teeth, and the horse trots off into the dark, a lone man riding out into the featureless night.
Evidently still feeling slighted, Ellie sticks her tongue out at the denim back.
“Better keep that tongue in your mouth, kid,” he hollers before digging his heels into the horse’s flanks. “Liable to be chopped off like a copperhead.”
Ellie’s mouth snaps shut.
The money Joel gave you is more than enough to cover a room and another plate of food. You even spurge your own money on some small candy for Ellie, determined to give Joel back every cent left over and then some, once you’ve proven you can earn your keep.
For you and the kid.
You shake your head, lost in your own thoughts, the gnawing hunger in your belly satiated, as you pull back the covers to the twin bed. The metal frame squeaks as you climb in, your night dress thin and ragged as the rest of your clothes.
“C’mon, Ellie, time for bed.” When she doesn’t move, you stop rearranging the pillows and look at her. In her own white nightie (because she’d outgrown all her other pajamas), she sits in front of the roaring fire, her chin on her knees, and her arms wrapped around her shins.
She’s quiet - either a good sign, or a terrible one.
“Ellie, sweetie, we’ve gotta get some sleep. It’s gonna be a long day tomorrow.”
You watch as her narrow back expands and falls in one slow breath, her skin bright in the firelight.
She nods mutely and climbs into the space beside you. She rolls onto her side, away from you, her hands tucked up under her head, her knees curled up beneath her.
This is where Anna would know what to say. How to soothe this girl with so much awareness in a world that is raw to even those willfully ignorant. You can’t bullshit Ellie the way you can some kids. She knows too much. Seen too much.
You settle down next to her in the shadow of her shoulder. Your fingers hover, locked between the yawning gap of touching her and not touching her, when she finally speaks.
“Is this really going to work?” Her voice is quiet, soft, dust-covered and buried. “Is Joel really gonna . . . are we safe?”
You cannot bullshit Ellie Williams.
“I don’t know. I’d like to think so. I know you don’t like him, but I think we can trust him.”
She’s quiet again, only this time because there’s something she doesn’t want to say.
“Not like Uncle Robert – or Robert, if that’s even his real name. I’d never met the man in person, but I wanted – so badly – to believe . . .” You swallow, your own shame boiling your skin. “I think we’re safe with Joel Miller.”
The god’s honest truth.
She hears it in your voice.
Ellie tips back to look you in the eyes. She’s lost so much weight recently. “Yeah?”
You tuck a strand of her hair behind her ear, the ghost of your thumb across her cheek. She allows the show of affection. “Yeah, El. I do.”
You want to say: you can trust me. I’ll always take care of you.
But you know it would only come out hollow.
Neither of you would think it was honest.
She pulls away from your grasp, her eyes almost golden in the firelight. She nods and stares at the burning wood.
“Okay.”
“So . . . is your car, like, broken or something?”
You elbow Ellie and she sits up from hanging over the edge of the wagon. She frowns at you – what? – and you both glance at Joel at the front of the wagon. If the question annoys him any more than he perpetually already is, he doesn’t show it.
“Don’t have one.” He says to the back of the horse. The wagon rocks and sways over the clods of dust and stone in the road. “Never did.”
“Uh, why?”
“Cars break down in the dust storms. Short out. They end up being more trouble than they’re worth.”
Again, that half-centimeter turn, his tone implying what his eyes can’t, faced away from you. Ellie narrows her eyes at the back of his head. She wrenches her mouth open, fire in her eyes, but she catches you glaring, and her mouth snaps shut. Pouting, she chucks a lone pebble off the back of the wagon.
The sky is strikingly blue, bright as a livewire, the air warm and crackling with the early summer heat. Away from Dalhart, away from the collection of dust on every surface, dripping through every crack, you find the clarity and distance of the southern plains to be . . . unexpected. So careless and abrasive one minute, but then, in moments like these, it became hard to believe that nature could ever be so cruel as to make the earth rise up and swallow it all whole.
You swing your legs off the wooden edge, the sunshine warm on your knees. It’s no use trying to hide how badly your socks need darning, so you lean back and stretch your legs as far as you can, your face tilted towards the sky, the still air peaceful. This morning, you’d put on your yellow plaid dress, torn cotton lace around the sleeves that stop at your elbows. You tucked your hair up and pinned your straw hat to your head. It was a reflex, to present your most beautiful self to a man, even one you barely knew. By the way Ellie had rolled her eyes, she felt no such compulsion.
Demure, your mother always told you, you’re not very pretty, you’re not very bright, the least you can be is demure.
The wagon shudders, clicks, over the empty road and you open your eyes. Ellie is turned away from you, eyes out to the fields on either side of you. You don’t understand what she’s looking at, until you realize that’s exactly it: there is nothing to look at. On the other side of those loopy barbed-wire fences through cock-eyed posts, there are miles and miles of nothing but churned-over dirt. A lazy wind spins over a patch of emptiness, tossing clods and sand into the air, an aimless sadness as tangible as the dust itself. Phone lines stand, corroded and chipped, along the side of the road like tangible manifestations of a deadly infection.
“There’s no crops here either.” Ellie says, voicing loudly what you only thought. You can’t see her face but she sounds as stunned as you are. “What happened?”
You watch over her shoulder, eyes level with the earth bleached of all material, all life. With the drought, your husband’s field shriveled up in months, the cracked ground peeling away from the sodhouse in some places. You still have nightmares about waking up with grit between your teeth, choking and coughing up bloody chunks of mud.
This is desolation on an epidemic scale.
“Ask different people ‘n they’ll tell you different things.” Joel says in his slow drawl, the crackle of the earth soft beneath the wooden wheels. “No one really knows. But nothing like this happened when the buffalo grass was here, ‘steada wheat.”
“Wait, you were here before Dalhart?” Ellie twists on the wagon, leaning over the lip where Joel sits and drives the horse.
“My family was. Here before anything. My grandpa befriended the Comanche Indians and –,”
“You got to hang out with Indians?” Ellie nearly hurls herself over the edge of the wagon to try and look him in the eye. “What are they like – did they teach you how to shoot a bow and arrow – can they really ride horses like that –,”
“Ellie!” You want to grab her by her collar and yank her back into the wagon. “Not so many questions.”
The noise Joel makes is somewhere between a grunt and the word no.
“It’s fine –, “ he looks down at Ellie, still curled around the back of the seat, her eyes wide with a giant smile on her face. His ever present scowl doesn’t seem any deeper, nor does it deter her. Joel turns away again and in the sunlight, his hair is gooey, caramel brown. You stare at the dirt road while listening, the back of your neck hot. “They’re good people. Didn’t deserve what happened to them – to any of ‘em. But they taught my grandpa and grandma how to take just what they need, nothing more. But then everybody needed grain, offered money for cheap, easy labor. They poured in here, into the prairie, and in years, it became this. Folks blame the drought, but it’s more’n that.”
Ellie’s inordinately quiet. She knows exactly what your husband did to you, to your family, and now, maybe to the entire land.
“‘Next year’ people, they claim,” Joel continues, his voice deepening with anger, “‘next year’, things’ll be better. ‘Next year’ the rains’ll come. ‘Next year’ the wheat’ll return.” He shakes his head, boots creaking against the toeboard. “Anyone who thinks that is lyin’ to themselves. Anyone’s who’s been here, seen what’s here, for us it’s been –,”
“The end of the world.”
The silence that follows your words stretches long, an anchor dropped off the end of the wagon and rattling around the wheels. You swing your legs, fingers curling around a tear in your hemline. It wasn’t the first time you’d heard those words to describe the state of things. That’s what your husband called it and you believed him.
Evidently, Joel agrees. His wide shoulders taught, the denim blue faded beneath the boundless sky, he nods.
“Griiim,” Ellie mutters as she curls up and drops her chin on her knees.
You’ve been watching a single cloud chase the sun from the floor of the wagon when Ellie, silent for all of about fifteen minutes, lifts her head from her hands draped over the edge. Her eyes go wide, her ears pink from the sun, and says:
“Whoa.”
The horse huffs as you sit up, a soft wind snagging the loose hairs on the back of your neck, and your mouth drops.
Grass.
Fields of it.
The air is fresh, warm, and filled with the scent of living, breathing earth. Tipped with lush purple seeds shaped like paintbrushes, a sea of stalks bend and ripple in the cooling breeze, undulating like waves on solid ground. The wind is soft here, teasing, rolling through the tall grass, carrying the scent of growth and green in the air. You’re suddenly aware of how dry your mouth is, cracked and padded with dust.
“We left it be.” Joel offers simply, voice too gruff to surely be filled with pride. “It’s endured and survived, and so have we.”
Further back, you can see where the line of his property ends – a harsh division of paradise and purgatory – and marked to the north by a dip in the ground and even over the crunch of the wheels over the ground, you hear it: water.
A river. An oasis in a wasteland.
Ahead of the white tufts of hair on the horse, the road curves, disappearing into the sea of grass, but letting your graze drift up, you see an a-frame home, white like a lighthouse at the edge of a storm. The instant the home comes into view, Joel clicks his tongue, urging the horse faster – eager.
He leads the horse up through the road, through the grass, and on the other side, by the river, two cows chew up the green, oblivious. Beyond them, tucked behind the house is a barn. Low to the ground but wide, hunched like a fighter with a heavy center of gravity, it looks ready to endure and survive. As this entire secret world had.
Joel tugs the horse to a stop, the wagon rattles as it slows, by the wide porch of the a-frame. It sits also low to the ground, wider with a dark roof, held together with something black and smeared. You’re so distracted by the unique qualities of this house in the middle of paradise that you miss it when the door creaks open until you’re staring down the barrel of a shotgun.
“Who are you?” The voice behind the gun is deep, even if the barrels shake slightly. In the dark of the doorframe, you can’t quite see their face, only their short stature.
You see Ellie’s hand twitch towards her knife, which she now carries in her sock since the night of the county store.
However, Joel is less concerned. In fact, the boulders of his shoulders loosen, ease to simple muscle and blood. He makes a noise that on anyone else, it might be considered a laugh, a chuckle, but he isn’t even capable of smiling –
He slings down from the seat and pats the horse.
“Easy there, Annie Oakley, it’s just me.”
The shadow in the doorway stiffens.
“Dad?”
The shotgun lowered, the shadow staggers into the light. Brown eyes, just like his, scrunched against the blinding sunlight, a girl with the most beautiful head of curls blinks at Joel, her thin hand held up to shield her face.
“Hey there, baby girl.”
In a single leap, she jumps down from the porch but all too quickly, the smile slips from Joel’s face.
“Hang on, not too fast–,”
She stumbles towards him as best as the metal braces around her knees, down to her ankles, will allow, defiant and smiling, despite the beads of sweat that have swelled over her forehead. Joel surges forward, faster than you thought possible, and reaches for her, nearly on one knee.
“Slow down, please, Sarah.”
“Dad, I’m fine,” she huffs before tossing her arms around his neck. “I’m fine. Just – missed you, is all.”
You can’t see his face, but he straightens up still holding her. With one hand he flattens those curls to her cheek, and kisses the other.
“Enough to forget all the things I taught you about gun safety? You just tossed that thing aside,” he scolds fondly. She rolls her eyes as he sets her down.
“Okay, but if you didn’t know it was me, you would’a been totally scared, right?”
She watches as he chuckles, a deep, warm sound, but her own smile flatlines when she spies Ellie climbing down from the wagon. You ease off the edge, your lower half sore from the ride.
The girl, Sarah, narrows her eyes.
“Who are you?” She positions her body slightly in front of Joel’s. “And why are you dressed like a boy?”
Joel’s soft scolding – “Sarah” – is lost beneath Ellie’s scoff. She adjusts her satchel.
“Why are you dressed like Raggedy Ann?”
Her father’s massive hands clench down on her shoulders, Sarah’s scowl evident that she’s about half a second away from launching herself at Ellie, leg braces be damned.
“Now, let’s slow down here.” Joel’s deep baritone is light, but just as firm as his grip. If you knew him better, you’d think he is about to laugh, the lines around his eyes thick, while his mouth stays flat. “We got off on the wrong foot. Sarah, this is Ellie and her aunt. They’re going to be staying with us for a while to help out with your schooling.”
Those curls go flying, her frown now pinched in worry. Another girl caught between a child and adult – for the sake of their single parent, you notice, your chest tight.
“I thought you needed a farm hand. You were going to teach me.”
“You know you already read better than I do.”
“Dad–,”
“Miss here is also a nurse.”
“Oh. Oh.” She glances down at the metal braces as if she’d forgotten they were there. The skin on her knees is chaffed, rubbed pink. “She can . . . help me?”
Twin pairs of brown eyes settle on you, one hesitantly curious, the other aggressively determined.
You can, right?
Ellie’s staring at the braces, her gaze distant, heavy. She’d seen this before, but everything back then moved too fast. Back then, there was no time for braces.
Braces only help a small percentage of polio patients. The lucky ones.
You nod, your heart hammering under your chest bone. “Yes – yes, sir. I think with Ms. Kenny’s therapy, we might be able to alleviate some pain.”
Those eyes, exactly like and so unlike her father’s, widen.
“Really?”
You introduce yourself with your first name, pressing the crease in your glove between your nail and your thumb with your other hand.
“I’d like to try, Sarah.”
You suddenly understand that Sarah is Joel Miller’s most guarded secret, out here in paradise, paradise as the most beautiful prison in the world. He continues to stare at you from under thick eyebrows after Sarah moves away from him. Ellie, caught off-guard by her forward movement, takes a significant step back.
“I, um, got some marbles out back,” Sarah starts, thumbing over her shoulder, and every other word sounding like an apology. “If you wanna play.”
Ellie jerks forward, her eyes round with excitement, but stops. She looks at you.
“Can I?”
Soft when eager, just like her mother. So unlike you. You nod.
“Stay close, okay?”
You and Joel watch as Ellie and Sarah toddle around to the back of the house, Ellie quietly narrating every thought she has as she keeps pace with Sarah.
Those look actually really cool, you know?
Yeah?
Totally. Have you read Amazing Stories? You look like you could be part of the Space Family Robinson.
Who are they?
Oh, you’ve never read those!? Okay, so they’re a family who live in space and they go on these awesome adventures together to different planets and . . .
The farther they go, the faster Joel turns back to stone. His gaze lingers just a hint longer before those dark eyes pin you to the ground.
“You said you can clean? Cook?”
You nod quickly. “Yes, sir.” Guard dog Joel. Stocky pitbull, teeth long and wet Joel.
He tilts his chin towards the house.
“Kitchen’s in the back. I gotta clean up the wagon and the horse, then gonna tend the field. I’ll be back in a few hours, but Sarah knows where to find me if y’need somethin'.”
You nod again, but he misses it, turning away to unbuckle the horse. You slide your trunk and Ellie’s satchel off the end of the wagon and head into the shadow of the house.
The white clapdoor snaps shut behind you, followed by the softer snik of the screen clicking into its frame. Slipping the bobby pins out of your hair to release your hat, you take in the Miller home.
The air is cool. Dust motes float in the sunlight streaming in from the second floor over a staircase with wooden wainscoting leading away from the open front room. With a brief glance up, you can see the faded white walls of the upper hallway, some not-yet-seen window drawing in bolts of morning light that pierce the air in bullet holes. It’s quiet and it smells warm, like lace kept in the back of a drawer near a wall that faces the heat outside.
A blue two-seater couch faces a squat fireplace, with a Queen Anne table sandwiched between the two. Behind you, a large grandfather clock ticks and waits, a server waiting in the shadows with a watchful eye to report back to its master on the going-ons of the house. With only a cedar hutch, a few daguerreotypes, a smattering of books, the room is sparsely decorated, but kept clean and organized. You could see Sarah, a focused look in her eyes, sitting on the steps of the stairs and making Joel move and rearrange furniture over and over again until the room felt right.
Through a white arched doorway, you find yourself in the kitchen. The light sparks more brightly here, the sky a stark blue through the four square window over the kitchen table and above the sink, reflective of the sun. You realize then the house runs north to south at an angle, where there are limited windows in the walls on the east and west sides, thereby limiting direct sun exposure and, more importantly, heat. Both the kitchen and the front rooms had been built out of the line of the sun, making cooking and cleaning and living bearable without a painful glare.
A thoughtful and patient consideration.
Someone had attempted to add some levity with brown and blue plaid wallpaper around the cove of the dinner table, all the way to the other side of the room around the kitchen counters and stove. But unfortunately for everyone else, the wallpaper is hideous, only tampered by the off-white counters and cupboards.
The cupboards have glass doors, blurring ceramic cups and plates on the tops of the shelves.
It reminds you of the small apartment Anna and you lived in back in Boston, when it was just the two of you. It wasn’t much, but it felt sturdy, secure. Safe.
A door to the right of the stove has a latch, and you lift it and poke your head inside. A chilly darkness greets you, along with the scent of wet, deep earth. A basement? No. Not this close to the kitchen. Curiosity pulling you forward, you descend the sturdy wooden stairs, into the sunken darkness. You count ten until a draft licks your ankles. You keep going, one squeak of wood after another until - you touch soil. The heady scents of pine bark and peat moss soothe the air from where your feet press into the ground, fertility thick like mushrooms in the gut of a lichen-drenched tree. But it’s dark, too dark to make out much, barely your own hand in front of your face. With your fingers outstretched, as if you’ll bump into a gas lamp conveniently on the ground, you shuffle forward and almost immediately a cold chain tickles your face. You grab out of instinct and pull.
Nearly blinded by the light that erupts from an exposed bulb directly in front of your left eye, you stagger back, wincing, your footsteps muffled by the earthen floor. You blink through the tears as the secret at the end of the stairs finally reveals itself.
A pantry. A cellar.
At least twenty feet deep and ten feet high, with rows and rows, stacks and stacks, wood shelves cover nearly the entire length of the underground room. In between the rows, large barrels sit, quiet and sturdy, with bottles of vinegar and olive oil sitting on their rims.
You realize two things within seconds of each other.
This house has electricity. It stands above the ground, proud, independent, full of heat and light. So unlike your husband’s dark hole in the ground.
and
there is so much food.
Pickling jars. Seed pouches. Culled wheat. Cans of fruit and vegetables and eggs. Olives with squash and pumpkins. Crates of potatoes and half bottles of wine and syrup. Onions and carrots and spices and garlic.
A feast. Meals for days and days and days. The bounties of earth stored, safe beneath the ground, like a secret.
It’s more food than you’ve seen in years.
A hunger like you can’t remember having roars in your stomach out of nowhere and everything pitches to the right. The edges of your vision blurs, your shoulder knocking into stone wall, and breathing becomes a nearly impossible task. You turn, nearly stumbling up the dozen steps that have turned into a thousand.
The tacky memories that stick to the crevices of your dreams yawn awake, bringing with them dry mud in your mouth and thick salt to your eyes. Mud, dirt, dust – everywhere. In that stinking hut in the ground, the dust replaced your molecules, your atoms, until you too might blow away, until you are cracked and empty and dry. The static from the dust storm memories shoots down both of your arms and you sway on your feet. Your heart suddenly pounding so achingly fast, you have to drop your forehead against the flat surface of the closed door to keep the room from spinning.
You had forgotten what safety looked like.
You had forgotten what living could be.
You know the ringing sound of that gunshot is just in your head, it’s not real, but you shudder all the same, your hands curling into claws under your chin, your nails tearing up the white paint.
You’re here, not there. You are safe. Ellie is safe. That house and him have been entombed together under piles of dirt, with the bugs and the rot and the stench from the weak stove. Rivers of sweat rolling down the back of your neck, you beg yourself to stop shaking. You feel like cheap terracotta pottery – made from dirt, left too long to bake in the sun and made brittle; one good tap and you’ll shatter.
You breathe in and taste wet salt. Breathe out and cry – cry from the fear and the dread and the relief and the hope. God, that hope tastes worse than all the dirt in the Panhandle of Texas.
You cry and cry and cry until you don’t feel so brittle anymore.
Sunlight has struck copper, heavy, tangy in the mouth, when the back door opens and the house is instantly filled with the sound of girls’ rabid conversation. You step back from the stove, cheeks warm and arm sore from continuously stirring the rice and vegetable soup. It’s not as thick as your mother once made, but without milk, it would be nearly impossible to improve. You smile at the girls as they tumble in, more dust mite than human, whispering about some secret.
“Having fun?” You ask with a grin on your face as Ellie helps Sarah take off her shoes, already attentive to what a girl with her health concerns might need.
There’s an overlap of chatter as Ellie and Sarah both answer you and then, answer each other.
“Well, good,” you say, turning back to the stove, making sure the bottom of the soup doesn’t burn, “but whatever you got up to, it’s all over your faces so please wash up before dinner.”
“It smells real good, miss,” Sarah says as she hobbles over to the sink and starts rinsing off her arms and cheeks, while Ellie takes off her own shoes. “What is it?”
“Something my mom used to make when the cupboards were bare.”
Sarah stills, the water rushing over her soft skin. Those inquisitive eyes are just as captivating, just as forceful as her father’s, but for entirely different reasons. She tugs the words out of you by the sheer, needling strength of her gaze.
“I mean – I found the cellar, the house is incredibly well stocked, but I didn’t see any preserved meat or dairy and I didn’t – I didn’t think your dad would want me poking around out back.”
Immediately Sarah softens and rolls her eyes. “Dad’s all bark and no bite,” she huffs. “We’ve got stored beef and cheese in an ice chest downstairs. I’ll show you around tomorrow.”
You smile and those brown eyes go warm in the coppery light. “Thanks, Sarah.”
“Bunch up, I gotta wash my hands too.” Ellie none-to-gently bumps Sarah with her shoulder to get to the sink but before you can scold her, Sarah swings back, using her precarious momentum, and pushes Ellie back. They both giggle. Something that’s been cramped far too long in your chest loosens.
“So, Sarah, tell me where you are with your schooling. Do you have books, diagrams?”
She thinks for a minute as she opens a drawer that leaves her back to you and takes out two, then four thin cloth placemats. She hobbles back to the table to carefully spread them out.
“I was up to seventh grade before the school shut down. That was about two years ago, so Dad’s been trying to make sure I don’t forget anything. He got me a Midsummer Night’s Dream by Shakespeare a while ago and made me read it out loud to him. He has me work on my letters every day – including cursive.” She adds, with a bright spot of joy cranking her mouth open. You imagine someone like Sarah would have beautiful penmanship. “He shows me around the yard, asking me to identify plants and animals, especially anything that might be poisonous. I don’t think he really understands it but he explains what happens when you add water to a seed and keep it in damp earth. Oh, and he has me help balance the books for the farm – what we made, what we sold, how much we have left, stuff like that.”
You smile at her over your shoulder as Ellie hands her bowls. “Accounting.”
“Huh?”
Ellie rolls her eyes. “It’s so boring, don’t worry about it,” she whispers conspiratorially.
“What your dad is teaching you is called accounting,” you say a bit firmly, eyes tracking your niece as she shows no shame. “It’s a very special skill to have, especially if you work on a farm or in a business. Do you like it?”
She nods rapidly, those cork-screw curls bouncing around her thin face. “Yeah! I do! I’m much faster than Dad when it comes to figuring out the sums and dollar value.”
In the front hall, the clap door creaks open then slams shut, heavy footfalls proceeding the man that makes them.
“Does that happen a lot?” you ask softly as Sarah sidles up next to you to peer into the pot.
“Where I know more than my dad?” Sarah smirks up at you, all devious youth. “More often than you think.”
A mini sun bursts from the ceiling as Joel flicks on the light switch and is almost immediately tackled by Sarah. The copper sun on the horizon finally, in the distracted moment, slips down and drags the night behind it. It’s purple twilight outside when Joel lifts his head from the embrace around Sarah’s shoulders to stare at the two strangers in his kitchen.
“Dinner’s almost ready,” you say brightly and you can almost picture your mother in the same exact position in front of the stove, stirring soup until her cheeks were pink, her hand resting low on her back, her tummy round and full in her second attempt to keep her husband’s rage diverted from her. It’s a boy, she promised.
The memory makes you so violently ill out of nowhere, you lose your appetite. But you persevere; you carry on and load up the bowls Sarah stacked for you. Ellie saves you from having to dislodge the prickly knot in your throat when she snags a bowl and eagerly yells, “get it while it’s hot!”
The arrangements from the stove to the table are a bit of a blur, the slick anxious weight from earlier today curling around your lungs again as you remember shadows in chairs like these, but so different from the flesh-and-blood bodies that occupy them now.
You’re dazed, a little light-headed, but not so much to miss the glance between Joel and Ellie. A junkyard puppy skirting the territory of an older watchdog, a bone in each of their mouths and dragged to opposite corners of the battlefield. Satisfied with the lines of demarcated territory that had been drawn, they call a temporary truce by eating in complete silence, until Sarah groans.
“Oh my god, this is better than it smells!” she hums, her mouth full of potatoes.
“Just wait till she adds chicken,” Ellie grumbles, mouth cupped open to keep from spilling. You watch her, a faint smile on your face, and the slippery feeling fades. When cleaning up, she missed a spot on her left nostril and you fight the urge to clean it with your thumb.
“There’s more.”
Your gaze snaps to Joel hunched over his bowl. The spoon that Ellie and Sarah have to both clutch in their fists to eat barely swings between his massive fingers.
Joel’s dark eyes trace down your nose, your chin, your neck, to where your hands lay flat on the table in front of you. Your own bowl and spoon sit on the counter behind you. You worry you might have upset him, with the way he’s frowning.
“There’s more,” he repeats, same tone.
“I'm sorry?”
He puts his spoon down and clears his throat, then nods to the pot on the stove. Ellie watches him out of the corner of her eye.
“I saw how much you made. If you’re hungry, you should eat.”
As though speaking a language only you could hear, he looks at Ellie the same time you do.
She frowns. “What? Is there something on my face?”
Sarah begins to giggle, nodding, when Joel starts again.
“You should eat. There’s enough.”
It’s like his eyes can see through your blue veins and clammy skin, to your yellow bones and clawing stomach. You choke on the mudball that’s been hovering in your throat for months and nod.
“Alright.”
You don’t know if you’re actually hungry – you can’t really remember the taste of warm food – or if you’re doing it just to appease him, but something about the heat of the bowl and solid spoon in your hand, it rouses you from this sinking you find yourself in. Your bones feel like jelly.
“How’re the fields, Dad?” Sarah asks with her big eyes, seemingly unaware of the layered exchange between you and her father, or kind enough not to address it.
He responds to her, his voice deep in the cavern of his chest. It’s an easy way he speaks to her, heavy with the seriousness she’s earned to be talked to like an adult, but gentle enough that for all his low grumbling, it comes out as a thick murmur. You find yourself listening to their conversation, their interactions, as soothing as music turned low from a well-tuned radio. Ellie is even roped in when Sarah tells Joel all about the Space Family Robinson and Ellie’s knife. “It’s really cool, Dad,” she says preemptively. “She knows how to use it and she’s really safe.”
“Well, if it’s really cool . . .” he fills his mouth with potatoes, tamping down the ghost of a grin on his lips around the spoon.
Ellie shuffles in her seat, her own hesitant smile glittering in her eyes, and with only minor prompting, she holds no prisoners when gleefully telling Sarah that she’s got the story of finding a mess of wriggling worms out by the back of the barn all wrong.
“Just keep ‘em outta my side of the bed, alright?” You grin at her, spooning another dribble of soup into your mouth. You’ve realized too much, too fast can just as easily twist your stomach so you focus on cradling a digestible amount of food – broth, potato, carrots – in the well of your spoon.
But the landscape beyond the silver lip has stilled. Both girls are happily slurping up the last bits of their meals, throwing quips back and forth, but Joel’s shoulders have locked up again, the bones of his wrists flat, a static alertness that you’re sure would travel all the way down to his ankles if he was standing up right. You aren’t sure if Sarah has picked up on the subtle change in his breathing – from the deep well of his lungs to shortened and shallow – but somehow you have.
You’re staring at him far too long.
Those thick eyebrows pitch down again. Beneath the loose button that pins your dress closed over your chest, you feel a swell of heat and you wish you were like Ellie, capable of making an easy joke – what, is there something on my face? The heat bubbles almost uncomfortably under his weighted gaze.
“I hate bugs,” you blurt out, desperate to give him what he wants, if only you knew. The girls glance at your sudden outburst. “I don’t like worms especially. I don’t mind straw beds, as long as they’re clean – I mean, I–I hope they are, the straw beds, not the worms.”
Another eternal second of being pinned down by Joel’s frown, this one decidedly less hostile, before understanding breaks open the harsh lines of his mouth and around his eyes. His eyes go wide for less than breath, then he drops his gaze to the bowl. His shoulders shift, muscle redistributing weight as he settles his thick forearm closer to the edge of the table.
Oh, that relief of muscle says.
“You’re not sleeping in the barn.” Joel says, head tucked down. At that, Ellie slows her ravenous eating and frowns at him.
“Then where are we sleeping?”
Joel lifts his head, a new, special emotion just for her tugging on his mouth: exasperation. “My room. You two in there and I’m takin’ the couch.”
Shame and embarrassment drip down over your skull, between your ears, like a cold, runny egg.
“No, we couldn’t possibly–,”
He shakes his head, eyes still on the split potato chunk at the bottom of the bowl. His hand flexes briefly and you think of it around the bridle of the horse.
“It’s not up for discussion.”
Beside him, Sarah frowns at him and you’d wonder how many times in her life he’s ever said that to her – if you could think properly over the roaring of blood in your ears.
“Joel,” you say, something syrupy under your tongue molding the words Mr. Miller into a tone you’d use for an old friend. “I can’t ask you to–,”
Hand flexes. The seat of the chair squeaks.
“You’re not askin’, I’m tellin’.” You’re still vastly underprepared for when those eyes - those deep, dark eyes - suddenly snap on you, as if your very presence commands his entire attention. You notice the dirt underneath his nails and around the knot of his wrist on the table. He’s filthy.
Quietly, with the surety of a dog slipping its snout between its paws, he cuts the last chunk of potato in half with the curve of his spoon. “The new mattresses’ll be here next week. We’ll make do ‘till then.”
The slurp of soup between his lips seems to signal the end of the conversation, but you can’t quite mash together your kaleidoscope-spinning impressions of the man across the table from you.
“Thank you . . . Joel.”
He nods, back teeth breaking apart the soft mush of the potato. He swallows and glances back up at you.
“It’s good,” he says, briefly holding his spoon aloft. “You did good.”
His words burst the choking bubble in your chest and warmth drips down your spine, splashing in the cradle of your hips. Hunger rises, but it’s a different kind of hunger. A growl of neglect. One you sometimes wondered if it was even possible for you to ever even feel.
Even while you were married to your husband.
You put your spoon down to keep your hand from shaking. The soup won’t feed this new churning hunger and, frankly, you don’t know what will.
You did good, he praised, parsed out like torn bread tossed across a black lake.
It makes you warm in places food never could.
The immediate next morning, you meet the sun early, eagerly. Eager to wake and rise and become so useful, you are intricately tied to this house; if you are removed, a vital piece of the land, the prairie is torn up along with you. Ellie sleeps softly next to you, curled up in the same position she was in the hotel bed, tucked in so tightly as if to take up the least amount of space possible. She sleeps, unbothered, blissful, and again you fight the urge to brush the hair that covers her sleeping eyes. You settle for tugging the beautiful quilt, with its stunning blue and red and green patches, up to her shoulders.
As you tie your dress up, your suitcase partially open and on the ground, movement from outside in the dawning pink catches your eye. A brisk shadow, those thick shoulders proceeding a taught waist are unmistakable as they move towards the barn. You stand, transfixed for a moment as broad hands slide open the barn doors, you hear a faint creak, and he disappears inside. The capability of those hands; the surety, where every action is deliberate and intentional – it makes something arc up your throat. A warm piercing that bursts through bone and muscle alike. Trembling fingers tug at the wilting lace around the cuffs of your dress, imagination stretching out into the dark morning, inspired by curious and impossible ideas of those hands.
Something – most likely Sarah next door – squeaks the floorboard and those tendrils of thought snap back as if someone had slammed a lid shut. You glance at the clock and make a mental note to wake up earlier tomorrow, to beat him to the kitchen.
You are also desperately eager to get out of the room where you can practically smell Joel on the walls. It’s simple, just like the rest of the house, but amongst the hand-drawn sketches of himself and birds (likely gifts from Sarah), the half-spent candles and well-read books, you find him in everything. You wonder, briefly, if the indentations made on the cotton mattress are from him or you – the scent of his hair in the pillow from sweat or soap.
The encroaching feeling that you don’t belong here in this house nearly swallows you whole as you dress in a room you definitely don’t belong in.
Joel remains a distant figure, a familiar shadow across the lightning horizon, long after you finish the eggs and toast. You consider perusing the pantry for blueberries or something similar, when Sarah comes down. Fresh-faced, dressed with the care most people reserve for church, she stumbles in, her braces clacking as she finds a seat at the table.
You notice a brief flash of pain across her face when you bring over a plate of food. She unconsciously rubs a circle with her thumb on her left knee as she picks up her fork.
“Pain today?” You ask, eyes on her knee, even though it’s obvious.
She nods, strained. “Just a little bit. But it’s nothing. I’m sure it’ll go away when it warms up outside.”
You doubt that is remotely true, but you let her hold the comforting lie. She doesn’t seem like the type to swallow pity with ease, and neither was Anna. You put on that detached but focused "nurse's" mask, your lips a straight line and brow furrowed, your voice slipping on something more commanding too.
“Let me see.”
Sarah blinks at you briefly, evidently surprised by your shift in demeanor but eventually, she obeys. She drops her fork and slides the chair back, the chair legs squeaking against the rough wooden floor.
You crouch in front of her, gathering up her ankle first and testing its mobility.
“When were you diagnosed?” you ask, as soft as you are firm.
“Never, technically.” She watches you and occasionally winces. You wonder how long she’s grown stiff like this. “The doc had left over braces that Dad bought before the guy skipped town.”
“So then how did you know it was polio?”
By her sudden stillness, you know this is the first time that word has been uttered under this roof in a long time. You lower her ankle, rising gaze meeting hers. Her mouth is pulled tight. You can practically read the familiar headlines as they scroll across her mind.
New Polio Cases by the Thousands
Polio Claims Life of Infant
Polio Outbreak: Thirteen Dead
“Not every case is serious,” you say, gently, using the word serious in place of fatal. You don’t want to scare her unnecessarily. But by her wide eyes, you know the word sits in her chest all the same.
“I know. And I know it can be made worse by moving too much. That’s why Dad’s always on me about resting and going slow.”
You return to your examination. Her skin is rubbed raw in some places by the braces. You remind yourself to ask Joel for some old sheets to make better padding.
“That’s not always true,” you say, shifting to her other leg. “Even though she was sore after, Anna often said she felt the stiffness go away after walking around the neighborhood block.”
Curious, Sarah tilts her head, those lovely curls swaying like leaves in a breeze. “Who’s Anna?”
Your skin around your eyes tightens – how could you be so careless with such a secret – when you hear feet thundering down the stairs and a second later, Ellie swings around the lip of the doorway.
“Is that toast?” She asks, eyes wide and hopeful. “If you got bacon, I’m gonna start kissing faces.”
You and Sarah exchange a small grin before you stand up right and Sarah returns to her own meal.
“No bacon today, but who knows what else is stored in the pantry?”
“Oh, fuck yeah,” Ellie exclaims as she slides into a chair, her own plate pilled far too for a girl her size. “Treasure hunt.”
You see the tips of Sarah’s ears go briefly pink at Ellie’s language but the muffled smile on her face hints at awe, impressed – so you let that one slide. A stream of light through the half-shut curtain tugs your thoughts outside, to the man literally toiling in the fields.
“Does your dad want me to bring him some food?” You ask, standing from the chair and glancing out the window. You can’t see him any more and for some reason that makes your chest go tight.
Sarah shook her bouncy curls. “No. He’ll come in and get it when he’s hungry.”
You didn’t like the idea that you weren’t going to be directly feeding the man who employed you literally to cook for him and his daughter.
“Does he like coffee?”
Sarah arches an eyebrow at you. “Yeah, he loves it. But I’ve tried for years to make it the way he likes and he always drinks it, but I think a little piece of him dies inside every time he does.”
“Then you must be a great cook too,” Ellie smirks up at her. In response, Sarah smiles impishly around a mouthful of eggs.
You hold that little bit of information about Joel - something you knew that he didn’t know you knew - close, like a dollar bill in your pocket. You drum your fingers, searching for memories of how Anna used to shoe-string coffee when you couldn’t afford a maker in Boston.
“Did you eat?”
Ellie’s voice tears your gaze from the window. Her plate is only halfway empty. Her fingers uneasily move the fork around.
“Yeah,” you answer truthfully. In fact, you are rather ashamed by how much you took, sitting at the table in the purple dark, before you remembered that you had to feed three other people. “I’m good, Ellie. Thanks.”
She nods, returning to her plate and shoveling two bites into her mouth without slowing down.
“What’s first today?” Sarah asks, her eyes bright. “I can show you my sums. We have a chalkboard in the barn.”
You smile at her eagerness to show off while Ellie dejectedly pokes at her remaining floppy eggs. She had never been one for school, another thing you found hard to relate to about her. Fortunately for her, Anna nor you ever had the time to be as diligent about her education as Joel had been for Sarah. And unfortunately for her, you intend to fix that as quickly as possible.
“I’d love to see them, Sarah, but would you mind showing me around the cellar first? Maybe there is bacon hiding down there somewhere.”
You don’t miss the small smile that creeps across Ellie’s face.
“Junk or keep?”
Sarah looks up from the tip of her stick dragging nonsense through the barn’s dirt floor, her chin flat in her palm, elbow on her knee. She frowns at Ellie holding up . . . something that might have been a tractor part at one time.
“I don’t even know what that is, so – junk?”
Ellie shrugs, tosses the piece back and forth in her hands, and then chucks it like a ball to the opposite end of the barn. It collides loudly with the wall and Flora, the white and black cow, lifts her head at the noise from her stable and lets out a low groan.
The entire barn smells of hay and animal but in a way that is warm, almost comforting. The two cows lazily munch from their troughs in their stalls, occasionally eyeing you as you carry items back and forth. It’s fortifying in a way only working outside and with your hands can offer.
You turn to her disapprovingly but she’s already back, elbow-deep, in the pile you had designated hers to sort. Sarah, to whom you suggested rest this morning, goes back to boredly drawing circles in the dirt. Even though she clearly hates the idea of being idle, you are surprised she takes your medical advice without any fight.
If you had successfully completed your duties as cook, now it was time to take on your other task as teacher. Sarah had a few textbooks, but mostly outdated and only one copy. You know trying to find a full library in times like these is laughably impossible, but there is nothing wrong with hoping for a blackboard. You’d made one before when the school district you tempted at didn’t approve new funding, and you feel confident you could do it again. Trouble is, you have nowhere to put it, much less set up a laughably impossible classroom for two students.
Until Sarah casually mentioned the unfortunate pile of junk in the back of her father’s barn, “taking up at least half the space in there.”
She wasn’t wrong.
“Yuck – is your dad a hoarder?” Ellie asks with slight disgust as she pulls up a stack of newspapers held together by twine. “Why does he even have this stuff?”
Sarah grins, delighted by Ellie’s prickly teasing. “This place actually used to be pretty organized. This was his space for a long time – where he went to think, or figured out what crops we needed for the next year.”
Her smile crumbles. “But, uh, then I got sick and now he doesn’t come out here unless it's for work.”
Ellie pinches the soft of her cheek with her teeth, nodding, her eyes downcast.
“So . . . junk?”
“Yeah, I guess so.”
The stack of newspapers comes up to her knees and Ellie struggles, off-balanced, to carry it across the hay-covered floor.
You reach for it and she gives it to you gratefully. You take it with a smile; you never know what she’s going to appreciate or just see it regretfully as charity or pity.
“I think your dad is losing it,” Ellie says as she wipes sweat from her brow, shaking her head far too seriously. “Losin’ it, big time.”
Sarah giggles.
You drop the stack of papers in the corner, but when you let go, the string snaps and the papers spill everywhere. With a sigh, you kneel down and gather them back together, but not before a few headlines catch your eye.
Your heart twists.
Paralysis Takes Three Children
Join the Mothers’ March on Polio
QUARANTINE: POLIOMYELITIS
Why would Joel keep these? Everyone knew how devastating polio could be to children, even infants. Why would he –
Roughly dispersed throughout the article, sentences and phrases were underlined in blue pen. Sentences containing, “iron lung”, “bedrest”, “antibiotic” –
No cure.
Warmth spread out across your chest. Joel was looking for a way to treat his daughter, the only way he could in a town without a doctor: outside information. Something about this makes the space beneath your chest bone hurt so badly, you get a little nauseous.
Now you consider conserving these papers as if they are important historical documents. Behind you, where Ellie and Sarah are lobbying jokes back and forth, you see more stacks of neatly contained newspapers. He looked everywhere and found nothing.
You reshuffle the stack that fell, when you spot something else that hardens the warm feeling in your chest and makes it brittle.
Mob Over Breadline Kills FIVE
Experts Say There is No Way Out of This Depression
Mother of Drowned Children Claims She Did “What Was Best”
The rough floor hurts your knees. Eyes closed, you try to ignore the flood of images of what you witnessed in Boston, how desperate and cruel people became in Oklahoma. With each memory, your heartbeat pounds harder.
Red. Blood. Pink. Skin. White. Bone.
The riots got to be so terrible, but people were just hungry.
Ellie calling your name jerks you out of the sinking muck of memories.
“What? What is it?”
She eyes you with distant concern then glances at Sarah. “She wanted to know where you learned all this stuff.”
“About cooking, and teaching, and nursing,” Sarah clarifies. “I think I’ve read every book in our house probably four times and I still feel like I don’t know anything.”
“You probably know more than you think,” you offer as you scoop up the uncomfortable newspapers, easily switching tracks of thought to mute the swell of horrors from the rotting box in your mind. You leave them in the corner for Joel to do what he wishes with them and stand, dusting your dress off. “What do you call the process by which plants get energy from the sun?”
Sarah’s eyes brighten immediately. Where her body fails her, her mind is as sharp as a tack.
“Photosynthesis!”
“Good,” you nod, smiling. “And what’s the primary source of energy in animal cells?”
“The mitochondria!”
“Very good.”
Ellie sighs angrily from her pile and puts her hands on her hips. “I think I’m gonna make like mitosis and split, if we keep talking about all this boring stuff.”
Scorned for her love of learning a second time and already in a bad mood from the pain this morning, Sarah frowns.
“What’s your problem? Why do you act like school sucks? You had your mom teaching you –,”
“She’s not my mom!” Ellie snaps back, her knuckles white around a rusted bucket. “She’s just my aunt!”
“Yeah, well, I have an uncle I never even get to see!” Sarah stands up as smoothly as she can, but her knees and ankles are pink again. Her calves shake. “You’re lucky!”
Ellie’s teeth clench in the back of her jaw, lip curling.
You remember distinctly more than once having to pick Ellie up from school early because she’d been caught fighting and you take a step in her direction, even if Sarah could no doubt land a few solid ones in.
“And you’re–,”
“Ellie.” You know how rough Ellie can be. You remember the tone to take with unruly students, even if you don’t mean an ounce of it. “Don’t. Just let it g–,”
“Why do you always take her side?” That ire whips around to you. Loyalty, that was another trait her mother favored. Ellie’s shoulders roll forward, her fists clenched. “Why do you let her talk like she knows anything about us? About Mom?”
“I’m not taking a side, Ellie,” you say firmly, your chin tilted down to her. One day she’s going to be taller than you, you know it. “Both of you, this is enough.”
That was the wrong thing to say. Ellie tosses the broken bucket in her hand to the ground and storms towards the barn doors.
“You just like her because she’s a fucking dork like you,” she growls under her breath before shoving open the large square door.
It swings shut, the metal clattering against the wood. The brief stream of light filtering in is shortly swallowed up into the shadows again.
“I’m sorry,” Sarah says almost immediately, her brown eyes swiveling on you. Her skin is tinged a little lighter and there’s sweat along her hairline. With a fleeting flash of worry, you wonder if she’s in more pain than she lets on. “I didn’t mean it . . . I mean, I think she is lucky to have – but . . . I shouldn’t have said that.”
She drops your gaze and you think those dark eyes might be softer, wetter than usual. She plucks at the hem of her dress, her mouth twisted to the side.
Where Ellie explodes outwards, Sarah implodes inwards. You never could understand Ellie’s inclination to destroy everything around her.
You hand her a broom, with a smile on your face.
“Do you want to tell me about your uncle?”
She takes it slowly from you, eyebrows furrowed down. This is a look you are familiar with, even when it comes to Ellie. She is stuck between answering like a kid, getting it all off her chest to be free of the emotional burden, and swallowing it all to please the adults in her life.
You’ve also found Ellie tends to open up when she doesn’t have to look you in the eye. Sarah’s own gaze is stuck to the floor as she vaguely sweeps at the hay.
“We don’t talk about Uncle Tommy a lot,” she mumbles.
You focus on untangling an old bridle. “Oh? Why?”
“Dad’s still pissed at him for moving out to California. Said he left what’s really important for a bullshit dream.” Her eyes pop up, wide and shocked. “Sorry, that’s what he said.”
Despite your limited time with him, you can easily see how Joel Miller might take something like that personally, but you just store that away too, another breadcrumb leading the way.
“Why California?”
“It’s–,”
The barn door opens again and Joel’s shadow breaks through the almost painful white light. Behind him, Everett (the horse) snorts and huffs, pulling along the giant creaking plow, the air suddenly pungent with the smell of warm dirt, leather, and animal sweat. Joel murmurs something to the frothing snout and wipes his own forehead with the back of his arm, smearing sweat and dirt across his browline. He stops when he sees you two staring.
By Sarah’s wide eyes, it’s clear Uncle Tommy is a subject that is not often brought up in this house either. Joel frowns, but just as he opens his mouth, you interject – you know how to deflate a potentially angry man.
“We were just cleaning up the back of the barn,” you say, careful not to use words like junk or scrap heap. “I’m hoping to use the space as a school, for Sarah and Ellie.”
His gaze settles on you, like the dust at his feet.
“Mhmm.” His tone scrapes something low in your stomach.
“I’m sorry – I should have asked – I didn’t think –,”
“No, it’s –,” he shakes his head. His eyes catch Everett’s foamy nose and he pats it, noting the long sweaty forelock. “Smart. Next spring, we’ll come up with something better, but there’s no time now, with the harvest comin’.”
You nod, peeling off what you were going to say from the back of your teeth with your tongue. Joel casually drags his fingers through Everett’s forelock before stepping back to unhook the plow’s leather buckles. It’s when he shifts towards Sarah, looking to her, that he grimaces.
He put his weight on his right knee and it immediately caused him pain.
“We could help,” you offer, eyes on his knee, his thick fingers rubbing into the muscle just above his knee cap. "Ellie loves being out in the sun and I can teach her how to plant–,”
“‘M fine,” he mutters gruffly, straightening up and wiping his hands on the cloth around his neck. “Sarah, go inside for a bit. There’s something she n’ I gotta discuss.”
His tone indicates this is not the time for eye rolling but she does it anyway.
“I’ve said for years that you need help, Dad. She’s just offering to–,”
“Sarah, inside. Please.”
Sarah scowls and drops the broom against one of the stalls. She hobbles out of the barn, first scrunching her nose up at Joel’s obvious smell, then muttering something about having to go look for the hell spawn. You finger the scrap metal in your hands, a fluttery nervousness growing in your stomach the closer Sarah gets to the door. With one more disapproving shake of her thick curls, she shuts the door behind her.
Everett nickers and paws the ground, eager to be returned to bed after a long morning of work. Light streams in gold from the slanted windows above the loft, separating the front stalls from the back of the barn where you stand, fidgeting. There’s no escaping the hot animal smell now, and it’s your turn to be intercepted by Joel.
Another apology is nearly out of your mouth when he speaks first.
“Do you know how to shoot a gun?” He asks, his mouth set into a firm line. In the half-darkness of the barn, you can’t quite make out his eyes.
You swallow against the encroaching dryness in your throat. “I-I have a gun. Keep it in my purse, o-only for emergencies and I–,”
“That’s not what I asked.” He shakes his head, tone soft, almost gentle. He glances past you to the stacks of newspapers you had moved into the corner, the ones about violence and pestilence. He rubs his fingers between the bridle and Everett’s thick hair. “Found a hole in the barbed wire fence today.”
You frown, the tension of his voice indicating a severity you are utterly unprepared for. “What does that mean?”
“Someone tried to cut through.”
A white hot panic lurches up your spine out of nowhere. Fueled by fear, you see the outline of your husband shambling across the propertyline and you go cold.
“W-why would someone do that? What are they after?”
His hand stills as every muscle in his body briefly tenses. Eyes dark beneath a tight brow, the tightness in his jaw is an answer and a threat all at once. He looks almost offended by your question.
You know exactly what they would take.
All you can do is nod.
Everett nudges Joel’s shoulder, impatient to get out of the harness, for that bath he so very much deserves. As though you had disappeared, Joel unbuckles the restraints, taking a brush to the gray coat as he goes. Maybe you’d misread that last signal and he thought he told you to fuck off.
You move towards the back door when his voice, timbre deep and low, stops you again.
“I’m gonna to teach you to shoot.” He announces to the lathered withers of the horse. “But you keep that gun on you, at all times, especially when you’re out with the girls. You got that?”
He pauses just as he slides the hitch off the horse's back, his arms covered in dirt as dark as the leather. It’s minute, the shift in his weight, but you suddenly realize he wants verbal confirmation.
“Y-yes. Yes. I’ll take it with me.”
The minutia shifts again, a lessening of tension across his broad shoulder, his thick back. He nods.
“Good.”
The aching need for him to say more, for that good to turn into you did good or good job – or good girl – it sparks so fast and hot inside of you, you think you’ll choke. Instead, you leave through the door on unsteady legs, jaw locked tightly shut.
You find comfort in the monotony of sewing.
Anna always scolded you for it, that you were “giving into women’s work.”
How are they ever going to take us seriously when you actually like doing this dainty shit?
But where Anna seemingly delighted in her mile-a-minute thoughts, you need an outlet – some way to settle, to ground yourself in the here and now. Furthermore, you could sew anywhere – on the train, on the bus, in a foreign house in the middle of nowhere where you were, again, dependent on the kindness of a complete stranger –
It isn’t sewing specifically that you enjoy. If there was another activity where your mind could detach itself from your body, you would have liked it too. Here, in this space of blank concentration, you separate further from yourself with every stitch you pull together. Here, you are not a sister, a housewife, or an aunt. Not a nurse or a teacher or a failed fieldhand.
Not scared of living or scared of your husband or scared that you’ll fail your sister over and over and over again –
For a handful of minutes, you are not scared and you are the closest thing to yourself you can possibly be. You think, as a child that might have been the closest you’d actually been to understanding your own wants and dreams and desires, but now it is through this act of repetition, of delicate guiding, do you find yourself remembering what it was like to exist unafraid, as thoughtless as a child.
You sit on the edge of Joel’s bed, eased into something vaguely like relaxation by the needle and thread in your hand. You’d found some old pillows in the barn earlier today and surprisingly the stuffing was still intact. After watching Sarah struggle today, you knew you couldn’t spend another second watching the poor girl hobble around on painful braces.
It’s twilight, the sun gone beneath a blanket of scarlet and indigo, everyone fed and full – the girls almost instantly forgetting their first fight in favor of a discussion about their most effective marble-flicking techniques – and you already have at least one leather-bound pad that is twice as thick as her old one. You grin, excited to share your creation to her. You wonder what Joel will say.
Through the wall over your shoulder, in Sarah’s room, you can hear the low murmur of their voices, as quick and fast as two co-conspirators. You can’t quite make out what they’re saying, but the words don’t matter. It is the high joy in Sarah’s voice, or the creaky laughter from Joel. They could be speaking in a completely incomprehensible language but the sentiment is unmistakable: you make me happy and I love you.
I love you.
The needle and thread stills in your lap.
You glance out the window, to a much smaller shadow in front of the barn as it cuts and darts in the blurry half-light. The silver tip of Anna’s knife winks in the glint of the light from the windows as Ellie slashes and digs in the open air. Alone.
In the late hours, in the hours when the veil between life and death felt so especially fragile, Anna made you promise that you'd look out for Ellie, to raise her as your own. To finally give her a childhood like the two of you never had.
You had done that. You raised her. She’s alive and healthy and fierce.
But would she find your sentiment about her unmistakable? Do you know hers as intimately as you knew your sister’s?
Do you make her happy when both of you are constantly reminded of the ghost between you?
Sarah’s chatter echoes throughout the dark house, disembodied and entirely untethered.
It’s one week into this new, adjusted life in a house you haven’t yet found a home in when the unthinkable happens.
A loud, wet cry startles you awake and immediately your hand flies towards Ellie, panic like ice in your jaw. Your palm touches her shoulder, but she’s already sitting up, eyes towards the door. She glances at you and from your stumble out of a dreamless sleep, you realize it wasn’t Ellie who made that noise.
It comes again, as sharp as a bone crack, and you both scramble out of bed.
Sarah.
Up against the far wall, in the corner where her bed tucks up into the corner, Joel holds her like a lion clutches to prey.
Giant, fat teardrops pour down the sides of her ashen cheeks, those bright eyes clamped shut, her mouth twisted in agony and she claws at her father’s forearm across her shoulders. His other hand is going white from her fingers crushing his in a bone-cracking grip. His voice is soft, firm, and fast in her ear, comforting and scared as hell, as she whimpers.
Every muscle from her thighs down is stretched taut. Every muscle unwillingly tightened, flexed, the chemicals in her brain battling the commands of the bacteria. The pain, as described in medical journals, is crippling.
Ellie glances at you out of the corner of your eye. Muscle spasms.
“Sarah, darling, how long has this been going on?” She’s trembling from the pain and exhaustion. You wrap your robe around you before kneeling down to inspect her — and you feel Joel’s glare nearly singe the skin from your face.
“Don’t touch her,” he snarls and pulls her closer. Sarah whines and buries her face in his shoulder, trying to stifle her sobbing to keep from shaking and causing more spasms. “She’s–,”
“I can help her, Joel.” Your training became a bulwark – strong, immobile – in moments like these. Maybe it was all an act but that first rush of hope that you could ease pain, soothe what hurts, made you feel like you were made of gold. You let that unbreakable shine pierce Joel’s gaze. “But you need to listen to me.”
Sarah squeaks and you watch his resolve instantly break. Shakely, he nods.
“Ellie,” you instruct over your shoulder. “Go start boiling water. There’s a pail out on the porch.”
She is out the door before you finish your sentence. She knows exactly what you need.
Help on the way, you turn back to Sarah, her feet twisted in grotesque contortions.
“How long has this been going on?”
“About ten minutes,” Joel grumbles. She squeezes his hand so hard you hear his knuckle pop. She sobs, open mouth, and he presses his cheek to her. He murmurs softly, “I’m sorry, I know, I’m sorry.”
“Is this the longest fit she’s had?”
Joel reluctantly nods.
“Sarah,” you say and gently touch her knee. She peels her eyes open, cheeks stained with tears, eyes wet with fear. “We need to loosen your muscles, okay? That’s what’s causing you pain right now. So, we’re going to use heat and pressure to do that.”
She nods, gaze solidifying with your every word, every word a new step out of the path of pain. Joel smooths her curls off her sweaty forehead, his own wide-eyed stare never leaving your face. You roll up your sleeves and curl up your hair off the back of your neck just as Ellie stumbles back into the room. She’s got at least five towels around her neck, and she’s red-faced and straining from keeping the pail of boiling water from spilling or burning her. She eases it down next to you and hands you a towel. Both of you each take a side and immediately tear the one in half.
Before you wore gloves, some sort of protection, but now there is no time. You hear Ellie inhale sharply, recognizing what you’re about to do a second before you do it.
You dip the towel into the steaming water, let it soak, and pull it out. You grit your teeth against the immediate burn on your palms, the trail of fire over your knuckles and wrists, as you squeeze out the dripping water, Sarah’s soft cries in your ears enough to push past your own pain.
Half-way between an inhale and an exhale, you think you hear your name.
Ellie already has another dry towel loose around one of Sarah’s legs. She glances at you, her brows knitted together.
Ready? She asks without words.
You drape the hot towel around her leg and Sarah yelps. She thrashes in her father’s arms as you wrap the towel tighter and tighter. Expecting Joel’s inevitable bark, a hard shove against your shoulder, get away from my daughter – but it never comes.
As soon as you tighten the towel as firmly as it can safely go, Ellie slides in next to you and begins to massage the muscles in her calves, her feet, her toes.
Sarah whimpers again, but the sound isn’t as sharp, pain-choked. Joel holds her tighter, as if her torso is also knotted and could be relieved with warmth.
On an inhale, you pick up the other half of the towel, drench it in boiling water, and wring it out with your bare hands. A silent prayer for lotion is fleeting as it drifts through the dense focus of your mind. You squeeze out the dripping water and wrap Sarah’s other leg, prepped again by Ellie. She watches you as you tug and tuck the steaming towel, her own focus as sharp as a tack, mirroring your motions as you knead and massage the muscles.
After a few minutes of faint whining, a couple of sobs, the room slips into an exhausted silence. Her breathing slow on his chest, Joel draws back her damp curls and finds her face relaxed, asleep. His mouth parts and the skin around his eyes goes slack.
Relief.
With a shudder, Joel knocks his forehead against hers, his thumb on her chin as if to feel her breathing. You look away, the moment so tender it shouldn’t be witnessed.
You realize then how badly your palms ache.
The towels have lost their immediate heat, so you unwind them. Ellie’s small hands overlap yours as she helps. For some reason, you can’t bring yourself to look her in the eyes. The both of you fall back into roles most comfortable to you.
The wet towels gone, you wrap her legs more tightly this time, slightly past the edge of comfort. You ease her back, flat into the bed, and some small part of you is aware Joel is letting you guide her. He slips out from behind her when you tuck her in, tight with another blanket around her legs. She could be exhausted for days after this.
“We’ll need to keep heat on her legs every thirty minutes, fifteen if we can manage,” you say as you fold up the damp towels. Joel hasn’t moved. Stares down at Sarah’s small body. “I’d like to keep a warming pan here, to have hot water on hand if she wakes up in pain again. When she comes out of it, she needs water and food. Have her eat it slowly, small bites at first.”
You remember a doctor at the hospital where you trained as a nurse give advice to a newer doctor: medical mysteries and illnesses are one thing. Nervous parents are something else.
You call his name and he doesn’t move.
You step forward, touch his forearm, and he blinks at you. He feels so remarkably solid.
“Joel. She’s safe.”
“Do you want me to go get more towels?” Ellie’s gathered the damp towels off the floor, her chest wet. She stares at Sarah’s bed frame.
“Get breakfast first. Then I might need your help later.” She nods, turns to go, but hesitates. Her mouth is pinched tight, eyes wide, looking for something to ground her, to calm the vortex that the adrenaline in her veins widens with each beat of her heart. She looks so . . . childlike.
She looks so much like Anna.
The momentary fortified strength shatters and you're afraid again. What do you say to comfort her? What would Anna say? Good job, I'm proud of you, thank you -
But then she turns away, carrying the dripping towels, and you lose your chance to parent.
Joel has curled himself into the rocking chair by her bed, so close his knee touches her mattress. He holds her thin hand in the cup of his two massive palms. His heel taps loosely, quietly against her rug, every possible outcome of this morning striking him in the chest with each drop of his foot. His face is a blurred, dark shadow, hanging between his shoulders.
To describe Joel in this moment, nervous seems quaint.
In silence, you gather up the tepid pale of water and exit the room, closing the door after you.
The rest of the day passes in haze, tendrils of sleep still between the cracks in your brain left there by the harsh break into consciousness.
You have Ellie feed the animals, and you start a load of laundry. The ratio of dry towels to wet is rapidly becoming unbalanced and you know after the initial attack is over, pressure is more important than heat. Sarah has barely moved all day but she is responsive and drinks water when she comes out of her deep sleep. You’ve made soup again – a heavy meal that doesn’t require much managing and can be easily re-served – and it gives you time to think. Sarah mentioned the doctor skipping town, that he had all but dropped everything and ran. You wondered what else might be in the doctor’s old shop. Morphine seemed too valuable to have been ignored in any ransacking, but often doctors kept a secret supply, unbeknownst to even most nurses for special cases or when supply was low. You think about that and stir the pot as the sun crawls across the sky.
With your head bent over the pot, something moves in the field outside and you watch with surprise as Ellie leads one of the cows, Fauna, out of the barn. Through the rippled glass, you watch her talking to the cow, her face scrunched up in concentration, and shockingly, Fauna appears interested, her big ears flicking back and forth. But Ellie leads her only a little bit from the barn, in the grass but visible from the house. She drops to her knees and takes out a wooden stake and a hammer — nevermind where she found those – and then ties Fauna’s lead rope to top of the stake sticking out of the ground.
Ellie wags her finger, her back to the window, her stance very serious. You smile to yourself and to Anna as she marches back inside and shortly returns with Flora, the other cow, to do the same. She gives them both a stern talking to, as evident by her hands on her hips, before turning back to the house. You glance down, knowing she wouldn’t appreciate it if you saw her babysitting the cows. It was what Joel did every morning – let the cows out to graze – but she did it in her own Ellie way: on a smaller scale and perhaps with a little more gentleness.
See, Anna, she’s all grown up.
By nightfall, both of you are exhausted. You don’t know how Joel manages to run this place by himself, especially with a sick child, but after one day, you’re ready to curl up into bed and never leave. Ellie looks like she’s about to face-plant into her soup, her eyes half-shut. You smile, stretching, before gently shaking her shoulder.
“Go to bed, Ellie. You’re exhausted.”
She blinks harshly, indignant and scowly, as you take both your bowls to the sink. “‘M fine. Just a lil’ –,” she yawns deeply, “sleepy.”
“You’re right. My mistake.”
“Besides, we got coffee coming, don’t we?”
On the counter, your make-shift coffee press gurgles, the cap steaming from the bubbling water over the grounds you found in the cellar. You eye her over your shoulder.
“You don’t even like coffee.”
“Yeah but you’re staying up, right? You and Joel?”
Neither of you had seen Joel leave Sarah’s room all day. Ellie eyes the ceiling as if she can see right through it.
“I’m taking him some food and a cup of coffee,” you say as you finish drying the plates. There’s a rigidness to your hands as you delicately lay the plates flat, unconsciously careful to keep them from making a sound as they touch. “But at St. Joseph’s, some of the nurses would offer to keep vigil, to give the parents a chance to rest.”
You know in your heart he won’t take it. You just hope he finds your coffee inoffensive.
But Ellie doesn’t respond. She sits still, staring at the ceiling.
“Ellie, she’s going to be okay.”
Those bright eyes fall on you. “You can’t know that.”
In your hands, you wind the damp towel between your fingers. They’re pink and still ache but the rough linen is a welcome distraction from the churning acid in your stomach.
“This isn’t going to be like last time,” you say, your hips against the counter. “Sarah’s infection is nowhere near her lungs. And she’s been responding to treatment.”
Ellie drops her gaze, her bottom lip curled between her teeth.
“Don’t say that unless you mean it. Unless you can swear to me.”
One of life’s simple truths: parents lie.
You recognize there is a part of her that wants you to look her in the eyes and lie. She’d be angry, eventually, if your lies were exposed, but in that moment, as she sits in an unfamiliar house, at an unfamiliar table, with you and this wretched ailment the only things she knows to be constant – she wants a comfort you can’t give her. You are not capable of parental truth.
“I can’t promise anything.”
She inhales, breathes shaky, and exhales, the spoon in her hand trembling. “I know.”
Hands full of a white, chipped food tray, you knock twice carefully with one hand like you had been trained to before opening the door. The lamplight has been turned on, but the room, blanketed in darkness and shadows, looks the same. Sarah sleeps deeply, if not well, her hand curled by her face against the pillow, her heavy storm of curls cradling her head gently. Joel watches her, as still and silent as the moon. His foot has settled, but now he breathes so slow he might not be breathing at all.
Of all the terrible things you had seen during your time as a nurse, witnessing someone like this is always the hardest. Feeling helpless is a sentiment you are all too familiar with and the thought of someone just sitting there and watching you with your grief makes your skin itch.
“Joel.” A formality, because those trapped in a cyclone of worry require a slow approach, easing a startled animal. “I brought you something to eat.”
Speaking, it lets him acclimate to your voice.
You set the white tray on Sarah’s dresser, a piece of furniture meticulously crafted. Like Joel’s room, there are books everywhere, but more animal drawings, some directly on the walls. Sarah’s brilliant personality expanded here, in the blues and pinks, not capable of being contained in a single body.
A body that seems so small and fragile in that little brass bed, while her father looms impossibly large.
“Joel.” Again, soft, but this time you put a hand on his bicep. Never near the neck, an older nurse warned you, that area is sensitive. His denim shirt is soft beneath your fingers, nearly bleached white from the sun and worn smooth from dust and dirt and wind. You think you smell churned earth and hot leather in the instant it takes you to kneel down beside him, your grip sliding from his shoulder to his forearm. With the other hand, you tip a steaming cup into his open palm.
“Sarah told me you liked coffee.”
Slowly, as though he had blinked and reality disintegrated and reformed around him, Joel’s gaze slides from Sarah’s waxy face, to yours, and then the hand on his forearm. The back of your scalp prickles, the bulwark of courtesy shaking, before you remember you’d done this hundreds of times, to people of all ages, men and women. He seems to understand this – a professional gesture – and he takes the mug from you. With an almost perplexed expression, he stares into the nearly black liquid, his jaw tight.
And then he drinks, without saying a word.
You think you might have heard a low rumble from him, a pleased groan as heavy as the plow in the barn outside, but the floorboards creak when you stand up, so you might have been imagining things.
“This tastes good,” he says bluntly, voice weather-beaten. You smile into the bowl of soup as you wave a hand over the steam to cool it down to something bearable. “How?”
Despite his monosyllabic responses, you take this as a good sign. Something tells you that you’ve made exceptional progress by getting him to talk at all.
“I got pretty good at making cowboy coffee, as my sister used to call it, before we moved to Oklahoma. You already had the beans in the cellar,” you say, shrugging as you bring the soup over to him. He eyes it warily, as if this is not the appropriate time to eat, as if his own suffering would make Sarah’s lessen.
You’d only ever seen that instinct in a handful of parents while in the hospital and it made something wide and warm press up against your chest bone.
So you don’t give him a choice. You push the soup into his hands with enough speed that he has to take the bowl or drop it entirely. He, like most people with common sense, takes the bowl. He has a second to frown at you before you turn away to Sarah.
“And I suspect they were hidden down there on purpose?” You ask as you take out another blanket from the basket beside her bed and flutter it over her legs. You remember stories about the women working with Elizabeth Kenny filling quilts with rocks or beans, anything with weight, and putting them over the affected limbs of polio patients. The compress soothed the ache.
Sarah snores gently in her sleep as her father behind you laughs, a soft rush of air from his nose, his mouth preoccupied with a half-grin.
“I try not to hurt her feelings,” he admits quietly. You hear the clatter of metal on porcelain as you fold and refold the blankets to carry more weight. “That girl is a lot of things, but good at making coffee isn’t one of ‘em.” He slurs around the soup in his mouth.
It’s hard to believe she’s only a year older than Ellie. They have both lost things, indescribable things at too-young an age. But where Ellie carries it in the grip of her hand around her knife, Sarah takes it on the chin.
Polio, a disease of freezing agony.
You wonder how much of Sarah’s inner world she keeps to herself.
Like with Ellie, you fight the urge to brush a lovely curl away from her cheek.
“You have a special girl here, Joel.”
You feel his gaze on the back of your neck and you drop your gaze from her pristine face, remembering it’s not your place to look at her like that. Not like how you want to look at her.
Not like how you might want to look at him.
Joel shifts on his feet, leaning forward to put the now empty bowl on the ground.
“I know.” By the strength of his tone, he admits to knowing that you see the bright light about Sarah like he does and so he lets you look. Your heart stutters at this silent transference and you grab blindly for that mask of noble duty.
“How has her breathing been?” You sit down next to her and pick up her wrist, feeling for that steady pulse. You relax slightly when it’s easy to find. The beat of it is a little faster than you would like, but it hasn’t woken her up.
“Good.” A disgruntled groan from the chair as he adjusts behind you. His voice is rich like molasses, dripping warmth down the knots in your spine. “Woke up here n’ there, like you said. Gave her food. Got her water. But she just went right back to sleep.”
“But she ate and drank?”
He nods out of the corner of your eye. You check the mobility of her joints and they seem to be back to their natural looseness. Whether she’ll feel strong enough to walk is another matter entirely, but it’s not good to worry him unnecessarily.
“That’s good, Joel. That’s really good.”
You smile at him and finally, finally, the corners of his eyes soften, his brows pluck up, and he breathes deep. The tension leaves his body the way steam leaves a lake in the hours before dawn, the cup of coffee resting on his thigh. His gaze falls from your face to hers, shrouded in shadow.
“She’s never slept this long after an attack,” he says quietly. “Always restless, pain flaring up. We once stayed up a whole day and night when it got bad.”
He shakes his head, clears his throat a bit as if the words in his mouth leave behind a mucky, sour taste.
“Thank you. For treating her properly.”
For doing what I couldn’t.
It’s true. But no amount of reassuring – I’ve just had training, you did the best you could – would dissipate that repugnant scent of guilt lingering in the air. You are forced to let it linger, unable to say a single damn thing that would mean anything to him.
As he finishes the last dregs of coffee, Joel unwinds his long legs from beneath the seat and his knees crack. Stiff joints after a long day of stillness, but immediately his fingers fly to that same spot he touched in the barn in that afternoon, his mouth tight from the unexpected flash of pain.
Immediately you kneel down, worried at the slight hiss he made, fingers inches from his thigh when he straightens.
“You don’t have to–,” he shifts as if he can pull away from your touch and stay seated. “It’s not that bad –,”
You frown at him. “Can the person here who has had actual medical training determine that?”
Something light flickers over his eyes, so fast it might not have been real, smoothing the lines around his mouth. Joel nods, glancing to the floor.
“Yes, ma’am.”
That single word almost splits your skull in half like lightning.
You are immediately grateful for the heavy shadows in the room. Your palms, smarting all day, are now blistering with heat. Mouth shut tight, you don’t trust whatever sits behind your lips, so you begin your inspection of his muscles. Thumbs down, you feel along the lines that lead down to his knee.
Hard, firm, you notice. Made solid by work and toil. A few of the bricklayers and farmers you’d attended to had muscles like these. Despite the rough denim and how unsettling it is to be this close to him, it’s easy to lose yourself in the methodology of the human body. You’ve learned to read sinew and bone and scar tissue like a map and you come to find that the topography of Joel Miller is mountainous.
“So, mhm, where’d you learn to make coffee?”
You thought the stiffness in his thigh was due to lingering pain, but when you look at him and his guarded expression, chin tilted into his chest, fingers tight around the bottom of the seat, you realize he is uncomfortable. He is made uncomfortable . . . by you. Something sharp pokes through a slot between your ribs and you sit up straighter, trying to make your touch even more clinical if possible. But what he says next, you aren’t sure if it’s genuine or genuinely meant to hurt.
“Your husband?”
You shake your head. “My sister, actually. Ellie’s mom. We’d trade night shifts when she was a baby. One of us would come home from our second job, and the other would leave for their first. Anna said she’d never have survived those first years without coffee.”
You can hear the question he wants to ask buzzing in his head, your thumb rubbing therapeutic circles around the inflamed area. But instead he asks:
“And you . . . you like coffee?”
You shrug. “I don’t think I ever slowed down enough to ever taste it in the first place.”
With Joel Miller, silence means a thousand things. It’s not the way he looks at you, but the way he looks into you.
“Anna always said we’d be fine, that two unmarried women with a baby could make it in the city. But I wasn’t so convinced. There wasn’t much time for something like enjoying the taste of coffee because I was always busy taking every job I could get.”
“Like treating sick kids.” He says it like he just found a piece of you off the ground and added it to a sprawling puzzle. He politely stares over your shoulder.
You swallow, throat tight. “Actually, um, Anna had it - polio - too. I took the job as a nurse to learn how to treat her from home.”
Those heavy eyes swing into you full force and you can feel your stomach roll and collapse against your spine.
“Every case is different, Joel. What I did for Sarah, it wouldn’t have helped someone like Anna.”
“But she died?” A third unwelcome presence.
“Yes. She went fast. There was nothing anyone could do to save her.”
There was nothing you could do to save her.
Your thumbs are starting to ache, but you don’t want to leave just yet. You want to sit and listen to his voice, even if it’s pitched in anger towards you.
But it’s not. His next words come out soft, if not a little bit disbelieving.
“Where did you come from?” Joel asks. “You said the city, Oklahoma. How’d you end up in fuckin’ Dalhart, Texas?”
You use your elbow on the thicker muscle up his thigh and he tries very hard not to wince.
“We grew up in Boston. City girls all our lives. We had big plans of catching the bus line and going all over the country, just the two of us, but then Anna got pregnant and overnight, everything changed.”
He nods, knowingly. You add that to your own Joel Miller mosaic.
“I met the man I’d marry while I worked as a maid in a motel. He was a banker, or so he told me, and he wanted to whisk me away. We were three months behind on our rent, so I told him yes, I'd marry him after knowing him for a week — as long as I got to bring Anna and Ellie with me. All he talked about was money, so I thought he had it. What he did have was enough to get us to Oklahoma, buy some farm equipment for the wheat boom, and then lose it all in a handful of years.”
“And then we lost Anna. We lost my husband. I went back to trying to find a job in town with no jobs.” You pull your hands back, the deep tissue of his thigh flushed with blood from your therapy, and having nothing more to do, little more to say, you drop them into your lap. “Just after we missed the payment for the equipment for the second month, I got a letter from a man claiming to be my long lost Uncle Robert. I hadn’t eaten in three days and Ellie just got tagged by the police for shoplifting. I sent him a letter back and he said if I sent him our last twenty dollars he’d get us set up in Dalhart where he had a successful car dealership. I did and he didn’t and if you hadn’t picked us up, I don’t know what we would have done.”
You sit with the hot truth of it and he sits with the both of you. It’s silent in a way that only a house in the middle of nowhere can be. Sarah stirs in her sleep, her legs rustling the sheets, but doesn’t wake up.
“You don’t have to do that here, you know.” He straightens his legs, just as quietly as the rest of the house. He crosses his arms over his chest and you think about the muscle just under his forearm, thick and immobile as sea-drenched rope. “Not eat . . . for Ellie’s sake. There’s enough for you and her. Always.”
You think of the cellar with its soft dirt, cool air, the endless rows of stored fruits and vegetables and meat, buried like a still-beating heart beneath the dust-whipped house in a paradise on the prairie.
“But I understand the inclination.” With you on the ground before him and Joel leaning forward, elbows on his knees, his broad back arching under the stripe of white moonlight, he looks at you.
Really looks at you.
Like recognizing like.
A passing in a distorted mirror that might be me but it’s not but I think I know you all the same there is a thing just like me out in the world and it sees me.
Slowly, hesitantly, as if he’s afraid you’ll bite, he reaches forward and takes your wrist from your lap. The calluses on his thumb brush roughly against the knot of bone as he twists your palm upward. Pink, too pink, a stinging color, even in the low lamplight. Joel works his jaw back and forth, staring at your palm with weary concern, as if it told him things he didn’t want to know.
His gaze lifts and your fingers curl instinctively in. He’s trying to make you look and you don’t want to. He sees your sacrifice and you don’t want it called that, there’s certain nobility in sacrifice, in a sort of suffering for other people, but it’s not sacrifice if you go willingly and despite you not wanting to look, not wanting to put a name to it, not wanting to take up any space at all, he looks at you like he, a man as broad and wide and powerful as he, is grateful.
For you.
Every bulwark inside of you, every foundation that you had built yourself because you never had the chance to grow hearty roots somewhere permanent, rumbles. Shakes, beneath a single solitary, rolling earthquake. A landslide of earth behind the strength in his eyes.
“For her, for Sarah, I’d do the same,” he says.
For her. For the children in your lives.
Do you even like coffee? All you know is how to make it. What would you do with it if you did? If you liked coffee? If you loved it.
If there was someone outside yourself and Ellie to make you coffee simply because you wanted it. Because you were in a circle of people for whom people would do things for. For her. For you.
The heart of Joel is like coffee: dark but warm.
Your wrist slips between his fingers, finding refuge again in your lap.
“I know.”
You wonder what it would be like to be within Joel’s circle of people for whom he does things. To be given coffee, just because you want it.
You bet it’s warm.
You stand up, collect the empty, used things, and wish him a good night.
A noise and sunlight startles you awake. Your eyes tear open, hand flat on an open pool of sunlight in the center of the mattress, head twisted and knees bent up by your chest. In your sleep, your body twisted itself into a Gordian knot, unable to escape the dreams about the cellar ground turning into coffee beans, and the cramped bloodflow leaves you disoriented until you can roll onto your back and remember where you are. The smells that surround you.
You hear the noise again and you think of Ellie and in that instance where complete consciousness returns to you, the weight of her is gone. Literally.
Ellie is not in the bed beside you.
The room’s brightness is suddenly too bright, the clear, electric blue sky too blue – it’s too beautiful and it lulled you into a sense of comfort. Stupid, so stupid. You ignore the warm floorboards against your bare feet, the faint birdsong from outside, as you rush towards the source of the sound, towards Sarah’s bedroom – oh god, I was wrong it’s too late it took her in the night and I –
The sound you do not recognize, the sound you could not comprehend while buried in dreams and memories, is the sound of laughter. Loud, full laughter.
The brass bed creaks as Ellie uses the mattress to fling herself into the air. On the other end, just as determined to reach the ceiling, is Sarah. Hands outstretched and reaching, her legs bend and flex and propel her up and up. Every time she gets within a handful’s reach of the ceiling, Ellie’s laughing, cheering her on, and then it’s her turn, Sarah giggling as Ellie’s face scrunches up as she reaches out towards the blue sky on the other side of the roof.
“Oh, hey!” Ellie says, pink-faced and causal, half-way out of breath. Sarah spins, mid-way through a jump, her eyes bright, sweat peaking on her brow line. “Sarah bet – I couldn’t touch – the ceiling — so we’re taking turns – loser has to shovel – the barn!”
You watch, dumb-struck, as the bet continues, the girls laughing and criticizing each other and offering techniques as they work in tandem to fling the other one higher. Sarah is flush with vitality, with life, with a dewy glow reserved for spring mornings when the earth stretches awake after the death of winter.
And Ellie . . . she looks her age.
The earth has shifted beneath your feet, while you were sleeping, and a seedling has been planted, the dawn of something new, something fresh and utterly unexpected. You can feel it in your bones. Hear it in their laughter.
“Not a bad thing to wake up to.”
Joel, arms crossed, eyes soft, leans up against the door frame, blue striped pajamas low on his hips, a thread-bare white undershirt cupping his biceps. He eyes you from toe to head and stops when he meets your eyes. You wonder how long he’d been standing there – if he too woke to noises he couldn’t explain, rushed in here, and found something miraculous.
The smile crinkles his eyes as it unfurls across his face.
“I haven’t heard her laugh like that in a while,” he says quietly, head tilted towards the bed, as if there could be any other meaning. “I owe you one.”
You could say the same thing about Ellie.
There’s the line, the boundary of the circle to the place of being warm. He’s not cleared the way for you, not invited you across, but he’s shown it to you. You can see it, feel it, and know what it takes to get there.
Your smile blooms. The girls’ laughter rings throughout the house and into the sunlight.
But, outside of paradise, away from the river and the white a-frame house, from the horse and the cattle and the long strands of prairie grass, where there is not enough to eat and the earth is in its death rattle, the wind blows. It swallows up dust, and dirt, and fine sand, gluttonous. It swirls and pulses, agitated and restless and seeking violence. Spinning with the power to blind with a single whip of dust, it spins up over the earth in its death rattle, where there is not enough to eat, towards the prairie grass. Towards the horse and the cattle. Towards the river and the a-frame.
Towards paradise with the promise of total ruin.
END OF PART I
series masterlist | AO3 Link | prologue | part ii
#i’ve got a date with this fic this weekend#i’m bringing flowers#joel miller#chronically-ghosted#series#lover share your road#tbr
525 notes
·
View notes
Note
i’m in a smut rut, pls recommend ur best fics (fanfics or published works i don’t mind) to give me peace 🫨
yall are probably SICK of hearing me recommend her but lisa kleypas is it for me honestly any time i’m sad happy feeling whatever — meet me at midnight is the first of her hathaways series and my favorite and cam rohan is the ROMANCE HERO OF ALL TIME
there’s a part where he fucks her against a tree and i see stars every time i read that scene
but also her contemporary series is very good too and it’s about cowboys soooooo think a family of billionaire joel millers — series is called the travises
fic wise… and very VERY different i read this the other day, mind the tags, and it was sort of creepy but fucking GOOD — 90s era wannabe cheer captain makes a deal with the devil. i love it when a book fic whatever depicts a figure like an angel demon vampire what have you in a modern setting i find it so funny so engaging etc etc
this is not necessarily funny but there’s something very cheeky about it amidst the sort of horror and the mc’s voice is so sarcastic and sassy
OH!!!! also little rabbit by alyssa songsiridej is hot in a way that will change your life and brain chemistry and also probably make u want to die
34 notes
·
View notes
Text
“t h e l o n g e s t n i g h t”
– a secret santa holiday fic for erin @perotovar ✧
pairing: marcus pike + nonbinary!reader synopsis: left alone in the big city during the longest night of the year, a stranger in a club makes you wish it were even longer. word count: 1.9k a/n: i was so fucking excited when i got you as my giftee, erin. i love everything you make, gifs and stories, and i've been wanting to give something back to you, so i’m grateful for this excuse/opportunity. wanted to post it on the actual solstice, but when i saw you were my secret santa too, i couldn’t wait lol. (a lil shoutout to @scenaaario as well, for being my secret informant.) love u, proud of u!
It's the winter solstice; the shortest day of the year.
But then again, it’s also the longest night.
All of your friends have already gotten on their trains and planes to celebrate the holidays with their families, leaving you to create your own traditions. Usually you’d get out of town as well, hole up somewhere the sky is clearer, the air lighter. Celebrate the return of the sun, the light, the new year, with a bonfire and candles to drive the dark away. From without, so within.
This year is different. A last minute opportunity presenting itself for your best friend; spending the holidays and New Years in Thailand with her Man of the Month, had left you in charge of house sitting, looking after her apartment and moody old cat.
So this year, on the darkest of the nights, unable to escape the city, you’re hoping to make the many hours pass as quickly as possible, the promise of lighter days the only thing you look forward to.
You’ve been staring at yourself in the club’s dirty bathroom mirror for far too long, impatient fists knocking on the door, and you yell at them to give you a second. Face sweaty, eyeliner smudged, eyes empty, you barely recognize yourself. The sheer black shirt you’re wearing is unbuttoned as far as it can be. With a last look at the person in the mirror, you straighten your septum piercing, and make your way out of the bathroom.
The heavy scent of spilled beer and sweaty bodies hit you as soon as you open the door. Thumping music, more bass than tune, tickles your eardrums, and you can feel the sound as waves of prickles on your skin. The soles of your boots stick to the greasy floor where you’re making your way across the room, squeezing through the crowd of people, who are all moving as one; a massive creature with many heads, twice as many arms, and a sole purpose with existence: To dance the night away.
It’s not possible to avoid touching people as you push through to get to the bar, so you try your best to be respectful with your hands, but as you place them carefully on a slim waist to push past, a zap runs through your arm, as if your finger were a fork and this body were electric. Five thousand Volts of static travel between you, and the body your hands quickly withdraw from must have felt it too, because he quickly turns to face you.
Looking down at you, his brows are raised, mirroring yours, mouth slightly agape. A different type of electricity runs through you as your eyes meet. It travels from your face, burning your cheeks, through your throat, removing every trace of moisture on its way to your stomach, where it does a loop, and ends as a throbbing pressure between your legs.
In the short moments of flashing lights, you can make out his features. High cheekbones shadowing his clean shaven face. Slightly crooked nose and sharp jawline. Kind eyes, crinkling at the corners, softening it all out.
You can’t hear him, but his shoulders shake as he laughs, and you laugh too, looking away nervously. He brings your attention back to him when he leans down, mouth to your ear.
“I’d shake your hand, but I’m worried you’ll shock me again.”
His voice is surprisingly deep, but not booming. It has a comforting, gentle glee to it, and his breath tickles the sensitive skin around your ear.
“I’m Marcus,” he finishes before pulling away far enough to look at your face again.
Staring at each other, you can only giggle. You lick your lips before leaning in, lips brushing the shell of his ear as someone bumps into you, pushing you closer. With a hand on his shoulder to steady yourself, you tell him your name.
“And you shocked me!” you accuse.
“Why would I do that?!” Marcus yells, hand on his chest in mock offense.
Something about him has you grinning, your mouth dry, upper lip sticking briefly to your exposed teeth as you close your mouth. He’s funny, he’s cute. You wanna buy him a drink.
Your platform shoes give you some extra height, but you still have to stand on your toes to reach his ear when he stands up tall.
“Thirsty?” you ask, supporting yourself with a hand on his bicep.
“Parched.”
“Drink?”
“Yeah.”
Your hand glides from his upper arm, across his warm skin, feeling the nerves in his forearm flex under your fingers. When your hand reaches his, you squeeze it once before taking the lead, creating a path and guiding you both through the crowd towards the bar.
The music is quieter there, muffled by a thin wall dividing the bar area from the dance floor. You can no longer feel the booming bass in your body, but the way your heart is beating it might as well have slipped inside of you, bruising the inside of your chest bone with insistent thumps, begging to be let back out again.
Marcus leans on the bar bench, and you do the same. Or, at least you try to. Your height makes you feel more like a child being allowed to order hot chocolate by themself for the first time, face peeking over the bar like a meerkat. He must see it too, because he shoves you playfully.
“Wanna sit on my shoulders so you can see?”
You roll your eyes at him. “Yeah, yeah. Heard it all before.”
He turns towards you, looking down at your shoes.
“I mean, even with the platforms…”
“Okay, mister, we’re both well aware of how much I need a couple of inches.”
Your accidental innuendo catches him off guard, and he just stares at you for a second.
“No, wait–” you begin.
“Wow!”
“I didn’t– That wasn’t what I–”
But it’s too late, you’re already blushing, burying your face in your hands as you groan.
Marcus just laughs, patting your back with a soft, gentle hand.
“All good, don’t worry. How about we start with two fingers?”
It’s your turn to be speechless. Not sure whether to be impressed or offended by his abrasiveness, you look back up towards him, but he’s not looking at you. You follow his gaze to the bartender, who’s busy filling two glasses with… two fingers of whiskey.
Marcus accepts the glasses from the bartender, and hands you one with a satisfied smirk.
“It’s gonna be a long night if you keep this up,” you murmur, shaking your head playfully as you smile into the glass.
“I’ll drink to that,” Marcus grins back, finishing his drink in one go.
He looks at you expectantly, and with a grimace you down your own, before you let him grab you by the hand and pull you back towards the dance floor.
Marcus’ hands softly grip your waist as you move to the music. He gracefully guards you, quickly and easily twirling you out of the way whenever someone grinds too close. Your own hands rest on his broad shoulders, one of them moving slowly to the back of his neck, your thumb drawing small circles over the soft skin behind his ear.
He closes his eyes, leaning to rest his forehead against yours, and you swear you can feel the vibrations of him purring through his chest.
You’re no longer following the music, your bodies swaying to the steady pulse of your own hearts, which are beating in unison, a tango for just the two of you.
Marcus’ dark eyes flutter open, so close you can barely focus. His nose brushes yours as he leans in all the way, connecting his lips with yours. Soft at first, mouths closed, firmly pressed against each other. With your hands on his neck, you pull him down towards you, closer, closer, closer, and his hands on your waist grip you tighter.
He breaks away, nuzzling his nose against your cheek as he moves to your neck, where he presses open mouthed kisses to the sensitive skin, sucking lightly. A shiver runs through you, leaving goosebumps from your tailbone to the very top of your head. You turn towards him, seeking his mouth with your own.
This time you part your lips to invite him in, poking your tongue out ever so slightly. He accepts your invitation, feeding you his tongue back, the residue of whiskey coating it burning deliciously. It’s soft, your mouths working together instead of fighting for dominance, but it quickly grows more needy, two sets of hands grabbing and pulling, searching for something to hold onto.
Your hands settle on his lower back, finding the waistband of his pants, hooking your fingers in his belt hoops. With a quick tug, you pull his hips flush with yours, and he gasps into your mouth. He pulls away, just far enough to look into your eyes properly. A question between you, pulled tight like a rubberband. Requesting permission to move further. You nod at him once, giving him the green light, and the rubberband snaps as his lips once again connect with yours.
And he indulges. His hands travel to rest at your lower back, before sliding down to cup your ass, squeezing once. You catch yourself wishing, for the first time in your life, that you’d worn a skirt, so you could have felt his big hands against your skin. The cramped mass of people dancing around you are oblivious to your endeavor, only bumping into you every now and then, but Marcus doesn’t let you budge an inch, holding you tight, a hand on your ass and one arm sneaking around your back, holding onto your waist.
Your thumbs find the sliver of skin between his waistband and his shirt. With slow movements, in contrast to the quick blinking of lights seeping through your eyelids, you draw tiny circles on the soft skin of his narrow waist. One of his hands moves back to your face, thumb resting against your lower lip as he delicately pulls on it with his teeth, soothing the sting with his tongue immediately. You wish he’d have bitten harder, drawn blood. That he’d taste you, mix the fluid from your veins with the ones of his mouth. Swallow you.
He thrusts against you once, seeking friction, hard and impatient underneath his clothes. Had he shoved his hands down yours, he would have found you dripping as well; so slick and ready to take him. But all you can do with the crowd of people moving around you is hold on tight, and hope for an opening, however small, between atoms, letting your bodies move inside each other, the way his tongue does in your mouth, and your hand, secretly between your bodies, gently covering his protruding bulge.
You squeeze him gently, and you can feel his lashes flutter against your nose as he rests his forehead against yours, his mouth open in a silent moan.
The dance floor doesn’t exist anymore. It’s just the two of you now. Two hungry bodies, two lonely souls. You hear no more music, ears filled only with the sound of rushing blood. All you can taste is whiskey, and all you can see is him. You catch yourself wishing that this night, the longest one of the year, would last just a little while longer.
— happy holidays !!! x
74 notes
·
View notes
Text
LOST IN OUR VICES | ONE
Chapter Summary | A chance encounter with a handsome stranger sets off a chain of events that could all end in disaster. It's hard to say no when it feels so good though.
Pairing | Professor!Marcus Pike x Student F!Reader
Chapter Warnings | Dubious ethical relationship between a professor & student, Marcus tells a lie, mentions of food and alcohol, mentions of academia, academic failure and strained parental relationships, gratuitous descriptions of London because I live here and I love it, some heavy making out and some heavy petting, no use of y/n.
Authors Note | WELL HERE SHE IS. I have no idea how to tell you how much I am loving this so far. Professor Pike has well and truly rotted my brain so y'all have to suffer with me okay? It's gonna be fun, I promise. I would LOVE to know what you all think about this so feel free to scream at me incumbents, reblogs and asks! As always, a huge thank you to @undercoverpena for reading this over and making sure it isn't utter tripe. ILY. And to @saradika for the beautiful divider.
Please follow @thetriumphantpandanotifs for writing updates.
Series Masterlist | Main Masterlist | Ko-Fi
He’s seen her there every day he’s visited the past month. Sitting on the bench, looking up at the same sculpture - a woman carved from marble - sketching into a notepad. He stands this time and watches as her finger tucks some hair behind her ear, brushing it out of her face. She looks up and tilts her head a little, eraser end of her pencil sitting between her teeth as she thinks, tracers a portion of the statue before her head is back down, looking at the page as she continues to draw.
She’s beautiful, there’s no denying it, she’s been beautiful every time he’s seen her. There’s something lonely about her too, the way she sits there on her own, artefacts and artworks for company. She’s just like him really, uprooted from a life he was no longer satisfied with, four years of a PhD and now the letters of Dr before his name. Moved to London, a new city, a fresh start as he’d coined it to his family, but he’s been here three years now, and not one thing that he wanted from his move have materialised. He knows the therapy was good for him, he knows that his haste to find someone was probably what was making him scare people off, but he doesn’t much like the other side of the coin either - a modest flat in London to himself, a small group of friends who sit around and drink beer and droll on about their academic passions, but no-one he can really call his own right now.
Dr. M Pike. Professor of Art History. That’s what his doorplate says, one of many in the small corridor at UCL. Three years and he’s still not quite sure how he made it here, or if it’s really what he wants, but it beats whatever he was doing back in D.C. that’s for sure. It had seemed like the best thing to do at the time, but when Lisbon had told him she wasn’t coming, everything about it seemed wrong, soiled somehow, by the life he’d built in his mind being torn up by someone who, looking back, had never really wanted him in the first place.
He thought about talking to her the first day he’d seen her, but then realised he was actually here to prepare for one of his teaching seminars, so squirrelled himself away to another room instead. The second time he’d seen her, she’d looked too engrossed on whatever she was working on, and then every other time, he’s convinced himself she’s here for peace, not to be bothered by some random man. But there’s something about the way she is today that makes the pull harder to resist, so he says fuck it, shoves his hands into his trouser pockets and walks over.
“You come here often?”
It’s an American accent that pulls you from your work. His voice jolts your hand, makes you press your pencil into paper too hard and at the wrong angle. You suck in a deep breath, try not to think about the hours of work he’s just ruined by startling you. You’re about to turn around and complain when he comes into your vision.
He’s tall, broad shoulders covered in a light dress shirt, two buttons undone so you can see a flash of tanned skin and a smattering of hair. It’s tucked into dark jeans, a belt keeping them tight to his trim waist. And then there’s his face - a beard, but only just and friendly brown eyes, a full mouth too. He’s handsome, there’s no way around it.
“Sorry, that was awful,” The mystery man scratches the back of his neck, “I just come here a lot and I think I’ve seen you here every time for the past month.”
You smile at that, that you’re someone he’s been picking out amongst the crowd of tourists who always come here, someone familiar to him, even if he’s not the same to you.
“I’m just working on something.” You shrug, letting your palm slyly cover the sketch you’ve been making.
The man walks in front of you slightly, takes a seat on the vacant spot on the bench and looks up at the woman carved from marble, “She’s beautiful.” He muses.
“She is.” You agree, looking over the curves of her hips, the way the marble has been carved to make it look like her clothes are wet, sticking to her breasts like she’s just climbed out of the Aegean Sea.
“You like sculpture then?”
“I do,” You nod, turning your body a little towards him, “It’s not my first artistic passion, but I’m studying for my PhD at the moment and it’s all about the female form in marble.”
“Brains as well as beauty,” He smirks a little at you, “Sounds interest though, where are you studying?”
“UCL,” You beam, because you’re proud, it wasn’t easy, you’d been rejected for your first choice research project the first time around, encouraged to choose something else from the feedback, but you were there now, and that’s what mattered, “What about you?” You ask, “What do you do that means you have to be here as much as me?”
He shrugs a little, “I teach.”
It’s vague but you don’t press, he owes you nothing, so you let it lie. You turn back to the sculpture in front of you, when your stomach grumbles. You look down at your watch. It’s 2pm and you’ve not eaten anything yet.
“Hungry?”
“Starving.” You reply meekly.
“Want to grab something to eat?” He asks, “I know a great Italian place in Soho if you fancy it?”
You look at him, eyes tightening a little. It’s been so long since anyone has shown you an ounce of interest, and now the beautiful man in a shirt and dress pants wants to take you for lunch, it all seems a bit too good to be true. But, you can hear the voice of your therapist tell you to say yes to more things, take more risks in life because not all of them are going to turn out to be bad, so you flip the front of your notepad over to cover your drawing and reach down to pick up your backpack.
“Lead the way.”
He doesn’t disappoint. Over the course of a glass of wine and a bowl of olives, you coax out his name. It’s Marcus. He’s got a PhD in Art History and moved to London from D.C. three years ago. He lives alone, near Notting Hill, he likes it because he can go searching for antiques on the weekend. He wants a dog, but he spends too much time out of the house to justify one. He likes to read and he can cook, but prefer eating out or ordering in because he’s not mastered the art of cooking for one.
When a waiter sets down your second glass of wine and your food - gnocchi with pesto and bacon for you and carbonara from Marcus, he turns the conversation back to you, sipping wine as he ask you where you live - Willesden Green, so not far from you - who you live with - myself, my dad was so proud I got into my course he pays for my rent, it’s the only way he can show he loves me - what you like to do with your free time - free time? When I have it, I read, or I walk, or I sit and draw sculptures in museums.
You don’t know whether it’s the wine or not, but the dark winter sinks in, outside cloaked in black, lights dimmed inside, and it makes him even more handsome than he was before. He makes you laugh, with his stories of his own PhD stress, how he would walk the streets of D.C. at 3am to get coffee and pancakes on his way back from the library and then collapse into bed and sleep for two hours until his alarm would wake him up and he would go all the way back to the library to do it again.
“If I ever get to that point,” You muse, stabbing a piece of gnocchi onto your fork, “I don’t think I’ll have the will to make it through.”
“You seem far too organised to me to fall into the bad habits I had.” He shrugs, looking at you over his own glass of wine as you take a bite of your food, too busy watching him to really notice the angle of your fork, green sauce smearing on the corner of your mouth as you fight it into your mouth.
Before you have a chance to reach down and grab the napkin from your lap, Marcus is reaching over the table, using the pad of his thumb to wipe the stray sauce away. It’s something that under any other circumstance would make you feel uncomfortable, but all it really makes you want to do is kiss him, especially when he apologises profusely for being so forward.
He pays for dinner, insists on it really, hidden behind the excuse that he knows how hard it is to live whilst studying. He takes you for cocktails at a bar on the end of Old Compton Street - orders himself an old fashioned whilst you opt for an amaretto sour. The bar is dark and busy, the only seats are in a corner, sat so close together your knees are touching and your shoulder is slightly leaned into his side.
“So, you said you got rejected from your first choice course?” He muses, taking a short sip of his drink.
You shrug with a nod, “I wanted to research the impressionist movement,” You start to explain, “I love Monet and Renoir but I think my research application was too broad,” Sipping your own drink you carry on talking, “There’s a great academic at UCL, Professor Pike, I was desperate to have him as my supervisor, but it wasn’t meant to be.”
You turn your head a little, watching as Marcus swallows on nothing, quickly taking another sip of his drink.
“It’s okay,” You hasten to add, “I guess if I’m not writing thousands of words about it, it won’t make me hate what I love most.”
“Smart,” Is what he says with a smirk, “You would have given him a run for his money anyway.”
“Do you know him?” You ask, “I know all of you academic types are familiar with each other.”
He swallows on nothing again, “I’ve heard of him but I don’t think we’ve ever met.”
You both order another drink, sit around talking about nothing much at all, slowly moving closer as the bar gets busier, you tell yourself it’s just so you can hear him better, but he smells good, some kind of musky cologne that suits him really well, so you don’t complain about soaking it up.
When it gets late, he offers to take you home, keep you company on the tube. You know it’s not really necessary, you’ve never felt particularly unsafe walking home from the station, but if it means spending more time with him, then you don’t really mind. He lets you take the only free seat on the tube, standing in the aisle just in front of your knees so he can keep talking to you, and when you reach the other side, he walks close to you, puts a hand on your lower back which you can feel through your jacket when a group of people walk past you a little too close. He even insists on walking you to your door.
It’s quiet in the building, like it usually is. It’s only recently been built and you think you’re one of only a few people who are currently living there. You pluck your keys from your coat pocket when you reach your door, leaning your back against it.
“This is me.”
“Nice place.”
“Yeah, although I usually prefer places with more character.”
He’s stood right in front of you, rocking on his heels, that same nervous hand on the back of his neck as this afternoon, “I know this might seem weird, but would you like to go on a date sometime?”
You can help but snort a laugh, shaking your head a little, before you meet his eyes, “This wasn’t a date?” You ask coyly.
He smirks a little, cheeks flushing a little, “Did you want it to be a date?”
“I wouldn’t have let you take me for lunch if I didn’t,” You say, “But there is one thing missing.”
“Oh yeah?” He hums, “What’s that?”
Instead of speaking, you take a step forward, hands gripping the lapels of his jacket as you press up onto your toes and plant your lips on his. It’s clumsy and it’s impulsive, but you’ve wanted to do it all day. You can feel his arms wrapping around your back, dragging your body flush to his as he opens his mouth against yours right as you do the same. He tastes like mint from the gum he’s been chewing and the whisky from his drinks - it’s all you can think about as he walks you back, presses you against the door as his tongue meets with yours.
You’re thankful no-one is around. Your arms move from his jacket to wrap around the back of his neck, fingers tangling in the curls there as you tilt your head to one side, a slight smacking sound from your lips as the disconnect, only to come back together seconds later. He’s good at this, you think, as his hands drop from your back to rest in the pockets on the back of your jeans, palms warm through the material. You can feel him squeeze you there a little, and you’re so close to saying fuck it and inviting him in, because if his lips are this good against yours, you can’t imagine what they’d be like in other places.
Marcus is the one that pulls away from you, resting his forehead gently to yours. You’re both breathless and you’re itching to press your mouth back to his.
“I should go.” He breathes against your mouth, pressing his lips to your in a chaste kiss.
“Yeah,” You agree, “You should.”
He steps back, takes the warmth of his palms with him, but reaches in to his pocket and hands his phone to you, “Put your number in here and I’ll call you.”
So you do, press the eleven digits into his phone along with your name and then kiss him once more before he’s turning on his heel and walking away, leaving you with a dull ache between your thighs that you’re working on relieving within five minutes of getting inside. You’re fucked.
Marcus curses himself as he settles into the seat on the bus. It’s late enough that it’s not too busy, no-one sitting next to him as he leans his head back and runs his hand over his face. He already knows he’s fucked up. The words Professor Pike and rejected from my first choice spinning around in his brain as he watches parts of North London flash past the window on his ride home.
Why hadn’t he stopped it then? He knows the rules, knows that even though he doesn’t teach her, any kind of relationships with students, no matter how mature, are off limits. And how is he supposed to keep the facade up now? It’s only a matter of time before she puts two and two together and figures out who he really is.
You’re sweet and you’re smart and you’re fucking beautiful and the best kisser he thinks he’s ever met. You have so much in common with him that it actually hurts him a little and one stupid choice to keep lying to you and the fucking ethics policy are going to keep him from something he thinks would actually be fucking good for him.
He thinks for a second, pulling out his phone and looking at your contact card that he should probably just delete your number. It’s for the best for everyone. He could avoid the museum for a while, keep his head low on campus, he knows he can avoid you. But with his finger hovering over the delete confirmation, he finds he doesn’t have the strength to do it. Stuffs his phone back in his pocket and tries to will his mind to forget the way you’d gasped into his mouth when his hands had squeezed at the swell of your ass, or the way your lips had been soft against his when he’d kissed you.
Then, led in bed, frustrations sorted by his own hand, he picks up his phone and damns himself to hell with a single text.
How about a walk around the National Gallery and dinner this weekend?
#tbr tbr holy shit tbr#I need to get on this I can’t fucking wait#marcus pike#save me prof!marcus#prof!marcus save me#thetriumphantpanda#lost in our vices#series#read#reblogged
213 notes
·
View notes
Text
Tonight you belong to me, chapter 2
Summary: He comes to you every Friday, in a shady motel on the outskirts of town.
Two months have passed since your first time at the motel with Frankie. What has changed, what hasn't. Who are you now?
Pairing: Frankie Morales x fem!Reader (OFC)
Rating: Explicit 🔞 PLEASE, see series masterlist for extensive trigger warnings.
A/N: Happy Frankie Friday, Orange besties 🧡 How are you all? Gentle reminder that our Reader is an OFC. In this chapter, we get to know her better, and there are indirect physical descriptions of her. Sincerest apologies to anyone who knows Tampa. I did a lot of research, but I'm afraid my ignorance will still show… I swear I did my best. Raul is real, though. He's a friend of a very dear friend and he lives in Paris.
@frannyzooey my love, as always, I am in your debt. Thank you for your help. I love you more than words 🧡
I hope you enjoy this one, Orange besties, it made me sweat blood, @dreamymyrrh and @pedrit0-pascalit0 had to listen to my constant whining to put me on life support. Ily 🧡
Word count: 8.6k
[prev] * [series masterlist] * [next]
Chapter 2: Closer
The traffic is dense, but you spot Ava’s red Toyota as soon as it turns into E 7th avenue.
On any given Saturday, the upbeat neighborhood is bustling with cheerful crowds of leisured weekenders and hip thirty-something. On this particular Saturday, the first after Thanksgiving, the streets are a vision from hell.
There’s a constant ballet of cars pulling in and out along the curbs. On each side of the avenue, the sidewalks are swarming with jittery shoppers, frenetically prospecting for good deals on potential Christmas gifts. You’re willing to bet that most of them will stretch their budget thin on useless, meaningless knickknacks. Generic trinkets without soul nor purpose but that will, for the first half hour of ownership at least, fill the void in their consumers’ existence.
The traditional Christmas tree of unholy proportions is up and sparkling. Wrapped around the iron porch columns, electrical garlands blink in rapid sequences like luminescent spasmodic snakes. Storefronts are decorated with more or less taste. The temperature has dropped twice below 70. It’s that time of the year.
The merry season usually finds you adding a generous helping of anxiolytics to your daily cocktail of little helpers. This year, however, you haven’t popped a pill in days, and everything feels… more. Louder, too vivid, more oppressive. Sensations magnified and emotions amplified. Which is, after all, what you were aiming at when you unilaterally decided to taper off your intake.
Ava miraculously secures a free spot on the other side of the avenue, about a hundred yards in front of yours. You watch her parallel park, the maneuver surprisingly sloppy, given the parking assist technology the brand-new hybrid car is equipped with, and you wonder if you really needed to spend that much money on it.
In front of your own parked car, pedestrians agglutinate at the crosswalk. When the light turns green, they move as one, like flocks of extras on a movie set, coming to life on cue when the director yells “action!”
They’re not extras, however, each one of them is the main character in the movie of their life. Together they form a constellation of individual and interconnected stories, while you stand at the margin, forever exhausted, willfully forlorn. At best, a supporting part in Ava’s fantastic tale of eccentric adventures, but more likely a backdrop in your father’s gripping success story.
Although, your narrative has changed drastically over the past two months. You now got a part in your own right, unfolding in between takes.
You wait until Ava gets out of her vehicle before you exit yours, reluctant to leave the hushed safety of your old sedan’s cab, even for the few minutes it’ll take you to meet with her and step into the coffee place.
You wave at her from across the busy street until she sees you, but when she proceeds to jaywalk over to you, reckless and entirely indifferent to your pleading expression, you have to avert your eyes. There’s a crosswalk right in front of you, god dammit.
She levels up with you and pecks a kiss on your cheek, hitting your cheekbone with force, more headbutt than demonstration of affection.
“Hey,” she says, barely stopping in her tracks before she pushes open the glass door to the coffee shop.
“Hello, pup,” you answer fondly, your words lost to the street’s bustle.
Inside, the artificial air instantly pulls at your skin. The atmosphere is cool but dry, saturated with the smell of freshly grounded coffee beans and greasy-sweet pastries. The high-ceiling, cement floor, wide open-space is packed. The brick walls reverberate the ambient noises, and the late morning sun beams brightly through the large floor-to-ceiling windows, evenly spaced along the lateral walls. People sit in small parties around the white designer tables, sipping iced coffees from tall red paper cups with white snowflakes, large shopping bags at their feet.
Trying your best not to shrink and shrivel from the multiple overwhelming stimuli, you focus on Ava’s back, walking behind her as she leads the way to a free table at the rear of the coffee shop, between the counter and one of the windows. There’s a regal quality to her gait and the way she carries herself, not unlike your father, the resemblance enhanced by her preference for masculine clothing, and you have to love the irony, given how much she hates the man. She has your mother’s beauty, though. The same luxurious dark hair, fair, flawless skin, and wide green eyes, her frame tall, her figure athletic. She’s the masterpiece. Next to her, you look like a clumsy first draft, with blurry edges and hesitant features.
She throws her jean jacket on the back of her chair and collapses on her seat with a theatrical sigh.
Across from her, you sit down gingerly on the edge of the hard wooden chair, balancing your weight around the sore and delicious ghost sensation of Frankie between your hips.
“You look good,” you start.
“Yeah, you too!” she exclaims, like it’s unexpected, “tired but like, good. Are you getting any sleep?”
You smile, waving your hand dismissively.
“Don’t we have to go to the counter to order?”
“No, it’s fine,” she answers, “they serve at the table. I’m having an oat milk matte, what do you want?”
“An espresso, I think.”
Right on cue, a young woman dressing in a black cropped top and black skinny jeans presents herself at your table and proceeds to tap in your order on a rectangular electronic device. Her long acrylic nails hit the screen with a rapid succession of click-click-click. The sound brings you back to your parents' dining-room, the large table standing like an angular island on the shiny square of reflective tiles, in the middle of a shag carpet ocean. Your mother’s nails, painted in Revlon Desirable #150, rattling impatiently over the lacquered surface of the dining table near her untouched plate and a glass of G&T sweating with condensation. She never ate her food. She drank even when she was pregnant.
Your fingers find the back of your knee and pinch the thin skin there, so hard you flinch.
The waitress waltzes off, and Ava returns her full attention to you.
“I’m happy to see you,” she offers, and you smile softly at her uncustomary expression of affection. Your chest expends. “It’s been a while.”
There’s no reproach in her tone, but you are usually the one expressing ill-concealed concern over her long silences, and the reversal in your dynamic throws you off. Guilts gnaws at you. You choose defense.
“You were away.”
“Yeah, but like, I came back three weeks ago.”
Three weeks. Your smile fades and you slump in your chair, running a quick mental calculation.
Time has never been an easy concept for you to grasp, but until recently, you’ve managed to remain afloat and functioning, on a practical level at least, amidst a society that revolves around schedules and timetables. The watch on your wrist, yearly organizers, recently and reluctantly replaced by the iCal app on your phone, sticky notes, tin boxes filled with tickets stubs… All clutches to your failing memory, anything to keep you tethered against an overpowering and primal instinct to escape, let go, drift away. And perhaps, most of your exhaustion stems from this endless swimming-race against the current.
Lately, your inability to remember appointments, to navigate time and hold an effective grasp on reality has reached a new high. For the past two months, your life has revolved around Friday nights and the sound of a red pickup truck pulling in and out of a decrepit motel’s parking, tires screeching on the gravel. Inside this timeframe, your entire life is contained. Around it, the days stretch, spiral, and blend. And you’ve lost all motivation and interest in any counter-current swimming.
You frown slightly, scanning her face, but she doesn’t let on anything out of the ordinary. After all, if she genuinely worried, if she so badly needed to see you, she could have given you a call. You were the one to reach out and ask to see her this morning.
Something’s different about her, in the way she holds herself straighter on her seat, with her legs crossed and her head tilted to the side, exposing the undercut she got before the summer. You’re still not entirely sure if this was the bold fashion statement she claimed it to be, rather than a dramatic reaction to her girlfriend moving back to New York. With Ava, it could be both. She’s not wearing any makeup today, her face looks disarmingly young, and the concern she’s expressed, however subtle, churns your insides with guilt and affection.
You plaster a polite smile on your face.
“Well, I’m here now. It’s good to see you, too. Tell me, how was New York? How’s Polly?”
The waitress returns with the pastries and beverages you ordered, and Ava begins to narrate her two-week trip to the big city. She speaks fast, punctuating her words with large gestures to describe the cultural buoyancy, the hip neighborhoods and her thrifts finds, the street food and the refined, cutting-edge restaurants, how everything is bigger there, faster and better, how she fell safe walking hand in hand with Polly, the clubs, the galleries, the weather, crisp air and chilly winds from the north, a refreshing, comforting seasonality to pace the existence.
“I was fucking crying when I boarded the plane back, you have no idea.”
“Oh, I can imagine,” you sigh, shaking your head. “You don’t miss her too much?”
She doesn’t answer, and something in the way she avoids your gaze makes you frown again.
Polly and you have always gotten along well. You genuinely appreciate her solar personality and her worldly conversation. Their encounter four years ago had been the silver-lining in an otherwise horrendous year. The happy, coincidental consequence of a chain of events that had been years in the making.
When Ava dropped out of college halfway through her freshman year, it provided your father with the excuse he had been waiting for to kick his own child out of his house. You had seen it coming. In fact, you had spent your entire adult life shielding Ava from the paternal discontent, investing all your strength into becoming the son and successor he had wished for, and that neither of you could ever be.
Ava, however, had never put in the effort. She didn’t fit into the family portrait. She never had. You didn’t want her to, and she simply couldn’t. Too rebellious, decidedly unconventional, and, well, queer, to boot. Your father had spent years formatting you and there she was, standing proud, strengthened by your unconditional support, a glaring highlight of your diverging values, a breathing reminder of his failure with you both.
In the aftermath of the fall-out, Adrian had refused to take her in, and she had spent days out of your sight, sleeping god knows where. Eventually, you’d dug your heels in, as you only ever did when Ava was concerned and her wellbeing on the line, and obtained that she move in with you. The cohabitation hadn’t gone smoothly in the least. As usual, Adrian was more concerned about potentially upsetting your father than making you happy. You were once again caught between crossed fires.
The strained situation with your fiancé notwithstanding, Ava couldn't spend her time sitting idly at home. You had pleaded with her for weeks before she agreed to resume her studies. Only this time, it had to be with your funding. The realization that you didn’t have any consequential money of your own had been brutal, even though it shouldn’t have been a surprise: you lived in Adrian’s apartment, and were employed by your father, who refused point-blank to let you sell some of your company shares, knowing the money would go to his estranged daughter.
All you could afford was Hillsborough Community College, but things had eventually taken a turn for the better when Ava and Polly had met. Polly was teaching psychology, waiting for a tenure that she would never be granted. Because of the 20-year age gap between them, she insisted Ava graduate with her BA before they started properly dating. And when they did, the improvement in your sister’s mental state and overall balance was immediately noticeable.
Calm and collected, affectionate and thoughtful, Polly grounds your young sibling. She eases her anger and channels her energy into creative and fruitful endeavors, without snuffing her rebellious temper.
And now, despite Ava being almost fully independent, with a job and a place of her own, you don’t know what you’d do if they were to break up. If one of them were to decide that a long-distance relationship is not what she wants.
You lean forward, your hand coming to rest over hers, warm and smooth. “Hey pup, what’s up? Is everything ok between you two?”
“Oh yes,” she quickly assures you, withdrawing her hand, “and by the way, she sends you her best.”
Understanding downs on you like a bucket of ice. You suddenly feel stupid, pathetically naive, forever one step behind. Leaning back in your chair, you let out a short, soundless huff. What you’re facing is not a breakup, but the likely possibility that Ava will soon move out of town to follow Polly to New York.
Ava is talking again, about New York you’re guessing, but you can’t focus on her words. Behind your impassive eyes and your attentive smile, your mind reels and wrestles with a downpour of conflicting thoughts and emotions. Pride flares in your chest at the prospect of your baby sister setting roots in a city as intimidating as New York, but it tugs at something else, something you’re too scared to consider, and an ugly feeling you’re reluctant to acknowledge.
Would she hesitate before leaving you behind, after you’ve prioritized her freedom over yours? After you stayed so she could fly away? And wouldn’t it be the point?
Your eyes travel up along the trail of small tattoos adorning her forearms. Dominos, tea cups, a white rabbit with round glasses, a flamingo, several thin arrows, a broken heart in flames.
What’s your purpose, if she’s not here anymore? If someone else is looking after her? If your sacrifice is no longer necessary nor justified?
“How was Thanksgiving dinner? Did you have fun talking about politics with Richard?”
You wince involuntarily at your father’s name. She never refers to them as “mom” and “dad.” She hasn’t for a long while. But today the sarcasm doesn’t fool you, no more than her feigned indifference.
She’s not truly asking if you had to bite your tongue and smile through conversations that make you nauseous. She knows well enough you’ve got just enough political convictions to carry you to the voting poll, but hardly a step further. Listening to him is painful, but you get by, and your shameful silence buys you necessary peace.
No, what she wants to know is if your family inquired about her. And you don’t have it in you to answer that no, no one has, not last Thursday, not for the past four years, not ever. Not your indifferent father, nor your inebriated mother. Not your bigot grandparents, not your egotistic aunt and her gold-digging husband, not even the housekeeping staff.
You shrug noncommittally.
“Who were the guests of honor, this year?”
The question makes you groan and briefly close your eyes at the memory.
“Adrian’s parents.”
“No?! Fuck! They really want this marriage to happen, don’t they? Looks like you’re not gonna be able to dodge much longer.”
She smacks her hand over her thigh, letting out a short staccato of a chuckle, as if the subject of your confinement through marriage was a laughing matter. You glare at her, crossing your legs and folding your arms over your chest, but the shifting in your demeanor goes unnoticed.
Suddenly, her levity riles you up. She got away. You didn’t. And the only thing that carried you through this year’s Thanksgiving dinner is the perspective of being fucked senseless by a stranger on a dirty motel floor the following night.
For a brief moment, you’re tempted to bite, and retort that, contrary to her, you didn't spend the holiday on your own. But the truth is that you envy her the privilege, and she knows it.
Taking a deep breath that does absolutely nothing to calm your growing nerves, you stir the conversation towards another topic, finding neutral ground with her job. You’re stalling, and you’re not even good at it. You sit restless on that damn hard chair, squirming uncomfortably, sweat prickling under your armpits in the chill artificial air, eyes flicking down to your watch every other second.
“Do you have to be somewhere, or something?”
Your head shoots up. Again, you have no idea what she’s talking about, or how long she’s been rambling for. This is ridiculous. You are being ridiculous.
“Listen, Ava, I have to ask you something. A favor. I have to ask you a favor.”
Her eyes widen at your sudden change of tone but she nods. “Hit me.”
“I need you to… I need to be able to tell Adrian that I spend… that I spend Friday nights at your place. Actually, I’ve already been doing it for a while. He thinks we see each other on Friday evenings. I just… I need more time. I need the night.” You grip your shin with both hands and dig your nails in. “It really doesn’t matter anyway, he’s not home on Fridays, he plays poker and he never comes back until like, 3 or 4am, and I just need— I need to be able to come home after him. Not, like, every week. Or yes, maybe every week. Just in case. If ever. You know?”
She remains completely still and silent as you wrestle your words out of your throat. Her face hardens, her wide, green eyes strained on you. She gauges you in silence for another moment, while you rub your clammy palms on your jeans under the table. Above the table, you do your very best to maintain a casual air.
“And what exactly is it that you do, on Friday nights?”
You anticipated the question, of course you did. You swallow around the sharp stone stuck in your throat. Your eyes dart down to your espresso cup. It’s empty.
“I’m just taking a bit of time off for myself.”
More time, to commit his body and his face to your long-term memory after he’s left you, depriving you of his heat. The tiny bits of him that add up to form the formidable sum of the man he is. The locks that curl around his ears. The dip in his collarbone. The little target tattooed on his hand. You’re never sure which hand it’s on, you need more time, that’s all. And you won’t lie to her, not exactly. You set your mind on that early on. But you will not tell her the whole story.
A large shit-eating grin slowly parts her plump lips.
“Are you telling me that Richard’s favorite daughter is getting some side dick on a weekly fucking basis?”
“Jesus, Ava, why do you always have to be so crude?”
“But you are? Right? You are getting dicked down, every fucking Friday night? Right? Are you on Tinder, or something?”
“I’m not—” you start, but her excitement is louder than your exasperation. She uncrosses her legs to lean toward you, propping her elbows on the table and threading her fingers together, talking over you.
“Why didn’t you tell me? For once that something cool–”
“Because there’s nothing to tell,” you retort through clenched teeth, raising your voice. Her mouth hangs open in shock. You don’t give her time to recover. “And look, if you don’t want to do that for me, it’s fine, it’s not like anyone is going to call you to ask if I’m with you.”
She takes the blow, leaning back in her chair. “Wow. You really thought this through, didn’t you?”
You don’t answer, shame and anger burning your cheeks.
“Why you’re telling me now, then?”
“Like I said. In case.”
“I case what? In case I find myself on a Friday evening in the same place Adrian takes his cuntsluts?”
You steel yourself and stare at her.
“Something like that, yes.”
—
Two months.
Two months of lies and deception, shoving your bright secret deep down inside you, shrouded under a veil of routine and normalcy.
Nine weeks, split into six days of stretched out hours, swirling languid and excruciating, like smoke from a cigarette stub in a room without air, and one day of counting. The minutes, your steps, your breaths, your heartbeats.
Saturdays, worn-out, appeased, pleasantly aching. Sundays rising slow like a lurking threat. Mondays-Tuesdays-Wednesdays merging, dragging and useless. People talking to you, expecting words, when your mind is filled with two glistening bodies entwined in golden hues. A tremor on Thursdays, the nearing promise, and by Friday morning you’re all frayed nerves and aching want, tapping into your pent-up emptiness for focus and patience.
Friday evenings sliced up into a ritualized sequence of actions.
At 6pm, you leave your office and head toward the employees' underground parking. There are 37 steps from your desk to the two silver-doors elevators on the landing. Seventeen stories down, including 2 underground levels, and 58 steps from the elevators to your designated parking place. It is crucial that you don’t allow the pace of your steps to catch up with the racing thumps of your heart.
From downtown Tampa, it’s an hour and thirty-six minutes drive north on the 589, before you reach the motel. An hour and fifty minutes, two hours top, if the traffic’s bad. There might be faster alternative routes, but you don’t use the GPS, so you don’t know about them.
Once you’re there, you park in front of room number 7, the one with the missing brass number. You stuff your phone into your purse, which you slide under your seat.
You exit your car and walk towards the reception in short, hurried strides, cursing the tight skirt that hinders your steps and gives your posture a subdued aspect, which is probably why your father imposes the garment on his female employees.
The reception is a square room with an old humming AC unit, dark-brown fabric wallpaper, yellowing popcorn ceiling and a counter behind which sits Raul, the night clerk. Raul is a short man in his mid-60s. His dark eyes are reshaped into tiny concentric boot buttons by the thick lenses of his small, round glasses. His light brown, straight hair is styled in a bowl cut. He only wears beige Henley’s with rolled-up sleeves and indigo painter overalls. You’ve never seen his shoes.
Every week, Raul hands you the key to room number 2 without lifting his boot-button eyes from the charcoal drawing he busies himself over behind the counter, and tells you in a thick accent that “everything has already been taken care of.”
Every week, you thank Raul, grab the key from his stretched out left hand, and chance a glance over the counter to see what he’s drawing. Mountains, infallibly, week after week, the scenery only varying in shape and shades of anthracite.
And every week, as you exit the reception, you feel Raul’s boot-button eyes strained on your back through his round glasses.
When you step inside room number 2, you flick up the two toggle switches by the door, turning on the lights and the overhead fan, and you go to the bathroom to wash your hands and check your reflection in the antique black-edged mirror.
Then, you return to the room and you sit on the bed. That’s where you wait for him.
You don’t undress, you don’t lie down, you don’t undo the bed.
You know what he’ll do to your clothes. Anticipation trickles down along your spine all the way to the ripe heat between your thighs, and it travels right back up to tug up at the corners of your lips, but you press them together, lips and thighs, as you wait.
He comes in after dark, preceded by the sound of tires on gravel and that of his boots stomping on the porch and he’s here, Frankie’s here, the rush of night air from outside when he storms into the room wafting over your face.
He greets you with a hoarse voice, like he hasn’t used it all week, and he takes a couple of long strides towards the desk, where he sets down his cap. You peer at his reflection in the framed mirror when he combs his fingers through his dark curls, tense jaw, creased brow. You study his broad shoulders, the rippling muscles of his strong back, when he takes off his jacket and drapes it on the back of the chair, swift, precise gestures. It’s his own ceremonial, you let him have it, his transition into this world that you share. The confine of this room. Brown carpet, yellow curtains.
When he turns to face you, at last, it’s always with a heavy, grating sigh, a sound so rough and primitive to express his relief, his hunger, the limit of his patience. You stand up slowly, unfurling in slow motion from your sitting position on the edge of the bed, eyes on him, forever and always. His want radiates from him in colorful angry waves, like a tangible, virulent aura, black eyes boring into your skin and you welcome it as it pours out of him and creeps up to you like thick fumes.
You stand tall in the charged stillness of the motel room, offered, but not quite yet within reach, waiting for him to come and seize you.
“Take off your clothes,” he says as he comes closer, tilting up his chin. The command rumbles low and guttural from his throat, and those words are your cue. You clamber out of your statuesque stillness, twisting your ankles out of your pumps while he tugs at your blouse, as he crashes his lips onto yours.
His first kiss is voracious, unescapable, your face trapped between his cupped hands, and you’re engulfed in the taste of him, drowning in the scent of him, leather and soap and musk. And something metallic you have no name for. It’s intoxicating, you’re floating, losing both bearings and balance, like when you were thirteen, and you’d sneak to the downstairs pantry to drink your mother’s gin before dinner.
On some Friday nights, you’ve already made it back to your glass prison when you notice a tear in the seam of your shirt, or a missing button. “Take off those fucking clothes, I wanna feel your skin.”
“Yes,” you answer with parted lips, parted heart, parted life, jaunty fingers working your skirt open.
Beyond that point, neither of you talks much.
It’s his name –Frankie– falling from your lips, a long but quiet whimper when you come, a whine of pleasure-plain when he inches into you, a moan when you plead for more, a whisper when you promise you can take it all.
It’s his clipped orders, sharp and short.
Open up
Push back into it
Let me hear you
I want you to come on it
And two words, always the same since that first time in the parking lot.
Stop me.
Stop me when he pins your hands above your head or folds your arms in the small of your back, his fingers like shackles around your wrists, and he lines himself up. Stop me before his saliva drips down his tongue in fat drops between your breasts, and he straddles your chest. Stop me, when he closes a fist in your hair and slides you down along his hard length, your chest caving in under your gag reflex, beads of tears like precious shiny diamonds clinging to your lashes. Stop me when he angles your spine backwards with a sudden tug on your hair, when he bands an arm across your belly and ragdolls you to the floor to fuck you harder and deeper. Stop me when he ties your wrists to your ankles with the black zip ties that bite into your flesh.
Stop me with the flat of his hand pressing down between your shoulder blades, Stop me with his thumb teasing your tight ring, Stop me with your legs around his neck.
Those two words, a beacon guiding you through the week that precedes.
Sometimes, when you’re alone, you repeat them to yourself.
“Stop me,” you say, low and quiet, facing the mirror when you're applying makeup, staring straight into your eyes, so intently it twists your reflection.
“Stop me.” A whisper, and a slow-spreading, carnivorous smile that splits your face in two because someone, at last, wants you beyond reason.
Stop me. You will never stop him.
He fucks you twice, three times a night, before he leaves you covered in him, sated and sprawled on the rumpled bed around 2am, with a nod and a husked, “I’ll see you next Friday.” He sounds calm at last. Drained.
Once he’s gone, in the rumbling of the pickup’s engine and the screeching of the tires, your mental countdown to the next Friday is reset. You crouch into the narrow bathtub of dubious cleanliness, and ruefully wash him away in the trickle of hot water. You try to hold on to the thought of him, even more so than to the feeling of his touch. That’s what the soreness is for. It will stay with you until Monday at least.
But in your memory, his face is blurred. Only his sad angry eyes stand out, dreamlike, entrancing.
There's a conflicting distance beyond his hunger. An underlying restraint beyond his roughness. Withheld intimacy. A reluctance to give into your softest touches, when his forehead briefly rests on the plane of your chest, and you circle his neck, or carefully run your fingers through his sweat-soaked curls.
It doesn’t take a PhD in psychology to understand that if he wasn’t in here with you, he’d be somewhere else, doing something worse.
Some weeks, you go through strings of sleepless nights and restless days of anguish, your mind spiraling to the agonizing thought that you are nothing more to him than an empty and interchangeable vessel into which he can fuck his rage.
With masochistic thoroughness, you pull taut a red woolen thread to connect the clues of your insignificance.
He doesn’t name you. There are no sweet names, no terms of endearment, and he certainly never calls you Marion. The sounds he produces when he’s inside you, that’s your reward. Deep guttural grunts, and if you’re lucky enough, they resonate through your whole body when he holds you tight and close.
He never comes inside you. Where do you want it? he pants, when his hips start to fall out of pace. “Mouth,” you quickly answer, always, a greedy match for his gritty ways. And most times, he obliges. Flips you around or scoot over you and shoves his pulsating cock into your warm, wanton mouth.
But sometimes, he doesn’t. The thick pearly white ropes of his spend spurt over your back, your belly, your chest. That’s when he’s got a mind to rub it into your skin. That’s when you want to believe he might have chosen you to be here with him.
In those scarce instances, you are tempted to rely on your instinctual understanding of your relationship. Far from the toxic codependency that, according to Ava, you feed into with Adrian, what you share with Frankie is elsewhere entirely. Week after week, he presents himself before you, visibly wounded, willing to offer exactly as much as he needs to receive. The balance is perfect. No travesty, complete equality. The purest form of interaction. The most honest transaction you’ve ever taken part in.
And thus, no matter how remote he may seem on some nights, no matter how dark his eyes, how clouded his gaze, or how brutal his hold, you can’t help but feel safe.
The feeling thrums underneath your skin and finds an echo in his bloodstream. You hear it in your shared silence, when you lie side by side on the bed and stare emptily at the ceiling, chests heaving, bodies cooling off. When a shiver rakes through you, he gets up and turns off the overhead fan. Walks over to the bathroom to bring you a glass of water.
He’s given you everything you wanted and didn’t know how to ask for.
And when he looks you in the eyes, he doesn’t blink.
Stop me, he says, and what you hear is, Trust me.
He’s been quick to learn your body, and he’s greedy with your highs. He keeps you pinned down onto the threadbare linen with his mouth fastened around your cunt until your legs tremble and your throat is hoarse with your repeated high-pitched moans, the stubble on his cheeks scraping the sensitive skin of your inner thighs. Bestowing pleasure, drinking it right back.
Your body expands into new sensations, after years of a dormant existence, curled up within your outer shell into the tightest ball, the smallest possible shape. You’re spreading, stretching into your limbs, filling them in. Growing nerve endings that shoot farther along your extremities with each fiery kiss, each starving touch, each orgasm, like trees rooting in beautiful, intricate ramifications.
The wild creature nestled between your lungs has a mind of its own. You’re developing emotions unknown to you until now.
The tranquil contentment he leaves you with when he steps back into the night and closes the door behind him rapidly fades over the following days. By Sunday evening, there’s nothing left of it, and you find yourself shivering, deprived of his heat, unsettled, agitated.
Your mind wanders to her. The faceless, nameless woman he drives back to after you’ve fucked each other free of your pain.
Envy, tinged with hatred, pours ugly inside your chest, pressing against your rib cage, hindering your breathing, its heavy particles tainting your oxygen.
Does he handle her with reverence? Does he use sweet names to beckon her into his embrace? Does he spit in her mouth, does she beg him for it? Does he rub his spend into her skin, or does he stuff her pussy full of his seed?
Whenever you loosen the grip on your thoughts, you’re brought back to a large reception room on the last floor of another glass prison, stilettos wounding your feet, strangers with empty smiles and cruel eyes drinking from crystal champagne glasses. The excruciating misery of having to interact with Adrian’s colleagues, laughing at golf jokes you did not understand, desperate to fit in. Fighting your survival instinct, to tether yourself and not present a blank stare to those people you were supposed to impress. As Adrian’s fiancée. As your father’s daughter.
The effort seemed worth it, then. You were in love. Or so you thought. In hindsight, you’re not certain anymore. Reinterpreting your past is a temptation you try not to succumb to. In more then one way, you still love him.
There was a hushed tremor in the faceless assembly of tuxedos and cocktail dresses, and you saw her entering the room, parting the crowd. Slender, swaying, lush honey blonde locks and incandescent hazel eyes. Junior partner at Adrian’s firm, quickly climbing the ranks, flawless makeup and oozing self-confidence, she smoked Vogue cigarettes and when your gaze returned to Adrian, everything fell into place. You knew with a chilling certainty that this formidable young woman was fucking your boyfriend.
Adrian had had a couple of flings in the past, but this one was different. He fell for her hard, a grown man in a teenage-like trance. Your blood left your face when you realized everyone else in the penthouse, and most likely in the firm, could see what you were seeing.
You decided then and there that you were never going to marry him, regardless of what he or your father would threaten you with.
But even then, what you had experienced wasn’t jealousy. You’d felt trapped, and yes, betrayed. Wounded, in what little self-esteem you possessed. Thoroughly defeated. But you did not feel jealous.
You understand it now, and every time you think of Frankie’s touch grazing the faceless woman. Every time you torture yourself into considering the nature of their bond and the depth of their attachment.
Would Frankie look at you the way Adrian looked at her? With blunt desire, unabashed, irrepressible thirst? With belonging? Would people around you know? Would they identify you as lovers?
After all, a single glance had been enough for him to take you from a bar, to a parking lot, to a motel. To make you desperate to mean something to him.
Does he miss you outside your shared time? Does he think of you? Does his mind wander to your skin in the blue morning hours, does he try to name your scent?
Deep down, you are no fool. If there’s one thing you’ve always known in this life, it’s your place.
But some Friday nights are more dangerous. They give you too much hope. Prompting you to call your sister, for instance, and risk your little secret so you can spend more time in the small room with the yellow curtains. Wrap yourself in the dirty sheets that bear his musky scent, instead of jumping into the shower. Linger into that breach of your life’s continuum. Extend the delusion.
Last Friday, he buried his face into your core and drew violent waves of release that he kissed back into you, swirling his tongue into your mouth to coat it with your taste.
His face was shiny with your slick and his body glistening with sweat in the soft yellow hues from the bedside lamps, when he got up to the desk and slid his belt out of the loops of his pants.
Your eyes grew wide, but not with fear.
He placed you face down on the bed, with your arms along your chest, and he trapped your body with the belt. You accompanied his movements, docile, curious, without apprehension. The metal buckle was cool on your feverish skin, and the leather smelled like him.
Stop me. He was hard and thick, and he fucked into you in long, thorough strokes, dragging the round tip of his cock along your clenching walls, slamming his hips into the swell of your ass. With his thumb pushing into your asshole and his hand around the belt to keep you where he needed you to lie still.
You came in seismic tides that quaked along your body in concentric ripples, from your wrung out core to the extremities of your fingers and toes. The sound that came out of your throat was unrecognizable, and perhaps it was his. Your mind tipped over into unconsciousness. When you resurfaced, his cock was rubbing in the cleft of your cheeks, his come leaking down the curve of your back, mixing in with your combined sweat, his chest pressing down onto your shoulder blades.
You felt his lips brushing against the shell of your ear, hot breath searing his choked up words into your soul.
“You’re a good girl. Say it. Say you’re a good girl.”
“I’m— I’m—“
“That’s it, say it for me.”
He was lying heavy on top of you, sinking you into the mattress, his belt buckle digging into your side. This was going to leave a mark.
“I’m a good girl.”
“You’re my good girl.”
You will never stop him.
—
Sitting on the edge of the bed, with your back straight and your ankles crossed, you wait. Eyes on the yellow curtains, darting beyond the dusty fabric into the warm December night. It’s yours. All of it. Yours until morning.
There’s the faintest hint of a bad taste sitting on the back of your tongue. Coppery, bloodlike. It comes in waves every time you remember how you twisted your baby sister’s arm into covering for you. But the night is yours. You swallow hard, force a smile. You want to be guiltless, for once.
“Polly says you’re overly secretive. That you like to live ‘hidden between the folds of life’, as she puts it. Something about culpability being a coping mechanism…”
The words, delivered flatly after you’d stubbornly diverted and defused all her questions, had cut through the most tender parts of your flesh.
“Is that her professional opinion?” you had retorted, your chin tilted up as if you were not bleeding inside.
You swallow hard again. If you close your eyes, if you concentrate, you can almost hear it. The pickup’s engine, bolting down the asphalt, bringing him into your needy arms. You can feel the heat radiating from his solid chest and seeping into your body through your palms, resting empty and upwards on your lap. Your tongue tingles with his tangy taste, a trail of goosebumps breaks across your skin, anticipating his caress.
Frankie.
The daydream that carries you through the week, carries you through that very last stretch.
Until the man himself storms into the room like bad weather. Dark, electric, a standing threat.
One look at his face and you know. It’s going to be one of these nights that make you doubt everything.
At first, the change in the script is barely perceptible. There is no gentle acclimatization, no ceremonial, no tacitly shared ritual. He doesn’t face away to let you observe his reflection in the mirror. But he looks like he hasn’t slept since last Friday. The crease in his brow is forbidding, his eyes are too bright, too clouded, circled in black and you’re dizzy with the distance you find there. Tension rolls out from his taut muscles underneath his clothes and you stand up, alert, if not entirely ready.
“Get naked,” he growls, tugging his gray t-shirt over his head, his trucker hat falling to the floor and tonight, you miss your cue.
Instead, you come closer, extending your hands towards him. You call him in a murmur, Frankie, but the wild thumping of his heart under your trembling palms cuts you short.
The light flickers in his eyes, so you hang in brave, hang onto the thread of your touch, sliding your hands up his burning chest. He stills. His gaze focuses on you for the first time since he came in. Your fingertips brush lightly along his collarbone, to the dip at the base of his neck, where they linger, underlining the hollow shape of it, skating around his neck to his nape. His brow shifts, his jaw ticks, and you draw him in for a kiss.
He jolts when your lips meet his. His hands grip your hips, rough and desperate. This is the part where you melt into him, surrender to his touch, but tonight the balance is tipped off. He licks into your mouth with a pained, muffled whimper, and your eyes remain open.
You’re powerless, powerless to get to him and bring him back to you from wherever the hell he may be. And his distance settles between your two bodies, an invisible partition. It stands erect and opaque, projecting its shadow over you when he lies you down on the synthetic quilt and dives between your hips. His ministrations are detached, performative, mechanical. There’s no contained urgency in his handling of you. Empty touches, empty silence, and you orgasm weakly, the sensation floating on the surface of you.
You can sense him, trapped behind his black eyes and this damn crease that splits his face above them, only you can’t reach him. He won’t let you. For every one of your attempts at a caress, at tenderness, is rejected by a shrug, a push of his hand, a shake of his head.
Sweat breaks on his forehead and dampens his curls as he becomes restless, showing none of the familiar signs of the relief he finds in your release, when he hums softly into you, lapping at your entrance to capture what you offer him, what he drew from you. Impatience and desperation roughen his grip on you. He shoves you to the head of the bed and you scramble, sliding on the slippery quilt, curled on your side, until you’re caged between his rigid body and the headboard.
There’s no warning, no Stop me, when he lines himself up with a stifled groan. You bury your face into the pillow and bite down on it to muffle the pain when he splits you open. He starts rutting into you with unrestrained strength, forcing through the vice grip of your tight cunt around his hard length. You try to relax into it. That’s all you ever want, for him to fill you up, to be inside you and around you, but that’s the thing: he’s not touching you. Not really.
Instead of gripping the curve of your hips, or kneading your breast, or lying between your shoulder blades, his hands are clenched on the headboard, white knuckled. His bent knee doesn’t quite touch your folded legs, his hips don’t even slap against the swell of your cheeks.
“Frankie,” you try, but your voice comes out thin as a ripping thread. It’s immediately drowned under the sounds filling the room, the creaking of the bed, his strained breathing.
“Frankie,” you call again, louder this time, reaching to the side to grab his thigh.
He jerks at the contact, sliding out of you with a hiss like you just burned him with a red-hot iron. You grab the side of the headboard to haul yourself up. Behind you, you feel him falling back on his knees. For a few seconds, you can’t bring yourself to move. You remain hunched over, fingers wrapped so tightly on the hardboard, your nails digging into the cheap, tender wood.
“Fuck,” he breathes out, and you turn around to face him.
Your heart sinks and chatters at the sight of him, of his glassy, pleading eyes that won’t meet yours. His chest heaves with exertion, and the weight of something else. He grazes a palm over his face, tilting his head down.
“I hurt you. I fucking hurt you, I’m sorry. I’m so fucking sorry.”
Tonight, this is it. These words are your cue.
“No,” you start, scooting closer to him as he shakes his head, exhausted, isolated. The gesture no longer carries the warning it did as he was about to succumb. It’s a measure of his failure, of the depth of his defeat, and it chills you to the bones.
“No,” you repeat, stronger, and you offer him the only lifeline you know.
Closing the physical distance, you straddle his lap and wrap your arms around his shoulders. When his body stiffens, you harden your hold.
“Frankie… Frankie…” you coo, again and again, like his name holds the solution, and all of your devotion. You say it as you press your forehead to his, as you rub your cheek against his stubble, as you nuzzle the sharp edge of his nose, and trace his plush lips with yours.
Until his shoulders sag under your embrace, until you feel the choked up breath that quakes his chest, you keep repeating his name. A few minutes, or an infinity of seconds, time doesn’t matter anymore. The night is yours, your skins are glued together in the soft yellow light.
His arms circle your waist, hesitant at first, but you encourage him, raking your fingers through his hair, twining them into his soft curls. He lets you, he gives in, tucking his face in the crook of your neck. He inhales you there, raising the soft hair on your nape. His voice is broken when he speaks.
“I’m not–”
“Frankie don’t, please don’t,” you cut in.
You know the words that are piling bitter and desperate on his tongue, know them on an instinctual level. You feel them swirling, black and hopeless inside his head, you’ve known them from the very beginning, recognized them in the sadness of his angry stare. And you won’t let him pronounce them inside this room you share, you won’t let him give them any kind of substantiality. Not between your arms, not against your skin.
“I’m not hurt,” you begin, pulling back to see his face, to look into his eyes and sink your words of hope and faith into him, past the barrier of remorse and regret, “I want everything you–” but his brow furrows deeper as he clenches his eyes shut, and you trail off.
Panic briefly floods your brain. You’re acutely aware of your shortcomings and limitations, of all the things you’ve never been taught growing up. How to translate feelings into words, how to express compassion, how to care for others. How to be heard.
You take a deep, shaky breath, your breasts pushing into his chest.
“Look at me, Frankie baby. Look at me. Let me–”
Let me in. Let me be yours. Let me mean something.
Your plea dies on your tongue when his eyes shoot open. They shine with unshed tears, pierced by a ray of light from the bedside table, and for the first time, you see that they’re not black. They were never black. His eyes are brown, a deep, rich, precious mahogany brown. The color paints your vision, it flows into your bloodstream and courses along your veins. It spreads into your heart, gets tangled in your soul. Around you, the whole world disappears, along with everyone in it. There is only him, his mahogany eyes brimming with tears, and the feeling of his hot, damp skin against yours.
His arms wrap tighter around your back, his warmth seeps into your bones. His hands find purchase on your curves, drawing you closer.
“I want you so badly to be real,” he whispers, quiet and pained, like he can’t ask you this much, but you know that, for him, you’re willing to be.
“I’m so sorry,” he says again.
Swallowing down the tremor in your throat, you give him a tender smile, tinted with gratitude, colored with praise. You cup his face, fingernails scratching at the heart-shaped patch on his jawline. His eyes flicker down to your lips, and you give him what he needs, leaning in to press them to his.
Underneath you, his length throbs with unreleased hunger, and you sway your hips over it. He moans against your lips, the vibration trails down to your core like hot, liquid amber. His tongue peaks out, and you open up for him, like you always have, like you always will. A grating sound comes out of his throat, an echo of your gratitude, a mirror of your pain, a reflection of your loneliness.
He breaks the kiss to lift you up gently, helping you find friction with his cock sliding between your folds, where it pulsates hard and thick against your clit. Your limbs turn to molasses, toffee soft and sticky, but your hips lock into a slow, languid rhythm, slick pooling down on him as you stroke him between your two bodies. His right hand skates up flat along your spine, to settle on your nape.
He draws you in closer, closer than you’ve ever been. His heart beats inside your chest, enveloping the purring wild creature you still can’t name or tame.
“Make us come, baby.”
A dry sob undulates up to your throat. Your eyes fill with hot tears, they spill against his temple. Mahogany explodes inside your brain. The night is yours.
“Yes, Frankie.”
“Make us come together.”
****
Taglist (thank you 🧡): @elegantduckturtle @mashomasho @lola766 @flowersandpotplantsandsunshine @nicolethered @littleone65 @bands-tv-movies-is-me @the-rambling-nerd @saintbedelia @pedrostories @trickstersp8 @all-the-way-down-here @deadmantis @hbc8 @princessdjarin @harriedandharassed @girlofchaos @gracie7209 @mrsparknuts @your-voice-is-mellifluous @mylostloversbookmarks @readingiskeepingmegoing @lovesbiggerthanpride @youandmeand5bucks-blog @sarcasm-theotherwhitemeat @southernbe @blackvelveteen1339 @anoverwhelmingdin @casa-boiardi @nandan11 @jessthebaker @pedroshotwifey @angelofsmalldeath-codeine @noisynightmarepoetry @missladym1981 @laughing-in-th3-purple-rain @survivingandenduring @jeewrites
#I cannot fucking wait to dig into this#it’s going to hurt so good I just know it#tonight you belong to me#francisco catfish morales#frankie morales#maddie 🧡#series#tbr
219 notes
·
View notes
Text
electra heart
pairing: din jarin x prostitute fem!reader
summary: with the softness of your body you have bought your piece of luxury, clawed your way to opulence, and wait now on the lustful whims of the rich and powerful. what havoc is wreaked when the only client you've ever loved, your mandalorian, finds you in the golden smoke of a gala on canto bight?
warnings: mention of alcohol, prostitution, reader is literally a prostitute, reader goes by alias "edie", din calls her “edee”, angst, quick mention of killing (bounty hunting), porn with plot, SMUT, soft!dom din, unprotected piv, beskar humping (sue me), tiiiny bit of degradation if you squint your eyes and pat your head and rub your tummy, little bit of begging, fucking in a literal suit of armor, creampie (if i left out any, let me know <3)
word count: 4.7k
authors note: first din fic alert !!! hand on heart i meant to keep this light hearted. and that’s what counts…right ??!!!!
woolfie’s masterlist
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
you had been small, once. a young thing born into the streets of tatooine, conjured by them, slipping dirty like a curse through the city with a beggar's cup. in the day, the sand heated to glass and fire, and you trailed in the shadowed coattails of men the passers by could think your father, but with nightfall came the slow, syrupy suck of warmth from land, and even pressed up against building corners and doorways you shivered in the starlight. and what a cruel thing it was to know—to be, even then, so certain of your own poorness. you stuck little fingers through the holes of your clothes to cork the heat of your skin, and reconciled, in the meanwhile, with your birth as a nomad with no place to journey.
oh, but you loved the ships. with festivals held on the plains came warships and single-seat fighters, great discs of silver settling the baking sand, and you circled the throngs of people to let the gleam of sunlit metal blind you, if only for a moment. with scrap metal and a child’s palms you laid your plans there in the tatooine sand, to seek out whatever precious lavishness was left out there for you. beads of sweat jeweling down your wrists you thought yes, you were fit for that sort of life.
it became clear to you, when you came of age, that your body was your only currency for purchasing such plans. kicking stones while you wound through the cityscape, you supposed the home you could make in a brothel, and the money, too, made for an even exchange, and besides, you’d absorbed worse than man. you tap a manicured nail down your glass and hum with the bellish chime. where had all those girls gone? where were they now? you wonder if they’ve caught wind of you from here, if your perfume has traveled that far. you hope so.
“my edie, how are you honey?”
kel talbot is even blonder than you remember him. with his chest to your back in the sprawling porcelain of his bathtub he’d admitted, along the skin of your shoulder, that it wasn’t real, the color. he dyed it when he went home to naboo, he said. still damp and soapy he’d tipped you an extra 5,000 credits, for your discretion and your loveliness.
“i’m well, kelly. it’s always so wonderful to see you,” you lilt back to him. and because you can’t help yourself, so prone to indulgence now, you add, “have you been off home? i haven’t seen much of you here.”
he’s lovely, really, and delighted that you would ask. “as a matter of fact, i have. my mother’s been remarried a sixth time, if you can believe it. a great big ceremony and all, and i really couldn’t miss it.”
you smooth your free hand down the lapel of his jacket, black silk gleaming between the pillars of your fingers as you drag them. you wouldn’t mind him, for the night. “i really miss you so much when you’re gone.”
he steps closer, flattered little smile, and you look up at him through your lashes. “don’t stroke my ego, edie, it’s unbecoming,” he whispers, so thoroughly pleased with your attention on him, and you tug on the bunch of his coat in your palm.
“do you want me to stroke something else for you, kelly?”
he lets out a shuddered breath across your face. heir to an agricultural fortune on naboo, he is all tradition, brought up on pomp and circumstance and a set of shoulders shaped for the head of a long dining table. your innuendos fall heavy on him, always. he doubles over with them, sinks into you to realign himself upright. edie, edie, someone called you edee once, it means jaws, teeth, he’d told you. when it came time to shed your first name, your real name, it’d come naturally. edie, edie. kel is ripe for biting now.
“i–i have somewhere to be, honey, i can’t.” you pout at him a little. he tips generously. “don’t look at me like that.”
you set him back by your hold on his suit and he brushes himself with his palms, dusting the fabric from whatever coital indecency you’ve smeared on him.
“i’ll let you know when i’m in town again, okay?” and he offers it like a favor, and you suppose he hopes it to be one, so you nod with a gentle sigh.
“go enjoy your night, kelly. i’ll be here if you change your mind,” you promise, and with a tender smile his platinum hair filters back through the ballroom.
if you’re honest, you don’t really know the purpose of this event to begin with. canto bight shines bloated with galas and gamblers, and you dance, ephemeral, through the lot of them in search of clientele. scanning the dancing gold and satin of this crowd, collected on the bottom floor of the hotel you work from, you find mostly elderly men, married and elderly. you certainly aren’t above servicing either, though you went out tonight for the delights of it more than anything else. draping yourself in the inordinately expensive wrappings gifted by your previous clients, arms and collarbones dripping over with fine jewelry and precious gems, you enjoy the ritual of it, now. you enjoy the rest of it, too, with the right sort of client. you drag a red gemstone, set in gold, to and fro along its chain, your first little opulence left with the credits on the windowsill. edee, edee. a passing, devastating thought: like the girls from that first whore house you hope he smells you, hope through the filter of his helmet he’s struck with the scent like a sharp ache that sweetens in the middle. and—
you should’ve missed it, really. an inconsequential glimmer in the face of all the light you’ve gulped down these past years, but still you seem to find it, the little silver spotlight convexing through the curve of your glass. it points right on you, the beam, and you tilt the glass back and forth to watch the light twitch along your sternum. your body tenses with the stretch of a memory, of you in the sand on your back with the sterling starships jumping into hyperspace above you. but surely there’s no ship here, you reason, and when you look up, he’s right there. they all wear the same getup, creed driven and plated, but you are certain it’s him. with a cock of his hip and a shoulder leaned up against the wall you are certain, so certain, and he is right fucking there. it’s all coming back to you now, his beskar in the rotting wood of your doorway, little words in mando’a, your name, the first one, in his mouth. your mandalorian.
gliding through the dancing bodies of the ballroom—they part for you, now—you shiver with the breeze of your dress, a great sweeping curtain of red silk. you don’t remember, really, when he stopped coming to see you, only that you were wholly and inappropriately devastated. you missed the stick of him between your thighs, the way he loved you. you were so sure he did, back then, and you find that still, as this diamond sea of people carves a path for you to him, you are still sure. you can feel your own wetness collecting at your seam; you cannot unlearn this want for him.
he doesn’t notice you until you’re inches from his side, and still he won’t turn his head. from his peripheral you are unrecognizable, you suspect.
“which one?”
and you don’t think you’ve ever seen him move the way he does as your voice echoes behind his visor. it’s a startled jump, a straightening, a tip of his helmet to the side. you think he’s frightened, at first, a heavy terror that collects through the tendons of his hands, but the fear leaves easy, sugars into wonderment. he says your name, arced in question and through the rasp of his modulator.
you shake your head, look out at the ballroom. “i don’t use that name anymore.”
“i–you…” he shakes his head, knocks something loose, “...what are you doing here?”
you snort. “i could ask you the same thing.”
“i have someone i’m looking for.” and it should be ominous—i have someone to kill here—but his voice is still soft, airy with the sight of you. you turn back to him and nod to the crowd.
“yes, i ask again, which one?”
“you know i can’t tell you that.” and he says it like a memory, like the sweet juice of nostalgia on his lips, he says it like i remember you.
you shrug. “i hoped maybe the rules had changed.”
“mm,” he hums, “century old creeds don’t seem to, i’m afraid.”
you giggle with the youth he brings you back to. it’s so easy, falling back here with him. the tilt of his helmet leans to his other shoulder, dark visor tipping down your dress, and your skin fizzles.
“what’s brought you here, then?”
you mirror the angle of his neck. you know, you know. he grunts around something thick in his throat, your name, the first one, you think. he remembers what you said.
“what do i call you? now?”
the delight that twists through you is a sacred one. “edie.”
this does him in. his head tips back against the wall behind him, steadying breath filtering out. “edee?”
“not quite. e-d-i-e.” he lifts, with what seems a great effort, his head back up to look at you. you continue, softer, “but almost.”
and because you know your mandalorian, you see in the shift of his boots on the ground that he’s as ecstatic as his metal plating will allow. his hands twitch, and you want them to touch you, need him to touch you.
“come dance with me, mando.”
he does his best to hesitate, really, but then you’re out among the swaying people, one gloved hand at your back and the other clasped between your fingers, closer now than you’ve been since he last came inside you some years ago in whorish darkness. you squeeze him thinking of it, the stick and the smell, and he presses you further against the gleam of his chest, yes, i remember, i remember. it’s only here, molded around him, that you feel how much bigger he is, the broad width of his shoulders cemented out past the lines of him you used to tend to.
“you look…sort of different.”
“is that so?”
maker, you love the sound of him like this, so close in, so insistent on whispering, so incapable of doing so. “mhm.”
“doesn’t hold a candle to the changes you’ve made, cyar’ika.”
“mm,” you hum, “you know, it’s funny, i feel much of the same.”
he bunches his hand a moment in the silk of your dress. “the glamor hasn’t pulled you under?”
your laugh reverberates against his chestplate. “oh no, i’m sure it has. i just mean i’ve always liked shiny things.”
he groans, quiet and tight. “and why’s that? you like your reflection in them?”
he unlatches you from his chest to spin you around before fastening you back to him, and your scoff whips an arched path around you. “please, the vain one between us has always been you, mando.”
he lowers his head, great secret on his lips. “i haven’t shown my face in decades, edee.”
you can hear his tongue on the word, and you know he hasn’t said your new name, similar as it may sound. the lapping scoop of mando’a washes you over again with the memories of him. and laughing, again you are laughing. you love this bit. “yes, i do remember that part. though i find it awfully excessive that you prance about the galaxy in this welded jewel of a thing.” you knock against the beskar with a knuckle.
“welded jewel. you’ve gotten metaphorical while i’ve been gone.”
“this crowd enjoys it.”
he glances over and around your shoulder. “and you enjoy them?...this crowd?”
you suck on your front teeth to think on it. “you know, most of them don’t ask for it. not all of it, anyway. it’s mainly a lot of talking, now.” and it’s true. even above the lust, this powerful lot is lonely, irrevocably lonely. he nods, and as your heart hammers and wails you tilt your head up to his helmet to whisper against his visor, “you never wanted to talk, did you mando?”
the band of his arm around your back constricts again, a gruff admission, “no, i didn’t.”
he never did take anyone else in that little brothel, it was only ever you. the other girls liked to watch him pass by through the hallway, luster of his armor glinting in the low light, but he walked a tight line to your door, knocked twice, soft as anything. even in that wooden box, a bed and a window and an empty dresser, you remember the metal of him grating at the joins as he tried to make you feel something. you remember, too, that so green, so newly wrung out as you were, your limbs went limp before his credits ran dry, but he defected to your will, watched your body and worshiped at its altar. when your spine loosened and your hips unwound, still with time paid for, he stepped back into the sanded stench of tatooine, hand-cupped pile of credits on the windowsill. yes, the windowsill and the i’ll come back for you and the creak of the floorboards, you remember it so well.
“how much do you charge these days?”
you’re tightening your thighs together as you sway with him. “don’t patronize me.”
“i’m not.”
a ribbon of air releases from your nose, be steady. “20,000 credits.”
and he doesn’t flinch, only lets the hand around your back slip along the gloss of your dress, drawing a line above your ass with his thumb, the line he won’t cross without purchase. “i’d pay it.”
you can’t help this now. “will you?”
whatever mark he’s come to kill tonight is slipping through his fingers, but you fill that space just fine. his helmet tilts, and you feel a leather paw come up to retrieve that little red necklace from the hollow of your collarbone. the pad of his glove passes over the gem once, twice, body tightening and buzzing in metal. “this is mine,” he chokes.
yes, it is. you nod. and he’s decided, it seems. with a modulated groan and let’s go in your ear, he’s shepherding you from the ballroom, hand tight at your waist as you find your way to the elevator. and what with the ceremony of your mandalorian, the tediousness of his armor coming off, you fill the elevator shaft with the smell of your drooling pussy and the air thickens with the buzzing glow of you both together again, but you do not move. the tickle of his eyes through tempered glass rubs behind your ears, still a killer, always a killer, you think, just as you are forever what you have always been. the two of you, frozen in blood and sex, the only warmth you’ve ever known. this reality pulls behind your tongue and you gag on it.
ding. the doors slide open.
you press a thumb to the screen on your doorknob and your mandalorian crowds up behind you, lets you feel the cool touch of his body, the heat that peeks out at the corners. with thick fingers squeezing at your waist and the hard curve of his helmet at your hairline, your knees buckle with the thought that you might have loved him, too, perhaps fatally, but as the lock clicks open and he pulls you inside you suppose it doesn’t matter much now.
you’ve worked this room for nearly a year. a window expands from one wall to the other, beams the morning light and warms the bed sheets, and in the drab of afternoon, twinkle of the city just barely cresting over the sunshine, you watch the people below. drunkards and lovers and princes, you scratch their heads with the cliff of your nail, nose against the glass and breath fogging there, drawing up their mythology and smudging it with the skin of your palm. now, though, with the constructed starlight of clubs and casinos shouldering its way through the night’s darkness, the room bathes in polluted light and the faint sound of wealthy indulgence. there is no windowsill for your mandalorian to balance his payment.
“come here, edee.”
he’s sat himself on the edge of the bed, hand running up and down the metal expanse of his thigh. you stalk your way to him, ruck the hem of your dress up passed your knees to straddle his leg, and slowly, so slowly, through honey and slick and years of parted wanting, he brings his hands to your sides. you splay your fingers on his helmet.
“been a long time, mandalorian.”
he hums in agreement, tips of his thumbs just grazing the underside of your breasts over the silk of your dress before running down again, relearning the ends of you. “my cyar’ika,” he whispers.
your cunt clenches, sobs with his sounds and the pressure of his thigh. breath shuddered and indignant you drag your pussy along the plate of armor. throat tight with a whine you ask him, “how do you like it now, cyare?”
his body takes to the slice of mando’a in your mouth like water to sand, something dark and heavy, and his hips tilt up to you as you undulate your cunt along him again. the coil of you both is raveling taut and knotting at the edges, perhaps permanently now, twisting back into the shapes you used to make together. and it was always this way between you, this dancing walk to madness; with the head of his cock he fucked a shard of beskar into you, you think, that first time, and in every meeting since he’s rut his hips to claw the thing back out, but your body has absorbed the alloy of it.
“i want you to fuck me like you missed me.” a shuddered breath, a secret thought, and then: “did you miss me?”
and that question doesn’t come from the metal. no, with your palms warming his helmet you know he’s asking from the fleshy lines between the silver pieces. this is a bloody question. the drag of your cunt against his leg continues still, toes curling beneath you with the cold sting through the fabric of your panties, and perched here atop him you suppose your honesty costs you little in the face of all the rest you’ll give up.
“yes, i did.”
his hands collect your dress like water, silk spilling out between the fingers of his gloves, as he bares you to him, and his visor tips with the sight of you, a feat of topology he memorized so long ago. with a brush of red fabric against your ears you cling to him in only the little scrap of lace that licks along his leg with the wet kiss of your cunt.
“this pussy get wet for me like it used to?”
fuck.
“yes, yeah,” you breathe out, little bites of ecstasy weaving their way from your clit to the nape of your neck.
“oh, my edee, look at you,” and he grips a hand in your hair, pushing your eyeline down to watch the gleaming strip of want brushed and rewritten over on his armor. “you like drenching me like that? fuck cyar’ika i’ll leave this hotel like this and everyone will know i’ve fucked a fucking whore.” fuckfuckfuck. you remember the vein along the underside of his cock, want him to hurt you with it now.
“so fuck your whore, mando, you’ve paid for her,” you plead, but he drops his helmet to your forehead, the both of you still awe struck at the starlit gash of slick you’re dripping on him as your hips gyrate.
“you’re no more patient than you used to be,” he chuckles, but the wobbled rasp of his voice strips him all but naked to you. his hands grind you harder on his body and you wail, neck open as your head falls back. the pleasure sinks its teeth in you now, all hot bloodlust and bubbling open like seafoam.
“fuck, mando, i–i’m gonna come.”
“yeah, that’s it, right here, make that pussy gush for me and then i’ll fuck her open.”
ecstasy knocks through your arteries as your body pulls tight against him, and with desperate hands he grabs at you, around your asscheeks and between your shoulder blades, to feel you jerk with it. he’s groaning something deep and unforgivable watching you move, but already you’re looking for the weight of his cock.
“fuck me, fuck me,” you heave into his shoulder as you slump over, and he’s nodding silently with you, yes, i remember, i remember. the preamble of fingers and tongues is being leapt over, but neither of you seem to mind. he pulls the leather of his gloves off to maneuver you onto all fours on the bed, and after working his pants open with the bared warmth of his fingers the pads are back on you, running down your back and up your thighs. the heft of him pokes at you and you’re clenching with the feeling, the memory, again the memory. from between your open legs you drop your head to watch him pump his length, fingers tan and thick and a little tattoo between them.
his head catches at your opening and a whine spills from between your teeth.
“louder, cyare,” he grounds out. another inch in and you keen.
“fuck.”
his palms find purchase on your side and he anchors himself there, partway within you. you both whistle out whispered breaths listening to the sound of you joined together, him pulling out a centimeter before sinking it back in, fucking you with the head of his cock.
“oh, it’s just the fucking tip and i’m stretching you already, cyar’ika,” he moans.
“more,” you mewl, “i want more.” and really that’s always been your problem, you suppose.
his hips are speeding up now, wretched little humps into the tight clutch of your cunt, but he abstains from the whole of it. “fucking beg me for it, edee, i’ve waited this fucking long.”
into the sheets, bunched by your fingers and your jostling knees on the bed, you moan, “please, please, please, fuck me on your cock, cyare, i need it, please.”
the piece of himself, the metal and his creed’s tongue, that he rutted into you all those years ago comes roaring at him now, is cracked open in the air of your voice, and he stutters with it. he fucks you like retribution, hips slapping against your ass with a wet crackle, and you’re screaming, suddenly.
“that’s it, edee, that’s it.”
the walls of your cunt pulse velvet around him as he punches in and out of you, cock reaching up like he’s trying to touch your tongue with it, run through the length of you with his steel and grunting. your body blooms for him, petals open like it always did. when was the last time fucking him felt like your job? it’s all coming back to you now, crying at the foot of your bed, missing him dearly. you have always been a professional despite the intimacy of what you do, but you feel wholly unprofessional here.
“fuck, you’re so fucking tight, it’s like you’re sucking me back in,” and you can’t help your clenching now, “yes, edee, again for me, again.”
and you do, pulsing and clamping on his shaft, and he nearly wails with the feeling. the hum of his voice through the helmet protects him some, but maker you know him well, years worth of your mandalorian, and so you hear it all clearly, him melting behind the metal and fusing at the edges. you push away the thought that he’ll pay you for this.
“maker your pussy feels so fucking good, i’ve never stopped—ah—never stopped fucking thinking about it.”
the jut of his chestplate bites your skin as he pulls your hips up but you barely feel it. “no?”
“never, never,” he repeats, and his own babbling eggs him on, you think, as he thrusts impossibly faster. he fucks you like he needs it, has always needed it, and you’re reminded again that you loved him before, that you love him again, now, perhaps, but it’s all so hard to see clearly with the tight chain of pleasure running up your spine.
slick seeping from your hole around him you moan, “feel so f–fucking full of it, fuck.”
a frantic hand comes around to your front, pulls the red gem from your chest to lay along your back, and watching the glint of red and gold that he left you bounce on your skin makes him growl and choke. “fuck, fuck, i’m so close, cyar’ika.”
he bends to meet your back and drops the weight of his helmet on the wing of your shoulder and you might not survive the angle of his cock in you now. you’d clasp your hands in penitence if they didn’t hold the both of you up, because this luxury, him greeting your body like it’s his final gutted conquest, is the last you’ll ever beg for.
with both of you sputtering your souls out on the duvet he groans, “i miss your old name, edee, give it to me again.”
the begging makes you pulse, but you shake your head. your name is your first and only born inheritance, and when you grew old enough to realize it you’d had to shed the thing, or rather hide it, stashed away, untouched.
“please cyar’ika, just one more like this, just like this, your real name.”
your moans screech with the tragedy of him pleading with you this way, and bellow because you want to let him. yes, you love him now, and you wheeze, “i don’t know your real name, mandalorian.”
this knocks the wind from him and it blows out along the back of your neck but the piston of his cock in you continues, heightens further, and you’re both on the precipice of something devastating. he groans out breathless “din, din, it’s din,” and then, “maker please let me use it.”
as deep and jagged as the naming cuts you, you have never felt this hallowed a thing. him inside, and knowing what to call him, is unlike any bliss you’ve ever known. “din,” you wail.
he nods at your back. “yes, yes, din. let me use it.”
at last you’re nodding, crown of your head bobbing back on his body, and a torrential downpour of your name spits from his mouth, slides down his helmet and onto your spine. and the coming is unlike all the rest, a slow climb, a painful clawing that rips your flesh from the bone, but suddenly you’re both heaving with it, his warmth pumping through you and your gushing slick sliding out. for a moment you panic, worry for the windowsill, for the way it always ends. but your din. the panic catches on din and smokes away.
your limbs give out and you meet the mattress with your eyes closed, aching and a little empty, but mostly as satisfied as a desperate creature like yourself is capable. you’re reminded of the clank of his armor as he rights himself behind you. it’s so easy to forget it, what with how human he feels.
“din.”
the rattle of beskar stills. he returns your name, the real one again.
i love you, i loved you then, and you loved me. no. no, you think, it’s far too true to say. so instead: “will you come find me again?”
the bed dips as he sits on it and a gentle glove strokes through your hair. “always, cyar’ika. i’ll come back for you.”
and because you believe him, din, you do not lift your head to watch him place the credits and dissolve away. you’ll save the shine of him, you vow, for the next time he arrives for you. your mandalorian.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
#oh I can’t fucking wait#are you KIDDING???#devouring asap#din djarin#electra heart#hellowoolf#one-shot#tbr
107 notes
·
View notes
Text
NEPHILIM - post-outbreak!Joel Miller x AFAB!Reader
summary: the disturbing comforts the disturbed.
a note from Lucy: I swear there is fluff! I swear, I swear, I swear! You just have to squint *reeeeaaaalllly* hard. Yes, I read the book of genesis and the book numbers along with some extensive Wikipedia deep diving for like…a paragraph of lore. But is it really ever enough?
playlist | moodboard
wc: 2498
Warnings: 18+ MDNI DARK CONTENT! no use of y/n, I tried to keep her body type as generic as possible but he might be slightly skinny coded so please let me know and I’ll change it in edits, reader is referred to as ‘Bambi’, verbally constipated Joel Miller, brief gore descriptions, heavy religious imagery and references to the bible, biblical lore, bombastic age gap!!! yahhhhh! (reader is in her 20’s/ Joel is in his late 50’s), smut, p in v sex, creampie, fingering, rough sex, possessive!joel, dom!joel/sub!reader dynamic, you know the drill with my writing, there’s probably some form of cannibalism as a metaphor, or brutal violence as a metaphor, religious imagery as a metaphor, etc. (aka, fancy word vomit)
m.list
Genesis 6:4 The Nephilim were in the earth in those days, and also after that, when the sons of God came in unto the daughters of men, and they bore children to them; the same were the mighty men that were of old, the men of renown.
The reality of it was, you and Joel were two people who lived in the same small town. Who’s paths crossed once to save your life, and the others when coincidence would grant you that small pleasure. He carried you to the care of an old man with blue eyes now milky in cataracts. Jude. Who nursed you to health in a metal framed bed of an old family home— now the town clinic. The knife that sliced open your side had been dirty, and sepsis soon spread in the bloody gash. Only with Joel finding you in the snow, and Jude delivering you antibiotics, did you recover back to health.
He wouldn’t visit you directly. He would visit Jude and glance at you through the doorway as he passed the hall to the elderly Man’s office. To distract from the man you read stories when bedridden. Parts of biblical scripture; Read the book of Genesis; Read the book of Numbers. Jude being a religious man who had the fortune of holding God in his heart, kept them among his medical journals and books. And the former was far more interesting than the later in your opinion. For in them were mentions of anthropomorphic creatures born of flesh, blood and divinity. Towering tall over common trees and temples built in the name of Lord God. You were no religious woman, but you found comfort in the fables of the Old Testament. And likened Joel to the Nephilim in all ways.
Joel Miller was something of a biblical figure to you. A small glimpse into the past of something archaic, untold, and harbouring on the dangerous. You liked to imagine him as one of the Nephilim. A son of god, offspring borne of a fallen angel and man. A giant of misunderstood nature. Who’s soul had been cast down on earth in punishment. His large hands had bloodshed on them, or so people had said. They whispered it quietly in the spaces between. The places he didn’t occupy often. But he was always on your mind…so there was no place for those whispers there. If he was all that bad…why did he save you? You saw his need to care, protect, understand. Not be understood. But just understand. You would let yourself dream of taking his rough edges to the smooth plane of a whetstone. People claimed you cannot buff brass into gold. That it will only be as such in your head. That it was a fools game, but the fool is rich in content, and poor in sorrow. For the fool has little to worry about while they live in ignorant bliss.
What wasn’t written in any of the books of the holy scripture was this; ‘The disturbing comforts the disturbed.’ But it might as well have been. It was practically the way god intended life to be. You are shaken, and you are weaned on being shaken, until stillness is a discomfort and your body begs to be rattled again. But harder.
—
You took a while to find your feet. Joel took it upon himself to wordlessly help you with any medial or manual task. You were given a house on the edge of town, up a hill in some remote street that was always quiet. It seemed the less social souls resided there. Not that you minded. It was jarring to say the least. Being cast out into the hostile wild. And then brought back into the warmth. Here you had clothes, food, a roof over your head, and community. It stung in the same way it does to run your hands under a scalding tap after labouring out in the cold. It made your fingers numb before they regained feeling. Stiff. And a trouble to flex them back and forth, closed fist, open palm; Closed fist, open palm.
It’s how you earned ‘Bambi’. A name only Joel would ever call you. Dear doe on her wobbly, spindly legs. He’d keep you upright. Despite being a good thirty year sicker than you. Dirty old man. Ditsy little girl.
Your time together was silent. And while he never said he cared, he showed it. By waiting for you each time you were in the stables. And he would walk through town with you a safe distance from his side, up to the top of the hill your house was on. The snow would crunch under his heavy boots and he wished he was lighter on his feet like you. Not a large bulk of a man with heavy feet and even heavier hand. Maybe Joel wasn't large by the world's standards, but he was still a giant to you- muscular, and broad shoulders. With hands that could engulf yours, or cradle the entire crown of your head with a single palm. His arms were strong, and large from manual labour, and tightly knotted with tendons and grizzly muscle like thick twisted ropes that held up sails. What you liked most, however, was his softer belly. Perhaps the only soft thing about him from what little you had seen, or heard, or assumed. You felt an intrinsic satisfaction in knowing he was well fed. And Joel didn't mind it either. It was a reminder to himself what he was in fact as safe as he could be. Anything to not go hungry again. He still kept his brawns either way. Kept his hands and mind busy with patrols and the odd job around town. Fixing roofs, garden sheds, building tables with spare lumber from the woodhouse, and chopping firewood for the colder months. At the beginning of winter he would spend most of his free time ensuring you had enough. He spent hours out in his backyard, swinging that axe down on log, after log of wood. Then carry it up the hill in a wheelbarrow to your front door. He did it for nothing. Nothing but the peace of mind that grew from the seed of knowing you were warm. But he was greeted with something you had baked, or sewn, or knitted, or grown in your empty hours alone. Apple and rhubarb pie, thick woollen gloves, sourdough bread with crunchy, thick crusts that crunched when he broke his bread.
“It’s nothin’.” He would say, and shrug, hands on his hips while he looked back at the finished product of whatever work he’d slaved over that entire afternoon. Be it a pile of firewood, raised garden beds, or a fixed gutter. “Just…do me a favour?” He asked.
“Yeah?”
“Keep that smile on y’face, Bambi. Don’t let anyone take it away from ya.” His face was stern. As if he was telling you, not asking you. But if you were to ever stop smiling he thought he’d keel over and die a little bit inside. Or part of him would anyway. The part of him you now had in your chest unwittingly.
You watched the mountain of a man, Big Bad Joel Miller, warm up. Day by slow day. He was on the threshold of it. Right there. But the toe of his thick winter boots never ventured onto floorboards. He stayed out in the cold. After a while you dared Joel to touch you. Tired of him only meeting halfway. He was a man of few words, but a man of so much action. And when you challenged him with your tongue, he countered with his touch. That night was hell under the guise of heaven for his restraint.
“Y’so bad for me, Bambi.” Joel grunted, his entire weight smothering you against the mattress of his bed. His cock dragging in and out of you slowly. “Old sinner like me ain’t made for you.” So slowly the anticipation ached in the joints of your toes that curled. His grip on your hips casting his handprint in a watercolour bloom. “That’s it, fuck– takin’ me so well.”
You whimpered, eyes fluttering shut, back arching in a deep curve off the bed while his hips altered their pace. Just a tad quicker as you bucked up into him. The two of you climbing in tandem to the high. “That's it,” He repeated in a hiss, followed by a growl into your neck, “Keep archin’ that back for me.” You did just that, holding onto his forearms for leverage as you curled your spine a little deeper. A word came to mind. One you’d heard once before. Only once. But I held such a comfort to be able to label it. Hiraeth. He was that. And what you felt was that. A longing for a home. He treated you like you wouldn't break. But spoke as if words would lacerate you. One punctuated thrust, aided by your own slick was all it took, a moan for him deeper. A tear slipped from your eye and you let gravity do its work, pulling it from you. It slipped from the corner of your eye, and down your temple. “Good girl, Bambi.” He crooned, splaying both of his palms over your hairline and sweeping the hair that stuck to your forehead in the sheen of sweat atop your skin. His large hands dragged over the top of your skull to the crown of your head, down the back of your neck, and gripped. That soft fleshy part at the base of your skull and the top of your still curved spine.
It hurt. It deeply hurt. His calloused fingers, textured by the trigger of a gun, or the handle of an axe, pressing into your malleable skin. But you’d let Joel drag you to hell if it meant he would hold your hand. You didn't care how he touched you– how he was inside you. He could be buried to hilt in your cunt, or knuckle deep in an open wound. As long as he was there. You'd give the heavens, and the earth, and rot in hell if it meant he stayed. Joel swore you had the space for his heart next to yours. But you didn't have the stomach.
You gripped the skin of Joel’s back. Searching for a part of him to hold that would turn off the cynic in him. Or at least try. You gave up on that idea. Because the man that fucked you— the man that loved you in action and not words— was not kind. He was not gentle. He was bold, and sharp as broken glass, and blunt all in the same being. You knew the crease of his brow. You had it memorised.
He hooked a leg over his shoulder, opened you up to his greedy eyes. They misted into dark hickory at the sight of you taking him so well inside of you. Messy little cunt for him to play with whenever he pleased. His nostrils flared as he pressed deeper. And your reaction was as he planned. A cry of his name. Your sex drenched and accommodating every inch. “A cunt made for me.” He gritted through his teeth, leaning forward to sink his teeth into your bottom lip and lick into the wet cavern of your mouth; Take the taste of you back with him when he retreated again; Righting his hips and the angle he fucked you in.
“Made for you.” You agreed in a garble and a slur. As if drunk off the last dregs of his kindness that lay at the bottom of the bottle. Licking it dry for all it was still worth.
“Say it again.” Joel grunted, demanded.
“Made for you.” You repeated.
“Good little Bambi.”
From there it was the crescendo. And it came broken in two halves of two separate waves. The first wave was one of numbing pleasure. The one that fizzled through your legs until you were nothing but a mere speck for a second. And the second was the one that broke you. Had you shattering. It tightened in your womb, behind the mouth of your cervix, and then released in slow flutter; Your walls relaxing and then contracting. And he came after with a groan and spilled inside of you.
He was no gentle lover. In fact, he wasn’t a lover at all. When he fucked you that night…it felt like he was trying to love you— but couldn’t. He was too conditioned to violence. It showed the ache he left behind. Nevertheless, you would take more than he was willing to offer. But what he dropped in your palm you stored away and hoarded like a greedy magpie with shiny little trinkets. He was warm. But not warm like a campfire. He was warm like hellflame. And you were okay with that. You would take your time with him, and slowly pry open a gap in his ribs to slip past. To love him to the marrow. Even the mangled parts. Find him at his very worst — The part humanity suffocated in. And love him there. Silently.
Joel ran a hand over the flank of your ribs and then curled around your navel to pull your back to his chest. Then kissed the crook of your neck in a silent apology to your skin for each mark or tender bruise he may have left. One that wasn't really needed, but you accepted it by reaching behind you and running your fingers through his thick greying curls. In times like these after it all, in the clot and space in between, you came to realise loving him was like loving being hungry. It felt good to want things. To feed yourself you swallowed your fear instead. You lay there, exhaustion heavy in your bones, a hand of his slipping between your legs to feel the evidence of him being there inside you. His spend sticky and thick and warm between your legs. You couldn't fight the impulsive twitch that jolted your spine when he pressed on your swollen, slick clit and drew lazy circles. “Mine now, Bambi.” He murmured into the skin of your shoulder. He didn't kiss the skin there, but rather trailed his chapped lips over your flesh in such a light touch it felt like it was hardly there. More a trick of the sex hazed, lust crazed mind. “Understand that?” And you nodded in silence with a small smile, watching out the frosted up window pane as the dawn stained the sky a burnt orange and angry red. It refracted and smeared in the crystallised ice. A thin sheet that obscured the image of the sycamore tree outside his bedroom window. The bare branches looked far more like the bones of skeletal fingers than a tree bare of leaves. Its bleach white bark only emphasised your image of it. Your vision. Nevertheless; The blackbird would sing, once again on its branch, a morning song you knew by heart.
202 notes
·
View notes
Text
Flying to New Heights
Summary: A flight delay means you're spending your night at the hotel bar, praying for sleep to come to you. Instead, a certain Captain Francisco Morales shows up, tall and broad and far too tempting. With undeniable attraction burning between you, you can't help the way you fall right into his arms.
A/N: Alright! I know it's been a while, I'm sorry, I'm sorry. Life has gotten a tad crazy, but the Frankie thirst never stops okay? And this AU has been buzzing in my head for a little while now, so I just needed to get it out there. I hope y'all enjoy the porn. (dividers are by the lovely @saradika-graphics!)
Tags: Frankie Morales x Reader, Commercial Pilot!Frankie, Flight attendant!reader, afab!fem!reader, alcohol consumption but barely, this is essentially an excuse for porn so, oral and fingering(r!recieving), unprotected piv (pls wrap it up I'm begging you), Francisco Morales and his dirty mouth have struck again (w/c: 4.2K)
You love your job, you really do. Deciding to actually train to be a flight attendant was one of the best decisions of your life. Gone were the days of short-lived stints in retail, and you’ve never been happier for it.
You’ve lived the attendant life for a few years now, and you wouldn’t have it any other way. You’ve met some of your best friends through this job, seen some of the most beautiful places in the world, met celebrities on their way to new production locations and concert venues.
It’s the dream, you tell your family, during the rare moments you actually get to visit them. And it is. The perks far outweigh the cons in your profession, and you’re happy to be where you are.
That’s not to say there aren’t any cons though.
There are always rude flyers, unruly children, issues with luggage. The turbulence is never much fun, nor are the months spent without being able to go home at all.
There are always nights like tonight, where the rain made the flight arrive later than expected, and you’ve got another flight scheduled for the morning. Between jetlag and the copious amounts of airline coffee you’ve imbibed to remain bright and chipper over an eight hour flight overseas, there’s no way you’ll get more than five hours of sleep before you have to clock in again.
A nightcap in the hotel bar seemed just the thing to cool off. You haven’t even taken your uniform off, the thick fabric stretching across your skin, your legs exposed to the cool air as you sip on your drink. The alcohol burns a bit in the back of your throat, but you take comfort in it, trying to lean into the calming warmth it creates in your stomach.
“Can’t sleep?”
The unexpected voice rips you from your reverie, and fuck, what a wake up call. The voice is deep, a pretty rasp edging into the ends of his words, the warmth of his tone making you far warmer than the alcohol in your glass ever could.
Captain Francisco Morales. Even his name has heat swimming in your stomach, and you wish you had just gone to bed like a normal person instead of drinking at the hotel bar at midnight.
You can’t decide if the pilot is a perk or a con of the job, only knowing that he seems to pilot most of your flights, and is a fucking distraction during every single one of them. With his big broad shoulders and patchy beard, the crinkles around his eyes when he smiles and his insistence that you call him Frankie, not Captain Morales.
The whole “flight attendants fucking pilots” trope never really applied to you until you met Frankie. You’ve made it a point not to hit on him, no matter how much you desperately want to. It would be far too stereotypical, and with how fucking nice Frankie is, you’d feel like you’d be taking advantage of him. So you’ve kept your distance, talking to him kindly, trying to cross your legs discreetly when he flexes his damn hands on the plane controls, and doing your job like a normal person.
But as he crosses into your line of vision, sitting in the barstool directly next to you, you’re struck with the realization that you’re in unknown territory. There’s no distracting yourself here with other passengers, or your fellow flight attendants. You can’t excuse yourself to an airplane bathroom to splash cold water on your face and yell at yourself to get it together. No, Frankie is right in front of you, ordering a whiskey neat from the bored-looking bartender, and smiling at you so fucking prettily with those big brown eyes and big hands and oh god you’re not going to survive-
“Nah, the jet-lag is really getting to me this time,” you say casually, your voice working on its own accord. At least you aren’t staring at him dopily like some kind of imbecile.
He chuckles. “Same here. Flight go okay?”
“You got us here, didn’t you, Captain? I’d say that’s a success.”
“Then let’s hope I’m always successful,” he winks, and it takes effort to breathe normally. You giggle, and he smiles at you again, his eyes crinkling up.
“You have a flight tomorrow?” he asks, sipping at his drink.
“Yeah, unfortunately," you sigh. "10:00AM, which is making the whole ‘no sleeping thing’ even worse. Y’know, it’s really the airline’s fault if I collapse on a passenger." You grin at him, and he laughs.
“Oh, they should be so lucky,” he chuckles, and you could swear that you see just a flicker of heat in his eyes. A heat that turns into a raging inferno inside of you, spreading from your cheeks to the tips of your toes.
“How about you, Captain? Flying again tomorrow?” You need to keep your mind out of the fucking gutter, not that he makes it very easy.
“Yup. They’ve got me in the air at 8:00AM.”
“Oh man, and you’re listening to me complain about my 10:00AM?”
“Work is work, sweetheart,” he smiles at you, and you want to collapse into him at that very moment. Sweetheart. Coming from anyone else, it would sound smarmy, like a pick up line, but from Frankie, it just sounds warm and comforting. You want to be his sweetheart. “We’re all allowed to complain. We aren’t in any kind of competition.”
He sips his whiskey, his eyes feeling like they’re boring into your fucking soul. “And either way, we’re both in the same bar, at midnight, sleep nowhere in sight. We’re pretty much in the same boat.”
“If you say so, Captain,” you say, your body positively burning under his gaze. You hope that you can blame it on the alcohol.
He raises an eyebrow, “I thought I told you to call me Frankie, sweetheart.”
“Frankie, sorry.”
“No need to be sorry,” he says, taking another sip. You try to not watch his throat work as he swallows. You fail. “Think you just need more practice,” he mumbles into his drink, so soft you almost miss it.
“Practice?” you blurt, mind too distracted to think of an intelligent response.
“Practice saying my name.”
A laugh startles out of your mouth. “I have no idea how I’d practice that, Frankie.”
He hums, pretending to think. “I have a few ideas,” he murmurs, and fuck, you definitely aren’t imagining the heat in his eyes now. It’s blazing into you, and you have to press your thighs together to alleviate the ache between them, hoping that Frankie doesn’t notice. Or maybe you hope he does, as you watch those thick fingers wrap around his glass.
Fuck it. He’s hot, you’re horny, and God, you can’t take much more of this. “I’d love to hear all about them, Frankie,” you say, adding a little rasp to your voice that you hope sounds sexy.
Frankie chuckles, but it doesn’t sound like he’s making fun of you. No, he sounds surprised, like he can’t believe you’re flirting back at him. Confidence swims in your chest as red colors his cheeks. You gaze up into those warm, brown eyes of his, and fuck, he’s so pretty up close like this.
“You sure about that, hermosa?”
You don’t break eye contact with him, and his deep gaze burns into yours. “Positive,” you breathe, and Frankie’s smirk is absolutely devastating.
Captain Francisco Morales doesn’t do this often. No, he doesn’t do this ever. Fucking between flights is supposed to be a perk of being a pilot, but it’s a “perk” he rarely utilizes. One night stands have never really suited him; he gets attached far too easily, and with his job, he can never stick around for long.
But god you’re pretty. And you’re licking hotly into his mouth, and whining in the back of your throat like you’re fucking desperate for it.
He couldn’t help himself when he saw you, still in your little uniform skirt, nursing a drink at the hotel bar. He couldn’t help himself when he struck up a conversation with you, wanting to see your pretty smile and soft laugh that he only ever hears mid-flight. And damn it, he sure as hell can’t help himself from pressing you up against the wall of the hotel elevator, pressing one of his thighs between yours while your fingers curl into his hair and his arms wrap around your waist.
You wiggle down onto his thick thigh, and it creates the most perfect pressure on your clit. You whimper against Frankie’s mouth, and he groans with you, pulling you flush against him.
“Fuck,” he breathes, and his voice is deep and gravelly, breathless from your fevered kisses. “I, uh, I don’t usually do this kind of thing.” His cheeks burn, but he doesn’t back away, just leans his forehead against yours and tries to catch his breath.
It isn’t a surprise, his confession. You’ve heard stories about every other pilot, about their conquests with flight attendants, or how someone saw one of them take their wedding band off when they got to their hotel. There are stories upon stories about every pilot you’ve flown with, except Frankie. And it’s intoxicating, knowing that he wants you enough to have you like this.
“Good. Me neither,” you whisper, and Frankie grins again. That boyish, devastating grin, and fuck, your clit is throbbing so hard that you could cum like this. You could cum, right in this elevator, Frankie’s thigh between yours and his tongue in your mouth, fuck-
The elevator dings, signaling your arrival to your floor, and Frankie jumps away from you as the doors slide open. You don’t take it personally, not when you’re instinctually tugging your rumpled skirt down. You glance up, and Frankie is already staring down at you, gaze blazing as he braces a head against the elevator door, holding it open for you.
“Where’s your room?” he asks, and the question is casual, but his voice certainly isn’t. There’s promise in it, and you have to make sure your knees don’t buckle.
“Why don’t I show you?” you say, stepping toward him to press your bodies together. Frankie doesn’t answer, he only cups a hand under your jaw, dragging your face up for a sticky kiss. It’s so much better than a yes.
He breaks the kiss far too soon, but one of his hands makes its way down to your ass, squeezing the fat of it through your skirt. “Lead the way, princesa,” he grumbles, and how could you ever think to refuse him?
Maybe you’re a little too eager in your walk to your room, but Frankie doesn’t seem to fare much better. No, he’s just as desperate as you are, with the way he presses you against the door of your room the moment you close it. With the way he swiftly kisses down your neck, sucking your skin between his teeth as he unbuttons your blazer, shoving the fabric down your arms. The buttons of your white undershirt follow, and you keen as he sucks maddeningly at your pulse point, his mustache scratching at the sensitive skin of your neck.
As soon as you’re divested of your shirt, Frankie’s moving again, kissing his way down your chest. He drags his teeth against the soft skin of your breasts, and you dig your hands into his hair.
“Fuck, baby, you’ve got the prettiest tits,” he murmurs against your skin. It doesn’t sound like a line, no, it sounds like a prayer.
“Frankie, please,” you breathe.
He looks up at you from his position at your chest. “What, gorgeous?” he asks, coy, as if he doesn’t know what you want. What you desperately need.
“Please, just,” you use your grip in his hair to drag him back up to your mouth, and he goes willingly, groaning softly as his tongue meets yours again. “Please fuck me, Frankie,” you whisper, and Frankie groans like he’s dying.
“Take- take your clothes off, baby,” he mutters, and it sounds more like he’s begging than he’s commanding. “Take your clothes off, and get on the bed.”
He doesn’t have to tell you twice.
You have to make sure you don’t trip on your way to the bed as you kick off your heels. You tug your skirt and nylons down your thighs, making sure to wiggle your ass a bit more than normal as you bend over to tug them the rest of the way down your legs. You smirk at Frankie’s soft groan behind you.
The air of the hotel room is slightly cold, but as soon as you kneel on the bed, arching your back in a shameless display of your desperation, Frankie is burning hot above you, and you can’t feel the cold at all. Frankie’s thick, calloused hands palm your ass, and you moan as he spreads you apart, staring unabashedly at your aching cunt.
“Can I eat your pussy, baby?” he grumbles from behind you, and the fact that he’s asking permission to eat you out is making you so much hotter, making you clench around nothing.
“Yes, yes, Frankie, oh please-” you whine, and Frankie barely lets you finish your sentence before he’s dragging his tongue in a long stripe up your dripping pussy. “Fuck, Frankie,” you groan, and he moans into you, sounding like he’s enjoying eating you out just as much as you are.
His nose drags maddeningly through your folds as he brings his lips down to your clit, sucking it into his mouth and swirling his tongue around it in circles that send pure pleasure sparking endlessly up your spine. You arch your back into it, pressing yourself into his mouth, and Frankie groans again. The vibrations of it against your clit make you jerk wildly, whining high as you clutch desperate fingers into the pristine white sheets of the bed.
Frankie tries to keep you still with one of his big hands pressing into the small of your back. His other hand makes its way to your pussy, and you don’t even realize, not when he’s licking into you so feverishly, until there’s a thick finger pressing into your achy entrance.
“Frankie, oh my god-” you gasp wetly, his finger so much thicker than one of your own. It’s been so long, too long, since you’ve had the touch of anything other than yourself. Your tiny, traveling bullet vibrator doesn’t feel like this. You can’t stretch yourself like this, you can’t drive yourself wild like he can.
He moves his finger around inside you, searching, searching, while he licks softly at your clit. “Where is it, baby?” he mutters against you, and you have to force your brain to work at least a little bit to decipher whatever the fuck he means.
His finger is still searching, stroking against your slick inner walls, and you can barely gasp out a, “up, up,” before he’s finally touching that sweet spot deep inside you. You can’t hide it when he does, gasping out a high pitched moan as pleasure rockets up your body.
“There it is, sweetheart,” he says, “good girl.”
And fuck, how do you hold yourself together when he says things like that. He licks again at your clit, but plays with that spongy spot inside you, abusing it. You’re so slick and hot, it doesn’t take long before he’s pressing a second finger into you, then a third. And his fingers are so fucking thick, breaking you apart and pressing into that wonderful spot inside you. Your vision is blurring at the edges as he plays with you like a practiced instrument. How is he so good at this? Your body barely feels like it’s your own, just Frankie’s; his to play with, his to fuck. God, he’s ruining you. It’s never been this good.
“Frankie, Frankie-” you whimper his name like a prayer, and his fingers move fast into you, jackhammering you into the mattress. You whine as he breaks his mouth from your clit, but he keeps his fingers pressed deep inside of you as he leans over your trembling body.
“C’mon baby, c’mon baby,” he mutters, moving his fingers inside you so roughly that you could swear he’s trying to break you in two. “What do you need, sweetheart? What do you need to cum all over my fingers, huh?”
“Just keep-” you gasp between shuddering moans. “Just keep talking to me, fuck, please-”
“Talk about what, gorgeous? Talk about how hard I am for you right now? How hard you always make me?” You whine at his words, and you can feel his smirk against the skin of your shoulder. His fingers move into you even harder, if that’s even possible. “Fuck, princesa, you have to know how fucking sexy you are. Make me so fucking hard whenever we fly together. Fuck, watched you bend over to pick up your bag once, right in front of me. Had to fuckin’ jerk my cock as soon as we got back to the hotel. Can’t help it around you baby.”
You feel like you’re underwater. Frankie’s voice is deep and dark in your ear, and your pussy is so fucking sensitive. You can feel your orgasm burning relentlessly in your stomach. Just a little more, just a little-
“Thought about taking you to the back of the plane, mid flight. Thought about fucking you hard, stuffing this pretty pussy, making you go back out to work with my cum dripping down your thighs. You want that, sweet girl? Fuck you’re so pretty, so pretty baby, you’ve gotta cum. Please, please let me fuck this pussy. Be my good girl, cum all over my hand.”
You don’t think he means it like a command, but you follow it anyway. You moan, throaty and wet, into the sheets as your cunt clenches around Frankie’s fingers, hips twitching as he presses reassuring kisses to your shoulder. You turn your head blindly, and he leans forward to meet your lips in a bruising kiss, his fingers buried deep inside as you gush all over his hand.
“Fuck me, fuck me, fuck me,” you whisper against his lips, repeating it like a mantra, and Frankie whimpers, needy and so hot that it makes you want to cry.
“Okay, baby, okay, I’ve got you,” he says, and you know he does.
When Frankie presses the blunt tip of his cock against the opening of your sensitive pussy, you both groan. You push your hips back just as he pushes his hips forward, and the tip of his cock is just as big as the rest of him. Which, of course, means fucking massive. You have to breathe through the stretch of him inside you as he sinks deep, deeper, deeper.
“Doing so fucking good, sweetheart. Jesus fuck- ah- so fucking tight baby- fucking beautiful- oh fuck-” Frankie mutters, sounding just as overwhelmed as you feel. It feels like forever until he bottoms out, his hips pressed against your ass as he hunches over you, hot and big and all man. It’s a dream that you’ve had before, but the reality is so much better than anything you could have ever imagined.
“So- you’re so big, Frankie,” you whimper, and Frankie groans behind you. “Need you to fuck me, wanna feel it tomorrow, please, please-” and he does. He pulls his hips back, just to shove himself back in, and the drag of his fat cock against that spot he found earlier has tears springing unbidden to your eyes.
“Yes! Oh my god, like that, just like that-” you’ve never talked this much before during sex. But his unyielding thrusts, deep, deep inside, have you babbling wildly.
“Christ, you can’t talk like that, princesa, gonna make me blow my fucking load-”
“Want it, fuck Frankie, want you dripping down my fucking thighs, wanna gape open after you fuck me, oh god-”
Frankie fucks in harder, and it’s like every thought you’ve ever had flies out of you. His chest and stomach press into your back as he holds you still, thrusting desperately into you, harder and harder.
The bed is creaking, a rhythmic squeak that mixes in with the endless sounds of your keening whines and Frankie’s moans, and the obscene squelching of your pussy around Frankie’s cock. Your wetness drips down your thighs as Frankie bullies his way inside. He’s hitting that beautiful spot inside you, so perfectly, so overwhelmingly perfect, and fuck, tears are dripping down your face as you clutch onto a pillow, only able to squeak out pitiful whines of “Frankie, Frankie,” as he destroys you.
“So fucking gorgeous for me, god, bebita, fuckin’- fucking tight, fucking strangling me. Been too long, honey? Too long since you got fucked like you deserve?” Frankie growls into your ear, fucking you like a god damn animal.
Frankie’s lost control above you, which he just doesn’t do. He’s always in control, always, he has to be in this profession. But it’s like you’ve stripped him bare, literally and figuratively, to the most primal parts of himself. You’re so fucking hot and wet and tight around him, whining and throwing yourself back on his cock like it’s the best you’ve ever had, and he’s losing it. Losing it far too quickly, and he’s going to cum far too quickly.
“C’mon, baby, give me another one,” he groans, “squeeze my cock with this perfect fuckin’ pussy, wanna, wanna feel it.”
“Touch my clit- oh please, please, Frankie, ah- ah” and he does, the moment the words leave your lips. He reaches underneath the both of you, not breaking the rhythm of his hips driving into yours, and rubs two of those thick, calloused fingers against your throbbing clit.
“Fuck- yes, just like that, just like that, oh my god.” You’re slurring your words, so stupidly drunk on the feeling of his cock filling you over and over, of his body radiating heat above you.
“Gonna take care of you hermosa, make you cum like you deserve, so fuckin’ beautiful crying on my cock,” Frankie says, rubbing your clit hard and methodical. “Never gonna get enough of you baby. Gonna fuck you in every hotel we ever get, fuck you at the terminal, fuck this pussy in the god damn cockpit, oh shit-”
And you’re screaming, outright screaming into the sheets as the thread in your stomach snaps, your pussy clenching and gushing all over Frankie’s giant cock. He’s still mumbling into the cook of your neck, mindless mumbles about how pretty you are, how perfect, as you tremble through the most powerful orgasm of your fucking life. It’s devastating, it breaks you apart and puts you back together all at once, and you just have to trust Frankie to hold you together in his strong arms.
“Where do you want it, huh baby? Please, please, you’ve gotta tell me, oh shit-” Frankie whimpers, and it’s a damned good thing you still have enough brain cells to understand what he means.
“Inside, inside, 'm on the pill, please, please fill me up.” It’s fucking risky that you both didn’t even think about a condom, but with a man like Frankie, it’s hard to think about anything.
His hips still, his cock pressed inside so deep that it feels like he could be in your lungs, as he fills your pussy with his cum. He bites harshly into your shoulder, but it doesn’t fully muffle his whimpers as he crashes through his orgasm. Your eyes flutter shut. You wish you could bottle those sounds and listen to them forever.
Your knees slide out from under you, leaving you laying flat on your stomach, and Frankie follows, holding himself against you as you wait for your breathing to slow.
“That was…” you whisper into the quiet.
“Fucking amazing.”
You can’t suppress your giggle. “Took the words right out of my mouth, Frankie.”
He tucks his face into the crook of your shoulder, and you can feel his pretty smile, before he’s lifting himself off of you, and you realize how cold you are without his heat.
“I’ll be right back, okay?” he says, and you can’t bring yourself to do anything more than nod. Frankie rushes quickly into the en suite bathroom, and you can hear the sink running for a moment, before he comes back. A warm, wet rag makes its way down your back, over the curve of your ass, and between your legs. He’s ridiculously gentle as he wipes you down, and it’s wonderful.
Once Frankie deems you clean again, he climbs into bed next to you. He wraps his arms around your placid body, tugging you close. “Didn’t take you for a cuddler, Frankie,” you murmur, but you only snuggle closer, relishing in his deep chuckle.
“I’m usually not.”
“You don’t do this often, though?” you say, dragging a finger down his chest, your eyes already fluttering shut.
You feel Frankie’s lips press to your forehead as he murmurs, “I think I’m willing to let this,” he hugs you against him softly, “become a new habit.”
You smile, and you lean up to kiss him gently. “I wouldn’t mind that at all.”
#oh fuck I have to read this immediately#flying to new heights#fettuccin-e#frankie morales#one-shot#tbr
842 notes
·
View notes
Text
let me be needed
summary: the mandalorian pays you an unexpected visit. you both get more than you bargained for.
pairing: din djarin x f!sex worker!reader
ratings/warnings: 18+, MDNI. set in the star wars universe. sub!din, soft dom!reader, oral (m receiving), thighriding. established sexual relationship. you get cockblocked by grogu and feel a little sad at the end :(
wc: 3k
an: written for @iamasaddie's writing challenge!! <3 i know i said this would be for dieter, i know. it still might be. the links to din are SO tenuous but that tin can has gifted me with devastating brain rot.
The Razor Crest is docked in a terminal in the main part of the city, but you are yet to see the Mandalorian.
Not that you particularly expect to, but it’s rare that he takes a trip to your city and doesn’t visit.
You’ve been busy enough with customers all day not to dwell on it, and as the evening begins to wind down, golden light slanting through the windows, you begin to make peace with the fact he might just not have time. He has the child to look after, and presumably quarry to retrieve.
You make your way back to your room with a fresh cup of caf, passing the droid which mans reception and the welcome area.
‘You have a client waiting,’ it says, smooth and robotic. You frown.
‘Who?’
‘A walk in. They did not leave a name.’
You nibble at your lip and sigh, gut swooping, heart kicking up a notch at the thought of him seeking you out at last. You shake it away. The last thing you need is to be disappointed further by some ragged old merchant laid out on the bed.
When the metal of your door clicks and sweeps open, you do well to suppress your delight. The Mandalorian is sat upright on the mattress, hands clasped over his lap.
‘I’m surprised to see you, Mando,’ you say, busying yourself with finding your data-pad to check his information. ‘I wasn’t expecting you today.’
‘I wasn’t expecting to be here.’ He answers, voice smooth and husky through his vocoder. But it’s twinged with something a little different, a little warmer - you notice the more he speaks. You smile up at him.
‘Anything changed?’
‘No.’ He says, and you tick the relevant boxes on the data-pad, tucking it away again on the console by the threshold.
‘Business or pleasure?’ You ask, locking the door.
‘Business.’
Your mouth quirks.
‘Nothing to do with me?’
He cocks his head at you, and you flutter your eyelashes like he hasn't already paid the droid on reception your fee and, likely, a generous tip.
‘No. No bounty for you.’
You smile with your teeth as you move towards him, the helmet tilting to watch you, to look up and down your body.
‘So pleasure, then?’ You purr, placing your hands on his shoulders.
‘Pleasure.’ He echoes, voice a little tighter than normal, betraying him more than you’re used to. You cup the side of his beskar cheek, stroking your thumb over the cool of the steel, though you know he can’t feel it.
‘What do you need?’ you ask, gently. ‘Do you want to watch me again? Or do you want my hands?’
Mando’s head drops to look down and away from you. You’re getting used to it - to an extent - his hesitancy, his shame. It spurs you on, wants you to make him feel good, to realise his desires. To live them, and not push them away. It’s why you wait for him to come around.
‘I want -’ he starts, but cuts himself off with a choked sound, and you tilt your head. You place two fingers below his helmet and tilt his chin up towards you.
‘Use your words, Mando,’ you remind him. You’re rewarded with a sharp intake of breath.
‘I want - your mouth.’ He breathes.
And whatever you were expecting, it was not that.
You keep his chin tilted upwards, eyes searching his visor as though you could see the face beneath.
‘You’re sure?’
The Mandalorian nods, once.
‘Yes.’
You nod back, considering, thumb swiping back and forth again over the cheek of the beskar.
‘Are you gonna be good?’
A broken moan filters through the modulator, and his head tips back further of its own accord.
‘Yes.’
You smile down at him.
‘Take yourself out for me, baby.’
You step away from him as the hunter’s hands scrabble with his fly, shifting his hips up briefly so he can pull his cock from his trousers. He grunts when it makes contact with the cold air of your room, and holds it steady, squeezing at the base. You coo at him, at the deeply flushed tip, at the precum already smeared down his length.
‘Oh, baby boy,’ you breathe, lowering yourself to your knees with two hands on his. You blow even cooler air on his tip, smirking as he flinches and hisses. ‘How long have you been like this?’
‘Dinner.’ He grits out. You raise your eyebrows at him.
‘Hours?’
He nods quickly, squeezing his base again. You watch, thrilled, as more precum oozes out.
‘Yeah. Couldn’t leave without seeing you. Knowing you were so close by. Just had to get the kid to sleep.’
You pout at him.
‘My poor Mandalorian. Let me make it better.’
He watches with dogged devotion as you lean forward and brace your elbows on his knees. You watch as his gloved hands clench the edge of the bed in anticipation as you draw near, watch his thighs tense beneath his clothing and armour as he feels your breath against his skin.
You don’t let him think anymore before you’re licking a long, hot stripe from his heavy balls to his tip, and his whole body goes slack, helmet thumping against his breastplate. When you do it a second time, a ragged, torn breath echoes from the modulator, and you hum against him, bringing a hand to his base to squeeze as you slot your lips over the tip.
Mando knows the rules from here. He has to watch you, has to keep his visor trained to your movements, has to keep his hands to himself. These are his rules every time.
You’re excited to see how he holds up tonight.
You swirl your tongue around his slit, and he groans long and loud, twitching as you flutter at his frenulum. His precum is thick and salty in your mouth, and you swallow it greedily before loosening your jaw and taking him all the way to the base.
The Mandalorian’s whole body goes rigid as he watches you, feels you take him down your throat and swallow around him.
‘Fuck,’ he half-sobs through the modulator, and you hum against him. ‘So good. How is your mouth so good? How do you -’ he cuts himself off as you begin to bob up and down him, swirling your tongue and hollowing your cheeks. He chokes out moan after moan, lost at what to do with himself.
When you pull off him to breathe, you make sure he sees you palm your tits through your dark tunic. Make sure he sees you cup your sex through your trousers, rolling your eyes back for good measure, already feeling the wetness soak through the linen.
‘Fuck, baby,’ you groan, ‘If you could feel what you’re doing to me.’
He moans desperately as you move your mouth back to him, taking him faster, deeper, stroking what you can’t manage so easily.
You huff against the neatly trimmed hair at his base as your nose presses against his belly, and the Mandalorian physically holds his breath, drawing his spine straight as you swallow around him again, as you move a hand to cup his pulls, feeling them tighten.
‘Please,’ he gasps, ‘Please, please, I’m so close -’
You draw off him, painfully slow, and pump him with your hand as you talk.
‘You wanna come, baby boy?’ You coo, fluttering your eyelashes and drawing your brows together. His helmet bops hastily, sharp breaths being drawn in through hidden teeth.
‘Please,’ he chokes.
You nod.
‘You can come, baby. You’ve waited long enough.’
He whimpers loudly, unrestrained as you continue pumping his base and sucking his tip, fluttering and tracing with your tongue, sucking with just enough pressure to send him hurtling over the edge. His hips push up into your throat as he comes, spilling himself, warm and salty, down your throat. His cock twitches and jumps as he moans brokenly above you, the noise unusually vibrant through the vocoder. You keep him in your mouth long enough for the overstimulation to kick in, and let him whine and beg and thrust shallowly a little longer before you pull off him, smiling.
You swallow and open your mouth, and he groans at the sight of his spend disappearing.
‘You okay, baby boy?’ You ask as you gently tuck him into his trousers, doing up his fly. He tries his best to catch his breath, heavy head hanging limply between his shoulders.
‘Yeah,’ he gasps. ‘So good. Thank you. So good.’
You hum approvingly at him, standing.
The sight of him still so spent, so fucked out, has you burning. You press your thighs together through your trousers just as he looks up.
His movements are languid, his words slurred, but his shoulders square. His hands twitch at his sides, loosening their grip on the mattress.
‘Take them off,’ he begs. ‘Please. I just want to see -’
You raise an eyebrow at him, at his tone. You want to be unimpressed, want to be disappointed. But the horrible, deep ache you feel in your core won’t let you. You’re soaked, and as Mando continues to meet your eye from the helmet, you begin to move.
He sucks in a breath, huffs out a moan as you hook your thumbs in the waistband and push them down. They pool easily at your feet and you step out of them, left bare after having forgone underwear as soon as you’d seen the Razor Crest this morning.
Your chest heaves, and all the Mandalorian can do is stare at you, taking in the shiny slick covering you, so painfully obvious now you’re not covered.
‘You’re wet,’ he says, voice heavy and desperate, cracking. ‘You haven’t been touched. Come here. Come here, sit down -’ as he moves one of your legs on either side of his thigh and presses you down onto it, hands on your hips. You let him, going easily, brain fogged with arousal.
The metal is bitingly cold, and you hiss as your clit makes contact. But Mando continues, unfazed.
‘Go on, pretty girl,’ he groans. ‘Go on. Wanna see you come like this. Want you to feel good, too.’
You moan against him, driving and grinding your hips down. It feels wrong, the way he’s so quickly taken control, but having him finally in charge makes you feel lightheaded. Wanted, needed.
And it already feels so good.
‘Good girl,’ he whispers in your ear as you lay your head on his shoulder. ‘Such a good girl. Using your fucking mouth on me. I want you to come. Need you to come.’
You moan loudly against him, gasping at the coolness, how solid he feels as he rocks you back and forth. You’ll recall this later, imagining his cock instead, imagining dragging yourself over it, onto it, feeling him thick and long, moving inside you as you whisper praises to each other, as you clench around him. The tightness in your stomach grows more ferocious, winding itself until it’s hot, strong. If you can catch the right angle, if you can steal five more minutes -
A loud, ringing shriek fills the room, and you jump out your skin. The Mandalorian’s firm hands on your hips are the only things that keep you from leaping up. He growls as your heart hammers in your chest, as you look around wildly for its source.
‘Mando -’ you moan -
‘Keep going. It’s nothing.’ He grits, and the shock of hearing his voice firm like this, close and a little clearer than usual, makes your cunt clench. You moan against his pauldron, teeth scraping against the metal as you give in, as he moves your hips faster, as you feel yourself moving easier over the slick you’re swiping over his armour.
‘Feels so good,’ you murmur. ‘Wanna soak you. Want you to go back outside to your ship and everyone to know where you’ve been. Want them to know how you made me come for you.’
He moans back at you, digging his fingers into your flesh, pulling, pushing, pulling, pushing, and you grit your teeth against a particularly strung out fuck as his vambrace begins to shriek and buzz with more urgency. Mando’s hands on your hips falter and then stop completely. You whimper against him, sucking in air as you bury yourself in his clothed neck.
‘I’m sorry,’ he says, and you tilt your head back to gaze, bleary-eyed, at him. ‘I have to go.’
He lifts your hips effortlessly off his lap and sets you on unsteady feet, holding your arms until he’s sure you won’t fall.
‘Did I do something wrong?’ You croak, panic clawing up your throat as he rises. Your legs shake, wet almost down to your knees, and you feel so bare and vulnerable. Fuck, you should have known -
‘No. No. Stars, I -’ The Mandalorian looks around the room, exasperated. He looks down and catches sight of your wetness spread on his thigh guard. He groans breathily, and your cunt pulses at the noise. ‘I want to stay. I want this. It’s the kid -’ he huffs, shaking his head. ‘He’s fuckin’ with the ship. Maker, the day he listens -’
‘It’s okay,’ you soothe, relieved. ‘It’s okay, let me clean you up.’
‘No.’ He barks. You flinch, and he rounds his shoulders apologetically. He repeats it, softer. ‘No. I want people to see. Want them to know,’ he steps closer, a gloved hand coming out to touch your jaw. You allow your chin to dip into it. ‘And I want to remember. Before I come back.’
You swallow, staring into his visor, seeing yourself reflected back - needy, wide-eyed - a state he has never had you in before.
Another sharp, tinny noise echoes from his vambrace, and he hisses out a frustrated, pained sigh. You soften your gaze.
‘Next time.’
‘Next time,’ he agrees. ‘Next time, I’ll - I want you to feel so good. Going to make you feel so good.’
You can’t help the shudder that runs down your spine, the way your body curls in on itself at his promise. Mando clears his throat, agitated, and busies himself with signing the data-pad, his back to you. You’re grateful. The longer he stares at you, watches you, the easier you find it to forget about the adorable little green frog he travels with.
‘And get your helmet checked,’ you say absentmindedly, gathering your trousers from the floor. The Mandalorian stops at the door.
‘What?’
You flush, biting down on your lip. Shake your head, shrug.
‘Your vocoder. One of the filters for the frequency bands in the modulator sounds like it’s damaged.’
He whips his head to look at you, unreadable. You twist your mouth at him.
‘Used to be a mechanic.’
‘A mechanic?’ He asks from the doorway. You try to smile at him, wishing you’d kept your mouth shut.
‘Little while ago, now.’
The Mandalorian stares at you for a while, the beskar of his helmet glinting in the low light from your bedside. You shift from foot to foot, heart beating so hard in your chest you can feel it in your arms. Leave, you chant in your head. Please leave, please go, please -
‘What happened?’ His tone is so soft that it skips past being condescending. Past the point of what’s a pretty girl like you doing in a place like this and straight to worry, to sadness. Stop. Stop.
‘The usual,’ you say quietly. ‘Not enough money, some hostile competition.’
‘You didn’t have anyone who could help you?’ The question is simple. You know why he’d ask it. Mandalorians have always been big on family, only abandoning them with good reason.
‘No. My parents died when I was young. A man who lived close by took me in. He was a farmer. Taught me all he knew,’ you huff a little laugh. ‘If it weren’t for him, I’d have been a foundling.’ Your heart stutters and you suck in a sharp breath as soon as you say it, eyes shooting to the Mandalorian’s visor. He doesn’t react, doesn’t move an inch. Your skin burns hot, anyway. ‘Sorry.’
‘It’s okay,’ he says. ‘What planet?’
You furrow your brow at him.
‘Lothal.’
He looks away, up at the steel ceiling, piecing it together.
‘Your hostile competition…’
‘The Empire.’
A breath rushes through his vocoder, easily heard through the fault in the mechanics.
‘And the farmer?’
‘Got me out in time. He - he didn’t -’ The softening of the hunter’s stance is enough to tell you he understands.
‘I’m sorry.’ He says.
‘It’s okay.’ You murmur. You want to reach out, want to touch him. Want to be held, even against the coldness of his breastplate. People don’t usually ask, don’t care enough. But he has, he does. He curls up in your arms after a particularly intense session. He loves watching you come. He makes you feel safe, like he sees you.
It makes you feel sick.
The silence is heavy, thick, until you turn your back to him to place the dirtied trousers in the laundry chute. It breaks the spell, and you clear your throat.
‘You should get back to the child,’ you say, strained, facing him again.
The Mandalorian dips his head, once.
‘Take care.’ He says, voice part-controlled, wrapped over that warmth trying to escape.
‘You too. Be safe.’ The words are soft, quiet as they leave your lips. Mando nods at you once more, still, before stepping out into the corridor, past the droid, back out into the city.
You watch him go, bereft, throat tight. And you can’t work out for the life of you why.
291 notes
·
View notes
Text
you and your friends (tommy's party pt. i)
summary: your handsome new roommate spells trouble. but you've got a handle on it. haven't you?
pairing: frankie morales x f!reader
ratings/warnings: 18+, MDNI. roommate!frankie, stoner!frankie and stoner!reader. mentions of drinking and smoking weed - they're having a good time! no lady and no baby. idiots in love, split pov, lots of fluff tbh and a whole lotta sexual tension. reader and frankie are little creeps n freaks. reader pays a visit to benny, frankie hooks up with 1 (one) other person. f&m masturbation, voyeurism, lots of cuddling. use of pet names (good girl, baby etc. (platonic, of course))
song is tagged at end of fic - header does not represent reader, only the album!
wc: 9.6k
an: *mc voice* let's get this party started!
When Frankie catches a glimpse of you from across Will’s crowded living room, he’s not so sure Benny’s idea is a good one.
The room is lit with yellow lamplight, heavy with the scent of sweat and alcohol and cigarette smoke. There are people crammed in everywhere; slumped over chairs and sofas, leant against door frames, moving in and out of the kitchen with the click of the door beads. A sluggish bass thumps out over the party, the thrum of laughter and conversation cushioning any other sound.
He stands at the back of a sofa which has been turned inwards towards the centre of the room, leaning over Santi and Will as they howl over some story they’re retelling for a couple of girls squished between them. Frankie had been quite happy listening and laughing along, but he’s distracted when Benny taps his arm with his beer bottle and motions over to you.
‘That’s her,’ he says, ‘The girl I was telling you about.’
And yeah, he’s very quickly sure that this is a bad idea.
Because you’re beautiful. A gorgeous wrap dress clinging to your curves, each outline flowing like you’d been poured into it. Jewellery clinking and glittering around your wrists, neck, and ears, and your hair shining like each strand had been arranged by some ethereal hand. Your smile bands out around you, bathing your audience in a kind of glow, a reflection of your warmth. Frankie watches as you tip your head back slightly in a boundless laugh, the corners of your eyes crinkling, the soft clasp of your hand falling on the forearm of the man sat next to you. Fuck.
Frankie swallows drily, and Benny places a hand on his shoulder.
‘Come on, Fish,’ he says, ‘I’ll introduce you. I’ve told her about you already.’
Frankie doesn’t want to move. He’d much rather watch, much rather have Benny do the heavy lifting here. He doesn’t think he can talk to you, much less make a good first impression.
But his friend is guiding him forwards, and he can’t help but be shepherded. Panic rises like bile in his throat, and he thinks of turning around, excusing himself to go to the bathroom and just sitting in his truck for a while instead, but then -
Your bright eyes flick up to find Benny approaching you, and your face lights up. You stand from where you were perched on the arm of a chair and walk around the bundle of people whom you'd entranced. You place a gentle hand on a soft-haired woman’s shoulder, inclining your head to say you’ll be back in a minute, before you open an arm to Benny.
‘Benny!’ You call, squeezing his waist as the younger man presses you to his side, planting a kiss to your forehead. ‘How are you, man?’ You ask. Benny returns your greeting, answering your question, but Frankie can’t concentrate on anything he’s saying. You listen intently to his friend, smiling and asking a couple more questions, before looking properly at Frankie.
‘Sorry - hey,’ you say softly, ‘You must be -’
‘Oh god,’ Benny chuckles, ‘Sorry, yes. This is Frankie.’ Benny moves to press Frankie forwards, and he stumbles a little as he catches your outstretched hand. If you notice, you don’t say anything, just smile warmly at him and shake, giving him your name.
‘It’s good to meet you, man,’ you say, ‘Benny here has told me a lot about you.’ Benny laughs, clapping Frankie on the back.
‘Only good things, Fish,’ he grins, ‘I promise.’ Frankie rolls his eyes at him.
‘So, you’re interested in the room?’ You ask, and Frankie turns back to you. He nods, swallowing.
‘Yeah, really interested. It’d be great to come over and take a look if you’re around.’ He surprises himself at how easily the words roll off his tongue. You offer him another kind smile, nodding encouragingly, and he finds himself relaxing.
‘Of course,’ you say, ‘You’d be very welcome to. You have glowing recommendations from the boys, anyway.’ You lean in closer to him, lowering your tone conspiratorially. ‘I’d have you moved in tomorrow if I could. Sold on you already.’ Frankie beams bashfully down at the carpet and bites his lip, Benny’s idea straying dangerously back into good territory.
‘I wouldn’t believe everything they tell you.’ He says, eyes trailing over your neckline, the dip in your cleavage, the hollow of your throat, skin gleaming and a little damp with sweat. You reach out and tuck a stray curl peeking out from his cap behind his ear.
‘Not at all, sugar,’ you murmur, and your touch, the pet name, sends a shiver down his spine. ‘I think we’d get along just fine.’
Benny leaves you both soon after, in search of another beer. He asks if you want one and you politely decline. Frankie does the same. You lead him to a quieter corner by the back window and pull him into easy conversation. You laugh and tell him this is his ‘interview’, but confess that you really have no idea what that might involve. Frankie lets you ask him any question that comes to your mind, and in this pool of time, you discover everything you could need to know about each other. Where you grew up, what your parents were like, whether you enjoyed school, what you eat when you’ve had a bad day, how often you clean the bathroom, what you do now, and what your dreams are for the future. You ask tentatively, respectfully about Delta Force. Frankie appreciates the way you preface it with an out - you don’t have to answer if you don’t want to - but he finds that he does. He spares the details but tells you about training, about flying, about meeting the boys. He tells you about Tom, and as little about Colombia as possible. You nod, brow furrowing in sympathy, in feeling, and squeeze his knee in comfort.
Frankie’s heart shouldn’t skip the way it does, but then you’re asking him more about what Tom was like, how his family are. When his eyes mist over, you take his hand. He runs a thumb over your knuckles. He tells you, cringing, about the coke charge, about his licence. About how he’s getting it back in spring. You grin brightly at him, congratulating him, sucking air in through your teeth and doing a little dance in your chair. Frankie laughs at you, heart swelling. He doesn’t know how you’re getting him to do this - tell you all this stuff, make it feel okay, make him feel great. But he loves it. He could get used to it. You’re sat close to his side, shoulder to shoulder, and you are so warm, your skin so soft. Frankie leans in closer.
‘How did you meet Benny?’ He asks, breathing the words into the shell of your ear over the music. You squirm, dipping your head away from him, and Frankie wonders for an awful moment if he’s misjudged the closeness, if he’s already overstepped your boundaries.
You look at him sideways, your body angled away from him.
‘He didn’t tell you?’ You ask.
Frankie raises an eyebrow, mouth open, ready to apologise. His brow furrows and he shakes his head.
‘No.’ He says. You smile at him, sighing heavily through your nose.
‘It’s a little embarrassing,’ you say, avoiding his gaze. ‘We met at a bar. We got on really well, and -’ you huff out a breath, meet Frankie’s eye again. He’s still watching you, not having put together the pieces. You roll your head onto your shoulder, pick the label on your bottle. ‘We slept together, Frankie.’
Frankie’s heart drops.
‘Oh.’ He says.
‘Yeah,’ you laugh, ‘Oh.’ You’re quiet for a moment, Frankie scrambling for the right thing to say. He’s too slow. You clap your hands down on your knees and rise from your seat.
‘I’m gonna head outside for a bit,’ you say. He watches you disappear with a weak smile, an anxious feeling welling in his chest.
Frankie sits for a few minutes, taking pulls from his beer, looking out over the crowd assembled in the living room.
His spots Benny lent against a wall, held up by an arm outstretched beside a girl’s head. A tongue of fire licks up through Frankie’s belly, and he has to sit with it for a moment to work out what it is. Jealousy. He’s jealous that Benny has already touched you, has already heard you. Jealous that Benny has already crossed that threshold, and now he has to be the one to move in and keep his distance. Arbitrary rules, he knows, rules which have been disregarded before. Already, you’d be more than a quick fuck. It’s crass, but Frankie knows you should be more than someone you take home from a bar. Maybe you are - you’re here, after all, clearly invited. Frankie’s mind rocks with the notion that Benny is saving you, keeping you around. It would be cruel of him, but not impossible. Benny had a bad habit of getting what he wanted.
Frankie grinds his teeth, tears his eyes away from his friend. Stupid, stupid. You’re someone he’s only just met, someone he might be living with. Whatever weird thing this is going on in his brain, he needs to fix it quick. Thoughts like these are not suitable in situations like living together.
Frankie stands, but instead of speaking to Benny, instead of getting to the bottom of why you’re here, he follows you through the door beads into the kitchen and out the back door.
You’re sat on the porch swing just below the kitchen window, and the surprise of finding you so easily brings Frankie to a sharp halt. You look up from your bag, eyes wide, lips slightly parted in the glow of the porch light.
‘Hey,’ you say softly, ‘Are you okay?’
Frankie breathes out heavily.
‘Yeah,’ he says, ‘Sorry about that - in there,’ gesturing over his shoulder, back into the house.
‘Oh,’ you say, shaking your head and bringing out a small plastic baggy from your purse. ‘Don’t worry about it. It’s not a thing. There’s no -’ you wave a hand around your head, ‘Feelings there or anything. We’re just friends now.’
Frankie nods, leans against the doorframe. Hums a response.
‘You wanna sit?’ You ask, scooching over on the swing, patting the space next to you.
Frankie pushes off the frame and comes to sit next to you. He rocks the seat slightly with his feet, yours dangling a little too far off the ground to move it.
You grin at him, delighted with the movement. You shuffle to tuck your legs under you.
‘Amazing,’ you grin, ‘See? Already a dream team.’
Frankie grins back at you and watches you take more items out of your bag. A small, circular grinder, a tiny rolling tray, pink papers. You pop open the baggy, and the smell of the dried plant seeps through the air, rushing up his nostrils. Frankie breathes deeply, watching you sprinkle some of the bud into your open grinder. You close it, and look up at him.
‘You a narc?’ You ask, lips still quirked.
‘No.’ Frankie chuckles. You bite your cheek, shrug your shoulders.
‘Ya never know…’ you coo, and Frankie grins.
‘I got busted for coke, baby,’ he reminds you, ‘I’m not gonna rat you out for weed.’
You laugh, nudging him with your elbow.
‘Fair enough.’ You say. Frankie watches as you twist the grinder back and forth over the bud, entranced by the motion of your hands. His lips part, watching the strong flex of your wrists.
‘Do you smoke?’ You ask. His tongue dips out to lick the pillow of his lower lip, and you trace the movement with your eyes, fascinated. You swallow, clearing your throat softly. ‘Frankie?’
His eyes dart up to yours, embarrassed, flushed.
‘Yeah?’ He says.
‘Do you smoke?’ You repeat. He looks away from you, shy, shaking his head.
‘I used to,’ he says, ‘But not for a long time.’
You nod, looking out over the garden with him. The cool wind brushing through the trees, the luminescence of the town beyond their feathered tops.
‘You wanna share?’ You ask. He looks back at you, surprised, eyebrows high on his forehead. You shrug. ‘Don’t have to, of course. Especially if it’s not gonna be good for you. Just that - if you wanna move in, I’m afraid it’s a habit I won’t be quitting.’ You raise an eyebrow at him, half apologetic, half warning. He swallows visibly.
‘What if I get too high?’ He says, breathless. You snort, balancing the rolling tray on your knees as you separate the hash out onto the paper, on top of the lavender you’ve pulled from your purse.
‘It’s okay, sugar,’ you say, ‘I’ll look after you.’
Frankie stares at you, eyes wide.
You snicker at him, finish rolling, and lick the paper. Frankie watches the swipe of your tongue, its slow draw along the edge, and feels his cock twitch in his jeans. Maybe this isn’t such a good idea -
He watches as you perch the joint between your lips, put your shit back in your bag, and pull out a lighter. Your eyelashes flicker down to rest on your cheeks as the lighter clicks and you cup your hands around the flame. You take a deep breath in, hollowing your cheeks, lost to the sensation, the taste. Frankie’s jaw flexes, and he has to look away again. You exhale the thick smoke, blowing it away from him, taking another drag before knocking your hand against his arm.
‘Want some?’ You ask.
Frankie mutters a thanks and takes the joint clumsily in his fingers, rotating it until it’s comfortable in his grip. He brings it to his mouth, and you watch as he sucks in and immediately sputters out again. He bends over his knees in a hacking cough, and you gently take the spliff as you pat his back.
‘You okay?’ You ask, taking another draw for yourself. Frankie leans back against the seat, sucking in great breaths of air, eyes watery, his body still twitching. He gulps and nods, not looking at you. ‘Good.’ You say, softly.
Frankie tries again a few minutes later, and is a little more successful. You finish the rest of the joint together before you flick the roach off into the darkness. Your body hums with the crickets and the static of the night air, and you can’t wipe the grin off your face.
‘This is nice.’ You say dumbly, turning to face him.
His arms are crossed and his jaw is clenched again. He breathes deeply through his nose. You scrunch your face up at him, and he notices the movement out the corner of his eye. His gaze slips to you for just a second, and a large smile slips across his features. You giggle at him, heavy and giddy. The urge to take the hand folded closest to you strikes, and when you do, he turns to look at you properly.
‘You have really nice hair,’ you say softly. Frankie chuckles, unable to help himself. You grin at him. ‘What?’ You say. ‘You do.’
Frankie laughs harder, and you reach over to take the cap off his head. He makes a slow, unconvincing grab for it before you settle it on your own hair, kneeling up to swipe a hand through his curls. He watches you, unable to look away, and you gasp at the feeling of it carding through your fingers.
‘So soft,’ you breathe, delighted. You look into his eyes again, one hand cradling the back of his head. His eyes dart down to your mouth, and you lick your lips before starting to giggle. ‘Anyone ever told ya you got baby cow eyes?’ You say.
Frankie’s brow furrows slightly. His words are slow and slurred. ‘What?’
You giggle harder and move your hand round to cup his cheek, looking at him very seriously.
‘Your eyes,’ you say, ‘Are like a baby cow’s.’ A slow spread of joy glows across Frankie’s features. His eyes scrunch up with his smile. ‘Nooo,’ you cry softly, ‘Now they’re all happy. They’re not all big and brown anymore.’
Frankie laughs with unbridled amusement, his head dropping from your hand as he clutches at your knees.
‘A baby cow?’ He gasps. You nod quickly, enthusiastically.
‘Yeah, Frankie. You got real pretty eyes.’ Your own are wide and earnest, and that seems to convince him. He raises an eyebrow before grinning goofily at you, lifting a finger to tap your nose.
‘You think I’m cute.’ He says, and you snort, which only sends him off into a flood of more giggles.
‘I didn’t say that. Only said you got pretty eyes.’
It’s only a little, tiny lie. And you think it’s for the best.
You spend another hour out on the porch before returning to the party, and though you don’t stray far from each other, you make a point of finding Frankie before you leave. You hand him your phone, and he stares at it, confused, before you roll your eyes playfully and say -
‘I need your number, dummy. For the room.’
He taps his number into your phone, and you save it with a little cow emoji next to his name. Frankie bites away his smile.
When he’s lying on the sofa in the dark later, surrounded by bottles and cans and ashy cigarette ends, he can’t stop grinning to himself.
You text him early the next morning, giving him a time and a date to come and see the flat. Frankie replies with so much enthusiasm that he flushes when he reads the message back, dropping his phone onto the coffee table as he stretches out on Will’s floor. He sacrifices his spot on the sofa to Will and Benny, Santi beside him as they watch Face/Off over breakfast.
He doesn’t see your reply until the movie ends.
Can’t wait! So excited to see you!
He sets his phone back down with a happy sigh, so loud that Will and Santi, and then Benny, ask him what he’s so pleased about.
He only gets them to stop probing by smacking Will in the face with a cushion.
---
Frankie moves in a week later, while you’re at work.
You think it’ll be much easier for you both. If you were in the flat you’d only be in the way, and he probably needs the space and time to figure out where he wants to put his stuff. Plus, the idea of seeing him all hot and sweaty is one that, quite frankly, you’ve been trying to avoid.
Benny had told you all about his friends on that first date at the bar. You had been taken with the way he’d talked about them, so fond and positive. You’d enjoyed asking him so many questions, and were delighted when he asked you so many in return. And Benny was cute - he was hot. Enthusiastic and giving and good. But you knew, even laying next to him, both panting, turning your heads to grin at each other at the same time, that it wouldn’t go anywhere.
He had been your type on paper. He’d ticked so many boxes, and you had both fallen into that first date with such excitement - but there was just something missing. There was no burn. You had a good time, you wanted to see him again, but you didn’t yearn for him the way you wanted to. You didn’t miss him when he wasn’t around, you weren’t worried about him fucking other girls.
It hadn’t been a difficult conversation to have. Benny took it better than you’d hoped, and once it had been established, friendship came easily. You met Will, got on well, and the three of you would go for drinks. Benny would come over to watch a film and eat takeout, and you never touched each other. Sure, you thought about it. But you were on a mission to make life easier for yourself. To not fuck around and get attached to someone you shouldn’t get attached to.
So you should have known better when he introduced you to Frankie. Should have made up some excuse, even if he pretty much had the room after all the boys had told you. Should have backed out as soon as those beautiful brown eyes blinked at you, at that first curve of a shy smile, as soon as you’d tucked that curl behind his ear. Because Frankie was someone you could get attached to. Watching him cook, watching the steam trail out behind him after a shower, watching him stretch out on the sofa with a book, having him crinkle his crows feet at you from across the kitchen as he sips his coffee, the low timbre of his voice reaching you across the floorboards, none of these things are something you needed to know, to see. You should have known better.
Work has been busy, long.
So busy you had to stay behind for a couple of hours to make sure the late shift got set up properly, and then you could trudge home. The bus journey, the walk up the hill, the clamber up the stairs to your front door.
When you make it halfway up the stairs, you can smell it. A delicious, warm waft of heady spices, of richness flowing down through the stairwell. You breathe deeply, aching feet pausing on the concrete just so you can tip your head back and inhale. Your stomach growls loudly, and you wish whoever is cooking a good meal, because it sure fucking smells like it.
The smell is stronger on your floor, and you’re still taking deep breaths when you push open your front door. There’s the sound of sizzling coming from the kitchen, the low hum of the radio playing. You toe off your trainers, leaving them next to a couple of unpacked cardboard boxes, splashing your keys into the bowl on the sideboard.
‘Frankie?’ You call. There’s no answer.
You move towards the sound, and push open the door to the kitchen.
Frankie is stood with his broad back to you, stirring something in a pot. He bops his head and hums in time with the radio, unaware of you behind him.
‘Holy fuck, Frankie. That smells amazing.’
He turns with a wide smile, a spatula in his hand.
‘Welcome home. I made enough for us both.’
You grin at him, dropping your bag and shucking off your jacket, coming to stand beside him. You ask about what he’s cooking, and he talks you through each step, the ingredients he’s used, and finally, blessedly, tells you it’ll be ready in five minutes.
You eat across the table from each other in quiet, easy conversation. Even with it all so new, with so many of his unpacked boxes still dotted around the flat, it feels like Frankie has always been here.
You wash and dry the plates side by side, laughing and happy and full. You retreat to your respective bedrooms to change into your pyjamas, and then you prop your door open for Frankie to come join you if he’d like. You flick on an episode of Adventure Time and dig around in your bedside table for your rolling stuff, sitting cross-legged and giggling at the cartoon as you grind, arrange, and roll the joint.
Your roommate appears in the doorframe, arms folded across his chest.
‘Come in,’ you say, beckoning him closer, shuffling on the bed to make room for him. He eyes the spliff in your hand. ‘Wanna join?’ You ask. He hesitates.
‘Just a little.’
You nod, stretching off the bed towards the window, grabbing your lighter from the ledge. You flick it to life as Frankie watches from the bed, your legs bare below your sleep shorts, your nipples hard beneath your t-shirt in the cool night air. You jerk your head at him as you exhale, and he crawls over the bed towards you. You try not to think of the way he moves as you hand it to him.
Frankie puffs from the joint a couple times, and passes it back to you. You continue the routine until there’s nothing left, finishing the last couple of tokes before flicking the roach onto the street below.
‘What do ya wanna do?’ You ask him, closing the window. Frankie’s settled back on your bed amongst your pillows. He frowns at the ceiling.
‘Watch a movie.’ He says, and you giggle at the tacky sound of his speech.
‘Come on then, buddy,’ you say, taking his hand and pulling him from the mattress. ‘We’ll watch it on the sofa. You need some water,’ you sing, leading him towards the kitchen. ‘And we’re gonna need snacks.’
Frankie chuckles at the way you say it, a faux accent twanging at your words. He lets you push him down onto the sofa and watches you dopily as you busy yourself with refreshments. You dump everything on the coffee table before turning on the TV.
‘Help yourself,’ you say, gesturing to your stash, and Frankie leans forward in slow motion to grab a can of coke. You giggle at him. ‘What do you wanna watch?’
Frankie cracks the can open and shrugs.
‘Don’t mind.’
You think for a moment, roving through Netflix before slapping his arm.
‘Oh my god!’ You laugh. ‘Notting Hill. We’ll watch Notting Hill. Holy fuck, it’s so bad when you’re stoned, you have no idea.’
Frankie groans beside you, leaning forward again to grab a bag of chocolate pretzels. He rips them open and offers one to you.
‘Whatever you say, boss.’ He smiles.
Halfway through the film, Frankie’s eyes begin to seriously droop. You can’t blame him. It must have been a long day.
When his head drops to your shoulder, you let him cuddle in. He stays there for a while, but when he wakes with a start at the soreness, you manoeuvre him to turn and lay with his head on your lap. He’s pliant and soft in your hands, sighing with relief as he settles. You run a hand through his curls, scratching at his scalp, twisting strands gently around your finger. You stroke and scratch absentmindedly, watching Hugh Grant’s dramatic confession, only remembering what you’re doing when a deep snore resonates from below you.
You look down to find Frankie sound asleep, peaceful face turned up towards you. You admire his silky hair, the scruff of his beard, the heart shaped patch on the side of his face. His soft, full bottom lip, strong nose, the slope and sweep of his brow. You smile at him, something stirring in your belly.
‘Little baby cow.’ You murmur to yourself, and bite your lip to keep from smiling any wider.
---
The first weekend you have off together comes weeks after Frankie moves in.
You have a long, cosy lie in before running your respective errands in the morning, planning to reconvene in the afternoon with food and movies and your other favourite pastime.
By some miracle, you get home before Frankie, and unload your bag of snacks and oven food onto the kitchen table. You’re just organising it, putting away what needs to be in the fridge, when Frankie steps through the front door with a crate of soda and your favourite flowers in his other hand.
‘Hey,’ he grins at you, kicking the door shut before stepping into the room and holding out the blooms. ‘These are for you.’
You take the flowers carefully, admiring the colours, the form, the texture. You look back at him with shining eyes, and Frankie blushes.
‘How did you -’
He shrugs, moving to put the soda in the fridge. With his back to you, he says -
‘You mentioned them once, ‘bout a week after I moved in.’
Your heart melts a little, touched at the care, the thought.
‘Just thought, ya know - don’t need an occasion. Sometimes it’s just nice to pick something up and say I thought of you.’
You blush at his words, just as he turns back around and spots on the table -
‘Holy shit,’ he says, picking up the chocolate covered pretzels. ‘I was just thinking of these! I didn't get any while I was out and they’re my -’ He looks up at you, a knowing smile creeping across his lips.
‘Your favourite,’ you say. ‘I saw them and thought of you.’
Frankie laughs, stepping forward to press a kiss to your forehead.
‘Dream fuckin’ team.’ He says.
You’re both back in your pyjamas within ten minutes, sat on Frankie’s bed, a joint on the bedside table ready to go.
He flicks through the home screen of his Playstation, settling on Red Dead Redemption 2, starting up the game as you lean out his window to dispel the first stream of smoke. You pass it back and forth between you, and when it’s done Frankie chucks the roach in his bin. You climb underneath the duvet and watch Arthur Morgan’s adventures through hooded eyes, your cheek pressed against his shoulder. He’s warm and solid beneath you, and you wrap your hands around his arm, breathing him in. You watch in rapt fascination as he tracks down carvings in the mountains, giggle and scold him when he barrels down the wrong side of the roads, and swat at him when his horse gets hit by a train. He loads back up his previous save to get her back, and you visit a time traveller, hunt for vampires in Saint Denis, and squeal when a UFO appears over an abandoned hut filled with rotted bodies. He tells you the stories of the characters in a spaced out slur, and you immerse yourself in the sunshine, the rain, the snow, the mists. You close your eyes to the sounds of hooves, of birds, of nature, of Frankie’s strong heartbeat and his deep breathing.
At some point in the evening, you wake again, sitting and stretching. Frankie smiles sleepily down at you.
‘I’m gonna head to bed in a bit.’ He says, and you smile at him, kneading your neck.
‘No worries,’ you mumble. ‘I’ll head to mine, too. Catch you in the morning.’
Frankie fist bumps you as you stumble towards the door.
‘Thanks for hanging out.’ He says. You snort at him before opening the door.
‘No worries, Fish,’ you say, ‘I’m sure I was great company.’
He grins back, and you blow a kiss before snicking the door shut.
Your own sheets are blissfully cool, and you turn on a little quiet music to get yourself off to sleep. The soft, slow jangle of guitars and low voices do the trick, and if you turn your head just so, you can still smell Frankie on your pyjama top.
---
When you come through to the kitchen the next morning, Frankie is already cooking breakfast. He looks cosy in his old Lakers top and sweats that only just cling to his hips. It tightens something in your belly.
‘I’m making eggs and bacon,’ he says, before gesturing with a spatula to the percolator. ‘There’s coffee over there if you want some.’
‘You tryna seduce me or something?’ You ask, waggling your eyebrows. Frankie laughs at you, gorgeous little crows feet crinkling in the corners of his eyes. You have to look away quickly to hide your own gooey expression.
‘No,’ he says, voice grappling with something of an edge - laughter, a little teasing, ‘I’m not in the business of fucking my friends.’ You flash your eyes back to him, eyebrows raised in surprise, and he’s peering at you from below his eyelashes, biting his lip. A grin blows out across your cheeks, and you bite your lip back.
‘Unfortunately for you, I am,’ you sigh, sweeping your hand across the edge of the kitchen table before glancing at him, his attention turned back to breakfast. ‘Santi still single?’
Frankie freezes over the eggs he’s cooking. He looks up at you slowly. Your heart dips in your chest, legs flooding with the feeling that you’ve definitely said the wrong thing.
‘Are you - are you… interested?’
You feel your cheeks heat.
‘I -’ you rub your face, trying to organise your thoughts. Frankie feels something like a freight train headed towards him. ‘No,’ You say, turning fully towards him, smiling a little. ‘No, I’m not. He’s great - he’s a lovely guy, but no.’
Frankie nods, once, twice, before staring back down at the yellow in the pan. He can’t remember what he was doing. Frying or scrambling? They’re too far gone now. He’ll have to try and pass them off as an omelette.
‘It was a stupid joke.’ You mumble, and Frankie shakes his head at the pan.
‘No, no,’ he says, ‘I just, ya know, if you were -’
You smile at him.
‘You’d set me up?’
Frankie shrugs. You smirk.
‘Well then. If you’re patient, sugar, I might make my way through everyone. Finish with you, of course, make sure we last a little longer.’
Frankie’s head whips up, jaw dropped. He breathes your name, and you laugh.
‘My god, Fish. I’m kidding.’
‘Jesus Christ.’ Frankie laughs, relieved, disappointed. You dance around the kitchen table towards him, reaching out your hands to squish his cheeks, chanting got ya, got ya, as Frankie curls the dish cloth from over his shoulder to whip you with it.
You shriek and leap out of his way, running from him.
Frankie makes no move to follow you, turning off the stove instead, plating up the eggs and bacon. You’re still giggling at him, now armed with a dish cloth of your own. He points at you with the spatula.
‘Sit.’ He says, and you laugh again, taking a seat as Frankie brings over the plates and cutlery. As he settles, you leap up. Frankie watches you.
‘Where are you going?’ He says, spearing some egg with his fork. You return to the table with two mugs of coffee.
‘Can’t forget the most important part of the meal.’ You say, sitting and slurping loudly, winking at him over the ceramic.
Frankie laughs at you through a mouthful of food.
‘You coming to Will’s tonight?’ He asks, swallowing.
You hum a little.
‘Yeah, guess so.’ You say.
‘Boys’ll be there,’ he says, ‘So you’ll know a few faces. Not sure who else.’
You nod, shovelling bacon into your mouth. Frankie smiles.
‘Sure,’ you say, ‘I’ll come.’
That night, you find yourselves round at Will’s again. What was supposed to be a relatively quiet poker night has inevitably turned into too many people drinking too much booze, but he never seems to mind.
Frankie is back leaning on the sofa, listening to Santi and Will talk. He’s laughing, thinking he should go and grab you in a minute - he doesn’t know how many of these stories you’ve heard, but he’s sure you’d enjoy them. He has a compulsion to watch you laugh, to see you enjoy the people around you, to feel the shine of your company, to see the way you look at him, eyes dancing with amusement, always as though there is some kind of joke you’re thinking of that only he will understand.
When he looks around the living room, he can’t find you. It’s not unusual. He knows by now that you’ll be off chatting to whoever is lucky enough to find you, and he finds himself moving in the direction of the kitchen, pushing through the door beads. When he doesn’t see you in there, he catches Benny at the sink, asking if he’s seen you.
‘Sure,’ he says, ‘I was just with her. She’s out on the porch swing.’
A muscle flexes in Frankie’s jaw as he moves away from Benny, that familiar creep of possessiveness crawling up his throat. Stupid, stupid. He’s already asked him, knows that he wants nothing from you. So why does it irritate him so much?
You’re outside on the swing just like Benny said, gazing up at the stars as Frankie slumps down beside you. He bounces the chair, and you giggle at him.
‘Having a good time?’ You ask. He nods.
‘Yeah. You?’
You nod, tilting your face to look at him. Frankie doesn’t know when he decided it, but he’s sure your eyes are the prettiest he’s ever seen. He loves the way they shine out at him now in the glow of the porchlight, warm and kind and soft. That sunny feeling he gets as he watches you moves something silken and deep within him, something lonely.
I was just with her. Unfortunately for you, I am -
‘What?’ You say softly.
‘Nothin’,’ he shrugs. ‘Just glad I met you.’
You scoff lightly at him, knocking your head against his shoulder.
‘Glad I met you, too, sugar.’ You murmur, and when Frankie meets your eye, his breath seizes in his lungs.
You are so close.
Your eyes dart between his own and his mouth, lingering on the shape of his lips, the flecks of grey in his moustache. He can’t move as you lean closer to him, as you ghost two fingers over his wrist. Your eyes are burning, teasing, curious as he stares down at your lips, soft and inviting, curved around so many wonderful words, wrapped around the end of a joint or a beer bottle -
‘There you are,’ Will says, bursting through the back door. You startle away from Frankie, and he feels dizzy at the change, at the rush of what was about to happen. The warm press of your body against his. ‘C’mon,’ says Will, ‘We’ve got a poker game to win.’
You watch as Frankie hauls himself away from you, settling back in the swinging chair. When the door shuts behind the two men, you press a hand to your chest, feeling the rattle of your heartbeat.
---
You wake as though through fog, to a noise you can’t quite place.
It’s quiet, but almost right by your head. A slick, rhythmic sound, heavy breaths, quiet groans, curses. Through slipping sleep, you process them, too tired to be embarrassed, to be thinking straight. The sounds of Frankie jerking off go straight to your core, and you can feel yourself growing wetter and wetter as you listen, as you slip your hand beneath the elastic of your panties and join him, careful to muffle your own sounds to hear him better.
You become frantic as he grows louder, as he mutters to himself, as his bed moves just enough to squeak. You feel your eyes roll to the back of your head as he looses a particularly loud fuck, and then a strangely familiar word, followed by a long, low groan. You come hard on your fingers, panting as the heat subsides, as you hear Frankie leave his room and head to the bathroom.
Languid and liquid in the sunbeams on your blankets, it takes you longer than it should to decipher what you’d heard. Longer than it should to wonder if it really was your name he’d gasped as he came.
Frankie needs air.
He needs to get out of the apartment, so while he’s drinking his morning coffee, he drafts up a list of things to do. Parcels to return, small things to buy, a new coffee shop he’d like to try out. Anything to try and clear you out his head. The feel of your body pressed against his on the seat, the ghosting of your fingers on the inside of his wrist, the flame in your eyes. The way you’d jumped when Will found you, whether you meant it, whether he was imagining it, what he was going to do, what he was not going to do -
You shuffle into the kitchen still in your pyjamas, stifling a yawn behind a hand. You help yourself to coffee from the percolator, and Frankie tells you he’s heading out. You nod and give him a squeeze, saying you’re off to the gym, anyway. Frankie tries not to think of how your ass looks in your blue leggings, and sets off down the stairwell.
He stays out for as long as possible, breathing in the fresh, spring air, looking into shop windows and petting passing dogs. He only decides to call it a day when his stomach starts growling and his feet start aching.
He feels good, energised.
Maybe he should get out more often.
Frankie shuts the front door gently behind him, placing his keys in the bowl. He says your name, only half expecting a reply. You didn’t say when you were heading out, or when you’d be back.
He yanks his boots off by the shoe rack you set up last week, and tucks them away neatly. His feet carry him towards the kitchen, fingers itching to hold a cup of coffee and sandwich before a soft sound stops him. His heart leaps in his throat, and he freezes, not daring to take another step.
He registers the soft sound of the running shower, and anticipation lodges itself in his belly. He waits, heart hammering in his chest, and almost moves before he definitely, definitely hears it again.
You moan softly on the other side of the bathroom door, and Frankie’s eyes flutter shut.
He should go. He should absolutely go, but he can see from here in the hallway that the bathroom door is open just a crack. And he has always been a flawed person, which is why it doesn’t surprise him that when he goes to shut it, to knock, to move past, he can’t keep himself from looking. Can’t stop his eyes from finding you, back against the tile, hair dripping down your shoulders, water spattering across your skin as you stand with your legs apart, one hand spreading you open, fingers moving fast across your clit. Frankie grips onto the door handle as his eyes close again.
Because he knows what’s about to happen. Hot shame floods through him as his cock hardens embarrassingly fast, a thin ringing in his ears as he opens his eyes again, takes in the soft flesh of your thighs, the flow of water, the rivulets tracing your skin, your glistening core, the way your fingers move so desperately -
And Frankie can see it, can feel it, can taste it when he imagines opening the door and climbing there with you, not giving you a chance to be surprised before he sinks to his knees and replaces your hand with his mouth.
With shaking fingers, he unbuttons his jeans, unzips his fly, and begins to stroke his cock.
He has no idea how long you’ve been in there for, but he watches closely, ravenously for your tells. It’s not gonna take him long, but he wants to watch you fall apart first.
He watches you move your weight so you slump a little lower on the wall, a harsh gasp leaving your lips. He watches as your hips twitch and roll forwards as you slow your pace, rubbing harder instead of faster, and he barely contains his own moan as you whine, high-pitched and needy, echoing off the walls. He watches your tummy clench with each stroke of your fingers, stares with drooling amazement as you snake a hand up your body to grasp and play with your tits, squeezing them, rolling your nipples between your fingers, pinching them as hard as you can. Frankie grunts when you gasp out a fuck, and for a long, heart clenching second, he thinks you hear him. You slow your movements, trying to peer through the dark crack in the door.
Frankie can’t move, can’t stop fisting his cock as he watches you, precum dripping through his fingers, the dirty thrill of getting caught spurring him on.
You listen carefully, turning your head to the side to see if you can catch any more noises. Satisfied you’re still alone, you continue, this time quickly finding a pace which Frankie can tell will send you off the edge. Your wet skin, the slick sounds of your fingers even over the running water, and your moans, gasps, curses, getting even louder.
Frankie stares still, enraptured by the goddess in front of him unravelling herself, and he wants nothing more than to touch you, taste you, smell you. He tries not to think of what he’d give to be inside you, but a soft moan escapes him anyway. Imagining the clench of your warm, wet cunt, hearing you make those noises for him, the slip of your wet skin in his grasp, your tits in his hands, the bite of your teeth on his shoulder sends him rocketing to his orgasm. He barely has time to wrap the bottom of his t-shirt around his cock, biting his fist as he empties himself, opening his eyes just in time to watch your body spasm and clench, your back arch, your head knock against the tiles as you cry out oh fuck, oh fuck, oh god.
Once you finish riding it out, whimpering and twitching, you close your eyes and breathe heavily. Frankie feels feverish, head tipping forwards onto the door frame as he tucks himself gently back into his boxers and pulls his jeans back up. He takes one last breath before a short, shrill beep echoes throughout the apartment.
Your eyes snap to the door again as you jump, and Frankie flinches, slowly backing away as you cock your head at the gap. Beep. Frankie can feel his pulse in his ears as he reaches the front door with soft treads, managing to open it quietly through his blind panic just as you turn the shower off. He slams it shut, calling your name from the entryway, cringing at the breaking huskiness of his voice. He waits a few seconds as though he’s taking off his shoes before running to his room, hearing the snick of the bathroom door closing just as his shuts behind him.
Frankie leans against the wood, forcing short breaths in and out his nose. Beep.
The smoke detector again, on the other side of the door. It shocks him back to life as he rips his shirt off, stuffing it deep in his laundry hamper before scrambling for a new one, praying to whatever god is out there that you hadn’t just caught him in such an obvious lie. That you hadn’t just caught him jerking off to you masturbating in the shower.
Frankie leaves his room as quickly as possible, knowing that the longer he stays in there the more likely it is you’ll know something is wrong. He yanks the door open, stepping out into the hallway, stopping to listen on the hardwood floor. There’s not a peep from the rest of the flat, but the door to the bathroom is now wide open, small tendrils of steam slipping out into the hallway. Frankie takes a deep breath and steps lightly down the hallway to the kitchen, intent on coffee this time, on something to distract him, something to do with his hands. Beep.
He works on autopilot as he pours the grounds into the percolator, throwing up a mental wall every time a glimmer of your body passes through his mind. When he sets it over the stove top he grips the counter, shoulders hunched, chewing his cheek as he breathes heavily through his nose. This time, the beep of the smoke detector makes him jump, and he swipes a hand over his mouth.
‘We need to change the batteries in that.’ You say, and Frankie flinches as you breeze past him into the kitchen. He can’t look at you, shame and arousal colouring his neck, all the way up to the tips of his ears. He makes a noise in his throat, and you shoot him a look over your shoulder.
‘You okay?’ You ask. He swings his eyes to you, and you look back at him the same as always. Warm, kind. You can’t know. You must be oblivious, and somehow that makes it worse.
‘Yeah,’ he says, and tries to smile, ‘Just need a coffee.’
His eyes try not to linger on your body, try not to linger on your lips, your hands. He grips the countertop harder. Stop it. Stop thinking about it.
You smile back at him.
‘If you’re sure,’ you say, sidling closer, laying a hand on his shoulder. You squeeze and wink up at him. ‘Can you make me one? I’m exhausted.’
Frankie tries to muffle his sharp intake of air with a cough. I’m exhausted. How long had you been in there? Had you even been to the gym? Or had you just spent the morning grinding and moaning and coming -
‘Sure.’ He croaks, and you frown at him.
‘You’re really feeling okay?’ You ask, bringing the back of your hand to his forehead. ‘Might be coming down with something. Tired and coughing.’
He shakes his head a little too enthusiastically.
‘No, I’m fine.’ He says, interrupted only by the beep of the smoke alarm. You pull a face at it, and he moves to take the coffee off the stove.
‘Go get the ladder,’ he says, ‘And I’ll change the batteries.’
You swish out of the kitchen, and Frankie scrubs his face with his hands, groaning out a god before taking two mugs from the cupboard and filling them. He’s just finished pouring in the creamer when you struggle back through the doorway, huffing under the weight of the stepladder.
‘Coffee’s there.’ He says, jerking his head in the direction of the mugs as he takes it from you. Frankie sets it up under the detector, stepping up the first couple of rungs before you stand in front of him. He quirks an eyebrow at you, and you tighten your hands around the ladder’s sides, holding it steady.
‘Don’t want you doing any damage to yourself.’ You say softly.
Frankie nods and continues climbing, trying not to think of how close you are. He focuses as he reaches the ceiling, stretching up to unscrew the device.
You swallow as you’re exposed to the slither of skin the action reveals, golden in the afternoon light, and the dark hair which trails down, down, below the waistline of his jeans.
‘Take it for me.’ He says from above you, and you drag your eyes away to meet his, flushing as you reach up to grab the alarm, fingers brushing. You watch as Frankie’s gaze darkens, as he takes you in, flushed, lips bitten, standing at the perfect height. The greedy way you’d been looking at his stomach, water, thighs, fingers -
‘Thank you.’ He says, and you take the detector away to replace the batteries, your fingers shaking. Frankie watches you hungrily, the curve of your jeans, the slope of your neck when you flick your hair behind you. He’s still watching when you turn back to him and hand him the device.
‘Good girl.’ He says. Heat rushes through you at the words, your breath catching in your throat. Frankie’s movements falter only slightly before he’s reaching up again to screw the detector back in. You stare at his belly, the coarse hair, and try to think of anything but nuzzling your nose against the skin, breathing him in, unbuttoning his jeans, taking his cock in your mouth, thinking about what he’d look like, what he’d feel like, what he’d taste like, whether it would be as good as what you’d imagined in the shower -
Frankie steps down from the ladder, prizing your hands off the metal, folding it shut and carrying it back out the room.
‘All done.’ He says.
You run a hand through your hair, pinching the bridge of your nose. Jesus.
You take a seat at the dining room table, and when Frankie joins you, you drink your coffee in near silence.
At work, later that evening, you shut yourself in the bathroom during your break. You bite your lip so hard it bleeds when you make yourself come, embarrassingly quick, to thoughts of what might have happened if you’d kissed Frankie’s stomach on the ladder. The uncomfortable ache in your core barely sated, your panties soaked, you try to do anything to distract yourself for the rest of the shift. Anything to keep your hands busy.
And in his bed, later that night, when he’s sure you must be asleep, Frankie takes his cock in his hand again. It doesn’t take him long, guiltily indulging in what he’d seen from the crack in the bathroom door. He comes with a quiet groan and a whisper of your name, wishing that you were there to lick the salt off his chest.
He falls asleep to thoughts of you, like he has done from the night you met.
---
A week passes, and Frankie's pretty sure he's going insane.
He can’t shower without picturing the way you had stood there, moaning and gasping. He can’t stop thinking of the way you had looked at him on the ladder, the way you’d looked at him sat on Will’s porch. He has to jerk off at least twice a day, and aside from it being a fucking inconvenience, he’s beginning to feel like a creep.
He thinks he needs to get laid.
There’s a girl you work with - Tasha - who gave Frankie her number not long after you started living together. She was pretty, nice enough, but Frankie hadn’t been looking for anything, and he certainly didn’t want to shit where you ate. But he texts her anyway. It’s late and sleazy, but she says yes. They meet at a bar, and when they stumble through the front door, you’re already home.
You’re sprawled out on your bed, a joint already rolled, leftovers from work in the fridge, ready to hunker down and fill Frankie in on your day, ready to hear him tell you about his, watch some shit on the television. Tonight felt like a David Attenborough night.
You jump as the front door bangs open, as two sets of feet come tumbling in. Your heart beats loudly in your chest at the noise, at the intrusion, unsure whether you should leap up to defend your roommate or hide. Then you hear the wet sounds of kissing, the low mumble of Frankie’s words, a high-pitched laugh you recognise as the front door shuts and Frankie’s opens.
You wait with baited breath, somehow unable to believe what is happening. Your fingers flutter on your chest, anxiously pressing the skin there.
Frankie’s never brought anyone home before. You don’t quite know what to do with yourself.
You’ve also never quite thought about how thin the wall is between your bedroom and his.
The realisation makes your skin flush, heated even more when you hear the mumbles and groans from the other side of the wall. Frankie saying something in a language you don’t understand, and Tasha’s breathy reply.
You don’t know how long you listen for, frozen on your mattress as you listen to the creak of Frankie’s bed, the whines and moans falling from them. The low timber of Frankie’s speech sinks itself into the centre of your body, heating and melting. You close your eyes as you try to pick out what he’s saying, as you listen for his panting breaths, his low moans. You can feel your underwear growing wet with slick, your body tightening - hot - and then Tasha cries out.
The sound shocks you from your reverie, shame, annoyance imploring your body to move. You raise up on your knees and pound your fist against the wall. Everything falls silent.
You breathe deeply for a moment before Frankie says something quietly, answered only by Tasha’s low giggle. Your tongue feels like ash in your throat as they both say a couple more things, more laughs pouring through the wall before you’re up, pulling on a hoodie over your tank top, leaving your room.
There’s another shock of silence as Frankie and Tasha hear you moving, but you’re already pulling your trainers on. You can hear Frankie say something on the other side of his door, can hear it getting louder as he moves towards it, but you’re slamming the front door closed before he can intercept you.
Your Uber ride is quiet, seething. You chew your lip, clench and unclench your fists. Your phone buzzes in your grip several times, but you don’t check it.
When you reach the low, suburban house with the cacti out front, you waste no time worrying about whether you look pretty enough. Because he’s always said you are on the nights when he’s had too much to drink.
You should know better before you raise your hand to knock. But you don’t spare a second thought as your knuckles rap against the wood. You shut down all other thoughts as the door swings open, him knowing exactly when to expect you as soon as you’d called. Something about military training and timing.
‘Hey.’ Benny says, standing in the doorway, moving aside to let you pass.
‘Hey.’ You smile back at him as you step into his house, toeing off your trainers, stripping yourself of your hoodie.
Benny eyes you hungrily as you stand before him in your tank top. You feel the heat coil in your belly again as he steps towards you, the slick in your underwear pooling as he kisses you hard and hot and open mouthed, as you tangle your hands in his hair, as you scratch at the bare skin of his hip beneath his top. You moan against him when you feel him already hard at your stomach.
‘Bed.’ He growls.
353 notes
·
View notes