Pruett Carter - Reassurance (1934)
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Pruett Carter (American, 1891-1955)
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Pruett Carter Woman's home companion ill.
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carter pruett. magazine illustration, date unknown.
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🦇🖤🐈⬛
The original piece is by Pruett Carter (which may be called ‘vanity, thy name’ but I’ve been having difficulty finding a solid source for the referenced painting.)
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study of a Pruett Carter illustration
coming back to my roots
been neglecting them too long
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Anakin Skywalker and Obi-Wan Kenobi ca. 19 BBY
Oil on canvas | 2022
Art Reference: Pruett A. Carter
(Click for better quality)
Buy the print
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Pruett A. Carter (1891-1955)
"The wedding ring hung from a thin golden chain round her neck. 'I couldn't wear it on my finger,' she explained, 'We're divorced now—remember?'"
signed 'Pruett Carter' (lower right)
oil on canvas
Bonhams
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Pruett Alexander Carter (1891-1955) - La conversation.
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Pruett Alexander Carter (1891–1955) Couple near a tree.
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Mary Blair’s Story Angle 1: The Wonder that is Mary Blair
//Beginning// A wonderful journey of colour and creativity, began with Mary Blair as she grew up admiring the world around her. Her love of nature translated clearly into her paintings and drawings which she often found peace and solace. Talent and dedication don’t go unnoticed as Mary’s colourful strokes of paint lead her to the Chouinard Art Institute in Los Angeles, where she was then mentored under the expert guidance of skilled artist Pruett Carter.
//Middle//After the cessation of her studies, Mary then started as a concept artist at Disney in 1934. Her work on films like "Saludos Amigos" and "Cinderella" showcased her exceptional talent, but it was her designs for "Alice in Wonderland" and "Peter Pan" that truly revolutionized the art of animation.
Her undeniable mastery when it comes to the use of color and shapes to bring to life scenes that had so much to tell would set the standard for animations yet to come. Unforgettable and undeniably striking designs that not many animators at Disney knew how to interpret on their own.
//Ending// Mary Blair’s work did not stop at animation and concept art, as seen in her work on the “It’s a small world” ride at Disney Land which she designed. Her designs were playful and imaginative, capturing the essence of different cultures and bringing them to life in a way that had never been seen before.
Her impact on the world is still seen in many productions and creative works, especially at Disney. inspiring and creating new artists around the world, Mary Blair’s Legacy continues to this day and will be felt for generations after this.
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We do not rhyme; though for you, I will change my mind. Rewrite the rest to make you fit—my prose, too overrated (much obverse), they spit.
This is what I have. I cannot say the word, not even hint.
But once I do finish our prose,
. . .Will you—?
*Painting: Pruett A. Carter, couple near a tree
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A Sentimental Man
Redbook, May 1950
Illustration by Pruett Carter
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Pruett Carter This is for keeps
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