probably it will be summer again by Catherine Pierce
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CATHERINE PIERCE
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pub. in Blackbird Review, 2017
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Probably It Will Be Summer Again by Catherine Pierce
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Earth, Sometimes I Try to Play It Casual,
like Hey mercury, hey malachite, I'm busy today,
can't stop to marvel, but always my blood is saying
O god you starsprung miracle. It's self-preservation,
letting myself believe laundry matters,
letting myself believe there's anything other than
egrets and oceans and vast moss carpets and
the finite heart of every single person I love.
Earth, you terrify me—you are fierce green
and honeysuckle, you are herds of wild ponies,
and you are leaving, always. Is it any wonder
some days I look at my laptop instead of out
the window? Every time I glance up
there you are, quaking me with your fern fronds
and silver frost. O you of the rhyolite mountains.
You of the dew-hung web. You are lemon quartz
and quicksand. Muskrats and starfish. How
could I be any way but staggered? O blue spruce,
O white fir, O green forever, you know
my nonchalance is a sham. It's so hard to admit
our real desires. Earth, what I want is to sit gentle
under your twilight purple, watch your bats
hunt and dive. What I want is to know about
endings and still love each bat, each shade
of the boundless, darkening sky.
Catherine Pierce, 2022
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Dear spring, commit. Burst
your bee-and-bloom, your blaze
of blue, get heady, get frocked,
get spun. Enough with your tentative
little breaths, your one-day-daffodils/
one-day-dewfrost. Honeysuckle us
right to our knees. Wake us
with your all-night mockingbirds,
your rowdy tree frogs. Gust
and dust us. Pollen-bomb the Hondas
and front halls, but please, no more
of this considering. This delicate-
tendrilling. Your pale green
worries me. Your barely-tuliped
branches, your slim shoots
any sideways look could doom.
The truth is I don't want to think
about fragility anymore. I can't
handle a blown-glass season,
every grass blade and dogwood
so wreckable. I'm trying hard
to teach the infallibility
of nightlights, to ignore the revving
of my own fallible heart. Spring,
you're not helping. Go all in.
Throw your white blossoms
into my gutters. Flood
my garage, mud my new shoes,
leave me afternoon-streaked
and sweating. Vine yourself
around me. Hold me
to you. Tighter.
Entreaty by Catherine Pierce
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Poem Begun While Watching My Son’s Gymnastics Class
Coltish is how we describe the children
when they ricochet, all knees and chaos,
through our homes, mud everywhere,
walls scraped, and we smile ruefully, or
shoo them outside, or snap What are you
thinking? and hope the neighbors don’t hear,
but until right now I have never considered
the animal itself, wild-limbed and pent
in tasteful two-story, never considered how
a coffee table or ceiling fan or towering
bookcase has no place in the windswept prairie,
never considered how strange the kitchen’s
cool tile must feel under hooves
built for grasslands golden and lawless.
— Catherine Pierce, featured in Diode Poetry Volume 16 #1 (source)
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Catherine Pierce, from The Girls of Peculiar (Saturnalia Books, 2012)
Desire: Three Girls
I. MISSISSIPPI, 1958
In the violet evening the radio crackles
like a candy wrapper. You hate Eisenhower
for interrupting The Cisco Kid. Mama hides
everything in her angry bouffant. You think
she is beautiful—mouth a coral slash, lashes
like spider legs. You tell her she is Miss
America and she turns away. Your father left
for town in '54 and hasn't brought the ham
home yet. Most nights you sup on the glances
of bicycling boys. The air is wet and bright.
You might call it languid. You in high summer
are languid, your limbs too stick-like still
to cozen longing, though you know that ache
like you know the translucent lizards on the stuck
screen door. You have a moss-drenched oak
and a tire swing. When you spin high, your bare
legs flash against leaves. No one scolds you.
Every house on the street has eyes. In a glass jar
you corral an army of fireflies. When you
release them, they blind the houses. You know
because when you leave no one's watching.
II. PENNSYLVANIA, 1961
All summer you've practiced your Jayne Mansfield
stretch beside Becca's leaf-clogged pool. Pottstown
in August is an egg sizzling on the black skillet
of Pennsylvania. You dream of New England, where
you've never been, where Mr. Smithson will take you
and buy you town homes and brooches, where streets
are strung with white lights and summer is women
in moss-colored shifts and golden, minted drinks. Your Coke
is an injustice, and Mr. Smithson understands. His daughter
can't handle bourbon, but you're a siren. Back outside,
you dive into the shallow end and swan up just in time.
No one knows how close you came. No one ever will.
III. MARYLAND, 1964
The rental cottage gives you the creeps,
its corners dark and peopled with blankeyed
dolls. But outside the sun is an open
mouth, calling. You hold your breath
and sink into the sea, hoping the red-suited
guard will save you. When you pop up,
a bright cork, he's dozing. All afternoon
you loll in the sand; its billion tiny mouths
leave bites on your palms and thighs.
On the boardwalk, you drip vinegar
on fries and gauge your lips' pinkness
by the sting. Pickup trucks drive by,
all whoop and holler. The catcalls
are aloe on your skin. One truck pulls over.
Your name and age ripple out in a ribbon
of lies. Suddenly your hair is a triumph
of salt and shine. You are ablaze, the cottage
too airless ever to hold you. In the rusted
truck bed, a keg, a blanket. You glance up.
The sun's open mouth says: Go.
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entreaty by Catherine Pierce
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The Pierces - It Will Not Be Forgotten
Darling, what we had
It cannot be taken
It cannot be stolen
And it won't be forgotten
No, it won't be forgotten♡
(Deeply resonates with me and my SO, Karasu♡)
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Wakes up*
unwanted person in my energy alert !
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pub. in Blackbird Review
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Probably It Will Be Summer Again
by CATHERINE PIERCE
one of these days, and if it is I'll swim,
bobbing up and down over probably,
it will be summer and my god I'll say hello
to people who don't live in my house,
it will be summer and my eyes reluctant after a full day
of refracted ocean light and dolphin-squint, or maybe
library and carousel and everyone's bright
skirts, bright sunglasses, bright burns and canvas bags,
I'll rejoin the perpetual chorus of We should,
perpetual chorus of Let's, my god my best friend's baby
who's talking now, my god the bay is still there
and I promise I will be a fool for humans and all
wild proclivities, I will gently turn horseshoe crabs
right-side-up, I will not tell myself Maybe a meteor
or Maybe a phone call or Maybe a sudden shift
in atmosphere, I will remind myself of mouths
moving in ways that are summer and of my skin
casual next to someone else's skin and the soft
salt smell and haunted house shrieks, and Probably
I will say, Probably I will make myself say, and I will say it
and I will say it until it is who and where,
it is who and where we are.
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Bees ricochet in and out
of the clustered petals,
and my sons panic and dash
and I tell them about good
insects, pollination, but the truth is
I want their fear-box full of bees.
This morning the radio
said tender age shelters.
This morning the glaciers
are retreating.
from “High Dangerous” by Catherine Pierce, in The Long Devotion: Poets Writing Motherhood edited by Emily Pérez and Nancy Reddy, p. 3
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