he / him . multishipper, sometimes i reblog art i dont ship
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more mouthwashing memes before I go to bed I’ll make more tomorrow for my audience of 5 people
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"Useless ray of goddamn sunshine. You could have taught an old fool like me a lot."
Referenced Ivan the Terrible and His Son Ivan (1885)
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Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.
We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.
Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.
He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?
I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?
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I love the way that Mouthwashing uses Jimmy and Curly taking turns as the perspective character to make their actions not just parallel to each other, but hopelessly, disgustingly inseperable. The clear picture it paints us of how Curly enables Jimmy and how Jimmy guilts Curly into further enabling him. They both avoid responsibility when it really counts-- Curly through shows of appeasement and Jimmy through shifting the blame to someone else.
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