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Went to see if limewire was still a thing and got shot 4 times with a gun
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v:<
Art challenge where you have to finish what you're making
#>:VVV#anyways hello tumblr I haven't been posting stuff here because i'm tired of posts getting shadowbanned for absolutely no reason#and trying to figure out which pic triggered it#am currently more active on Cara
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Art by Jasmine Lacroix
September’s Theme: #FrogFighter
Presented by CDQ Magazine
Discover the artists of the Character Design Challenge community and the current Theme of the Month in our Facebook Group! And when you repost your design on our Patreon page, you can also win awesome prizes every month and choose the future themes!
RULES | WINNERS | MAGAZINE | BOOKS
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Theo van Hoytema (Dutch, 1863–1917), "Three Swallows"
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Thanks so much to everyone who bought a 2025 calendar! I’m overjoyed to see how many of you bought one 🧡 I had so much fun putting together the sticker sheet and creating little symbols for each month! A lot of love was put into this and I’m so glad you guys like it too.
If you still want to grab one, head on over to Loish.Shop to get yours! They’re only available until October 31st - after that you won’t be able to get one anymore, so be quick! ✨
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In wisdom of matriarch and of mother.
Sacred Bodies is a 55-page story about the marriage and relationship between Dualayim and Tolpan.
The peoples residing on the peaks of Spire unto Sky, those who live under the Light, have overcome great struggle to live in prosperity and in peace. Their hard fought-for sanctity and dignity is maintained through the Sacred Body and the tenants of its preservation.
Sacred Bodies explores the topics of desire and deviancy, and the cultural lines drawn between that which delineates one and the other.
Now available as part of the ShortBox Comics Fair 2024!
#tenouttaten do recommend#spinning it around 360 degrees in my head and chewing on it#delicious writing and art
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demonology // angelology
names & bases in image description.
some sticker sheets I hope to have for MCM London later this month!
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Truck drivers in Michigan have for years smashed into an undersized bridge called The Big Penny. Normal warning signs have not deterred drivers from wedging dozens of trucks into its hungry maw.
So they put eyes and teeth on the bridge, in part as a further deterrent.
It has not worked…
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some old key art of Dualayim from Sacred Bodies and more importantly my primary freckle/mole reference.
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congratulations to the newly wed couple
thank you to everyone who has not only purchased the comic, but also had kind words to say in tags and through asks!! I am away for holiday for most of this month, and I have been/will be largely offline on account of this*-- but please know that my heart is incredibly full to know people like this story!!
(*any posts that go up here have been scheduled before I left)
A few recurring questions I'll answer here real quick:
Will Sacred Bodies have a physical print? Yes! I would like to self-publish this book after the fair is concluded and sell it at conventions and through my online store.
What are the Ba'It based off of? Their body/limb plan is based on pteradons!! with some bat and bird anatomy thrown in. Garaang are semi-bipedal so that makes the silhouette even weirder, but you see some quadrupedal stances in the comic and it might make more sense then. I don't want to post or talk too much about some of the minutae of their design, as it is part of the story itself. :}
What medium did you use for the comic? It's all digital; I used Clip Studio Paint to draw the entire thing. I use the base watercolour and design pencil brushes that come with the programme. How long did it take you to make the comic? It's a little hard to estimate-- initial ideas, visdev and writing drafts were intermitent at the start of the year; once I landed on the story, finalising the script would've taken no longer than a week of recurring writing and editing. It's the actual drawing that takes forever, unfortunately. I started thumbnailing around April, and pencilling, colours and painting were a 10-11 hour work-day commitment for most of June and July. (I lost a lot of work-time in May cause I fell ill, womp womp). I'd probably say it was 4 - 5 months of labour. Are you going to write more stories in this world? I would really like to! I have a lot of ideas rattling in my head for the Valley of the World-- the place that the folk of the Spire have escaped. That being said, I have a whole graphic novel to finish first! It has been pushed back on account (but not exclusively because) of me working on my SBCF entries the last couple years, and I don't want to neglect it any further!! (it's 350+ full colour pages though so it was always going to be a huge undertaking)
Thank you again for the outpouring of enthusiasm and support; it means the world!
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[knife chopping sounds]
YOU'RE LISTENING TO
[stove clicking sound]
103.4
[water bubbling]
SOUP RADIO
[sLUUURRRRRP]
WHERE WE PLAY NOTHING BUT SOUP, SOUP, AND MORE SOUP
[radioactive by imagine dragons starts playing]
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Since first one was really popular, here is my next vampire comic. This one is inspired by old anime and....it is the tale about me and my friend and our love for vampire romances :D
(I put both of my comics on Gumroad if you want to support me https://chechula.gumroad.com/ ....well, it is same thing as here just in the PDF x_x )
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Can I ask how you did the background in the Griffin animation? Is it a 3D environment moving about or is it hand animated as well?
It's drawn by hand, but I made a 3D mockup for reference! I mostly referenced the horizon line's motion. The other details were trial and error in 2D, and I used photo refs for them.
I referenced the shading and figure positions on this version. The griffin looks extra janky because it's my first time rigging something, and there was no retopo. I was running this thing with the 300k+ unoptimized model that I sculpted from scratch as well. It didn't need to be pretty, it just needed to be functional.
I referenced the horizon on this version. Renders with ultra colorful blocks like those have a name, I didn't even know that, I just thought it's helpful to make them that way! I found out several months into this project that they are called "clown pass"
I drew everything by hand though. I didn't outright trace because I like the janky line style. But to clarify, I think tracing my own work that I made with the sole purpose of making things easier for me would have been 100% fine.
I added the details in with a technique I initially tried to do the whole background with. A VERY long strip of graphic passing through the frame, fine-tuned per-frame with Transform/Rotate/Warp/Smudge. It didn't work out for the whole environment, but for smaller details like foliage it was fine. Since I also needed to move gradients, and I didn't want those to look janky, I used the Xes outside the frame to move them around smoothly. MG stands for Middle Ground.
Here's the final version of the frame! The numbers on the top left correspond to the frame from the 3D animation. That one has 309 frames, while the 2D animation has 200 unique frames.
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Who would win? The thousand pound flying meathook t-rex, or… monkey with a stick?
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