Backside of the TV (DRV3 Remix). Replay Progress: DRV3-1 Prologue. BYF
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Themis
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#hmmm yeah this piece is amazing#the serious warm red instead of the dr blood pink#the scales with the brain and the heart#the fact that the hat is concealing his face and he's looking down not at either of them#shuichi saihara#drv3
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Controversial take, mayhaps, but I think if you swapped Kaito and Kaede's narrative places, you'd get a much better story.
There isn't really a good in-universe explanation for why Kaede is an unreliable narrator, but trying to appear like an unrealistically good person is Kaito's whole deal. He'd absolutely lie to himself about how Rantaro died, since he's a hero and heroes can't struggle or fail in any way. (I also think it makes for sense for Tsumugi's character if her killing game starts off with a rehashed execution and not an original, but that's more subjective.)
Kaede has been the groups defacto leader from day one, so her working with an Ultimate Supreme Leader makes a lot of narrative sense. You could frame it as a mentor-apprentice thing, if you wanted. Also, we're shown how much Kaede values her talent, so watching her body deteriorate until she's completely unable to play the piano... that'd hurt. That'd hurt so much.
#oh interesting#chapter 1 points are well made#but for most of the story I think it works fine either way#Kokichi and Kaito's clashing pride creates group division and narrative tension#Kokichi and Kaede either secretly working together or Kokichi enticing her in plain sight to until the Chapter 5 break point#does about the same thing#Chapter 5 would still be the group's darkest hour with the loss of their leader and shadow leader#don't get me wrong this take is absolutely for me I'd have loved more time with Kaede 10/10 would read fic#but I suppose I'd quibble that giving Kaede a clearer motivation to be unreliable would do just as much work as a pure swap would here#it would be harder to do without altering Kaede's character to some degree though#your solution is very elegant#kaede akamatsu#kaito momota#drv3
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two more unique prompts and their contexts
Tenko
Himiko 2
the last one is a little funny. might be robophobic of me
Free time, nap time
since I made a post about Kokichi's unique hangout prompt, I would feel remiss in not mentioning this one, too. it appears in the 3rd free time block. I find it significantly less interesting than Kokichi's. Kaede's inner voice only appears on the first line before returning to the generic prompt and the context is
wellllllllll
less connected to the main plot
#I would say the common thread is Kaede's concern for her classmates#but a lot of her classmates not getting a unique prompt are saying suspicious and concerning stuff#my replay#wisterias dot text
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Gonta, please
I would love to spend time with Gonta BUT I ALREADY SPENT A LOT OF TIME WITH HIM ON THIS SUBJECT
oh my god he fell into the same trap as Kaede
#you left too soon big buddy!!!#go back!!!#the writers really did put in a tiny character timeline mystery#that you can easily miss#that's neat#I love the writing in this game#my replay#wisterias dot text
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Free time, nap time
since I made a post about Kokichi's unique hangout prompt, I would feel remiss in not mentioning this one, too. it appears in the 3rd free time block. I find it significantly less interesting than Kokichi's. Kaede's inner voice only appears on the first line before returning to the generic prompt and the context is
wellllllllll
less connected to the main plot
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Arte 😍
#p#postgame Kokichi whenever a reporter asks about his death at an interview he's obligated to attend#do I tag this as kokichicore???#do I??????#kokichicore#kokichi oma#drv3
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Funniest Lines in DRV3 Contestant #3
you know what. get in the competition. I believe in you. yes *you*, humble little line of menu text
every time I read something in this game that makes me go "???" and sometimes "??????", I open up the menu and there you are with your staid assertion of honesty. and it's true! you always provide me with an accurate record of all the lying my beloved characters are doing
what would a session of playing DRV3 be like without you. like an episode of Pokemon where team rocket isn't blasting off again
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just two girls you know
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Suspicion! is it a buff or debuff to perception checks in murder school?
my journey to maybe, probably, eventually complete DRV3 chapter 1 continues. I once again had to go over a scene multiple times because I got captivated by a small detail lol
the detail in question is an optional conversation with Gonta. it occurs on the 5th day of chapter 1. Monokuma has announced the first blood perk, imposed his devil time limit, and everyone is disjointed and suspicious of each other. Shuichi and Kaede's plan to trap the mastermind is in-progress
how I ended up interested in this conversation:
I have been trying to go everywhere accessible to me anytime the game gives me control. for most of the prologue and chapter 1, Kaede has an objective: run from the unidentified giant robot, follow Shuichi to the library, and so on. during these objective periods through the end of in-game Day 4, attempts to visit an area that is not on the path to the objective will result in a "YOU SHALL NOT PASS" buzzer
like so
so I was a bit surprised, when I emerged from the warehouse carrying some cameras and sensors with a directive to take them to Miu in her lab, and I saw that Gonta was in the dining hall
I tried the school store door and got buzzed by Shuichi
nope
then, the dining hall door. success
this was an intriguing break in pattern. why would the devs place Gonta in this room, when they could place him anywhere directly on the way to Miu's lab? immediately, I wondered if this had some significance to the murder mystery. character actions and locations in tandem with timing is evidence
and I was definitely suspicious after I spoke to Gonta
3 things struck me as weird
Gonta's statement that they met in the dining hall "yesterday morning (Day 4) and the morning before that (Day 3)" is factually inaccurate. the group met up in the dining hall on Days 2 and 3
Gonta's statement that he didn't see anyone but Kirumi seemed ... implausible. prior to the warehouse, Shuichi and Kaede had just been in the dining hall performing their very famous groveling to Miu to request she make them a camera-sensor combo. and Miu had been in there long enough that Shuichi had known where she was, aiming to go find her there with Kaede. not to mention, on the way to the dining hall, Shuichi and Kaede bumped into Korekiyo in the hallway. it felt implied that he had also been to the dining hall. he at least knew Kirumi had been there making breakfast
the two last points combined to make Kaede's statement of "Oh, I see ... So no one met up in here this morning." set off author misdirection alarm bells. girl, you're not going to question Gonta's totally wrong timeline? or ask about Korekiyo? what's going on here?
then the conversation continued and I just got more ... baffled ...
Shuichi seemed to do his job as a detective by asking about Kirumi, but again I got no further information about timeline because he was cut off by Gonta
and then the last weird thing happened
that's the end of the conversation
the last thing was weird not because Gonta got angry, or that he scared Kaede. I don't think he was necessarily as angry as his sprite implied, or even angry at all. I believe others have mentioned this, and I agree: I suspect he is mimicking an animal's "upset" face, and it's coming off more extreme than he intends. I haven't cut any dialogue, Gonta is instantly contrite
no, what was weird was that Gonta got upset on behalf of himself at such a tiny refusal. bugs weren't even involved. this gave me such pause that I stopped to consider why Gonta might already have been upset, and what was *probably* going on here clicked for me
Gonta wasn't placed in the dining hall for murder mystery reasons, but for the reader to pick up a story beat happening in the background
when Gonta said that he had only seen Kirumi, Kaede despondently thought:
but Kaede has it backwards! despite not having made an agreement to meet up, several people chose to come to the dining hall in the morning, the place and time where they had been working together. they just kept missing each other
one of the things that I haven't had an opportunity to mention was that Shuichi and Kaede also encountered Maki, of all people, at a different spot in the hallway from Korekiyo, on their way to Miu
based on the information I understood from the conversations surrounding this one with Gonta, I believe a plausible (but still assumed) series of events would be:
Kirumi goes to the dining hall to make breakfast, in case anyone shows up
Korekiyo shows up first, but refuses breakfast. he might even have argued a bit with her about his refusal, and either out of politeness or something else, left eventually into the hallway
Gonta shows up next while Kirumi is still making breakfast. he enters through door direct from the school grounds to the dining room and isn't seen by Korekiyo. he does accept her breakfast, but he either annoys her by trying to help or Kirumi grows restless when no one else to serve appears. she leaves through the grounds door, also not seen by Korekiyo, and heads to the dormitory
Gonta waits in the dining hall alone for some time. he stews on his interaction with Kirumi, and returns to the grounds for a while, probably trying to make himself feel better by continuing his futile search for bugs. alas, he will find no bugs, and the combination of these things will contribute to his temper later
after Kirumi and Gonta are gone, Miu enters the dining hall directly from the grounds. Shuichi sees her, and then heads to Kaede's room to enlist her help in persuading Miu about the camera plan he has concocted
while Shuichi is chatting up Kaede, pick your flavor of Maki. I could be convinced that she saw Miu enter or didn't. she could have gone to the dining hall to keep track of the competition that might kill her, or due to a tiny flickering spark of the Maki she was before she became an assassin. either way, Maki only encounters Miu, takes 5 minutes to decide surveillance in the hall is a better option, and probably threatens to kill Miu if she dares to follow her out
and we're back to what I the player saw: Shuichi and Kaede encounter Korekiyo and Maki on the way to the dining hall, ask Miu their favor, go to the warehouse, and when they exit, Gonta is back in the dining hall
this idea settles the group mood on the 5th day into an interesting middle ground between falling for Monokuma's traps to separate them, but not yet having completely been lost to him. maybe everyone went to the dining hall for self-centered reasons, with no real coordination, but isn't it interesting that they went at all?
Kirumi could have done important work elsewhere. Miu could have picked 1 (relatively) safe person to blabber enthusiastically to near the retreat of her dorm door. god knows Maki could just sit inside her dorm crouched in ambush position if she wanted
I'm blogging with a particularly bad memory of the latter half of Chapter 1. so, I might have just made up a story over something that gets explained. I don't know. but I do know that if I click on Gonta again after the conversation, he says this
Gonta stay here little longer. maybe someone else come
I wonder if I'll find some scrap of dialogue to that implies that someone else does. if Kaede spends the rest of this day consumed in the mastermind trap plan, it's possible everyone could stop by and Kaede tragically would never know
this has been a delightful piece of storytelling to interact with. 1 day until time limit. Monokuma hasn't won yet
#drv3#gonta gokuhara#wisterias dot text#my replay#long post#yeah so this absolutely doesn't explain why Gonta's timeline is off but that's fine we'll not worry about that right now#zero points for “it's bad translation” unless with moving video of the line and surrounding lines from a clearly undoctored JP DRV3
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Redesigns plus Drv3 but they're in THH
#the untucked tie + still girly take on Kaede's outfit suits her personality a lot#kaede akamatsu#kokichi ouma#shuichi saihara#drv3
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Kaede Akamatsu in a Pokemon AU
thrice now I've stumbled across Pokemon AUs on tumblr that assign Meloetta to Kaede's Pokemon party. this Pokemon, #0648, a mythic from the black/white era
that's it, very cute for such a powerful pokemon
people haven't given the reason why, or I don't remember the reason why, they chose Meloetta for Kaede's party. it could be because they think it's cool to give Kaede a mythical party member, or it could be the aesthetics. idk, and for this kind of fandom fun, it could be any reason and I'd be the jerk to tell them they're wrong
I hope not to come across as that jerk here, as I actually bring this up because I find this pick fascinating. as in, I think Kaede and Meloetta make fascinatingly terrible trainer-Pokemon partners. I might be demonstrating my ignorance as a casual fan of Pokemon, but Bulbapedia says this about Meloetta
"Its melodies are sung with a special vocalization method that can control the feelings of those who hear it."
maybe in the sweetest, fluffiest, no-consequences-meant-to-be-consideriest of genre stories could I be convinced that Kaede, who values her dream of making people smile through music *under her own power* and freedom so much she famously attempted to murder a guy, would willingly team-up with a Pokemon who feelings-controls others through music. she'd hate it
in a best case scenario, Kaede and Meloetta meet once, Kaede understands how Meloetta's singing works, and they are immediately separated. Kaede represses the knowledge of such a creature down to the deepest depths of her psyche and never, ever thinks about it
perhaps later in Kaede's life, after Kaede has matured, they team-up once to solve a crisis problem. some peace is gained through a live and let live philosophy. happy ending
in a worst case scenario, Kaede and Meloetta become partners without Kaede understanding how Meloetta's singing works. Kaede finds out mid-way through their partnership, and we have a smile-drops, music-stops, oh-shit-we-are-in-a-different-movie-now moment during a musical show they are performing together. Kaede goes into a full existential crisis about her dreams, her place in the world, the ethics of influence and whether Meloetta should even exist
bonus points if Meloetta is good-natured and Kaede doesn't know how to handle that. the exquisite angst of Meloetta not understanding what is going on, trying to cheer Kaede up by singing, Kaede wondering if she is being controlled, not communicating with Meloetta, their days go on, a dark continued cycle until it concludes one way or another ... !!
so, yeah. Kaede + Meloetta. would read any AU about it. it's Kaede fine art, great concept team, even if I'm doubtful anybody else made this pick for the reasons I enjoy it lol
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girl who looks like a guineapig
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Lets end this killing game!!
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ougoku animation test/WIP
#the trope of Gonta holding/lifting Kokichi never gets old#really cool to see it animated#ougoku#gonta gokuhara#kokichi oma#drv3
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elaborate. yes go on. did he worry you. what was he doing. how did you stop him
these are his lines right after accepting his hangout prompt. way to demonstrate the innocent-nefarious dichotomy perfectly
had I only clicked a little further when I made that post. I probably wouldn't have laughed as hard at this without the comedic delay though
#also did you figure out what he likes#this is imperative information#oumatsu#ship posting#my replay#wisterias dot text
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these are his lines right after accepting his hangout prompt. way to demonstrate the innocent-nefarious dichotomy perfectly
had I only clicked a little further when I made that post. I probably wouldn't have laughed as hard at this without the comedic delay though
#inside I'm panicking#I've remembered that these involve gift-giving#what do you like king it's been so long#you are good for at least (1) thing wiki#my replay#wisterias dot text
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