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“I'm looking for a way to play this part where age doesn't make any difference. Age isn't interesting. Age is depressing. Age is dull. Age doesn't have anything to do with anything.”
GENA ROWLANDS in OPENING NIGHT 1977, dir. John Cassavetes
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CHARADE 1963 — dir. Stanley Donen
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There is a kind of sadness that comes from knowing too much, from seeing the world as it truly is. It is the sadness of understanding that life is not a grand adventure, but a series of small, insignificant moments, that love is not a fairy tale, but a fragile, fleeting emotion, that happiness is not a permanent state, but a rare, fleeting glimpse of something we can never hold onto. And in that understanding, there is a profound loneliness, a sense of being cut off from the world, from other people, from oneself.
Virginia Woolf
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LILA AND LENÙ My Brilliant Friend, chapter 27 "Compromises"
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Elizabeth Mitchell as Carol Newman THE SANTA CLAUSE 2 (2002) dir. Michael Lembeck
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Valentino - Fall 1994 RTW
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Totally Fucked Up (1993) // dir. Gregg Araki
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Ava Gardner at the fitting for the Fontana Sisters fashion show, Rome, 1954
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Paris When It Sizzles 1964, dir. Richard Quine
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finally some good fucking journalism
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CARLA CONNOR and LISA SWAIN CORONATION ST — 31.12.2024
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elena ferrante, my brilliant friend // la_melancolia
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Lily-Rose Depp as Ellen Hutter Nosferatu (2024) dir. Robert Eggers
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youre weirdly obsessed with finding meaning
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Sissy Spacek as Loretta Lynn in Coal Miner’s Daughter (1980)
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