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weatheredland · 9 days ago

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Good Omens Deep Dive Ahead! **I have edited and added to this several times now, but "ma point" has stayed the same. Probably every single reblog has a different version of this. It has turned into an absolute BEAST. You might be able to watch both seasons faster than read this at this point 😂😭

---------------------- Okay so I am rewatching S2 right now and golly. I've just noticed something. I'm sure it has already been noticed by plenty of other people so feel free to let me know, link me to some metas, please.

A lot of us have painstakingly analyzed every single frame, statue, clock tick, facial expression, and breath of the final 15. Good. Now we're going to look at the scene in S2E4/The Hitchhiker/1941 when Aziraphale and Crowley are in the bookshop doing their little pre-magic show warm-up roleplay foreplay bit. They're being surveilled by a bunch of half-witted nazi zombie spies. Aziraphale is trying to impress Crowley with his * m a g i c * Crowley is trying really hard to support his Angel.

The Blocking!

Keep in mind the camera angles are not quite the same between these scenes, the dimensions look a bit off because the lighting is completely different and therefore camera settings are different, and some of the furniture has moved a little bit in 90 years (but not much because Aziraphale)

1941 Crowley positions himself approximately / very nearly exactly in the same spot in the bookshop where present-day Crowley stops in the final 15 of S2E6 when Aziraphale says "Crowley, come back." The spot where shortly thereafter Crowley says the awful words that make us cry.

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1941 Azirphale with his little coins is standing in or very nearly in his same relative spot as in that scene, when present-day Aziraphale says "I need you," and "I don't think you understand what I'm offering you." And where shortly thereafter he says the awful words that make us cry.

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Then Aziraphale gets a touch insecure when Crowley suggests they go to the magic shop because it is "for professional conjurors," and Crowley responds with his "My Nefertiti Fooling Fellow" line of support and encouragement and believing in Aziraphale. And in that moment Crowley stands and walks towards Aziraphale. And they are mere inches away from one another either fully in or very nearly exactly where they stood or rather will stand during the kiss. I'm not gonna post a kiss gif we have all seen it ten bajillion times and I do not need to cry tonight it is a Wednesday.

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(I’m getting ahead of myself for a second but seriously, c’mon, just look at this fluff muffin's genuine smile above and tell me if it looks anything like that strained nightmare on his face in the gif below.)

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BUT WAIT THERE'S MORE. And take from this what you will. That happy little 1941 West End Girl with his vanished farthing basking in the glow of what he now knows is his Demon's adoration. Rotate our duo 180° around the bookshop and Az is now primed to move into the position where he gives his frantic The Metatron's not so bad of a dude and Heaven are the Good Guys and Crowley is one of the Bad Guys nonsense ridiculousness that totally walks back on Aziraphale's entire character growth over 2 seasons. Could it possibly visually represent that our favorite little white-winged stim-city cinnamon roll found himself in the final 15 in a situation at a complete 180° from that moment in 1941 when he was so happy and being genuinely sincerely himself and he was about to do something that he really actually genuinely wanted so badly to do and it was GOOD and it was RIGHT. Crowley's confession is obviously such a wildcard. At this point in 1941 Crowley is supporting and encouraging and working with Aziraphale and in the final 15 he is doing exactly not that.

And even more. In both the 1941 scene and the final 15, Crowley has just entered, respectively, a church and Heaven to save Aziraphale in the middle of the blitz/a demon army almost war battle. A massive atmospheric difference is that 1941 happens at night and the final 15 happens in the morning. We'll work on figuring out what that might represent.

And then we have some seriously upsetting parallel Angel/Demon on the shoulder blocking/framing moments.

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and

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And several more of such occur between the two scenes but I simply cannot.

And here's the part where I ramble and try to make sense of this in terms of the theories and fail miserably.

Get up, stretch your legs, have a glass of water, and take several deep breaths in.....and out..... You good? Let's go.

I've said it many times before and I stand by it that Aziraphale was lying through his teeth to Crowley in the final 15. Not because he wanted to lie to Crowley to convince him to come or to try to push him away - but because he was putting on a show for the Metatron. I think that just like the nazi zombies in 1941, the Metatron in S2E6 was absolutely watching Az's every move in the bookshop. And Az knew it. The first few times I watched it I thought Aziraphale's nervous glances to his left during his weird speech and the divorce were just nervous glances. Then I noticed that after he turned to face the other direction, his nervous glances went in the same direction, to his right side now, all the while to the window. It's alarming the frequency, several times a minute (but you were already acutely aware of the window glances you ineffably clever little shits.) I believe the whole final scene between our babies was an attempt at a sleight of hand by Aziraphale to subversively communicate with Crowley without letting on to the Metatron. How fitting that the parallel scene in 1941 revolved around supporting one another and planning and rehearsing for a performance that required for them to trust each other implicitly. And while I believe the act is for the Metatron, he is acting at Crowley - but expected him to catch on and act with him using coded language, movements, expressions, etc. that he expected/hoped Crowley would be able to read. However, both Crowley and Aziraphale in the final 15 were very clearly genuinely distraught for their own reasons. Crowley is about to finally verbally profess his love - and Aziraphale, I quite think, is terrified about his conversation with the Metatron and what's about to happen and is trying to come up with a tactic on the spot. It seems very likely to me that the intensity of their respective emotions in this moment absolutely doomed their communication.

How this all fits in with the leading theories.

I don't buy into the coffee theory. I think that was a metaphor or an allusion or symbolic of a very real "either accept my offer (which is not something you even want because everyone knows Aziraphale doesn't drink coffee) or suffer some dire consequences." I can't imagine Aziraphale would have ever thought the Metatron's offer was genuine and given out of merit. Surely he knew that he was in trouble. He'd thwarted the apocalypse, quit his job, stopped hiding that his person is a Demon, set off alarm bells in heaven twice in one week, blew up his halo and almost started a war, and hid an archangel on the lam. “You’re honest.” Bbgygrl bold face lied to the archangels for a week and the Metatron knows and Az knows he knows.

I'm not really for the body swap theory. Not really at all.

I’m not really for Angel!Crowley’s memory was wiped. How then would he remember the passwords? Crowley’s personality is very “that bitch” so I think all of his no-idea-who-tf-you-are interactions is just him being catty.

The time stop theory seems the most intriguing, I'm listening, but not yet sold. How prominently the ticking of the clock can be heard at all times in the bookshop feels important. I find myself flummoxed by the "missing minutes" / "continuity error" with that prominent clock in a show where the attention to detail is, “as you might say, a miracle,” that is propelling whole droves of human beings to the brink of discorporation. Here's an excellent breakdown of the timeline/examination of the clock in S2 by thesherrinfordfacility

I am, at this current moment in time, in the camp that believes Az likely attempted to convince Crowley to stop time so that he could explain the situation to him. To explain the threat - either implied, inferred, or direct - from the Metatron. To try to formulate a plan together. Check out this analysis from ineffableigh and take another look at Aziraphale babbling out his Heaven propaganda. Apparently the lip-reading theory that Az was mouthing about "time" has been debunked, but I stand by what looks like Aziraphale making the "time-out" hand gesture. And that damned clock loudly ticking its heart out all season must be important. Mustn't it??

Still, I'm not entirely convinced that any time stopping actually happened, not sure when it would have happened. Crowley was so emotional in a way we have never seen him. I think its highly possible that in the heat of that moment he wasn't catching Aziraphale's signals. I think that Crowley after the talk with Maggie and Nina was so caught up in saying what he was really thinking that it used up any possible bandwidth for LISTENING. But damn those tells seem like they would be/should be giant flashing neon warning signs to Crowley.

I mean, come on, the "C"lues in Aziraphale's ramble that he is spinning a wild-ass tale with coded language that would only make sense to Crowley are pretty obvious to me. If Az was really trying to convince Crowley to do something the last thing he would say is that it would be "nice(r)." And there is no way that at that point Aziraphale could have truly still considered Crowley to be a part of Hell and therefore one of the "bad guys." Seriously? 2 whole seasons and thousands of years spent learning about shades of grey and watching the Demon, who he loves, prove in a million little ways that he loves him back, watching that Demon do the right thing over and over, and TEACHING him, the Angel, the right thing. “Nothing lasts forever.” ?? My son is talking about his BOOKS. He is talking about THEM. They are IMMORTAL. They know what Eternity means. THEY last forever. If Aziraphale wanted to convince Crowley to come back and be an Angel, he would not have used that phrase/reasoning in his argument knowing full well that when Angel!Crowley became aware that his creation would be intentionally shut down, from Aziraphale's own mouth, mind, that was the triggering event that eventually led to Crowley's fall. Further, it would never have occurred to Aziraphale to try to use hurtful language to attempt to push Crowley away at this point because it has already been proven that that doesn’t work. S1E3 “I don’t even like you! “You do!” I think his erraticism in this scene was being totally caught off guard by Crowley's confession and trying to reconcile how to process and handle that while also trying to stick to his tactic of trying to get Crowley to read him. Az is brilliant, but Crowley is the one who usually can problem solve on his feet.

Az is clever enough to discern that he wasn't being offered the position in Heaven by the Metatron - Az was being forced back to Heaven. He wouldn't be happy or excited to make a difference in Heaven because he thought it was "the side of truth, of light, of good." No. There was no longer any freedom from Heaven, no safety for Aziraphale, which meant there was no longer any safety for Crowley. And if there was one motivator for Aziraphale above all other things it would be to keep Crowley safe. He had no choice but to go back to Heaven, so its not a matter of we can make a difference. It is a matter of we have to.

While I believe all of his word horror batshit disaster monologue was a bunch of old tosh, once present-day Aziraphale turns around from that 180° position to follow Crowley, into that final configuration matching that of 1941, he starts losing it. I think he's realizing that he failed in his attempt to get Crowley to understand. He did not expect to have to keep up this act so long. Crowley is walking away. It has all gone so wrong. He is cracking and the honest words start flooding past the lies. "Work with me!" (come on, catch up, please!) "We can be together"...(reluctantly, barely even trying anymore "...angels." And then it just breaks. "I need you!" "You don't understand!" While that would seem to be the case for Az, it really, at least on the surface, does not seem to have applied for Crowley.

The parallels between the final 15 and 1941 suggest to me, at least on the surface, an inverse. In 1941 we saw joy and excitement and wonder and cooperation and communication and trust. Furfur came to take Crowley back to Hell after catching our beloveds working together. And Aziraphale, the world's not best magician, performed a magic trick that may well have saved their existences, and "got it right the time that mattered." The final 15 is, again, on the surface and ostensibly, an abject disharmony. The Metatron came to take Aziraphale back to Heaven, and made a serious effort (no, not that kind, kids) to point out how very much the Ineffables "partnership" is "irregular" and implying, I'm sure, that they would only be permitted to be together as Angels in Heaven (which is a load of steaming celestial garbage.) (We're going to see more of the Az/Metatron conversation in S3, I just know it, there is some seriously important information missing.) But, as far as we were shown, at least on the surface, all of their getting to know one another and trusting one another and being able to read one another - failed to serve them the time that mattered.

And yet. Crowley still lingered in the end and stood so poised and stoic next to the Bentley watching Az step into the Hellevator...It kind of gave a feel that maybe Crowley figured something out. Maybe he had a cool down after storming out and realized something felt very off about that conversation. Maybe he just braced himself and remembered to trust Aziraphale. Maybe as he stormed out he saw the Metatron staring daggers into the bookshop window and it clicked. Maybe in Az's furtive glance back that very last time he once again mouthed "trust me." Some version of Az's message must have finally gotten through to Crowley. Somewhere along the way. It had to have. I can't believe it didn't. All season we were shown Crowley specifically can read Aziraphale. "You have three reasons for calling me" / "tone of voice," the "trust me" lip-reading at the 1941 magic show / Crowley has seen first hand how Az acts when he lies to Heaven in the Job mini-sode. And really. Crowley knows the second coming is on the agenda after his trip to Heaven. These two put the force of their entire existence into thwarting the Apocalypse once. Would he truly believe Aziraphale would want to help bring about the second coming? Sounds unlikely.

So, perhaps, the final 15 isn't in its entirety opposed to 1941. Maybe it's just a few symbolic nods. 1941 Crowley said the magic act they need to perform together needs to be "bigger" more "dramatic." Is there something bigger and more dramatic happening? Are they performing together? Did Crowley catch on? Did they stop time? Or is there a trick, like the photo swap, so surreptitious that it's almost invisible? Perhaps there is just a metaphor in there. Maybe now Crowley has to be the one to catch the metaphorical bullet and Az has to be the one to figuratively shoot? (That's terrifying.)

And then there's still the matter of that damned clock!

Also, let's face it, Alpha Centauri was never a plan. "They'll be shutting this all down in 6000 years.” “All.” As in "the universe.” As in Alpha Centauri included. They were going to have to take some sort of action eventually. I don't think Crowley ever wanted to go. He just wanted Aziraphale to say yes. Yeah, ouch.

Last point I promise is this video from @sendarya

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Here, Nightingale Sang in its entirety is lined up with the 13 seconds in which it played in the Bentley and it ends exactly at the final frames of Crowley and Aziraphale. Some have speculated that Crowley had Nightingale queued up to play on the pair's way to breakfast at the Ritz. But that doesn't make sense. Wouldn't one have a song start at the beginning? AND Crowley had yet to have his chat with Maggie and Nina. I'm not so sure that the Crowley we know would have gotten it into his head/summoned up the confidence on his own to ready THAT song. Maybe the often tone-deaf Bentley was trying to comfort Crowley by playing Nightingale? But what I think is that when Aziraphale glanced back, he made the tiniest of little Angel nudge waves to convince the Bentley to play that song. From this vantage point, Michael Aziraphale's creepy smile in the final frame conveys an entirely different sentiment. It makes him look certain. It makes him look like an Angel with a plan. If I'm right in this part, I think that would have been exactly what was needed to finally get his message, intentions, and feelings across to Crowley in a way he could understand.

Come at me hive mind!

Also still new to tumblr and think I royally fudged it on adding those gifs so I'll work on that.

#good omens #meta #ineffable husbands

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