icon by impeccable-icons :) I am four racoons in a trench coat and a cowboy hat and i have never been sexier
Don't wanna be here? Send us removal request.
Text
messy study because artblock has me on a leash
288 notes
·
View notes
Text
adaptations of dracula are hilarious bc like 99% of them butcher the entire point of dracula to the point of being unrecognizable and it's infuriating but then there's sesame street. he just lives in new york and teaches kids how to count bc his name is a fucking pun. absolutely perfect, no notes
2K notes
·
View notes
Text
People who use AO3, please stop panicking about the new tick boxes you have to agree to before you can access the site.
It's not because of the election - the obligation to provide info under a court order when asked is common with nearly all websites and AO3 doesn't collect as much information in you as, say, Discord does.
You're seeing this because AO3 changed the wording of its Terms of Service recently so now you have to re-agree.
AO3 tries to be as user-friendly as possible internationally, but they still have to abide by the Law where they're based.
The US can issue a warrant to your Internet Service Provider if they have cause to. If you still use Facebook, Instagram or tumblr, I wouldn't panic about your AO3.
3K notes
·
View notes
Text
4K notes
·
View notes
Text
Original handwritten lyrics, Psycho Killer by Talking Heads, c.1975.
19K notes
·
View notes
Text
22K notes
·
View notes
Text
my family fucked up my life by using spoonerisms interchangeably with their true phrase counterparts since before i was born and now i can’t escape from instinctively saying shit like “im gonna shake a tower”
169K notes
·
View notes
Text
I am forever haunted by Nate and Tessa's fucked up and terrible sibling dynamic. Maybe it's just because I related to Tessa too hard when I was twelve and heard "this is her older sibling who's the coolest person in the world and reuniting with him is her number one priority" and went "yup, makes sense!" but his betrayal is genuinely one of the defining aspects of TID to me.
Sibling relationships are such an underexplored way to fuck somebody up in fiction, in my opinion. Nate has been the one constant in Tessa's life, and no matter how aware she was of his flaws that could never overrule the fact that he's her person. She trusts him on a fundamental level that she just can't experience with anyone else, and part of it is because of how fleeting all her other relationships have been, but a lot of it is just the fact that he's her brother and she's loved him for as long as she's been alive. More than that, she idolizes him. Her entire life crumbles around her when Aunt Harriet dies and she ends up held hostage by the Dark Sisters, but Nate is still there and perfect in her mind. He's her anchor when everything else goes insane; if she can just find her brother then things will be okay again. She's more able to handle her world being shattered by learning about the supernatural because all that magic shit is secondary to the fact that she needs to save Nate.
And then of course she does save him and he turns around to betray her. And again, it hits harder than any other betrayal possibly could because he's more important to her than anyone else could possibly be. By this point she's built up bonds with Will and Jem and the other people at the Institute, and eventually they all become woven into her being, but not when she's sixteen and has known them for a week.
Looking at it from Nate's perspective, the thing that's always fucks me up is the way he tries to convince himself that he sees Tessa as a monster. He's genuinely just a shitty enough person that he set his sister up to be a child bride for a mass murderer because of the payout, but he can't handle thinking of it that way so he clings to this idea that Tessa isn't really his sister, isn't really human. And while yes, that's biologically true (they're not even technically related to each other), it doesn't change the fact that they're siblings in every way that matters. She'll always be his little Tessie, even if he doesn't want to admit it, doesn't want to let himself be the villain in this situation. He does the same thing with Harriet, arguing that she deserved to die because of all her lies because otherwise he would need to admit that he killed his mother out of pure selfishness.
Nate isn't the most evil guy in the world, but he is greedy and allergic to principles. It's so much worse than if he never loved Tessa, because he does love her till the very end and that love just isn't enough to override the allure of wealth and power. That's always the most painful type of relationship to me; the one where a person has just enough good to make it impossible to unequivicobly hate them.
Maybe Will could just write Nate off as a terrible person, but Tessa will always know every detail of his best and kindest moments. I have to believe that he haunts Tessa for the rest of her immortal existence, this knowledge that the person who made her life worth living for the first sixteen years was the one to sell her out. All the pain in the world isn't enough to erase that bond; she'll always have to live with the memory of him dying in her arms, the knowledge that his goodness and love was just as genuine as his duplicity.
Yeah this ended up being a lot longer than I intended, I just have a lot of feelings about the Gray siblings. Nate wasn't a part of the world where Tessa eventually found a home, she'll never have anyone else who understands the knot of emotions surrounding him. She can get sympathy but never empathy. Yes the rest of the TID crew are aware of him, but they barely met him and she outlived all of them too. Nate's so lost in her past, I bet that most people don't even realize that she used to have a brother, that she grew up as a sister, as half of a set. She carries the Gray name forward through her immortal life, and nobody else knows about the family that used to share it. She's still got Jem and Magnus who have been her friends since she was a teenager, who keep the memory of Will and the others alive; but no one else was there for her childhood.
I'm not quite sure how to end this, I'm just feeling emotions about Tessa Gray on this fine Tuesday and felt like sharing them.
163 notes
·
View notes
Text
do you get deja vu?
250 notes
·
View notes
Text
85K notes
·
View notes
Text
hey pal, take it easy! you're scrolling with way too much intensity. look at this horse
28K notes
·
View notes
Text
The Last Hours - Enneagram Series
Over on Instagram, I’ve been working very hard on this series of characters for the enneagram! If you don’t know what the enneagram is, in short, it’s a personality typing system! There are 9 types, several subtypes, and all of them mean different things—I would absolutely recommend researching it if you’re interested in that kind of stuff!
The Mortal Instruments Series is next!
@cassandraclare
2K notes
·
View notes
Text
one of my favorite things to do in limited perspective is write sentences about the things someone doesn't do. he doesn't open his eyes. he doesn't reach out. i LOVE sentences like that. if it's describing the narrator, it's a reflection of their desires, something they're holding themselves back from. there's a tension between urge and action. it makes you ask why they wanted or felt compelled to do that, and also why they ultimately didn't. and if it's describing someone else, it tells you about the narrator's expectations. how they perceive that other person or their relationship. what they thought the other person was going to do, or thought the other person should have done, but failed to. negative action sentences are everything.
34K notes
·
View notes
Text
3K notes
·
View notes
Text
88K notes
·
View notes