vvarvvon

[vvarvvon]

Talking About Other Muses Starters

fill in the prompts with names of other muses/characters

"I'm worried that [name] might be in trouble."

"[name]'s birthday is coming up. We should throw them a party."

"I'm going to murder [name]."

"Did something happen between you and [name]?"

"I heard [name] is adopting a cat."

"I think I just saw [name] and [name] making out."

"[name] gave me this. . .thank god there's a gift receipt."

"Should we draw straws to see who has to tell [name] that this is a terrible idea?"

"I can't believe [name] told you that. It was supposed to be a secret."

"How dare you show up here after what you did to [name]."

"If [name] asks, you didn't see me."

"[name] just called from jail."

"You don't deserve [name]."

"[name] just offered me $50 to drive them to the border."

"I can tell [name] made this because it tastes awful."

"[name] was looking through your phone."

"We can just make [name] pay for it."

"What do I have to do to get you and [name] to kiss and make up?"

"Why is [name] digging a hole in the backyard?"

"We need to arrange a little accident for [name]."

"This is all [name]'s fault. I had nothing to do with it."

"Have you heard from [name] today?"

"Do you think [name] will like this? I spent all night working on it."

"I don't think [name] likes me all that much."

"Next time [name] speaks to me I'm shoving them in the pool."

"Why is [name] cowering in the corner?"

"[name] is your problem now."

"You didn't tell me [name] was going to be here."

"Did you see what [name] is wearing?"

"Take [name] with you. They look bored."

[vvarvvon]

Talk to my muse’s parents

Send “👩🏻+ Question” and my muse’s Mother will answer

Send “👨🏻+ Question” and my muse’s Father will answer

Send “💑+ Question” and both of my Muse’s parents will answer.

[vvarvvon]

hailey needs routine. she grew up with a gambling addict father, she was homeless for a brief stints as a teen. neither really leant itself to her getting much stability, too focused on survival. so now that she has stability (david's overcome his addiction, she's in no danger of becoming homeless again), routine helps her by reminding her of that fact.

[vvarvvon]

𝐃𝐈𝐒𝐍𝐄𝐘'𝐒 𝐇𝐄𝐑𝐂𝐔𝐋𝐄𝐒 (𝟏𝟗𝟗𝟕) 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒. - feel free to make any adjustments as necessary!

"what is the measure of a true hero?"

"will you listen to him?"

"lighten up, dude."

"i'll take it from here, darling."

"it was a nasty place."

"behave yourself."

"look how cute he is."

"he's strong. like his dad."

"keep those away from the baby."

"let the kid have a little fun."

"is this an audience or a mosaic?"

"there's the little sunspot."

"i regrettably have a full time gig."

"you'll work yourself to death."

"i know you know."

"did you cut your hair or something? you look fabulous."

"my fate is in your lovely hands."

"okay, fine, fine. i'm cool, i'm fine."

"how do you kill a god?"

"perhaps they've answered our prayers."

"that boy is a menace."

"he's too dangerous to be around normal people."

"he didn't mean any harm. he's just a kid."

"i'm warning you. keep that freak away from here."

"you shouldn't let those things they said back there get to you."

"i try to fit in, i just can't."

"i feel like i really don't belong here."

"i have often dreamed of a far-off place."

"this is where i'm meant to be."

"i know every mile will be worth my while."

"i would go almost anywhere to feel like i belong."

"it's the symbol of the gods."

"you're old enough now to know the truth."

"how do you become a true hero?"

"i will please the gods."

"you sure this is the right place?"

"haven't you ever had a dream?"

"come inside. i want to show you something."

"every single one of those bums let me down."

"dreams are for rookies."

"i'm different from those other guys."

"i'm too old to get mixed up in this stuff again."

"i'm down to one last hope."

"you're not exactly a dream come true."

"you'll have to do."

"now that's more like it!"

"you want a road test? saddle up, kid."

"not so fast, sweetheart."

"i'm a damsel, i'm in distress, i can handle this."

"what are you doing? get your sword."

"a hero's only as good as his weapon."

"is wonderboy here for real?"

"at least i beat him, didn't i?"

"did they give you a name along with all those rippling pectorals?"

"are you always this articulate?"

"who are you calling a rodent?"

"he comes on with his innocent farm boy routine, but i can see through that in a new york minute."

"people here are nuts because they live in a city of turmoil."

"it seems to me that what you folks need is a hero."

"i have this terrible fear of heights."

"try to be a little bit more careful next time."

"i don't think we covered this one in basic training."

"you gotta admit - that was pretty heroic."

"he was so hot steam looked cool."

"everybody's got a weakness."

"there is nothing you can't do."

"it's great to see you. i missed you."

"you sound like you could use a break."

"i didn't know playing hooky could be so much fun."

"wonderboy, you are perfect."

"when i was a kid i would've given anything to be exactly like everybody else."

"you're the most amazing person i've ever met."

"when i'm with you i don't feel so alone."

"i would never ever hurt you."

"let's both do ourselves a favour and stop this."

"that's it. next time, i drive."

"no man is worth the aggravation."

"get yourself another girl. i'm through."

"i can't believe you're getting so worked up about some guy."

"people are gonna get hurt, aren't they?"

"now you know how it feels to be just like everyone else."

"i know what i did was wrong, but this isn't about me."

"if you don't help him now, he'll die."

"people always do crazy things when they're in love."

[vvarvvon]

For all those that follow multi-muse blogs, send  💞 + your favorite muse of mine! Bonus points if you give a reason why!

whether on anon or not! 

[vvarvvon]

EPIC: THE UNDERWORLD SAGA. roleplay starters of jorge rivera-herrans' 5th ep of epic: the musical. feel free to edit according to scenario / pronouns.

THE UNDERWORLD.

[ name ]'s instructions were clear.

no matter what we hear, full speed ahead.

this land confuses your mind.

all i hear are screams, every time i dare to close my eyes.

i no longer dream, only nightmares of those who've died.

nothing's what it seems.

when does a man become a monster?

why would you let the cyclops live when ruthlessness is mercy?

the past seems close behind.

this life is amazing when you greet it with open arms.

whatever we face, we'll be fine if we're leading from the heart.

greet the world with open arms.

that voice, it can't be.

when you come home i'll be waiting.

even if you're the last thing i see, i'll be waiting.

i'm right here, [ name ].

can't you see? i'm waiting.

i took too long.

i'll always love you.

i'll stay in your heart.

NO LONGER YOU.

i am the prophet with the answers you seek.

time, i've unlocked it.

i see past and future running free.

there is a world where i help you get home, but that's not a world i know.

i see the sacrifice of man.

i see portrayals of betrayal.

i see a man who gets to make it home alive, but it's no longer you.

this can't be.

we've suffered and sailed through the toughest of hells.

now you tell us our effort's for nothing?

i see your palace covered in rеd.

i see your wife with a man who is haunting, a man with a trail of bodies.

MONSTER.

how has everything been turned against us?

how did suffering become so endless?

how am i to reunite with my estranged?

do i need to change?

i'm surrounded by the souls of those i've lost.

i'm the only one whose line i haven't crossed.

what if the greatest threat we'll find across the sea is me?

what if i'm the monster?

what if i'm in the wrong?

what if i'm the problem that's been hiding all along?

what if i'm the one who killed you every time i caved to guilt?

what if i've been far too kind to foes, but a monster to ourselves?

is the cyclops struck with guilt when he kills?

is he up in the middle of the night?

did she learn to be colder when she got older and now she saves them the pain?

when a god comes down and makes a fleet drown is he scared that he's doing something wrong?

if i became the monster, and threw that guilt away, would that make us stronger?

would it keep our foes at bay?

who would care if we're unjust?

ruthlessness is mercy upon ourselves.

i lost my best friend.

i lost my mentor.

i will deal the blow and i'll become the monster.

so what if i'm the monster lurking deep below?

i'll become the monster.

[vvarvvon]

sad headcanon q’s… 

1. who does your muse hate?

2. how does your muse handle grief?

3. what is your muse’s biggest regret? 

4. how many scars does your muse have?

5. how long can your muse hold a grudge?

6. how does your muse handle loneliness? 

7. what is one of your muse’s greatest fears?

8. what does your muse fear losing the most?

9. does your muse think violence is ever warranted?

10. what is the worst illness your muse has ever had?

11. what would your muse consider their worst failing?

12. does your muse tend to push themselves too hard?

13. how does your muse outwardly express their anger? 

14. what is the worst injury your muse has ever received? 

15. what might others consider your muse’s worst failing to be?

16. does your muse have a short fuse when it comes to temper?

17. who does your muse wish they had said goodbye to, but didn’t?

18. does your muse suffer from nightmares? how often? what about?

19. out of everything your muse has lost/given up, which hurt the most?

20. what is something your muse wants to tell others, but is too afraid to? 

21. how hard is it for your muse to open up to others? what holds them back?

22. looking back, what is one thing your muse wishes they had done differently? 

23. does your muse tend to be hard on themselves when they do something wrong?

24. does your muse lean more toward “forgive and forget” or “resent and remember?”

25. does your muse recognize their faults, or do they have trouble with self-reflection?

[vvarvvon]

EPIC: THE CIRCE SAGA. roleplay starters of jorge rivera-herrans' 4th ep of epic: the musical. feel free to edit according to scenario / pronouns.

PUPPETEER.

i have something that i must confess.

until it is said, i cannot rest.

go make sure this [ place ] is secure.

there's only so much left we can endure.

whatever you need to say can wait some more.

[ name ], back so soon?

by the gods, what happened to you?

inside we heard a voice.

nothing could prepare us for thе power that awaited inside.

what did this [ place ] hide?

since we left home we've faced a variety of foes from a wide range of places.

we are weak to a power like this.

what was it?

she had us in just two words.

come inside.

damn...

go ahead and rest wherever you like.

i got you.

don't worry, [ name ]'s got you now.

let me bring you all something to eat.

she changed them!

the world does not tend to forgive.

i'm not a player, i'm a puppeteer.

we have to go save them.

let's just cut our losses, you and i, and let's run.

i can hardly sleep now knowing everything we've done.

there's no length i wouldn't go if it was you i had to save.

i can only hope you'd do the same.

i can hear her still and her voice deceives.

this is the price we pay to love.

WOULDN'T YOU LIKE.

i must say what a brilliant speech you gave.

who goes there?

a foe like [ name ] is not to be messed with.

you wanna beat [ pronoun ]?

wouldn't you like a taste of the power?

wouldn't you like to use more than words?

wouldn't you like to have some of thе magic?

wouldn't you like your outcome prefеrred?

she can turn you into an animal that'll end up on her plate.

she can conjure up a monster that'll grind you to the bones.

all you need’s imagination.

don’t thank me, friend. you very well may die!

DONE FOR.

i hope that i've been misinformed.

we seldom get a warm welcome.

did you do something to them?

all i did was reveal their true forms.

i don't know who you are nor why you're here.

i've got people to protect.

i'm not taking chances.

if you makе one wrong move, then you're done for.

i could put a spell on you and you're done for.

you better cower now and flee.

[ name ] gave it to you, didn't he?

okay, fine, yes, but regardless.

you and i are now evenly matched.

our fates are intertwined, they're attached.

you've made your one wrong move, now you're done for.

the last time we let strangers live, we faced a heavy loss.

everyone's true colours are revealed in acts of lust.

i'm not sure i follow.

THERE ARE OTHER WAYS.

there are other ways of persuasion.

there are other modes of control.

there are other means of deceit.

there are other roads to the soul.

there are other actions of passion.

you have so much left to learn.

show me that you're willing to burn.

there is so much power, but there's no puppet here.

forgive me.

back at home, my wife awaits for me.

she is my everything, my [ name ].

it's been twelve long years.

the god of tides is out to end my life.

so i beg you, [ name ], grant us mercy.

there might be a way to evade him.

there might be a way to get home.

it might be your one final hope.

wait, you're helping us?

maybe showing one act of kindness leads to kinder souls down the road.

i have been in love once before.

maybe one day the world will need a puppeteer no more.

[vvarvvon]

greek demigods: our parents are olympians.

luna: oh hey, that's what i was!

[vvarvvon]

jakke's mortal family.

cw for mob themes in myra's section.

the father, pedro cortes.

pedro is a carpenter who always had an interest in mythology. it was sparked by the stories of aztec gods, mainly the star gods quetzalcoatl, tlahuizcalpentecuhtli, and xolotl. eventually, he would make his way into learning the mythologies of other cultures, including the greco-roman pantheon that would give him and myra jakke.

the mother, myra cortes nee gleipnif.

myra's family is old money. the gleipnifs are a powerful crime family in slovakia—able to go up against the bratva—who hid their mob ties by becoming socialites. myra, however, didn't enjoy the high society life. she wanted out. so she hid herself in mexico, knowing her family would stop searching at the end of eurasia. though she still has less-than-legal skills, myra prefers to not use them. instead, she has taken up work as a carpenter, same as her husband.

their first child together, benes cortes.

benes was born a decade after the cortes family had settled into their london life. he is currently eight. his main interest is music. singing, specifically. he is the only one to have his own screen time (the others are only allowed screen time with a parent watching over their shoulder, which leads to filip & sabrina only really watching documentary television with their dad). this is what solidified his interest in music, it was sparked by myra's lullabies. benes is also the only one of his mortal siblings to think something is odd about their elder brother. it started when he noticed only three "baby's first christmas" ornaments, only three baby albums. for a while, he thought maybe jakke was adopted, but quickly dismissed the thought because of how he looks like jakke's mini-me. the notion that something was weird about jakke was solidified when benes saw his older brother with both palms clear, when he knows that there's a tattoo on the right.

the middle child, filip cortes.

currently six, filip is the middle child. filip's main interests are dinosaurs and semi trucks. he has very little self-preservation at this point in his life. he will run up to strangers just to compliment their outfit before running away. his antics leave pedro & myra exhausted as they are constantly having to tug him back before he runs out of their sight.

the only sister, sabrina cortes.

the baby of the family. currently five years old, sabrina is doted on by her parents and eldest brother. sabrina is just as loud as her brothers, telling everyone she encounters about the stars and "how it's made." unlike filip, she doesn't run up to strangers, instead interjecting her thoughts at random intervals throughout any conversation her parents are having with one of their own friends.

[vvarvvon]

EPIC: THE OCEAN SAGA. roleplay starters of jorge rivera-herrans' 3rd ep of epic: the musical. feel free to edit according to scenario / pronouns.

STORM.

these waves and tides have grown in strength and size.

is it nature or divine or a blessing in disguise?

our home's in sight.

there's no time to die.

brace for a storm.

brace for a storm the likes of which we've never seen before.

with home so close, we must keep pushing forward.

head towards the island but avoid the crashing waves.

tread where the tide is flat and then you will be safе.

captain, we will capsize with thesе waves.

i'll ensure that we prevail.

we're taking too much damage to survive.

we'll beat this storm.

at this rate, we won't make it out alive.

what do you have in mind?

we're gonna shoot for the sky.

LUCK RUNS OUT.

please don't tell me you're about to do what i think you'll do.

we're in the home of the wind god.

we don't know for sure.

how many floating islands have you seen before?

and what's your plan?

i'm gonna climb to the top and ask 'em for a hand.

you could be caught off guard and lose your life.

don't forget how dangerous the gods are.

have faith, friend, we've come this far.

yes, but how much longer til your luck runs out?

how much longer 'til the show goes south?

how much longer 'til we all fall down?

you rely on wit and people die on it.

i still believe in goodness.

i still believe that we could be kind.

where is this coming from, my friend?

i just don't wanna see another life end.

and suddenly you doubt that i could figure this out?

thank you for the concern.

our journey is almost done.

i understand that we're tired.

i understand that we're fazed, but don't forget how much we've already faced.

i need to talk to you in private.

i can't have you planting seeds of doubt.

i can't have you disagreeing each route.

KEEP YOUR FRIENDS CLOSE.

i don't know if you know this, but our path to home is blocked by an impenetrable storm.

i ask for your assistance.

let's play a game.

if you win, you will get what you're yearning.

all you gotta do is not open this bag.

sounds too easy, what's the catch?

keep your friends close and your enemiеs closer.

never rеally know who you can trust.

'cause the end always justifies the means.

friends turn into foes and rivalries.

captain, what's happening?

let's see what you got.

we cannot let the treasure rumor fly.

sometimes sneaking is a must.

for nine days, i've stayed wide awake.

i can't wait to make some new memories.

time for me to be the father i never was.

why are my eyes and my heart and my soul so heavy?

just keep your eyes open.

why won't you let me?

wake up!

do you know who i am?

RUTHLESSNESS.

in all my years of living, it isn't very often that i get pissed off.

damn, you crossed the line.

i've been so gracious.

i'm left without a choice and without a doubt.

guess the pack of wolves is swimming with the shark now.

i've gotta make you bleed.

i need to see you drown.

ruthlessness is mercy upon ourselves.

you are the worst kind of good.

you are the worst kind of good, 'cause you're not even great.

a greek who reeks of false righteousness that's what i hate.

in all my years of living, it isn't very often that i get pissed off.

damn, you crossed the line.

i've been so gracious.

i'm left without a choice and without a doubt.

guess the pack of wolves is swimming with the shark now.

i've gotta make you bleed.

i need to see you drown.

ruthlessness is mercy upon ourselves.

you are the worst kind of good.

you are the worst kind of good, 'cause you're not even great.

a greek who reeks of false righteousness that's what i hate.

you fight to save lives but won't kill and don't get the job done.

you totally could have avoided all this.

you are far too nice.

mercy has a price.

it's the final crack, we're about to break the ice now.

unlike you i've got no mercy left to give.

now it is finally time to say goodbye.

today, you die.

we meant no harm.

we only hurt him to disarm him.

we took no pleasure in his pain.

we only wanted to escape.

the line between naïveté and hopefulness is almost invisible.

close your heart, the world is dark.

what have you done?

i am your darkest moment.

any last words?

remember me.

[vvarvvon]

THE MANY MEANINGS OF "HEY.": A PROMPT LIST.

i often have these ideas that have no real origin, but i can actually tell you precisely why my brain wanted this: i was listening to "hey, soul sister" by train on a loop and i got thinking abt the fact that we really do just say "hey" for so many reasons. and i wanted to make that your thought of the evening! so happy november, bon appetit, wrap up warm, DO NOT ADD TO THIS LIST, and enjoy your writings!

[ GREETING ]: sender says "hey" as a greeting to the receiver.

[ ATTENTION ]: sender, having just noticed something strange or remarkable, calls for the receiver to get their attention.

[ REASSURE ]: in a bid to steady the unsettled receiver, the sender lightly says "hey" to help them calm down.

[ ANGER ]: the sender sharply snaps "hey" at the receiver, clearly angry about something the receiver has just done or had done in the past.

[ IDEA ]: having been presented with a predicament, the sender suddenly unravels a solution, introducing it to the receiver by saying "hey…".

[ GUILT ]: having just done something that they know the receiver won't be pleased with, the sender sheepishly greets them once they arrive to see the damage.

[ GOSSIP ]: the sender turns to face the receiver conspiratorially, clearly eager to share some new gossip with them.

[ URGENT ]: the sender rushes to the preoccupied receiver, desperately shouting "hey!" to get them to focus on a far more pressing matter.

[ SOOTHE ]: after finding the clearly distressed receiver, the sender pulls them into a careful embrace, gently murmuring "hey…" to try and soothe them.

[ SMILE ]: the sender (who hasn't been smiling up until they actually see the receiver in front of them) lights up with a smile as they greet the receiver.

[ TEARS ]: the sender greets the receiver while very clearly in tears.

[ FAKE ]: alternatively, the sender (who has just been crying in private) hastily wipes away their tears and tries to greet the receiver casually (to varying degrees of success).

[ WARNING ]: when the receiver begins to say things about subjects that are off-limits to the sender, the latter gives them a warning by saying "hey…".

[ LAUGH ]: having found the receiver to be decidedly unhappy, the sender lightly catches their attention before doing something to make them laugh, or at the very least, grin.

[ PROTEST ]: after the receiver does or says something that the sender deems to be unfair, the sender tries to exact justice by saying "hey!".

[ BREATHLESS ]: having clearly just sprinted down to the receiver, the sender tries to catch their breath while greeting them.

[ SAVE ]: after just saving the receiver's life in a very heroic fashion, the sender smoothly greets them while helping them escape.

[ FLIRT ]: the sender meets the receiver in a social setting, and attempts to flirt with them with the very traditional pick-up line: "hey.".

[ APOLOGY ]: the sender, having recently done something that hurt or upset the receiver, reunites with them and addresses the elephant in the room by greeting them with a sincerely apologetic tone.

[ AWKWARD ]: after a particularly rough first encounter, the sender meets the receiver again, and awkwardly greets them with more than a touch of embarrassment.

[ GENTLE ]: having found the receiver in an emotionally compromised position, the sender closes the door and approaches them carefully, gently saying "hey…" to try and get them to communicate what has upset them.

[ HARD ]: preparing to deliver what they both know will be bad news, the sender tries to prepare the receiver by quietly greeting them in a solemn tone.

[ WAKEN ]: walking into the receiver's bedroom, the sender gently shakes their shoulder to waken them, and whispers "hey." to encourage the process along.

[ WHISPER ]: the sender gently whispers "hey" to the receiver to discreetly get their attention without drawing the attention of others.

[vvarvvon]

while her godly half-siblings of the day may not enjoy rhis's company, her divine stepmother nyx adores the girl. so much so that nyx has given rhis a key to the mansion of night, welcoming her to come by at any time, so long as rhis comes alone.

[vvarvvon]

🐝  *  ―  𝑫𝑹𝑬𝑨𝑴𝑺 𝑨𝑵𝑫 𝑵𝑰𝑮𝑯𝑻𝑴𝑨𝑹𝑬𝑺 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺.

❛  last night, i had the craziest dream ...  ❜ ❛  have you ever had a recurring dream?  ❜ ❛  sometimes, my dreams feel more real than reality itself.  ❜ ❛  i wish i could still remember what i dreamt about last night.  ❜ ❛  only thing i remember is that it was a nice dream.  ❜ ❛  do you believe dreams have any deeper meaning?  ❜ ❛  i often wonder what it would be like to live inside my dreams.  ❜ ❛  do you wanna hear about my dream?  ❜ ❛  have you ever experienced lucid dreams where you could control the outcome?  ❜ ❛  i'm telling you, this is all playing out exactly like my dream.  ❜ ❛  what's the strangest dream you ever had?  ❜ ❛  you were part of my dream last night.  ❜ ❛  i think i had this dream before.  ❜ ❛  maybe if i close my eyes i can convince myself that this is only just a dream.  ❜ ❛  looks like you're lost in daydreams again.  ❜ ❛  i'm not sure what this dream was trying to tell me ...  ❜ ❛  can you tell me about your dream?  ❜ ❛  sometimes, i wish i could control my dreams just so i could make them all happy ones.  ❜ ❛  do you ever have dreams that feel so real they're almost like nightmares?  ❜ ❛  calm down. you're okay, you're safe. it was just a dream.  ❜ ❛  i want to help you, but you'll have to tell me what these dreams are about.  ❜ ❛  it felt so real ...  ❜ ❛  i thought you'd said those dreams had stopped.  ❜ ❛  do you have an idea what may cause these nightmares?  ❜ ❛  did you have another nightmare?  ❜ ❛  i just want them to stop ...  ❜ ❛  i wish i could dream of something beautiful or peaceful for a change.  ❜ ❛  can you just hold me tonight? i always sleep better with you here ...  ❜ ❛  do you want to tell me about it?  ❜ ❛  you don't have to stay here tonight. i'm gonna wake up in a few hours because of my nightmares anyway.  ❜ ❛  there has to be a reason for this recurring nightmare ...  ❜ ❛  you just go to sleep. i'll watch over you tonight.  ❜ ❛  this has to be my worst nightmare yet.  ❜

[vvarvvon]

EPIC: THE CYCLOPS SAGA. roleplay starters of jorge rivera-herrans' 2nd ep of epic: the musical. feel free to edit according to scenario / pronouns.

POLYPHEMUS.

over here!

look at all this food.

i can't believe this cave has all this for us to keep.

i've gotta hand it to you both, this is quite the treat.

it's almost too perfect.

who are you?

we're just travelers; we come in peace.

what gives you the right to deal a pain so deep?

don't you know that pain you sow is pain you rеap?

your life now is in my hand.

before i'm done, you will learn that it's not so fun to take.

a trade, you see?

there's been a misunderstanding.

we never came here to steal.

now that i see we've done some damage.

maybe you and i can make a deal.

have a drink.

ah, i'd like to thank you.

stranger, what's your name?

my name is nobody.

i'm so glad we see eye to eye.

SURVIVE.

the rest of our fleet, they wait at the beach.

if we're defeated, they’re good as dead.

straight ahead, that is who we're fighting.

our foe must be thwarted right here and now.

show me how great is your will to survive.

it's just one life to take.

when we kill him then our journey’s over.

no dying on me now.

defeat is not allowed.

we must live through this day, so fight.

attack from behind, keep distance in mind.

strike his heels, strike the heels.

don't let him get close; he's strong but he's slow.

he can't land a blow if we're out of reach.

push forward!

he's got a club!

what are our orders?

you've hurt me enough.

you won't live through this day.

REMEMBER THEM.

we must move quickly; we don't have much time.

he didn't notice i mixed lotus in his wine.

mark my words now, this is not the end.

what'll we do with our fallen friends?

remember them when the fire begins to fade.

we are not to let them die in vain.

this is how we're getting out of here.

let's kill him!

if we kill him we'll be stuck inside.

now! scatter!

who hurts you?

there are more of them?

captain, we should run!

have you forgotten the lessons i taught you?

the blood we shed, it never dries.

is this what it means to be a warrior of the mind?

when we met, i led with peace.

i am neither man nor mythical.

I am your darkest moment.

MY GOODBYE.

you were reckless, sentimental at best.

you’ve grown soft. your dead friends can attest.

put your emotions aside.

you're a warrior meant to lead the rest.

i don't know where i went wrong.

this way, when all is over you'll keep yours and i'll keep mine.

this way, you won't waste my time.

consider this as my goodbye.

that’s just likе you, why should i be surprised?

unlike you, every time someone dies, i'm left to deal with the strain.

i'll remind you i saw you as a friend, but now we're done.

you're not looking for a mentor.

i'm not looking for a friend.

i mistook you for a general.

what a waste of effort spent.

at least i know what i'm fighting for.

since you claim you're so much wiser, why's your life spent all alone?

one day, you'll hear what i'm saying.

one day, you might understand.

for after all you're, you're just a man.

this day, you sever your own head.

this is my goodbye.

[vvarvvon]

❝ bring a jacket! ❞ (ryker to any of your babs - from the halloween / fall sentence starters)

halloween / fall starters

orion rolled his eyes at the younger teenager. would a jacket, or at least a windbreaker, be a good idea? of course. it's 67°F and feels so much colder as camp is just off the ocean and the sun goes down.

"it's only 67°F, not cold at all." he said instead of grabbing the red hoodie that was right next to him.

[vvarvvon]

— WE  MEET  AT  LAST!

Possible  first  meeting  starter  prompts.  Send  me… (Send  🔁  +  any  emoji  to  reverse  the  outcome.)

✂️  to  cut  in  front  of  my  muse  at  the store. 🍝  to  sit  at  my  muse's  table  at  a  restaurant. 💰  to  pay  for  my  muse's  meal  at  a  restaurant. 🍻  to  run  into  my  muse  at  the  bar. ☕  to  get  coffee  with  my  muse. 💨  to  crash  into  my  muse,  cliché  anime  style. 🐶  to  find  and  return  my  muse's  lost  pet. 🙈  to  go  on  a  blind  date  with  my  muse. 🥴  to  drunkenly  flirt  with  my  muse. 🎮  to  play  games  at  the  arcade  with  my  muse. 🚗  to  pull  my  muse  out  of  the  way  of  traffic. 😱  to  be  trapped  in  an  elevator  with  my  muse. 🔒  to  break  into  my  muse's  house. 👊  to  help  my  muse  in  a  physical  altercation. 🍷  to  join  my  muse  at  the  table  after  they're  stood  up. ☔  to  stand  under  my  muse's  umbrella. 👛  to  steal  my  muse's  bag/purse/wallet. 🎉  to  talk  to  my  muse  at  a  party. 🚚  to  move  in  next  to  my  muse.