voidgivenf0cus

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I remeber wanting to be Datas friend with a feverish insistence upon watching TNG as a Tween.

Wimbly bimbly doodle

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do you see me now?

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i use flipaclip btw and i cant think of a caption my stomach hurts

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I love these characters sale sale and sasa lele

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*grits teeth* im hopeful i believe there is good in the world im fucking hopeful

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Duane Barry

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gijinka, anyone? they are so Creature

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Hey, the ACLU is getting people to send letters to your Reps to have Congress pass the No Kings Act.

This act would make constitutional amendments to ensure that even sitting presidents are held liable for their actions. That NOBODY is above the law.

Their goal is 150k messages sent and at the time of writing this they're about 2.1k off from that goal!

ACLU gives you a prefilled message that you can edit to send to make the process easier, and will send it out for you.

This only takes a few minutes!

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thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not

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tng sketches

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Everybody point and laugh, it's the buzzsaw guy

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If you had the chance to join the journey through space, would you do it?

This artwork is also availabe as a wallpaper on my ko-fi here!💙

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guys, Israelism (2023), a documentary made by jewish filmmakers that focuses on the insane zionist brainwashing jewish US americans go through throughout their entire lives and how difficult it is to even open your eyes to it when you grow up in that type of cultist and fascist environment, is now available for free on youtube ! I urge you to watch it !

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everyone please stay alive and take care of yourselves and those around you, i know these are worrying times but try to stay positive and keep on keeping on and hold onto hope with everything you've got. they want you to feel hopeless and defeated- don't let them. whatever happens we are all gonna make it through

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study of a room

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It is what it is but like. Can it be something else