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new jersey "19th century" "eclecticism"

It's always funny to me when new wealth tries to imitate old wealth, but in a very specific way: by trying to reproduce old ways of building that are no longer viable via mass produced building materials and contractors who are better than average but still not quite in the legion of the bespoke. It's rarely the case that houses are fully "custom" these days -- the amalgamation of all the different parts in a new formation is the "customization" at work. As we can see in this example, this is a truth that is often covered up by excessive decorating.

This 5 bedroom, 6.5 bathroom house, built in 1997 (shocker) will run you an extremely reasonable $3.5 million big ones, but I say extremely reasonable because it wants to be a $10 million house but doesn't quite get there - after all, it's made with drywall. The architectural style is not really anything in particular -- though the front entrance would like to recall the Tudors. Really it is trying to emulate an existing pastiche style, namely the eclecticism of the 19th century. It also doesn't do this well.

No stately manor is complete without dueling staircases. Also, I don't know how to explain it, but every room in this house longs to be a bathroom. Or a powder room. A really big one. It's probably the floor, and the wallpaper. This is just the appetizer for the main attraction:

Jules Verne larping is so rare in McMansion Hell that you have to commend them for trying. I'm kind of obsessed.

This room is so important to me. It's like if an Olin Mills (dating myself here) set was an entire room. A sense of watching someone in one's own house, performing "dinner." Also I would slay as the swan knight, I have to say, so I get it.

What happened to baskets hanging from the ceiling and powder blue walls and porcelain lined up on the picture rail?

I have seen columns terminating into soffits that would make Scamozzi cry.

In Big America bathing and lavishing is a spectator sport.

Ok, again, the palette of this house is basically The Polar Express mixed with a very bizarre hotel lobby.

The chimney hole is sending me because that does appear to be a working chimney. Like, can you see the smoke come out? Who knows!

Anyway, happy Thanksgiving to everyone, and I'm especially thankful to the folks who sponsor me on Patreon! If you want to see more scenes from this house, that's the place to do it!

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I bought the Blu-ray set a couple years ago and as soon as I put up the first episode I couldn't stop watching it. Got through the whole series in a couple months or so.

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♪ Guess I got, what I deserved ♪

♪ Kept you waiting there, too long, my love ♪

(If you get the reference, you win a cookie.)

Commission sketch for private collector. Poor floof child needs all the hugs! Warning: This probably counts as spoilers to anime-onlys like myself.

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Tired. Zzzzz...

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Vladimir Putin quit being high on 19th century supply challenge (impossible).

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Oh the questions they'll have for their parents re: their childhood...

Original comic by @elfbingo

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My eyes!!!

namesake mcmansion

Howdy folks! Today's McMansion is very special because a) we're returning to Maryland after a long time and b) because the street this McMansion is on is the same as my name. (It was not named after me.) Hence, it is my personal McMansion, which I guess is somewhat like when people used to by the name rights to stars even though it was pretty much a scam. (Shout out btw to my patron Andros who submitted this house to be roasted live on the McMansion Hell Patreon Livestream)

As far as namesake McMansions go, this one is pretty good in the sense that it is high up there on the ol' McMansion scale. Built in 2011, this psuedo-Georgian bad boy boasts 6 bedrooms and 9.5 baths, all totaling around 12,000 square feet. It'll run you 2.5 million which, safe to say, is exponentially larger than its namesake's net worth.

Now, 2011 was an anonymous year for home design, lingering in the dead period between the 2008 black hole and 2013 when the market started to actually, finally, steadily recover. As a result a lot of houses from this time basically look like 2000s McMansions but slightly less outrageous in order to quell recession-era shame.

I'm going to be so serious here and say that the crown molding in this room is a crime against architecture, a crime against what humankind is able to accomplish with mass produced millwork, and also a general affront to common sense. I hate it so much that the more I look at it the more angry I become and that's really not healthy for me so, moving on.

Actually, aside from the fake 2010s distressed polyester rug the rest of this room is literally, basically Windows 98 themed.

I feel like the era of massive, hefty sets of coordinated furniture are over. However, we're the one's actually missing out by not wanting this stuff because we will never see furniture made with real wood instead of various shades of MDF or particleboard ever again.

This is a top 10 on the scale of "least logical kitchen I've ever seen." It's as though the designers engineered this kitchen so that whoever's cooking has to take the most steps humanly possible.

Do you ever see a window configuration so obviously made up by window companies in the 1980s that you almost have to hand it to them? You're literally letting all that warmth from the fire just disappear. But whatever I guess it's fine since we basically just LARP fire now.

Feminism win because women's spaces are prioritized in a shared area or feminism loss because this is basically the bathroom vanity version of women be shopping? (It's the latter.)

I couldn't get to all of this house because there were literally over a hundred photos in the listing but there are so many spaces in here that are basically just half-empty voids, and if not that then actually, literally unfinished. It's giving recession. Anyway, now for the best part:

Not only is this the NBA Backrooms but it's also just a nonsensical basketball court. Tile floors? No lines? Just free balling in the void?

Oh, well I bet the rear exterior is totally normal.

Not to be all sincere about it but much like yours truly who has waited until the literal last second to post this McMansion, this house really is the epitome of hubris all around. Except the house's hubris is specific to this moment in time, a time when gas was like $2/gallon. It's climate hubris. It's a testimony to just how much energy the top 1% of income earners make compared to the rest of us. I have a single window unit. This house has four air conditioning condensers. That's before we get to the monoculture, pesticide-dependent lawn or the three car garage or the asphalt driveway or the roof that'll cost almost as much as the house to replace. We really did think it would all be endless. Oops.

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YES NOOOO MAYBEEEEE

Jikuu Tenshou Nazca - 時空転抄ナスカ (1998)

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This is what playing NBA Jam is like.

Can you draw Knuckles trying to play an arcade game?

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Does the room come with free HBO? Cause that was a selling point for hotels.

the motel room, or: on datedness

I.

Often I find myself nostalgic for things that haven't disappeared yet. This feeling is enhanced by the strange conviction that once I stop looking at these things, I will never see them again, that I am living in the last moment of looking. This is sense is strongest for me in the interiors of buildings perhaps because, like items of clothing, they are of a fashionable nature, in other words, more impermanent than they probably should be.

As I get older, to stumble on something truly dated, once a drag, is now a gift. After over a decade of real estate aggregation and the havoc it's wreaked on how we as a society perceive and decorate houses, if you're going to Zillow to search for the dated (which used to be like shooting fish in a barrel), you'll be searching aimlessly, for hours, to increasingly no avail, even with all the filters engaged. (The only way to get around this is locational knowledge of datedness gleaned from the real world.) If you try to find images of the dated elsewhere on the internet, you will find that the search is not intuitive. In this day and age, you cannot simply Google "80s hotel room" anymore, what with the disintegration of the search engine ecosystem and the AI generated nonsense and the algorithmic preference for something popular (the same specific images collected over and over again on social media), recent, and usually a derivative of the original search query (in this case, finding material along the lines of r/nostalgia or the Backrooms.)

To find what one is looking for online, one must game the search engine with filters that only show content predating 2021, or, even better, use existing resources (or those previously discovered) both online and in print. In the physical world of interiors, to find what one is looking for one must also now lurk around obscure places, and often outside the realm of the domestic which is so beholden to and cursed by the churn of fashion and the logic of speculation. Our open world is rapidly closing, while, paradoxically, remaining ostensibly open. It's true, I can open Zillow. I can still search. In the curated, aggregated realm, it is becoming harder and harder to find, and ultimately, to look.

But what if, despite all these changes, datedness was never really searchable? This is a strange symmetry, one could say an obscurity, between interiors and online. It is perhaps unintentional, and it lurks in the places where searching doesn't work, one because no one is searching there, or two, because an aesthetic, for all our cataloguing, curation, aggregation, hoarding, is not inherently indexable and even if it was, there are vasts swaths of the internet and the world that are not categorized via certain - or any - parameters. The internet curator's job is to find them and aggregate them, but it becomes harder and harder to do. They can only be stumbled upon or known in an outside, offline, historical or situational way. If to index, to aggregate, is, or at least was for the last 30 years, to profit (whether monetarily or in likes), then to be dated, in many respects, is the aesthetic manifestation of barely breaking even. Of not starting, preserving, or reinventing but just doing a job.

We see this online as well. While the old-web Geocities look and later Blingee MySpace-era swag have become aestheticized and fetishized, a kind of naive art for a naive time, a great many old websites have not received the same treatment. These are no less naive but they are harder to repackage or commodify because they are simple and boring. They are not "core" enough.

As with interiors, web datedness can be found in part or as a whole. For example, sites like Imgur or Reddit are not in and of themselves dated but they are full of remnants, of 15-year old posts and their "you, sir, have won the internet" vernacular that certainly are. Other websites are dated because they were made a long time ago by and for a clientele that doesn't have a need or the skill to update (we see this often with Web 2.0 e-commerce sites that figured out how to do a basic mobile page and reckoned it was enough). The next language of datedness, like the all-white landlord-special interior, is the default, clean Squarespace restaurant page, a landing space that's the digital equivalent of a flyer, rarely gleaned unless someone needs a menu, has a food allergy or if information about the place is not available immediately from Google Maps. I say this only to maintain that there is a continuity in practices between the on- and off-line world beyond what we would immediately assume, and that we cannot blame everything on algorithms.

But now you may ask, what is, exactly, datedness? Having spent two days in a distinctly dated hotel room, I've decided to sit in utter boredom with the numinous past and try and pin it down.

II.

I am in an obscure place. I am in Saint-Georges, Quebec, Canada, on assignment. I am staying at a specific motel, the Voyageur. By my estimation the hotel was originally built in the late seventies and I'd be shocked if it was older than 1989. The hotel exterior was remodeled sometime in the 2000s with EIFS cladding and beige paint. Above is a picture of my room, which, forgive me, is in the process of being inhabited. At first, perhaps not without reason, my reaction to seeing the room was negative. It was the last room in town. There were no other options and it showed. A mutter of really? This place? Jesus Christ. But upon further inspection (bedbug paranoia) I came to the realization that the always-new brainrot I'd been so critical of had seeped into my own subconscious and here I was snubbing my nose at a blessing in disguise. The room is not a bad room, nor is it unclean. It's just old. It's dated.

Datedness is the period between vintage and contemporary. It is the sentiment between quotidian and subpar. It is uncurated and preserved only by way of inertia, not initiative. It gives us a specific feeling we don't necessarily like, one that is deliberately evoked in the media subcultures surrounding so-called "liminal" spaces: the fuguelike feeling of being spatially trapped in a time while our real time is passing. Datedness in the real world is not a curated experience, it is only what was. It is different from nostalgia because it is not deliberately remembered, yearned for or attached to sweetness. Instead, it is somehow annoying. It is like stumbling into the world of adults as a child, but now you're the adult and the child in you is disappointed. (The real child-you forgot a dull hotel room the moment something more interesting came along.) An image of my father puts his car keys on the table, looks around and says, "It'll do." We have an intolerance for datedness because it is the realization of what sufficed. Sufficiency in many ways implies lack.

However, for all its datedness, many, if not all, of the things in this room will never be seen again if the room is renovated. They will become unpurchaseable and extinct. Things like the bizarrely-patterned linoleum tile in the shower, the hose connecting to the specific faucet of the once-luxurious (or at least middling) jacuzzi tub whose jets haven't been exercised since the fall of the Berlin Wall. The wide berth of the tank on the toilet. There is nothing, really, worth saving about these things. Even the most sentimental among us wouldn't dare argue that the items and finishes in this room are particularly important from a design or historical standpoint. Not everything old has a patina. They're too cheaply made to salvage. Plastic tile. Bowed plywood. The image-artifacts of these rooms, gussied up for Booking dot com, will also, inevitably disappear, relegated to the dustheap of web caches and comments that say "it was ok kinda expensive but close to twon (sic)." You wouldn't be able to find them anyway unless you were looking for a room.

One does, of course, recognize a little bit of design in what's here. Signifiers of an era. The wood-veneer of the late 70s giving way to the pastel overtones of the 80s. Perhaps even a slow 90s. The all-in-one vanity floating above the floor, a modernist basement bathroom hallmark. White walls as a sign of cleanliness. Gestures, in the curved lines of the nightstands, towards postmodernity. Metallic lamp bases with wide-brimmed shades, a whisper of glamor. A kind of scalloped aura to the club chairs. The color teal mediated through hundreds if not thousands of shoes. Yellowing plastic, including the strips of "molding" that visually tie floor to wall. These are remnants (or are they intuitions?) of so many movements and micromovements, none of them definite enough to point to the influence of a single designer, hell, even of a single decade, just strands of past-ness accumulated into one thread, which is cheapness. Continuity exists in the materials only because everything was purchased as a set from a wholesale catalog.

In some way a hotel is supposed to be placeless. Anonymous. Everything tries to be that way now, even houses. Perhaps because we don't like the way we spy on ourselves and lease our images out to the world so we crave the specificity of hotel anonymity, of someplace we move through on our way to bigger, better or at least different things. The hotel was designed to be frictionless but because it is in a little town, it sees little use and because it sees little use, there are elements that can last far longer than they were intended and which inadvertently cause friction. (The janky door unlocks with a key. The shower hose keeps coming out of the faucet. It's deeply annoying.)

Lack of wear and lack of funds only keep them that way. Not even the paper goods of the eighties have been exhausted yet. Datedness is not a choice but an inevitability. Because it is not a choice, it is not advertised except in a utilitarian sense. It is kept subtle on the hotel websites, out of shame. Because it does not subscribe to an advertiser's economy of the now, of the curated type rather than the "here is my service" type, it disappears into the folds of the earth and cannot be searched for in the way "design" can. It can only be discovered by accident.

When I look at all of these objects and things, I do so knowing I will never see them again, at least not all here together like this, as a cohesive whole assembled for a specific purpose. I don't think I'll ever have reason to come back to this town or this place, which has given me an unexpected experience of being peevish in my father's time. Whenever I end up in a place like this, where all is as it was, I get the sense that it will take a very long time for others to experience this sensation again with the things my generation has made. The machinations of fashion work rapaciously to make sure that nothing is ever old, not people, not rooms, not items, not furniture, not fabrics, not even design, that old matron who loves to wax poetic about futurity and timelessness. The plastic-veneered particleboard used here is now the bedrock of countless landfills. Eventually it will become the chemical-laced soil upon which we build our condos. It is possible that we are standing now at the very last frontier of our prior datedness. The next one has not yet elided. It's a special place. Spend a night. Take pictures.

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LOL at the upside down cross.

texas gothic revival

Sometimes I just want to get on my hobbyhorse, which for about a year now has been the middle ages but surely will soon be something else. (Please hyperfixation gods, make it financial literacy.) Anyway, I meandered around the nation (online) in search of another opportunity to play another round of America Does Medieval. It took me a while for fortune to reward me but it finally did in the long-running McMansion Hell of Denton County, Texas.

2007 McMansions are pretty rare and it's even rarer for them to have the original interiors. This one, clocking in at 5 beds, 6 baths, and almost 7200 square feet will set you back a reasonable $2.3 million. We complain a lot about the hegemony of gray these days, but this is hindsight bias. Longtime readers will recall that the color beige walked so gray could run, and this house is emblematic of that fact.

It's...uncommon to see ordinary contractors try their hands at gothic arches and for all intents and purposes, I think this one did a pretty good job rendering the ineffable in common drywall. Credit where credit is due. Unfortunately the Catholic in me can't help but feel that this is the house equivalent of those ultra trad converts on Reddit who have Templar avatars and spend their days complaining about Vatican II.

Sometimes I still get the ever-dwindling pleasure of seeing the type of room that has never before existed in human history and definitely won't ever exist again. Certain material conditions (oil, lots of it, a media ecosystem in which historical literacy is set primarily by cartoons, adjustable rate mortgages) brought this space into the world in a way that cannot be recreated organically. Let us marvel.

Christ might need to be invoked should I choose to make a sweet potato casserole.

You can tell that ornament is fabricated because they made precisely TWO of them that are IDENTICAL. You could have fooled us into thinking a craftsman did this by hand from local Texas marble (or whatever), but alas greed got in the way of guile.

As someone who writes fiction on the weekends, I often feel the acute pain of having an imagination greater than my talent and an artistic vision detached from being able to effectively execute it. In this respect, this room speaks to me.

RIP Trump btw. Don't know if y'all saw the news yet.

I know a lot about medieval bathing for completely normal reasons (writing fiction, winning online arguments, stoned youtube binges)

I feel like most of my forms of social adaptation as a person on the spectrum comprise of sneaking in my holy autistic interest du jour into conversations as subtly as I can manage. I'm doing it right now.

Okay, so, there were no rear exterior photos of this house because, having used every square inch of lot, the whole thing is smashed up against a fence and there is simply no way of getting that desired perspective without trespassing and that's a mortal risk in the state of Texas. So I'll leave you with this final room, the completely medieval in-home theater.

That's all for now, folks. Stay tuned for next month, where we will be going down a cult compound rabbit hole in the Great Plains.

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The fuck is that bathroom?

ode to a faux grecian urn

Howdy everyone,

Today's house, built in 2001, comes to you from, you guessed it, the Chicago suburbs. The house is a testimony to traditional craftsmanship and traditional values (having lots of money.) The cost of painting this house greige is approximately the GDP of Slovenia so the owners have decided to keep it period perfect (beige.) Anyway.

This 5 bedroom, 7.5 bathroom house clocks in at a completely reasonable 12,700 square feet. If you like hulking masses and all-tile interiors, it could be all yours for the reasonable price of $2.65 million.

The problem with having a house that is 12,700 square feet is that they have to go somewhere. At least 500 of them were devoted to this foyer. Despite the size, I consider this a rather cold and lackluster welcome. Cold feet anyone?

The theme of this house is, vaguely, "old stuff." Kind of like if Chuck E Cheese did the sets for Spartacus. Why the dining room is on a platform is a good question. The answer: the American mind desires clearly demarcated space, which, sadly, is verboten in our culture.

The other problem with a 12,700 square foot house is that even huge furniture looks tiny in it.

Entering cheat codes in "Kitchen Building Sim 2000" because I spent my entire $70,000 budget on the island.

Of course, a second sitting room (without television) is warranted. Personally, speaking, I'm team Prince.

I wonder why rich people do this. Surely they must know it's tacky right? That it's giving Liberace? (Ask your parents, kids.) That it's giving Art.com 75% off sale if you enter the code ROMANEMPIRE.

Something about the bathroom really just says "You know what, I give up. Who cares?" But this is not even the worst part of the bathroom...

Not gonna lie, this activates my flight or fight response.

If you remember Raggedy Ann you should probably schedule your first colonoscopy.

Anyways, that does it for the interior. Let's take a nice peek at what's out back.

I love mowing in a line. I love monomaniacal tasks that are lethal to gophers.

Alright, that does it for this edition of McMansion Hell. Back to the book mines for me. Bonus posts up on Patreon soon.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

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These two were the only diamonds in the piece of shit that was A View to a Kill (Tanya Roberts can kindly fuck off).

Grace Jones and Christopher Walken in A View to a Kill (1985)