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unflinchingly · 9 months
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Yeah, because I'm extremely romantic here. You know what is my fear? This postmodern, permissive, pragmatic etiquette towards sex. It's horrible. They claim sex is healthy; it's good for the heart, for blood circulation, it relaxes you. They even go into how kissing is also good because it develops the muscles here – this is horrible, my God! It's no longer that absolute passion. I like this idea of sex as part of love, you know: 'I'm ready to sell my mother into slavery just to fuck you for ever.' There is something nice, transcendent, about it. I remain incurably romantic.
Slavoj Žižek
same Zizek, same.
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unflinchingly · 9 months
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Fairy Bike Club, Kansas City, 1983
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unflinchingly · 9 months
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2023 has been quite trying, but I'm happy that I discovered a love of making these horse animations this year.
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unflinchingly · 9 months
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Jill Ireland in “Someone Behind the Door” (dir. Nicolas Gessner - 1971).
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unflinchingly · 9 months
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Me and my demons
Artists is nho eskape
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unflinchingly · 10 months
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"The Spirit Leaves the Body" (1968) by Duane Michals
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unflinchingly · 1 year
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The Gift (2000) | dir. Sam Raimi
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unflinchingly · 1 year
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Pink Flamingos (1972) // dir. John Waters
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unflinchingly · 1 year
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Birthday remembrance - Bill Paxton #botd
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unflinchingly · 2 years
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— Edith Sitwell, from "Fire of the Mind: The Complete Anthology of E. S.,"
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unflinchingly · 2 years
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The nerves connected to the human jaw
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unflinchingly · 2 years
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don’t invite me unless these are the plans
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unflinchingly · 2 years
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by june bates
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unflinchingly · 2 years
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近藍蓋小菇 Mycena Subcyanocephala fungi translates to the "blue-head" and measures at only a single millimeter.
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unflinchingly · 2 years
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the craziest thing about being alive is that you have to live with other people’s interpretations of you
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unflinchingly · 2 years
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Nobody has the time … to be vulnerable to each other. So … we just go on.
John Cassavetes, from the screenplay Faces (Continental. 1968)
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unflinchingly · 2 years
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Shadows, 1959
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