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i doodled my whitenight au, everyone say hi whitenight

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the :)

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dante doodle ft like their beach wear outfit

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𝗬𝗢𝗨'𝗩𝗘 𝗕𝗘𝗖𝗔𝗠𝗘 𝗧𝗛𝗘 "𝗠𝗘" 𝗪𝗛𝗢 𝗬𝗢𝗨 𝗗𝗘𝗦𝗣𝗜𝗦𝗘𝗗 ⸻ 𝗪𝗘'𝗩𝗘 𝗦𝗪𝗔𝗟𝗟𝗢𝗪𝗘𝗗 𝗧𝗛𝗘 𝗧𝗜𝗠𝗘, 𝗟𝗘𝗧 𝗨𝗦 𝗥𝗘𝗪𝗜𝗡𝗗⠀⠀⠀ ✦⠀⠀⠀ #𝗍𝗈𝗄𝗍𝗂𝖼  ,   a  crossover friendly  &  semi  -  selective  independent  blog  for  DANTE  of project moon's 𝐥𝐢𝐦𝐛𝐮𝐬 𝐜𝐨𝐦𝐩𝐚𝐧𝐲. by⠀⠀⠀ ego⠀⠀,⠀ 26⠀⠀⠀ +⠀⠀⠀ it / its

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ok with the attempt of activity i'm gonna do a newer one of these but consider this a plotting / interaction call. i'm looking for people who want to establish a dynamic with dante. if you want to further make my life a tad easier, they also have an interest checker you can fill out.

sincerely would appreciate!

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The tone has their heart rumbling. What a good night this was shaping up to be. < What? You seem to be in— > A pause. Unusually. < high spirits. I'd like to chalk it up for things going our way for once being the source but... I guess I'll never know. >

➣ . It would hardly do for their guide to burden them with such needless sentiments, now would it ? " ... " you. " ...Nothing of your concern, manager Dante. " their name falling out a smooth rumble, voice roughened by the later hour.

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It was an occurrence that happened so often but frequent enough for Dante to assume that if Roland was nowhere to be seen... likely ran off? [I can overlook it if you tell me what you do out there in exchange.] Their work limits their ability to explore but Roland. Roland has that freedom... maybe there's something to be learned.

...They'll breeze over that second-half. [You haven't missed much beyond the usual. Ah... well... we dealt with another Walpurgis but-- ] A pause. Wait. Should he be told that. [Don't worry about it.]

"I don't vanish that often, do I?" Well, sometimes he just wanders off the bus... mask on when he does, of course. "Alright, guess I'd better stick closer by in case you gotta drive off. And it sounds like you missed me, anyway."

He huffs good-naturedly. "Yep. Definitely know how it is." Living in the City is suffering.

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.... only a perhaps? Twiddling their thumbs. < Huh? ...What's on your mind? >

➣ . " Hm... " ...perhaps... he'd missed them as well.

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UNPROMPTED  ⸻  SENT FROM @gladiius

﹡﹥ "Hm...." stares a bit with impassive expression... before silently sitting next to the manager, crossing his arms and legs and closing his eyes, saying nothing else to them as traces of tension in his shoulders fades.

It's a quiet evening. Nothing more than the occasional noises of the bus churning through the usually full-front half of the bus. They're stationed in the guide's seat. One of three places they gravitated towards when they took it upon themselves to stand watch, or if they were going to be out here for a change a pace. (The view of their office often gets a bit ... stuffy from time to time.)

Though for Vergilius to surface of all things is ... a surprise. A pleasant one but a surprise nonetheless. Their head only lets out a pronounced tick, flames pluming with an almost eagerness .. their hand holding their tablet pen tightens until ... it relaxes. They could say something but ... do they need too? Would it be wrong for them to bask in his presence?

They can't express usual sentiments, couldn't ever think to usher something as vulnerable as the concept of missing him. They can only turn their head away, pretend to not have seen the way his face relaxed a smidge. Or even that sigh of his. They can only procrastinate .. tap out of the notes they were writing to the blank white glaring screen of their pseudo-art program. Scribbling whatever came to mind as their own shoulders relaxed.

They missed him.

Every little stroke is a representation of the merriment his very presence gives. They'd like to kick their feet but they shouldn't. They also feel wrong for believing it was them he chose to sit by ... if not for the fact he could've just come to his seat. They were in it after all but ...

it's Vergilius.

Vergilius!

He looked tired but wasn't that always the case? ... All they could hope was that this was enough. Their shared silence.

It was definitely enough for Dante (and likely to be the highlight of their week to come at that.)

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pov your muse gets a little smorch

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[ Roland! I was wondering when i'd see you next... ]Being tense was their average on any given day really. Though they lighten up a tad smidge after the touch. Smoke plumes from their head rippling to the side. [You know how it is.] Can't have shit in the city.

"Oh, hey Dante." Ah, a pat! He'll accept it. He'll even offer one in return, on the shoulder. "Geez, you're tense. Figures." Probably because we are fucked!

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ok with the attempt of activity i'm gonna do a newer one of these but consider this a plotting / interaction call. i'm looking for people who want to establish a dynamic with dante. if you want to further make my life a tad easier, they also have an interest checker you can fill out.

sincerely would appreciate!

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Yep! Of course there is. You're a project moon game protagonist. We are fucked. Gives a sympathetic pat.

"Hi. There is something wrong with me,"

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get dante'd!!!!!

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Soulmate & Significant Connection AUs

Consider this a sort of ‘soulmate au’ promptlist except it’s for significant connections, either good or bad. Often it’s soulmates, but it can also be like, your wife’s murderer, your found family, etc (so there’s some ambiguity). Or just use it as a soulmate au list - whatever floats your boat!

Send a prompt and I’ll write a starter where…

[First Words] - the first thing our muses say to each other is tattooed somewhere on their bodies.

[Injuries] - whenever one muse is injured, the other becomes injured in the same place, and vice versa. Good for muses who get stabbed, etc. (Bonus: either muse can treat the injuries, so if one can get to a hospital they can get the other urgent medical care.)

[Through their eyes] - for 10 minutes every six months (or a year, etc) our muses get to see through each other’s eyes. It happens at random, not on a schedule.

[Birthmarks] - our muses share the same birthmark, in the same place, in the same shape/size. Particularly good for two celebrity muses where the public notice their birthmarks before they do.

[Clock] - each muse has a countdown on the inside of their wrist until they meet each other (or until they die, or until they see them for the very first/last time)

[Names] - our muses are born just Knowing each other’s first name. There are probably a lot of Johns/Janes/Jordans out there, but every time they run into someone with The Name…

[Dreams] - our muses occasionally share dreams. It happens randomly, only once every couple of months (or years).

[Love] - whenever muse A feels loved, muse B can ‘sense’ it, like a distant thrumming heartbeat, and vice versa. Good for muses who did not grow up in happy homes.

[Adrenaline] - whenever one muse is in danger, the other can feel their adrenaline. Unhelpful for sitting exams. Good for muses who live dangerous lives.

[Scars] - shared scars. If one muse is scarred, so is the other, in the same place in the same way.

[Reincarnation] - they only have fleeting memories of their past lives, or maybe they remember them in full, but whatever the case: it’s been [Muse]. It’s always been [Muse]. (Maybe one muse doesn’t remember…?)

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THE MANY MEANINGS OF "HEY.": A PROMPT LIST.

i often have these ideas that have no real origin, but i can actually tell you precisely why my brain wanted this: i was listening to "hey, soul sister" by train on a loop and i got thinking abt the fact that we really do just say "hey" for so many reasons. and i wanted to make that your thought of the evening! so happy november, bon appetit, wrap up warm, DO NOT ADD TO THIS LIST, and enjoy your writings!

[ GREETING ]: sender says "hey" as a greeting to the receiver.

[ ATTENTION ]: sender, having just noticed something strange or remarkable, calls for the receiver to get their attention.

[ REASSURE ]: in a bid to steady the unsettled receiver, the sender lightly says "hey" to help them calm down.

[ ANGER ]: the sender sharply snaps "hey" at the receiver, clearly angry about something the receiver has just done or had done in the past.

[ IDEA ]: having been presented with a predicament, the sender suddenly unravels a solution, introducing it to the receiver by saying "hey…".

[ GUILT ]: having just done something that they know the receiver won't be pleased with, the sender sheepishly greets them once they arrive to see the damage.

[ GOSSIP ]: the sender turns to face the receiver conspiratorially, clearly eager to share some new gossip with them.

[ URGENT ]: the sender rushes to the preoccupied receiver, desperately shouting "hey!" to get them to focus on a far more pressing matter.

[ SOOTHE ]: after finding the clearly distressed receiver, the sender pulls them into a careful embrace, gently murmuring "hey…" to try and soothe them.

[ SMILE ]: the sender (who hasn't been smiling up until they actually see the receiver in front of them) lights up with a smile as they greet the receiver.

[ TEARS ]: the sender greets the receiver while very clearly in tears.

[ FAKE ]: alternatively, the sender (who has just been crying in private) hastily wipes away their tears and tries to greet the receiver casually (to varying degrees of success).

[ WARNING ]: when the receiver begins to say things about subjects that are off-limits to the sender, the latter gives them a warning by saying "hey…".

[ LAUGH ]: having found the receiver to be decidedly unhappy, the sender lightly catches their attention before doing something to make them laugh, or at the very least, grin.

[ PROTEST ]: after the receiver does or says something that the sender deems to be unfair, the sender tries to exact justice by saying "hey!".

[ BREATHLESS ]: having clearly just sprinted down to the receiver, the sender tries to catch their breath while greeting them.

[ SAVE ]: after just saving the receiver's life in a very heroic fashion, the sender smoothly greets them while helping them escape.

[ FLIRT ]: the sender meets the receiver in a social setting, and attempts to flirt with them with the very traditional pick-up line: "hey.".

[ APOLOGY ]: the sender, having recently done something that hurt or upset the receiver, reunites with them and addresses the elephant in the room by greeting them with a sincerely apologetic tone.

[ AWKWARD ]: after a particularly rough first encounter, the sender meets the receiver again, and awkwardly greets them with more than a touch of embarrassment.

[ GENTLE ]: having found the receiver in an emotionally compromised position, the sender closes the door and approaches them carefully, gently saying "hey…" to try and get them to communicate what has upset them.

[ HARD ]: preparing to deliver what they both know will be bad news, the sender tries to prepare the receiver by quietly greeting them in a solemn tone.

[ WAKEN ]: walking into the receiver's bedroom, the sender gently shakes their shoulder to waken them, and whispers "hey." to encourage the process along.

[ WHISPER ]: the sender gently whispers "hey" to the receiver to discreetly get their attention without drawing the attention of others.

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the transition from people needing each other to wanting each other is literally one of my greatest weaknesses that shit makes me want to walk into the sea and sit on the ocean floor for a thousand years