theywannamakeme-theirqueen

[theywannamakeme-theirqueen]

via weheartit

[theywannamakeme-theirqueen]

Aziraphale was about to confess too before Metatron and his coffee came into the bookshop;

Okay, hear me out. In 2x02, when they’re talking about “how people fall in love”, Crowley talks about sudden rainstorms,

which is an obvious reference to how he fell in love, about 6000 years earlier (poor demon thinks everyone falls in love the way he did)

Aziraphale doesn’t get it and answers “seems a bit unlikely”. He didn’t connect the dots, he doesn’t think Crowley loves him that way. All he knows about falling in love is what he read in books. Of course he fell in love with Crowley too, but I’m pretty sure he did in ‘41 when Crowley saved his books from a bomb, and that’s a bit hard to recreate, so… balls.

That’s his idea, you make two people dance together and they magically fall in love, which is so in-character I want to scream. Now let’s get to 2x05. We know Aziraphale always tried to avoid organizing those meetings, but he’s suddenly so excited about it he is WILLING TO GIVE AWAY HIS BOOKS. Why would he do something like that? There’s no way it’s actually to make Maggie and Nina fall in love. At that point, Muriel doesn’t even care anymore about it, they all know the truth about the miracle is about to be revealed, so there’s no point in being so persistent about Maggie and Nina’s relationship. He’s an angel; of course he cares about humans being happy, but I don’t think he cares so much about two semi-strangers’ love life that he’s willing to give away BOOKS for the off chance that the Jane Austen method will actually work on two humans he knows nothing about. So, my conclusion is, he’s organizing that night for him and Crowley. They are the ones that he hopes realize they’re deeply in love with each other, and that is something worth giving away books for. Which explains why he’s so excited but also a bit scared when he asks Crowley to dance with him.

It explains why he ignores the fact that Crowley is trying to tell him that something important and dangerous is about to happen, just so they can have a little dance. It also explains this reaction when he sees Gabriel and Beelzebub being in love with each other

and the way he looks at Crowley while they’re talking about them.

I mean, I know he always stares lovingly at him, but not like that, right? That’s a face that screams “I’m so going to tell you I love you when all this is over”.

So, my point is:

Fuck Metatron.

That’s my point.

[theywannamakeme-theirqueen]

Romy Schneider, Paolo Giusti and Claude Chabrol on the set of Les Innocents Aux Mains Sales in 1974.Photographed by Giancarlo Botti.

[theywannamakeme-theirqueen]

The use of green, yellow and blue in “Melancholia” dir. by Lars Von Trier (2011) + bits of my personal journey through it. 🎞️

The Prologue – Ophelia;

A visual summary of the entire film, in slow motion. Your brain is forced to slow down and time begins to flow differently. Questions surface, but they receive no answers just yet.

Part One “Justine” – The Wedding;

A nightmarish experience in which the camera reproduces the characters’ emotions, shaking and transporting the viewer into a feeling of constant dizziness.

Part Two “Claire” – Dance of Death;

One hour in you have become accustomed to the camera’s shakiness and no longer notice it… or is it because everything has slowed down, moving quietly but inexorably towards a greater end ?

Bonus: Isn’t it funny how yellow + blue = green ? 

[theywannamakeme-theirqueen]

“We’re finally at home…in my own room, where I can be all alone. Do you know what it’s like to have your own room somewhere that you know is always yours? You can crawl in there, close the door behind you, and be alone, exist only for yourself. I love the little room in Berchtesgaden, and I can lie here and read and follow my own thoughts…”

- Romy Schneider’s diary, 1957

[theywannamakeme-theirqueen]

THE HAUNTING OF BLY MANOR (2020)

[theywannamakeme-theirqueen]

I had to draw her again 😭

[theywannamakeme-theirqueen]

Background art for The Aristocats (1970)

[theywannamakeme-theirqueen]

Strangers in Paradise by Terry Moore, Vol. I.

[theywannamakeme-theirqueen]

*mwah*

Young Alain Delon & Romy Schneider attending a ball in Monaco, 1959.

[theywannamakeme-theirqueen]

Corsage, 2022, Marie Kreutzer

[theywannamakeme-theirqueen]

Back to Christmas ‘59 with Alain Delon & Romy Schneider. 🎄

[theywannamakeme-theirqueen]

an angel. 🌺

Françoise Dorléac in the mid 1960s.

[theywannamakeme-theirqueen]

Sisters Catherine Deneuve & Françoise Dorléac in their hotel room in Rochefort on June 13, 1966. They are about to start filming Les Demoiselles de Rochefort directed by Jacques Demy and Françoise excitedly shows the photographer (Philippe Le Tellier) an article mentioning the film. 🎞️🤍

[theywannamakeme-theirqueen]

Un film comme nous n’en voyons *presque plus.

«Les Olympiades» de Jacques Audiard, 2021.

Écrit par Céline Sciamma, Léa Mysius, Jacqued Audiard.

Avec Noémie Merlant (<3), Makita Samba, Lucie Zhang.

[theywannamakeme-theirqueen]

*Marilyn Monroe & Lauren Bacall’s Slumber Parties

[If you get it, you get it.]

[theywannamakeme-theirqueen]

«Nessuno ama nessuno. Amiamo solo noi stessi, così come appariamo negli occhi di chi ci desidera»