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So fucking jealous of this guy just look at this haul. God

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a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawn shop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

wind mill

wishing well

wizard tower

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Some of my favorite words and phrases to describe a character in pain

coiling (up in a ball, in on themselves, against something, etc)

panting (there’s a slew of adjectives you can put after this, my favorites are shakily, weakly, etc)

keeling over (synonyms are words like collapsing, which is equally as good but overused in media)

trembling/shivering (additional adjectives could be violently, uncontrollably, etc)

sobbing (weeping is a synonym but i’ve never liked that word. also love using sob by itself, as a noun, like “he let out a quiet sob”)

whimpering (love hitting the wips with this word when a character is weak, especially when the pain is subsiding. also love using it for nightmares/attacks and things like that)

clinging (to someone or something, maybe even to themselves or their own clothes)

writhing/thrashing (maybe someone’s holding them down, or maybe they’re in bed alone)

crying (not actual tears. cry as in a shrill, sudden shout)

dazed (usually after the pain has subsided, or when adrenaline is still flowing)

wincing (probably overused but i love this word. synonym could be grimacing)

doubling-over (kinda close to keeling over but they don’t actually hit the ground, just kinda fold in on themselves)

heaving (i like to use it for describing the way someone’s breathing, ex. “heaving breaths” but can also be used for the nasty stuff like dry heaving or vomiting)

gasping/sucking/drawing in a breath (or any other words and phrases that mean a sharp intake of breath, that shite is gold)

murmuring/muttering/whispering (or other quiet forms of speaking after enduring intense pain)

hiccuping/spluttering/sniffling (words that generally imply crying without saying crying. the word crying is used so much it kinda loses its appeal, that’s why i like to mix other words like these in)

stuttering (or other general terms that show an impaired ability to speak — when someone’s in intense pain, it gets hard to talk)

staggering/stumbling (there is a difference between pain that makes you not want to stand, and pain that makes it impossible to stand. explore that!)

recoiling/shrinking away (from either the threat or someone trying to help)

pleading/begging (again, to the threat, someone trying to help, or just begging the pain to stop)

Feel free to add your favorites or most used in the comments/reblogs!

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The symbolism of flowers

Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.

Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!

Amaryllis: Pride

Black-eyed Susan: Justice

Bluebell: Humility

Calla Lily: Beauty

Pink Camellia: Longing

Carnations: Female love

Yellow Carnation: Rejection

Clematis: Mental beauty

Columbine: Foolishness

Cyclamen: Resignation

Daffodil: Unrivalled love

Daisy: Innocence, loyalty

Forget-me-not: True love

Gardenia: Secret love

Geranium: Folly, stupidity

Gladiolus: Integrity, strength

Hibiscus: Delicate beauty

Honeysuckle: Bonds of love

Blue Hyacinth: Constancy

Hydrangea: Frigid, heartless

Iris: Faith, trust, wisdom

White Jasmine: Amiability

Lavender: Distrust

Lilac: Joy of youth

White Lily: Purity

Orange Lily: Hatred

Tiger Lily: Wealth, pride

Lily-of-the-valley: Sweetness, humility

Lotus: Enlightenment, rebirth

Magnolia: Nobility

Marigold: Grief, jealousy

Morning Glory: Affection

Nasturtium: Patriotism, conquest

Pansy: Thoughtfulness

Peony: Bashfulness, shame

Poppy: Consolation

Red Rose: Love

Yellow Rose: Jealously, infidelity

Snapdragon: Deception, grace

Sunflower: Adoration

Sweet Willian: Gallantry

Red Tulip: Passion

Violet: Watchfulness, modesty

Yarrow: Everlasting love

Zinnia: Absent, affection

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been thinking about fantasy/scifi rule systems and free will

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Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

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Well, folks, I finally found one good reason for having too much emotion at times—according to my fellow writers in my English class, I’m really good at depicting emotion

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characters recognising a doppelganger/evil twin/shapeshifting imposter because they know the original so well is such a good trope

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Important question: is your character “I have bore a thousand storms and can bear a thousand more” stoic or “I have bore a thousand storms and my foundations are crumbling, my walls are trembling, my structure is unsound and one more might prove to be my fall” stoic?

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No one:

Tumblr users at 00:00 on March 15th:

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What's the trope name for when someone finds out they're the Chosen One(tm) and is like "No, thank you" and goes and does something else

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One of my options this semester was to join a creative writing class, and well, here we are. Currently instructors are having us work on poetry which is not my forte, but I was low-key proud of this prose poem we had to do

(It is in fact based off of Dusk, my protag)

My brother, my shame. My sister, my hope. My mother, my hatred, and my father, my secrecy. We are devised and molded of pieces from those we are bonded to whether we want it or not. I did not ask for the burden upon my shoulders and yet I have received it regardless. I look into the mirror and I see not my face, but theirs, watching my every move, judging my every word. I see the paint that has been plastered onto my body. I am not my own person. I look to those who have gone before me and those who stand beside me. I listen to the voices that whisper in my head and to the ones that speak to my face. I am a puppet, chained by the Light above and by the Dark below. Every choice I make impacts everyone I cross paths with, and always I wonder not what I would do, but what others would do. My brother and his cutthroat certainty. My sister and her hard-learned perseverance. My mother and her deep-sunken dagger. My father and his sparse words. I am their hope and their creation, their wish of what they wanted to become. I am given the task of being what I need to be, not what I want to be. What do I want to be? I do not think I will ever know. As long as these strings are tied to my wrists, I will forever dance to the song the Light has chosen for me.

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Uncover your character's hidden layers by exploring their contradictions

Just like real people, fictional characters are complex beings with conflicting desires, fears, and motivations. Explore the dualities within your character—reveal the brave face that conceals vulnerability, the kind soul with a dark secret. Embrace the tension between their strengths and weaknesses. Readers connect with characters who feel genuine and multi-dimensional. So, let your characters surprise both you and your audience. Whether it's a hero with a flaw or a villain with a redeeming quality, the richness of contradiction adds depth, making your characters unforgettable and relatable.

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Basic Tips to Improve Your Writing

I used to read a lot of unprofessional writing online, and through that endeavor, I started mentally compiling different qualities that turned me off to people's work right away. I'm sharing some of my thoughts about ways to improve your writing so others don't click off your work right away!

-Change paragraphs when different characters are speaking.

-In that same thread, remember to make new paragraphs and not have one giant block of text. This isn't only discouraging for some readers, but actually physically impossible to read for those who are visually impaired.

-Learn grammar. Sorry, but there is no way around this one. For example, commas aren't just for aesthetic appeal or your personal choice, and it will turn some readers away if your writing is littered with grammatical errors. You can't break the rules for creative purposes if you don't even know them, and the difference is generally apparent.

-Remember the narration style you've chosen. For example, if you're writing in third person limited, you can't think outside the mind of your main character. Don't jump suddenly to the thoughts of other characters or an all-knowing, omniscient voice.

-Slow down. Each word matters, so try not to think of writing as "I must get from Point A to Point B," but "I must get from Point A to Point B beautifully."

-Avoid repeating the same word or phrase too much, especially within the same paragraph. There are exceptions in dialogue, of course. (It's sweet when writers acquire their own personalized phrasings that mark their voice, but I have turned away from works where the exact same line just kept coming up again and again).

-Don't forget about setting. You might be able to imagine where your characters are, but no one else can if you don't let them know.

-Use a consistent verb tense.

-Your characters are not you and generally shouldn't always be mouthpieces for you to share your own values and thoughts.

-Your characters should sound distinctly different from each other, including their talking styles.

-Don't bog the reader down with too much description, and make sure the description you do have is realistic. Think about it. In the morning, do you wake up, go to the mirror, and think to yourself, "I looked at my shaggy dark hair and emerald green eyes"? Nobody thinks that way about their own appearance, and it feels like a forced way to let the reader know what the main character looks like.

-There's no need to start tossing out every character trait if it's not relevant to the story.

-Last, show some passion and excitement for your own work. Make sure the language embodies that passion because if you don't even care about your writing, who will?

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7 Ways to Hook Your Readers

How do you start a story? Why, you start it with a hook! A hook is something that intrigues the reader and has them enthralled. Sometimes, the first sentence is the hardest one to form, so here, I'll give you some examples on how to hook your audience into your story!

>>> A question: This is a pretty well-known tactic: starting off with a question for your reader has them thinking how they'd answer; hence, pulling them further into your work. If you want, your character can answer the question too! However, the question must be relevant to your story.

>>> A idiom/quote/saying: Sayings are commonly used, though one can find them controversial at times. Regardless, the majority of people understand what the meaning behind them are; and because of that factor, along with its popular usage, proverbs quickly attract readers' attention while giving some insight to your character.

>>> One-word starter: This one is pretty simple, and if you really don't have any ideas, maybe give this one a shot! The hook is simply one word (or even a short phrase) that portrays a strong part of your character. Its out-of-context and vagueness trigger interest in your reader.

>>> Starting action: Like the one-word starter, this hook seems contextless, but it's a quick way to captivate your reader and have the suspense emerge! Example: "Blood covered the ground like a thin blanket, staining the once-clean quartz with a shade of scarlet. A pair of depthless eyes seemed to burn a hole into the last person in the room; a messy, pitiful, scrambling figure."

>>> Dialogue: By now, it should be obvious that your hook should be enthralling and evoke interest in your reader. Opening with compelling dialogue can help introduce the plot and characters of your story!

>>> Interesting Introduction: Is there something special about your character? Introductions can be difficult to sneak in, but not when it's a hook! Make a short description consisting of several defining traits of your character, and be sure to add the special thing about your character as a twist to snag your reader's attention! Additionally, you can be creative with this! An introduction doesn't have to come from your main character, it can come from another character describing the protagonist!

>>> Setting: Does the setting have a strong influence on the story? Even if it doesn't, beginning with a descriptive setting can slowly captivate your audience!

Alright! These are seven ways to hook your reader: a question, a saying, one-word, action, dialogue, an introduction, and a setting! Of course, there are many more ways, so explore around!

Happy writing~

3hks :)