#zykamiliah-good omens
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relationship status: crowley and the bookshop, aziraphale and the bentley
apparently it won't leave me alone unless i write it down so here it goes: the way aziraphale treats the bentley and the way crowley treats the bookshop are metaphors about the status of their relationship and, to an extent, how they relate to each other
i mean yeah that was kind of obvious at the moment i was watching episode 3, but i didn't realize the implications of this particular metaphor until much much later (bc i didn't binged the season), after i watched the end of the last episode.
so here it goes!
i have no idea of other people have already talked about this, in which case i won't apologize since writing down this is part of my post-s2 coping strategies
crowley and the bookshop
crowley doesn't live in the bookshop per se, he doesn't rest there, he doesn't put his plants there, but it is where he spend a good chunk of his time. he's comfortable enough to takes off his sunglasses , meaning he's comfortable being himself there (mostly); the bookshop his anchor, and his world revolves around it.
what's important here is that when tasked with taking care of it without supervision, guarding it and its contents, he changes nothing about it.
i mean he's a bit careless with some books (don't throw them around ahhh!!) but for the most part he does nothing but to keep things as they are. he doesn't try to sell the books, he doesn't rearrange or change the furniture. the one time he does is after the whole business with heaven and hell and gabriel and beelzebub going off together, and he just puts everything back as it was before the party.
crowley loves the bookshop as it is, the same way he loves humanity as it is, the same way he loves aziraphale as he is. he doesn't want aziraphale to change. he takes care of him, helps him with everything he asks of him, is very protective of him; however in the same way he doesn't technically live in the bookshop and isn't a bookseller ("not even at gunpoint"), he has never said how he really feels about aziraphale, despite what his actions indicate.
crowley's love steadfast, and quiet, and there, but never fully realized. same as their relationship. aziraphale has let him in, but not completely. and crowley hasn't dare to take more space than he is allowed, because he doesn't want to lose what they have.
aziraphale and the bentley
in a mirror of how he relates to crowley, aziraphale asks the bentley to do things for him in that kind, authoritative way of his, and they get along fantastically. however when getting unsupervised alone time with the bentley, aziraphale proceeds to change its color, the music it plays, and even adds things to its interior. in its essence, the bentley remains the same, but its make up gets swapped for what aziraphale would like to see, what he thinks it's nice.
the bentley indulges aziraphale, because just like its owner, it's head over heels with him. it'll play aziraphale's music of choice without complain, it'll change his own color and go as fast as aziraphale likes it (which is veeeery slow), and it'll follow him around like a puppy; that's how much the bentley loves aziraphale.
crowley has to scold and demand and threaten aziraphale to get him to change the bentley back. and aziraphale is forced to comply, not because crowley asked, but because his own books were on the line. mercifully, he doesn't try to change the bentley's appearance again, though he still asks it to play him music that isn't beepop.
in retrospective it's glaringly obvious what this is about, which is: aziraphale thinking that crowley should be an angel. more specifically, that since crowley is good, and knows right from wrong better than aziraphale, it must mean that deep down crowley is still an angel. aziraphale just needs to bring it out, to make it happen.
but thing is, i don't think aziraphale realizes that crowley (and the bentley) being good to him in particular doesn't mean they want to be Good in the way aziraphale thinks heaven should be. because there's nothing good about heaven, something that s2 pointed out in more than one occasion.
aziraphale still can't let go of heaven, or distance himself from angelhood the way crowley has let go of hell (and heaven) and demonhood. he was forced to give it up when confronted with the end of the world, but it wasn't by choice. so a part of him still wants to go back; so, when given the chance to do so, he accepts.
this is all part of his character's journey. no matter how many times crowley tells him heaven is toxic, or how many times aziraphale experiences it for himself, he needs to realize it and let go of heaven by choice.
but as for now, he is still trying to pull crowley to his side, back to heaven, because, from his point of view, that's how it should be, because crowley is good! crowley know when to do the right thing! crowley asks questions! so if aziraphale is going to be supreme archangel, he wants to restore crowley to his rightful place, which is high up in heaven, doing good things, inventing things, bringing galaxies to life.
aziraphale's love (presently) is about relying in and allowing crowley to do things for him, about letting him into his safe space, (to a certain limit), doing things with and spending time with crowley, and trying to do what he thinks it's best for crowley. he still can't admit to other people or crowley or himself that they are together even when he says things like "our car", "it's my shop but we both get plenty of use out of it", but that's because he feels shame, and because he still hasn't let go of heaven's ideals and expectations.
which brings us to-
Heaven and God as a metaphor of Home and Family
in a way, what's happened at the end of s2 is that metatron (mom's assistant...?) came back to say "hey so since your big brother (gabriel) has run off with the enemy, we want you to come back to take care of the family business(running things in heaven)." previously crowley had been kicked out for asking questions, has been resentful about the whole thing for millennia, but when asked if he'd want to go back, he is not tempted at all. there's not lost love between him and his the other angels. the two times he sneaked back home(heaven), it didn't look like he was attached, even he was still somewhat familiar with it.
now as for his relationship with mom (God) that's an entire different matter. because he was still cast out for being who he is, for questioning authority, and that's a trauma he still carries with him.
but if crowley was the one that got kicked out, aziraphale is the one that stayed and tried to be as was expected of him. he tried to fit in with his family, even if secretly he was doing things they would frown upon. he'd try not to question authority, he'd be in denial about heaven's cruelty even when it smacks him in the face, because he doesn't want to be kicked out. and when he does get kicked out, somewhat, it's because he had to make a hard choice. but same as crowley, it's not like he wanted to, and he's still an angel, despite his own humanity and all his earthly attachments.
so when given the opportunity to go back home, to take the reins and do things as he thinks they should be done, and consequently be in a good relationship with his family and mom, he says yes. because he thinks that's what he should do, he thinks that's what he wants. mom asked her assistant to tell him that he could come back to run the family business! how could aziraphale say no?
he'll realize he doesn't need heaven, eventually. and he'll make his choice, and once he realizes that Heaven=/=Good, that Love=/=Heaven, he'll be ready to accept crowley as he is, without ever trying to change anything about him. and he'll let crowley in fully.
and they'll finally live together.
#good omens#good omens meta#good omens season 2#good omens spoilers#ineffable husbands#zykamiliah-good omens#zy watches good omens
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i think that when shax mentions that the miracle was something "only the mightiest of archangels could have performed" it referred to aziraphale and crowley's combined strength. and mind you, this was both of them using half their power, doing a "tiny" half-miracle. which a think foreshadows that they'll be able to stand up to heaven and hell in the future.
i've rewatched the before the beginning scene a few times and i think that the way they talk about the respective projects they have knowledge about (the universe and the humans) it sounds like... they're part of the project but not in charge of anything, they "worked very close" with the ones taking all the decisions (meaning God and the archangels) but neither of them are at the top of the ladder. (also they work on different departments lol)
if i had to guess, i'd say crowley's rank was similar to saraquel's before the fall.
I wanna talk about The Angel Who Would Be Crowley.
Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."
Looking around at GO fandom, I'm not alone in this. So let's talk about it.
Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.
Something like this:
We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--
--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.
But it turns out he was this:
!!!
With his curly little--!!
And his neat white--!!
IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:
"You used to jump on me back, little monkey in a waistcoat..."
(The use of a diminutive there, 'little'...oh, that fascinates me.)
In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.
In sum...an innocent.
(Perhaps innocent to a troubling degree.
We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.
Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)
So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--
*checks notes*
--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.
...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.
All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?
He WAS a powerful and high-ranking angel.
That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...
...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'
What does that tell us about who he was? Is?
Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.
Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."
And what reason does he give?
("I know you."
"You do not know me."
"I know the angel you were.")
What does that tell us about who he was? Is?
("The angel you knew is not me."
But how is Aziraphale supposed to believe that, when he can see him all the time?)
tl;dr --yes, this is better. I love the tragedy of it.
'Innocence died screaming' and all that.
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like i think you can tell the flashbacks are from azi's POV and it makes a looot of sense. he's wanting to do something NICE and GOOD and RIGHT for crowley ever since 1941. he remembers angel crowley. he knows if anyone deserves to be an angel is crowley. he thinks this is what crowley needs to be happyyyy
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oooooh this hasn't ever occurred to me but it makes so much sense- like i think there are two factors at play in why aziraphale never outright offers or asks crowley to move in with him
1- he's insecure. he knows he and crowley are something, but crowley sometimes pulls back when aziraphale offers to do things for him in return after crowley did "something good" (like in the car ride after the church bombing", which furthers his idea that crowley does good things for him because "he's just good/kind/nice" and not because of personal reasons (that he loves aziraphale). but you seem aziraphale constantly putting himself in situations where crowley has to save him, maybe to prove to himself that crowley does care about him and yes, because crowley enjoys saving him.
but he never outright tells crowley anything. he doesn't say "it's our bookshop" he says "we both get plenty of use out of it". he doesn't say "I'm happy that you did this for me" he says "that was a nice thing you did back there", and this the latter obviously makes crowley want to retract into his "i'm a demon blah blah blah" facade, while the former makes him feel that aziraphale doesn't love him as he does, doesn't want him in his life as much as crowley does.
notice how it's aziraphale the one calling crowley to go to the the coffee shop, then the pub. he then calls him again to talk about his Clue, because he wants to include crowley in everything he does (contrasting with s1 where he hid he had the book of prophecies) ("it's nice to tell someone about the good things you've done"). he's the one asking crowley to do the marksman(?) trick with him, he's the one pulling crowley into the dancing in ch5.
as someone else in the notes said, crowley is big gestures, he's way too direct, like a speeding train- except when he's quiet, or when he distances himself to avoid showing his vulnerability and getting hurt.
meanwhile azirphale is very indirect, he's subtlety (surprisingly), he never outright says how he feels about crowley, and i think crowley values words a lot (his Sin was asking a question), which makes him misunderstand aziraphale so he pulls back, which makes aziraphale misunderstand him.
2)aziraphale is jealous. (well it seems it's actually One factor, since insecurity and jealousy are linked together, but i wanted to talk about this in a separate section)
this obviously has a lot to do with self-worth issues (he's always trying to learn things the hard way). now that he doesn't have heaven to dictate if he's doing thing rights (again, this quote:"it's nice to tell someone about the good things you've done, now that i'm not reporting to heaven.") he's a bit directionless- he is all over the place, trying to do good things, trying to make crowley spend time with him, etc. aziraphale values attention (reason he likes to (trying) to do magic tricks), and he loves it when crowley pays attention to him.
but it seems there's always something else drawing crowley's eye. like, for example, the galaxy
(look at the way he looks back and smiles, at first thinking crowley is calling him gorgeous, and when he realizes crowley isn't, he tries to compose himself)
or the bentley.
(lmao aziraphale's expression in this moment it's so funny. he's annoyed but he's trying to cover it up; apparently crowley can't wait to get out of the bookshop and put his plants back in the car. he's also cooing at his car in a way that's so blatantly affectionate.
aziraphale is not happy about this)
this is the way crowley talks to the things he loves, but he's never actually said these words to aziraphale.
(on a side note image if crowley talked to aziraphale this way. it'd work better than any tempting lol. canon divergence fic pls)
and it's always other people calling them an item, never crowley himself. from crowley's pov, aziraphale couldn't even admit they were friends for a long time. from aziraphale's pov, crowley has defined their relationship as friendship and nothing more.
...*sighs* they really are ineffable idiots.
Hypothesis: Aziraphale HATES that Crowley is living in his car.
Supporting evidence:
The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.
He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.
Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.
It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.
Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?
He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).
He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.
That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.
(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)
Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.
And it hurts him.
#good omens#good omens spoilers#ineffable husbands#good omens s2#good omens season 2#good omens meta#zykamiliah-good omens#debated on whether to make a separate post but it doesn't make sense without op's theory on at the top so!#sorry for the long reply op
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:0 so wait. you see how metatron is the only heavenly official that knows how to manipulate and fit easily with the humans and can't be fooled like the other angels, can queue to buy a coffee without incident etc etc.
compare that to gabriel, michael, uriel, muriel who are so detached and don't even know what a matchbox is.
isn't strange that they are all basically the same age but have different levels of intelligence?
so maybe their minds have wiped out before...? maybe some of their memories have been erased. no completely, but that part that would make them question-- the curiosity about humans, for instance.
😳...this is a veeeery interesting theory
GOOD OMENS SPOILERS.
So I've been thinking a lot about Muriel. About how they're sweet and naive and sort of dumb, and they're a 37th class angel.
In fact, Muriel’s level of naivety is nearly the same as Jim-level naivety/dumbness. And Jim was supposed to be a 38th class angel, after being demoted from Supreme Archangel and having his memories removed.
And when this was revealed Muriel says 'I didn't know there was a class below me', what if Muriel is just a demoted angel? What if Heaven just keeps demoting any angel who goes against God’s (the Metatron’s) Plan and making a new, lower class for them? Instead of making them fall, they just keep taking memories and demoting angels so that there wont be a perceived ‘institutional problem’. Which there isn’t. Right?
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as with many things I don't think aziraphale realizes that what he did was wrong. he struggles with that, what with him being an angel associated with heaven for most of his existence and thinking that his side of things is always in right (except when they aren't/he isn't). the good thing is that aziraphale is respectful of crowley's wishes, and that he is able to admit when he's wrong about something.
i like that aziraphale says that he's on the side of god, since i think there's this divide between heaven and god (the whole ineffability thing) that has been established since s1 that aziraphale hasn't fully understand yet.
so there's hope! i do hope it'll be aziraphale's turn to do the apology dance on screen
relationship status: crowley and the bookshop, and aziraphale the bentley
apparently it won't leave me alone unless i write it down so here it goes: the way aziraphale treats the bentley and the way crowley treats the bookshop are metaphors about the status of their relationship and, to an extent, how they relate to each other
i mean yeah that was kind of obvious at the moment i was watching episode 3, but i didn't realize the implications of this particular metaphor until much much later (bc i didn't binged the season), after i watched the end of the last episode.
so here it goes!
i have no idea of other people have already talked about this, in which case i won't apologize since writing down this is part of my post-s2 coping strategies
crowley and the bookshop
crowley doesn't live in the bookshop per se, he doesn't rest there, he doesn't put his plants there, but it is where he spend a good chunk of his time. he's comfortable enough to takes off his sunglasses , meaning he's comfortable being himself there (mostly); the bookshop his anchor, and his world revolves around it.
what's important here is that when tasked with taking care of it without supervision, guarding it and its contents, he changes nothing about it.
i mean he's a bit careless with some books (don't throw them around ahhh!!) but for the most part he does nothing but to keep things as they are. he doesn't try to sell the books, he doesn't rearrange or change the furniture. the one time he does is after the whole business with heaven and hell and gabriel and beelzebub going off together, and he just puts everything back as it was before the party.
crowley loves the bookshop as it is, the same way he loves humanity as it is, the same way he loves aziraphale as he is. he doesn't want aziraphale to change. he takes care of him, helps him with everything he asks of him, is very protective of him; however in the same way he doesn't technically live in the bookshop and isn't a bookseller ("not even at gunpoint"), he has never said how he really feels about aziraphale, despite what his actions indicate.
crowley's love steadfast, and quiet, and there, but never fully realized. same as their relationship. aziraphale has let him in, but not completely. and crowley hasn't dare to take more space than he is allowed, because he doesn't want to lose what they have.
aziraphale and the bentley
in a mirror of how he relates to crowley, aziraphale asks the bentley to do things for him in that kind, authoritative way of his, and they get along fantastically. however when getting unsupervised alone time with the bentley, aziraphale proceeds to change its color, the music it plays, and even adds things to its interior. in its essence, the bentley remains the same, but its make up gets swapped for what aziraphale would like to see, what he thinks it's nice.
the bentley indulges aziraphale, because just like its owner, it's head over heels with him. it'll play aziraphale's music of choice without complain, it'll change his own color and go as fast as aziraphale likes it (which is veeeery slow), and it'll follow him around like a puppy; that's how much the bentley loves aziraphale.
crowley has to scold and demand and threaten aziraphale to get him to change the bentley back. and aziraphale is forced to comply, not because crowley asked, but because his own books were on the line. mercifully, he doesn't try to change the bentley's appearance again, though he still asks it to play him music that isn't beepop.
in retrospective it's glaringly obvious what this is about, which is: aziraphale thinking that crowley should be an angel. more specifically, that since crowley is good, and knows right from wrong better than aziraphale, it must mean that deep down crowley is still an angel. aziraphale just needs to bring it out, to make it happen.
but thing is, i don't think aziraphale realizes that crowley (and the bentley) being good to him in particular doesn't mean they want to be Good in the way aziraphale thinks heaven should be. because there's nothing good about heaven, something that s2 pointed out in more than one occasion.
aziraphale still can't let go of heaven, or distance himself from angelhood the way crowley has let go of hell (and heaven) and demonhood. he was forced to give it up when confronted with the end of the world, but it wasn't by choice. so a part of him still wants to go back; so, when given the chance to do so, he accepts.
this is all part of his character's journey. no matter how many times crowley tells him heaven is toxic, or how many times aziraphale experiences it for himself, he needs to realize it and let go of heaven by choice.
but as for now, he is still trying to pull crowley to his side, back to heaven, because, from his point of view, that's how it should be, because crowley is good! crowley know when to do the right thing! crowley asks questions! so if aziraphale is going to be supreme archangel, he wants to restore crowley to his rightful place, which is high up in heaven, doing good things, inventing things, bringing galaxies to life.
aziraphale's love (presently) is about relying in and allowing crowley to do things for him, about letting him into his safe space, (to a certain limit), doing things with and spending time with crowley, and trying to do what he thinks it's best for crowley. he still can't admit to other people or crowley or himself that they are together even when he says things like "our car", "it's my shop but we both get plenty of use out of it", but that's because he feels shame, and because he still hasn't let go of heaven's ideals and expectations.
which brings us to-
Heaven and God as a metaphor of Home and Family
in a way, what's happened at the end of s2 is that metatron (mom's assistant...?) came back to say "hey so since your big brother (gabriel) has run off with the enemy, we want you to come back to take care of the family business(running things in heaven)." previously crowley had been kicked out for asking questions, has been resentful about the whole thing for millennia, but when asked if he'd want to go back, he is not tempted at all. there's not lost love between him and his the other angels. the two times he sneaked back home(heaven), it didn't look like he was attached, even he was still somewhat familiar with it.
now as for his relationship with mom (God) that's an entire different matter. because he was still cast out for being who he is, for questioning authority, and that's a trauma he still carries with him.
but if crowley was the one that got kicked out, aziraphale is the one that stayed and tried to be as was expected of him. he tried to fit in with his family, even if secretly he was doing things they would frown upon. he'd try not to question authority, he'd be in denial about heaven's cruelty even when it smacks him in the face, because he doesn't want to be kicked out. and when he does get kicked out, somewhat, it's because he had to make a hard choice. but same as crowley, it's not like he wanted to, and he's still an angel, despite his own humanity and all his earthly attachments.
so when given the opportunity to go back home, to take the reins and do things as he thinks they should be done, and consequently be in a good relationship with his family and mom, he says yes. because he thinks that's what he should do, he thinks that's what he wants. mom asked her assistant to tell him that he could come back to run the family business! how could aziraphale say no?
he'll realize he doesn't need heaven, eventually. and he'll make his choice, and once he realizes that Heaven=/=Good, that Love=/=Heaven, he'll be ready to accept crowley as he is, without ever trying to change anything about him. and he'll let crowley in fully.
and they'll finally live together.
#good omens s2#good omens spoilers#good omens meta#ineffable husbands#zykamiliah-good omens#good omens season 2
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