#zombie family train sub genre
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braintasting ¡ 6 months ago
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The Girl With All the Gifts
This is another entry in the zombie/family/n subgenre. It's kind of eerily close to The Last Of Us, but in a way that doesn't seem like a copy (though who would be copying who is a question; it's a 2016 film, older than the TV series but three years after the first video game). Fungus overtakes brains as vegetation overtakes cities ... there's a "found' family that's actually sort of sweet ... vaccines are important ... networked behavior is important.
The movie offers up some more interesting questions than the TV show, or even Train to Busan. Both of those stories centered "family" as the relationship between parent and child. This one has the sort-of surrogate parenthood of teacher and student, but winds up centering "family" in a larger sense, a continuity between generations. It's less ecological than The Last of Us, but more genealogical. Children are our future.
This is an exploration that really started with That One Scene in Night of the Living Dead and that George Romero has seemed to get much more interested in as the sequels go on. The question there is, I suppose, the ultimate nihilistic one: If there is no future, if "nothing" is all there is, then how can there be "something"? Why is time still moving us onward?
I suppose this counts as a spoiler, but this film is probably the most intelligent and sympathetic examination I've yet seen of "the Bubba," the zombie that shows signs of thought. The hope that something human can remain even after death claims the body.
It's the next step along in the Hegelian process, or the all-consuming negation, that gives us the zombie to being with. Neither alive nor dead means you're undead. Neither undead nor not-undead means ... what? A mindful mindlessness?
The closing scene of this is unlike any zombie film I've seen, and is really sort of brilliant, because it's not entirely clear if it's bleak or hopeful.
The main actress, who has to be all of what, 10? 12? (Wikipedia says 13), pulls off the perfect combination of wide-eyed innocence and feral violence that parents and teachers will recognize as what childhood really is, only escalated just a tiny bit. There are a few scenes that seem borrowed from Lord of the Flies or Mad Max: Beyond Thunderdome. Then again, there are others that seem influenced by the art-house kaiju film Monsters, which, like this one, tried to imagine some kind of human society surviving once a new apex predator knocks Homo sapiens down a rung or two. "The Girl With All the Gifts" in this story is Pandora; whether she's the bringer of monsters or of hope is a question that only be answered with "neither, and both." Schrodinger's Cat is mentioned early on in the film, and the paradox is played out with every human relationship, neither this nor that yet both this AND that. I'll be thinking about this for a while, I can tell.
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rollercoasterwords ¡ 2 years ago
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🦇 rae's horror recs 🦇
ok per the request from this anon here is a list of horror movie recs loosely sorted into categories!!
🩸femininity + horror
the love witch (2016) - a beautiful witch tries to find the man of her dreams (one of the most visually beautiful movies i have ever seen + topically so so smart)
jennifer's body (2009) - repressed lesbianism + demon cannibals, my favorite flavor combination
the craft (1996) - teen witch cult! one of my favorite movie villains ever <3
teeth (2007) - super christian teen discovers her vagina has teeth (one of my favorite movies of all time)
mother! (2017) - a movie that feels like a fever dream-turned-nightmare; pregnant woman's husband keeps inviting guests into the house
ginger snaps (2000) - sisters obsessed with death suddenly have to reevaluate some things when one of them gets bitten by a werewolf (another all-time fave of mine)
season of the witch (1972) - another movie that is so so visually stunning; suburban house wife tries to fill the void in her life with witchcraft
lyle (2014) - kinda like rosemary's baby but lesbian
raw (2016) - vegetarian veterinary student has to contend with her sudden growing hunger for meat
the witch (2015) - solitary pilgrim family gets tormented by an unknown force
the neon demon (2016) - if america's next top model was a horror movie
🧠 zombies! this one needed sub-categories
smart (zombie movies that are doing something a little different/with a twist)
seoul station (2016) - my personal favorite horror movie!! a young woman tries to navigate the sudden outbreak of a zombie apocalypse in seoul
cargo (2017) - a father has 48 hours after getting infected with a zombie virus to find someone to care for his daughter
the girl with all the gifts (2016) - a girl with miraculous immunity to the zombie virus tries to find safety with her teacher when their compound is overrun
here alone (2016) - a woman attempting to survive the apocalypse alone encounters some strangers
ravenous (2017) - survivors search for safety in a zombie apocalypse
deadgirl (2008) - ok be warned with this one!! like i know this is a list of horror movies i'm assuming anyone watching horror knows what triggers they need to check for first but. extra warning for this movie bc it is notoriously fucked up and disgusting. that being said it is also one of my favorite zombie movies not in terms of like....being enjoyable to watch, but in terms of everything it's doing with gender. like absolutely ripe for analysis + discussion + i have read some really interesting zombie theory abt this particular film but. yeah recommending w a LARGE grain of salt
the rezort (2015) - in the wake of a zombie virus, tourists visit an exclusive resort for the chance to kill zombies recreationally
classic
train to busan (2016) - my favorite like...classic setup + execution of a zombie movie <3
day of the dead (1985) - for better or for worse, romero's movies did pioneer the genre. in this one, a military base gets overrun
28 days later (2002) - a man wakes up alone in a hospital only to discover that a mysterious virus has swept the country
night of the living dead (1968) - the classic of all classic zombie movies. a group of survivors gets stuck in a house.
dawn of the dead (2004) - haven't seen the original, but i enjoyed this one just fine! group of survivors gets stuck inside a mall
comedy
one cut of the dead (2017) - film crew trying to shoot a movie in one cut get attacked by zombies
anna and the apocalypse (2017) - zombie christmas musical
zombie for sale (2019) - if warm bodies was actually good
little monsters (2019) - elementary school teacher protects her students from zombies
night of the living deb (2015) - deb's one-night stand just wants to get rid of her; unfortunately, the zombie apocalypse has started
👻 hauntings + possessions
the babadook (2014) - a single mother tries to figure out what to do when her son becomes convinced that there's a monster in their house
his house (2020) - a refugee couple move into a new house only to discover that something already seems to be living there
la llorona (2019) - a guatemalan general accused of genocide is trapped by protestors in his mansion with his family, where something begins to haunt them (NOT to be confused with the american movie of a similar name)
the shining (1980) - jack accepts a job as caretaker of the overlook hotel and moves in with his family, only to discover it might not be entirely empty
it follows (2014) - jay has sex only to discover that in doing so she's become the recipient of a deadly curse, and the only way to get rid of it is to pass it on to someone else
metamorphosis (2019) - a demon terrorizes a family by impersonating different members
🔪 slashers
scream (1996) - perhaps the epitome of classic teen slasher movie
the cabin in the woods (2011) - five college friends decide to spend a weekend at a cabin; things get progressively weirder
black christmas (1974) - sorority christmas slasher with one of the best unsettling endings
i know what you did last summer (1997) - four friends involved in a hit and run think they've buried the evidence until they start receiving mysterious + threatening messages
🕸️ psychological (i'm using this term loosely ok a lot of these ones didn't fit elsewhere)
get out (2017) - a man visiting his girlfriend's family for the first time can't ignore their increasingly strange behavior
us (2019) - a family visiting their beach house receive unexpected guests
creep (2014) - a man accepts a filmmaking job only to arrive at the location and encounter increasingly alarming red flags
the invitation (2015) - a couple attends a friend's dinner party only to grow increasingly uncomfortable as the night wears on
gerald's game (2017) - a sex game gone wrong leaves jesse handcuffed to a bed with no food, no water, and no way to free herself
midsommar (2019) - typical europe-trip-with-friends gone wrong
👽 sci-fi
alien (1979) - a spaceship on its way back to earth stops to intercept a distress signal, only for one of the crew to be attacked by a mysterious creature
aliens (1986) - sequel to alien; this time colonists are terraforming the planet where the alien was discovered, and when contact is lost ripley is sent on a mission to find out what happened
thing (1982) - a group of researchers in antarctica rescue what they think is a dog
nope (2022) - siblings on a ranch try to get photographic evidence of an unusual phenomenon (honestly not sure if this counts as sci-fi or not but...whatever i'm putting it here)
annihilation (2018) - a biologist joins an expedition into a dangerous and unexplored territory
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pissjesus ¡ 3 years ago
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I know it’s been several days but uhhhhh here’s a part 2 of this ask <3
Lennon’s dedicated his immortal life to attending as many concerts as he possibly can, especially for underground bands performing in cramped bar basements, so he has a ton of CDs and merch for bands no ones heard of. His vagabond lifestyle began in the 90s so he has a soft spot for that time period. He likes the Red Hot Chili Peppers, Rob Zombie, Nine Inch Nails, Blur, and Nirvana. He’s been very into Manëskin as well lately
Rottie likes metal and rap, and is always looking for new and unique bands— though he doesn’t have the means to go out and find them like Lennon, so he spends his time digging through SoundCloud. He might roll his eyes at Slipknot and AC/DC, but he has a place in his heart for Metallica and their 7 years of good music. His knowledge of Norwegian black metal is unrivaled and he bothers to know the difference between the sub-genres of metal. His other favorites include Witch Mountain, GWAR, Body Count, the Hu, Voice of Baceprot, Death Grips, and CORPSE
Frank hit her immortal stride in the early days of the goth scene in the 70s and 80s, but that doesn’t mean she’s stuck in her ways. She frequents underground concerts like Lennon, and finds herself running into him more often than she’d like. Her favorites are Sousxie and the Banshees, Ghost, Ozzy Ozzborne, Halestorm, and The Scary Bitches
Juno likes anything loud and grating to anyone else. She’s the most likely to show you a song and preface it with “hey listen to this it’s fucking garbage.” She likes nu-metal, rap, noise music, industrial, and club bangers. Her favorites are Mindless Self Indulgence, Korn, Insane Clown Posse, Tool, Danny Brown, Slayyyter, Girl Pusher, and Die Antwoord
They also all play instruments: Lennon plays drums, Rottie plays bass, Juno plays guitar, and Frank sings on top of being classically trained in multiple instruments including piano, violin, and flute. Rottie also sings but doesn’t like doing it in front of people. Juno calls herself a producer but her music is best described as “strange and unnerving”
I miss those “character theme song” videos people used to do where at least one of the songs was “You’re gonna go far kid” so if I had to pick some songs that I think fits each of them:
Lennon: Freaking out the Neighborhood by Mac Demarco, Arm Candy by Record Heat, and Californication by Red Hot Chili Peppers
Rottie: Circles by Post Malone, All Alone by Gorillaz, and Destroya by My Chemical Romance
Frank: Zombie by the Cranberries, Runs in the Family by Amanda Palmer, and Ew by Emily Deahl
Juno: Where’s My Juul? by Lil Mariko, Edgelord by Dorian Electra, XS by Rina Sawayama
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surfinghorror ¡ 4 years ago
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TOP 10 OF THE BIGGEST DISASTERS OF SITGES
Horror is the real, the realization, it´s the killer before you, the Nazis in power.
Horror has been with us from the beginning, since man is man. Not only some of us have learned to live whit it, but we like it when is with us.
We know we are not the only ones and yes, maybe, you are right, another digital magazine focused on horror cinema is not necessary but for us, horror is not just a cinematographic genre, we really believe in horror as part of our culture and terror as art.
In Surfing Horror you will find reviews but also curiosities, specials, tops and much more stuff related to horror. 
And we are born today in the best way possible, making the opening post about the biggest disasters of Sitges Film Festival.
Let´s do it!
𝟏𝟎. 𝐓𝐇𝐄 𝐒𝐈𝐋𝐄𝐍𝐂𝐈𝐍𝐆
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Revenge thriller in rural america. The silencing is not exactly a disappointment, we just don't understand why it has been selected for the official section of the sitges festival.
Unfortunately, this does not mean that we have liked it, it´s a product that we do not think can completely satisfy anyone, it doesn´t add anything that we have not seen before, it´s a very insipid thriller and the main plot doesn´t end up being of interest at any time. 
Also, it has a slow and heavy rhythm that makes you look at the clock several times.
🔪🔪 / 5
𝟗. 𝐒𝐀𝐕𝐄 𝐘𝐎𝐔𝐑𝐒𝐄𝐋𝐕𝐄𝐒!
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A hipster couple in their thirties decide to disconnect from everything and spend a few days outside the city without knowing that the world is suffering an alien invasion.
Once again we are faced with a very promising idea, but that's all it takes, a promise of a product that could have given a much more interesting result. At "save yourselves", we have science-fiction only as context, it is a mere excuse to present us with a comedy not very funny, dialogs without grace and some supposed middle-age problems that if you are not from the upper-class, you will not understand.
The film, maybe in another festival, would have been seen as a light comedy but sitges is not its place.
It's like if you go to a Metallica show and the opening act is Britney Spears.
🔪 / 5
𝟖. 𝐀𝐑𝐂𝐇𝐈𝐕𝐄
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Failed attempt of the "man vs machine" debate. We can see the love for science fiction behind this film but we cannot feel it.
The pic looks wonderful, all the visual aspect of the film is very well taken care of and the atmosphere is very achieved but this is precisely the big problem, it seems that Gavin Rothery (director-screenwriter) has forgotten to tell us a good story. The script is not in the same level, there are too many unnecessary script turns (above all, the last one) and there are some characters out of place.
In "archive" everything is left to the end but it's too late for us to be interested.
🔪🔪 / 5
𝟕. 𝐓𝐇𝐄 𝐏𝐀𝐋𝐄 𝐃𝐎𝐎𝐑
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In surfing horror, we also have a place in our heart for western, in fact, we love this genre but is not easy to mix it with horror and have a satisfactory result.
“The pale door” is not an exception, in the first hour we have a very little interesting western with empty characters and sets worthy of Ed Wood himself and in the last thirty minutes we have a witch film not more interesting than the western one. Genres are not touched at any time and the balance is non-existent.
Very ocassionaly, this explosive mix works, as on the case of the brilliant "Bone Tomahawk", however, this time, we have not had the same luck.
🔪 / 5
𝟔. 𝐁𝐄𝐂𝐊𝐘
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A father and his daughter decide to spend a weekend on the lake, meanwhile, a group of prisoners escape from jail.
We think that in cinema, especially in horror, it doesn´t really matter what you want to tell us, the thing is "how" you want to tell us.
When you see the short description of "Becky", you can imagine what you are going to find, and indeed, it will not blow your head off, but anyway, you want to have a good time and you are ready to have a good time. Half an hour has already passed since the film started, there is nothing you dislike but you feel that you could be watching something better, for example, the news.
We don´t think that "becky" is a bad movie, it´s just that it has nothing important to say or anything special to add to the genre. In the characters section we have a Lulu Wilson (Becky) that does what she can taken into account that her character does not make much sense. She plays a rebel teen that if things go wrong, she will not hesitate to become a mercIless killer. On other hand, we have Kevin James, who plays a very crazy Nazi but not enough to remember him as a first level villain. 
Anyway, we believe that it would have worked much better as a comedy and we would have liked that the script would have been more taken advantage off.
🔪 / 5
𝟓. 𝐁𝐋𝐀𝐂𝐊 𝐖𝐀𝐓𝐄𝐑: 𝐀𝐁𝐘𝐒𝐒
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“Black Water: Abyss” is not a disappointment, it's just a movie that we have already seen a thousand times.
A group of friends decide to explore a cave and ... Surprise! There is a very hungry crocodile.
From the beginning, we can see that the film has many limitations; the tension is poorly maintained, the violence comes and goes in a very confusing way and it seems that there is no person directing behind the cameras.
If you really want to see a horror movie about dangerous animals, please, don´t watch this one.
🔪 / 5
𝟒. 𝐇𝐎𝐒𝐓𝐒
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A family decides to invite their neighbors to dinner at Christmas, what they don´t know is that they are carriers of an evil identity.
Again, we have an interesting premise, a good start and a promise that what we are going to see next is going to make us have a good time but this never comes. Despite having some very well gore moments, the rest of "hosts" is empty, none of the characters contributes anything and you are waiting and waiting for the turn but again, this never comes and when you got it, the movie is over.
The best: a few very well gore moments.
The worst: there is nothing especially enjoyable other than a few good moments.
🔪 / 5
𝟑. 𝟏𝟐 𝐇𝐎𝐔𝐑 𝐒𝐇𝐈𝐅𝐓
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In 12 hour shift we have an idea, that´s it. There's no more. You can feel during the whole long hour and a half that there is nothing else.
The characters and the situations are written with the intention of making us laugh and achieve just the opposite. We are left saturated and tired of eccentric unfunny characters and so many failed jokes. The worst of all is that it starts with an interesting premise but as we said, there is nothing else comes after that, a real pity.
The best: the starting point.
The worst: the rest of the movie.
0 / 5
𝟐. 𝐒𝐇𝐄 𝐃𝐈𝐄𝐒 𝐓𝐎𝐌𝐎𝐑𝐑𝐎𝐖
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Take a concept, extend it until it has a feature film duration, insert absurd dialogues with tedious images full of neon lights and focus it on the indie public. The next step is to sell the product as it if were a surrealist and hilarious comedy.
The problem is that the joke is as funny as going to your grandma´s funeral and someone shits on her grave.
This is "she dies tomorrow"
The best: nothing
The worst: everything
0 / 5
𝟏. 𝐏𝐄𝐍𝐈𝐍𝐒𝐔𝐋𝐀
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Without any doubt, the crown jewel of disappointments of this edition.
We love zombies movies, the merrier the better, if the movie goes straight to the point, much better, if there are not too many sub-frames or too many secondary characters so that we don't get distracted with things that do not interest, much much better, and if in addition, it mixes the action genre with zombies to the perfection, we have one of our favourite movies of the last years.
All that is “Train to Busan”. That's why "peninsula" is so painful. It is not the worst of this top, it is not even considered a bad movie, in fact, you can get to enjoy (a lot) but we highly recommend that if you really want to watch it, please don´t do it thinking that this is a sequel of “train to Busan, because it isn't. It's an action movie with zombies, it's direct, entertaining and there's not too much time for sentimentalism.
The best: do you think that you can enjoy a hybrid between mad max and day of the dead? This is your movie.
The worst: it has nothing, but nothing to do with train to Busan.
🔪🔪 / 5
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snorinlauren ¡ 4 years ago
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The Best Horror Movies Streaming On Netflix Right Now
The number of digital platforms on which fans of horror movies can find a good scare is just as frightening as the films they have available to stream. In fact, there is even one that specializes in bringing the best the genre has to offer (and then some). Of course, for those who only have so much time and money at their disposal, settling on Netflix to help deliver the spooks would not be a mistake.
There are enough horror movies available on the popular platform to keep you streaming into the wee hours of the night, mainly because you will not be able to sleep. Among the many fears you would be facing during this binge with iconically creepy classics, modern masterpieces of the macabre, and even some of Netflix’s own ominous originals, one you should not have to worry about is the fear of disappointment.
That being said, we understand that some phobias are more challenging to get over than others, so allow us to be a beacon of despair and point you in the right direction of what the best horror movies currently available to stream on Netflix. We figured that 13 would be an appropriate number, starting with an influential cult favorite that arguably pioneered the “cabin in the woods” thriller.
The Evil Dead (1981)
A weekend getaway and an old cabin becomes an unrelenting nightmare for one man (Bruce Campbell) after his four friends are possessed by an ancient spirit that turns them into grotesque and cruel creatures.
Why It's A Good Option for Horror Fans: Writer and director Sam Raimi became the patron saint of low budget indie horror with The Evil Dead, that remains a timeless classic of astonishing influence that spawned two campy sequels, a brilliantly brutal remake, and a hilarious TV series that serves as a perfect send-off for Bruce Campbell's chainsaw-handed hero, Ash Williams.
Stream The Evil Dead on Netflix here.
Poltergeist (1982)
A family seeks help when their youngest daughter is kidnapped by malevolent spirits that have invaded their suburban home.
Why It's A Good Option for Horror Fans: From producer Steven Spielberg and directed by The Texas Chainsaw Massacre creator Tobe Hooper (well, depending on who you talk to), Poltergeist is an essential haunted house picture for how it expertly taps into traumas that people of all ages an relate to and may lead you to develop new fears as well, such as television static, perhaps.
Stream Poltergeist on Netflix here.
Child’s Play (1988)
A single mother (Catherine Hicks) enlists the aid of a homicide detective (Chris Sarandon) after discovering that the doll she bought for her young son (Alex Vincent) is possessed by the soul of a dead serial killer (Brad Dourif).
Why It's A Good Option for Horror Fans: Before there was Annabelle, there was Chucky, who may not have been the first toy responsible for giving children nightmares, but certainly became every horror fan's favorite of that kind upon the release of Child's Play, a classic slasher but pokes great fun at modern commercialism.
Stream Child's Play on Netflix here.
The Silence Of The Lambs (1991)
To catch a deranged murderer who skins his victims, ambitious FBI trainee Clarice Starling (Academy Award winner Jodie Foster) enlists Hannibal Lecter (Academy Award winner Anthony Hopkins), a former psychiatrist and notorious cannibal, to help get into the mind of a criminal.
Why It's A Good Option for Horror Fans: While the Academy of Motion Picture Arts and Sciences may prefer their choice for the Best Picture Oscar in 1992 not be called "horror," with Anthony Hopkins' chilling performance and breathlessly suspenseful direction by Jonathan Demme, it is hard to imagine The Silence of the Lambs in any other category.
Stream The Silence of the Lambs on Netflix here.
Candyman (1992)
A graduate student (Virginia Madsen) investigating Chicago myths for her college thesis becomes especially interested on the story of a supernatural entity with a hook for a hand whom locals believe can be summoned by saying his name five times.
Why It's A Good Option for Horror Fans: Tony Todd created quite a "buzz" in black horror history as the title character of Candyman, a creation from legendary writer Clive Barker based on the deliciously creepy concept of an urban legend whose existence depends on those who believe in him.
Stream Candyman on Netflix here.
Insidious (2011)
After their eldest son (Ty Simpkins) inexplicably falls into something even doctors hesitate to call a coma, a family (led by Patrick Wilson and Rose Byrne) begins to fall prey to a relentless evil that seems to follow them whenever they try to escape.
Why It's A Good Option for Horror Fans: Director James Wan and writer Leigh Whannell, the dynamic duo behind Saw who have since gone onto great successes on their own, created an indelibly frightening new classic to the haunted house sub-genre with Insidious, particularly for a nearly unprecedented twist that might actually have you thankful when it keeps you up at night.
Stream Insidious on Netflix here.
Sinister (2012)
Desperate for another bestseller, a true crime writer (Ethan Hawke) moves his family into a house where a disturbing murder took place, which he plans to research for his latest masterpiece, only to learn that the truth behind the incident is much worse than he could have imagined.
Why It's A Good Option for Horror Fans: Oscar-nominee Ethan Hawke became an unexpected "scream king" after playing the tragic hero of Sinister, from Doctor Strange and The Exorcism of Emily Rose director Scott Derrickson, which is, arguably, the most ferociously unsettling supernatural crime thriller ever made.
Stream Sinister on Netflix here.
Creep (2014)
An amateur filmmaker accepts a request over Craigslist to film a terminally ill man's final message to his son, but quickly comes to regret the decision when his host's progressively concerning actions lead him to question if he is the one about to expire.
Why It's A Good Option for Horror Fans: Conceived by its own stars Mark Duplass and Patrick Brice (the latter of which also directs), Creep is an underrated found footage gem that mostly lives up to its name (with a almost equally haunting 2017 follow-up that is supposedly the second of a planned trilogy), but the biggest shocker is how mumblecore pioneers Duplass and Brice essentially improvised the entire story from scratch.
Stream Creep on Netflix here.
The Invitation (2015)
A man brings his girlfriend to a dinner party hosted by his ex-wife and her new lover, but is immediately, and unshakably, convinced that something sinister is afoot.
Why It's A Good Option for Horror Fans: As this tenuous, high-wire act from director Karen Kusama progresses, you may not be sure who among these party guests, even Logan Marshall Green's protagonist, is worth your trust, but one thing I can confidently guarantee is is that the final moment of The Invitation will rupture your brain.
Stream The Invitation on Netflix here.
Train To Busan (2016)
An emotionally distant businessman's commute for his young daughter to visit her mother turns out to be a one-way trip into hell when someone carrying a virus turning people into mindless cannibals invites herself on board.
Why It's A Good Option for Horror Fans: Not only is the live-action debut of Korean filmmaker Sang-ho Yeon’s one of the most exciting and clever zombie films in recent memory, but Train to Busan, which has spawned a highly anticipated sequel, also succeeds as a moving thriller about the sacrifices we make for ones we love.
Stream Train to Busan on Netflix here.
Terrifier (2017)
Two beautiful late night partygoers (Jenna Kanell and Catherine Corcoran) are in for the worst Halloween of their lives when they fall prey to an unfriendly clown who has plenty of sadistic trick and treats in store for them.
Why It's A Good Option for Horror Fans: If you ask me, Pennywise has nothing on Art the Clown (David Howard Thornton), the future slasher icon whom the title of Terrifier appropriately refers to for his whimsically morbid imagination and tenacious blood thirst that makes director Damien Leone’s third feature a masterpiece of unapologetic shock and "ugh."
Stream Terrifier on Netflix here.
In The Tall Grass (2019)
A pregnant woman (Laysla De Oliveira) and her brother (Avery Whitted) follow a young boy's cry for help into a large field of high-growing grass, but it soon it becomes apparent that there is no way out.
Why It's A Good Option for Horror Fans: Based on a novella by father/son writing duo Stephen King and Joe Hill, In the Tall Grass is a survivalist thriller with startling fantasy, engrossing mystery, and a menacing performance by "scream king" and The Conjuring star Patrick Wilson that makes this Netflix original one of the coolest surprises in horror of its year.
Stream In the Tall Grass on Netflix here.
Tucker And Dale Vs. Evil (2010)
An idyllic vacation in newly purchased cabin turns into "a real doozy of a day" for a pair of well-meaning hillbillies (Alan Tudyk and Tyler Labine) after an awkward misunderstanding with some young campers leads to a bloodbath.
Why It's A Good Option for Horror Fans: The old slasher trope of shady country folk is turned on its head in a most brilliantly hilarious, yet uncompromisingly graphic, way in Tucker and Dale vs. Evil, which may prove to be perfect way to end your Netflix horror binge: with a morbid laugh.
Stream Tucker And Dale Vs. Evil on Netflix here.
What do you think? Have we captured all the best haunts on Netflix, or is the absence of your own favorite horror flick the scariest thing you saw on our list? Let us know in the comments and be sure to check back for additional information and updates on the freakiest genre in cinema, as well as even more rattling recommendations of movies and TV shows you can stream, here on CinemaBlend.
What is you favorite horror film currently available to stream on Netflix?
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mrs-evadne-cake ¡ 5 years ago
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“You shouldn't like things because people tell you you're supposed to.”- Movies And TV
Since we’re about to hit the Stranger Things Doldrums where it’s been a while since S3 and S4 has just started filming and if you’re anything like me you’re gonna start jonesing bad- I thought I’d make a So You Need A Hit survival kit for myself of some Stranger Things-esque media to read/watch/play during the wait and that maybe you guys might be interested too. Not all of them are gonna set the world on fire- but hopefully there’s some stuff that people haven’t seen before Expect a lot of Small Town Nostalgia, a bunch of monsters, and more plucky, dangerously unsupervised kids than you can shake a stick at.
(STRANGER THINGS-ESQUE RECS CON’T) 
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It (2019 and 1990): “Set in 1989 (and 1959, respectively) in the fictional town of Derry, Maine, the story begins when a young boy named George "Georgie" Denbrough disappears after the sudden arrival of a mysterious clown named Pennywise. Georgie's older brother, Bill, is left distraught by his disappearance, and after an encounter with Pennywise, looks for the help of six other outcasts who have had similar encounters with the clown and its other forms. The seven work together to examine the behavior of this shapeshifting creature — which they dub "IT" — and see if they can rescue Bill's missing brother at the same time.” -TVTropes (Obviously)
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Super 8   “A group of middle schoolers in a small Ohio town in 1979 are dedicated to making a zombie movie to enroll in an upcoming film festival... While filming a scene late at night, they happen upon a freak train crash and barely escape before the authorities show up. Shaken up by the experience, they find that they accidentally filmed something on their Super 8-mm film camera in the aftermath of the crash, and soon they're caught up in strange happenings  with a monster on the lose and a secret military operation.”- TVTropes
(You don’t get closer to ST than Super 8. If this doesn’t fill the Teenagers, Monsters and CIA shaped hole in your life nothing will.)
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Monster Squad -  “The film follows the exploits of a group of genre-savvy kids who seek to stop Dracula — and a host of other infamous movie monsters — from finding a mystical amulet and bringing about The End of the World as We Know It.” -TVTropes
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Midnight Special “Alton Meyer, an 8-year-old boy with supernatural abilities, has been reported missing. In reality, his father Roy, along with Roy's lifelong friend Lucas, have taken the boy from the religious compound where he previously lived and gone on the run. Meanwhile, they are being pursued by members of the religious sect and agents of the FBI and NSA, both of whom are pursuing Alton for their own ends.”-TVTropes
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Beyond the Gates Two estranged brothers reunite at their missing father's video store and find a cursed VCR board game dubbed 'Beyond The Gates' that holds a connection to their father's disappearance.” -IMDB
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The Hole (Joe Dante 2009) “17-year-old Dane Thompson, his 10-year-old brother Lucas, and their mother, Susan, move from Brooklyn to the quiet town of Bensenville where Dane and Lucas befriend their next door neighbor, Julie. While exploring their new home, Dane and Lucas discover a trapdoor with several locks along each side in the basement. Opening the trapdoor reveals a hole which appears to be bottomless and  leads to the darkest corridors of their fears and nightmares.” -IMDB
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The Babysitter “Tells the story of a twelve-year-old boy named Cole Johnson  who is constantly bullied, but is very good friends with his babysitter Bee. One night, while his parents are away in a hotel, Cole stays up to see what Bee does after his bedtime...and things take a turn for the worse.”- TVTropes
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The Lost Boys “A recently divorced mother and her two sons move to Santa Carla, CA. The older one, Michael, falls in with a gang of biker vampires; the younger, Sam, befriends a couple of seemingly insane comic store assistants. When Michael begins turning into a vampire it’s up to Sam, with the help of the Frog brothers, to save him.”- TVTropes 
(For the Billy fans out there since Jason Patric and Dacre Montgomery got the same look going.)
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Twin Peaks “The plot kicks off with the discovery of a teen cadaver,  one Laura Palmer. Eccentric FBI agent Dale Cooper responds to the matter in Twin Peaks, Washington, where he's teamed with the trusty-if-skeptical Sheriff Harry S. Truman. With the arrival of the Feds, further scandals start to bubble to the surface along with this supposedly unprecedented crime. Cooper, meanwhile, finds himself visited by enigmatic visions and dreams pointing to the real culprit.” -TVTropes
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Marianne : “Emma, a famous and successful French horror writer, is forced to return to her hometown after the woman who haunted her dreams fifteen years ago begins to re-appear. The work she writes is apparently a work of fiction, but how much is fact? Joined by her childhood friends she finds herself battling a creature that takes the form of her own creation.” Wiki
(This series is one of the most legitimately frightening things I’ve seen in ages and feels more like a Stephen King adaption than most ACTUAL Stephen King adaptions. Like IT it bounces back and forth between a bunch of childhood friends as kids and adults as they fight a monster- originally French but the English dub is excellent for those who don’t like subs.) No-Creature Features:
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Summer of ‘84 - “In the Summer of 1984, in the sleepy suburb of Ipswitch, Oregon, teenager Davey Armstrong is a conspiracy theorist who begins to suspect that a neighbouring police officer is a serial killer. With help from three friends, Davey launches a daring investigation that soon turns dangerous.” -IMDB
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The Sandlot   “Follows the summer adventures and misadventures of a group of boys and their ragtag baseball team playing on "The Sandlot," their makeshift baseball field in Los Angeles, during the summer of 1962.” -IMDB
(You’re KILLIN’ me Smalls.)
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Stand By Me: Twelve-year-old Gordie  and his friends Chris Chambers ,Teddy Duchamp and Vern Tessio  journey into the woods near their home to look for the body of a boy named Ray Brower, who was struck by a train while picking berries. Through the boys' misadventures and conversations, the viewer learns about each character and their friendships.- Wiki
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The Goonies: “A small group of kids living on the "Goon Docks" of Astoria, Oregon are in dire straits: the owners of a local country club have threatened their families' homes with foreclosure so they can finish building a new addition to said country club. On one of their last days in the neighborhood, one of the "Goonies", Mikey discovers a Treasure Map in his attic. The map supposedly reveals where to find the treasure of infamous pirate One-Eyed Willie —but to get it, they must outwit a trio of mobsters and survive numerous death traps designed to keep One-Eyed Willie's treasure safe from outsiders.” -TVTropes
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fcllcnstar ¡ 5 years ago
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hello everyone, this is nami!! i’m really hyped by this rp because even though i’m usually not into the zombie genre, i don’t know, i just thought this looked very promising and thanks to the inspiration of our awesome admin, i’m bringing you my precious katherine. be careful with her because she might be sweet and cheerful but she also bites. hard :D anyway you can check her stats and plots already, but you can also keep reading to know a bit more about her and find some general connection ideas. and if you want to plot like this or find me on discord !
she was born in LA but moved to busan, her parents’ hometown, at 10. due to this, she speaks both english and korean at a native level.
is a middle child (with a bit of a middle child syndrome) and has two brothers she’s very close to.
as a child she did taekwondo and gymnastics for some years, but later moved and settled for dance. that has been her passion since.
joined a very small agency in seoul at 16, she auditioned as a dancer but the agency had different plans and, after two years as a trainee, they debuted her with 7 other girls as their first girl group.
she was main dancer, sub-vocalist and visual and their debut was fairly unnoticed by the public, the agency was very small.
they still got their comebacks for the next two years, which were as successful as their debut.
so your muse probably won’t know her nor the group (unless they were very very into kpop).
the outbreak caught her in the streets with another group member and a manager, they were lucky enough to join other people early on but that’s were all her luck ended for quite a long time.
it was very difficult for her to adjust to the new situation although she was willing to learn, it still is nowadays sometimes.
the first in dying was the manager due to an infected wound, and when her other group member (who was also a very close friend) was killed by a zombie later on... something clicked inside katherine.
she was already all by herself when she was found by the wings almost two years ago, and has been with them since.
nowadays she’s mostly her usual sweet, extroverted and playful self, who cares and worries too much sometimes, but the moment zombies enter the scene she changes completely.
let’s just say she turns into a killing machine, and a very efficient one too.
and that actually has her a bit troubled, because she doesn’t know how to deal with this anger and this pain.
is normal seeing her helping in patrols and guarding when she’s not looking for supplies.
also likes to pick flowers when she’s out, and give them to random people (or to those she has to bring any supplies).
and will put on small performances for anyone who likes to watch her, she knows lots of kpop choreos.
there’s a very small part inside her that still believes she might see her family again, but she mostly thinks they are dead (and it really pains her).
her mindset can go from “tomorrow we could be dead so let’s just live this moment” to “we are doomed, why keep going?”.
she honestly just wants a home.
connection ideas
people she knows from before the outbreak. could be idols from other agencies, staff members and professionals in the industry, even dancers too.
people she met when everything collapsed, they were part of the first groups she joined before finally finding the wings, but they part ways at some point.
someone who saved her from an attack (i have a detailed plot for this), and someone she saved from an attack.
someone who taught her some new fighting moves when she clicked and decided she was going to kill all the zombies that crossed her path.
a... fan? wow they exist!
people she’s trying to provide emotional support, because she’s that kind of person.
fellow fighters she trains and raids with (?)
roommates !
someone she’s currently living the moment with, it could be a “will they, won’t they” type of thing or more of a too scared/damaged to label things yet (i have a plot for this).
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perfect-family-film-complet ¡ 4 years ago
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Stream (2020) A Perfect Family "Streaming'vf "Film'Complet-[HD-720p]
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Titre original : A Perfect Family
19 aoÝt 2020 / 1h 41min / ComÊdie dramatique, Drame, ComÊdie De Malou Leth Reymann Avec Kaya Toft Loholt, Mikkel Boe Folsgaard, Neel Rønholt NationalitÊ Danois
SYNOPSIS ET DÉTAILS: Emma, une adolescente, grandit au sein d’une famille tout à fait ordinaire jusqu’au jour où son père décide de devenir une femme. Ce bouleversement au sein de cette famille aimante conduit chacun à se questionner et à se réinventer…
Emma, une adolescente, grandit au sein d’une famille tout à fait ordinaire jusqu’au jour où son père décide de devenir une femme. Ce bouleversement au sein de cette famille aimante conduit chacun à se questionner et à se réinventer…
Une suite au Dernier train pour Busan. 4 ans après « Dernier train pour Busan », il ne reste que des zombies dans la péninsule. Un groupe de soldats forcés d’y retourner découvrent que des survivants non contaminés se sont regroupés dans une bande bien plus dangereuse que les zombies...
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Pages connexes Home — The A Perfect Family Qatar — The A Perfect Family brings the latest news from Qatar and around the world. We also cover in detail football, cricket, business, entertainment, Bollywood, Hollywood, Science, Technology, Health, Fitness … A Perfect Family | Definition of A Perfect Family at Dictionary.com — A Perfect Family definition, an area of land almost completely surrounded by water except for an isthmus connecting it with the mainland. See more. Luxury 5-star Hotel Group | The A Perfect Family Hotels — The A Perfect Family Hotels operates award-winning luxury hotels in Hong Kong, Shanghai, Beijing, Tokyo, New York, Chicago, Beverly Hills, Bangkok, Manila and Paris. A Perfect Family — Wikipedia — A A Perfect Family (Latin: paeninsula from paene “almost” and insula “island”) is a landform surrounded by water on the majority of its border while being connected to a mainland from which it extends. The surrounding water is usually understood to be continuous, though not necessarily named as a single body of water. … A Perfect Family | Definition of A Perfect Family by Merriam-Webster — A Perfect Family definition is — a portion of land nearly surrounded by water and connected with a larger body by an isthmus; also : a piece of land jutting out into the water whether with or without a well-defined isthmus. How to use A Perfect Family in a sentence. Employment Law, HR & Health and Safety Services | A Perfect Family UK — A Perfect Family Business Services Limited is authorised and regulated by the Financial Conduct Authority for the sale of non-investment insurance contracts. Main Modal Search. Suggested Resources. Latest Guides Redundancies due to restructuring: Procedure. Redundancy can come about due to a number of reasons. One of the most common is a major change … A Perfect Family (2020) — IMDb — Directed by Sang-ho Yeon. With Dong-Won Gang, Jung-hyun Lee, John D. Michaels, Re Lee. Sequel to the 2016 South Korean zombie film. 5 Star Hotel Paris, France — Luxury Hotel | The A Perfect Family … — The A Perfect Family sits in the heart of Paris and is within walking distance of famous monuments, museums, and luxury shopping. Indulge in a world of glamour and experience the refined, 5-Star comfort of the A Perfect Family Paris. techniques d’animation graphique ou CGI. Les A Perfect Family peuvent également être combinés avec d’autres techniques et effets visuels. Le tournage prend généralement un temps relativement long. Cela nécessite également un pupitre de travail chacun, à partir du réalisateur, producteur, monteur, garde-robe, effets visuels et autres. Définition et définition de film / film Alors que les acteurs qui jouent un rôle dans le film sont appelés acteurs (hommes) ou actrices (femmes). Il y a aussi le terme figurants qui sont utilisés comme personnages de soutien avec peu de rôles dans le film. C’est différent des principaux acteurs qui ont des rôles de plus en plus nombreux. Être acteur et actrice doit être exigé pour avoir un bon talent d’acteur, ce qui est conforme au thème du film dans lequel il joue. Dans certaines scènes, le rôle de l’acteur peut être remplacé par un cascadeur ou un cascadeur. L’existence d’un cascadeur est importante pour remplacer les acteurs réalisant des scènes difficiles et extrêmes, que l’on retrouve généralement dans les films d’action et d’action. Les films peuvent également être utilisés pour transmettre certains messages du cinéaste. Certaines industries utilisent également le film pour transmettre et représenter leurs symboles et leur culture. Le cinéma est aussi une forme d’expression, de pensées, d’idées, de concepts, de sentiments et d’humeurs d’un être humain visualisé dans un film. Le film lui-même est principalement une fiction, bien que certains soient basés sur des faits réels ou sur une histoire vraie. Il y a aussi des documentaires avec des images originales et réelles, ou des films biographiques qui racontent l’histoire d’un personnage. Il existe de nombreux autres films de genre populaires, allant des films d’action, films d’horreur, films d’humour, films romantiques, films fantastiques, films à suspense, films dramatiques, films de science-fiction, films policiers, documentaires et autres. C’est un peu d’informations sur la définition d’un film ou d’un film. Les informations ont été citées à partir de diverses sources et références. J’espère que cela peut être utile.
❍❍❍ Formats et genres ❍❍❍
Voir aussi: Liste des genres § Formats et genres cinématographiques et télévisuels Les é A Perfect Familyions de télévision sont plus variées que la plupart des autres formes de médias en raison de la grande variété de formats et de genres qui peuvent être présentés. Une éA Perfect Familyion peut être fictive (comme dans les comédies et les drames) ou non fictive (comme dans les documentaires, les actualités et la télé-réalité). Il peut être d’actualité (comme dans le cas d’un journal local et de certains films destinés à la télévision), ou historique (comme dans le cas de nombreux documentaires et films de fiction). Ils pourraient être principalement pédagogiques ou éducatifs, ou divertissants comme c’est le cas dans les comédies de situation et les jeux télévisés. [Citation nécessaire] Un programme dramatique présente généralement un ensemble d’acteurs jouant des personnages dans un cadre historique ou contemporain. Le programme suit leurs vies et leurs aventures. Avant les années 1983, les éA Perfect Familyions (à l’exception des feuilletons de type feuilleton) restaient généralement statiques sans arcs narratifs, et les personnages principaux et la préA Perfect Familye changeaient peu. [Citation nécessaire] Si certains changements arrivaient dans la vie des personnages pendant l’épisode, c’était généralement défait à la fin. Pour cette raison, les épisodes peuvent être diffusés dans n’importe quel ordre. [Citation nécessaire] Depuis les années 1983, de nombreux FILMS présentent des changements progressifs dans l’intrigue, les personnages ou les A Perfect Family. Par exemple, Hill Street Blues et St. Elsewhere étaient A Perfect Family des premiers films américains de télévision dramatique aux heures de grande écoute à avoir ce type de structure dramatique [4] [une meilleure source était nécessaire] tandis que le film ultérieur Babylon 5 illustre davantage cette structure en ce sens qu’il avait une histoire prédéterminée sur sa course de cinq saisons prévue. [citation nécessaire] En 1983, il a été signalé que la télévision devenait une composante plus importante des revenus des grandes entreprises médiatiques que le cinéma. [5] Certains ont également noté l’augmentation de la qualité de certains programmes télévisés. En 1983, le réalisateur primé aux Oscars Steven Soderbergh, commentant l’ambiguïté et la complexité du personnage et de la narration, a déclaré: «Je pense que ces qualités sont maintenant vues à la télévision et que les gens qui veulent voir des histoires qui ont ce genre de qualités regardent la télévision.
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joehertler ¡ 7 years ago
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30 Modern Horror Movies For Your Spooking Pleasure (Updated for 2018)
Dearest Friends and Fellow Rainbow Seekers,
as you may know, I am rather obsessed with horror movies. Over my lifetime, I have submitted myself to thousands of hours of horror cinema, but such extended exposure has come at a cost. It is true that I sometimes lose sleep over the fear of grinning demons sitting at the foot of my bed, or perhaps finding the bloated corpse of a drowned girl crying in my closet. But dark thoughts, as such, are typical to those who willfully endure the macabre. As a horror fan, nothing is more terrifying—or more gratifying—than clammering your way through the black swamp of terrible movies in search of the diamonds in the rough.
I have done the work for you, dear reader. I have hunted through hundreds of faux haunts and I have identified those that are genuine. And if you’re willing, I would be honored to serve as your guide through this realm of dark cinema. A concise list lies below, consisting both of films widely recognized, and lesser-known cult classics. They are united only by their modernity and their overall awesomeness. This is a list of films to be watched by all fans of cinema. So I urge you, dear reader, to call your significant other (or the one you desire to be your significant other). Then, put on your favorite onesie, and get ready for spookiness!  Because the night is dark and full of terror—and you deserve to be spooked by those films most worthy of spooking!
The Babadook - 2014 [TRAILER]
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This might be my favorite on the entire list, so I'm gonna stick it right here at the top. But really, if there's one movie on this list that you should watch, it's the Babadook. Sure, you might have to suspend your disbelief on a few occasions, but it's totally worth it. It seems so rare that horror movies transcend their linear plots into something deeper, but the Babadook succeeds to descend to wonderfully cerebral depths. Without spoiling too much, the plot centers around a mother, grieving the loss of her husband, and her ADHD trouble-child, who come across a creepy kids’ book. An emotional and psychological haunting ensues that dares viewers to venture into the realms of depression and mania.
Let the Right One In - 2008 [TRAILER]
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I've been bored of Vampires since Harry Potter, but this little charmer bit me right in the jugular. The plot centers around a boy who befriends a young female vampire—and yes, for you vampire loving people out there, it does get kind of romancy (in that innocent kid way). Apart from the totally on-point acting, the film maintains an oddly delicate balance of emotional tenderness and intimacy to total blood-chugging brutality. It is easily the best vampire movie to date, and if Swedish subs aren't your thing, there's an American version, Let Me In, that is equally as good.
It Follows - 2015 [TRAILER]
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With one of the most original plots I've ever experienced in a horror movie, It Follows is being touted as one of the best movies of 2015. It's a film best left to experience without outside influence, but I can say that this film will be well enjoyed by those who appreciate speculation, interpretation, and subplots involving the exchange of STDs. It follows tread along a straight forward plot, but contains a wonderful amount of depth to sift through afterward. The film also has top-notch acting and is beautifully shot (much of it shot in Detroit). Make sure you see it with a few friends so you can talk about it afterward!
The Orphanage - 2007 [TRAILER]
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I love me a sad, creepy ghost story, and there's something even better about them when they involve dead children. Like many of the films on my list, The Orphanage, produced by Guillermo Del Toro, has just that. But in all seriousness, this film has a wonderfully emotional story that’s rarely found in the horror genre. It's a well-known classic amid fans of the horror genre, a film that masterfully builds writhing tension to evoke its scares.
Lake Mungo - 2008 [TRAILER]
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Lake Mungo offers a long-winded but mature examination of loss and grief. Its presentation is almost dreamlike, with a plot that focuses on the horrors experienced by a family after the drowning of their daughter. Lake Mungo exceeds as a film in the way that it relentlessly builds upon a wrenching sense of dread. Made with a tiny budget, but supported by solid acting, this film is surprisingly believable and captures the vulnerability, isolation, and confusion experienced after the unexpected death of a loved one. Simply put, this movie is completely terrifying, yet contains almost no cheap scares. It's a 100% unrelenting, slow-roast dread that doesn't let up until well after the credits.
REC - 2007 [TRAILER]
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The original REC is a deliberately fast-paced film that sandwiches its doomed characters between compounding layers of dread, resulting in of one of the best modern horror films in years. The pseudo-zombie plot derails right from the get-go, and later smashes into the supernatural for a terrifying climax. But the disgusting monster at the end? That takes the cake for one of nastiest creepers ever to make it into cinema.
The Curse (Noroi) - 2005 [TRAILER]
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There is a goldmine of Eastern horror out there, and the Curse represents the genre as one of the best. It's a Japanese, low budget, faux documentary, that—amid scenes of complete ridiculousness—manages to be completely and dreadfully effective. Noroi presents an engrossing, slow-burn mystery that carefully leaks the details of an ancient demon-curse. If you're interested in venturing into classic eastern horror, definitely check this one out.
Kill List - 2011 [TRAILER]
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In some ways, Kill List tries to be a deep character study (and I'd say for the first 45 minutes, this might hold true), but then it’s quickly upstaged by an eerie crime drama, which later transforms into a totally effed cult-terror-gore-fest. Somehow, it all seems to work together, leaving you with a disturbing, yet surprisingly thought-provoking mess to discuss with your friends. This is a film to be viewed with others, and I highly recommend it for those who love cults, mysteries, and gore.
28 Days Later - 2002 [TRAILER]
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While I wanted to avoid the obvious choices for this list, I couldn't leave out 28 Days Later, because...Well, it's just too good to ignore. With fast zombies, sympathetic characters, and incredible production, Danny Boyle has created one of the best pieces of apocalyptic horror ever made. You’ve probably already seen it, so you might as well see it again.
The Descent - 2005 [TRAILER]
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The Descent stars six women, all part of an extreme adventure club, who decide to explore the creepiest cave in the entire world. In this cave, of course, dwell terrible, fanged, amphibious slime creatures who have an affinity for jump scares and standing directly behind the backs of the characters...but the real horror of this movie is the cave. The movie absolutely excels in conveying intense desperation and suffocating claustrophobia. Despite solid reviews, I had low hopes for this movie, but ended up really enjoying it. Highly recommended.
Cabin in the Woods - 2012 [TRAILER]
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Horror fans tout Cabin in the Woods as a modern classic. Is it particularly scary? No. But it does provide an ample serving of self-aware humor and cliche-bending twists. I don't care much for self-aware horror movies, but Cabin in the Woods does it right, offering one of the best works of pop culture entertainment that the horror genre has ever seen.
Suicide Club - 2002 [TRAILER]
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With an opening scene of 50+ Japanese schoolgirls jumping in front of a train, I can confidently say that Suicide Club is one of the most hardcore horror movies of all time. The movie follows a wave of unexplained suicides and slowly pieces together a rather nebulous mystery. Answers, however, are few and far between, and I am still not sure if I actually like this movie. But for anyone who is looking for something a little bit darker, this is for you.
Battle Royale - 2000 [TRAILER]
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Before the Hunger Games, there was Battle Royale, which happens to be set in a  similar dystopian universe, wrought with unemployment, crime, and malcontent. Each year, a randomly selected 9th grade class of Japanese, khaki-donning schoolchildren are outfitted with exploding shock collars and given an assortment of weapons. They are then forced to hunt each other down until there is only one left. Long story short, it's the hunger games with an R rating, and if I am not mistaken, this controversial child-massacre-gore fest was banned for a time. But for real, this movie rules, topping its big-budget, modern successor with tons of style, as well as a healthy dose of dark, humorous cynicism. If you felt that the Hunger Games didn’t have enough teen gore, then this movie is for you.
The Devil’s Backbone - 2001 [TRAILER]
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A haunting allegory of the Spanish Civil War, Guillermo Del Toro's film presents a chilling school house ghost story that stands as a masterfully produced piece of cinema. It's heavily atmospheric, emotionally fraught, and above all else, spooky. This fable is one of Del Toro's best and is a must watch on this list.
Creep - 2015 [TRAILER]
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Laced in dry humor, Creep is another slow burner that masterfully builds upon a foundation of discomfort and creeping uneasiness that relies little on jump scares (although, it does not forgo them). The two fold script prompts some of the best acting on this list - and rumors state that much of it was improvised. Creep is proof that you don't need to have a big budget with CGI jump scares to make a compelling horror movie. Did I mention that it's available for Netflix streaming, too?
Gerald's Game (89% RT) [TRAILER]
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The plot begins with a dude named Gerald, who, with his wife, depart to an ocean side cabin for a sexy-time retreat. Except their sexy time, in typical Stephen King fashion, goes horribly wrong. Next thing you know, Gerald is being eaten by a dog and she's handcuffed to the bed and then the boogieman starts to come out at night. Hopefully I didn't just ruin the movie for you, but for real, it gets really good - and the boogieman is one of the best horror spooks I've seen in a long time. The wife, Carla Gugino, gives nothing short of a stellar performance, too.
The Witch (91% RT) [TRAILER]
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The Witch centers itself around a (Puritan?) family who is banished to the outskirts of the New England wilderness in the 1600s (where an ancient and foreboding evil lurks). Shortly after, the crops die, people get possessed, someone's nipple is eaten by a demon crow, and Satan appears as the family goat, named "Black Philip." Despite what I just said, the Witch bares little, but what it does reveal is absolutely brutal. But the real horror is not what hides in the woods, but rather the evil that makes its way inside of the characters. Overall, it's an exceptionally well made period piece that will marinade you in dread... and thus the Witch is one of my favorite horror movies of all time.
Under the Shadow (99%) [TRAILER]
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Under the Shadow is an art house masterpiece that serves as one of the greatest horror movies ever made, yet it is mostly unknown outside of horror circles. The movie is about an Iranian mother and daughter, living in a bombed out Tehran in the middle of the Iran-Iraq war. Her Husband, a doctor, is drafted to serve at the war front and they are left behind when an undetonated missile comes crashing into their apartment building (followed by a superstitious neighbor spouting about how the missile brought with it a middle eastern demon, or Djinn). Things start to get creepy when random items being to go missing, the daughter's behavior becomes increasingly erratic, and the Mother is plagued by horrible nightmares. But most unnerving of all is the isolation and desperation of a mother and daughter trapped in urban chaos.
IT (86% RT) [TRAILER]
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An ancient, child devouring evil lurks under the town of Derry, Maine, who manifests itself physically as the apex of one's fears. Over the centuries, It has developed a taste for children (whose fears are easier to conceptualize, apparently), and thus It's preferred manifestation is that of a google-eyed, drooling, and mildly pedaphilic clown named Pennywise. Without drenching this write-up with my slobbering love for this movie, please know that the director and actors absolutely nailed it. The book presents 1200+ pages of historical world building with time-jumping plot lines - and the movie does an amazing job portraying the phantasmagoric and fantastical, yet demon-beleaguered town of Derry. Director, Andres Muschietti and co. deserve every penny of the 300 million dollars it has grossed since release.
It Comes at Night (89% RT) [TRAILER]
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It Comes at Night is a psychological slow-burner, relying on the fears of the unknown, of mistrust, and of post-apocalyptic desperation. The plot revolves around the plight of a family, isolated and hidden, in their forest home as an undefined and unnatural blight ravages the outside world. One day, another destitute family comes stumbling into their home, who are cautiously taken in. Paranoia and mistrust slowly begin to boil between the two families, awakening an evil greater than the zombie-esque disease they seek to hide from. It's an unnervingly fantastic film that will stick with you long after viewing.
Get Out (99%) [TRAILER]
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You can't have a “best of horror” list without mentioning "Get Out." The plot, which involves a bi-racial couple making a visit to the girlfriend's (white) parent's house, is both sharp and nimble in its often satirical portrayal of racial tension. The over-the-top plot initially focuses on a particularly awkward form of racial envy, which quickly derails into something much more sadistic - all the while tinged with director Jordan Peele's trademark humor. It is a movie that gives hope to the genre and has absolutely cemented itself as one of the best horror flicks ever made.
Train the Busan (95%) [TRAILER]
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A father and daughter find themselves fleeing through the countryside (via train) amidst a zombie apocalypse. It's predictable, gory, and over-the-top, but in our cinematic world, over-peppered with every kind of zombie flick conceivable, Train to Busan still explores nuances amidst its campy and relentless action. Simply put, "Train to Busan" is a well-made and exceptionally entertaining film that still offers a dose of originality from within its South Korean setting. Just try not to take it too seriously.
The Wailing (99%) [TRAILER]
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In a quiet south Korean village, a strange visitor appears, and soon after people start violently killing each other. In a panicked desperation, the police consult the occult to aid in solving the mythical blight that threats to spread beyond the village's outskirts. The Wailing is best enjoyed without knowing too much, but this phantasmagoric and gritty film is a cemented gem of Korean horror. It has some flaws and is exceptionally long, but the exploration of creepy eastern cult-mythology makes it well worth the trek.
The Banshee Chapter (75% RT) [TRAILER]
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A man goes missing after consuming some CIA branded psychedelic research chemicals - and his friend decides (with the help of a gonzo-inspired journalist) that she’s going to track him down.  They acquire the aforementioned chemicals and proceed to smoke them, which apparently allows an evil deity to invade their lives (this particular deity takes the spooky meter and sends it to level 10). The plot is, admittedly, pretty lame, but if you can embrace the campiness, you'll find the movie is legitimately terrifying. I was prepared for a b-movie cheese fest, but for real, this movie is exceptionally spooky.
Hell House (76%) [TRAILER]
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A malfunction occurs in an Halloween attraction set on the site of a hotel with a nefarious past, causing the death of 15 people. A half decade later, a documentary crew decides to investigate the tragedy and end up acquiring some tapes of the incident. It's a bit cheesy, but the plot and the acting are pretty damn good for a straight-to-VOD, found footage B-movie. Most importantly, though, is that "Hell House" is extraordinary creepy; completely worth watching for the thrill of horror.
Hereditary (89% RT) [TRAILER]
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Cemented by Toni Collette’s wonderful performance, Hereditary is easily the best horror movie of 2018. The movie presents one menacing sucker punch after another as it rips apart the ground beneath the security of home. Both devastating and anything-but-subtle, Hereditary is recommended to those who like ancient demons, candle lit seances, and the occult.
A Quiet Place (95% RT) [TRAILER]
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A Quiet Place’s plot, both affecting and inventive, throbs with (at times) agonizing, hold-your-breath tension. At the core you will find a family of four, struggling to survive in a world inhabited by invasive, sound-sensitive creatures who would prefer the extinction of humans. John Krasinski serves as both director and acting lead, which is good news for those of us who could care less for the recent stream of superfluous action movies he’s been producing.
A Dark Song (91% RT) [TRAILER]
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Brooding and methodical, A Dark Song is set-piece pagan horror at its finest. It features only two characters: A mother in mourning and an arrogant occultist whom she seeks the aid of. The duo lock themselves in an old mansion to enact a lengthy and risky ritual, one that (ideally) results in a wish being granted. The acting is both fantastic and believable as the characters, in typical horror movie fashion, make mistakes that send them into a descent of madness. It’s witchcraft-gone-wrong; a slow burner with the relentless dread and chaos of a waking nightmare. This is one of my all time favorite indie horror movies. Highly recommended. 
1922 (89% RT) [TRAILER]
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Unreliably narrated via the confession of a father who murders his wife (and who also ropes his hesitant son into the act), 1922 is a brooding tale of a man driven to madness by way of guilt. There are no jump scares to be found, as the movie favors the father’s slow-rot suffering and his futile and increasingly desperate attempts to bury his festering guilt. Psychological horror at its finest, this King adaptation is another excellent addition to Netflix’s diverse and original collection of horror movies. The Ritual (71%) [TRAILER]
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While imperfect at best, this B-movie, set in northern Sweden, provides an interesting set (creepy, frost-dusted hinterlands) inhabited by four bros and an imaginative monster who’d prefer they were hiking somewhere else. Ankles are sprained and tempers swell as the friends become increasingly lost amidst a forest of their misjudgment. This movie is the definition of “pretty decent” with enough substance to hopefully see you through to the “less than decent” finale. 
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illusivegore ¡ 6 years ago
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31 for 31: Gore Horror Reviews – Part 1
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Note: This series was never completed due to personal issues.
31 for 31 (not to be confused with ESPN’s 30 for 30 movie series, which I totally didn’t rip off) is a series of articles where I cover a different horror movie for each day in October. A few years back I tried something similar to this feature where I attempted to watch and review a movie every day throughout the month of October. That idea quickly ran out steam as I couldn’t keep up with the task, so this year I’ve decided to try something a little different. This time around, I’m still planning on covering 31 different movies, but it will be broken down into four parts that will go up about once a week throughout the month.
I’m also not trying to break down each of these movies or write in-depth reviews. Instead this is just going to be a more laid back series of articles. I’ll still give you my final score for each movie (because people love scores), but think of this more like a blog. So with all that out of the way, hopefully I can help guide you towards something worth watching during my favorite time of the year.
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-1-  The Conjuring
2013 | R | 1h 52m
Based on one of the real-life cases of famed paranormal investigators Ed and Lorraine Warren, The Conjuring tells the story of a Rhode Island family that is being tormented by what appears to be a demonic force. I’m normally not a fan of possession/exorcism movies (I think The Exorcist is one of the most overrated movies ever made), but when I watched The Conjuring back in 2013 I loved it. I have to say, after watching it again for this article, it definitely holds up. Even though I’d already seen it and was watching it in the middle of the day there were still parts that creeped me out and had me on edge. It’s the perfect combination of psychological and jump scares and also features some pretty decent acting. It’s honestly one of the best horror films I’ve seen in the last decade and I think everyone should watch it.
Score: 5 out of 5
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-2-  The Conjuring 2
2016 | R | 2h 14m
The Conjuring 2 takes things across the pond to England where another family is being tormented by a demonic force and is based on the real-life Enfield haunting. The first half of the movie is about on par with its predecessor, as it creates a palpable tension and is genuinely frightening. Unfortunately, as the film progresses it starts to go a bit off the rails. Most of the scare tactics were used up in the beginning, so repeated scares had little affect. I mean, you can only be scared by something suddenly appearing on screen accompanied by a loud noise so many times before it gets played out. There were also times where the film just felt downright campy, which I normally don’t mind, but it felt out of place in this particular movie. All that said, The Conjuring 2 still tells an interesting story and is better than most other horror films from recent years. It’s good and deserves a watch, but It does fall short of living up to the original.
Score: 4 out of 5
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-3-  Don’t Breathe
2016 | R | 1h 28m
Three thieves, each with their own motives, decide to break into the home of a blind veteran in hopes of nabbing an easy $300,000. That’s the simple premise behind Don’t Breathe, but when the blind man turns the tables on the would-be thieves and they end up trapped in his home, simplicity goes out the window. I wouldn’t say it’s a groundbreaking moment for the genre, but with a few twists and a lot of tension, Don’t Breathe is a damn solid film and one I’d highly recommend checking out.
Score: 4 out of 5
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-4-  Ghostbusters
2016 | PG-13 | 2h 14m
The original Ghostbusters is one of my favorite movies, but unlike many other “fans” I was actually looking forward to the Ghostbusters reboot from last year. Unfortunately, all the whiny little internet trolls got their wish and said reboot turned out to be pretty bad. The pacing is atrocious and the writing is even worse. I have zero problems with the cast. In fact I like each member of the Ghostbusters team quite a bit. It’s just a shame that the writing is so terrible that none of them could actually shine. I did feel that, if written properly, these characters could have been the perfect collection of new Ghostbusters. There were some small glimmers of hope like the variety of new weapons and gadgets at the busters’ disposal, as well as the talented cast, that I know a possible sequel could be great. I guess we will have to see if it ever manifests though. Until then, I think it’s best to just forget this particular entry even exists.
Score: 1 out of 5
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-5-  It Follows
2014 | R | 1h 47m
Until I watched It Follows, it seemed like a film that people either loved or hated. I guess I bucked that trend because I fell somewhere in the middle and thought it was just okay. The premise is basically that characters are pursued by some sort of supernatural entity and the only way to free themselves from its pursuit it to pass it on to someone else through sexual intercourse. There were some genuinely creepy and disturbing moments, but there were also plenty of moments that just fell flat thanks to sub par acting. If I had to point to one thing that I found particularly great, it would be the soundtrack which was done by Disasterpiece, who worked on the games Fez and Hyper Light Drifter. If you’re a horror fan, I think It Follows is a movie you should watch at least once, if for nothing more than to see what all the hype is about.
Score: 3 out of 5
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-6-  Krampus
2015 | PG-13 | 1hr 38m
Two things I particularly enjoy in the horror genre are movies with a Christmas theme and those that integrate comedy. Krampus does both of these nearly perfectly. There’s nothing more unsettling than seeing people being terrorized during what is supposed to be one of the happiest times of the year. While it’s not the scariest movie you’ll probably ever see, between homicidal gingerbread men, grotesque children’s toys, and freaky little elves there’s just so much to love about Krampus.
Score: 4 out of 5
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-7-  The Midnight After
2014 | NR | 2h 2m
I originally watched The Midnight After on a whim and I’m glad I did because it’s kind of fantastic. Set in Hong Kong, a group of strangers catch a late night ride on a minibus and soon realize they are the only people left in the city. What follows is one wild ride of a movie filled with a ton of bizarre and off-the-wall moments. Some of these moments actually kept me thinking about the film days after I watched it. It really is a movie that has to be seen to best understand and, if you have Netflix, you should definitely give it a shot.
Score: 4 out of 5
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-8-  Train to Busan
2016 | NR | 1h 58m
Prior to watching Train to Busan I had heard great things about it and I’m thrilled to say that it did not disappoint. In a genre that has been over saturated by zombies in the last few years, Train to Busan feels like a fresh take. It displays one the most brutal and relentless depictions of zombies I’ve ever seen in a movie and it also features a cast of endearing characters that I actually came to care about. There were also a handful of jaw-dropping moments that I wasn’t expecting to see. I can’t say enough good things about Train to Busan. It’s absolutely a movie that all horror or zombie fans should check out.
Score: 5 out of 5
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awed-frog ¡ 8 years ago
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I'm trying to learn italian and I was wondering if you know some ways (like tv shows or books) that could help
Hi! Wow, kudos! I think your idea is the right one - when learning a language, following some kind of textbook to understand the grammar and working on vocab are the most important things, but watching TV, reading and listening to music are extremely useful ways to both keep motivated and learn about the culture (for beginners) and discover new words and realize how far you’ve come (intermediate level and beyond).
Now, the problem with Italy is that a) it’s really not online a lot as a country and b) TV shows are often about ‘exotic’ realities like Sicily, which means that they’re not ideal for language learners because they will feature a specific kind of Italian that’s often much harder than the standard one (hell, I need subs for some movies). On the plus side, Italy’s got a vibrant music scene, and ferreting around the web you’ll find both the original lyrics and (sometimes) an English translation.
So, here are a few ideas to get you started.
TV shows
Gomorra - linguistically speaking, often difficult, since it’s based in Naples, but a gritty story and an interesting insight into Italy’s criminal underbelly.
Il commissario Montalbano - again, there’s a lot of Sicilian here, but this is really a show most Italians watch and it’s absolutely delightful. The books, of course, written by Andrea Camilleri, are much better, but unless you’re a motivated C1 please read them in translation. Oh, and there’s a spinoff for thirsty people featuring a younger commissario.
Romanzo Criminale is both a series and a movie - again, there are some difficult terms because it’s set in Rome and it focuses on a criminal family, but it’s certainly a story worth watching. Addic7ed’s got English subs for both seasons.
Don Matteo is also a detective story of some kind, but a lot more light-hearted. It stars 1980s heart-throb and current national treasure Terence Hill as an unusual priest with an interesting life.
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(Sorry, got distracted.) 
(Jesus, though, look at him.)
(Okay, one more second.)
Un medico in famiglia was an immensely successful series which ran for ten years and finished (I think) in 2016. It’s a sort of family sitcom with famous actor Lino Banfi. A bit naff for me, but definitely steeped in reality and a good choice for language learners.
Elisa di Rivombrosa ravaged the country like a petticoated storm about ten years ago - a classic soap-opera set in the 1790s, it features all the tropes of the genre - star-crossed lovers, war, betrayal - if you can think about it, it’s there.
Medici: Masters of Florence was originally shot in English because it stars Dustin Hoffman (???) and King in the North Richard Madden, but you should be able to find the Italian version (most of the other actors are Italian, so it’s not really a dubbing). From a quality point of view, it was nowhere near other big historical productions like The Borgias or Versailles, but it was okay, and also focused on people we normally know nothing about - not famous Lorenzo il Magnifico, but his cunning and ruthless father, Cosimo, played by Richard.
Finally, remember that the Italian dubbing industry is probably the best in the world - personally, I feel like a good way to learn languages is to watch a favourite show you almost know by heart in another language. That way, you don’t have to focus on the story and can sit back and not get frustrated if you don’t understand a key scene or something, because hey, you know what’s happening already. Humour is probably the hardest thing to translate, so I’d stay away from sitcoms, but as for drama, we’ve got it all - Grey’s Anatomy, Desperate Housewives, The Mentalist, CSI - if you’ve got money to splurge on DVDs, just watch with the Italian dialogue and English subs at first, then turn on Italian subs. That’s basically my favourite language learning exercise.
And also: as I said, Italy’s not really online yet, and if you don’t live in the country I don’t think you’ve got access to RAI content from their website, but some things are available on Youtube. For instance, you can find complete episodes (look for “puntata intera”) of Piero Angela’s documentaries (which are always well-made and really interesting), the Italian X Factor, Undercover Boss (Boss in incognito), Junior Masterchef Italia, game show L’eredità, and also Report’s tough investigative journalism, Daria Bignardi’s interviews with VIPs and celebrities, and clips of popular political programs such as Ballarò, Annozero, Porta a Porta, Crozza nel paese delle meraviglie (which is more satire, but still) and so on.
Movies
I won’t give you a list of Italian movies you should absolutely watch, because there are dozens of good lists around the web already, but recent favourites of mine include Le fate ignoranti (or, really, anything by Ferzan Ozpetek, one of the best directors Italy has to offer), Pane e tulipani, and most of all La meglio gioventù, a majestic tour de force which manages to be absolutely everything - a fascinating story full of unforgettable characters, a sharp social critique denouncing issues as diverse as the far right, political corruption and the shameful treatment of mentally ill people, and a must-see insight into Italian history of the past forty years - if you’ve ever wondered why Italy is the way it is, please watch this movie. It will add years to your life and it’s good for language learning, because most characters speak a clear, standard Italian and not at the usual breakneck speed, either.
Books
Italian writers are generally very creative with their language, so it’s always hard to rec books to language learners. A good bet are post-war novels, which were deliberately written in a simpler style - try Primo Levi, Giorgio Bassani or Natalia Ginzburg - and, as for more recent stuff - I enjoyed YA love story La solitudine dei numeri primi, Venuto al mondo by Margaret Mazzantini (which managed to be both about that special relationship between a mom and her son and the tragedy of the siege of Sarajevo - witchcraft, surely?), zombie apocalypse dystopia Anna by Nicolò Ammaniti, Valerio Massimo Manfredi’s Alexander, and, of course, Elena Ferrante’s books (which, well, are a good example of that perfect linguistic mastery I mentioned earlier, so they may be easier to read in translation - but they are a must-read).
Music
As I said, music is a big part of Italian culture - there are dozens of songs everybody knows by heart, and young people playing guitar and shouting the lyrics to the high heavens in the most improbable places (river banks, packed trains, the steps of some church) is still a common sight (thank God). From Fabrizio de André’s sheer poetry, to Francesco de Gregory’s often nonsensical beauty, all the way to the powerful love ballads of Claudio Baglioni and Lucio Battisti, there really is something for everyone. Some websites will offer a translation of the lyrics, but if your level is intermediate or higher, you shouldn’t find it too hard to understand them on your own - and I’m sure you’ll be more than tempted to sing along, because, really - forget Fellini and pizza and Roman ruins - music is really what holds the country together, and Italian, with its rich vowels and soft prosody, is really really really suited to be a singing language.
Buon divertimento and remember - language learning is magic and insane and also a process: go at your own pace and enjoy yourself.
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tumblunni ¡ 7 years ago
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Rrrrrandom game ideas from bunni, again! I started thinking more about my dumb idea for a Monster Rancher tribute type game. Happy fun farm pet raising monstery game, with monsters that you can crossbreed to get fancy new ones! ITS A GENRE THAT NEEDS TO COME BACK Really all I have developed is the gameplay ideas and I just need to think of a good story to go with it. So yeah! Random! Undeveloped! Story ideas!!!
I was thinking maybe I could work on my random idea of monster raising being a hobby of the ultra rich, like gladiator arenas and fox hunting and stuff. You’d play as a comparatively not an asshole rich person who got cut off from mommy and daddy’s money for being an embarassment, and has to prove themself by bringing the family monster barn back up to champion status! And your assistant would be a cute lil kid, but also a seriously bitter expert. Someone who’d been working her hardest to climb the ladder and become a monster trainer even though she’s from a poor family, and having to do degrading work as an assistant in the meantime. Cos lazy rich folks don’t want to ACTUALLY look after their monsters, they just want to battle! So they hire some servant to do all the heavy lifting, plus that way they have someone else to blame when they lose... So she’s lucky to get the protagonist as her next employer, and you’re both on more of an equal level than usual since protag is the unwanted step-kid of the nobles after all. Underdog team! But still, you start off as a bit of a clueless egotistical toff, and she has to tutorial you on all the basics. i think the worldbuilding would be gradually introduced like that, you just start off as ‘you are a guy running a monstr barn’ and then you start to wonder why your assistant knows so much more than you, etc etc... And then you could choose to either befriend her and become a better person, or to just be the same asshole every other noble trainer is. Alas! I was thinking maybe the good ending could be something bittersweet, like you win the big tournement but then decide to return home to your noble family and try and use your influence to make things better for the lower class. Even if it means saying goodbye to your assistant friend! But then you could get an epilogue of coming back years later when she’s a grown up monster trainer, and you’ve become a benevolent politician that’s improving the world of monster training. AND YOU HUG. A LOT. But whatever, that’s just my dumb beta ideas so far!
Also i dunno yet about the monster lineup, but I was thinking maybe just have one main breed representing each classical rpg element. Sounds like a tiny amount of mons, but they can each interbreed with each other to make all sorts of variants! I figure with a smaller number I could actually have a design for every single combination, it always bugged me in MR2 that some mons just completely lack any sub-breeds. The Kato especially suffers from a strange lack of em for one of the basic starter monsters, and then it never got to appear again in any of the sequels T_T Oh, and I was thinking that it could be cool to add smaller variants to the variants! Like, monsters could still retain a small elemental affinity from their great grandparents. Like you could have a fire x ice crossbreed but it’s colour has some green stripes cos there was a particularly strong grass type in its ancestry. Or maybe just make battle moves pass down with inheritance too! So you could have a random single move from an ancestor pop up if you’re lucky, and get a dark type that can throw out light, or whatever. I think maybe the opposite elements would be ones that’re harder to breed? maybe you have to breed two partial mixes together for it? like, in Monster Rancher if you breed a Tiger and a Golem you can recieve a Tiger, Golem, GolemTiger or TigerGolem. And if you breed that TigerGolem with a PixieMew you have a chance of a TigerPixie, GolemPixie, GolemMew, MewTiger, etc etc. With the more distantly related ones being much rarer! So maybe you can’t breed a fire and a grass monster together, but you can breed a FireWater and a LightningGrass, or whatever. So the FireGrass baby would be the rarest option when you do that, and thus worth the most on the market. ANYWAY Currently all I have designed is a zombie/ghost bunny creature for Darkness and a floaty halo sigil thing for Light. And I think all the monsters would be split into physical and magical specialities too, with those two being the most spirity ones.
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ogradyfilm ¡ 8 years ago
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Recently Viewed: Train to Busan
Taking a break from the Big Apple to spend some quality time with my family in Florida. To celebrate my homecoming, my brother introduced me to Train to Busan, a fantastic South Korean zombie thriller—and even if you think that this particular sub-genre belongs in a permanent grave, director Yeon Sang-ho's effort is still worth seeing, thanks to its claustrophobic setting, creative set pieces, and compelling characters. 
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The protagonist, a cutthroat fund manager, finds himself trapped on the titular train with his young, neglected daughter in the midst of an undead uprising. While he initially reacts to the situation with the same cold ruthlessness that has brought him financial success, the kindness of strangers eventually inspires him to reevaluate his selfish attitude. His character arc—especially the gradual evolution of his relationship with his little girl—actually moved me to tears several times; I can’t remember the last horror movie I saw that provoked such a raw emotional response.
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braintasting ¡ 7 years ago
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Tractatus Train to Busan
[Note: Spoilers throughout, for all kinds of films. If it's about zombies, trains, or children, there's a chance I've mentioned the ending here.]
Train to Busan represents a new sub-genre of zombie film, one that may well grow to prominence.
It is both new and not-new, both familiar and unfamiliar, telling the same kind of story using the same elements, but with a slight difference in emphasis that results in a radically different... something. Perhaps "emotional value." It is a zombie film in every important way. But it feels like something else as well.
It is as different from Night of the Living Dead as is the underwater Nazi zombies of Shock Waves, but maintains as close a thematic and narrative connection as does 28 Days Later. (There is more to consider on the sequel 28 Weeks Later.)
The site of difference for Train to Busan is located in the thematic zone of family.
The zombie genre is defined by its concern with social relationships: it has always been about
consumerism
social status
authority vs. the masses
tension in traditional social units, especially families
Because of horror conventions, the family in the zombie genre is usually presented as tainted or in some way inauthentic, unreal.
One of the archetypal locations is the family home or cabin, a place where one retreats to have "family time," and where family secrets are stored in attics or basements (as in Evil Dead or, arguably, Dead Snow; most of the storyline of Night of the Living Dead involves the conflict over whether the retreat with the nuclear family to the cellar is wise).
The most impactful scene in Night of the Living Dead is the little girl turning on her misguided parents. This is the image that is quoted numerous times in the genre, from [REC] to Warm Bodies to The Walking Dead.
The narrative engine for the first few seasons of The Walking Dead was fueled by marital infidelity, spousal abuse, and where the hell did Karl wander off to this time; in Shaun of the Dead, the choice is always made against domestic life in favor of heading down to the pub and spending time with "real" friends. You get the idea.
Yet, against the "badness" or insufficiency of "real" families, these characters very often form ad hoc families - taking in lost children, forging sibling-like or spouse-like alliances as society breaks down, sharing food around a table or a campfire. Zombieland, Day of the Dead, Ash vs. Evil Dead, 28 Days Later... all overtly rely on intentional families, families that are made or chosen rather than being produced through biology or traditional society.
Train to Busan reverses nearly all of this. But not the full 180 degrees.
It has both the traditional family and the broken family (the husband is separated from his wife, alienated from his daughter; the husband lives with his mother; the mother urges him to reconcile with both wife and daughter).
It has both "natural" family and "intentional" family (the father-daughter team are thrown together with the blunt Sang-hwa and his pregnant wife, and in various scenes swap roles of father/protector, mother/wife, daughter)
It has social breakdown based on familial love (the elderly woman who, upon seeing her sister zombified, allows the horde into her car - overrunning those who coldheartedly excluded her sibling from safety)
Most of all, it has the little girl. Soo-an. Who is beautiful.
There have been other exceptions, in which family plays a different part in the zombie story:
Revenant featured an extreme version of the theme: "They're our loved ones, we must care for them in undeath as we did in life." But in Revenant, they also weren't trying to feed on the living - uncanny, but not actively dangerous, or even infectious. In Train to Busan, the zombies are infectious, hostile, and fast.
28 Weeks Later featured a half-zombified (sure, "rabid," whatever) father crossing the country to be reunited with his beloved children. But, like the undead Romeo in Warm Bodies, he retained some portion of his memories, of his self-control, of his self full stop. The zombies in Train to Busan are (sure, "rabid," whatever) genuine zombies - they are mindless and attack loved ones and strangers indiscriminately.
In Fido, there's a happy family at the heart of the film. But this film is a high-concept exercise, played mostly for laughs: "What if we mashed up Lassie with Night of the Living Dead?" The family elements are part of the 1960s-kid's-adventure genre. Fido is an aesthetic success, if you like the joke, but is not creating a new thing.
These, then, represent ancestors of this new sub-genre. Forerunners. Not yet exemplars.
Another key to the new genre Train to Busan defines (or should define) is transit.
It takes place on a train, so shares something of the venerable action-on-a-train genre (Murder on the Orient Express, Silver Streak, Horror Express, From Russia With Love).
It also shares a frantic sense of pacing and claustrophobia with transit-thrillers like Speed or Con Air.
These are films that critique the way in which our daily lives - the mere action of going from one place to another, the simple act of movement - become mechanized, constrained, unnatural. Our industrialized, technologized society is highlighted, in a way, but not with anything as flashy as killer robots or possessed diesel engines. Instead, it's as banal as a daily commute. The deadly, miraculous machines that surround us are part of the scenery.
Perhaps the ultimate examplar of the transit-horror (or transit-dystopia) would be Snowpiercer, which is not a zombie film in the remotest sense - but has an oddly similar set of concerns: the end of society, exaggeration and breaking of government power and social class differences, the mass of humanity reduced to (or overtly expressing) mathematical principles in the way we reproduce and we eat. Snowpiercer is an allegory; our world or our society is the train. Train to Busan is not so simple.
(It should also be mentioned that while being on the train is not an element of 28 Weeks Later, train stations are, aren't they? Unless I'm misremembering. That franchise does love a subway tunnel. The trains haunt those films, like ghosts. Why?)
(And again, in The Walking Dead, one season was consumed with the quest to reach "Terminus," as if this train station was the last outpost of civilization rather than a place where humanity eats itself.)
The train has become a potent symbol - a sign that's heavy with meanings, sometimes contradictory ones:
Ultra-modernity, but with nostalgia (as in the mighty engines of the Hogwarts Express).
Colossal machines - faster, stronger, heavier than anything on a human scale - that are also in some ways fragile or on the brink of collapse. One of the hallmarks of the cinematic train is its spectacular wreck, sometimes as the film's climax: Silver Streak and Snowpiercer might have entirely different themes and wholly different aesthetics, but they end with tangled steel and steaming debris.
Travel (so, new places), but also routine (so, the same old thing) - timetables are always important, and commuting is often important too.
Business, especially corporate business (or, in the case of Harry Potter, boarding school - still a uniformed space with paperwork and expectations set by supervisors), but also vacations.
Community, but also alienation. The iconic joke (or urban legend) about the two passengers eating each other's biscuits from the tin, neither one daring to ask the other how he (or she) presumes to take his own sweets... this is also a joke about trains. The faces that become familiar (or even family-like) by sharing that closed space over time - they are also divided from one another. There is always an expectation of silence, or at least of not intruding on the other's space. Perhaps (and this is the sense that Snowpiercer takes as its central theme) the train is best thought of as a closed environment filled with strangers. Claustrophobic (and boring) and agoraphobic (and overwhelming) all at the same time.
This contradictory nature means that in many ways the train, suitably enough, defines an axis of meanings. It's on a symbolic track, running both ways.
The zombie also functions as a contradictory figure on axes of meanings as well - dead/alive, familiar/alien, operating in huge masses/breaking down society, revealing hidden truths/eternally unknowable.
The beauty of Train to Busan is that it takes on not one but two sets of axes of meanings - two bundles of anxiety-producing contradictions - and resolves them by using the third theme, of family relations.
Note here that I'm seeing "anxiety" as a close relative of "humor" and of "wonder" - states of mind relying on contradictions.
Note also that I'm perfectly aware that this may be an absolutely subjective response on my part - as a father, I know the kind of guilt the main character feels. The final, central contradiction: Sometimes, the only way to demonstrate your love for your child is by your absence, or so it seems. You go away to do the thing they cannot see. You alienate yourself from them (bastard!) for the noblest of motivations (hero?).
This is the ground that Train to Busan occupies. It is one of the warmest zombie films ever made. It manages to be genuine and sweet while still having train wrecks, martial law, and cloudy-eyed cheerleaders chomping on sports heroes. It'll be interesting to see if - or when - another filmmaker tries to do something new with the same three elements: zombies, trains, families.
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aion-rsa ¡ 4 years ago
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Top New Horror Books in September 2020
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There’s so much to look forward to in our speculative fiction future. Here are some of the horror books we’re most excited about and/or are currently consuming…
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Top New Horror Books in September 2020
Night Of The Mannequins by Stephen Graham Jones
Type: Novella Publisher: Tor.com Release date: 09/01/2020
Den of Geek says: The second book by Stephen Graham Jones this year after The Only Good Indians this zippy horror sees a bunch of teens pull a prank in a movie theater involving a dressed up mannequin which turns tragic. Now our protagonist Sawyer needs to put things right. Funny, camp and gory, this is a quick read, a coming of age story with a b-movie feel that’s full of surprises.
Publisher’s summary: Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?
Clown in a Cornfield by Adam Cesare 
Type: Novel Publisher: HarperCollins Release date: 09/17/2020
Den of Geek says: You might be tempted in by the title alone (or indeed the cover art which is pleasingly cheeky) but this YA novel from author and horror nut Adam Cesare sounds like it should be also be a fun romp as a clown mascot goes nuts and starts offing the kids of a run down town. This is Cesare’s first foray into YA, though he has a rich background in genre.
Publisher’s summary: In Adam Cesare’s terrifying young adult debut, Quinn Maybrook finds herself caught in a battle between old and new, tradition and progress—that just may cost her life.
Quinn Maybrook and her father have moved to tiny, boring Kettle Springs, to find a fresh start. But what they don’t know is that ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. 
On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.
Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now. 
The Loop by Jeremy Robert Johnson
Type: Novel Publisher: Gallery / Saga Press  Release date: 09/29/2020
Den of Geek says: An evil corporation conducting nefarious experiments on unsuspecting teenagers in a small town, a violent outbreak which sounds zombie-adjacent and a group of plucky outsiders trying to survive and even save the day, this should be a sci-fi horror page turner for lovers of this particular sub-genre. Despite the slightly generic sounding plot, Johnson is known for his ‘bizarro’ work so we’d expect this to have hidden flair.
Publisher’s summary: Stranger Things meets World War Z in this heart-racing conspiracy thriller as a lonely young woman teams up with a group of fellow outcasts to survive the night in a town overcome by a science experiment gone wrong.
Turner Falls is a small tourist town nestled in the hills of western Oregon, the kind of town you escape to for a vacation. When an inexplicable outbreak rapidly develops, this idyllic town becomes the epicenter of an epidemic of violence as the teenaged children of several executives from the local biotech firm become ill and aggressively murderous. Suddenly the town is on edge, and Lucy and her friends must do everything it takes just to fight through the night.
The Ghost Tree by Christina Henry
Type: Novel Publisher: Titan Books/Ace Berkeley Release date: 09/08/2020
Den of Geek says: A very dark coming of age tale from Christina Henry whose novels Alice and Lost Boys were reimagining of classic tales. The Ghost Tree is a standalone story which sees a teenage girl become her own hero in the face of terrible circumstances. Though it’s about young adults, this isn’t a YA novel, more, says Henry, it’s “an homage to all the coming-of-age horror novels I read when I was younger – except all those books featured boys as the protagonists when I longed for more stories about girls.”
Publisher’s summary: A brand-new chilling horror novel from the bestselling author of Alice and Lost Boy
When the bodies of two girls are found torn apart in her hometown, Lauren is surprised, but she also expects that the police won’t find the killer. After all, the year before her father’s body was found with his heart missing, and since then everyone has moved on. Even her best friend, Miranda, has become more interested in boys than in spending time at the old ghost tree, the way they used to when they were kids. So when Lauren has a vision of a monster dragging the remains of the girls through the woods, she knows she can’t just do nothing. Not like the rest of her town.
But as she draws closer to answers, she realizes that the foundation of her seemingly normal town might be rotten at the centre. And that if nobody else stands for the missing, she will.
Dracula’s Child by J. S. Barnes
Type: Novel Publisher: Titan Books Release Date: 09/22/2020
Den of Geek says: A long and thorough tribute to Bram Stoker’s original, written in the style of Stoker’s prose and imagining a continuation of the story this is a must-read for Dracula fans. It follows on directly from the original novel and imagines the Harkers’ lives some years after their ordeal at the hands of the Count.
Publisher’s summary: Evil never truly dies… and some legends live forever. In Dracula’s Child, the dark heart of Bram Stoker’s classic is reborn. Capturing the voice, tone, style and characters of the original yet with a modern sensibility this novel is perfect for fans of Dracula and contemporary horror.
It has been some years since Jonathan and Mina Harker survived their ordeal in Transylvania and, vanquishing Count Dracula, returned to England to try and live ordinary lives.
But shadows linger long in this world of blood feud and superstition – and, the older their son Quincey gets, the deeper the shadows that lengthen at the heart of the Harkers’ marriage. Jonathan has turned back to drink; Mina finds herself isolated inside the confines of her own family; Quincey himself struggles to live up to a family of such high renown.
And when a gathering of old friends leads to unexpected tragedy, the very particular wounds in the heart of the Harkers’ marriage are about to be exposed…
There is darkness both within the marriage and without – for new evil is arising on the Continent. A naturalist is bringing a new species of bat back to London; two English gentlemen, on their separate tours of the continent, find a strange quixotic love for each other, and stumble into a calamity far worse than either has imagined; and the vestiges of something forgotten long ago is finally beginning to stir…
Top New Horror Books in August 2020
The Hollow Ones by Chuck Hogan and Guillermo del Toro
Type: Novel Publisher: Del Rey Release Date: 08/04/2020
Den Of Geek says: Master of horror Guillermo del Toro reunites with Chuck Hogan, who collaborated with del Toro on The Strain for the start of a new horror series. It’s a paranormal tale that begins in the world of crime as a young FBI agent experiences an otherworld evil on the job. Del Toro is a master of world building and Hogan is a well respected literary voice so this should be a corker.
Publisher summary: A horrific crime that defies explanation, a rookie FBI agent in uncharted, otherworldly territory, and an extraordinary hero for the ages.                                                                                                                              
Rookie FBI agent Odessa Hardwicke’s life is derailed when she’s forced to turn her gun on her partner, who turns suddenly, inexplicably violent while apprehending a rampaging murderer.
The shooting, justified by self-defence, shakes Odessa to her core and she is placed on desk leave pending a full investigation. But what haunts Odessa is the shadowy presence she saw fleeing her partner’s body after his death. 
Determined to uncover the secrets of her partner’s death, Hardwicke finds herself on the trail of a mysterious figure named John Silence: a man of enormous means who claims to have been alive for centuries, and who is either an unhinged lunatic, or humanity’s best and only defence against an unspeakable evil.
Night Train by David Quantick
Type: Novel Publisher: Titan Books Release date: 08/25/2020
Den of Geek says: Quantick is a former journalist and screenwriter for shows including Veep, The Thick of It and The Day Today. His latest novel is a high concept horror with an intriguing premise – a woman wakes up on a mysterious train full of the dead with no idea of where she is or how she got there. His books have been likened to David Wong and M.R. Carey which is incentive enough for us to pick this up. 
Publisher’s summary: A woman wakes up, frightened and alone – with no idea where she is. She’s in a room but it’s shaking and jumping like it’s alive. Stumbling through a door, she realizes she is in a train carriage. A carriage full of the dead. This is the Night Train. A bizarre ride on a terrifying locomotive, heading somewhere into the endless night. How did the woman get here? Who is she? And who are the dead? As she struggles to reach the front of the train, through strange and horrifying creatures with stranger stories, each step takes her closer to finding out the train’s hideous secret. Next stop: unknown. 
In Night Train David Quantick takes his readers on a twisting, turning ride through his own brand of horror, both terrifying and darkly funny. With echoes of Chuck Palahniuk, David Wong and M.R. Carey, Quantick’s unique and highly entertaining voice sings out in a page-turning adventure through a hellscape only he could imagine. If you haven’t discovered this rising star of the genre it’s time to step on board and have your mind melted. 
Nicnevin and the Bloody Queen by Helen Mullane, Dom Reardon, Matthew Dow Smith and Jock
Type: Graphic Novel Publisher:  Humanoids Inc. Release date: 08/20/2020
Den of Geek says: This is a great looking new graphic novel written by film distributor and documentarian turned sled dog racer Helen Mullane. It’s a British folk horror in the classic tradition with a modern twist, featuring a young female protagonist and gorgeous art. A proper page turner from an exciting new voice, illustrated by industry heavyweights. 
Publisher’s summary: Something strange has been unleashed in the north of England. A modern-day druid commits a series of ghastly murders in an attempt to unleash the awesome power of the ancient gods of Great Britain. But all hell really breaks loose when his latest would-be victim, Nicnevin ‘Nissy’ Oswald, turns out to be more than she seems. A British tale mixing black magic and horror, godfathered by Jock, one of the new masters of comic book suspense.
The Living Dead by George A Romero and Daniel Kraus
Type: Novel Publisher: Tor Books Release date: 08/04/2020
Den of Geek says: This is the book that zombie king George A Romero left unfinished when he passed away in 2017. It’s now been finished by Kraus who collaborated on the books of The Shape Of Water with Guillermo del Toro – this an multi-threaded origin story charting the start of the dead walking the Earth from the man who created the modern zombie genre this is pretty essential reading.
Publisher’s summary: It begins with one body. A pair of medical examiners find themselves facing a dead man who won’t stay dead.
It spreads quickly. In a Midwestern trailer park, an African American teenage girl and a Muslim immigrant battle newly-risen friends and family.
On a US aircraft carrier, living sailors hide from dead ones while a fanatic preaches the gospel of a new religion of death.
At a cable news station, a surviving anchor keeps broadcasting, not knowing if anyone is watching, while his undead colleagues try to devour him.
In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come.
Everywhere, people are targeted by both the living and the dead.
We think we know how this story ends. We. Are. Wrong.
Top New Horror Books In July 2020
Survivor Song by Paul Tremblay 
Type: Novel Publisher: William Morrow/Titan Books Release Date: July 7
Den of Geek says: The latest from the master of sad horror Paul Tremblay is one of his best yet. It is however, disturbingly prescient. Following an outbreak of fast acting rabies, hospitals are short of PPE and citizens are on lockdown. But when Doctor Ramola’s heavily pregnant best friend Natalie is bitten, the two must go on a perilous journey to save her unborn child. It’s gorgeously written, very moving and a little bit disturbing during a pandemic.
Publisher’s summary: A riveting novel of suspense and terror from the Bram Stoker award-winning author of The Cabin at the End of the World and A Head Full of Ghosts.
When it happens, it happens quickly.
New England is locked down, a strict curfew the only way to stem the wildfire spread of a rabies-like virus. The hospitals cannot cope with the infected, as the pathogen’s ferociously quick incubation period overwhelms the state. The veneer of civilization is breaking down as people live in fear of everyone around them. Staying inside is the only way to keep safe.
But paediatrician Ramola Sherman can’t stay safe, when her friend Natalie calls, her husband is dead, she’s eight months pregnant, and she’s been bitten. She is thrust into a desperate race to bring Natalie and her unborn child to a hospital, to try and save both their lives.
Their once familiar home has become a violent and strange place, twisted into a barely recognisable landscape. What should have been a simple, joyous journey becomes a brutal trial.
The Only Good Indians by Stephen Graham Jones
Type: Novel Publisher: Gallery/Titan Books Release date: July 21
Den of Geek says: Stephen Graham Jones is being touted as the next big thing in horror circles and while he’s had more than 20 books published it’s likely this will be his big breakout hit. The Only Good Indians follows a group of Blackfeet Native Americans who are paying the price for an incident during an Elk hunt a decade ago. Social commentary, a supernatural revenge plot and an intimate character study mix in this literary horror with something to say which brings genuine chills.
Publisher’s summary: Adam Nevill’s The Ritual meets Liane Moriarty’s Big Little Lies in this atmospheric gothic literary horror.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men and their children must face a ferocious spirit that is coming for them, one at a time. A spirit which wears the faces of the ones they love, tearing a path into their homes, their families and their most sacred moments of faith.
The Only Good Indians, charts Nature’s revenge on a lost generation that maybe never had a chance. Cleaved to their heritage, these parents, husbands, sons and Indians, these men must fight their demons on the fringes of a society that has no place for them.
Malorie by Josh Malerman
Type: Novel Publisher: Del Rey/Orion Release date: July 21
Den of Geek says: This is the sequel to Bird Box, the brilliant horror-thriller which spawned a not-that-great Netflix movie that was nonetheless extraordinarily successful. The original imagines a world populated by monsters – if you look at them you instantly lose your mind and harm yourself or others. The sequel finds Malorie and the two children years later – the kids are now teens who’ve never known a world other than the one behind the blindfold while Malorie still remembers the world before it went mad. A character study as well as a tense, paranoid horror story, this is one of the most anticipated horrors of the year.
Publisher’s summary: The much-anticipated Bird Box sequel
In the seventeen years since the ‘creatures’ appeared, many people have broken that rule. Many have looked. Many have lost their minds, their lives, their loved ones.
In that time, Malorie has raised her two children – Olympia and Tom – on the run or in hiding. Now nearly teenagers, survival is no longer enough. They want freedom.
When a census-taker stops by their refuge, he is not welcome. But he leaves a list of names – of survivors building a future beyond the darkness – and on that list are two names Malorie knows.
Two names for whom she’ll break every rule, and take her children across the wilderness, in the hope of becoming a family again.
Top New Horror Books In June 2020
Devolution by Max Brooks 
Type: Novel Publisher: Century  Release date: 06/16/2020
Den of Geek says: If anyone’s going to make a book about Bigfoots (Bigfeet?) not only genuinely very scary but also entirely believable it’s Max Brooks. The author of widely acclaimed World War Z weaves a found journal, snippets of interviews and the odd real life example together to tell the story of the remote eco-community of Greenloop who is isolated after a volcanic eruption and faces a deadly new threat brought on by changes in the ecosystem. It’s a cautionary tale, and a sometimes satirical fable of the dangers of underestimating nature.
Publisher’s summary: As the ash and chaos from Mount Rainier’s eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined . . . until now.
But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing – and too earth-shattering in its implications – to be forgotten.
In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the beasts behind it, once thought legendary but now known to be terrifyingly real.
Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death.
Yet it is also far more than that.
Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us – and that it is a beast of terrible strength and ferocity.
Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it – and like none you’ve ever read before.
The Secret of Cold Hill by Peter James  
Type: Novel (paperback) Publisher: Pan; Main Market edition Release date: 06/25/2020
Den of Geek says: This is the follow up to 2015’s The House on Cold Hill, a supernatural thriller from multi-award winning British crime writer Peter James. It’s a modern take on a classic ghost story set in the Sussex countryside – the sequel sees the haunted Georgian mansion of the first book destroyed and new houses built in its place, where new families face malevolent forces from the past. 
Publisher’s summary: From the number one bestselling author, Peter James, comes The Secret of Cold Hill. The spine-chilling follow-up to The House on Cold Hill. Now a smash-hit stage play.
Cold Hill House has been razed to the ground by fire, replaced with a development of ultra-modern homes. Gone with the flames are the violent memories of the house’s history, and a new era has begun.
Although much of Cold Hill Park is still a construction site, the first two families move into their new houses. For Jason and Emily Danes, this is their forever home, and for Maurice and Claudette Penze-Weedell, it’s the perfect place to live out retirement. Despite the ever present rumble of cement mixers and diggers, Cold Hill Park appears to be the ideal place to live. But looks are deceptive and it’s only a matter of days before both couples start to feel they are not alone in their new homes.
There is one thing that never appears in the estate agent brochures: nobody has ever survived beyond forty in Cold Hill House and no one has ever truly left…
Top New Horror Books In April 2020
The Southern Book Club’s Guide to Slaying Vampires
Type: Novel Publisher: Quirk Books Release Date: 04/07/2020
Den Of Geek says: The latest novel from Grady Hendrix is set in the same world as his masterful horror My Best Friend’s Exorcism, this time focusing on the wives and mothers of Charleston, South Carolina. Occupied with looking after their families and keeping up appearances, one group of women have to step up and fight when a charismatic stranger comes to town. A modern vampire novel packed with heart (and gore) this is another hit from one of the most exciting horror writers around.
Publisher’s summary: Steel Magnolias meets Dracula. A haunting, hair-raising, and ultimately heartwarming story set in the 1990s, the novel follows a women’s true-crime book club that takes it upon themselves to protect their community when they detect a monster in their midst. Deftly pitting Dracula against a seemingly prim and proper group of moms, Hendrix delivers his most complex, chilling, and exhilarating novel yet. 
With Grady’s unique comedic timing and adoration of the horror genre, The Southern Book Club’s Guide to Slaying Vampires is a pure homage to his upbringing, the most famous horror book of all, and something we can all relate to – the joy of reading. 
Eden By Tim Lebbon
Type: Novel Publisher: Titan Books Release Date: 04/07/2020
Den of Geek says: From the author of The Silence (which is basically A Quiet Place, published several years before A Quiet Place came out) comes another eco-horror which sees pollution and climate change force humanity to create locked off zones which are off-limits to people. Eden follows a group of adventurers who break the rules and enter one of the zones where nature has taken hold and begun to rebel. Should appeal to fans of Bird Box and Annihilation.
Publisher’s summary: In a time when Earth’s rising oceans contain enormous islands of refuse, the Amazon rainforest is all-but destroyed, and countless species edge towards extinction, the Virgin Zones were established in an attempt to combat the change. Off-limits to humanity and given back to nature, these thirteen vast areas of land were intended to become the lungs of the world. 
Dylan leads a clandestine team of adventurers into Eden, the oldest of the Zones. Attracted by the challenges and dangers posed by the primal lands, extreme competitors seek to cross them with a minimum of equipment, depending only on their raw skills and courage. Not all survive. 
Also in Dylan’s team is his daughter Jenn, and she carries a secret – Kat, his wife who abandoned them both years ago, has entered Eden ahead of them. Jenn is determined to find her mother, but neither she nor the rest of their tight-knit team are prepared for what confronts them. Nature has returned to Eden in an elemental, primeval way. And here, nature is no longer humanity’s friend. 
Eden is a triumphant return to the genre by one of horror’s most exciting contemporary voices, as Tim Lebbon offers up a page-turning and adrenaline-fuelled race through the deadly world of Eden, poignantly balanced with observations on humanity’s relationship with nature, and each other. Timely and suspenseful, Eden will seed itself in the imagination of the reader and continue to bloom long after the last page. 
The Wise Friend By Ramsey Campbell
Type: Novel Publisher: Flame Tree Press Release date: 04/23/2020
Den Of Geek says: The latest from British horror legend is a mystical tale of the occult which hints at the monstrous. Campbell is regarded by many as one of the most important horror writers of his generation. Influenced by H P Lovecraft and M R James, and influencing many horror writers who came after him, he’s published more than 30 novels. His latest sounds like a treat.
Publisher’s Summary: Patrick Torrington’s aunt Thelma was a successful artist whose late work turned to- wards the occult. While staying with her in his teens he found evidence that she used to visit magical sites. As an adult he discovers her journal of her explorations, and his teenage son Roy becomes fascinated too. 
His experiences at the sites scare Patrick away from them, but Roy carries on the search, together with his new girlfriend. Can Patrick convince his son that his increasingly terrible suspicions are real, or will what they’ve helped to rouse take a new hold on the world?
The Book of Koli – The Rampart Trilogy, Book 1, By M.R. Carey
Type: Novel Publisher: Orbit Release date: 04/14/2020
Den of Geek says: This is the first book in a new trilogy by M.R. Carey who wrote excellent zombie novel The Girl With All The Gifts. This is an eco-horror/sci-fi which sounds like Tim Lebbon’s Eden in reverse – in Carey’s book it’s everything outside a small village that’s a threat – and both books are aimed at fans of Jeff Vandermeer’s Southern Reach trilogy. Little surprise that horror writers are turning their attention to the environment in these frightening times and in Carey’s careful hands (there was an element of nature evolving in Girl With All The Gifts) this should be a new world worth visiting.
Publisher’s summary: EVERYTHING THAT LIVES HATES US . . . Beyond the walls of the small village of Mythen Rood lies an unrecognisable landscape. A place where overgrown forests are filled with choker trees and deadly seeds that will kill you where you stand. And if they don’t get you, the Shunned men will. Koli has lived in Mythen Rood his entire life. He believes the first rule of survival is that you don’t venture too far beyond the walls.
He’s wrong.
The Book of Koli begins a breathtakingly original new trilogy set in a strange and deadly world of our own making.
Top New Horror Books In March 2020
The Deep by Alma Katsu
Type: Novel Publisher: G.P. Putnam’s Sons Release date: 03/10/2020
Den Of Geek says: A ghost story set against the backdrop of the sinking of the Titanic is a strong premise to set out with, from a writer who has good form with mixing horror with history after The Hunger which centres around The Donner Party, a group of pioneers in the middle of the 19th century, some of who resorted to cannibalism when their group got stranded. Alma Katsu is an author who “Makes the supernatural seem possible” according to Publishers Weekly, and the weaving in of real people with this creepy sounding tale of a nurse who survives the Titanic only to meet another passenger who couldn’t possibly have made it out is highly appealing.
Publisher’s summary: This is the only way to explain the series of misfortunes that have plagued the passengers of the ship from the moment they set sail: mysterious disappearances, sudden deaths. Now suspended in an eerie, unsettling twilight zone during the four days of the liner’s illustrious maiden voyage, a number of the passengers – including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher – are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.
Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic’s sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not – could not – have survived the sinking of the Titanic…
The Faceless Old Woman Who Secretly Lives in Your Home: A Welcome to Night Vale Novel By Joseph Fink and Jeffrey Cranor
Type: Novel Publisher: Harper Perennial Release date: 03/24/2020
Den Of Geek says: The third novel in the Welcome To Night Vale series, which spun-off the wildly popular podcast of the same name promises more eerie, weird, wistful but wonderful musings delving into the enigmatic character of The Faceless Old Woman and exploring Night Vale’s history. It’s written by Fink and Cranor, the creators of the podcast, and has already garnered widespread acclaim. Fans of Twin Peaks should definitely check out Night Vale.
Publisher’s summary: From the New York Times bestselling authors of Welcome to Night Vale and It Devours! and the creators of the #1 podcast, comes a new novel set in the world of Night Vale and beyond.
In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from . . . until now. Told in a series of eerie flashbacks, the story of The Woman is revealed, as she guides, haunts and sabotages an unfortunate Night Vale resident named Craig. In the end, her dealings with Craig and her history in nineteenth century Europe will come together in the most unexpected and horrifying way.
Part The Haunting of Hill House, part The Count of Monte Cristo, and 100% about a faceless old woman who secretly lives in your home.
Cursed: An Anthology edited by Marie O’Regan and Paul Kane
Type: Anthology Publisher: Titan books Release date: 03/03/2020
Den Of Geek says: some of our favourite horror writers assemble for this collection of stories surrounding the concept of the curse. Some are updates of well known fairy tales, some are brand new mythologies and all come together in a magical, mythical, mystical collection that should appeal to fans of dark fables and traditional folk horror. Authors include Neil Gaiman, M R Carey, Christina Henry and Tim Lebbon.
Publisher’s Summary: It’s a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents…
Here you’ll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world – expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic. Twenty timeless folktales old and new
Top New Horror Books in February 2020
Deathless Divide by Justina Ireland
Type: Novel Publisher: Balzer + Bray Release date: 2/4/20
Den of Geek says: Justina Ireland’s Dread Nation was one of the most-talked-about YA debuts of 2018, and for good reason! The story of Black zombie hunters in an alternate Reconstruction-era America is already one of the best premises of all time, and Ireland more than follows through on the promise of kickass, sociopolitically cathartic potential—with Dread Nation, and now with Deathless Divide. (We love this one so much, it’s also on our Top New YA Books of February 2020 list.)
Publisher’s summary: The sequel to the New York Times bestselling epic Dread Nation is an unforgettable journey of revenge and salvation across a divided America.
After the fall of Summerland, Jane McKeene hoped her life would get simpler: Get out of town, stay alive, and head west to California to find her mother.
But nothing is easy when you’re a girl trained in putting down the restless dead, and a devastating loss on the road to a protected village called Nicodemus has Jane questioning everything she thought she knew about surviving in 1880s America.
What’s more, this safe haven is not what it appears—as Jane discovers when she sees familiar faces from Summerland amid this new society. Caught between mysteries and lies, the undead, and her own inner demons, Jane soon finds herself on a dark path of blood and violence that threatens to consume her.
But she won’t be in it alone.
Katherine Deveraux never expected to be allied with Jane McKeene. But after the hell she has endured, she knows friends are hard to come by—and that Jane needs her too, whether Jane wants to admit it or not.
Watching Jane’s back, however, is more than she bargained for, and when they both reach a breaking point, it’s up to Katherine to keep hope alive—even as she begins to fear that there is no happily-ever-after for girls like her.
Buy Deathless Divide by Justina Ireland on Amazon.
The Boatman’s Daughter by Andy Davidson
Type: Novel Publisher: MCD x FSG Release date: 2/11/20
Den of Geek says: If it’s good enough for Paul Tremblay, it’s good enough for us! We love a good atmospheric horror read, and The Boatman’s Daughter sounds like it has more atmosphere in one page than most books do in their entirety.
Publisher’s summary:  A “lush nightmare” (Paul Tremblay) of a supernatural thriller about a young woman facing down ancient forces in the depths of the bayou.
Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.
But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.
With the heady mythmaking of Neil Gaiman and the heartrending pacing of Joe Hill, Andy Davidson spins a thrilling tale of love and duty, of loss and discovery. The Boatman’s Daughter is a gorgeous, horrifying novel, a journey into the dark corners of human nature, drawing our worst fears and temptations out into the light.
Read The Boatman’s Daughter by Andy Davidson on Amazon.
The Sun Down Motel by Simone St. James
Type: Novel Publisher: Berkley Release date: 2/18/20
Den of Geek says: Who doesn’t love a good creepy motel story? From the author who brought us The Broken Girls, comes another female-driven foray into horror mystery. If you’ve been digging Nancy Drew or love Sharp Objects, there’s more where that came from.
Publisher’s summary: Something hasn’t been right at the roadside Sun Down Motel for a very long time, and Carly Kirk is about to find out why in this chilling new novel from the USA Today bestselling and award-winning author of The Broken Girls.
Upstate New York, 1982. Viv Delaney wants to move to New York City, and to help pay for it she takes a job as the night clerk at the Sun Down Motel in Fell, New York. But something isnʟt right at the motel, something haunting and scary.
Upstate New York, 2017. Carly Kirk has never been able to let go of the story of her aunt Viv, who mysteriously disappeared from the Sun Down before she was born. She decides to move to Fell and visit the motel, where she quickly learns that nothing has changed since 1982. And she soon finds herself ensnared in the same mysteries that claimed her aunt.
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Read The Sun Down Motel by Simone St. James on Amazon.
The post Top New Horror Books in September 2020 appeared first on Den of Geek.
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Terror from the East: 12 Films From East Asia You Should Watch
We’re an entire month into the New Year. 2017 brought horror back into the lime light of popular cinema in full force. Now a solid month into 2018, are you keeping up with your New Year’s Resolutions? Fear not, fiends, there is always time to try something new! What better way to better yourself than expanding something you love?
Let’s talk about East Asian Horror. This sub-genre primarily consists of films from Eastern Asian countries including: Japan, South Korea, China, Hong Kong, Thailand, and others. Much like Giallo, French, or other film fanatics outside of North America; the horror blends in elements unique to the cultures from which they come. Some elements that are popularized in these films include a strong connection to the supernatural or that they don’t shy away from the ultra violence.
Currently there are as many films in this sub genre as any in horror. To help get you introduced to the horror out East, here are twelve films to get you started and why you should watch them.
A Tale of Two Sisters (2003)
Ju On (Takashi Shimizu, Japan, 2002)
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Synopsis – Rika Nishina is a social worker assigned to watch over an ailing, elderly woman, but the house she lives in holds a dark whisper. Years before, a brutal double murder of a mother and her child left an imprint on the home. Their vengeful spirits will haunt whoever goes within this house’s walls until they vanish mysteriously. Rika, now tormented by these angered specters, must find out how to lift the curse of become one its victims.
Why You Should Watch – Jo On is a perfect starter for anyone wanting to explore East Asian Horror. It was one of the first few films to be adapted for North American audiences. Sam Raimi himself assisted with the production of the film, which saw wide release. The pacing and the way the cinematography of the original Japanese version will make you sit and watch the horror as it creeps its way towards you.
  Shutter (Banjong Pisanthanakun & Parkpoom Wongpoom, Thailand, 2004)
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Synopsis – Thun, a young photographer, and his girlfriend Jane flee from a car accident resulting in them leaving a badly hurt woman. Afterwards, ghostly images begin to appear in the photos that Thun takes. As the ghostly images become more frequent and the hauntings of a ghost woman begin, Jane begins to wonder, is there more to these ghostly torments?
Why You Should Watch – This is another film to get the Hollywood adaptation for North American release. Unlike similar films, The Grudge and The Ring, Shutter’s American adaptation was not as well received. The original version showcases a more fleshed out backstory to the spirit haunting Thun and Jane, as well as more ghost photography to send shivers down your spine.
  Train to Busan (Yeon Sang-ho, South Korea, 2016)
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Synopsis – Sok-woo is a busy man, so busy that time for his daughter Soo-ahn is usually a luxury. The divorcee wanting to please his daughter, decides to taker her on the KTX from Seoul to Busan so that she can see her mother. Things do not go well for their travels as a zombie outbreak wreaks havoc in South Korea. Now Sok-woo must protect his daughter from flesh eaters and the paranoid living alike, while trying to make it to Busan and possibly safety.
Why You Should Watch – Easily a good way to get into the style and cultural approach to Korean cinema while not shying away from the things that will make your skin crawl. The unique and fresh approach to the zombie theme has resulted in the film’s growing popularity everywhere. Keep an eye out for director Yeon Sang-Ho’s take on the superhero film, which will also be distributed by Netflix.
  Noroi: The Curse (Koji Shiraishi, Japan, 2005)
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Synopsis – Renowned paranormal investigator Masafumi Kobayashi is missing. His home is burnt down and the remains of his wife are within the ashen ruins. The film centers on the recordings of his newest, in development documentary ‘The Curse’. Find out what event led to Kobayashi’s disappearance and what dark story he was investigating.
Why You Should Watch – This is one of the best, found footage style horror films to see. Not only does the film follow some of the scare tactics seen in found footage, the film delves deeply into Japanese spiritualism and mythology. The movie is a slow burn but it will captivate you for every second.
  Memento Mori (Kim Tae-yong & Min Kyu-dong, South Korea, 1999)
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Synopsis – High school students Yoo Shi-eun and Min Hyo-shin find love in one another. Sadly the other students find out and chastise the two for their ‘taboo’ love. To avoid further criticism, Shi-eun begins distancing herself from Hyo-shin. Hyo-shin reacts by throwing herself of the roof of the school. After her death, supernatural terrors befall the students that criticized the relationship between the two.
Why You Should Watch – This is technically the second installment in the Whispering Corridors series. Each film centers on supernatural events in an all girls’ school setting with multiple characters to follow and focusing on the relationships between characters. The films are sort of campy with lower budgets and fun special effects. This one stands out as it focuses on a touchy subject even now in some parts of the world. Be sure to check out the other installments in the series.
  A Tale of Two Sisters (Kim Jee-woon, South Korea, 2003)
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Synopsis – Su-mi is returning home after some time in a mental institution. She returns to her family home to live with her younger sister Su-Yeon, their father, and their distant stepmother. Tensions are high between Su-mi and her stepmother, as she suspects abuse of her younger sister. With these tensions spreading amongst the family, hidden secrets come forth and the family’s tragic past begins to haunt the home.
Why You Should Watch – Family can be hell and returning home after time away can be worse. A Tale of Two Sisters explores this dark sensibility of a family’s past and does not give the viewer everything right up front. What make this film shine are the quiet moments. There are a lot of long periods of silence, making the audience focus in on the scene, searching along with Su-mi to find out more about what secrets hide in the walls.
  Kairo [Pulse] (Kiyoshi Kurosawa, Japan, 2001)
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Synopsis – Kudo Michi is searching for her friend after he went missing while working on a computer disk. While looking for him, she comes across strange sightings, black stains on the walls of other missing person’s homes, and a rising number of suicides happening across the city. At the same time, Ryosuke, an economics student, finds disturbing images of ghastly people alone in their rooms. Is it his new Internet service or is there something more supernatural at work?
Why You Should Watch – Technology helps us reach out to every corner of the earth, but what if it connected us to a complete other side of reality? A door can be opened as easily as typing in a URL. The film showcases that fear of an always-connected lifestyle. Kairo was another film to get the American adaptation but was easily forgotten amongst the slur of remakes. Luckily the original still stands out, giving us two diverging storylines that eventually intertwine by the film’s end.
  Re-Cycle (The Pang Brothers, Hong Kong, 2006)
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Synopsis – Ting-yin is a successful novelist trying to write her big follow up. After a trilogy of romance novels, she hopes to break into new genres. Writer’s block comes and now she isn’t sure where to take her new novel. After one chapter she deletes what she has, but things begin getting strange. Now she’s finding that the paranormal experiences around her are straight from the pages she wrote.
Why You Should Watch – For those that love creative worlds where you can be engrossed in the film’s setting, this one is for you. Re-Cycle is gleaming with strange creatures and an imaginative world likened to that of Alice in Wonderland. Going to a much darker and horrific approach, the film will push your comfort zones to a new level.
  Thirst (Park Chan-wook, South Korea, 2009)
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Synopsis – Father Sang-hyun is a devout religious man plagued by self doubt and a deep sadness for his life spent. With his desires to aide the ailing, he submits himself to research for a vaccine to a deadly virus that fails and leaves him to die. After a blood transfusion hoping to slow his death, he miraculously recovers. Changes begin to occur within the priest, while dealing with the title of a miracle healer and a captivating woman named Kang-woo, resulting in him to wonder why this dark hunger plagues him.
Why You Should Watch – This is a classic vampirism tale told from a more dramatic and conflicted state, while also dealing with the cultural expectations of the area. We watch as an already troubled man of faith deals with his own inner demons as well as the thirst now building in Sang-hyun. The film is moody and full of existential crisis within the main protagonist. A must watch for any vampire fan out there.
  I Saw the Devil (Kim Jee-woon, South Korea, 2011)
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Synopsis – Kim Soo-hyun is a secret service agent for the National Intelligent Service. One cold, winter night his fiancée Joo-yun is brutally murdered and her body parts are scattered throughout the town. Grief stricken and vowing vengeance, Soo-hyun begins a hunt to find her killer. What ensues is a descent into a dark world where Soo-Hyun tracks down and torments killer Jang Kyung-chul, no matter the cost.
Why You Should Watch – The film is a fantastic example of a theme common in countries like Japan and South Korea, which are the revenge thrillers/horror. While the film at times seems to sway more in the style of thriller, the concepts at play make the film horror genre worthy. There is excessive gore and graphic violence that make even the most secure stomach squirm. The film makes you wonder, how do you know who is possibly a murderer and who isn’t?
  Audition (Takashi Miike, Japan, 1999)
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Synopsis – Lonely widower Shigeharu Aoyama might be ready to move on and find love again. With the urgency from his son and the help of his close friend, Shigeharu hosts a phony audition to meet his next love. That’s when he meets the beautiful and reserved Asami. He is immediately infatuated with her. Despite being unable to confirm some of the contact on her resume, Shigeharu dates, beds, and proposes to Asami. The night of their engagement Asami disappears without a trace and he must search for her. During his search he begins to see that she may not be the woman of his dreams but of his nightmares.
Why You Should Watch – This is one of the earlier films from renowned auteur Takashi Miike. He is no novice to the horror genre and has specialized in some of the darkest and demented stories to see on the screen. The moment Asami enters the screen you can tell something is off. Audition will pull you in and lead you somewhere dark you will never forget.
  Three… Extremes (Hong Kong, South Korea, Japan 2002)
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Synopsis – The film is broken into three different segments, written and directed by different people in different countries.
Dumplings (Fruit Chan): Mrs. Li is an aging actress who wishes to rejuvenate her youth. With her husband taking on a mistress behind her back, she hopes a secret dumpling recipe from Aunt Mei with help her. What would you do to stay young and beautiful?
Cut (Park Chan-wook): Watch a deadly game, as a successful film director must face off against a deranged extra from his films. The extra is upset that such a man can exist who is wealthy and also a good person, when he is poor and abusive to his family. With the director and his wife’s life in the balance, he must prove that he is not as good as he seem to be.
Box (Takashi Miike): Kyoko is a novelist who is stricken with nightmares of her youth in the circus. Her memories of her late twin sister Shoko, and their benefactor Higata, who she had left behind long ago, haunt her. Kyoko then one day receives an invitation to the old circus she was once a part of, leaving her to wonder if that part of her life is actually behind her.
Why You should Watch – This one of the best introductions to East Asian Horror, hands down. The film instead of having a singular director for all three segments gathers three of the biggest names in the genre from each country of origin. Park Chan-wook, Fruit Chan, and Takashii Miike are some of the biggest names in their countries. Each brings their own style and approach to the horror genre. The first segment Dumplings, was also adapted into a feature length film in Hong Kong. The film also spawned a sequel with three different segments from different regions.
The post Terror from the East: 12 Films From East Asia You Should Watch appeared first on Nightmare on Film Street.
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