#zimoun
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zimoun -- dust resonance
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Exploring Zimoun's Sound Sculptures: Compilation Video 4.3
A new post after +6 years, this time (again!) about Swiss kinetic/sound sculptor Zimoun. He recently published Complilation Video version 4.3 which provides an overview of his work so far: I still like his work after first seeing it at the Dutch Design Week in Eindhoven, back in 2014. As the Dutch Design Week 2024 starts tomorrow as a far more commercialized/sponsored/co[orate event than back in…
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Swiss sound artist Zimoun uses a large number of common materials in his sound art installations, and by changing the form of the materials and the way they are used, he creates subtle audio-visual art installations. I was reminded of the sound of waves crashing against a rock wall when I watched the project's foam balls being blown by a blower at high speed.
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Temporary: Audio
6/12/2022
Taking inspirartion from sound artist, Zimoun, I developed an idea involving rhythm and audio. I recorded myself dancing on various recycled materials: cardboard, plastic bags, paper bags, and edited them together using Adobe Audition.
I still believe I have more to ideas to develop with regards to audio and I intend on discussing these ideas within tutorials.
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Today i decided to go to the computer room to do some research of sound artists and artists who have done work for music.
As I had my dad’s 1 year death anniversary over the last couple of days I was unable to do a Friday lab or a workshop on Monday.
So today I decided to focus more on how different artists use sound and music to create art or how their art is used in music. So I chose 4 artist who are form different parts of the world and did a little mind map on each artist.
The 4 I chose where:
Jamie Hewlette who is one of my favourite artists he is a comic book artist and an illustrator. He’s done a lot of work for the virtual band Gorillaz and I love how his art style is so punk like.
Susan Philipsz who’s a Scottish sound artist who used to be a sculptor. I really like how she explores dimension of sound using her voice.
Ryoj Ikeda who’s a Japanese visual and sound artist. I know some of ikedas work and really like how he uses sound in variety of raw states such as sine tones and noises.
Zimoun is the last artist I chose he’s a self taught artist form Switzerland who is best known for his sound sculptures and sound architectures. He uses different combine materials such as plastic bags, microphones , old furniture and wires. And I love how he is able to find use for such items to create art.
I’m looking forward to develop my research of these artist more and get inspired for some of my pieces for my assemble brief.
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Week 2 Artists
From Switzerland, Zimoun is an artist who likes to connect sound and architecture and a way to define a space. Each of the pieces above use cardboard and motors to create unique sounds in each space. The first creates an element of nature as the motors hit the boards, sounding like rain. You can move around it and it sounds like rain hitting a building. While the last one is more of a rumbling, like many soft footsteps. It's interesting that each are art made of cardboard (simple and seen in everyday life) in a heavily industrial/worked locations. A marble museum, concrete basement and a brick church. The shape is also a point of interest as the last two are uniform boxes, the first uses boards to intersect with each other creating a freeing element.
This is the Spirit of the City, it was created by the United Visual Artists in London. Each column are 9 feet tall rotating mirrors. They generate the image of towers in a city. The material allows the visitors to reflect on themselves and interact with the light of the sun, while the rotating element ensures that experiences if new and unique for each person. Almost like exploring a new place and looking at yourself differently due to the new experiences but also touching on the notion of an ever changing city.
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Schau dir Zimoun : 25 woodworms, wood, microphone, sound system, 2009 an
https://vimeo.com/6191050
Was kann der Zauberwald. Wo finden wir evtl. Schnittmengen zwischen Bühne und Sound und Bühne und Kostüm
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out now: JULIAN SARTORIUS & Ensemble This | Ensemble That - RLLRLRLLRRLRLRLRLLRLRLR
Release Date: November 24, 2023 Format: vinyl LP + digital Order on: Bandcamp / Kudos Pre-save on Spotify + co Watch a video version of the piece.
«What you do is a fundamental question. But it’s how you do something that ultimately determines the effect.» — Julian Sartorius
With ‘RLLRLRLLRRLRLRLRLLRLRLR’, Swiss drummer and sound artist Julian Sartorius presents his third album in three years. Together with ‘Ensemble This | Ensemble That’ Sartorius has created a mesmerizing 39-minute percussion album that conclusively expands his artistic output. For the first time, an ensemble plays an idea conceived by Sartorius, while he assumes the role of an interactive conductor, manipulating the sounds made.
Sartorius is known for his fluid and versatile solo performances in which he continually modulates the sound of his instruments, adding objects and progressively unfolding his sound world. The idea of expanding this practice was already gestating when the ‘Ensemble This | Ensemble That’ invited him for a collaboration. Together with the drummers and percussionists Brian Archinal, Victor Barceló, Miguel Angel Garcia Martin and Bastian Pfefferli the concept was further explored, elaborated upon in detail, and finally realized.
‘RLLRLRLLRRLRLRLRLLRLRLR’ is both title and score for the ensemble’s four percussionists. The pattern, consisting of 23 individual beats, is played continuously by the ensemble while Sartorius gradually makes alterations to the instruments played. The result is a piece that has a sustained rhythmic flow yet is perpetually changing. Sartorius’ interventions and the precise musicality of the ensemble allows the listener to discover an expansive array of moods and intensities.
The album is structurally recursive but develops an almost mystical magnetism through an odyssey of diverse musical landscapes. Sartorius explains: «It amazes me deeply how much the sentiment can change based on a musical mood - this sense of curiosity is made audible with this album.» The album recording itself is designed as an endless loop: at the end of the recording, the ensemble’s sound has returned to its starting point, thereby completing an endless, self-contained cycle, with no beginning or end. In this way, Sartorius also echoes his 2021 album ‘Locked Grooves’.
Julian Sartorius’ precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. He has released numerous solo albums, creates audiovisual art works, collaborates with musicians, writers, and artists, and performs live in intimate venues and on festival stages.
Ensemble This | Ensemble That (ET|ET) have established themselves not only as interpreters of contemporary music, but also as collaborators to a wide range of artists including projects like Zimoun, Myriam Bleu, Strotter Inst., Lê Quan Ninh, Marko Ciciliani, Jürg Frey, and Michael Maierhof, amongst others.
___CREDITS Composed by Julian Sartorius in collaboration with Ensemble This | Ensemble That Recorded by Grégoire Pasquier at Studio de la Fonderie Edited by Julian Sartorius Mixed by Grégoire Pasquier and Julian Sartorius Mastered by Rashad Becker at Clunk Mastering Cut by Adi Flück at Centraldubs Graphic design by Sarah Parsons
This is OUS046
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Old and new Swiss art noises: Tinguely and Zimoun
I have been an admirer of the work of Swiss artist Jean Tinguely almost all of my life. It started while at university, when I bought this poster of a Tinguely exhibition at the Tate Gallery in London. Since then I have been collection exhibition posters and graphic works of Tinguely and other artists and started to develop an interest in technology and media art. Today, I stumbled upon another…
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ModularGuitarFields I-VI - Zimoun (2023)
"... Zimoun is a multi-disciplilnary Swiss artist who is best recognized for his immersive and site-specific installations with cardboard, DC motors and other industrial objects to create large-scale installations of orchestrated noise and movement. His mechanized environments have been shown in prestigiuos museums and galleries worldwide. On his latest musical release, ModularGuitarFields I-VI is entirely based on the sounds of a Tenor Baritone Guitar, combined with select elements of a Modular Synth and a vintage 1960s Magnatone Amp. ModularGuitarFields I-VI encompasses expansive and atmospheric realms, showcasing Zimoun’s passion for raw, warm sounds, as well as minimalist concepts and approaches. ..."
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Zimoun. Villa Manin per l’arte contemporanea
Le creazioni dell’artista svizzero Zimoun sono macchine che generano ritmi e rumori in dialogo con gli ambienti in cui sono collocate
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