#zachary crawford

[alectronathegoddess]

Alec stood over near the bar, waiting to order drinks for herself and her date, when Zachary walked up to her. She gave him a smile. "Hey, Zachary," she said. "Nice wedding, huh? Kind of makes me want to get married some day..." She actually couldn't believe she said that out loud. Alec has always been very independent and never really thought about settling down until recently. Cheeks red, she looked at Zach. "Don't ever repeat that," she said. "For both of our sakes." @immcrtalsx

[theogreenwood]

It wasn't often that the two fairy clan leaders crossed paths, especially now that Zach has a wife and kid. But when they did cross paths, they were always cordial. "Crawford," he acknowledged the other fairy as he joined him at his side at the park. Zachary was pushing his kid in a stroller and Theo bent down to greet the little one before standing back up at Zach's side. "Long time no see," he said, smiling. "How's the married life treating you? I have to say, fatherhood looks good on you." @immcrtalsx

[brokehorrorfan]

Fright-Rags has released three Dog Soldiers shirts designed by Zachary Jackson Brown and Kyle Crawford. They're $33 each.

[citizenscreen]

Michael Curtiz’s MILDRED PIERCE premiered in New York City on September 28, 1945.

[summertimenoir]

Mildred Pierce (1945)

- dir. Michael Curtiz

[gatutor]

Zachary Scott-Joan Crawford "Alma en suplicio" (Mildred pierce) 1945, de Michael Curtiz.

[sesiondemadrugada]

Flamingo Road (Michael Curtiz, 1949).

[dailychaceccrawford]

via eizagonzalez Instagram Stories | December 17th, 2023

[immcrtalsx]

Zach hated sleeping alone. He had missed having Callista in his arms the night it had stopped, no matter how angry he was at her at the time. When staying with Elsa and Orlaith, he had been co-sleeping with Marina to sooth her and that helped a little but now that they had moved back home, it didn't seem fair to have their daughter with him when Callista may be the one to get up for her in the gust room. Now he was truly alone in their bed. To make matters worse, he had started having nightmares and the loneliness exacerbated them. Sleeping deeply, Zach tossed and turned as the image of his mother shout at him, ask him what he wants, push him into his closet of a bedroom and lock the door so he was in darkness. Without knowing it, he was whimpering and quietly calling out in his sleep, "Help... let me out... stop."

@howmcnythings

[letterboxd-loggd]

Mildred Pierce (1945) Michael Curtiz

December 5th 2022

[erstwhile-punk-guerito]

[metaforadohomeminvisivel]

[tourneurs]

“You’d do anything for money, wouldn’t you?”

Mildred Pierce (1945) dir. Michael Curtiz

[brokehorrorfan]

Death is just the beginning with Fright-Rags' Re-Animator collection. The line includes designs by Zachary Jackson Brown and Kyle Crawford on T-shirts ($30), baseball tees ($40), long sleeves ($40), and zip-up hoodies ($55), plus a 32-ounce plastic cup featuring art by Matthew Skiff ($7).

[alexhorrorfilms]

Mildred Pierce (Милдред Пирс)

Класична нуарна мелодрама з геніальною роллю Джоан Кроуфорд. Майкл Кертіс зробив цікаву картину про непрості стосунки в сім'ї, сімейні цінності та про стосунки батьків (у даному випадку, доречніше сказати матерів) і дітей. Я б сказав, що фігури розставлені ідеально і партія розіграна як по нотах.

[twittercomfrnklin2001-blog]

Flamingo Road

When Warner Bros. reunited the director and stars of MILDRED PIERCE (1945) for Michael Curtiz’s FLAMINGO ROAD (1949, TCM, YouTube), they created a masterful piece of sheer hokum. Of course, the same could be said about the earlier film, but at least Crawford was well cast in that one. It’s not that she’s bad as a carnival dancer stranded in a small Southern town where she falls for the deputy sheriff (Scott), thereby earning sheriff Sydney Greenstreet’s eternal enmity. Her line readings are expert, she knows how to use her body, and for once she keeps the nostril flaring and heavy breathing to a minimum. It’s just that the early scenes ring false. Even though she’s been working in the butt-end of show business, the character has a degree of innocence and naivete, and however well Crawford reads the lines, that late Crawford face — those insistent lips and eyebrows — plays against them. And though it’s a period thing, it’s rather grating to hear everybody referring to her as a “girl.” She’s a much better fit for the role when she marries political boss David Brian and gets some class and sophistication. It’s a pity the writers didn’t think to put a time lapse in. It would have made her transformation more believable. It also would have helped the plot. On Greenstreet’s orders, Scott dumps Crawford to marry a banker’s daughter so he can serve as a state senator. But within only a few months, Greenstreet is pushing him to the political machine as a gubernatorial candidate. Without his moustache, Scott does well as a weakling, and Greenstreet, despite a Southern accent that sounds more Bostonian, does a bang-up job as the corrupt boss. Crawford doesn’t stand a chance in their scenes together. Three great character types enliven the supporting cast, with Gertrude Michael as a waitress working with Crawford early on, Iris Adrian as her jail mate when Greenstreet frames her for prostitution and Gladys George, magnificent as ever, as the feisty roadhouse owner who’s the only person who can put Greenstreet in his place. Working with cinematographer Ted McCord, Curtiz uses a cluttered mise-en-scene, shadows and composition in depth to put the picture somewhere on the dividing line between Southern gothic and film noir.