#yves severin

[blackswaneuroparedux]

C'est fou comme les gens ont de moi cette image de femme sophistiquée, glaciale. C'est une telle erreur, c'est tellement mal me connaître.

- Catherine Deneuve on herself in Belle de Jour (1967)

In anticipation of a new film this summer by Catherine Deneuve called ‘Bernadette’ where she plays Bernadette Chirac, the wife of French Jacques Chirac, I’ve been re-watching some her back catalogue of films. She’s done over 64 films and at almost 80 years old she’s still going strong. And yet out of her many films I’ve always been drawn back to one film which has become a cult classic. Watching it and re-watching it and even gorging on books on its making, new intriguing details reveal themselves about this landmark French art house classic - Belle de Jour (1967).

I once had the privilege of having dinner with her - or rather sat around the same table - through a Parisian host and his lovely wife who had gathered an eclectic group of friends across generations together. I was too self-conscious to talk about her film career directly. I was on surer ground when we indulged in small talk where she was perfectly down to earth and very pleasant. I felt it would be rude to go all fan girl on her and pepper her with questions about Belle de Jour in particular as she’s known to be very ambivalent about her experience of the film - a film that really defined her in the eyes of many people.

But it didn’t mean she didn’t recognise its cultural importance though as she was quite happy to amuse us with a funny story about Belle de Jour. A newly restored 35mm version was funded by the fashion house Saint Laurent back in 2018. Deneuve always had a close relationship with Yves Saint Laurent and also the fashion house. She was the one to introduce Buñuel to Saint Laurent. So the fashion house had a glitzy premiere in New York. But they didn’t count on many of their guests being late. Most of the guests were stuck in the New York traffic and the rain. However Martin Scorsese was the only one to get out of cab and run like a mad man through the pelting rain and huge traffic. A true cinephile, he was so desperate to see the film restored to its former glory that he would go to any lengths to see it.

In Belle de Jour, Catherine Deneuve, whose limpid beauty is capable of sustaining any interpretation, is a perfect Severine and demonstrates a remarkable control in progressing, with enormous economy of gesture and movement, from frigidity to physical warmth as the bored housewife who indulges in part time sex work.

“I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used. I was very unhappy.”

The story of Séverine, a deeply disenchanted haute bourgeois Paris housewife who finds erotic liberation through byzantine psycho-sexual fantasies and part-time work at an upscale brothel, Belle de jour certainly made extreme demands of Deneuve: her character is flogged, raped, and pelted with muck, among other assaults. But despite her objections to the way she was treated and her difficulties with Buñuel, Deneuve’s performance in Belle de jour turned out to be one of her most iconic.

Deneuve, who had become a star only three years earlier, as the melancholy jeune fille in Jacques Demy’s 1964 all-sung musical The Umbrellas of Cherbourg, was just twenty-three when Belle de jour came out; notably, Buñuel’s film was released in France less than three months after Demy’s radiant, MGM-inspired musical The Young Girls of Rochefort, starring Deneuve and her real-life sister Françoise Dorléac.

But Belle de jour, more than any other film from the first decade of her career, defined what would become one of the actress’s most notorious personae: the exquisite blank slate lost in her own masochistic fantasies and onto whom all sorts of perversions could be projected. (Deneuve as deviant tabula rasa was first seen in Roman Polanski’s 1965 Repulsion, in which she plays a damaged beauty plummeting into psychosis; but Belle de jour doesn’t portray its heroine as mad, instead remaining deliberately ambiguous about the origins of her unconventional desires - and presaging the bizarre libertines she would later play in such films as Marco Ferreri’s Liza, 1972, and Tony Scott’s The Hunger, 1983.)

Buñuel was at a very different stage of his career from his young star, but Belle de jour represented a peak for him as well, the greatest - and most successful - film of his extremely rich late period. These works, bookended by 1964’s Diary of a Chambermaid and 1977’s That Obscure Object of Desire (his final film), were made mostly in France - where Buñuel had begun his filmmaking career with the incendiary, surrealist Un chien andalou (1929) - following the exiled Spanish director’s two decades in Mexico.

Many of these late projects were cowritten with Jean-Claude Carrière and focus intensely on sexual perversion (a theme that recurs throughout Buñuel’s work). Belle de jour certainly falls into that category, and also, typically, skewers the entitled classes. Yet it stands out as the director’s most intricate character study—but of a protagonist who resists definition; the heroine, frequently trussed up and mussed up, retains an odd, opaque dignity in her debauchery.

In that same interview with Bonitzer, Deneuve was judicious enough to distinguish her experience of making Belle de jour from the final product, calling it a “wonderful film.” But her first meetings with Buñuel hinted at the duress that was to follow. According to John Baxter’s 1994 biography, Buñuel, it took time for the director to “warm to” his star: “He felt, with some justice, that she had been foisted on him, first by the Hakims [Belle de jour’s producers], then by her lover of the time, François Truffaut.” After dining with Buñuel at his house, the book recounts, Deneuve “left with little more than an impression that he disliked actors in general and was reserving his decision about her. The only advice he offered was the advice he had always given actors: ‘Don’t do anything. And above all, don’t . . . perform.’”

Though Deneuve deferred to her director, she was no puppet; Belle de jour is as much hers as Buñuel’s. The filmmaker, famously resistant to “psychological” interpretations of his work, stuffs Belle de jour with his trademarks, confounding any attempt to parse meaning: the surrealist blurring of fantasy and reality, fetishism, sexual perversion, blasphemy.

But as Séverine, Deneuve, despite operating in the nebulous realm between dream and waking, imbues the film with irresistible and very real lust - and luster. Sporting the chicest Yves Saint Laurent finery, Deneuve revels in the peculiar desires of her character while always inviting our own. As Buñuel himself acknowledges in his 1984 autobiography, My Last Sigh (published a year after his death), Belle de jour “was my biggest commercial success, which I attribute more to the marvelous whores than to my direction.” (Per Baxter, after the filming of Belle de jour, he would finally admit of his star, “She’s really a very good actress.”) Deneuve’s gift was to update the world’s oldest profession for her still-expanding résumé.

The director had some modifying to do as well. Buñuel, who adapted Joseph Kessel’s 1928 novel with Carrière, assessed the source material dryly in My Last Sigh: “The novel is very melodramatic, but well constructed, and it offered me the chance to translate Séverine’s fantasies into pictorial images as well as to draw a serious portrait of a young female bourgeois masochist. I was also able to indulge myself in the faithful description of some interesting sexual perversions.”

He wastes no time in establishing those bizarre erotic proclivities. In Belle de jour’s opening scene, Séverine and her doting husband of one year, Pierre Serizy (Jean Sorel), a handsome, dutiful surgeon, are snuggled close in a horse-drawn carriage; he interrupts the tender moment with the lament “If only you weren’t so cold.” She pulls away, defensive. The sound of horse bells, which has been increasing in volume from the film’s first shot - and will indicate Séverine’s dreams or fantasies throughout - stops. Pierre orders his wife out of the cab; when she refuses, he and the two drivers remove her by force. She is gagged, bound to a tree, and whipped by the coachmen, who are then instructed by Pierre to rape her. When one begins to ravish her, Séverine appears to be in ecstasy.

This carnal reverie is soon interrupted by the Serizys at home, preparing for their usual chaste bedtime ritual. Pierre, in white pajamas, asks his pale-pink-nightie-clad wife, under the covers in a separate bed, what she’s thinking about: “I was thinking about you . . . and us. We were out for a ride in a carriage”—a scenario Pierre has heard before.

The fantasy clearly belongs to Séverine alone; she finds erotic thrills in her secret thoughts of debasement and humiliation, her florid imagination compensating for her sterile, sexless existence. Her most private desires will soon be realized at 11, cité Jean de Saumur, the address of the boutique bordello run by Madame Anaïs (Geneviève Page), given to Séverine by Pierre’s louche friend Husson (Michel Piccoli).

At Madame Anaïs’s, Séverine - now going by the nom de pute Belle de jour, a reference to her two-to-five shift (she insists on being home when Pierre returns from his workday at the hospital) - is horrified at first but proves to be a quick study. A burly Asian client scares off her two seasoned colleagues with his mysterious, buzzing lacquered box, but she is absolutely transfixed; after the john leaves, she, lying prone on the bed, lifts her head, her luxuriant mane of blonde hair disheveled, to reveal a woman still drunk on orgasmic pleasure.

The contents of the box are one of the film’s many mysteries (when asked what is inside, Buñuel would reply, “Whatever you want there to be”). Yet the greatest enigma is Séverine herself: why does she recoil from the slightest sexual advance from her husband yet lose herself, both in fantasy and in her new line of work, in elaborate masochistic tableaux? “Pierre, it’s your fault too. I can explain everything,” Séverine insists to her husband in the opening fantasy sequence, as she’s being forcibly removed from the landau. But of course, she can’t - and won’t.

As in Repulsion, there are flashbacks to possible childhood trauma in Belle de jour. In one, a man appears to touch a young Séverine inappropriately; in another, she stubbornly refuses the Blessed Sacrament. But unlike in Repulsion, whose final, prolonged shot of a menacing family photo is offered as the root of Carole’s pathology, these scenes in Buñuel’s film are almost non sequiturs, presented not as psychological explanation but as blips in a baroque sexual surrealism.

As Séverine’s reveries and job demands become stranger and more mysterious - in one daydream, she is pelted with thick black mud by Pierre and Husson, who call her “tramp” and “slut”; a ducal client solicits her in the bois de Boulogne to perform in a necrophilic rite - Deneuve retains her porcelain, celestial inscrutability, while simultaneously transforming into an earthbound debauchee, delighting in her own defilement. Madame Anaïs (whose early, shameless flirtation with Séverine - who eventually reciprocates - is the first of the many moments in Deneuve’s filmography that would cement her status as a lesbian icon) touts her new employee’s regal bearing to prospective customers: “[She’s] a little shy, perhaps, but a real aristocrat.”

Séverine’s coworkers, Charlotte (Françoise Fabian) and Mathilde (Maria Latour), are constantly remarking on the impeccable cut and style of her ensembles. Yet what this seemingly untouchable goddess craves most is the brutality of her latest john, the thug Marcel (Pierre Clémenti), a rough with metal teeth, a walking stick that doubles as a shiv, and fetishwear (shiny boots of leather with matching overcoat) that could have been dreamed up in an atelier overseen by Kenneth Anger and Pierre Cardin.

Séverine’s relationship with Marcel will lead to Pierre’s ruin - or does it? The ambiguous ending of Belle de jour suggests that everything that preceded it may have existed only in the heroine’s cracked dreamscape. Like the buzzing box, the film’s final scene is whatever you want it to be.

Yet one thing is certain: Deneuve transcends kink. And despite her misery during the Belle de jour shoot, she would return for even more bizarre treatment three years later in Buñuel’s Tristana, losing both her virtue and a leg.

Almost 55 years after it was made Belle de Jour continues to be a compelling film. It takes on greater curiosity for me as I live in Paris and there are Séverines aplenty that I come across. But the film also speaks to a non-French audience even today as it remains a shrewd commentary on the hypocrisy of social relations and sexual politics. Buñuel invites us to ponder the transgression of a socially respectable woman secretly being a prostitute in the afternoons, but I don’t think he bothered to pose the question why a socially respectable gentleman should be secretly visiting a prostitute in the afternoons - which happens more than one might think and that behaviour is normalised. Something to think about.

[twittercomfrnklin2001-blog]

Belle de Jour

If it had a throbbingly romantic score, you’d almost think Luis Buñuel’s BELLE DE JOUR (1968, TCM, Max, Criterion Channel) was the last word in elegant romantic drama. The mostly upper middle-class characters move through pristinely decorated rooms. The heroine is dressed in the latest Yves St. Laurent styles. And Sacha Vierny’s camera glides serenely through it all. But this is in many ways a deconstruction of the myths of romantic drama, the idea that love will always find a way and the role of class in making romantic confusion possible. Working from a melodramatic novel by Joseph Kessel, Buñuel and co-writer Jean-Claude Carriere, in their first collaboration, present a markedly cockeyed view of romance among the well-off.

Severine (Catherine Deneuve) and her surgeon husband Pierre (Jean Sorel) have been married for a year and either haven’t consummated their marriage or haven’t engaged in mutually enjoyable sexual relations. Instead, she has a vivid fantasy life in which various males, including her gentlemanly to a fault husband, humiliate her in ways she finds arousing. Hearing of an acquaintance who’s moonlighting in a brothel, she hunts down one run by a chic lesbian (Genevieve Page) and arranges to work there afternoons under the name “Belle de Jour,” which means afternoon beauty but also is a play on “belle de nuit,” meaning prostitute. In the brothel, she’s able to indulge her fantasies in real life and finds herself opening up more to her husband, particularly after her encounters with a magnetic thug (Pierre Clementi). You can almost envision a 1950s Hollywood-style film poster with Dorothy Malone or Lana Turner saying, “You can call me a slut, but it saved my marriage.”

Buñuel cuts fluidly between Deneuve’s real world and her fantasies, with only the sound of carriage bells as a clue that we’ve entered her dream world. There are also a few quick glimpses of her childhood that might suggest the source of her pathology. I don’t think they do, nor do I feel any great need to delve into that. Although Deneuve breathes life into the character and develops a persuasive arc for Severine, I don’t think we need to understand why she acts as she does. She is, and she acts. That’s all that matters. Her motivation is as open as the often-asked question of what’s buzzing in the Japanese john’s lacquered box. It’s just there, and what matters is that after it leads the other women in the brothel to reject him, it helps make him the first client to give Deneuve any real pleasure. She finds middle-class romance by moving in the opposite direction.

[secrets-and-aetherlight]

Of Brambles and Visions

Yves has always had a peculiar fondness for the bramble patch that covers much of the eastern reaches of the Black Shroud. Something about that sprawling tangle of oversized thorns speaks to the predator in him. Many dangers lurk in these bladed shadows, but he rests himself before a humble campfire, content in the knowledge that he is the most dangerous among them.

It’s a clear night. Stars peer through the crevices in the patchwork of thorns overhead. It’s an ideal night to camp in the open air. 

Or it would be, with fewer interruptions. The wind is still, which means that the rustling he can hear in the underbrush nearby must be the sound of an approaching creature. He wonders absently if it’s another bandit intent on ambushing him. The last was enjoyable, but he has had enough terror and blood to sate him for one night.

A small figure weaves its way nimbly between thorns the size of falchions. As it approaches the campfire, its outline becomes clearer. It’s a Miqo’te. Hardly a surprising sight in the Shroud, especially at night. But then her violet eyes come into view. Her pupils are narrow, better suited to daylight than to the darkness. A Seeker of the Sun. And a familiar one, at that.

When she finally stands before his campfire, he rises. Not to attack or to defend, but to acknowledge the presence of someone with whom he has history.

A longer history than even she knows.

“J’aeda,” he murmurs, “what an unexpected pleasure.”

The Seeker gives a derisive snort. She folds her arms across her chest and eyes him skeptically. “Is it? I seem to recall that the last time we met, you called me an ill omen.”

Her talent of looking down her nose at him when she is little more than half his height has always fascinated him. Even as a child, her mastery of the withering look was already flawless. Perhaps a healthy dose of disdain toward those outside of one’s tight-knit community can be counted among the essential accomplishments of a young refugee.

“I believe when last we met, I was still a touch disgruntled that you had foretold a Calamity and failed to mention that it would rain down fire on my head, specifically,” he explains dryly.

“My visions are hardly that clear-cut.” 

She settles herself on the ground before his campfire and loosens the ties to the large knapsack strapped to her back. Making herself comfortable without invitation, Yves notes with mild amusement. Fearless as ever. He would have it no other way. He lost the right to object to any liberties she chose to take with him years ago.

Yves resumes his seat on the opposite side of the fire and regards her curiously. “I was under the impression you were still in Gyr Abania.”

“My work with the resistance has come to its natural conclusion.”

“Why not stay? Ala Ghiri is your home, is it not?”

The looks she gives him this time is not precisely withering, but it is chiding. “That’s where I was born. You know very well I didn’t grow up there. The concept of ‘home’ has never really meant much to me. I go where I’m meant to be. Where my dreams lead me.”

“And they have led you here, to me?” Yves says, his tone mocking. “They must be more akin to nightmares.”

J’aeda is in the act of searching through her knapsack for something, but at these words, she stills. Perhaps he has come a little too close to the truth for comfort. But whether she has come to utter dire prophecies about his future, or whether he haunts her nightmares for reasons related to their shared past, is difficult to judge.

Her next words do little to enlighten him. “Just so.”

She rummages around in her knapsack for a few more seconds, and then she withdraws a tin which, once opened, is revealed to contain some sort of jerky.

“I assume you’ve already fed, judging by the corpse I passed on my way here,” she comments, selecting a strip of jerky. 

He doesn’t bother to confirm or deny it.

J’aeda chews on one end of her jerky for a few moments in silence.Then, perhaps catching a hint of uncertainty in his expression, she says, “Relax, Yves. You’re a mere stepping stone for me this time. My dreams only made two things perfectly clear in regards to you. First, that you hold the key to the riddle I’ve been dreaming for several moons, and second, that you’ve finally finished your quest.”

“My quest?”

The look that she gives him suggests he’s being obtuse.”Your wife’s killer?”

“You dreamt about that?”

“It was tangential to another dream, but yes.” She pauses to take another bite of her jerky. “I’m glad you finally got your revenge.”

Yves finds himself with nothing to say in reply. The subject of his late wife and her murder is fraught, and not merely due to his grief and rage at having lost her too young. It was in the pursuit of his revenge that he first encountered J’aeda, and nothing about that meeting, or the fortnight that followed, was pleasant for her. No doubt the memories of his abuses as he attempted to drag information out of her 12-year-old self are still vivid in her mind. And yet she has the grace to congratulate him on his belated victory. 

Oppressed by he knowledge of his own sins, he cannot even bring himself to thank her.

“Fate wasn’t kind to you, was it?” she continues, clearly not expecting an answer. “I finally saw his face in my dreams. I know his name. And it’s too late to be of use to you. But that’s the trouble with the Sight. It has a time table of its own. I rarely get the information I want when I want it.”

“Even with an angry old man poking at you with magic,” he mutters.

She hesitates momentarily before answering. “Especially then. Visions don’t like to be forced. At least... mine typically don’t. At best, I can ask my soul a question before I go to sleep. Burn incense, draw a circle of runes to sleep in. Sometimes that will work. But chances are I’ll get an answer to an entirely different question instead. Often one I never even knew to ask. If there’s an art to this process, I have yet to learn it.”

Again, he’s not sure quite how to answer. A belated apology for his treatment of her all those years ago would be in order, but that’s not really his way. The words ‘I am sorry’ have never sprung readily to his lips. But he has been acquainted with J’aeda for 18 years now. Surely she knows. Surely there is no need to speak the words aloud.

“Anyroad,” she says a moment later, coming to his rescue by changing the subject, “That wasn’t my main reason for seeking you out.”

Ah, right. “You said I hold the key to a riddle.”

J’aeda nods, selecting another piece of jerky from her tin. “It’s not actually a riddle per se, but a vision that I want you to interpret.”

Yves lifts a brow at her, intrigued. “What makes you think I can interpret it?”

“You’re in it, for one.”

“How worrisome.” His tone is flippant, but he is not entirely at ease with the knowledge that he featured in one of J’aeda’s dreams. Given that some of her dreams involve Calamities and other disasters, it’s not necessarily a good sign.

“Just listen,” she says, but then she takes a bite of jerky before immediately launching into her description of her dream. He waits patiently for her to finish chewing, knowing that this hint of passive aggression on her part is deserved.

“So,” she finally continues, “in my dream I saw a house by the sea. The rafters of the house were on fire, but instead of swallowing up the house, the fire was losing ground. It was flickering like a candle in a windstorm, threatening to blow out. Meanwhile, dark waters surrounded the house, flooding the basement and gradually rising.”

“How dark were these waters?” he asks.

“Black. Like pitch, or--”

“Ink?”

She looks at him oddly.

“Do please continue,” he says smoothly. “Where was I in this vision?”

“Standing on a hill nearby, watching.”

“Just watching.”

“Yes. As though you were interested in the outcome, but not enough to interfere.” 

“That seems callous of me,” Yves comments, recalling Michaux’s words during their midnight meeting in the Coerthan snow. 

You left them behind... You abandoned everyone!

Yes he did. And he would again. 

J’aeda is gazing thoughtfully at him, as if trying to puzzle out what he’s thinking. “I suspect you know what house I’m talking about. Perhaps you’ve even been there, but at the very least, I think you’ve heard about it, haven’t you?”

“Hmm.” Yves tilts his head as he meets her stare. Yes, it seems fairly clear which house, and which organization, her vision pertains to. Whether he feels like sharing that information is another matter. “A house by the sea, you said? Why are you so curious about it?”

“Presumably because I’m meant to go there,” she says, shrugging. “I follow where my dreams lead. That has been my rule since I was still in my teens. You know that.”

“I know that, yes,” he agrees calmly, “and I am also aware that those dreams have led you into danger more than once.”

“Yes. And out of danger, too.”

“But why would you wish to go to a house that is simultaneously flooded and on fire? One could argue that it is already a lost cause.”

J’aeda shoots him an impatient look. “I’m assuming the dream isn’t literal.”

“Literal enough,” he mutters. 

“Then explain,” she demands, gesturing with her half-eaten strip of jerky for emphasis. “You seem to know even more about this situation than I expected. You’re not just a disinterested observer, even if that does seem to be your preferred role. You’re invested. So what do the fire and water signify? Why do you think the house from my vision is a lost cause?”

Yves lets out a soft huff of annoyance. He doesn’t want this. Not for J’aeda. True, she’s no defenseless child anymore, and true, she has spent years working first with the Ala Mhigan resistance and then, presumably, helping with the ongoing war effort in Gyr Abania. And even before she slipped behind enemy lines, she wasn’t exactly leading a safe existence. But this is a different kind of war. J’aeda is used to fighting an enemy that views her as a savage, but considering her gifts, the Ink and Flame are likely to view her as something more: a desirable recruit.

But whether he helps her or not, J’aeda will inevitably find what she’s looking for. If he truly cares about her, he’ll give her all the information she needs to navigate this treacherous sea of Ink and Flame safely.

And so he does. 

He explains the Ink and Flame in as much detail as he can, and even briefly outlines his own experience with the former. He describes the major players in each faction. He tells her about Priarch and the Covenant of Ash, not neglecting to heap disparagement upon the former. He explains why, in her vision, the flames appeared to be losing ground while the inky waters continued to rise. He even tells her about the disastrous masquerade in Ishgard.

He doesn’t mention the conflict within his own mind and heart. He doesn’t tell her that he has begun to feel the call of the Ink like an ache in his bones. But judging by the shrewd look she gives him, she’s a touch suspicious.

When he concludes his explanation, J’aeda takes some time to mull it over. Then she murmurs, “So... Priarch is the house divided. A literal house by the sea, inhabited by Ink and Flame. I’m not used to my dreams being quite that easy to dissect.”

“It might not be that easy,” he suggests. “Perhaps you are not actually meant to go to that house. You could join me on my hill instead.”

She smiles, amused, but shakes her head. “You seem to hate Priarch, and yet it sounds like there are several people you care about who are already involved in it. Watch from your hill if you prefer, but I’m not interested in being a mere observer.”

“And yet, do you even know what you will do when you get there?”

“Offer my services as a healer, naturally.” She smiles grimly. “One thing I have learned in my travels is that healing talents will always be relevant. That is as true in times of peace as in war.”

True. Presented with a competent healer with wartime experience who is neither infected nor tempered, Secariot would have to be a fool to not recruit her. Yves sighs. As useful as it would be to have another contact in Priarch, he is still reluctant to see her installed there. Perhaps he is not merely worried for her safety, though. Perhaps he feels that a seer of her caliber is much too valuable an asset for the likes of Priarch. Perhaps he thinks Covenant deserves her more. Or it is even possible that he prefers to keep her as his own personal secret.

But that is not his decision to make. It’s not his place to interfere with J’aeda’s choices. He learned that lesson the hard way 18 years ago.

“Well then,” he replies, returning her smile. “I suppose all I can do is to wish you safe travels. May Azeyma and Nymeia guide you.”

She will need all the help that the gods are willing to grant her.

[liminal-storage]

In which Yves and Okuni venture into a ruin riddled with traps to get a shitty book, and I lost every single roll against myself.

At least we got the book! 

Yves is @secrets-and-aetherlight

[dhawkesnest]

Got to rp with @secrets-and-aetherlight ‘s Yves Severin. Thank you for the awesome introduction!

[fashionarchivebyto]

Saint Laurent permanent Ad campaign December 2015 

Creative Director: Hedi Slimane

Photos: Hedi Slimane

Model: Helena Severin

[film-classics]

Catherine Deneuve in Belle du Jour (1967)

[binsofchaos]

Severine | Ruth 

Afterward, I wander through crooked streets until I find myself in front of an elegant vintage clothing shop called La Petite Robe Noire. The place looks so forbiddingly chic that I hesitate to enter. Inside, a woman, her black hair cut into a Louise Brooks bob, caresses a small white dog. She looks up, catches my eye, and waves me imperiously in.

“I have the perfect dress for you.”

She lifts a cloud of black lace from a hanger.

“It is a wonder. It is from Saint Laurent’s second collection for Dior in 1959.”

Cradling the armful of froth, she leads me to a corner of the shop roped off in black velvet and waits as I remove my clothes. As she slowly lowers the dress over my head, I notice a label sewn inside: “Severine.” “What does that mean?”

She produces a very Gallic shrug.

“Who can say? Perhaps it is the name of the woman who owned the dress.”

She tugs the bodice, patting it gently like a beloved pet. “Don’t look!” she commands.

As she meticulously closes each tiny hook, the dress enfolds me, until it is hugging my body like a lover. On her knees now, she finishes closing the dozens of hooks; this odd ritual seems to go on and on.

At last she stands, tugging at the skirt, fluffing it a bit. “This dress was meant for you. It is perfect.”

She leads me into the light and turns me, very slowly, to face the mirror. I have been transformed. The woman in the glass is voluptuous, with curves in places I have never had them. A dress can do this? This person is glamorous. Elegant. She is Maria Callas. Paloma Picasso. Severine.

“You’ll take it, of course.”

 It is not a question. I have never wanted anything so much as to be the woman in the mirror. Of course I’ll take it. 

“How much does it cost?” 

She waves a hand as if this is of no moment. 

“Let me negotiate with the proprietor of the shop.”

She goes to the desk, picks up the phone. “I assure you,” she says in French, “this dress was meant for her!” There is a silence. At last she gives an ecstatic cry. “Merci, Didier, merci, merci.”

Turning to me, she says, “He has agreed to take two thousand francs off the price! Your dress is only fifty thousand francs.” 

I nod, too dazed to do the calculation. And then I comprehend what she has said. “Sixty-five hundred dollars?”

For one wild moment I actually consider how I might pull off such an acquisition. But it is, of course, absurd. The woman is so disappointed that she takes her time releasing me, clearly hoping I will glance into the mirror and change my mind. The minutes crawl silently by. Finally her fingers separate the last hook from its eye, and I can step out of this amazing and impossible dress.

I attempt an apology: “This dress belongs in a museum.”

 “Oh, no!” She gathers the dress to her bosom as if trying to console it. “Clothes were meant to be worn. And this dress was meant to be worn by you! You must reconsider.” She presses her card into my hand. “You will”—she looks deeply in my eyes—“ forever regret it if you leave Paris without this dress. Think about it.”

I can’t stop thinking about the dress. And then I can’t stop thinking about the fact that I am thinking about it. If I don’t buy the dress, I give up the woman I was in the mirror. If I do buy it, I become a woman who spends thousands of dollars on a dress. There is no middle ground.

Suddenly I know exactly what I need to do. The night is damp, the streets misty and dreamlike. Rain has dappled the sidewalk with puddles that capture the lights of Paris in beautiful blurs of color. Nobody else is out, and I walk among the ancient buildings in a profound and satisfying silence until I reach the entrance of a small emporium.

I was seventeen the first time I came to Paris by myself. I rented a room in an austere pension near the Gare de Lyon run by the world’s most suspicious landlady. Cabbage boiled endlessly in her small kitchen, and the sour smell pervaded the halls. I spent my days wandering the fancy food shops of Paris, gazing wistfully into Fauchon, Maison de la Truffe, Ladurée, and Androuet.

But it was Caviar Kaspia that captured my imagination, and I began to save my francs. At lunch I limited myself to bread and cheese. Nights I dined at a student cafeteria.

When I had enough for a meal at Caviar Kaspia, I put on my one good dress and climbed the stairs to the small restaurant above the shop. Standing nervously on the threshold, I dared myself to enter. Then Yves Saint Laurent strolled past me, surrounded by an entourage of impossibly chic and beautiful people, and my confidence evaporated. I turned and fled.

Now I climb the stairs again, peering into the ageless restaurant with its wooden paneling, its fussy furniture, its tables swathed in cloth the color of sea foam. But when the maître d’ greets me, I smile and follow him to a banquette near the window, where I watch the moon rise over the Madeleine across the way. I order lobster bisque, and as the aroma swirls around me I can almost feel myself leaping into turquoise waters, imagine diaphanous anemones waving their translucent arms…

“Vous êtes seul?”

How long has the old gentleman at the next table been trying to attract my attention? His skin is porcelain white, his hair silver and just a little too long, his eyes pale blue. He has a long, disdainful nose contradicted by full, sensual lips. A good face. And, I notice, elegant, slightly threadbare clothes whose patina of age makes them distinguished rather than shabby.

“Yes.”

“You eat with such intensity! It has given me much pleasure to watch. You come to remember, yes?”

His speech is the stiff formal French of the past, when well-born people did not employ the casual tu, even within the family.

“Remember?”

He edges toward me on the banquette and inclines his head, a courtly gesture.

“I have been coming here since before the war. That was a time when sturgeon filled the Caspian Sea, caviar was cheap, and Russian émigrés came to lament their lost dachas.”

“I wish I had seen it then!”

“The room has not changed; only the clientele. Merci, François.”

The waiter is removing a warm flute from the table; the new one he sets before my neighbor is silvered with cool mist.

“Un autre verre pour Madame.”

The champagne is deep with the scent of honeyed almonds, the bubbles so lazy they barely make it to the surface. He smiles.

“An excellent vintage, this Krug ’66. My father put down many cases; he said it was the perfect wine for caviar. But wait…”

He scoops a great mound of glistening black roe from the bowl before him and hands me the plate.

“Il faut respecter le beluga. Eat it slowly. Hold it in your mouth for a moment before swallowing. The taste will change with the temperature.”

The shock of freshness. The tang of the sea. And then the primal richness of the roe. A phrase of Lawrence Durrell’s floats into my mind:

“A taste as old as cold water.”

He is watching me.

“My wife ate caviar as you do. Slowly. Avidly. You put me in mind of her.”

He takes my plate, scoops on more caviar.

“What was she like?”

He sits back on the banquette and steeples his hands.

“She was a mysterious creature. We were married more than fifty years, but I was never sure I knew what she was thinking. Never.”

“Did you mind?”

He looks at me gravely, speaking slowly.

“Not at all; it gave life flavor. Sometimes I look at this new generation, their casual ways, their easy familiarity, and I think how much they are missing. When I saw you sitting here, alone, I thought you were like a guest to yourself. And then I thought of my wife.” I try picturing his wife, but no image comes.

“What was she called?”

“Severine.”

The name reverberates through my whole body. Suddenly I am back in the shop and the dress is embracing me, turning me into someone I have never been.

My new friend motions for more champagne. The waiter arrives bearing two frosted glasses and we watch, wordlessly, as he fills them. Then my neighbor lifts his.

“Thank you, my dear. For me this was a fortunate encounter. I did not know what brought me here tonight, but now I see that I wanted to try, just for a moment, to become the person I used to be.”

“Fortunate for me too, Monsieur. For you have made me, just for the moment, into the person I might have been.”

I reach into my purse, remove the woman’s card, and tear it into pieces. I do not need her little black dress; it has already given me everything it can.

Severine | Save Me the Plums: Ruth Reichl

[double-croche1]

[AGENDA EXPOS] Les musées et galeries vont enfin pouvoir dévoiler toutes leurs expositions à l’issue de leur réouverture à partir du 19 mai. Voici notre sélection avec les dates associées : 19-30/05 : Artavazd Pelechian, Sarah Sze - Fondation Cartier 19/05-12/06 : Bertrand Dezoteux : Le Juste Prix - Fondation Pernod Ricard 19/05-12/06 : Wolfgang Tillmans : lumière du matin - Galerie Chantal Crousel 19/05-12/06 : L'éloge de la main + Roger Catherineau - Les Douches 19/05-26/06 : 30 ans à Paris - Galerie Thaddeus Ropac (Pantin) 19/05-26/06 : Regards hors-champ et paysages - La Fab. 19/05-27/06 : Hubert Duprat - Musée d'Art Moderne 19/05-04/07 : Peintres femmes, 1780-1830 : Naissance d'un combat - Musée du Luxembourg 19/05-04/07 : Sarah Moon - Musée d'Art Moderne 19/05-05/07 : Hito Steyerl. I Will Survive - Centre Pompidou 19/05-11/07 : Ex Africa, présences africaines dans l'art aujourd'hui - Musée du Quai Branly 19/05-18/07 : Olivier Ratsi, Heureux soient les fêlés car ils laisseront passer la lumière - Gaîté Lyrique 19/05-18/07 : Gabrielle Chanel. Manifeste de mode - Palais Galliera 19/05-18/07 : Les origines du monde : l'invention de la nature au XIXe siècle - Musée d'Orsay 19/05-19/07 : Magritte / Renoir. Le surréalisme en plein soleil - Musée de l'Orangerie 19/05-19/07 : Signac, les harmonies colorées - Musée Jacquemart-André 19/05-26/07 : Abbas Kiarostami - Centre Pompidou 19/05-01/08 : Louis de Funès - Cinémathèque 19/05-22/08 : Henri Cartier-Bresson : Le Grand Jeu - Bibliothèque Nationale François Mitterrand 19/05-23/08 : Elles font l'abstraction, une autre histoire de l'abstraction au 20è siècle - Centre Pompidou 19/05-27/08 : Dans la tête de Stéphane Blanquet + Tranchée Racine - Halle Saint-Pierre 19/05-06/09 : Marc Riboud. Histoires possibles - Musée Guimet 19/05-26/09 : Heure bleue de Peder Severin Krøyer - Musée Marmottan Monet 19/05-24/10 : Moriyama, Tomatsu : Tokyo - Maison Européenne de la Photographie 19/05-12/12 : Histoires de photographies - Musée des Arts Décoratifs 19/05-31/12 : Musée Méliès, la magie du cinéma - Cinémathèque 19/05-02/01/22 : Dalí, l'énigme sans fin & Gaudí, architecte de l'imaginaire - Atelier des Lumières 19/05-02/01/22 : Picasso-Rodin - Musée Picasso & Musée Rodin 19/05-22/01/22 : Jean - Cité des sciences et de l'industrie 19/05-13/02/22 : Napoléon ? Encore ! De Marina Abarmović à Yan Pei-Ming - Musée de l'Armée 20/05-13/07 : Kiki Smith : From Inside - Galerie Lelong 20/05-13/07 : Robert Rauschenberg : Photographies - Galerie Lelong (Librairie) 20/05-17/10 : La Mer imaginaire - Fondation Carmignac (Porquerolles) 20/05-31/10 : Salgado Amazônia - Philharmonie 20/05-14/11 : Azzedine Alaïa, Peter Lindbergh - Fondation Azzedine Alaïa 21/05-24/07 : Vive l'Afrique !! Les découvertes d'André Magnin - Galerie du Jour agnès b. 22/05-06/06 : Ecole Kourtrajmé : Hard-Corps - CentQuatre 22/05-20/06 : Bread & Salt - The Community Centre 22/05-24/10 : Anne Imhof, Natures Mortes - Palais de Tokyo 22/05-31/12 : Ouverture - Bourse du Commerce 26/05-03/10 : Wang Bing : l'œil qui marche - Le Bal 27/05-30/09 : Albert Uderzo - Musée Maillol 27/05-30/01/22 : Fake News - Fondation EDF 28/05-19/09 : Napoléon - Grande Halle de la Villette 29/05-01/08 : Energies Désespoirs - CentQuatre 01/06-02/09 : The Power of My Hands / Afrique(s) : artistes femmes - Musée d'Art Moderne 01/06-31/12 : The World of Banksy - Espace Lafayette-Drouot 03/06-19/09 : Eugène Atget : voir Paris - Fondation Henri Cartier-Bresson 03/06-31/10 : Chagall, Modigliani, Soutine… Paris pour école, 1905-1940 - Musée d'Art et d'Histoire du Judaïsme 08/06-29/08 : Michael Schmidt, une autre photographie allemande - Jeu de Paume 09/06-18/07 : Sammy Baloji - Beaux-Arts 09/06-23/08 : James Coleman - Centre Pompidou 15/06-31/10 : Henri Cartier-Bresson : Revoir Paris - Musée Carnavalet 17/06-05/09 : Surface Horizon - Lafayette Anticipations 17/06-05/12 : Yves Saint Laurent : Les coulisses de la haute couture à Lyon - Musée Yves Saint Laurent 21/06-31/07 : Isabelle Cornaro - Fondation Pernod Ricard 06/07-02/01/22 : Damien Hirst, cerisiers en fleurs - Fondation Cartier 10/09-24/01/22 : Boticelli - Musée Jacquemart-André 14/09-30/01/22 : Chefs-d'œuvre photographiques du MoMA - Jeu de Paume 15/09-10/01/22 : Soutine / De Kooning - Musée de l'Orangerie 15/09-16/01/22 : Vivian Maier - Musée du Luxembourg 22/09-22/02/22 : La Collection Mozorov - Fondation Louis Vuitton 28/09-16/01/22 : Enfin le cinéma ! : Arts, images et spectacles en France 1833-1907 - Musée d'Orsay 30/09-24/04/22 : Thierry Mugler : couturissime - Musée des Arts Décoratifs 20/10-02/01/22 : Martin Margiela - Lafayette Anticipations 22/10-22/01/22 : Jonathan Jones : Untitled (transcriptions of country) - Palais de Tokyo Octobre : Sarah Maldoror, Tricontinentale - Palais de Tokyo 11-14/11 : Paris Photo - Grand Palais 17/12-24/07/22 : Hip-Hop 360 - Philharmonie A&B

[ungoliantschilde]

from the top:

Jack Kirby

Walt Simonson

Jean-Claude Gal

Bob McLeod

John Buscema

John Severin

Paul Gillon

Philippe Caza

Paul M. Smith

Mike Zeck

Brian Bolland

Yves Chaland

Denis Sire

Howard Chaykin

Gil Kane

Michael William Kaluta

the WECBA Portfolio of World’s Famous Comic Book Artists

[muoijanssen678]

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If are usually wearing something casual any watch should also complement the rare look. When an girl is sporting a rugged look then her watch goes with a sporty look. For women, watches are more from the jewelry piece than a timepiece. Sport looks after. Finally, watch companies realize that athletic women also appreciate fashion! There are many pink sports watches available. They feature all caffeinated beverages contain functions simply because the black athletic watches for this past, including everything from GPS and running computers to waterproofing and backlighting. This designer company was established nearly a century ago in Florence. Guccio Gucci, father of the brand, began in a quaint luggage and saddler store. Eventually his legacy developed into what grow to be considered one of the most important fashion brands across the country. The brand is also associated with luxury and sophistication. A long way since its inception in Florence almost 100 years ago, Gucci has expanded into various fashion industries, including different watches. Severin Montres collaborated with the brand in the 70's to launch what would become no doubt one of their best lines in fashion: wrist watches. Severin Montres was acquired by luxurious home market designer in 1997, which led to the inception belonging to the Gucci Watch Group. This group also owns various watch brands such as Yves Saint Laurent and Bedat & Co.

When writing about the top-of-the-range Watches, there is a big variety sold in the market. These level of quality and top quality Watches have evolved onto a big name over the past years and provides some beautiful and exotic style yet be cherished forever. Shopping online for watches not only provides you with convenience but also saves your. Within a few minutes you can to find scores of watches. You will also be rrn a position to discover the features, prices and picture of different watches within no time. All this is not possible if you watches in the traditional road. Buy a fashion watch that suits your personal style, otherwise it look totally odd and unnatural on most people. For Ignite Fit Tech example, if you are sporty person who dresses up casually possesses an active life, supplying leather band watch will appear perfect anyone. You should buy a watch that incorporates a chunky and sporty overall look. The same rule applies when you a loose time waiting for someone else. Gift them a fashion watch that them. One of Fossil's biggest revenue builders is their watches for ladies. Fossil watches for women are great for Ignite Fit Tech any associated with lady and there is certainly tabs for various styles and outfits. Fossil has several of women's watch lines tend to be classy, stylish, bold and chic. While, the GPS watches for Ignite Fit Tech Watch Review men're just in the styles of other forms of men's watches. They look sportier in styles and also the bigger in sizes. The watches for the male is likely to get tougher may possibly be applied in extreme stipulations. The GPS watches for women tend to be more beautiful in appearances. As being the GPS for women, you'll find useless just about times. Credit rating the ones who like sports and out-door activities, the GPS for them is the same as it for guys. But the designs of such watch for females are much smarter and trendy in looks.

[secrets-and-aetherlight]

Recriminations

Michaux wraps his arms around himself, but he can’t stop shivering. Curse his inadequate servant’s garb. Curse the snow. Curse Ishgard and Thorn and Edarien and everyone who thought crashing this ill-fated party was a good idea. 

And curse Yves too for good measure. The other Duskwight is looming nearby, his mask off and his hair loose and billowing in the wind. In the night, the dark wings of his costume look like an omen of death.

“You made little enough use of your undercover position tonight,” Yves growls softly. “You were surrounded by gossiping servants. You can reads minds, for hells’ sake. Yet you still could not warn us about what was coming.”

Michaux huffs indignantly, still shivering. “My magic doesn’t work like that. I can’t just take a peek into someone’s mind without their knowledge. Not easily, anyroad. And do you think someone like Thorn would be so vulnerable to psychic attacks? All that would have happened if I’d tried that on him or his Flock is that I’d be dead or infected now.”

“And instead, it is possible that all of our companions have suffered that fate,” Yves says coolly.

“Who’s fault is that?” Michaux demands. At least his anger is starting to warm him up a little. He steps forward, glaring at his so-called ‘cousin’ and waving an accusing finger at him. “You left them behind! At least I can say I helped a few guests and servants escape. You just abandoned everyone!”

Yves doesn’t flinch under the accusation. He’s not even looking at Michaux, in fact. His gaze is distant. Michaux has to wonder if he even feels the slightest bit of remorse or fear for his allies, friend, or even his lover. The very person Yves tasked Michaux with protecting in Priarch was among those whom Yves deserted tonight.

Michaux is certain he will never understand this man. This monster.

“I cannot compel others to avail themselves of the safety I offer them,” Yves finally says, his pale eyes still focused elsewhere. “There was much I was willing to do. But in the end, that choice was taken from me. It was a betrayal, one you would not understand. You who will pursue any reckless act in the name of ‘love.’“

“Not true,” Michaux says, his own voice softening to match the low pitch of Yves’s. “I walked away from love only recently. But only because I knew the person I loved would always put himself and his calling before me and the other people I care about. I had to walk away in order to protect others.”

“Then we are in much the same position.”

Michaux feels like he must be missing something here. But there’s something new in Yves’s tone. Something that hints at sadness or regret. Only a hint, though. Yves isn’t one to weep over his losses.

He must have lost so many people over the centuries. Maybe turning his back on loved ones is routine now.

“What betrayal?” Michaux asks tentatively.

“Okuni has indebted herself to the Raven. I cannot predict what will come of it, but I doubt somehow that Raven will ask for something trivial in return. Thus she has effectively aligned herself with the enemy. It is likely that she is infected by now. It was an unnecessary gesture. A foolhardy, self-indulgent act. One which will greatly hurt Ghost and Marius. My loyalties lie with them.”

He finally turns back, fixing those ghostly eyes on Michaux’s face.“And If Idristan is lost to the Ink now because he was too stubborn to save himself,” he says harshly, clearly aware that that is the outcome which would cause Michaux the most pain, “it becomes even more important that I remain uninfected. So yes. I abandoned them to their martyrdom. I assume that is what they wanted.”

Michaux shakes his head, his anger returning. “You have no right to sneer at their bravery.”

“I have every right to sneer at their folly,” Yves replies with perfect calm.

Michaux just stares at him, feeling resentful and helpless. This conversation isn’t doing either of them any good. He can’t change Yves’s actions by continuing to scold him about them, and he can’t help Idristan by standing around in the cold. Nor can he risk going back to that house and exposing himself to the Ink in some desperate attempt to find his friend. 

Solenne. He should be at Solenne’s side now. If Idristan did escape somehow, that’s where he’s likely to go. And if not... she’ll need him.

“I’m leaving this freezing hell,” he says. “Do what you like. Go try to convince Ghost and Marius that your cowardice and heartlessness were necessary for their protection. I’m sure they’ll appreciate that.”

He doesn’t wait for a response before starting to weave his teleport spell. And for his part, Yves makes no attempt to stop him or break his concentration. But Michaux can feel those pale eyes on him as he works his magic.

The last thing he sees before teleporting away is the shadow cast by those dark wings on the moonlit snow.

Mentions: @the-duskfallen, @thedarknesssings, @priarch-enterprises-ffxiv​, @liminal-storage, @phantom-xiv, @marius-vieremont​, @roses-and-grimoires​

[liminal-storage]

A cryptid hunt gone wrong. 

Feat. @secrets-and-aetherlight‘s Yves. It’s always a pleasure to rp with you!

[half-a-tiger]

KIM GORDON - "Sketch Artist", from Kim Gordon's debut solo album ‘No Home Record’ produced in L.A. with Justin Raisen (Angel Olsen, Yves Tumor, Lawrence Rothman, Miya Folick), and released via Matador Records on October 11th, 2019.

Director: Loretta Fahrenholz

Producer: Jean Martin / Tasty pictures

DoP: Vincent Venturella

Editor: Michael Fandel

Sound Mix, Intro: Jochen Jezussek

Makeup: Natasha Severin, Francesca Martin

Hair: Stacey Sokol, Junie Kang

Stylist: Rike Hemedinger

Featuring Abbi Jacobson

Dancers: Alicia McDazzler, Christopher Tse, Jamar Campbell, Sarah Polednak, Stephen Keshi Actors: Abbi Jacobson, Tito Kolsrud, Chloe Coover, J. Brontez Purnell, George, Charlotte Voyer, Tom Leduc

[lesgenouxdanslegif]

BOUM.

Pour le numéro 2 de Point de Côté, les vrais se sont rués au mois de mai pour pré-commander notre revue papier. Depuis, la revue est disponible sur www.pointdecote.fr mais nous tenions à vous remercier. Alors voilà, c'est fait. Et bon courage pour trouver votre nom.

Mathieu Pardon, Cedric Burnet, Jean-Baptiste Levee, Romain Viodé, Paul Vigneron, Julien Seguin, Philippe Babin, Yoann Gossmann, Jérémy Brialon, Nicolas Rousseau, Clément Fernandez, Yann Audouin Del Cabron, Mehdi Bensouda Korachi, Valentin Trijoulet, Carlos Oliveira, Antoine Guillarme, Vincent Piau, Romain Pourcelot, Thibaud Flouttard, Damien Wautelet, Baptiste Falgayrat, Simon Fraisse, Cédric Schepens, Regis Belhomme, Matthieu Péché, Vincent Le Guen, Stéphane Flüeli, Sacha Pitisi, Marc-Henri Depotte, Emmanuel Calfayan, Gilles Cabalion, Philippe Blanchard, Clement Guillout, David Jeandet, Jason Langenegger, Alexandre Torres, François Balao, Kévin Schultz, Rémi Peron, Baptiste Domps, Benoit Sxay, Aurelio Guerra Vigo, Genest Reboud, Laurent Oger, Jérôme Pajot, Aurélie Follain, Paolin Thoury, Romain Roumegoux, Yoann Quirico, Guillaume Primard, Julien Deymier, Grégoire Sella, Cédric Jablowski, Cedric Albouy, Alban Venneugues, Simon Bailleux, Vincent Chapat, Coraline Godelle, Adrien Gentizon, Lardeux Benoit, Gaspard Simon, Maxime Constant, Sebastien Nicolas, Julien Ryssen, Kevin Lamberton, Hugo Nouaille-Degorce, Christophe Portalez, Arthur Gremaud, Christophe Damas, Nicolas Tissot, Nicolas Le Dot, Thibault Quéméner, Boris Paulme, Martin Beche, Bertrand Réjou-Méchain, Samuel Rousseaux, Fabien Gautier, Geoffrey Noël, Pierre Borie, Julio Saramago, Sebastien Morard, Jérôme Platret, Gaetan Masset, Gauthier Galvez, Alexandre Vicaud, Morgan Palancade, Romain Pinguet, Thomas Weigel, David Guillaume, Kevin Iticsohn, Maxime Bivalski, Marc De La Taille, Antoine Gendre, Merlaud Romain, Arthur Szadeczki, Paul Morel, Romain Facon, Baptiste Tissot, Pierre Girot, Michaël Roch, Timothée Sauvat, Vincent Gudefin, Damien Joëts, Pierre Papet, Loïc Barras, Sebastien Andrac, Dorian Millet, David Cabouat, Jean-Philippe Proulx, Alexandre Abrami, Morgan Legros, Leroy Leroy, Aurélien Molière, Francois Ronxin, Davy-José Carvalho, Mathieu Dussart, David Michaud, Matthieu Gillot, Julien Mariez, Olivier Valla, Tristan Van Ee, Baptiste Galant, Quentin Couster, Mathieu Sudres, Mr Gaudin Alexis, Jean-Baptiste Feutry, Benjamin Legrand, Jeremie Daels, Ludovic Bozon, Nicolas Faure, Benoit Zehfus, Frederic Bianchi, David Doutreligne, Quentin Andrieux, Julien Toubeau, Thomas Ferter, Andréa Braga, David Rostren, Eddy Boyer, Louis Gagne, Kevin Jouan, Emmanuel Lebeau, Claire Beraud, Jeremie Le Lievre, Jocelyn Rouzic, Cédric Pernet, Bastien Roy, Maxence Lages, Jean-Philippe Le Pennec, Antoine Cognaud Ariztegui, Cyril Charlot, Christobelle Fringant, Xavier Vigan, David Perdrel, Benoit Grange, Vincent Chaigneau, Grégoire Masnou, Adrien Lode, Samih Marzouki, Pierre-Adrien Plasse, Cyril Mazubert, Benoit Grange, Julien Denis, Justine Carrel, François Vuillemin, Julian Muller, Thomas Kernen, Clément Meyrieu, Adrien Bisson, Mervin Rage, Eric Lantz, Géry Monier, Aymeric Matias, Joël Dumas, Johann Petit, Eric Lantz, Remi Dupuis, Vincent Cabanel, Cyril Carvalho, Eric Lantz, Ana Calatayud, Cyril Auvinet, Stéphanie Nemos, Bastien Chevalier, Benjamin Cortese, Bastien Lhermite, Eric Lantz, Tony Boudet, Fabrice Baret, Jerome Schonfeld, Kamel El Khayari, Matthias Solliec, Bastien Lhermite, Mickaël Robert, Mathieu Llouberes, Christophe Libin, Olivier Bloch, Thomas Mary, Gaëtan Hascoët, Arnauld Hervieux, Brice Boyer, Lucilla Cardinali, Fanny Argoud, Marion Mahieu, Christophe Jezouin, Yann Seral, Dany Moulin, Mélanie Vilain, Raphaël Ambeza, Guillaume Le Manchec, Florian Zacharias, Jerome Walrave, Clément Schryve, Killian Breuillard, Adrien Barbier, Luc Maréchal, Paul Henri Giraud, Arnaud Deloraz, Florian Cazenave, Guillaume Remingol, Adrien Van Hamme, Romain Vigne, Nicolas Maure, Sandrz Badji, Jean-Philippe Heitz, Nicolas Vernaz, Annecécile Boulet, Tanguy Martin, Baptiste Joron, Vincent Dezarnaulds, Damian Daramsy, Florent Crouhy, Olivier Jean, Remy Jegard, Michael Crausaz, Guyom Schutz, Mr Gaudin Alexis, Alain Bourgeois, David Sacleux, Anthony Balberini, Simon Boisnard, Aurélie Toqué, Virginie Thevenot, Cedric Fabulet, Martin De La Taille, Guillaume Puig, Ana Calatayud, Frédérick De Miollis, Bastien Isère, Hugues Barras, Hakim Saïdi, Jérémy Bogini, Pierre-Baptiste Parrot, Cyril Byk, Alban Ribault, François Desjardins, Marie Chaput, Bastien Peuziat, Laurent Galvani, Gael Lovat, Robin Schmitt, Ludovic Cherioux, Jacques Payet, Thibault Lacroix, Xavier Flavigny, Gatien Parat, Gael Marty, Benoit Gilabert, Alexis Laurendon, Olivier Le Roux, Germain Chapot, Arnaud Fourdrinoy, Franck Vaillant, Raphael Monteil, Alexandre Guyot, Didier Gardan, Benoit Peschier, Loric Brevet, Fabrice Perrin, Gaspard Landel, Nicolas Delmotte, Bertrand Lamoise, Frederic Degruel, Nicolas Marechal, Yoann Huguet, Stephan Gurvan, Iliasse Hassala, Nicolas Jaquier, Guillaume Guével, Alexis Delarue, Gwendal Moysan, Matthieu Peyrin, Rémi Bidoli, Julien Le Goupils, David Rosenbaum, Baptiste Cottignies, Jérémy Marie, Guillaume Bonnaure, Pierre-Antoine Piter, Corre Erwan, Térik Croiset, Yannick Escofier, Antoine Fourmentin, Mathieu Bocchi, Philippe Phan, Thierry Incerti, Paul Pannier, Benjamin Biemmi, Ismael Mijem, Gildwen Le Ferrec, Laurent Bartolucci, Benoit Gourde, Guillaume Lafay, Clément Le Guillou, Romain Goutille, Christophe Lorenzini, Patricia Grimaud, Melanie Macioce, Clement Guibert, Nicolas Dubrocq, Joris Jacquard, Anne-Laure Campion, Julien Kolszut, Cécile Rossin, Agnès Quintrie Lamothe, Td Nguyen Khac, Cedric Mage, Baptiste Andurand, Antoine Pierman, Stéphane Huser, Sabine Governo, Martin Savoure, Kevin Robert, Jean-Yves Jamaux, Olivier Vin, Jean-Baptiste Perchey, Cédric Banelli, Antoine Brunet, Denis Lamouroux, Simon Le Goff, Vincent Ledoux, Nicolas Adelhanoff, Nicolas Bruneau, Luc Planson, Jeremy Suzanne, Aurélien Autret, Brendan Rannou, Anne-Laure Roux, Antoine Gregoire, Benoit Sénélaer, Jérôme Séquin, Noémie André, Marion Blot, Romain Pattaroni, Pierre-Louis Roux, Louise Leclerc, Quentin Cuartielles, Ludovic Camus, Benoît Mounier, Pascale Schmitt, Davide Marta, Lucas Jaillet, Vincent Germain, Julien Rage, Philippe Schmitt, Morgane Rousset, Alexis Grappin, Jérôme Richard, Max Baron, Jeanne Peyron, Michel Mouraille, Frederic Renailler, Antoine Toussaint, Josué Quilliou, Audrey Tanguy, Benoit Cuisy, David Huck, Anthony Pouille, Florent Petton, Baptiste Jardiné, Emmanuel Faivre, Vincent Souvras, Marc Bee, Maelane Mialle, Marion Joubert, Germain Varet, Naïm Schnegg, Séverine Bolzli, Grégoire Kuonen, Mihai Argatu, Busuttil Clement, Gaël Jourdan, Martin Bay, Jean-Gaël Le Floc'h, Cyril Nodin, François-Xavier Dion, Thomas André, Thomas Deruaz, Stéphane Lacouture, Geoffrey Lefebvre, Camille Schmitt, Nathan Savary, Kevin Rincé, Thomas Fraser, Grard Maxime, Jean-Philippe Guerin, Andric Chevreux, Pierre Poirier, Severine Grilhe, Nicolas Michelin, Jean-François Poux, Cyril Bertier, Victoria Michel, Anne-Marie Lacharité, Benjamin Roubiol, Etienne Girel, Claire Ferhane, Paul De Laage, Guillaume Requier, Ghislain Paladink, Alain Chastaignet 937, Ludovic Touillet, Alain Ackermann, Bruno Languette, Simon Duroy, Maxime Nigra, Benoit Welsch, Mr Paul Rousseaux, Rémy Darme, François Béruard, Pierre Sabatier, Vincent Biennard, Romain Stremplewski, Florian Peuchot, Marine Vautrot, Thomas Le Saint, Mickael Blanchard, Aurélien Chanut, Marc-Alexandre Gérard, Richard Dion, Jérôme Strzelecki, Cuinat-Guerraz Nils, Christophe Chiri, Tony Charlot, Vincent Bouchet, Baptiste Agnely, Jeff Vialelles, Guillaume Chelius, Clément Berchet, Cyril Buffat, Hugo Florentin, Katherine Lessard, Jonathan Roy, Yohann Duboille, Nico Pierotti, Eric Lefebvre, Antoine Hue, Benoît Gandolfi, Romain Jezequel, Xavier Briez, Fabrice Bascoul, Bastien Mateo, Gérald Auboyer, Bertrand Balez, Edouard Coquatrix, Nicolas Deveaux, Yann Blanchard, Matthieu Poittevin, Fabrice Austruy, Philippe Duhamel, Thomas Avril, Céline Vairon, David Bloch, Gaël Merle Des Isles, Michael Fischbach, Etienne Monbaron, Thomas Montana, Michel Della Maria, Nicolas Danne, Benjamin Pinard, Guillaume 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François-Etienne Marchand, Thomas Plancon, Jean-Baptiste Hurteaux, Benoit Thomasson, Vincent Naval, Antoine Troullier, Benjamin Doyen, Vincent Kerbarh, Anthony Cloarec, Baptiste Cosson, Laurence Prevot, Frederic Le Meur, Maxime Rotier, Sebastien Pitoiset, Yannick Granger, Sebastien Pedelucq, Julien Bernard, Alexandre Garaud, Lia Badiceanu, Sébastien Durand, Thibaud Lafon, Jean-Pascal Bernard-Herve, Florian Sourdin, Adrien De Rufz, Alexandre Chojnacki, Julien Pellé, Jeremie Ballet-Baz, Gautier Lagabe, Benjamin Neveu, Pierre Sarthou, Noizat Cedric, Julien Zaug, Florent Gabé, Willy Jollivet, Julien Zaug, Marion Troiville, Thomas Messe, Julien Salomon, Jonathan Merceron, Marie Paturel, Loïc Sales, Clément Cheung, Mathieu Lion, Gaël Bourgeois, Anne Leleu, Morgan Pouliquen, Thomas Laydis, Charles Manoury, Baptiste Privé, Julien Courdès, Thibault Bride, Simon Patrice, Alexis Arnould, Frédérick Lopez, Rémi Perrin, Adrien Pajot Wagner, Jonathann Mayette, Benjamin Testelin, Julien Saint-James, Eric Lantz, Nicolas Labey, Vincent Gumy, Jean Davoust, Christophe Blanchard, Pol Le Roux, Alexis Lecanu, Bruno Caillet, Arthur Fages, Marcelin Boudeau, Vincent Nancey, Renaud Samuel, Gabin Mantulet, Emilie Courtois, Etienne Darrieux, Claire Lacoste, Nicolas Brédard, Arnaud Kuntz, Guillaume Lamirand, Pauline Schmidt, Meheza Walla, Dorian Laithier, Maxime Crozon, Antoine Wolff, Vincent Busch, Matthieu Duval, Quentin Baticle, Pierre-Louis Cayrel, Quentin Debray, Guillaume Balazuc, Nicolas Cotte, Joakim Ribier, Antoine Brasseur, Vincent Gauchet, Rosa Maria Togni, Alexandre Walle, Adrien Semaille, Johan Freimann, Franck Cloarec, Jérémy Fontaine, Bastien Vallet, Anthony Lattion, Antoine Château, Paul Huguenot-Noël, Romain Rizzarello, Estelle De Pélichy, Nicolas Micoud, Albin Quéré, Steven Coutereel, Marc Olivier Carasso, Sébastien Cardinaux, Jean-Philippe Piau, Boris Faucon, Pascal Goudier, Florian Loubard, Jeremy Gotto, Abbate Antony, Cyril Neau, Erwan Manach, Stephen Henocq, Marion Robreau, Félix Richard, Christophe Ponce, Kévin Gatefin, Christophe Thierry, Sylvain Allegrette, Mr Corentin Davy, Guillaume Trichard, Andy Symonds, Johann Bernast, Gwendal Pencreach, Eric Levresse, Timothee Leddet, Julien Ben Amar, Nicolas Gourdon, Serge Mennecier, Francois Canu, Thomas Guillaumond, Philippe Benier, Rémi Guilloteau, Paul Citti, Nicolas Hennebelle, David Hugonnot, Alban Cabon, Jean Philippe Ajuste, Julien Deberles, Stéphane Villanova, Mathieu Lapeyre, Zacharie Figureau, Nicolas Jones, Guillaume Cressent, Henri Fayolle, Tracy Perez, Olivier Rodriguez, William Benz, Nicolas Le Nocher, Robin Laverdet, Yohan Et Pascale Rolland, Edouard Pichard, Anthony Calvet, Guillaume Combes, Valentin Saint-Maxent, Lloyd Pitiot, Johann Bignon, Jérôme Gaudin, Lucie Jamsin, David Pujol, Mathieu Gery, Yannick Reliaud, Théo Orange, Julien Joyeux, Mickaël Rialland, Eric Nougayréde, Frédéric Barreira, Jeremy Meteyer, Damien Ropars, Pierre Perrot, Alexis Devaud, Clément Dudal, Arthur Hitier, 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Jacques Chaban, Freddy Gaborieau, Léo Celdran, Cyrille Rougé, Xavier Wittwer, Pierre Niel, Sebastien Fernandes, Thibault Bertrand, Jean Pierre Ricard, Geoffrey Bire, Florian Legrand, Violette De Fleurian, Martin Michaudet, Romain Sempey, Laurent Bourgeois, Kevin Morisseau, Maxime Laget, Fabrice Soulier, Alexandre Biguet Petit Jean, Grégory Guis, Roudier Valerie, Cloarec Damien, Benoît Hoolans, Thomas Leparlier, Sophie Picavet, Emmanuel Lattion, Paul Boussemart, Thomas Coeugnet, Pierre-Yves Stopin, Bertrand Deleuze, Julien Aussel, David Uztopal 31, Alexandre Galiana, Antoine Relave, Fabien Coste, Thibault Liebenguth, Guillaume Roux, Joris Cabel, Guillaume Bernard, François Devaux, Matthieu Mailhot, Bertrand Dumont, Christelle Sturtz Froehlicher, Enguerran Giraud, Frédéric Fiandino, Simon Mathieu, Romain Labis, Maxime Batlle, Jeremy Lozach, Xavier Duprez, Julien Vidal, Franck Martel, Charles Passelande, Tristan Leiter, Briac Philippe, Arnaud Alamartine, Romain Bony, Robin Ucelli, Charly 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Ricard, Jordane Boissard, Jérôme Cottard, Mr Frederic Chaney, Laurent Cambefort, Nicolas Buck, Adrien Dautheville, Baptiste Minart, Florence Santrot, Guillaume Ring, Matthieu Bienfait, Samuel Mehenni, Nicolas Gruda, Céline Maillard, Alexandre Assemat, Julien Maire, Gaëlle Leveque, Jean-Michel Laquerbe, Aymeric Destrebecq, Stéphane Chislard, Matthias Noguera, Jonathan Dupré, Christelle Aron, Gaetan Chasline, Julien Schille, Pascal Daviot, Jérémy Defosse, Marie Line Rapin, Lionel Bouvier, Pascal Ndiaye, Jérémy Mateos, Thibaut Cantié, Antoine Barroca, Sébastien Bégel, Ousmane Camara, Ludovic Terrier, Edouard Leculier, Romuald Senechal, Neal Garry, Myriam Muris, Léo Salles, Florent Odier, Mordelet Élodie, Thibaut Flament, Benedicte Durey, Jean-Marc Sauloup, Emiline Thouret, Tristan Eder, Daniel Godefroid, San Angelo Demelas, Charles-Antoine Dupuy, Bleschet Sebastien, Mickael Leroy, Nicolas Fontaine, Adrian Ciaurriz, Jimmy Trouillard, Nicolas Conquer, Félix Lelievre, Jean-François Rozat, 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Florence Coste, Matthieu Denais, Yves Bayon, Jean-François Roulaud, Remi Allegre, Xavier Billet, Fabien Blas, Charlyne Buquet, Thibault Jarry, Julien Hannier, Pascal Lemonnier, Christophe Beauseigneur, Francois Monge, Mathieu Pelin, Brice Guiot, Paul Marie-Anne, Pierre Pena, Nicolas Agassis, Nicolas Darmaillacq, Kilian Jornet Burgada, Xavier Jacquel, Renaud Perrin, Stéphane Launay, Adrien Vocanson, Arnaud Delahaye, Mickaël Valet, Thibaut Gazet, Julian Jonfal, Grégory Macquart, Joel Desgreniers, Pierre-Yves Le Roux, Maël Desdoits, François Dain-Mabru, Mathieu Bouton, Hugo Marchesin, Olivier Souvelain, Paul Zunino, Leonard Papilloud, Sébastien Habé, Benoît Pouplin, Stephane Brogniart, Mélanie Hall, Antoine Desrosiers, Jean-Baptiste Mullié, Grégory Douriez, Benoit Thouary, Sylvain Ferreira, Félicie Lefevre-Michelson, Cérile Faucheux, Thomas Roger, Fab Standupbiker, Olivier Comau, Elric Aublant, Guillaume Dupré La Tour, Guillaume Ring, Thomas Zeggane, Séverine Bouveret, Cyrille Videbien, Yannick Glenat, Loris Pettini, Thibaud Moussion, Jerome Gibault, Laurence D'incau, Olivier Vuillermoz, Boris Frappier, Eric Besson, Jerome Paris, Antoine Couturier, Julian Blusseau, Vincent Pascal, Julian Gillet, Fabien Marty, Sylvain Chevillard, Mathieu Zimmer, Olivier Rische, Julien Gasné, Catherine Cohidon, Laurent Bassinet, Eric Jeanson, Anthony Chaigneau, Yves Et Jean Blancheteau, Louis Delebecq, Laurent Bouvier, Nicolas Jouenne, Francis Patin, Nicolas Blacque, Flora Corre, Maxime Brodard, Vincent Mira, Gaetan Blanchard, Jerome Durivault, Arthur Dufay, Regis Cabaret, Gedeon Pochat, Ingrid Farge, Mathieu Dussart, Erwan Herveic, Ludovic Thirvaudey, Pierre Burnet, Elise Capredon, Fabien Candy, Quentin Antoine, Charles Tassin, Matthieu Pelletier, Sebastien De Rossi, Franck Ladet, Julie Bastien, Solene Gatin, Antoine Marois, Guillot Jean-Christophe, Simon Defour, Boris De Lambert, Régis Adam, José Lagarellos, Yannick Barnich, Sylvain Equel, Stéphane Brunel, Jerome Franquine, Anthony 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Jerome Billiemaz, Sébastien Gaudinaud, Maxime Paul, François David, Richard Imperial, Veillon Laurent, Sebastien Chaigneau, Samuel Bard, Simon Le Devehat, Pascal Sallan, Paul Houlette, Romain Ausseur, Juliette Alexandre, Damien Rocacher, Jonathan Gonzalez, Philippe Feutry, Vincent Wagner, Sébastien Brameret, Tony Coupé, Aurelien Le Nouaille, Maxime Bodet, Haas Agnès, Bertrand Pons, Jérémie Bernard, Arnaud Bardy, Gregory Arnaud, Guillaume Bridon, Vincent Ottinger, Antoine Prevel, Loïc Sottas, Martin Rioche, François Heurtel, Laurent Daudet, Josselin Pujol, Maxime Pinel, Marc Puech, Ambroise Caroni, Quentin Bailly, Laurence Tange, Thibaut Pontis, Sebastien Kervarec, Anthony Cauchy, Margueret Adrien, Melanie Gobiet, Romain Balagny, Antoine Baisnee, Guillaume Depasse, Anaëlle Hedreul, Clément Andrieux, Thomas Dubois, Jérémie Marin, Jérôme Pons, Marco Perche, Caroline Falco, Pascal Thibout, Timothée Villette, Arnaud Perinet, Jérôme Coudert, Stéphane Meyer, Karine Bourgeon, Julien Guimbert, Julien Guimbert, Clément Dalaine, Pauline Pourteigt, Launier Olivier, Laurent Bodarwé, Romain Guest, Franck Levillain, Hugo Thonney, Fabrice Antoniolli, Vincent Minet, Alban Declerck, David Mabboux, Amandine Guitard, Slaven Depuiset, Dimitri Franzi, Nicolas Gaudin, Nathanaël Rosas, Thomas Lambeau, Laurent Garcia, Romain Chanon, Victor Bernard, Nicolas Berenger, Alexis Magliozzi, Mikael Jourdan, Eric Mervaux, Candice Fertin, Mathieu Pereira, Christian Loos, Stéphanie Vizot, Eduardo Briz, Bruno Muller, Fabien Enon, Jonathan Blaise, Clément Hudry Clergeon, Jean-Paul Herzog, David Bensussan, Benoît Richeux, Guillaume Fabry, Bernard Evreux, Pierre Prosperi, Guillaume Pierret, Estelle Marie Kieffer, Simon Tardif, Stéphane Jaouen, Elise Ralet, Gauthier Saint Olive, Dominique Ferton, Christophe Lepas, Thomas Tual, Jimmy Loirot, Gaëtan Levasseur, Lisa Lantonnat, Pierre-Emmanuel Pouliquen, Jeremy Manteau, Jean Marc Suty, Jean-Baptiste Montiel, Pierre-Henry Coppere, Emma Bellotto Laurencon, Benoit Ferron, Florent Ghirard, Gaëtan Bourgogne, Thibaut Le Car, Marion Paulat, Benoît Gaudy, Theo Astier, Frédéric Dejean, Guillaume Vautier Bicherel, Olivier Palmas, Paul Roumet, Julien Ravinel, Anthony Nakoneczny, Mathieu Suarez, Emmanuel Schuft, Thomas Le Gal, Quentin Lucot, Victor Charlet, Jérôme Brunol, Franck Romain, Celia Deriquehem, Florent De Bellefon, Sebastien Adroit, Laurent Janssen, Alexandre Koch, Cyril Clavelloux, Ismael Moussa, Emmanuel Abadie, Nicolas Ducros, Julien Goncalves, Mickaël Martin, Yannick Le Naour, Marion Arnoux, Michael Euvrard, Hugo Plassot, Laurence Pelay Lardies, Gerard David, Jérôme Rebel, Guillaume Derrips, Quentin Danel, Sandra Sineux, Martin De Lantivy, Alexandre Parpillon, Elouan Michallon, Cédric Barret, Elise Gérardin, Alexis Baudry, William Guillot, Mathilde Panisset, William Girard, Florent Tyvaert, Fabien Mys, Jean-François Zengerle, Alexandre Vix, Benjamin Serpollet, Simon Papot, Guillaume Labarre, Johan Muller, Frederic Gabry, Loïc Kempf, Fabien Hattab, Benoit Gillet, Matthieu Froment, Damien Donjon, Raphaël Juen, Vincent Desmidt, Jeremy Caro, Kévin Marques, Théo Detienne, Vincent Rabec, Alexandre Ganova, Lucas Philippe, David Taupin, Guilhem Collin, Quentin Pécheul, Maxime Bernard, Benjamin Vallet, Florimond Plard, Aurélien Cambon, Jérôme Gay, Richard Reverte, Loïc Furcy, Cédric Garrofé, Yorick Montagnon, Benjamin Bergiers, Arthur Duffour, Marilyne Lopez, Adrien Marcourt, Aude Galtié, Fabien Aeberli, Alexandra Faure, Guillaume Fierling, Simon Pligot, Benoit Mielle, Sylvain Dubreuil, Clément Frau, Pierre Vosgien, Sidney Thomasset, Ludwig Henriques, Edouard Courquin, Stephane Caron, Amélie Mahé, Christian Piffard, Mélodie Buchou, Céline Guillonneau, Julien Poma, Stéphane Sclavo, Laura Wucher, Anthony Maire Lantz, Flo Pinault, Donatien Drouin, Guillaume Levielle, Maxime Doffe, Vincent Laffay, Thierry Marchon, Steve Devillers, Nicolas Douay, Laurent Gavache, Louis Guichardot, Ludo Collet, Anthony Heurtel, Cyril Chamagne, Fabrice Clément, David Houlbert, Benoit Dumontet, Yves Chapeau, Bicelli Raphael, Yoann Lemestre, Frederic Morand, Christine Hoja, Raphaël Baudoin, Adrien Lhermitte, Mathieu Michel, Arnaud Clapet, Maxime Tissières, Benoît Montendre, Brice Dupont, Boris Clouet, Bertrand Cognet, Jean-François Breluzeau, Antoine Lamboy-Martin, Olivier Pistre, Ronan Gueguen, Francois D'haene, Nicolas Delelis, Alexandre Violle, Elsa Thual, Maxime Bonneau, Antoine Perez Martin, Benjamin Rodríguez, Jérémy Palacin, Celine Le Colloter, Chencheng Huang, Clément Violay, Vanessa Soulier, Orsal Damien, Florent Marichez, Romain Derreumaux, Pierre Provansal, Quentin Andrieux, Arnaud Fargearel, Pierre Barbet, Ivan Rulleau, Mathieu Dauphin, Valentin Dessibourg, Stephane Joly Bietiger, William Angleys, Antoine Mougel, Constance Jacob, Marc-Aurèle Taverna, Olivier-Jérémie Bois, Yoann Gondonneau, Florian Sourdin, Luc Bontemps, Fabrice Pellefigue, Paulo Cornec, Lilian Gentis, Regis Debare, Ulysse Lehnert-Vuaillet, Valentin Moulin, Didier Vignon, Rodrigue Mesquita Da Cunha, Yannick Didier, Axel Arnaud, Théo Cizeron, Dolma Gely, Matt Lefort, Paul Roger, Marjorie Jacquin, Jeremy Veron, Yvan Kerever, Victor Leroy, Olivier Le Carre, Noé Perrotin, Cyrielle Mathias, Gautier Bonnecarrère, Josselin Pienne, Olivier Berta, Ludovic Pommeret, Pierre-E. Ory, Sylvain Robert, Ahache Julien, Martin Morel, Erwann Le Guesclou, Marchais 1 B Montee De La Croix Blanche, Vincent Dupont, Adrien Elfassi, Guillaume Prouteau, Ernesto Gutierrez Pacheco, Michèle Aubé, Sylvain Wucher, Ronan Visdeloup, Albin Trevian, Quentin Nauleau, Daniel Thibault, Maxime Verriere, Laurent Wendlinger, Fanny Roy, Aurélien Kruck, Yoann Belloir, Nicolas Fornos, Pierre-Marie Donati, Marc Jahan, Marc Antoine Barthe, Julien Campisi, Adrien Lietsch, Antoine Rimpôt, Romain Adam, Pascal Egli, Pierre Cauchy, Virginie Crepin, Louis-Marie Gimbert, Duplessis Dominique, Madec Querré, Maxime Ortet, Damien Ducos, Julien Cabirol, Mathilde Gresset, Nicolas Delmas, Ronan Le Gall Du Tertre, Vautaret Julien, Quentin Guerrero, Nicolas De Groote, Justin Savourat, Romain Bes De Berc, Matthieu Leroux, Jean-Pierre Giorgi, Mikael Guermeur, Simon Richard, Guillaume Audette, Justin Pacrot, Clémence Gevrey, Romain Zanderigo, Benoît Ponchant, Benoit Chanal, Joris Burnet, Maxime Vergnieres, Guy Landmann, Yves Girard, Gautier Vieillefosse, Benoit Laval, Emmanuel Huet, Pauline Ballereau, Flavien Alfero, Catherine Chapuis, Gaetan Dervaux, Anne Amarenco, Baptiste Volland, Antoine Volland, Sébastien Potrzeba, Clement Boivin, Elian Luc, Loïc Carriere, Caroline Prince, Yann Paris, Sebastien Sion, Olivier Rose, Christophe Merle, Florian Renaud, Hector Cassegrain, Nathalie Pasquier, Mr Aurelien Morel, Thomas Dépret, Antoine Monnot, Ludovic Jaouen, Bruno Lenz, David Chapeau, Bruno Cantieri, Julien Barilleau, Olivier Dauvergne, Anne Wickart, Adam Pardoux, Matthieu Pouzols, Anne-Sophie Billard, Fabrice Monnier, Olivier Huitorel, Quentin Segond, Arnaud Dethorey, Erwan Bourgeois, Anthony Toulze, Sylvain Tamin, Gauthier Demanche, Alban Génicq, Francois-Xavier Gaudas, Mickaël Gouget, Michel Ho, Jean-François Bel, Romain Pagnier, Ismael Karroum, Florian Bourbigot, François Dodeller, Xavier Lahaye, Antoine Baud, Adrian Becker, Basile Ricquier, Elsa Quillery, Julian Luneau, Grégory Chalamet, Louis Pech, Matthieu Dubois, Maxime Bernard, Damien Millon, Guillaume Allantaz, Gregory Gibeau, Laurent Galaup, Yannick Merlen, Camille Geffard, Benjamin Schmitt, Vernoit Jeremie, Félix Tournemine, Frederic Cormier, Jean-Philippe Claret, Thomas Pradelle, Patrick Bourgeois-Hope, Fabien Tcheordukian, Nicolas Grosfilley, Gildas Desevedavy, Manon Whittaker, Anthony Gottiniaux, Rebecca Hadoux, Victor Pommier, Nicolas Guilleman, Solenn Jules, Rémi Martin, Quentin Belaghrouz, Mathieu Lago, François Gérard, Badr Boukenter, Romain Boudet, Arnaud De Guibert, Maxime Le Touarin, Fabien Lambin, Gaëtan Blanchard, Marion Choquet, Genevieve Morin, Gabriel Gobat, Quentin Vendeville, Anaïs Terrettaz, Robin Dayet, Sébastien Picaud, Nicolas Butz, Robert Nicol, Boris Grehal, Clément Belleville, Jean-Marc Noyes, Romain Lemesle, Lorin Valette, Lorin Valette, Jules Pijourlet, Bastien Ganivet, Simon Moreau, Paul Frapart, Chloé Guiot, Guillaume Agniel, Cédric Deline, Yves Petit, Benjamin Pollet-Villard, Arnaud Boutillier, Corentin Dedion, Raphaël Robert, Pascal Barthes, Julien Ravinel, Maxime Corbara, Loic Val, Alain Canevet, Joseph Allard, Robin Grison, Christophe Tabar, Rémi Blondeau, Nathan Coubès, Fabrice Balique, Julien Guinet, Louis Coulot, Nikolay Popgeorgiev, Antoine Regnard, Claudie Geffroy, Jeff Valette, Benoit Rage, Pierre Baude, Stéphane Rabin, Laurent Autret, Lucas Renaudin, Damien Béal, Pedro Ramondenc, Jean-Rémi Aulu, Hugo Quérou, Quentin Oudot, Dominique Arnaud, Goulven Mahé, Hélène Champigny, Paul Marguin, Sébastien Chapuis, Daniel Roche, Treuil Mathieu, Anne-Marie Adobati, Thomas Bourdier, Celine Champion, Amine El Borgi, Francis Vincent, Clément Le Bihan, Thomas Desrez, Gaël Terrien, Benjamin Delaplace, Pascal Cotret, Benjamin Mottet, Jérémy Quentel, Aurelien Chasseriaud, Gregoire Jouvenat, Jerome Couquiaud, Romain George, Yann Olivier, Pierre-Edouard Maris, Pascal Jacquard, Simon Baron, Benoit Rostagni, Michel Remy, Frédéric Laval, Romain Ors, Lionel Reynier, François Prévot, Kevin Steiner, Adrien Rochedy, Charlotte Paulien, Pierre Charpillet, Benjamin Sobanski, Baptiste Dugué, Eric Siber, Florent Giraud, Jean-Philippe Meurice, Gael Masse, Arnaud Boesch, Manuel Lannes, Migayrou Marie Christine, Romain Blanc, Jérémy Beloncle, Maxence Papegaey, Benoit Rybarczyk, Julie Delgado, Eric Montazeau, Julien Reydelet, Jeremy Weynand, Nicolas Hipp, Victor Grandchamp, Damien Troupel, Mathieu Louis, Grégoire Monteil-Tardivel, Seb Poirier, Grégoire Ruyssen, Jean-Luc Jelonek, Yoann Griffon, Thomas Fournaise, Olivier Coudert, Baptiste Moge, Raphaël Fourneron, Gaelle & Fred Quillevere, Anthony Jimenez, Audrey Tauzin, Benoit Leroy, Yann Le Merdy, Guillaume Davin, Antoine Rougieux, Jeremie Graille, Yanis Lecompte, Mathieu Baratas, Rauscher Philippe, Valerie Schumacher, Alain Barnier, Guillaume Scheer, Emmanuel Bidet, Chabaud Remy, Sagnol Carole, Clement Braux, Matthis Granet, Benoît Guerville-Ballé, Corine Casciano, Sylvain Franquenoul, Sylvain Augier, Romain Vondiere, Jean Magnol, Julien Vinson, Pierre-Marie Billon, Guillaume Andre, Vincent Hubert, Pierre Pétillon, Cyril Bouchet, Thomas Fiorese, Antoine Bernard, Olivier Stora, Marie Vivier, Lucie Deslot, Maxime Soriano, Nicolas Roussillon, Stephane Gania, Feigne Robin, Nathan Boirin, Nicolas Daru, Romaric Grogna, Antonin Boiffier, Jeremy Franchemiche, Brunilde Girardet, Léonard Dureuil, Anthony Amoudruz, Simon Janin, Nicole Lagneau, Ulrich Almeida, Greg Pemptroad, Ollivier Corbillon, Théo Sanchez, Johanna Dannreuther, Theophane Breuzin, Coline Debreux, Vincent Ramel, Victor Terrade, Vincent Robert, Axel Bruyas, Stéphane Sangline, Mélodie Richard, Julien Gaudin, Guillaume Ditsch, Vincent Chesneau, Emeline Monier, Jd Delaplagne, Benoit Marion, , , Lionel Planes, Sébastien Lombard, Guillaume Valentin, Marine Pardon, Anne Gerry, Benoit Prato, Cedric Hamonier, Christelle Desgeorges, Quentin Vrillon, Nicolas Boutherin, William Pampulim, Grégory Lacour, Khaled Stiti, Philippe Bellard, Maximilien Lapierriere, Pascal Caillon, Aymeric Rouaud, Jerome Froger, Helene Martin, Jean Christophe Tiani, Sebastien Petzl, Georges Adrien Naudin, Adam Kamkoum, Lucie D’alguerre, Cindie Dechambre, Anne Laure Perrin, Gerald Lorriaux, Valentin Leserf, Francois Gentric, Ludovic Di Nolfo, Hugo Friant, Damien Oswald, Cyrille Mauron, Benoît Le Bras, Stephane Porte-Chapui, Alexandre Daussy, Thomas Asnard, Jean-Baptiste Thonet, Jonathan Monnin, Gregory Dourthe, Thibaud Berdin, Jean-Claude Knopf, Rondel Cecile, Giacomo Casellini, Loic Chabannes, Sylvain Ligozat, Nicolas Hern, Céline Brachet, Mathieu Durieux, Pierre Le Padellec, Antoine Jeanroy, Alexandra Waz, Pierre Druart, Williams Lefebvre, Boris Jordan, Laure-Anne Nyssen, Pierre-Yves Biau, Nicolas Delcroix, Chivet Louis, Charles Kumps, Benoit Faivre, Jean Gael Pujante, Arnaud Colin, Romain Vergeot, Andre De Morais, Jason Auchere, Anthony Jimenez, Jean-Marc Lachat, Arnaud Bruyas, Edouard Landrieux, Yannick Barthe, Frédéric Dufaay, Nicolas Moreau, Jade Rousset, Yann Valiton, Julien Teulé, Dimitri Dupont, Jeremie Bousquet, David Bernier, Delienne Charles, Florent Derenne, Gaëtan Guérin, Tristan Michaud, Frederic Alix, Anaïs Cavaillé, Delphine Sauviat Barreteau, Damien Jubely, Sébastien Girard, Nicolas De Lazzari, Guillaume Chovet, Romain Leterme, Jean-Michel Henry, Cédric André, Leticia Luczinski, Nicolas André, Yann Terrat, Baptiste Tranchant, Anaïs Andos, Jerome Lerondeau, Gaëtan Chicanne, Michel Bonnaud, Bastien Savin, Sylvain Casteran, Corinne Morales, Gillou Pierre, Dominique Jacot, Justine Viry, Nadim Bellallahom, Cyril Cassaigne, David Abry, Benjamin Schneberger, Frédéric Barreau, Nicolas Delmas, Mickaël Tregoat, Francois Nicolas, Martin Delhommais, Laurent Abignoli, Gilles Guillon, Magalie Erard, Pascal Labbe, Ivan Dubessay, Bastien Wolf, Marc Vallee, Rémy Vasseur, Maud Caprice, Cyrille Blin, Grégoire Laumond, Sophie Boutges, Etienne Pillonel, Stephane Slezack, Joël Mur, Margaux Gaubert, Pierre-Alexandre Lourdais, Nicolas Pauzie, Jérémie Colomb, Richard Cadinot, Francois Sudres, Elodie Granjon, Eliot Bondois, Alexandre Gens, Florian Mélon, Emmanuel Robino, Guillaume Abrial, Denis Lapalus, Gilbert Agostinho, Moreau Grégoire, Romain Le Dortz, Elisa Forest, Thomas Robin, Célian Steiner, Hugo Guyader, Clement Noel, Liliane Amaz, Maxime Gauduin, Peggy Suzanne, Thierry Alibert, Jerome Bertet, Benjamin Douillet, Delphine Moenne-Loccoz, Lionel Xerry, Jerome Dambrain, Marion Rivollet, Jeremie Paimbault, David Gillet, Iris Bezard, Pascal Auriel, Priscillia Duhin, Hugo Riviere, Franck Yvonnet, Juliette Belondrade, Nicolas Recoules, Nicolas Brunet, Sylvain Furt, Maxime Chiffoleau, Sylvain Bobillier-Monnot, Jean Christophe Zeeh Petite, Jessica Dumoulin, Eglantine Noirhomme, Philippe Sylvestre, Philippe Thomas, Pierre Cabannes, Aurélien Duzan, Sébastien Ménard, Christelle Plissonnier, Benoît Urben, Florian Pino, Tarek Ziadé, Jean-Christophe Berger, Kevin Bramard, Florian Deuez, Remi Bize, Romain Passe, Nicolas Pendaries, Yannick Carrero, Estelle Saumade, Fabien Combes, Pruvot Margot, Romaric Haddou, Sylvain Gasquet, Mathieu Bazin, Thibaut Lebrun, Marie Viger, Cyril Coquemont, Magalie Geoffroy, Julien Hollier, Caroline Bourda, Stéphane Michel, Cyril Solbach, Baptiste Carpentier Agostini, Julien Couverchel, Emilie Mauras, Stéphanie Marco, Louis Ancel, Bastien Barritaud, Bruno Cruzeau.

[eeraygun]

Top 285 Sonic Releases of 2018

000. Rosalia - El Mal Querer 001. Various Artists - 'I Could Go Anywhere But Again I Go With You' 002. Autechre - NTS Sessions 003. Various Artists - Kulør 001 004. Oneohtrix Point Never - Age Of (Japanese Edition) 005. Sophie - Oil of Every Pearl's Un-Insides 006. Tirzah - Devotion 007. Blawan - Wet Will Always Dry 008. Cam Deas - Time Exercises 009. Leon Vynehall - Nothing Is Still 010. Ingus Baušķenieks ‎ - Spoki 011. Clouds - Heavy The Eclipse 012. Kyo & Jeuru - All The Same Dream 013. Topdown Dialectic - Topdown Dialectic 014. Snail Mail - Lush (remaster) 015. Pavel Milyakov - Eastern Strike 016. Robyn - Honey 017. Falcon Black Ops - Vol. 1 018. CTM - Red Dragon 019. Ariana Grande - Thank You Next 020. Robert Lippok - Applied Autonomy 021. Various Artists - LACKRec. vs. Magic Power 022. Henning Christiansen - The Executioner 023. Against All Logic - 2012-2017 024. Scandinavian Star - Solas 025. Happa - PT3.2 026. Prime Minister of Doom - Mudshadow Propaganda 027. Ciara - Dose 028. Joy Orbison - 81b 029. Drew McDowall - The Third Helix 030. Felix Blume - Death in Haiti: Funeral Brass Bands & Sounds From Port au Prince 031. Teyana Taylor - K.T.S.E. 032. Borai & Denham Audio - Club Glow Vol. 1 033. Demdike Stare - Passion 034. Christian Zanési - Grand Bruit - Stop! l'horizon 035. DJ Healer - Nothing 2 Loose 036. Suzanne Ciani - Quadraphonic LIVE 037. Amnesia Scanner - Another Life 038. Various Artists - BROR08 039. Joy O & Ben Vince - Transition 2 - Systems Align 040. Lamin Fofana - Brancusi Sculpting Beyonce 041. ACT! - Universalist 042. Randomer - HS002 043. Vladimir Dubyshkin - Cheerful Pessimist 044. Hugo Massien - Almost Becoming Lucid 045. Barker - Debiasing EP 046. CLUBKELLY - GLOBAL 93 047. Ron Morelli - Disappearer 048. Jenny Hval - The Long Sleep 049. Tierra Whack - Whack World 050. Chambray - Nectar of Joy 051. Deben Bhattacharya - Paris to Calcutta: Men and Music on the Desert Road 052. Stef Mendesidis - Klockworks 23 053. Various Artists - Running Back Mastermix 054. Andrea - Forse 055. François Bayle - Tremblements... LP 056. Childish Gambino - This Is America 057. Efdemin - Naïf 058. Skee Mask - Compro 059. Cardi B - Invasion of Privacy 060. 700 Bliss - Spa 700 061. Chontane - Red Island EP 062. Honnda - Maraschino Mic Drop 063. Martyn Bootyspoon - Silk Eternity 064. Objekt - Cocoon Crush 065. Addison Groove & Bim Sanga Present Bags Inc. - Dance Trax, Vol. 17 066. Puce Mary - The Drought 067. Gonçalo F Cardoso - Impressões de uma Ilha (Unguja) 068. EQD - Equalized #008 069. Félicia Atkinson - Coyotes 070. Low - Double Negative 071. The Mistys - Pregnant Mannequin 072. Adlas - Arrival by Air 073. Vainqueur - Reductions 1995–1997 074. Xzavier Stone - THIRST 075. Kelman Duran - 13th Month 076. Lyra Valenza - Scan, Deliver 077. Bjarki – Oli Gumm 078. Answer Code Request - Gens 079. Forward Strategy Group - East Port Rangers EP 080. Voronoi - Vis-Viva 081. Olsen - Dream Operator 082. Mih-Ty - MIH-TY 083. Textasy - Dallas Gun Club 084. D.Dan - Covert Operation 085. Ursula K. Le Guin & Todd Barton - Music and Poetry of the Kesh 086. Duran Duran Duran - Choose Death 087. Jean C. Roché - Oiseaux Du Birds Of Venezuela 088. Vanessa Rossetto - Fashion Tape 089. Domiziano Maselli - Ashes 090. Smerz - Have fun 091. The Body - I Have Fought Against It, But I Can't Any Longer 092. Grizzle – Quinine 093. Rkss - DJ Tools 094. SHXCXCHCXSH - OUFOUFOF 095. Perfume - Future Pop 096. Stefano Moretti - Land of Mikuni 097. Sim Hutchins - Clubeighteen2thirty 098. Yves Tumor - Safe in the Hands of Love 099. Martyn - Voids 100. Sophia Loizou - Irregular Territories 101. Fracture - Soundboy Get Nervous 102. ABSOLUTE. - Malfunction 103. Diptera - 001 (antenna) 104. Nathan Micay - Whities 017 105. Alex Kassian - Hidden Tropics 106. The-Dream - Menage a Trois Sextape 107. Regal - Still Raving 108. Fumu - Sinuate 109. Evol - Ideal Acid 110. Various Artists - Only Promo Ma Poule 111. Mariah Carey - Caution 112. Ian Isiah - Shugga Sextape (Vol. 1) 113. Marie Davidson - Working Class Woman 114. Aoud - SE MKII 115. Konrad Wehrmeister - 5050 116. The Advent - Klockworks 22 117. Lucy Railton - Paradise 94 118. Virtual Self - Ghost Voices (Raito Remixes) 119. BE3K - Exoneration 120. GALT Faculty - E B O W 121. Art Alfie - The Bo Allan EP 122. Pendant - Make Me Know You Sweet 123. DJ Boring & Frits Wentink - Wasted Years of Pumping Iron 124. Contactless - Static 125. Was A Be & Synth Ethics - Systems 011 126. Helena Deland - From the Series of Songs Altogether Unaccompanied Vol. I 127. Freddie Gibbs - Freddie 128. Tessela & Lanark Artefax - Blue 01 129. Erma Grid - From a Band of Thoughts That Ended My Year 130. Dold - Mother EP 131. Eartheater - Irisiri 132. Age Coin - She Who Sold Me Told Me 133. Agrippa - Mygraine Urgraine/Harbour Run 134. Shame - Songs Of Praise 135. Severin - Safe Following Distance 136. RAMZi - Phobiza vol. 3: Amor Fati 137. Yen Towers - First on Comedown 138. Ludwig A.F. Röhrscheid - Xhale 139. Tee Mango - #2 140. Swarm Intelligence - Against The Dying Light 141. Céline Gillain - Bad Woman 142. Repro - Feel Extraordinary 143. Gila - Shedskin Pt.33 144. Jan Nemecek - Recurrences 145. Various Artists - Midnight in Tokyo Vol. 2 146. Various Artists - HYS001 147. No Moon - Infinite Dreamz EP 148. Prayer - Vital 149. Cadans - Slit EP 150. D. Tiffany - Feel U 151. The Empire Line - Rave 152. DJ Seinfeld - Sakura 153. 3KZ - A Love Supreme 154. Overlook - Never Understand 155. Ligovskoï - Esam 156. FJAAK - Havel 157. Scalameriya - Hellzone Megapunk EP 158. Drake - Scorpion 159. Locked Club - Svoboda 160. Young Echo - Young Echo 161. Reeko & Jonas Kopp - Realidades Holográficas I Torre de Babel 162. Hiro Kone - Pure Expenditure 163. Bruce - Sonder Somatic 164. Arkajo - Avasarala 165. TML - I Need An Exit 166. Thom Yorke - Suspiria 167. Various Artists - EDITSELECT36 168. Patrick Siech - Our Exile 169. Lucrecia Dalt - Anticlines 170. Qnete - Shtum 018 171. Future & Juice WRLD - WRLD ON DRUGS 172. Demian Licht - Female Criminals Vol. 3 173. Veronica Vasicka - in silhouette 174. 999999999 - RAVE REWORKS 175. Azari - Gotasoul 176. Varg - Nordic Flora Series Pt. 5: Crush 177. Mount Eerie - Now Only 178. Rabit - Bricks in a Draught 179. Elad Magdasi - Liquid Dreams 180. Tomas Urquieta - Dueños de Nada 181. The Higher - The Core 182. Ross Birdwise - Drunk Formalism(s) 183. Alan Fitzpatrick - System Addict 184. H4L - Four Lights 185. John Maus - Addendum 186. L-Vis 1990 - 12 Thousand Nights: Club 187. BLD - For Rave Use Only 188. Various Artists - Don’t You Mess with Cupid, 'Cause Cupid Ain’t Stupid 189. Ksmisk - Mikrometeorittene 190. Mark Leckey - Exorcism Of The Bridge @ Eastham Rake 191. Ross from Friends - Squaz 192. Rae Sremmurd - SR3MM-Jxmtro-Swaecation 193. Ricardo Villalobos - Silent EP 194. Young Thug - Slime Language 195. Phobia NL & Blacksun - Crossfire EP 196. X-Coast - XTC 197. Asymptote - Belief System 198. Ambivalent & Alden Tyrell - Detente 199. Christine and the Queens - Chris 200. Big Miz - Build-Destroy 201. Locked Groove - From Beyond 202. A$AP Rocky - TESTING 203. Paranorman - FUD001 204. Subradeon - Walking Through Motown EP 205. LMajor - Dig the New Breed, Pt. 1 206. P.Leone - The My Lita Project 207. P€PA & Z$OLI - Pzs_Rave 208. Adryiano - Dreams With EP 209. Appleblim - Life in a Laser 210. Vril - Omniverse EP 211. Бassae - Untitled 212. Gabber Eleganza – Never Sleep #1 213. Senyawa - Sujud 214. Radial - Tympana 215. N1L - 山卂ㄒ乇尺 爪乇爪ㄖ尺ㄚ 216. Dibek & Lodig - Lap.AM 217. Jonny Greenwood - Phantom Thread 218. Urulu - Foreign Depths 219. David Goldberg - EMO Serialism 220. DJ Different - Permission 2 Dance 221. Prg_m - Berytus Groan 222. Funeral Future - Hard Candy EP 223. Voiski - Sick Parrots 224. serpentwithfeet - soil 225. Company - Prosody 226. Stanislav Tolkachev - Champions Breakfast 227. Asquith - The Conditioning Track 228. Awdha - UNO 229. Dedekind Cut - Tahoe 230. Harrison BDP & Garth James - Vapour Trails EP 231. Sugar - No Sex Only Feelings 232. Duppy Gun Productions - Miro Tape 233. Mike Davis - Communique From an Absent Future 234. Cabasa - Uncle Sigmund's EP 235. Various Artists - Eel Behaviour: Sniper 236. Silicon Scally - Live at Scand 237. E-Talking & Laksa - Blue 04 238. Jacquees - 4275 239. Marcel Dettmann - Test-File 240. Acre - Hollow Body 241. #.4.26. - MDR 24 242. Blood Orange - Negro Swan 243. Various Artists - Bavarian Stallion Series 003 244. Developer - Off Grid EP 245. 90 Process - No Warehouse Needed 246. Sector Y - CS_TMS 247. Charli XCX - Focus & No Angel 248. Paula Temple & Eomac - ETXC001 249. Cassius Select - Fake Death 250. hekla - Á 251. UNIIQU3 - Phase 3 252. Sedvs & Peel - The Plf Sessions I 253. Yugen - Ineffable 254. Europa - Alpanya 255. LSDXOXO - BODY MODS 256. Roper Rider - Motion Profile 257. Forest Drive West - Un 258. Petar Dundov - Dalmatina & Once We Were Here 259. Desiigner - L.O.D. 260. Renick Bell - Wary 261. Nicki Minaj - Chun-Li 262. Locked Club - ЛОМАЙ EP 263. Dopplereffekt - Athanatos 264. Glaskin - Grey Lines 265. Beta Librae - Subspecies 266. Oisel - Entroterra EP 267. Conforce - Zero Point-Field 268. Raito - One Step Beyond 269. Hioll - Hioll 002 270. Various Artists - AEX005 271. Rune Bagge - Pink Dreams 272. Tensal - Industrialsociety EP 273. Mathias Schaffhaeuser - Love Idol 274. Notzing - 014 275. Michal Wolski - Still Life 276. Aphtc - When Grounds Shift 277. DJ Sneak - 3D Print 278. Bylly - Mouth Full of Sand 279. CUB - Seeing From Above 280. Farrago - Risin' 281. Amotik ‎– Amotik 009 282. D-Leria - Driving to Nowhere 283. The Cyclist - Alabaster Thrones 284. Roza Terenzi & DJ Zozi - Planet Euphorique