#yuricon
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Hey, I appear on this wonderful podcast/video to discuss Birdie Wing: Golf Girls Story.
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Matching yuricons <3
Originals
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stuff from livejournal/yuricon blog from the early 2000s
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lex picked this up for me, I’ve been meaning to read this for years… the author runs the yuricon website, I check it every so often just to see if there’s new english licenses I’ve missed
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Dispatch! (The Ossan's Love Episode)
And we're back!
NiNi and Ben bring our friend @twig-tea to the show to talk about the entire Ossan's Love series. We'll talk about the way this franchise evolves over time, the difficulties of comedy, what it means to love older queer men, and how this show tackles the complexities of family and masculinity.
Timestamps
The timestamps will now correspond with chapters on Spotify for easier navigation.
00:00:00 - Welcome 00:01:15 - Introduction and Some Context 00:06:25 - Ossan’s Love History and Summary 00:13:42 - The Characters 00:28:23 - Love or Dead and In The Sky 00:39:00 - Ossan’s Love Returns 00:45:33 - Final Thoughts and Ratings
The Conversation Transcripts!
Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.
We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.
Please send our volunteers your thanks!
00:00:00 - Welcome
NiNi
Welcome to The Conversation About BL, aka The Brown Liquor Podcast.
Ben
And there it is. I’m Ben.
NiNi
I’m NiNi.
Ben
And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.
NiNi
Four times a year we pop in to talk about what’s going on in the BL world.
Ben
We shoot the shit about stories and all the drama going into them. I review from a queer media lens.
NiNi
And I review from a romance and drama lens.
Ben
So if you like cracked-out takes and really intense emotional analysis…
NiNi
If you like talking about artistry, industry, and the discourse…
Ben
And if you generally just love simping…
NiNi
There is a lot of simping on this podcast…
Ben
We are the show for you!
00:01:15 - Introduction and Some Context
Ben
And we're back!
This week, we are covering all of Ossan's Love, from 2016 through 2024. We have brought on a special guest for this special episode as we're going to talk about the longest-running BL project. We have brought on our friend @twig-tea.
Twig
Hello.
NiNi
Hi, Twig. Welcome to the show.
Twig
Thank you so much for having me.
NiNi
New friend of the pod. Super excited to have you here. Twig is what we delightfully referred to as a ‘fandom old.’ I'm very excited to be having this conversation with two fandom olds in here, Twig and Ben, because, dear listeners, I have not had the time to watch Ossan's Love, so this is gonna be interesting. Ben and Twig are gonna school me.
Twig
We'll do our best.
Ben
This is going to be an interesting episode because we're going to be talking about a project that was somewhat overlooked by fandom, myself included, until the last couple of months. And I'm a little bit salty about it, and so I wanted to bring on somebody who has watched all of this in real time, and I thought that their perspective would be helpful.
Twig, you are new to our listeners. Why don't you tell them a little bit about yourself in fandom and your history with queer cinema and BL?
Twig
I actually started on the GL side, which is a little bit different than I think a lot of folks in the BL fandom. I started with getting into Sailor Moon and got involved with a group of women who started Yuricon. The first Yuricon was held in Newark, NJ, in 2003 and I was the secretary.
From there, there just wasn't enough GL content, and so I got into BL, too. I was really into Japanese manga, was part of a few scanlation groups, got oversaturated, stepped away, came back in 2016 to be shocked at the fact that a whole lot of the stuff that I used to watch was now made into live action.
The YouTube algorithm in late 2016—early 2017—fed me Lovesick and I sort of went, “Hello. What's this?” Then watched Make it Right and was hooked on Thai BL. Tried to backfill as much as I could, so I watched Gray Rainbow, and Diary of Tootsies, and all this stuff that nobody talks about, really, anymore.
One of the things about fandom at that time was that the way you found stuff was digging and a prayer, and random people making random lists, and it was very hard to tell how good those lists were. And so I managed that by watching everything and making my own opinions. And that is why I watched Ossan’s Love when it aired, or as soon as I could get my hands on it.
NiNi
So we're talking like real, real old school. We're talking about “Oh God, maybe some fansubber might help us out here.”
Twig
Fuckin’, like, Internet relay chat.
NiNi
IRC was my job back in the day.
Twig
Yes!
NiNi
I was talking about other things—not BL, but I was there.
Ben
Twig has sketchy as shit DVDs that were handed to her by a fan that have not great rip but really solid subs.
Twig
Bought in a mall parking lot with Mandarin subtitles that we used to watch with my friends who spoke Mandarin so they could translate for us in real time. It was hard. We used to walk uphill both ways back in the day.
Ben
A lot of folks who have been in this for a long time—we joked that we watched everything because we had to. You have done a better job of keeping track of what you've watched.
Twig
I wish I'd done better. I only really started tracking things in 2020. I did try to backfill the years before that, but I only really captured all of the major series. There was so many shorts, and things like that, I just couldn't do. But my spreadsheet has about 600 things on it, 606 as of today.
Ben
Incredible.
NiNi
I have been watching media overall—like seriously watching media—for…30 years…and I have not watched 606 of anything.
Ben
Nah, I believe her. It adds up. I engage with close to 100 BLs every year for the last 2-3 years.
NiNi
Clearly I'm not in these streets with y'all.
[Twig laughs]
Ben
I'm so glad Twig has showed up because it has given me permission to not watch so much.
NiNi
I bow down to you guys, because there was a point in time where, trying to keep up with week-to-week, I was watching something like eight shows at a time and I literally felt like my head was on fire. So, I don't know how you guys do it.
Ben
Practice. [laughs]
NiNi
We talked about this on the show, how last year I watched 50 things, maybe, for the whole year, and I felt like I was losing my mind. I usually watch like 15.
Ben
50 is good. Like, that's a really healthy number.
Twig
That is. That's pretty solid.
NiNi
As in five-zero?
Ben
Yeah, no, that's great!
NiNi
A year?!
Ben
Yeah! And we made a whole fucking show out of it! It’s good!
NiNi
Deep breaths. Okay, let's continue. Let's go on. [laughs]
00:06:25 - Ossan’s Love History and Summary
NiNi
Let's get into Ossan's Love. Ben, do the honors, tell us what is Ossan's Love about?
Ben
Actually, I want to do this one a little bit differently.
NiNi, you have not engaged with Ossan's Love. The most you have is the fandom vibe on it from the periphery. What is your impression of Ossan's Love prior to all of us posting a lot about the new show?
NiNi
When you say periphery, I think you're being incredibly generous. There was one where they’re flight attendants maybe, or something to do with an airline. I am aware of that. And then there was something with a boss. There was a thing about a shower. There's some dirty jokes that go over my head because they're referential to this show. But in terms of my awareness of Ossan’s Love, it's honestly not much.
Did I get any of those things correct by the way?
Twig
You totally did.
Ben
You did. I almost shouted “Dispatch” when you mentioned the airport. [Twig and Ben laugh]
All right. So, I will give what I knew of Ossan's Love prior to earnestly engaging with it: Ossan's Love is a workplace-set drama in which a guy who works in an office is being pursued by a colleague of the same age as him and his boss—who is like 20-plus-odd years older than him. At the time when I didn't watch it, the fandom vibe on it was that it was fairly offensive, particularly around the old guy character. And, when it was hard to find this show, I was like, “Whatever, I'm not going to work that hard for a show that people seem really put off by.” I have had to make sure that I check if I am riding an old fandom opinion from prior to 2019 when it comes to older work, because those opinions are usually not informed by the lens that I use. And so I decided to engage with Ossan's Love properly.
Before we start describing what the show is specifically, Twig, what do you remember about your experience watching the show in real time and the popular opinions about it?
Twig
So, the first thing is real time had really different meanings back then because we didn't have international distribution. It was sort of when things were fan subbed and when you could find them and knew they existed. So, I actually didn't get to watch the short until years after the original. So my first outing with Ossan’s Love was season one.
At the time, it felt like if you liked it, you should be quiet about it, because the opinion was so negative that you would be shouted down if you said anything positive about it. So I just sort of stayed in my corner of enjoyment and tried not to think too hard about it.
Ben
That is unfortunately how I remember it being. It was not popular to say positive things about Ossan’s Love at the time. Even the fans of Ossan's Love seemed super ambivalent about the second season, which was an alternative universe.
Twig
Yeah. When Season 2 aired it was an even wider swing. The people who really loved Season 1 seemed to hate Season 2. I actually like Season 2 better than Season 1, so I was even more like, [laughs] “Okay, I guess I don't know what I'm talking about, guys, so I'm just gonna stay over here and let you all have your opinions over there.”
Ben
So our quick timeline: we have Ossan’s Love the TV special in 2016. We have Ossan’s Love the TV show airing during spring of 2018. They released the movie Ossan’s Love: Love or Dead —that went into theaters on August 23rd of 2019—and then a few months later, in November, they released Ossan’s Love: In The Sky. It's my understanding that Ossan’s Love Returns was originally supposed to air in, like, 2020-2021. They've returned to that project this year in 2024.
NiNi
I know they're going to be doing a Thai version of this coming up and they also have the Hong Kong version?
Twig
That's right. Yep. There was a Hong Kong version in I think 2021 or 2022.
NiNi
I love when they take a property and they remake it across cultures over and over again. I'm always intrigued to see how they turn out.
Ben
Have you watched the Hong Kong version, Twig?
Twig
I peeked at it. It's really true to season one in a lot of ways. I haven't actually watched it all the way through because I was like, “If I want to rewatch season one, I'll just rewatch season one.”
Ben
I feel like I have to watch it at some point.
All right, so let's get into Ossan’s Love properly now: Ossan’s Love is about a 33 year old man named Haruta who is a slob. He is a hot mess of a man. He cannot take care of himself. He lives with his mom, and she does all the housework. She decides to bail on him and go run off with the hot new man she's with. And so he asks his colleague, whose name is Maki, to move in with him to help him out because Maki is very good at house chores.
He learns accidentally that his boss, whose name is Kurasawa Musashi, has had a crush on him for a long time and also simultaneously learns that Maki has been crushing on him for a long time. Hijinks ensue as the two of them begin aggressively pursuing him, and he is not prepared for this sudden surge in gay activities.
Twig
One thing I add to your description, Ben, is it's a comedy.
Ben
So this is where things get a little bit complicated. Comedy is hard to do correctly, because a big part of comedy is playing with people's preconceptions of how an interaction should go. A lot of folks struggle with Japanese comedy because they're just not aware of the expectations for how an interaction should go, and so the humor is not landing on them, and this can happen even in your own culture. Like, if you showed a teenager today Airplane, many of the jokes in that movie would make no sense to them because they're missing some of the cultural context. Some of that exists with peoples engagement with Ossan's Love, I think.
Twig
I think that's right.
00:13:42 - The Characters
Ben
The big part about Ossan's Love that impresses me is how the show gets better each time they come back. There are things that are kind of yikes in the short that are tweaked out in the first show. There are things that they retooled Haruta and Kurosawa over in the airport season. And then, in the most recent season, Ossan's Love Returns, they've shifted where the focus of their storytelling is after everything that's going on. So we are seeing the same characters, but they're dealing with much different dynamics.
So, Ossan's Love Returns was a completely acceptable point for a lot of people to jump on, and I almost just jumped on. But, I like to know how we got here. So I was like, “I must watch all of this first!” [laughs]
NiNi
I was about to say on what point were you ever gonna just jump on without going back into the before times? You, sir, are a historian and a completionist.
Ben
Of course. And so I went back and watched.
Twig, since you didn't have a lot of people to talk about Ossan's Love with at the time, how about you talk about your impressions of Haruta, Maki, and Kurosawa when you first engaged with it?
Twig
The thing that stuck with me is that, even in 2018, it felt a little more queer than a lot of the other stuff I was watching alongside it at the time. Haruta and Maki, and all of the characters, play into that in different ways. Haruta is an extremely frustrating character. I just wanted to reach through the screen and strangle him through most of season one, and I think that's partially intentional.
Haruta is set up as the literal straight man. He's there to be what your average straight guy reaction might be when confronted with gayness, and everyone around him literally slaps him and tells him he's being an idiot. Delightful, but it doesn't make the character himself very likable at first. The fact that he grows on you anyway, even while he's being so frustrating, speaks to the other strengths in his character: his kindness, and the way he values his coworkers. And I think the later seasons did a really good job of picking up the things that made Haruta such a great character, and enforcing that in the character writing itself to make him more likable overall.
I loved Kurosawa from jump. I think he's [laughs] incredible. He lives life on 11, and I think watching an older man step through some of the more standard romance tropes very clumsily but earnestly is incredibly charming.
Maki is the competent character. He's also a self-actualized gay man. He at no point questions his sexuality at all, has no crisis about it. He knows who he is and what he's attracted to. And that was also really refreshing for BL at the time.
NiNi
Describing the kind of character that Kurosawa is made me think of Ben describing characters like Shin from Minato's Laundromat. When you tend to see these younger characters who are full on gung-ho chasing after the ones that they like, people like that. But they don't like the boss because they don't think their character should be doing that.
Twig
When I was first telling Ben about my opinions about the show, I said one of the things I struggle with is whether Kurosawa is telling the joke or is the joke. I think the more I have watched and rewatched, especially in later seasons, they do a really good job of him being a funny character and we're not laughing at him. He's not the butt of the joke, he's just funny. The people who would be turned off by an old guy hitting on a younger guy no matter what were turned off by that character and the ones who were sympathetic to older men also having romance in their lives were turned off by the idea that it was a comedy.
Ben
The comedy in the way Kurosawa pursues Haruta is about the age gap, not the fact that he's an old man. It's that he's at a different stage of his life. He's not fumbling to figure out stuff, he knows what he wants and his time is limited, so he's pursuing it determinately and also because he's older, he's behaving in line with his generation.
Like, if you don't have friends who are more than 10 years older than you, sometimes you're going to get weirded out by their cultural stuff. Like right now, I'm reaching the age gap with some of the kids I tutor, and I had to deal with all the various iterations on rizz and I don’t like it.
[Twig and NiNi laugh]
I had an 8 year old call himself The Rizzler the other day and I almost pushed him down.
Twig
Oh no.
NiNi
Oh my God.
Ben
I understand the concern around Kurosawa. But that is not what I think the show is doing, and even if it accidentally does it, that is not the show’s intent. Haruta is dealing with the sudden shift in his relationships with men who are important to him. Maki was just like his friend and colleague, who he was low-key mooching off of to do housework for him, and he has to deal with the fact that the only reason Maki is willing to put up with him is because Maki likes him. With Kurosawa, a big part of their relationship is the fact that he respects and admires him so much. The relationship between them is very paternal in a lot of ways?
Twig
A mentorship.
Ben
Yeah, he sees Kurosawa as a respected mentor and Kurosawa respects Haruta as well as a valued member of his team. A big part of the show is them sorting out the way that affection complicates some of these relationships, and we as the audience have to struggle with why these men like this man. Haruta is fucking useless in the household. He may be good at his job, but he is horrible at house related stuff. And so the question is why would anyone want him?
And this is not rhetorical for the show. They really want you to grapple with this. The fact that Haruta is kind of repulsive as a romantic interest is something the show wants you to think about. You have to work to understand why so many people are into Haruta, and I think this gets better overtime.
Twig
They do a really good job with all of the women characters in this show, which was super rare for the time and still worth saying. His best friend Chizu also is terrible at housework, but she's a woman, and so she's struggling with the expectation that she get married and she keeps talking about how she needs to find somebody who does for her what Haruta’s men are willing to do for him. I just love putting those two characters side by side. And the silent question that's asked of the audience. That's like, why is this okay for Haruta, but not for Chizu.
Ben
It's not really subtle. As the show goes on, Maki won't really commit to Haruta because Haruta is ostensibly straight. Maki is hesitant about full committing because it's hard to be gay, like you got a lot to face as a gay person and he doesn't know that Haruta is going to stand up to all that. He's kind of a waffly type of dude. He's kind of a people pleaser who won't really stand up to anyone. This is kind of good for him as a salesperson. It's obvious why all their clients like Haruta. But it makes him kind of unreliable as a partner because you're not certain he's going to hold ground with you when the world is telling you that you shouldn't be together.
The first season ends on a really cool note, ‘cause Maki and Haruta break up and Haruta just falls apart. And Kurosawa moves in with him for a while to help take care of him. For Kurosawa, it's a romantic thing, but it very much feels like someone’s parent going to take care of their kid. Haruta recognized where he failed with Maki, and he starts trying to help out with house stuff a little bit. But it's not like he suddenly becomes like a great housekeeper. I really liked that choice, that he starts putting in an effort but he's still horrible at it.
Kurosawa ends up proposing to Haruta. Haruta has a hard time saying no to people, so he accepts. Also, he used a flash mob. It's hard to say no when someone flash mobs you.
NiNi
Pause. Pause for cause.
Twig
Michael Jackson-themed flash mob.
NiNi
Okay, not pausing. Unpausing. Go ahead.
Ben
Kurosawa is always at 11. He is an incredible character and like he and Haruta are going to get married and at the altar, Kurosawa is like. You need to go to him. You don't actually want to be here. And so Haruta runs to Maki and proposes to him at the end of the first season.
And then there's just an incredible supporting cast in the show. I don't think we have time to talk about all of them properly, but. Haruta’s friend Chizu’s older brother Teppei runs a little bar diner that they often hang out at. He's so funny, always giving them weird gross food combinations to try out. They’re’s Maro, who's a member of their team who did not know Haruta’s given name for the years they worked together, there's Maika, who's kind of a nosy busybody at their work. She's a great source of comedy, ends up with Teppei. There's Takegawa, who's the second at their office in the first season, who is revealed to be Maki’s ex later. And he is intense as hell and becomes a complicating factor in the budding relationship between Haruta and Maki because he challenges Haruta. He's like, why is he putting this much effort into you? You suck! I really love the Takegawa character because he is a hot mess.
Twig
He just is so pained at Maki falling for a straight man. Something that is deeply relatable for anybody in queer spaces. [NiNi laughs] Like we have all been that person. Like, what are you doing to yourself?
Ben
I want to nod to Choko real quick. In the first season, Kurosawa has a wife of 30 years. Her name is Choko. Once his feelings for Haruta become known to Haruta, he decides he's going to pursue them and he tells this to his wife and they get divorced. She is understandably upset about this whole situation. But what's so great about it is, the show allows her to have a journey of figuring out what her life is going to be now that this information is out there. Like, she was hurt and upset at first, but then decides to support Kurosawa because this is her partner of 30 years and she understands him, so she ends up eventually supporting what he's trying to do with Haruta. And she ends up developing her own relationship with Maro.
It's really cool in this show where there's this whole complicated thing about whether or not these three gay men are going to sort themselves out into various relationship configurations, they're also doing a pretty steep successful age gap romance between like a 30-something year old man and a woman approaching 60.
Twig
I love Choko's arc so much. It's the one thing that stayed with me the most. She is also allowed to be funny. She's silly and immature in the same ways that the male characters are. She's not perfect either. And I think that is super important that she's a complicated character.
I think it's really important that this show talks about the ways in which homophobia and being in the closet hurts everyone, not just gay people. I think this show does a good job of at least alluding to the fact that the hurt that's caused by people having to live lies makes waves in communities.
NiNi
I like when they put that on older characters, as well. There's so much to unpack when you're talking about a life lived in the closet, emerging from a life lived in the closet later on in life. What you're gonna do with that life and how you're gonna treat it. From what you guys are saying about Kurosawa, it’s like he just decided to take life by the balls once he came out of the closet, and that's always something that I enjoy seeing.
Ben
I guess, well, on some of the negatives. The humor is choppy in the first season. You do have to recalibrate as you're watching. It is very funny, but in ways that are unexpected. You will end up feeling a sense of revulsion in the show, particularly to season one Haruta. When I started going back to it, I had a difficult time with the first episode because I'm asking myself why would anyone want to fuck this man? [NiNi and Twig laugh] That is a real and valid reaction that you have to work with as you're watching the show. And so parts of it are a little bit difficult to watch in that regard.
And Kurosawa is a huge character. You have to take time to get to know him and understand him and understand where his behaviors are coming from. And if you're not willing to do that work, the show is super off putting.
Twig
It is loud. You do have to allow your comedy ear to calibrate to its shouting.
Ben
However, I will say that if you want to see romance in BL about older characters, Ossan’s Love is right there. The entire drama is about 30-somethings and much older dealing with life and love. There is no wistful stuff about “things were easier when we were kids” in this show at all. It is very much grounded in the perspective and dramas that people in their 30s and 40s and 50s are dealing with in life and romance.
Twig
I feel like the one other thing that I always feel the need to call out about the first season is Haruta, because of what his character is struggling with, is physically uncomfortable with displays of affection, and particularly with kissing, in the first season. And that can be off putting too, but he makes it clear verbally that he's not actually against physical affection, he's just familiar with it? It is one of the things that the show does better later on.
00:28:23 - Love or Dead and In The Sky
Ben
Let's talk about the movie! Ossan’s Love: Love or Dead.
Twig
[laughs] Every time I think about that title, it makes me laugh, ‘cause it's just so extra.
NiNi
I'm sorry, Love or Dead?
Ben
Mhmm.
Twig
Oh yeah.
Ben
The premise of this movie is at the end of season one, Haruta got an opportunity to go work in Shanghai for about six months, and the guys are going to be facing a separation for a bit. There's drama when Maki goes to pick up Haruta ‘cause he's found in a compromising position, and a big part of this is Maki still dealing with his anxiety around whether or not Haruta can be a partner to him. Maki gets selected to be part of this high-powered real estate team, and there's a bunch of drama that unfolds involving a partnership with a drug peddling organization and then we end on like an action note where they have to rescue Haruta from a burning building.
Twig
There are explosions.
Ben
Lots of explosions.
NiNi
This sounds… delightful. This sounds like exactly my kind of crack.
Ben
You should watch it sincerely.
Twig
It is delightful.
Ben
If you're not certain about Ossan’s Love, legit, watching Ossan’s Love: Love or Dead is not a terrible place to start. It's a two-hour outing that covers the basic ground of the franchise, has some really strong moments, and is super cracked out.
What's so fun in it is, we talk about the retooling of the characters. In season one, Maki and Kurosawa beef a lot over Haruta and legit get into physical brawls over it. This is a feature of the entire franchise. These men scrap on the regular. There's this great moment when they're trying to rescue Haruta from this building where Kurosawa's role as their mentor comes through and he reads Maki about how he's always holding back in the relationship. That's what I think works for me the most in this franchise, the collective love that everyone has for each other. It's true that Kurosawa is not going to succeed as a romantic rival to Maki in this story, but that doesn't mean that he's not important to everyone and everything going on. And I really, truly love that.
Twig
His mentorship relationship with Maki really starts to flourish in the movie, the moment where Maki’s hanging off of a ledge and Kurosawa is helping him physically back onto the ledge so he doesn’t fall into the flames, but also verbally telling him what he needs to do to save his relationship. This movie is not subtle with its metaphors. But it's such a good moment where we realize that Kurosawa plays that role for Maki, too, of a mentor, and that he's willing to do it for the relationship, even at the same time as being a love rival. And it sets up the new season really well.
Ben
The movie matters to the timeline of the series. The movie is not just some sort of one off moment that occurs. The events of the movie are built into the characters, and it was the beginning of them retooling how these characters function.
NiNi
This sounds like a very experimental type of series, just the way that they do different things each time. While they are refining their central characters and the central storylines, they're also experimenting with style and tone, and a number of other things it feels like?
Twig
I think that's really true. One of the things about the movie that's really fun is it's the first instance of sports in the series. We get Justice playing basketball with Haruta and working his feelings out through basketball.
Ben
JUSTICE!!! [Twig and Ben laugh]
Twig
Love and peace! And that becomes a huge part of the AU and also part of Ossan’s Love Returns that I think really adds to the experience. They try things out and then if it works, they pick it up and add and yes, and it, and then they pull out the things that didn't really work. I find that really interesting to watch happen.
NiNi
The concept of something being iterative like that in real time, it's not for everybody.
Ben
This series went on to do something super experimental where a couple of months after they released a continuation movie promising that these characters would get back together, they released an alternative universe season where only Haruta and Kurosawa were present from the original cast, and now we're at an airport dealing with a completely different set of characters and a slightly different dynamic.
It also gave Twig and I our favorite bit.
Twig
[laughs] Dispatch! 👍
Ben
Dispatch! 👍 Oh my God. It is so funny, every single time.
NiNi
Every time.
Ben
Every episode has at least two dispatch moments. [Twig laughs] It's so fucking funny.
Twig
Sometimes it's to end a conversation. Sometimes it's to greet somebody, sometimes it's to shut down a conversation, distract from someone saying something you don’t want them to say.
Ben
So in this particular season, Kurosawa is still a leader. He is the captain of a flight crew. Haruta is a new flight attendant who is joining this team. In this case, Kurosawa is not Haruta’s long-term mentor who has been harboring a crush on him. He develops his crush in real time. Haruta moves into company housing and there's a slightly older guy there who's got a crush on Haruta, but he won't say anything about it. And then there's the meanest twink who's ever existed in BL.
NiNi
I mean y'all just seem to be giving me multiple reasons to watch this show at this point, so.
Ben
So in the second season, there's far more complicated people in the Haruta stuff. There's Kaname who is the older mechanic who lives in the dorms, and he's got this huge crush on Haruta, but he'll never say anything about it. Naruse is causing fucking problems all the time, because every time he has relationship drama and people show up at their airport to fuck with him about it, he just starts kissing Haruta to make people go away. And then people throw drinks in Haruta’s face over it. Because Tanaka Kei is a master of physical comedy.
Twig
One of the staples of the series is what I call the Haruta reaction supercut, where they just have multiple cuts of Haruta’s face as it morphs into more and more absurd huh, no, whaaa faces. He does bend his body in ways that's like a cartoon falling over, it's pretty incredible.
NiNi
Ben knows that I love physical comedy.
Twig
Yoshida Kotaro has incredible physical comedy, too.
Ben
Like if you ever want to see an old man try and kill an aging twink [Twig laughs], this is the show for you.
I get why people who liked the first show bounced off of this, because the rest of the cast is gone. The supporting cast is a really strong part of the Ossan’s Love experience, but I really like the AU season because I think it allowed them to retool Haruta and Kurosawa. And retool the relationship between them to make it more about their mentorship. They're building that relationship in the AU season ‘cause they don't know each other.
Twig
The thing that I really like about the AU setup is because Haruta is coming into a new environment, we get to see him build his network of people around him over the course of the season. Showing us what's likable about Haruta because he has to charm all these people around him in order to get friends and build a community, is a really important piece of the puzzle that allowed me to get to like that character a lot more, because he was charming me at the same time.
Ben
We get a lot of great moments in the season. Kurosawa has been a pilot for 30 years and he decides to retire and everyone is sad about it. I'm sad about it, Twig is crying about it.
Twig
Mmhm.
Ben
He ends up inviting the three guys who we've mentioned out to hang out in the park with him. He has this sumo tournament with them where he's basically giving them the last bit of advice he's going to give them and it is, one of the most intensely emotional man moments I have had in this genre. I was losing it and I was crying. I was hollering and screaming, messaging Twig like, “Wake up, I need to talk about this right now, I don't care what you're doing. Get up.”
Truly, it is one of the best moments in TV about the relationships between men that I have ever experienced, and it is this hyper ridiculous sumo wrestling moment in a gay romance drama in the AU season that is technically not canon, and it was the moment from the series that lingers with me the most.
Twig
Even in the moment they're looking at each other like, is this happening? How is this happening? This isn't real. Nobody does this. Nobody calls each other to the side of the river with a note [laughs] to hold a wrestling competition in which we talk about our feelings.
Ben
But it works really well. I ended up really loving the way it allowed us to think about these two men and the relationship between them. We get to appreciate how important Kurosawa is to Haruta.
Twig
That sumo wrestling moment allows us to see Kurosawa's relationships with all of his subordinates. The way he's so firm and so gentle with Naruse, with like “soft landing,” meanwhile, throws Haruta out of the ring.
Ben
The way he talks to all of these men as specific to them, like his role as leader is strongest in the AU season. My primary concern for the Thai adaptation is who is playing Kurosawa, because this character is as important as the romantic leads.
Twig
I think it's more important.
Ben
I am with Twig. Who is going to match Yoshida Kotaro in Thailand? I need to know.
Twig
I'm eagerly awaiting that announcement.
NiNi
The answer is going to be Nu Surasak or Kob Songsit.
Ben
I really hope it's good.
00:39:00 - Ossan’s Love Returns
Ben
Ossan's Love Returns reunites the original cast after five years. Maki is returning from an extended stint in Singapore, and now he and Haruta are gonna start their cohabitating married life together. Maki is now part of the super team at headquarters, following up on the movie. Haruta is still on the streets with regular folk, ‘cause that's where he wants to be. Kurosawa has retired, I liked that follow up from the AU season. And now he's working as a housekeeper. Maki is working too much and Haruta is still bad at house, and so they hire a housekeeper, who ends up being Kurosawa [Twig laughs] who cannot hold back his feelings for Haruta and it becomes one of the ongoing dramas of the season.
One of the things I enjoyed in this season is… they explore how to integrate Kurosawa into their lives long term. Haruta is serious about Maki and committed to their romance. Kurosawa is also extremely important to him and he treats him like a father figure. They explicitly have Choko talk to Kurosawa about how a lot of the ways he feels [laugh] about Maki are a lot of the ways a mother-in-law might feel about their daughter-in-law with the way they beef with each other. And when we say they beef with each other, I mean, these two men are legit fighting in their kitchen, like Kurosawa hits Maki in the head repeatedly with a frying pan. Maki legit throws Kurosawa through a door at one point and knocks it off the hinges. These two men, when they scrap with each other, are fighting for real and I love it every time.
NiNi
It's just like you all conspired to come into this recording booth today and just be like, okay, so you say this and I'll say that and between us we're gonna get her to watch this, because she likes this kind of stuff.
Ben
I didn't really have to work that hard. We're just legit talking about what the show was doing. We get a really great season of Maki and Haruta settling into what their life is going to look like. There's some introduced new characters in the season that we all had very complicated feelings about who I think end up fitting fine by the end. Most of the original cast comes back and there's like a really great bit of exploring what all these characters settling into their relationships that they got into in the first season in this one.
So Haruta and Maki are now living together and figuring out what that is going to look like, who are they gonna be as a couple now that they're not doing long distance ‘cause they've basically been long distance between every outing. Which I think was a clever choice because it means that the characters’ relationship dynamic doesn't really move that much between outings.
Choko is now living with Maro and Maro’s mom, and Choko is struggling because she's older than Maro's mom. She can't just treat this woman like her mother-in-law. And Maro doesn't know how to help because he's caught between his wife, who's way older than him, and his mom, who's confused and a little bit uncertain about this whole dynamic.
Twig
I also love that that's not the only thing we see Choko having worked through in the time we've been apart from her. She opened an archery range after her divorce, and sort of reinvented herself with this new life that she's actually thriving in.
Ben
They get new neighbors who are a bunch of weirdos.
Twig
[laughs] They're so weird. They're so weird.
Ben
These two are revealed to be members of, like, a public security division that maybe doesn't actually exist. Izumi ends up becoming obsessed with Haruta because he's a doppelganger for his dead lover who was killed in the line of duty, who is very, very different from Haruta. It was fun to see Tanaka Kei play a very different type of character in those flashbacks. I don't know that it entirely landed for me over the course of the season, but by the finale, which was fantastic, I was okay with them.
Twig
A large part of the way they were written is that they were a mystery for a large part of it, too. It's hard to bond with a character that you know nothing about and is intentionally opaque.
Ben
Chizu is trying to make it as a single mom and this reinforces one of the big themes of the season, that family is all the people who are going to show up for you all the time. She relies on Teppei and Maika to help, and she feels guilty about this and they tell her straight up, like, don't feel guilty. We are a family. You should rely on us.
She had already made Haruta and Maki designated adults who can pick up her kid from the daycare. An important gay right of passage is your friend calling you and telling you I need you to go pick up my kid, and then you show up at said kindergarten to pick up a kid and they look at your ID and they go “oh you're allowed” and the kid runs to you and everybody goes, well, that makes sense. An important gay moment that everyone must experience.
Twig
One of the things that I love about this so much is that it picks up from a throw away line that Chizu says in the movie. She sort of brags that she's going to balance having a kid and her career. One of the things about the series is that it really feels like the people who are writing it love the whole series and are constantly thinking about how to call back in loving ways and how to pick up threads in loving ways. Something that she just sort of confidently stated she was going to do no problem in the movie becomes a whole plot in the following season.
Ben
There's a final arc in the season where Kurosawa has a health scare where we think he's going to die.
Twig
When we were talking about it, Ben, you said that it was an important moment for Maki and Haruta to confront the idea that Kurosawa won't always be around. And I was like, oh, that's why I don't like this part because I don't want to ever think about that. [Twig and Ben laugh]
Ben
The entire finale is this really great examination about the way this whole group of people are a family to each other.
Twig
It's not even just that it's happening, but they're explicit about it. They're having conversations about what is family? What are we to each other? How do we define our relationship? Where do those lines get drawn? And the answer is just sort of, yes.
Ben
There's an explicit line, like, what is Kurosawa to them? And then Maika comes over and hammers it home for the audience and is like, “There's no need to describe it. What matters is you all are going to be part of each other's lives forever.”
00:45:33 - Final Thoughts and Ratings
Ben
I don't think we talked about it as much. So, the first season is pretty light on kissing and intimacy between the male characters. Ossan's Love Returns is not! There's so much married intimacy between Haruta and Maki.
Twig
The casual intimacy in Ossan's Love Returns is constant, and it just feels very lived in? They're just constantly touching each other and having small kisses and teasing each other.
Ben
We got more of that today in the unexpected special spin-offs we're getting. I was like “ohh, I thought we were done. Oh, it's another cute little 20-minute office episode ending on the two of them making out next to the copier.” Love it.
NiNi
This is called Forbidden Gout Temps Nouveau.
Twig
Mhmm.
NiNi
I have so many questions, but I feel like I should not ask those questions right now.
Ben
My general attitude is you don't need to watch all of Ossan's Love to enjoy parts of Ossan's Love. I think if you are interested in gay domesticity and complex family units, you can just watch Ossan's Love Returns right away.
NiNi
I'm watching it all. Eventually. I don't know when. There's a lot going on in the IRL space right now, but I'm gonna be watching the whole thing.
Twig
I feel like I should say something about the original short. It has a lot of the things that people found the hardest to swallow about season one. A lot of the stuff that they did originally they fixed or did better as they moved through. I would say the short is the thing to skip, of all of it, unless you're really curious about the journey of this franchise.
NiNi
I'm really fascinated by the idea of this as a reserve process of working through and refining the show in kind of a real time. I would like to see the whole thing just for that purpose. I'm a writer, so the way that this feels like multiple drafts, and you getting to actually see the multiple drafts to see why they might have decided to make a particular change in the next draft, or why they would have gone for an overhaul, or what would they have tweaked around the edges. I like the idea of looking at that.
Twig
It is not just the writing that they iterate. We haven't talked a lot about the visual effects that this show uses, but it has its own style. One of my favorites: it uses the bokeh effect, where the lighting in the background is blurred and sometimes takes shapes. It starts from the very beginning. You'll see the lights behind Kurosawa make little hearts while he's confessing to Haruta and Haruta’s has little like stop signs. [Ben laughs] And then they get bigger and bigger with that where Kurosawa’s hearts have little like heartbreak. They have– there’s little, like, zigzags in the hearts behind him when he gets rejected. Sometimes he'll be crying tear lights. That’s just one of the things that they play with in the different versions.
Ben
Naruse having that whole tantrum trying to get someone's attention for help? Then having that super cut of them screaming and then smash cutting to them just sitting at the table. There's like the courtroom audio stinger that dominates the first season that I fucking love [mimics the sound] thing that happens over the course of the whole season. It's so, so dramatic, and I'm like, “Is Judge Mathis gonna walk out? What is happening?”
Twig
Oh, and they do this thing where they hard cut to a visual metaphor like water leaking out of a water bottle or a pot boiling to represent the character’s emotions. There's so many visual moments. It's not just written well and acted well. It's also represented visually really well, and seeing how they experiment with that and how that changes. Like, the weird bobble heads we got in the AU season. I'm still not over those. I'm glad those didn't return.
Ben
It is not a perfect show. This is not a “Everybody was wrong. They should have watched all of this. Grab your pitchfork!” situation. This is not an easy show to love. If you can find your way to loving the show, I think it has been one of the most rewarding watches I've had in the genre since What Did You Eat Yesterday?
Japanese BL is different from Thai BL. More experimental and weirder things are gonna happen over time if the series has a lot of leg in it, and Ossan's Love is one of those that has so much leg in it. Like the second season just ended, and I'd be okay if we don't see them again, but, I really hope we do.
Twig
Me too.
NiNi
All right, so let's get into ratings. I mean, is this the kind of thing that you rate? Instead of rating, let's rank. If you had to rank the different parts of the Ossan's Love franchise, how would you rank them? In terms of, for you, most enjoyable to probably the least enjoyable?
Ben
Well, the least enjoyable is the original special. It's the most rough and the hardest to swallow. I think the best season is the current one?
Twig
Yeah. I mean, for me, it's basically chronological order, I think. I struggle between the film and the AU ‘cause I like them for different reasons, and I struggled with them for different reasons. But I think Naruse tips it over there so that it stays ahead.
Ben
[Ben and Twig laugh] I love that mean twink!
Twig
He's just so great.
Ben
I don't know that I'd want to…rank them that way. I think each outing adds something to it. It's really a question of, do you like seeing people try to get together for the first time, or do you really like seeing people be together? For me, I'm very partial to Ossan's Love Returns because it's about gay life drama, which is what I’ve wanted for a while. And so I'm really fucking enjoying that.
Twig
Yeah, I love it when people have to figure out, “Now that we're in this relationship, how do we make this work?”
Ben
But I also love the AU season. I think the retooling of Haruta and Kurosawa is actually really helpful. I think taking a break from Maki is actually helpful for appreciating Haruta when you come back to them. I think you end up liking Haruta more by the time you get to Ossan's Love Returns and seeing the potential in him. The love people are trying to pour on to him in the current season is more accessible to me as a viewer because I got to spend time with Haruta growing to love him in the AU season.
Twig
I also just have affection for an entire season that seems to have basically been built off of like a throwaway reference to episode one, when Haruta says he's most attracted to stewardesses. And then, and also, like, maybe a pun because Kurosawa’s character is called bucho which means, like, manager essentially through all of the regular Ossan's Love stories. But in the AU he's kucho because he's a captain. And I think that's very funny.
Ben
In terms of my ratings, I'm looking at on MDL, I gave Ossan's Love and Ossan's Love Returns a 9. But I gave the AU season a 9.5. [Ben and Twig laugh] So, there's your answer.
Twig
There you go.
Ben
Twig, what did you rate the second season? I know ratings aren't always your thing, but did you give the second season a rating?
Twig
I didn't. If I was going to give it a rating. Ossan's Love Returns? Yeah, I’d give it a 9.
Ben
It's a 9 for me in that I think if you're into BL, you should watch the show, but I don't know that it is the most accessible show, so I don't want to give it a 10.
Twig
I think the thing about this show, too, is it's about multiple relationships. It's not just about Maki and Haruta, and I wouldn't even say their relationship dominates the story. So, to rank it against other BL as a romance narrative is quite difficult. It's about family and what that means in a queer context. Part of that is romance, but it's not even the biggest part? The family feels is what gets me about this series.
Ben
That's going to do it for Ossan's Love. We have succeeded at our mission. NiNi has agreed to watch the show. Twig and I got to unpack the entirety of this whole franchise. We have the benefit of knowing it gets better over time now, and so I don't begrudge people bouncing when they did in 2018. I think that in 2024, it is beneficial for people who care about the history of the genre to go back and properly engage with Ossan's Love. I genuinely think it is worth reconsidering your initial opinion. They… grow. Their characters are not static. What has occurred is taken seriously and what worked and didn't work is considered as they move forward.
NiNi
That is going to wrap us up on the Ossan's Love episode. Twig, it was so great having you on, and I hope you come back.
Twig
Thank you so much for having me. It was really fun.
NiNi
With that, we out. Say bye to the people, Twig.
Twig
Dispatch!👍
Ben
Dispatch! 👍
NiNi
At some point I'm going to find out what that means, and then I will be unstoppable. Say bye to the people, Ben.
Ben
Peace.
#ossan's love returns#ossan's love#ben and nini's conversations#podcast#lgbtq#the conversation#on art#thai bl#bl series#japanese bl#spring series#spring 2024
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9 People You'd Like To Get To Know Better
Tagged by @visualtaehyun and @thegalwhorants 💕
3 ships
Need to limit myself because there are too many good couples in media! The three I'm most enjoying in what I'm watching right now are:
Qian and Yuan from Unknown
Kazuhito and Natsukawa from Living with Him / Kare no Iru Seikatsu
Aylin and Luna from 23.5
First ship
I've answered this before but I was reading galwhorants' answers and suddenly the words "world shaking" popped into my head, and I remembered that the main site I used to read Ami/Makoto (sailors Mercury and Jupiter from Sailor Moon) fanfic was on worldshaking.net so I looked it up and that site has been rebuilt and some of the fanfic restored! So if you are curious about what babyqueer me was reading ~1997 it's still around and you can go see for yourself (shout-out to the author & curator Erica Friedman who was [and still is] a mentor and community-builder for so many of us; she was the one who organized Yuricon which is still an excellent resource if you want to get into or understand the history of yuri!).
Last song
I'm a quiet TXT fan and I've been enjoying their new mini album; the last song I listened to was Quarter Life (which has the unfortunate effect of making me feel old since I'm long past the quarter-life crisis age lolol but it makes me nostalgic for the pop punk heydays):
youtube
Currently reading
I finished book 1 and am chipping away at book 2 of MoDu (Silent Reading); it is such a satisfying read! I need more hours in the day so I can keep reading it.
Last movie
I just finished the short Burmese film Khar Taw Mi (another Trust Entertainment work centered around Thingyan, this time around the cultural performance aspects rather than the water party parts, so lots of traditional music and dance). If we're talking feature film, hmm, I think it was either Doi Boy (2023) or Past Lives (2023), I can't remember the order I watched them in; I watched them both in March (and both were very good).
Currently craving
Honestly, what I most want right now is spoons to do the things I've been dragging my feet on doing. Food-wise, I was giving a colleague tips on visiting Newfoundland and now I'm craving soft-serve creamsicle ice cream, which I've only ever had in St. John's.
No-pressure tags! And if you've already done this one tag me in the comments: @lurkingshan (since we fought over ships last time); @happypotato48; @sorry-bonebag; @my-rose-tinted-glasses; @telomeke; @waitmyturtles; @bengiyo (especially for the movie question); @thisonelikesaliens; @hyeoni-comb
#tag game#thank you for tagging me#typed so that i can stop thinking it#i haven't thought about worldshaking in 20 years easy#wild what the brain retains
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i don't want to seem rude or hateful
yuri does have a point about you drawing your self away from those who love you and those you love.
that being said im not going to the extremes that Yuricon is.
honestly you are a wonderful partner. if anything I'm not a good partner.
I don't know what I'm doing wrong it's so frustrating, I don't even know why I try if I'm just going to keep getting people sent death threats over a boundry.
I don't know what do to i feel useless
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hey do you remember I sent in an anon about Inori mangaka? for I'm in Love with the Villainess.. people say "she" a gay woman but I don't buy it. I don't know where they get that info from. anyway, here's an interview with them, https://okazu.yuricon.com/2023/09/22/interview-with-inori-sensei-for-yuricon-2023/ and right now I'm trying to figure out if that voice is at all male or not @_@
based on voice alone the mangaka sounds female to me but i'm awful at clocking and i feel like... writing for the male gaze is writing for the male gaze. it's especially disappointing coming from other women, and especially a gay woman, but being female and being lesbian or intersex or whatever (i don't think we can take those claims as fact without more reliable sources) doesn't make you immune from comparing incest to homosexuality i guess!!! ://
i would've also guessed a man was behind this manga but there are lots of women who basically regurgitate male poison in their own work and, regrettably, it fuckin sucks as a result
like i was so excited about this manga bc as i've admitted before i love the villainess isekai trope and i have always thought it would be a perfect GL premise!! but then. incest. 😐 so i never got as far as any trans stuff, i'm sure the manga is continuing to reach new yuri lows as we speak
#answered#weeb hours#weebfem blood pact#don't compare homosexuality to literal incest challenge FAILED#but her shim chong is on tapas now so i get to reread that without the panels uploaded out of order#so. i'm content#everyone read her shim chong rn
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We’re so excited to welcome Erica Friedman as a guest for Citrus Con 2023!
Erica Friedman is the Founder of Yuricon and has run the world's oldest and most comprehensive blog on Yuri, Okazu, since 2002. She has edited manga for JManga, Seven Seas and Udon Entertainment, including Riyoko Ikeda’s epic historical classic, The Rose of Versailles.
Erica is the author of By Your Side: The First 100 Year of Yuri Anime and Manga, out now from Journey Press.
#anime convention#online convention#bl yaoi#bl manga#bl manhwa#bl manhua#yaoi anime#yaoi manga#yuri manga#yuri anime#gl manga#danmei#fanworks#fanfic#fanart#fandom#citruscon#citruscon2023
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Interview With Erica Friedman (Yuricon)
Note: this interview was originally performed on March 18, 2010 as part of an article series for Anime Dream. All communications were conducted via e-mail. Erica Friedman is the driving force behind Yuricon. When she isn’t spreading the gospel of girl-on-girl romance, she’s busy heading her social media company, Yurikon, LLC and her publishing company, ALC Publishing. Ms. Friedman was gracious…
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1 . i don't hate Yuricon she is s good friend that i deeply care about.
2. what happened to the orphanage
1. So you aren’t the one sending her anon hate?
2. So you know Jell-O right?
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yuricon pictures lol I already posted these but I feel like I'm not the best at graphic design
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Good stuff! I will say I'm p sure the reason utena was yaoi was bc the term yuri wasn't used that way yet (it officially became what we know in the early 00s) and b4 that lesbians also went to the yaoi pile. I could be misunderstanding and that's what you meant, but i like talking abt yuri lol. I think yaoi at that point was pretty much an umbrella for all the queer taboo works, but yaoi isn't what i know much abt
Also, the evolution of the term yuri has a few different phases, and to my amateur eyes it looks like yaoi has focused it's scope while yuri has expanded to where they're both similar sized umbrellas. Ofc, i could be misunderstanding ur brevity but i figure expanding on the yuri timeline with what i know can't hurt lol
For the term yuri, we all know abt the yurizoku column in barazoku but I've seen offhand mention that after that straight guys started using it for lesbian porn at comiket. The lesbians saw it and were like, hey, that's actually a p good idea. So when they were officially deciding how to call the genre in the early 00s yuri was on the table and got chosen.
Then it got stuck in a very iyashi rut for a while with publishers a bit suspicious of whether porn could be yuri, or if a certain level of contact made it "rezu". While also being cautious of whether discussion of actual queer issues would appeal to yuri readers, or if that would also be more of a rezu thing. Through the 2010s it evolved to just include all of those aspects as publishers realized yuri readers will read basically anything with girls flirting (going thru yuri hime's early 10s catalogue you can see the experimentation).
I'm not the best person to compare the 2 since idk much abt yaoi, but if i had to pinpoint the difference in vibe I'd focus on the dynamics. Specifically, as i understand it yaoi very commonly features hard line dynamics. Obv uke and seme, but even outside of those yaoi tends to lean into the stratification of the relationship while yuri tends to equalize. Like, even toxic yuri tends to lean into the characters having complementary traits that makes them worse together. While from my limited knowledge of toxic yaoi, it tends to have more straightforward abuse.
Mostly i notice that the yuri pairs i usually see getting called yaoi are ones with more competitive or contrasting dynamics. For example, kuromaya gets called yaoi pretty often and is quite competitive. But that's my 2 cents.
In case you didn't already know abt these sources, as yuri goes the yuricon website is a great resource.
There's also this paper from 2013 that has a lot of good info.
Hi! I came across a post complaining about the guy yuri poll and discourse aside, I vaguely remember you made a post about what is yaoi and what is yuri? I dunno if I dreamed this post up, but I've scrolled and scrolled and I can't find it. So, I wanted to ask (if you don't mind answering >.<), what is yaoi/yuri? (beyond the basic definitions) What counts as guy yuri and girl yaoi?
Uwaa ok so I will say Im planning to actually write a paper on this but I haven't done much research yet so ask in a few months and you'll hopefully have a better answer with cited sources. But here is a bit of what I'm conceptualizing at this point (corrections and additions very welcome!)
What set me down this path really was of course the fantastic Yaoizine hosted by tshirt3000, which includes a rather poignant author's note about broadening the definition of yaoi in public to the abstraction. Indeed, the actual origin of the term "yaoi" is an acronym for "yamanashi, ochinashi, iminashi" (plotless, climaxless, meaningless) from 70s doujinshi spheres wherein it was used as a somewhat self-degrading term to define a specific type of porn-without-plot self-indulgent indie fancomic. These were of course, mostly of the male-male variety. However, as the Yaoizine makes clear, there's not really an inherent gendering within the word in any sense but genre expectation-wise. This becomes particularly salient in the case of perhaps one of the most famous wlw romances out there, Revolutionary Girl Utena. Tshirt cites an interview with the creator of the anime, Ikuhara Kunihiko, where he refers to the relationship between the two main female characters (among other things) as yaoi, recontextualizing the term from merely a mlm genre into a statement on the dynamics of power and consumption as they relate to gender-- an act of sexual passion paired with a reversal of societal norms = yaoi in this case, which is why utenanthy fits perfectly within the term.
Conversely, yuri (lily) is a bit more difficult to analyze from a gender-neutral perspective as it originated not as a counterpart to yaoi, but instead as a counterpart to bara (rose, a term used to refer to erotic gay male content) used when lesbians would write in to gay magazines trying to hook up and whatnot. However, it's pretty agreed upon that the genre grew out of Class S literature, a type of literature based on girls, often senpai and kouhai, going to an all-girls school together and experiencing a connection that straddles the thin line between romance and homosociality. Homosociality like this among women has historically been and to this day remains somewhat under the radar and perceived as a "phase" or an amateur attempt at romance before a woman eventually marries a man. This is where we see significant overlap between pre/early modern Japanese male homosexual literature and lesbian literature, where homosexuality is seen as a youthful phase that will inevitably be grown out of (as in the case with the chigo system, LUG (lesbian before graduation), etc). Essentially, it was very common for the characters of early modern queer literature (mostly written by queer authors btw) to have brief and passionate schoolyard flings before graduating onto "normal" sexuality. Of course, these narratives fell out of style and are considered dead today, but their remnants can still be seen in the subsequent shojo and modern gl manga boom. The yuri that grew from this in the beginning was usually explicitly erotic, but still somewhat held onto the predominant themes of schoolgirl innocence and youthful beauty. Over time, meanings and terminology shifted, and the "yuri" we use today is more interchangeable with "gl", meaning it's not so much of an indicator of explicit content as "yaoi" is. However, I would still argue that one of the largest indicators of a story's "yuri factor" (if you could say that) is its ties to the establishing homosociality progressed into homoromantic relationship genre expectation. Of course, there are many wlw stories that subvert this, (as there are many mlm stories that subvert the yaoi or even bl template) but to me, if you were to compare yaoi and yuri's theming, yaoi's focus tends to skew more towards the intimacy in explicit eroticism, while yuri looks more into the implicit eroticism in intimacy. If that makes sense.
Of course, when looking into "boy yuri" there's also a transfem-coding factor to consider, which I think is what the majority of people have in mind when they refer to a couple as "boy yuri". Historically, there is massive precedent for feminization between male queer couples in historical Japanese literature, as well as in early modern relatives of bl, mainly Inagaki Taruho's work, so it would be somewhat disingenuous to say feminization is a purely modern, female-created phenomenon. But anyway, those are my (somewhat messy and likely inaccurate) thoughts so far, let me know what you all think. Have a happy yaoimas and merry new yuri, as they say.
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current yuri shelf I’ll have to rearrange (and HOPEFULLY add to). if I get a bookend I can replace the book nook with my framed pic of my gals. Oh I just realized I forgot to bring over my volumes of after hours so maybe my yuri shelf won’t have enough room.
1. if ‘ayaka is in love with hiroko’ gets a phys release I have to get that; 2) I need to actually sit down and read the official tl of black and white to see if it makes more sense or of it really is that the writing is a little confusing (but there’s the spectacle of violent office ladies so…) 3) I have all three volumes (digital) of hello melancholic which I’ve been meaning to finish, 4) if ‘Mr. Right Turned Out to Be a Younger Woman!?’ got a phys release I would get it. 5) I checked yuricon for the first time in a while, apparently that one villainess seduced the heroine manga got licensed?? lol??? it’s a little too gag pwp for me (especially for 2+ volumes) but I respect it. I really want the OL isekai one to be licensed…. And I *really* want the new one about seducing the black knight to be licensed… and this will never happen but my kingdom for a phys release of after the curtain call + sherbet above the sea of fog + I love amy. I’m procrastinating on work I’m gonna make myself tea and then finish
#misclb#orlbs#WAIT I ALSO DIDNT BRING LAURA DEAN KEEPS BREAKING UP W ME WHICH I HAVE#I also *do* have thieves which is a hs f/f that I picked up randomly but I’m lukewarm on jt#I should see if the library wants it or if anyone else does#it’s not bad the writing and art is fine it’s just hs in a way that doesn’t appeal to me#I also really liked some of mira’s shortform f/f but their full volume f/f somehow doesn’t hit for me…#again I think the writing is fine (and the art is great I love mira’s art)#but rq & peony… just wasn’t for me#if I could have one (1) wish#well actually I probably wouldn’t wish for bones to make a full f/f office lady gn BUT it’d be p close
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A question for you because you seem like one of those people who has watched everything: how did you get started watching bl, and what are your ultimate favorite shows?
Double-barrelled! I'm honoured.
How did I get into BL?
The short answer is that ~2016 the YouTube algorithm served me up Lovesick and I immediately went EXCUSE ME WHAT IS THIS and looked up everything else available and watched literally everything I could get my hands on (which at the time was easy because there was only a handful compared to today, but it still felt like a wealth of content to enjoy).
The longer answer is that I used to be really involved in GL (I was the secretary at the first Yuricon in North America in 2002 or 2003) and then BL manga fandom (was in a scanlation group for awhile) through ~2006? so its extra hilarious that this wasn't my route in; I apparently took a break right before they started making live action versions in Japan. But when I got into Thai BL it was fun rediscovering these tropes in a new medium and through the lens of a new-to-me culture, noticing how they differed and how the genre had matured (and how it hadn't), and on catching up on the stuff out of Japan, seeing some of the manga I read over a decade ago come to life! So I mention this history because it's definitely a part of why I stayed (and probably why the algorithm found me relatively quickly).
I only started tracking things in a spreadsheet in 2020 (and it's not nearly as comprehensive or useful as @absolutebl 's), but I did try to backfill the highlights of what I've seen and I have over 550 rows on there, fwiw. I'm a completionist so I do try to watch everything, though that's getting more and more impossible these days.
Ultimate Favourite Shows
This question is so hard. I know you didn't even give me a limit but you have to understand @lurkingshan, I can't choose favourites, I have a draft top ten list that has been blank for 3 years because I can't commit. Okok. I'm just going to list shows as they come to me (not in any particular order):
Thailand: Until We Meet Again, He's Coming to Me, Diary of Tootsies, WhyRU, Ingredients, Not Me, Secret Crush on You, I Told Sunset About You & I Promised You the Moon, Triage, You're My Sky, Make it Right, La Pluie, My Ride, Bad Buddy, My School President, Laws of Attraction, Moonlight Chicken, Dear Dr I'm Coming for Soul, To Sir With Love/Khun Chai, The Eclipse, Midnight Museum, Lovely Writer... Grey Rainbow [ducks, hides, runs away]
Japan: Doushitemo Furetakunai (no touching at all), Kinou Nani Tabeta (What did you eat yesterday?), Our Dining Table, Takara-Kun and Amagi-Kun, Old Fashioned Cupcake, 7 Days (mon-thurs & fri-sun), His (miniseries & movie), I Want to See Only You, Kieta Hatsukoi/My love mix-up, the Cherry Magic Movie, Life~Senjou no bokura/Love on the Line, 180 Degrees Longitude Passes Through Us, Given (anime is my fave version), Tokyo in April Is..., Cornered Mouse Dreams of Cheese, Utsukushii Kare/My beautiful man
Korea: Our Dating Sim, Semantic Error, The Lover [BL side], Color Rush, Blueming, Cherry Blossoms After Winter, Love Class 2, Made on the Rooftop, Discipline Z, Light on Me, To My Star (yes both seasons), Strongberry (faves are Long Time No See, Confidential Coffee Break, and A First Love Story), Sing My Crush, Just Friends?
Vietnam: Goodbye Mother, Hey! First Love, Nation's Brother, You Are Ma Boy, Follow My Sunshine, FOOLs, Tien Bromance: My Small Family, Love Bill
Philippines: Gameboys, Gaya sa Pelikula, Boys Lockdown, Cheat [warning: horror], Your Home, Better Days
Taiwan: Be Loved in House, My DNA Says Love You, We Best Love (1 & 2), HIStory (Crossing the Line is my fave, and second fave is...Make Our Days Count [ducks, hides, burrows into ground]).
Other: Summerdaze (short from Singapore), Stay Still (Hong Kong), HeHe and He (Hong Kong, final season in progress but s1&2 are so funny) and the bromances/difficult to categorize: Scumbag System, Word of Honor, The Untamed, Guardian, Coffee Prince, Bromance (Taiwanese), Great Men Academy, Mr Queen, Sleuth of Ming Dynasty, SCI Mystery
*deep breath* ok I'm stopping lol narrowing it down any less than this gives me pain so I won't try. Also I'm sure I forgot something obvious (and Tumblr was eating drafts of this at various points). All I can say about this list is it's under 100 and that's the best I could do.
Thanks for the ask, and to anyone who made it this far thanks for reading!
#thank you for the ask!#multi bl#rec list#i remain a parody of myself and unable to choose favourites#thank you for coming to my ted talk#ask game#typed so i can stop thinking it
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i hope you don't mind i gave Yuricon your discord
She already had it because an anon gave it to me a while back :p
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