#young art exhibition

[abitdragonobsessed]

I think they might be a bit fruity for each other

[garadinervi]

From: Sarah Cain: 'Music Book', Edited by Ian Berry and Sarah Cain, Text by Sarah Cain, Graphic design by Purtill Family Business, Co-published by the Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, and X Artists' Books, South Pasadena, CA, 2021, Facsimile artist's book [© Sarah Cain]

Exhibition: Opener 33: Sarah Cain—Enter the Center, Wachenheim Gallery, Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, July 10 – December 19, 2021

[art--harridan]

[Image description: A digital drawing of Amanda Young from the Saw franchise. She's wearing her outfit from the third film, but has her hair from the first. She's wearing the reverse bear trap, which leaves only the top half of her face visible. Her eyes are open wide and staring directly at the viewer. Eyeliner runs down her cheeks. In one hand she holds overflowing needles which are falling from her loose grasp. In the other she has a tape recorder. Her arms are stiff, as if she's a posed mannequin. Bandages are wrapped around both of her wrists. These bandages, the tape recorder, the needles and the reverse bear trap are all coloured a bold light blue. Amanda is coloured bright white with grey shading, while the background is a darker grey. It also has a subtle spiral pattern to it.]

[fashionbooksmilano]

Chul-Young Choe

Installation !!!

Mönchehaus-Museum für Moderne Kunst, Goslar (Germany) 1999, 40 pages, 21x25,6cm,

euro 50,00

email if you want to buy booksinprogressmilano@yahoo.it

Südkoreanischer Künstler; Kaiserring-Stipendium 1999 im Mönchehaus-Museum zu Goslar mit mehreren Ausstellungen im In- und Ausland)

Sehr seltener Kunstkatalog, heraus gegeben 1999 vom Mönchehaus Museum zu Goslar in deutscher Sprache, fast durchgehend bebildert mit dem Titel

10/06/24

[artfoli]

The Garden | LEBEN YOUNG

Sourced from beaches and rivers across New Zealand, layers of sand, coal, stone and paint are built up into surfaces that cover and contour various forms and objects, evoking geological time and processes. Small, individual objects are combined to produce larger components that oscillate between object and topographical representation. A free and playful approach to the assembly of the work allows for loose threads of narrative to escape and weave throughout the installation.

[oliwiawojciechowska]

Gdansk Poland,

Beksinski exhibition 2023

Zenit 12xp

Ilford PAN 100

[gittelore]

[gabrielesalvaterra]

Vincenzo Merola FLAWS curated by Gabriele Salvaterra Egna (BZ), Kunstforum Unterland 1st - 15th June 2024

Vincenzo Merola si innesta con il suo lavoro su una doppia tradizione, quella dell’arte concreta e delle sperimentazioni verbovisive. Linguaggi apparentemente molto diversi ma che condividono tra loro l’ambizione a utilizzare il piano bidimensionale del supporto come campo per investigazioni di natura rigorosa e concettuale che, però, riescano ad avere anche un aggancio di natura estetica. Ciò che però costituisce la peculiarità e la freschezza nella ricerca di Merola è la capacità di servirsi di questi esempi ormai storicizzati per deviarli ai suoi scopi. In questa maniera, all’interno di forme nate da una certa rigidità e chiusura, cominciano a fare capolino aspetti che riguardano la casualità, la comunicazione, la cronaca, il corpo e la propria quotidianità. Si possono così incontrare diagrammi che traspongono e analizzano drammatici fatti di cronaca, simbolismi geometrici che mappano il proprio orizzonte esistenziale giornaliero oppure quadri astratto-concreti formati applicando sistemi compositivi aleatori. È forse in questo che si inserisce l’eresia e la deviazione più sensibile nel lavoro dell’artista: realizzare opere compositivamente ineccepibili, riferimento a una storia molto attenta agli equilibri del dipinto, che per assurdo vengono portate a termine senza investimento intimo ed emozionale. In questo affidamento al caso c’è in realtà una profonda consapevolezza della relatività di tutte le cose, come anche della piccolezza dell’umano nei confronti della realtà nella sua interezza. Per Merola questa operatività è un modo per uscire da se stesso e vedere in maniera più spersonalizzata. Per l’osservatore è un invito a riconsiderare la propria posizione nel mondo, apprezzando anche equilibri cromatici che stimolano l’attenzione per la loro delicatezza e leggerezza.

[hellguarded-moved]

" you're insane! " ' insane for you. ' ft. @fanaticist

[mono-phile]

dreams and hand-dripped sorrows, one day off ep 2

[irenesrealm]

This day was so fun to dress for🌈

[garadinervi]

From: Sarah Cain: 'Music Book', Edited by Ian Berry and Sarah Cain, Text by Sarah Cain, Graphic design by Purtill Family Business, Co-published by the Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, and X Artists' Books, South Pasadena, CA, 2021, Facsimile artist's book [© Sarah Cain]

Exhibition: Opener 33: Sarah Cain—Enter the Center, Wachenheim Gallery, Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, July 10 – December 19, 2021

[dykenav]

god so many young the giant songs are so ronan-coded I’m sorry. something to believe in. oblivion. tightrope. mind over matter. mirror master. listen and tell me I’m wrong

[addictedgallery]

We're excited to share that João de Castro’s “Let’s Give Them Something To Talk About" has made it onto ArtLand's "Top Exhibitions" list.

João's fine art photography transcends mere sexuality, capturing moments where power seamlessly shifts from photographer to subject, epitomising liberation and authenticity.

In this exhibition, João's lens reveals women in their most intimate and raw states—naked, alone and seemingly unaware of the viewer's gaze. These high-contrast black-and-white images, characterised by dramatic lighting and striking composition, celebrate the subject's uninhibited self-expression. João's unique relationship with his models fosters a safe space where they can explore and unleash their true identities without judgment.

If you haven’t visited yet, it’s not too late. Simply click HERE

[kwojciechowicz]

Zapraszam na mój wernisaż zorganizowany dzięki Gallery of Young Polish Art | Dom aukcyjny oraz @VolvoCarsWarsaw. Tym razem w przestrzeni Volvo Studio zawisną obrazy i staną moje manekiny. 🙂

Wernisaż prac odbędzie się 7 marca o godzinie 19:00 przy Marszałkowskiej 89 w Warszawie.

Wszystkich zainteresowanych wydarzeniem zapraszam do zapisów na stronie Volvo: https://volvocarwarszawa.pl/eventy/

#wernisaż #wystawaobrazow #goypa #volvocarwarszawa #kamaarts #kamilawojciechowiczkrauze

[oliwiawojciechowska]

exhibition