#you're right on the money!!!!

[muzzlemouths]

Phew. So! This is heavy spoiler alert for anyone who stumbles upon this and hasn’t gotten to Chapter Six yet, so beware fellow fans!

—

I just wanted to swing by and drop my absolute batshit ramblings because I’m genuinely eating this fic up. ((Huge horror fan)) I can’t help but notice everytime Ducky/Badger/We- go a little off the deep end.

I first noticed it with the fight with Dolly, the way we really do shift into this biting, growling dog, which is ironic considering it’s brought up in the story. There was a second time but this third time, where we go digging through Chet.. the way we dangle that we know who’s killing them, like it’s a dark little secret. (And so long as the polls are willing-) it is only the councilors right now, we know Sun and Moon are doing these things and we’ve, again so far- skipped past with only scrapes and bruises.

The way we got dark when Devin called us Ducky- “are we useful again?” It sounds so mean, like the wrong word being said and it would be *us* doing him in. And I have full, FULL believe that Moon/Sun hadn’t left us that entire time. Surely they’ve noticed this too. ((If this is real and I’m not heavily delusional!))

I dunno, maybe I just think it’s funny if Sun (and Moon?) had a ‘I can Fix them’ attitude with us instead haha. /j. (Unless?) anywho I’m cradling their cheeks and putting a thunder-buddy on Sun. 💛

You aren't just imagining it! They are absolutely trying to "I can fix them" each other.

Consistent stress can really take a toll on one's mind. It has the ability to make you feel numb, confused, or outright hysterical, and oftentimes when someone has been under heavy amounts of stress for long periods of time, it can blur the line between "right and wrong". What we're seeing now is the result of someone being pushed to — and past — their limits.

It goes deeper than that, of course. The underlining "lesson" to be learned in this story is that everyone — no matter their upbringing, no matter their assumed ethics, no matter the mistakes they've made — has the same capacity to make decisions that are morally admirable and morally condemnable. Not or — and.

Morality functions like a light-switch; there's no locking it to just one side, and every situation is going to be handled differently based on not only one's own perceived sense of moral code but also outside influences. Even Oscar, who only ever treated Y/N kindly for their entire friendship, slowly sank back into old habits and behaviors once reintroduced to the friend group.

Sun, himself, does not think what he's doing is "bad" to begin with. In this scenario, he believes himself the hero.

The problem here, then, is that the two of them are fighting over the moral light-switch, both believing themselves to be in the right, and neither of them realizes that in doing so they're giving everyone else in the room a goddamn seizure.

[theabigailthorn]

British producers be like: THEM: "We love this! Let us put our heads together and get back to you early next week!" SIX MONTHS LATER UNPAID INTERN FOR THAT COMPANY: "Everyone you spoke to has been sacked, we hate you fuck off."

American producers be like:

THE MOST IMPORTANT PERSON YOU'VE EVER MET: Hey kiddo do you wanna meet The Rock? Do you wanna meet Margot Robbie? Do you want to fuck my wife? I can't give you a job but gosh darn it you've got moxxy, let me put you in touch with Doug Bigcheese, the biggest producer in Hollywood! DOUG BIGCHEESE, EMAILING YOU BACK WITHIN 20 MINUTES: Hey kiddo, that guy said you're awesome! Lemme ask round town and in the meantime you can live in my house borrow my car and by the way have you met my wife?!

[fascinationstreetmp3]

I have what you're looking for. High quality. Befitting a man of my tastes. I have a room over on Divisadero, not too far a walk.

[deoidesign]

ok I've been teasing about this comic a long time if you're interested you can save the page!

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[alighterwithlove]

if you talk to the average conservative voter, they'll always talk about their conservative representative with unabashed enthusiasm. "this guy is supporting my rights!!!!!" even when the representative is very much not supporting their voting constituents' rights in some cases (ie. poor white ppl not realizing they're getting poorer because of their representative)

and I bet that's why conservative candidates are so good at winning. any person listening to their voters only gets a great impression of the candidate.

and if you talk to the average liberal/leftist voter, they all hem and haw. "oh yeah, I voted for them but they're Okay, they're Disappointing. they haven't done this. they haven't done that." and I bet if you fucking pressed them to state some Good Beneficial Legislation they've passed, either the voter 1. can't name any, or 2. has to attach caveats. ("yeah biden passed student loan forgiveness BUT not ALL loans were forgiven")

why aren't we ever excited about incremental progress. why aren't we cheering to the sky about every win. maybe more people would vote if there was genuine excitement, the same type of excitement that conservative voters seem to have about anything labeled "conservative".

I'm just so fucking tired of hearing ppl be like "I'm just disillusioned with my leftist representative" EVERY TIME but are DEAD SILENT on the small victories, the progress. conservatives know how to do this, and that's why they build momentum into the next election. why does this seem impossible for the other side.

[kirby-the-gorb]

[pokimoko]

Hello!! i just discovered your blog and firstly i wanna say that your art is gorgeous! <33 and secondly, if youre still taking requests could i get a lesbian/non binary cheetah? /nf

Thank you! Cheetahs be upon ye!

[brainrotcharacters]

Have a romp in a Honda Odyssey now and fix your marital disagreements today!

[stop-breaking-my-heart-dragonage]

my greatest achievement in DA2 is maxing out Carver's friendship

and all it took was begrudgingly kissing a little templar ass in act 1 because Carver didn't want to plan a prison break if my Hawke got his ass arrested for being stupid.

[schnaf]

MONEY ON MY MIND

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[starryeyeddreamer21]

The fact that Vox could be Santa Claus and actively chooses not to is the reason I can't fuck with him on a fundamental level

[arctic-hands]

For real tho health freaks who scream about how sugar and salt will kill us all and try to push for restrictions on things like candy and chips for SNAP recipients or politicians who try from time to time to replace food stamps all together and give out Government Approved Staples like bread and peanut butter and Government Cheese are gonna kill a whole lotta sick and disabled people like

Diabetics

POTS sufferers

Hypotensives

People with peanut allergies

People with celiac disease or wheat allergies

The lactose intolerant

People who can't eat solid food

People who are undernourished for any reason and need all the calories they can pack on

So-called "picky eaters" who can't tolerate certain tastes and textures without getting violently ill

A myriad of other human conditions that cannot be neatly tallied into categories because the human body and human experience is vast and infinitely variable

But I don't think ableds really care about us and our health like they like to claim so they can harass us about it, do you?

[sukibenders]

Look, I enjoy the Targaryens as much as the next person and think that their house, their family mess, all of it is very interesting. I want a dragon so bad and they are one of the reasons, I get it. But, on the same hand, it gets annoying when people say/act like they are the only interesting house within ASOIAF (this rhetoric is mainly on Twitter, from what I've seen) and it primarily has to do with them having dragons (to which, for a time many Targaryens didn't have after the dance and until Daenerys came into the picture). Look, having dragons is cool and all, but if that's all that makes a house interesting then maybe that house is boring. And, could be just me, but by saying that I feel like it's lowkey disrespecting all the work GRRM put into the other houses and their characters. If the Targaryens are your favorite that's fine, but there's no need to act like the lore behind other houses also isn't just as important. I'm new to this fandom, but there are so many aspects that have pulled me in and it's sad that people ignore it just because it's not a part of one particular house.

[unlikecharlie]

every comment or post that I see yelling about sympathy, empathy, and reminding us that those people are humans with lives and families only makes me wish they're dead even harder. matter of fact, I hope they all suffer as much as possible and then go to hell and suffer even more. there