#you're not revolutionary

[fixaidea]

Watching this video and at 21:20 there's an excerpt of an interview with Sarah J. Maas where she brings up Lord of the Rings, Lord of the FUCKING Rings as something that doesn't properly include PTSD, like.

Dude. Girl. Miss Ma'am. What's a Frodo, we just don't know.

[transexualpirate]

i won't, because i don't mean men. i mean women. why are you reblogging trans positivity posts? what do you want?

can we get a shoutout to trans girls who don't wear makeup

[dieletztepanzerhexe]

anotjher phrase to filter out if you're sick of degenerates:

puppy

[kacievvbbbb]

Sabo really got that serial killer rizz about him

Like look at those eyes. Those are the eyes of a man that has several things wrong with him and he's about to make each and every one of them and this rusty pipe, your problem.

Fucking two steps away from "you wanna know how i got these scars", ass look.

He goes from so adorable, bending so koala can put on his hat, to I have not a single polite gene in my body and I will destroy you mentally before I destroy you physically to Just straight beating people's asses with a pipe like a thug

I'm obsessed with him.

[frapajapa]

[maggiecheungs]

"The path you must take has been prepared for you. You have no choice but to revolutionise the world."

REVOLUTIONARY GIRL UTENA 🌹 BLACK ROSE ARC

[sukunas-play-thing]

More pictures of Sabo Darling. I am really sad they're whitewashing his damn scar. And gave him a brown Coat instead of his white one.

Idk what it is about his white one. He's so sexy in that one 😍 case in point

[thenighttrain]

really fucking hate it when people post taylor lyrics out of context and be like omg she's not a poet, she's awful. like wtf, not every lyric has to be amazing, they're also funny and sassy like some of u take her way too seriously oh my godfdfkjdsfhsf youre just looking for reasons to hate her

[suzalulusource]

Then I’ll become a prince! I'll become her prince and save her! [...] I swear, I’ll become a prince! I swear!

REVOLUTIONARY GIRL UTENA DUEL 34: THE ROSE SIGNET

I swear... Suzaku, I swear! I’m going to obliterate Britannia!

CODE GEASS: LELOUCH OF THE REBELLION STAGE 1: THE DAY A NEW DEMON WAS BORN

[transmascutena]

the scene in episode 34 where akio asks utena about her feelings for anthy is such a perfect depiction of not only being young and questioning and not being able to put into words how you feel about someone who might be more than just a friend to you, but also the feeling of being interrogated about those feelings by someone who you would not feel comfortable sharing them with even if you did understand them. contrasted with the scene in episode 37 where juri, who is also a lesbian and a teenager like utena, gently but firmly pushes her to realize those feelings and to talk about them with people she can trust. figuring this stuff out is hard, and you need a safe space to do it in.

[onionprincess97]

before watching the onion prince episode, i literally just thinking "what if you're a person who genuinely wanted therapy, and mikage just stopped the elevator and kicked you out"

[inkyarachne]

oh utena...

[rabarbarzcukrem]

The eternal opposing relationship between the two sides of a mirror

or: In defense of Shiori

I feel like Shiori is one of the most controversial characters in Utena. Some love her, others despise her. And I don't have a problem with people having strong opinions on her character. What bothers me is the tendency to exaggerate her most negative traits, focus on her most harmful actions, completely ignore any redeeming qualities she might have and then paint her as a one dimensional villainous caricature, a mean straight girl who plays with the lesbian's feelings for the sake of it, without anything deeper going on.

I'm aware of the fact that some people refer to her like that in endearment or in a satirical fashion, and I'm not saying that you can't consider her your favorite problematic evil girl representation. I'm only trying to make people realize that it's her complexity that actually makes her such a compelling character.

I've seen people call Shiori all sorts of names, some of which were baffling enough to make me wonder if they even remembered what happens in the show, and weren't just judging a version of the character that they made up in their head.

So, let's look at the things Shiori actually does, throughout the course of the story.

Disclaimer: I'm only going to take the series into the account here, because I think we can all agree that everyone's characterization and personality differs at least slightly in the movie. Background characters also get a lot less screen time to explain their motivations in order to fully focus on Anthy's journey and struggles, which is understandable.

1. She "steals" the boy from Juri.

This is her biggest crime, which seems to define her from the very beginning. Even though Juri didn't actually have any romantic feelings for him, this action is detrimental to their relationship - it breaks the trio apart, isolates Juri from the pair, is an act of betrayal against her and proves it was done with full awareness that it would hurt Juri emotionally.

Shiori is a deeply insecure person, who constantly feels inadequate and beneath other people. The only reason why Juri seemed to actually like her that Shiori could think of was pity, and even when she found out she was the object of her romantic affection all along, she still struggled to comprehend it. Her self loathing and constant perceived inferiority make her desperate to gain any sort of control over her life and relationships, but they're also the exact reason she feels that the only way she could ever do that is by hurting others. She's always one step below and incapable of crossing that distance, therefore the only way to become equal to people is to bring them down to her level, by humiliation.

When she "steals" the boy from Juri, she achieves that. For a moment, she feels good about herself and leaves Ohtori thinking that she has found the answer, the solution. But she's wrong. From that moment on, it becomes more and more apparent to her that what she did was never out of love for the boy, even though she doesn't let herself acknowledge it fully. Because the truth is, Shiori actually regrets hurting Juri, which she admits herself during her elevator confession.

When the guilt starts getting to her, her confidence high wears off, and she ends up feeling ever worse.

That's why she breaks up with him and comes back. She's not ready to leave yet, not ready to progress. There's still something binding her to Ohtori - Juri, and Shiori's unresolved feelings for her.

2. She tries to set things right with Juri and to fix their relationship.

Even though at this point Shiori still thinks that Juri only ever associated herself with her out of pity, she still makes several attempts to get closer to Juri, who understandably (albeit coldly) turns her down ever time. This is a very clear sign of conflicting feelings Shiori has for Juri - jealousy and admiration, resentment and longing, hate and love. After all, Shiori admits that the two practically grew up together. Their friendship may have always felt fake to Shiori, but she clearly cherished it deeply.

3. The Black Rose Arc.

First of all, we should establish what is the purpose of this arc and how it functions. It explores the motivations of background characters and shows their worst side to the audience. The characters that end up in the elevator are the most unstable, vulnerable ones, with the least power in the system, in unequal and/or exploitive relationships with the duelists and their agency under threat. Mikage offers them a way to gain that power by making them follow their most toxic, negative emotions. And despite all other characters doing exactly that, from what I've seen Shiori is the one that gets the most hate for it. I don't think she should be judged any harsher for what she did under the influence of the black rose than, let's say, Wakaba or Kozue. Especially because the reason all of them ended up in that elevator is because they recognized that these urges were harmful and were seeking help and counseling.

What this arc does do is reveal how Shiori's inferiority complex drives her to act against her own desires. Even though she longs for things to be different, even though she is not happy at all with how her relationship with Juri looks like, she is unable to fix it, because that would require her to consider her own affection for Juri. And she can't do that, because it would mean admitting that she's not stronger than Juri, that she hasn't beaten her, that she's doesn't have control and an advantage over her. Although she tries to keep up this smug, self-assured facade, the reality shines through.

They key to understanding Shiori is noticing that she specifically doesn't want to acknowledge that Juri's feelings are reciprocated, and the obsession is mutual. If you paint their relationship as one sided, you're actually falling for her act.

4. She enters a relationship with Ruka.

Ruka is a handsome (arguable), respected boy who appears out of nowhere and starts showing interest in Shiori. It's obvious that for an insecure girl, who in addition struggles with confusing repressed feelings, this would be something unthinkably wonderful. The affection and praise she gets from him is exactly what her low self-esteem craves. You might be wondering why she didn't perceive Juri's feelings for her in the same way. And a part of the answer might be that, post nameless-boy-incident, Juri was nothing but cold to her. She might have been pining after Shiori from afar, but in the end she's distant and untouchable, and they're divided by their messy past. Meanwhile Ruka is a clean slate, seems openly affectionate, engaged in their relationship and he pays attention to her. But I think the main thing that makes Ruka so different from Juri is the fact that...he's a boy. Because, as Revolutionary Girl Utena establishes, gender plays a crucial role in interpersonal dynamics. Attention from a boy is fundamentally coded as romantic, desirable, necessary and most importantly: increases the girl's worth in society's eyes. It makes one a princess. Meanwhile Juri's advances could only be seen as an invitation to friendship, at best. But Juri's status and beauty make her special, while Shiori is not. Therefore, it can only be pity and mockery.

Of course, Ruka only uses Shiori to influence Juri and dumps her as soon as he achieves his goals. It's true that Shiori could have listened to Juri's warnings, but then again... why should she? From her perspective, Juri's her ex-friend that doesn't want anything to do with her, who only suddenly comes to Shiori when she's finally happy and fulfilled, and encourages her to end it. She doesn't know the wider context of the situation, nor does she remember the Black Rose arc. Juri's warnings don't sound sincere to her.

And so, Ruka gets rid of her in the coldest, most indifferent way, not explaining anything or showing even the slightest sign of compassion. Before that though, he makes an interesting remark, about Shiori putting on an act and polishing somebody else's sword.

Honestly, I don't really know how to interpret it in any other way than Shiori actually having feelings for someone else, despite trying her hardest to conceal it. Are my shipping lenses not allowing me to see any different possibilities? Am I going crazy? I don't know.

Nevertheless, Shiori begs him to stay, devastated. Her life got turned around so suddenly, she found appreciation, status, comfort and stability, and now all that's been taken away from her as abruptly as it was given. It's a public humiliation.

I once heard someone say that this would be the perfect moment for Juri to step in and defend her. And to be honest, although it may be true, I'm not completely sure. It may have been the one display of open care that Shiori needed from her, but it might as well have been interpreted by Shiori as Juri affirming her superiority over her and feeling sorry for her again. We will never know. In my opinion, so much of their relationship is going on in their own heads that the only thing that could ever cause positive progress is communication (which neither of them seem to be a fan of).

Instead, Juri only tries to console her after the fact, when Shiori's at her absolute lowest. In the context of all the assumptions Shiori holds and Juri's previous indifference, it quite understandably comes off as a sneering attempt to gloat.

That's about it. You may have noticed that I've summarized all Shiori's appearances into 4 points, and only one of them includes an instance of Shiori hurting Juri voluntarily, out of her own free will, not influenced by anyone. I'm not saying that she was forced to taunt Juri during the Black Rose Arc, I'm not trying to diminish the suffering she's caused or trying to paint her as a perfectly good person. I am trying to make it clear that she is not some cunning plotter, dedicating every minute of her life to finding ways to make Juri suffer that some people seem to take her for. I am trying to humanize people's perception of her a little bit. Especially considering the fact that last scenes of her include those when she waits for Juri and follows her so that they can go home together, and then joins the fencing club. If this doesn't show that she's capable of change, I don't know what does.

She's not an innocent princess, that's true, but she's not just an egoistical, manipulative liar either. She's a bit of both. After all, if Revolutionary Girl Utena is supposed to teach you anything, then I think it's that we're all just people, and the complexities of human experience make it impossible to fit anyone into a box, assigning them definite labels like "princess" or "witch".

And if you look at a teenage girl who, like all people in Ohtori, struggle under the system of patriarchy and heterosexuality, and all you see is a wicked, sinister witch, then you may have just fallen into the trap that the narrative had set for you.

[sarcasticmirage]

there's been a bit of rgu and fma comparison, so here's my dissertation on why they should kiss

[calypsolemon]

okay let’s try and analyze anthy’s reactions during duels and why she sometimes is just completely still and other times she’s like “utena watch out!!” and other times she’s full on interfering. also how her relationship with utena and vice versa changes during the whole season

Lune you had no clue how much you were asking for when you sent this partway thru our watchthru lmaooo

I think the easiest question to answer here is "why she is completely still sometimes" and well it's that... most of the time she doesn't need to do anything. Anthy has been acting as the rose bride for what is clearly a looong time, and her "job" (her real job, as commanded by Akio, not what she presents to the duelists) essentially amounts to subtly manipulating people into projecting their desires onto her, so they will fight to own her. Usually, by the time they are at the arena clashing swords, Anthy has already done everything she needs to - the pawns are in place so to speak, she only needs to watch them play out their parts.

Beyond that, Anthy is generally emotionally disconnected from what goes on in the duels, despite the fact that they influence who she is going to have to live with. Though some duelists may, on a surface-level, treat Anthy better than others, and that might lead her to attempt to subtly push duels in her favor when she can, she ultimately sees her abuse at the hands of duelists as an inevitability, just another Thursday in the life of the Rose Bride. Therefore, apathy is the default Anthy emotion for any given duel.

So lets talk about the times when she is Very Much Not Apathetic

From the very first duel, she actually does express shock at Utena winning the duel with just a wooden sword. I will be honest, I dont actually put much weight onto this moment. I think its just sort of a natural reaction to someone so uninvested in either Anthy or the power she represents, winning the duel in such a dramatic way. I'm not even sure at this point she's clued in to Utena embodying Dios.

More notably, we have Miki's duel, which is the first true sign of mid-duel intervention by Anthy. By this point Utena has had an actual moment of "Dios coming down from the castle to possess her," which... depending on your reading means either Anthy, Akio, or both see some sort of potential in Utena. So she blatantly throws the duel for Miki by directly contrasting the idea of protecting her she's purposefully built up till this point.

The most notable reaction from the first arc, though, would be in the second duel against Touga.

This is after we get one of the only direct confirmations in this arc that Anthy is actually beginning to care for Utena; the scene where she is sitting alone, imagining Utena across from her at the table. In this moment, when Utena is fighting for her princely ideals despite the risk of actual death, Anthy is (for lack of a better term) triggered into recalling when Dios was gravely injured and still attempting to act as prince. And whether it is through the protective instincts of those memories, or just straight up being pulled out of concentration of what she's doing, it causes her to accidentally throw the duel for Touga, by rescinding her power from his sword.

So, we basically have two precedents set for Anthy reacting during duels: She sometimes consciously interferes as a strategic move, and she sometimes has a genuine emotional reaction, usually in relation to her memories of Dios being triggered and/or potential care for Utena. I don't actually think these two things are mutually exclusive, however, and they become muddled as we move into the Black Rose Arc.

Anthy definitely begins to be a lot more lively during these duels, from interacting with the objects on the tables, to giving Utena's sword the blessing, to yelling for her as she catches her mid-air. Is this because she genuinely cares for or is concerned about Utena? Is projecting Dios onto her? Or is it just because Utena winning is what is necessary for the duels to function? Maybe some combo of all? Who knows

The most notable Black Rose Duel reaction, to me personally, is when Anthy downright demands Utena pull the sword from her against Wakaba. Its very uncharacteristic of her, and I believe its because, despite the Black Rose Duels being something she has a hand in, she may genuinely be concerned for her own life here, as she has built up Wakaba to be actually, murderously jealous of her personally, and Utena is actively refusing to fight.

As we move into the final arcs of the show, we get one of the most blatant Anthy duel disruptions to date:

The sword of Dios disappears mid-battle, and instead of remembering Dios in the face of fighting against impossible odds, it is now Utena's words of friendship that spur her to jump in front of her, and draw her own sword from her chest. I really think this is one of the most significant mid-duel actions Anthy takes besides the final duel. It shows that Anthy's emotions are no longer being spurred on by simple relation back to Dios, but rather by the genuine care that Utena is showing her. Even if their relationship is about to be mired in turmoil thanks to Akio's interference, it was starting to become something real, and it was also starting to break down Anthy's carefully built walls.

I'm getting eepy and also this is getting long, so I'm going to stop the analysis train there. I could get into the final duel but quite frankly I think thats an essay in and of itself. Anthy's reactions during duels is really a fascinating topic and you could probably go on forever talking about it (just like everything else in this show)