#you have to outsmart a system designed to oppress and gatekeep you- probably lose all your friends too
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Hi I love you guys' work. I know I already sent in an ask before, but I'm also a queer Indonesian creator who loves animated stories and musicals. And plans to make her own animated indie musical show on YouTube. Which is queer and based on space. And the main character is plus sized, queer, and has a non binary love interest. I wanted to ask since Indonesia is still really homophobic, how do you deal with being a queer Indonesian creator making queer content while your country is extremely homophobic. Because I often feel scared to do so because of what the government might think. Sorry for randomly asking this btw
Hello there! That sounds like a very ambitious project! Best of luck to you, I'm all for more queer space adventures.
So I'm sure to a lot of queer Indonesians looking at the work I'm doing, they're thinking "how the heck are jesncin doing all that and being so loud about it" haha. At least so far (who knows what the future holds now that my book is out) I've managed to create queer Indonesian art online for years (including smaller published work) and had very little homophobic pushback. Which I know I'm very lucky with- I've lost a lot of peers to bigoted locals and hate campaigns. It's a mix of strategies and contingencies I keep to foster as safe a space as I can.
It's a common practice among queer Indonesian activists to speak predominantly in english, something I already do because of my language barrier. Most locals don't bother interacting with an account speaking in english- weaponizing their language barrier haha. I stuck to western spaces early on, but because I drew a lot of blatantly queer Indonesian art- queer Indonesians (diaspora or otherwise) naturally flocked to my stuff. The audience filters itself. I don't interact with local discourse at all. I also stayed away from visibility events (on twidder like #artIDN or #ArtistsofIndonesia or even #tetapbangga for Malaysians) until I felt comfortable with the community I fostered to join in. It's common especially for queer tags to be monitored by bigots looking for people to pick on. Speaking of which, block and don't interact with them. Don't give into the temptation of replying to bigots because it just gives them more ammo. Their goal is to exhaust you so you lock your account and "can't spread your agenda" or whatever.
I purposefully wanted to publish my stories through an American publisher for a lot of reasons, but it certainly helps that Lunar Boy can be out and proud out there where it can't get to be in Indonesia. I notice queer authors here tend to publish either online or internationally with an independent publisher too. Still- you'd be surprised how much the local queer community is enthusiastically ready to support you. Because of the state of Indonesia as it is, everything is handled more "under the radar" for the sake of safety. My personal biggest fear is starting another moral panic incident- but the many queer Indonesian communities I've been in have their own strict rules and precautions to keep members safe. They're worried about that too, but they want to help you succeed! Once my book released, the Indonesian queer community had my back and even helped me with some author events and exclusive meetups. At least for me, it was instrumental to be connected to the local community.
That's where I am for now. I created Lunar Boy while being closeted the entire time. I've erased my queer publications from my resume when applying to author events locally. There's always some kind of assimilation that happens in the process. I'll always be scared of pushback or sparking another moral panic incident. But that's the risk this kind of representation is, isn't it? I had no one else to look up to. No other queer Indonesian graphic novelist making explicitly queer Indonesian stories. It was an isolating experience making this book. But now that I'm here, the next person who comes along won't be alone. And seeing the people who've connected to Lunar Boy, especially other queer Indonesians from all around the world, makes it so worth it.
#askjesncin#i dislike being called “a trailblazer” because of it's colonial roots and I don't vibe with that as a marginalized author#instead I propose “hellblazer” because I am in fact making deals with devils and have contingencies for everything#you have to outsmart a system designed to oppress and gatekeep you- probably lose all your friends too
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