#you get a completely different piece of media

[southpauz]

I am genuinely frightened for the future of America, its people, and every other country that America imposes itself upon.

Trump's administration falls under literally EVERY defining characteristic of Fascism.

Far-right conservatives have completely overtaken our mainstream media, forcibly silenced them, or bought them out so they can praise and sane-wash Trump over fear of retribution.

His administration is owned by the ultra wealthy who control all of our social media apps/sites. Every large corporation owner was in attendance at Trump's inauguration, sitting in FRONT of his cabinet. Tiktok is spreading pro-Trump propaganda, Zuckerberg intends to "remove factchecking" from Meta platforms (like Facebook and Instagram itself), and Bill Gates just said he had a fascinating talk with Trump recently and was impressed by him.

Elon Musk, the richest man in the world, bought Twitter and completely turned it into an alt-right misinformation machine that spews hatred over diversity and acceptance and directly impacted people's impression of the election which lead to Trump's victory. He changed the algorithm on Twitter to boost nazi, transphobic, racist rhetoric alongside retreating similar posts to his audience and changed the algorithm to suppress democratic posts.

After Trump's inauguration Elon was on stage and he gave an enthusiastic NAZI SALUTE. TWICE. ON TELEVISION.

They're targeting our education to keep us dumb and complacent little worker bees so we don't learn how to critically think and see through the propaganda and lies they spew.

They are targeting minorities, especially the trans community and undocumented immigrants, to make people fight a different "enemy" than the people ACTUALLY harming them: the 1%.

They are targeting women's right to their own bodily autonomy in order to keep making sure they keep having worker bees to keep making them more money and to foster a disdain for human rights in our population by linking our government to evangelical Christian morals.

We are in danger.

Please do your proper research and make sure you take your information from multiple sources, including primary sources like court and governmental documents, to prevent bias.

Please look into local programs, volunteer opportunities, and social gathering events so you can get to know your community better and help build more solidarity and safety.

Please keep your eyes open to help your neighbor who may be targeted by this administration. Make sure to should "LA MIGRA" if you spot any ICE vehicles to alert your undocumented friends and neighbors, and remember that police can't come into your home without a warrant and you have the right to remain silent.

Most importantly: DO NOT GIVE UP. It feels so hopeless, but the only thing that can make it worse is if we give up. Becoming compliant in advance only speeds up fascist takeovers.

Resist. Be careful. Care for one another. I love you guys.

Unless you voted for or currently support Trump. Go fuck yourselves you pieces of shit.

[vetchtibbles]

I’ve had a couple people ask me about the results on this quiz and wanted to see the other options, so here’s all the descriptions I wrote for the recommended shows down below:

Uquiz Podcast Descriptions

[Unseen - A short urban fantasy show where each episode is a different monologue from someone in the unseen world! Incredible music, writing, and performers. Some of the episodes are really genuine and sad, some are fast paced and comedic. You get something new every time - a college class lecture, a voicemail, a tour, a story. I love this show and I highly recommend it!

Red Valley - A sci-fi mystery with amazing writing and performances - a show about the scientists behind cryogenic technology, and the people that got mixed up in it all accidentally. I'm obsessed with this one and cannot wait for the next season!

Malevolent - A Lovecraftian horror about a detective with the voice of a mysterious entity stuck in his head. You've got to take notes for this one. This show is devastating, emotional, terrifying, and one of the most beautiful pieces of media I've ever enjoyed. You should really give this one a try! The sound design, writing, and voice acting are all insane - especially because it's all done by one creator.

Camp Here and There - For this show, you get the mealtime announcements from the loud speakers at an unusual summer camp in Ohio. Enjoy paranormal happenings, drama among the camp counselors, and a banger soundtrack (yes, by Will Wood. I still have no idea why.)

Death by Dying - Absurdist comedy. A very thorough obituary writer tries to get to the bottom of every mysterious death his column covers. This show has wordplay, nice gothic vibes, and a strange little town with far too many strange little deaths.

Welcome to Nightvale - This show is a classic among audio drama podcasts, having started in 2012 and still going strong. Every episode is a radio broadcast from the bizarre little town of NIghtvale, located somewhere in the desert. Tune in for news, traffic, sports, sponsors, horoscope, and the weather, none of them what you'd expect. You should really listen to some of this one if you haven't yet

Wolf 359 - This might just be my all-time favourite show - a long form scifi about a small crew aboard a spaceship orbiting a distant star. Things start innocently enough, but this show builds in drama and mystery quickly. Incredible soundtrack, writing, and performances! Intrigue! Witty writing! Amazing actors! SPACE!!! This show has everything and I love it very much

The Amelia Project - A comedy about an agency that fakes people’s deaths. This show has fun characters, absurd situations, and a banger of a theme song. Each season feels completely unique, but I always have fun listening to this one

Sherlock and Co - This is the best modern adaptation of Sherlock Holmes that I know of. For being set in 2023 - 2024, the stories are insanely book-accurate! This show is done as an in-world true crime podcast, so it's very immersive. The actors are incredible, and the theme song is fantastic

The Magnus Archives - The recordings of a paranormal research institute's archived statements. Things gradually start connecting across stories, and everything starts becoming more complicated for our characters working at the institute. This show is long at 200 episodes (with a developing sequel) and has some amazing writing and performances! It explores all kinds of horror imaginable, while being centrally about the characters and humanity. You'll enjoy this one 100%

The Bright Sessions - Here's the thing. The original show is good, but the sequel is definitely more of my kind of show. Bright Sessions is a long form series about the patients of a psychologist that works with people who have special abilities. It's pretty sweet and mostly about character relationships, but the sequel show AM Archives is a scientific thriller/survival show about ethical dilemmas in medicine and patient care - it also has more in the way of music and sound design. Both shows are really well done, with incredible performers and writing!

Deviser - A short form horror that I can't explain too much of without spoiling the entire thing, but this show is AMAZING! It's the most terrifying thing I've ever heard done in audio, so be prepared for that. It's got it all - insane sound design, performance, writing, and music, all done by one creator. If you want a dark speculative fiction about humanity and our relation to artificial intelligence, with a dog, then give this one a try

Zero Hours - A short series of one-off episodes spanning time in ninety-year increments, all with the theme of the end of the world. I truly love this show - each episode is devastating in a different way. The actors, sound design, and music are all incredible, and the show is produced by my favourite audio fiction team. Please listen to this one, you WILL enjoy it

Time:Bombs - This show is short at only three episodes - the fast paced account of a bomb disposal team on one night - New Year's Eve. There's a surprising amount of character development and heart for such a short story in this one, and you can listen to the whole thing in one setting, take the quiz again, and find another show! I'm kidding of course but I do love this show. The creators made the whole thing in one week, which is insanely impressive

Wooden Overcoats - This show proves that the only difference in tragedy and comedy is your point of view. A sitcom about two rival funeral homes on a tiny island off the coast of France with far more absurd deaths than you might think for such a lovely little community. This is honestly one of my favorite shows of all time, and I know you'll enjoy it too. It's incredibly good - the performers and gothic orchestral soundtrack are amazing, the writing witty and fast paced, and I know my descriptions aren't giving this show any justice. It's that good. Go listen to it.

Alice isn’t Dead - Poetic and terrifying, this show is about a truckdriver searching America for her wife, whom (as the title suggests) she thought was dead. If you're into the idea of the endless and lonely expanse of the American mid-west as horror, then this is the show for you!

Re: Dracula - The novel Dracula by Bram Stoker is conveniently made up of journal entries, letters, and newspaper articles all corresponding to certain dates. With this in mind, the podcast Re: Dracula released each day's events as written in the book in high-quality audio format! Essentially, this is just a really good audio book, with full cast performances, sound effects, and a haunting musical score. For fans of the book already, or anyone who enjoys gothic horror and literature

Cry Havoc! Ask Questions Later - You didn't know you wanted an ancient Roman political comedy, did you? Well, you do. And the good news is, this show is perfect for you! It starts just after the unfortunate murder of Julius Caesar, when the financially struggling republic of Rome has turned to its new triumvirate for support. The three of them, however, are having a bit of trouble managing the world-superpower. This show is great, with incredible writing, performances and soundtrack. The story's got it all: intrigue, forbidden love, rivalries, and theatrics. Enjoy!

Trice Forgotten - Listen to this show if you like stories about PIRATES! Or if you're into shows with incredible soundtracks, intrigue, immersive soundscapes, and women sword fighting each other.

The White Vault - Long-form found footage horror about scientists dealing with paranormal happenings while trapped at a research base in the snow. Very technical and linguistic, so if you're into that, then you should give this show a try!

Fawx and Stallion - If you hate the Sherlock Holmes books then this show is for you, because this is about a different mystery solving team in Victorian London. It's a comedy about the neighbors of literature's most famous detective having to solve a major mystery as, essentially, the backup team. This show is very fun, and I look forward to the next season. You should definitely give it a listen!

New Year’s Day - This show releases one episode per year, on New Year's Day. Two magicians agree to meet up and talk every thirteen years since a performance stunt left them both immortal. There's only three episodes of this out at this point, so come back in a couple decades and let me know how it turns out! It's already really good!]

Made a quiz :DD -

[the-apocalypse-is-upon-us]

The dynamic of hajime/izuru is very interesting especially if you contrast it with ryoko/junko: they both are the same person but it doesn't mean that they are the same *person*. Their personality manifests in different ways, almost in a way you could say they're completely different personalities, alongside just exposing a new side to a character we're already familiar with. Especially so, if we take into account that dr 0 is *the* piece of media we get introduced to the concept of Kamukura, while the a-plot is about Ryoko.

It's especially interesting, since not only both those personalities emerged due to the exact same surgery research by the exact same guy, but they can be seen as an expression of trauma; In dr 0 there are multiple cutaways to little junko and how both her relationship to matsuda and to despair started, and the 'hope cultivation plan' is basically a gigantic traumatic event paralleled with suicide, especially in the anime, even if technically kamukura isn't stated to be "aware" of the trauma in this specific instance.

Under that lens especially it could work as a way to express ryoko and kamukura as facets of ""plurality"", or more specifically, a commentary on anhedonia/depression and ptsd, especially the contrast in which they are manifested in each character, with ryoko/junko being more happy-go lucky either due to ignorance or specifically being aware and smiling through the pain, or the audience being more privy to kamukura's disinterest and under-stimulation

One of the few remaining ways where irl Chiaki's inclusion and death makes sense, as well as being compelling, is if you see her as Kamukura's 'Matsuda'.

(Also, it's crazy how many foils Junko has. Makoto,mukuro, hajime, izuru, nagito...)

[chibishortdeath]

I keep seeing posts with people talking super positively about the Belmonts and whatever and getting excited to rant about character designs and stories and Simon in particular, but then I scroll down and see the tags and am reminded against my will that Nocturne exists and that’s what they’re talking about.

[quietwingsinthesky]

sometimes interpreting media through a shipping lens enhances it, on occasion even beyond the author’s original intent, but sometimes, you do have to accept that your ship was not in the heads of anyone making the source material and trying to force it to fit into evidence of your ship will severely hinder your ability to discuss the actual text.

[lucalicatteart]

A few little sketches of some possible school uniforms for mage schools/learning centers for magic/etc. :0c Though because Nanyevimi is so scattered and disconnected, it'd actually vary much more by region (like not everywhere would have a cultural concept of what a suit jacket or neck tie looks like lol), so it's probably unrealistic for so many of them to follow too many traditional Uniform Conventions from cultures in our world, etc. But, still, fun to mess around with designs, and think about which would be most fun to wear/what school you'd go to just based off the clothing lol~

[starswallowingsea]

every time i've gotten into a popular series or franchise i've always been disappointed by it because like. its so hyped up and i watch it and find it mid and it appears we are not watching/playing the same thing

[theofficialuriel]

js realized I went off on tags instead of here 😞

"it's not that deep" it's never that fucking deep according to some of you. books? not that deep just enemies to lovers. films? not that deep just fun colors on screen. music? not that deep just ai generated lyrics. art? not that deep i could do that. and what if i want it to be deep for fucking once? what if i'm not content with surface level? are criticism and opinions and concerns to be dismissed in their entirety because you are happy floating on the surface never once wondering what's actually underneath? it's just a fun little thing it's not supposed to have big themes or ask the big questions well good for you but i'm asking

[ketchuppee]

During the 2008 recession, my aunt lost her job. Her, her partner, and my three cousins moved across the country to stay with us while they got back on their feet. My house turned from a family of four to a family of nine overnight, complete with three dogs and five cats between us.

It took a few years for them to get a place of their own, but after a few rentals and apartments, they now own a split level ranch in a town nearby. I’ve lost track of how many coworkers and friends have stayed with them when they were in a tight spot. A mother and son getting out of an abusive relationship, a divorcee trying to stay local for his kids while they work out a custody agreement, you name it. My aunt and uncle knew first hand what that kindness meant, and always find space for someone who needed it, the way my parents had for them.

That same aunt and uncle visited me in [redacted] city last year. They are prolific drinkers, so we spent most of the day bar hopping. As we wandered the city, any time we passed a homeless person, my uncle would pull out a fresh cigarette and ask them if they had a light. Regardless of if they had a lighter on hand or not, he offered them a few bucks in exchange, which he explained to me after was because he felt it would be easier for them to accept in exchange for a service, no matter how small.

I work for a company that produces a lot of fabric waste. Every few weeks, I bring two big black trash bags full of discarded material over to a woman who works down the hall. She distributes them to local churches, quilting clubs, and teachers who can use them for crafts. She’s currently in the process of working with our building to set up a recycling program for the smaller pieces of fabric that are harder to find use for.

One of my best friends gives monthly donations to four or five local organizations. She’s fortunate enough to have a tech job that gives her a good salary, and she knows that a recurring donation is more valuable to a non-profit because they can rely on that money month after month, and can plan ways to stretch that dollar for maximum impact. One of those organizations is a native plant trust, and once she’s out of her apartment complex and in a home with a yard, she has plans to convert it into a haven of local flora.

My partner works for a company that is working to help regulate crypto and hold the current bad actors in the space accountable for their actions. We unfortunately live in a time where technology develops far too fast for bureaucracy to keep up with, but just because people use a technology for ill gain doesn’t mean the technology itself is bad. The blockchain is something that she finds fascinating and powerful, and she is using her degree and her expertise to turn it into a tool for good.

I knew someone who always had a bag of treats in their purse, on the odd chance they came across a stray cat or dog, they had something to offer them.

I follow artists who post about every local election they know of, because they know their platform gives them more reach than the average person, and that they can leverage that platform to encourage people to vote in elections that get less attention, but in many ways have more impact on the direction our country is going to go.

All of this to say, there’s more than one way to do good in the world. Social media leads us to believe that the loudest, the most vocal, the most prolific poster is the most virtuous, but they are only a piece of the puzzle. (And if virtue for virtues sake is your end goal, you’ve already lost, but that’s a different post). Community is built of people leveraging their privileges to help those without them. We need people doing all of those things and more, because no individual can or should do all of it. You would be stretched too thin, your efforts valiant, but less effective in your ambition.

None of this is to encourage inaction. Identify your unique strengths, skills, and privileges, and put them to use. Determine what causes are important to you, and commit to doing what you can to help them. Collective action is how change is made, but don’t forget that we need diversity in actions taken.

[mantisgodsdomain]

I can help but wonder what Leif was thinking when he walked in and saw Mothiva with her throat cut open in your Voice Loss story.

Initially? General concern, though he didn't really connect the dots as to what the hell was happening until a few seconds after walking in on it, and realizing that oh fuck, that's blood blanked his brain in the way that shock often does. Takes a few minutes to realize just what you're seeing when it's red, instead of green-blue like most hemolymph.

There's not a whole lot of structured thinking happening in Leif's head during Voice Loss in general. Mostly just reaction and panic, because he doesn't know how to handle this situation or what's happening. He's bouncing through crisis management with no real understanding of what the hell is happening, and he'll need time before those thoughts start... working. After that... it really depends on how much he can drag himself out of the haze of Confusion And Alarm, and if he can manage to stabilize her enough to have step two be anything but "try and make sure Mothiva doesn't die on your watch".

[yazmarina]

walk me through it

for the love circuit series

—you're used to being flirted with in front of the camera. but something about franco is really doing you in.

franco colapinto (f1) x fem!reporter reader

warnings/notes: smut, unprotected sex (no condom, yes birth control), guided masturbation, lewd photography, lots of flirting, franco is shameless (naturally), some Spanish sentences and phrases

a/n: will resume hit play for a bit after this one! enjoy franco girlies mwa

Your job was simple enough. Well, for today, at least.

Stand in the media pen, gather statements, and piece together a couple of stories later that evening for publishing first thing tomorrow morning. All in a day's work, like all the other days before.

You've grown immune to the charms of rich, adrenaline-seeking men. Didn't take you too long, the illusion breaking as soon as any one of them opened their mouths. Some you tolerate more than others, but some you'd rather steer clear of completely.

This isn't to say that you've brushed all of them off. You might have agreed to a date here and there but nothing ever stuck, the nature of your jobs a bit too similar and all too different at the same time. You've given up on the prospect that you'll somehow end up with one of the many Formula 1 drivers you've interviewed and spoken to. And you've spoken to a lot. You've had this gig since you were shipped off fresh from uni and one too many 'What happened there?'s and 'Tell me about qualifying's can put a damper on the romantic side of things.

But someone new's in town. Well, er, new in the paddock. And you'd be lying if you said you weren't even a little bit excited.

He's charming, that much you can already tell. He walks into the media pen like he's done it thousands of times before and you have to actively suppress a smile as he walks over. Confidence is always a plus. For the interview, of course.

"Hola, Franco. Antes que nada, enhorabuena," you greet warmly, extending your arm over the barrier to place the microphone nearer to him. Hi, Franco. First of all, congratulations.

Franc's eyebrows shoot up, a wolfish grin settling on his face. "Oh. I thought this was an English interview?"

You smile back. "It is, but I know my way around Spanish, as well."

"Ah," Franco nods. "Gracias, _______."

"You know my name?" You ask, momentarily forgetting that you're being taped and recorded. You clear your throat, ignoring the quiet snicker from your cameraman.

"Yeah, I've seen you around and watched some of your other interviews," Franco confirms, a hand settling on his hip as he leans against the barrier, closer to you.

You can smell his perfume from where you stand.

"Thank you, I've heard and seen a lot about you as well," you respond, trying to return to your original train of thought.

"Which is why I want to ask you how it feels on your first day as a Formula 1 driver," you quickly follow. "Have you done anything special to prepare for this weekend? Other than the obvious, of course."

Another easy smile spreads across Franco's lips. "I've definitely added to my training and done some new things to prepare. I haven't done a full F1 weekend before so everything will be new."

"We definitely don't have reporters like you in the lower Formulas," he adds.

You feel a violent blush rip up through your neck all the way to your cheeks. As if the Monza heat wasn't enough.

"Well, I'm glad you could meet me here," you manage to get out.

The thing is, Franco isn't even the most attractive driver you've met. He's definitely up there, but not the most.

That's a discussion you have with yourself semi-weekly: ranking the drivers in terms of attractiveness, factoring in personalities and general attitudes towards the people around them, specifically the media.

Look, people love to shit on the media and press, calling journalism all sorts of derogatory words, but you're just here to do your job, like anyone else. And it gets pretty fucking hard when your boss is ringing your phone every five minutes demanding four stories by tomorrow and drivers are sassing you out as if you asked them if they've murdered their whole family.

So, naturally, the way they treat you determines a big chunk of how you think your day is going to pan out.

And right now, Franco seems to be lifting your spirits just fine.

"What are your goals for this weekend? Are points on the horizon for you at your first F1 race?" You continue, trying not to stare at the way Franco starts to rub at the back of his neck, bashful all of a sudden.

"We'll try," Franco begins. He plants both his hands on the barrier and leans even closer. You have to physically take a step back.

You gulp. Franco smiles.

"Anything is possible this weekend."

-

"You broke the internet last night."

You scoff, sending your cameraman a vicious side-eye. It's crowded in the paddock today, everyone wanting to get a glimpse of the new rookie, it seems. Such is the eagerness for this young driver that even that 30-second clip of your interview with him blew right up in your face. Your inboxes at capacity, your own voice speaking back to you with every other swipe on your TikTok.

It's not all bad, though. A tweet with one of your Instagram photos attached to it captioned 'TE ENTIENDO MUCHO FRANCO ES MUY LINDA PERIODISTA' did weasel out a chuckle from you.

Your cameraman shrugs, gesturing with a jerk of his head in front of you.

"There he is. I'm sure he knows all about it."

You look over to where he's pointing and lo and behold, Franco is right there, chatting with a few Williams team members, his race suit hanging undone around his waist. He turns to you even before you can fully register that it's him you're looking at.

But your training kicks in even faster. A megawatt smile appears on your lips and you wave enthusiastically at Franco.

"Hi."

"_______," Franco says, face lighting up at the sight of you. Your name seems to fall even more effortlessly off his lips.

You reach over and pull him into a half-hug with one arm, but both his arms wind around you and you have no choice but to squeeze back.

"You saw?" Franco asks, a gleam in his eye as he pulls away. His hand remains casually on the small of your back.

"Saw what?" You know what it is he's asking but you'd like to hear it from him.

"We went viral, no?" Franco says with a laugh, reaching further around you and squeezing your waist. You lean into his touch, heart jumping as his fingers graze just underneath your cropped top.

"That's all because of you," you reason, pointing an accusatory finger at Franco. "I bet you say that to all the other reporters."

The Williams team members standing nearby burst out laughing and even your cameraman affords a snicker. A deep blush spreads across Franco's face as he rubs your side reassuringly.

"No, no, I don't. Just you," Franco admits with another lighthearted laugh.

"Sure," you say with exaggerated skepticism. You pull away from his touch, catching his hand before he slips it fully off of you.

"I'll talk to you later," you say. And it's fully intentional, the words you choose to say. I'll talk to you later. Not 'I'll catch you later' or 'I'll see you later'.

I will talk to you later.

Franco understands, giving your hand a squeeze.

-

Later that day, you pray that no one catches you grinning behind your hand as Franco takes the chequered flag at qualifying.

P11.

Almost there.

-

"Hi. Come in."

Franco beams at you from across the threshold, stepping into your room with slow, measured steps.

"Great qualifying," you compliment, eyes traveling down Franco's body, noting the way his team kit hugs his frame just right, his hands shoved into his pockets, exposing just his arms, veins and all.

Your eyes snap back up to his face when you hear the door shut in place.

"Q2 on your debut. Not bad," you go on, taking a step back. Franco takes one toward you.

"You're just repeating what you said at the media pen earlier," Franco points out. He reaches out and gently circles an arm around your waist.

Always straight to the point.

Like this morning.

You tried not to make it so obvious when you ran into Franco earlier, but all you could think about was The Message.

You were doing your cursory social media checks a few minutes after you had woken up, still snug in your bed and unwilling to get up just yet. A message in your Instagram inbox caught your attention, sitting at the very top of your 'verified followers' tab.

Franco Colapinto: hola, hermosa 😉

It took a minute for your motor functions to return, your fingers hovering over the keyboard as you pored over what to reply. You settled on a nonchalant greeting, asking if Franco needed anything.

You realized rather belatedly that this was looking a little familiar. You wished he wouldn't say the dreaded answer, the more-than-predictable response that every man liked to use.

Franco Colapinto: you, maybe?

You groaned into your pillow, not because you were repulsed by his answer, but because you liked it. If you were easy, then so was he.

You: i finish work at 9 pm tonight...? 👀

It's 9 PM now. Franco's in the room and your hand is running up his chest.

Easy.

"It's such an honor," Franco teases, backing you up further into the room. His hands feel heavy on your waist and your heart hammers against your chest.

"I get to work with people like you now," Franco continues, stopping right in front of the bed.

The kiss comes as a shock more so because of how good Franco kisses. One of his hands is now cradling the back of your head, keeping you in place while he licks into your mouth, groaning with every pucker of your lips.

You pull away for barely a second to get both of your tops off before you dive back in, seemingly too desperate and too starved for each other's mouths. Franco's hands are everywhere; they run down your arms, paw at your waist, tugging at the belt loops of your jeans.

You giggle as he pulls you even closer, your bare chests pressed against each other. Franco pulls back and peers down at you, reaching behind to unclasp your bra. You let it fall, already guiding one of his hands to your tits.

"Couldn't stop staring at them?" You ask, your voice rising with an innocent lilt.

Franco kneads at the mound beneath his hand, eliciting a moan from you. He grins.

"I wanted you to notice," Franco admits simply, kissing you again.

"Perv," you mumble against his lips. Franco laughs, already undoing his trousers.

You wiggle your own way out of your jeans, letting Franco get the shortest of glimpses at your baby pink underwear before you discard them off to the side.

"Mierda, you're so sexy," Franco compliments as you crawl backward onto the bed, laying back and letting your hair splay out beneath you.

Franco pounces on you like a man starved, bare atop your own naked body, his arms caging you in.

"Big moves from somebody so new," you whisper, carding your fingers through Franco's soft locks.

"I like to make a statement," Franco says with a shrug. He glances up momentarily, something piquing his interest off to the side.

"Is that your camera?"

You crane your neck to see where he's looking and sure enough, your personal DSLR is right there on the bedside drawer. You look back at Franco, an eyebrow raised.

"You wanna use it?" You ask, not expecting him to actually say yes. But a mischievous grin settles on Franco's face and you feel your heart skip several beats.

"Knock yourself out," you say.

Franco reaches for the camera and fiddles with it for a few seconds. His eyes scan over your body and you suddenly feel the urge to hide away with how hard he's looking.

"May I?" Franco asks, brandishing the camera. Your mouth falls open as you realize what he's asking.

"You can keep them for yourself. For your eyes only," Franco hurriedly adds, planting his knees firmly on either side of you.

You stare up at him, a million thoughts running through your mind.

"Just...touch yourself."

You gasp, stunned at his proposal. Franco watches through the LCD monitor, glancing up at you through his lashes. Your bottom lip slips between your teeth, and as if on instinct, your hand inches down slowly between your legs.

"You're in front of cameras all the time," Franco reminds with a smirk. "This should be easy for you."

You suppress a whimper at his words, your fingertips swiping through your slick folds. You're already soaked and you start to wonder if it started even before Franco got here.

The shutter clicks and the lens whirs, sharp against the soft breaths you're letting out. Franco is concentrated, snapping photo after photo as you rub yourself closer to release. But it's not enough. You need more.

"Franco...," you implore, peering up with bright, begging eyes.

"Slowly, mi amor," Franco coos. "Just where you like it. Right there."

Click.

"Harder now, but still slow. Yes? Feels good?"

You whine, eyes fluttering shut as your pleasure picks up again. Several clicks. You're panting now, the tendrils of release wrapping themselves around you.

"Faster, yes, like that," Franco eggs on. Your fingers speed up against your sensitive clit and a litany of Franco's name spills from your lips. Before you know it, he's putting the camera away. You reach for him, gripping the back of his neck as he smashes his lips into yours.

Franco bites down on your lip and you cry out, your orgasm washing over you like a tide. You arch against Franco, feeling his own stiffness heavy on your thigh.

You blink, Franco's face coming into focus, barely an inch from yours. He watches you closely, pupils blown wide and plump lips even redder. You hook your legs around his waist, letting him know that you're not done yet.

Franco is quick to pick up, smiling as lines himself up with you. The groan that escapes him is nothing short of delicious as he pushes himself in. You gasp along, the stretch a welcome sensation.

Franco wastes no time and pounds right into you, catching you by surprise. You let your head fall back against the mattress, a long, drawn-out whine erupting from deep within your chest as Franco licks a stripe up your neck.

Your whole body quakes with how hard he's thrusting into you but you're clearly enjoying it if your wanton moans are anything to go by. Franco meets your eyes and you pull him down, wanting nothing more than to drown in those lips of his.

It's feral and it's unrestrained, spurred on by the knowledge that this is more than unprofessional in your line of work. Not illegal by any means, but risky enough to warrant warnings from your coworkers. Never sleep with a driver unless you're committed.

Oh, well.

Franco groans loudly in your ear, movements losing their rhythm as he speeds up. You're clinging to him as if he'd disappear if you let go, your own belly tightening once more with that familiar feeling.

Franco. Franco. Franco.

He kisses you just as he finishes. Passionate, eager, heady. You feel him inside you, a different kind of elation filling you as you release all over him.

Franco pulls away to allow yourselves to breathe. He pulls out, rolling over to your side. You hug your folded knees to your chest, too lazy to get up and find something to deal with the mess.

"No hagas eso. Eso es demasiado doméstico," Franco jokes, moving closer and planting a kiss to your shoulder. Don't do that. That's too domestic.

"Relájate, estoy usando anticonceptiva," you reassure with a lighthearted roll of your eyes. Relax, I'm on birth control.

Franco hums, laying an arm over you. He pulls you close and you face him, reaching up to brush away some of his unruly hair.

He plants a gentle kiss on your forehead.

"Happy that you're a Formula 1 driver?" You ask, grinning.

Franco chuckles. "Very."

[cent-scratchnsniff]

oh wow this ended up well received (well better than i thought it would be considering what it is (heh... 30 notes... impressive.)). thank you so much! im always rather nervous when it comes to actually attempting to write characters as, since i hold so much love for it, i dont want to have their essence in a way,, gone? more of scared my interpretation doesnt present them in the fullest. but thank you and im happy it turned out fine! i loved the tags added as well thank you for those theyre a treat

was thinking around day.. 40? 41? when i was using mem rep for quite awhile (10+ days total) and then did one draft for a script based off those thoughts. then drew it in about an hour. likely ooc but uh. ah. please dont kill me ?

[sparklingchim]

game on | jjk

pairing: jungkook x reader

word count: 2.2k

genre: footballer!jungkook, fake dating, f2l

rating: pg

warnings: koo gets scolded for sleeping around 🥺, playboy jk <3, hints of a threesome 🫢, oc fights w a laundry machine

summary: jungkook is in desperate need to polish up his playboy image, and naturally, he turns to you for help.

a/n: hii my pretty besties!!!! it's my bday😋 so i wanted to share this silly piece i've been having so much fun writing!!! love uuu n treat urself to smth nice for me today <3 mwah😙

⭒☆━━━━━━━━━━━━━━━━━☆⭒

Jeon Jungkook is a charming man – and he is well aware of the fact. He plays that card effortlessly.

Most of the time, it works in his favour.

But sometimes, it backfires spectacularly and gets him into trouble.

Which is why he stands in front of his fuming manage, who is radiating enough anger to fill the entire office.

The sight isn’t foreign to Jungkook. He wouldn’t say he is used to it, but he has found himself often enough in this situation to recognise the signs of deep trouble.

Not only is Jungkook’s charm complicating things, but the fact that he is famous too.

Sometimes, he uses that as an advantage. Not in an obvious way — never by flaunting his own achievements or demanding special treatment.

That’s not his style.

His name alone carries weight, and he knows how to let it work for him, quietly bending the world to his will... until the world pushes back.

And right now, it’s pushing back hard.

One thing Jeon Jungkook does enjoy about being a pro footballer, though, is the way women obsess over him.

He knows they love him – sees it in the comments they leave on his ig posts, sees it in the DMs flooding his inbox daily, and experiences it firsthand at public events, where hordes of fans scream his name. Jungkook thrives on that attention.

However, something he doesn’t love, and what he was never prepared for, is the media. The way they scrutinise his every move, how his face ends up on every headline anytime he does something remotely noteworthy.

And now, thanks to his latest shenanigan getting caught by the press, here he is. Standing in front of his manager, Taesung, and his PR agent, Jiwoo, eyes downcast, bracing himself for the scolding that’s already begun.

“You’ve gone too far this time, Jungkook.”

His manager speaks in a flat, monotonous voice, void of even the slightest hint of disappointment, as if he’d long since given up expecting anything different.

“Do you have any idea how hard it is to clean up the mess you leave behind?��

A sense of guilt creeping up on Jungkook, even though he knows if he were just a regular guy, none of this would matter at all. And he finds it a bit unfair.

But to survive in this business, you can’t complain about unfairness.

“Have you completely lost your mind?” Taesung barks.

Jungkook remains silent. He forces himself to.

“If there was more involved than just alcohol-”

“No! Nothing like that,” he denies, his response firm and immediate. “It was just alcohol – and, well, just good vibes because we won the last match, and with the World Cup being next, everyone was just really excited.”

If he had known what kind of trouble a simple, innocent celebration of his team’s win at a club would bring, he would’ve gone straight home yesterday. He would’ve skipped the rounds of drinks, the flashing lights, the loud music, and definitely the attention. But hindsight was useless now.

“Good,” his manager says. “I’m glad you were happy.” Mock sympathy drips from his voice. “Perhaps the last time you are going to be happy this year.”

Jungkook nods, accepting the gravity of the situation. No more clubs, no more parties, no more girls.

At least, not for a while. His reputation had taken a few hits recently, and this latest mess wasn’t helping. He could almost hear the whispers: reckless, irresponsible, unprofessional. The kind of things that could ruin him if he didn’t get a handle on it.

He clenched his jaw. No more distractions. From now on, it was all about the game. He needed to remind everyone why he was Jeon Jungkook — the best on the field, not just the headlines.

“You’re no longer in for the World Cup. You’re out.”

His head snaps up at that. Did he hear that right?

“What?! What do you mean?”

“Myungbo doesn’t want you on the team anymore.” Taesung’s words sound heavy and final.

Jungkook’s heart pounds in his ears.

His world tilts. The room seems to spin, the edges of his vision darkening. This wasn’t just a setback — it was a disaster. The World Cup was everything to him, and now it felt like it was slipping through his fingers. The crushing weight of the news settles on his chest, making it hard to breathe. One silly night is all that happened.

He can’t believe that a single photo of him leaving the club with two girls clinging to each arm has cost him his spot on the national football team. He went home with two girls – so what?

But he doesn’t voice his frustration. He knows better than to add fuel to the fire. Speaking his mind now would only escalate the situation and make things worse. Jungkook knows from experience.

He swallows hard, forcing himself to stay calm. His pulse is still racing, but he takes a deep breath, focusing on controlling his emotions. He has to keep a level head if he’s going to find a way to fix this.

“There has to be a way to fix this.” His eyes move to Jiwoo, his PR agent. “Right?”

His manager fixes him with a stern glare. “Jungkook, remember the promise you gave everyone a few months ago?” Taesung reminds him.

Jungkook cringes. When he made a promise to avoid actions that might damage his reputation, he didn’t think it’d be that serious. He cut back on going out, made the effort to play the role of the “good boy” but really – come on. He can’t maintain that facade for an eternity. Especially after a triumphant victory like yesterday’s.

Taking away his spot on the national football team? He didn’t think that was possible.

“How many more times do we have to fix your problems, because you don’t care enough? How many times do we have to repeat this scenario?”

“I promise I’ll better myself,” he pleads desperately, looking back and forth between his manager and his PR agent. Someone has to believe him, help him.

“Do you genuinely believe this country wants to be represented by a 20-year-old boy, who can’t keep his personal life under control?” Taesung asks, eyebrows deeply pinched together. “This isn’t just about you, Jungkook. It’s about the team, the fans, and the nation. They need a role model, not a scandal waiting to happen.”

“I know. I know.” Jungkook scrambles for something convincing to say, desperate to sway their decision. This can’t be it. He won’t let his career take a hit because of something like this. “But – but this isn’t too bad. This is fixable. I can fix this.” His voice quivers with a desperation he barely recognises as his own. “Jiwoo.” Jungkook turns to her with pleading eyes. “You always know what to do. Please, help me”

“I did propose an idea but-”

“We’re not doing that,” Taesung cuts in. “It’s off the table.”

“What is it?” Jungkook’s eyes bounce back and forth between them. “I’ll do anything. This is – this is everything to me. You have to give me a chance.”

Taesung scoffs. “A chance? As far as I know, you have been given countless chances.”

Sweat coats the back of Jungkook’s neck.

Taesung understands just how much Jungkook has fought to secure his place on the national team. He’s well aware that it’s one of Jungkook’s greatest dreams, a pinnacle of his career that he’s poured countless hours of hard work and sacrifice into. That’s why, each morning, when he wakes up to the latest news of Jungkook’s escapades, he feels a deep sense of disappointment, texting Jungkook with a dejected shake of his head to visit his office first thing in the morning.

When it’s all he wants, like Jungkook claims, why doesn’t he act like it?

“If the head coach won’t give me a chance now, he’ll never do. This is my last opportunity to change his mind, make him rethink. I need to at least try.”

Jiwoo looks at the manager, waiting for his approval. He nods.

“Very simply put: you need a girlfriend,” she says.

For a second, Jungkook is at loss for words.

“A girlfriend? How’s that going to help?” Jungkook tilts his head in confusion. This is not how he thought Jiwoo was going to save him.

“You need a girlfriend to help polish up your image as a player. It’ll make you appear more like a gentleman, softer and nicer. We need to completely shift public perception and counter the negative image they’ve formed about you. It’s all about changing the narrative,” she explains.

“And that is not something we can easily achieve,” Taesung interjects. “Rebranding your entire persona is not feasible at this stage. You’ve been projecting what kind of boy you are to the media for the past two years. It’s going to be incredibly difficult to make a sudden shift look genuine.”

“No! We — I can make it seem real. This is my only chance,” Jungkook insists, his voice gaining a hint of determination. For a moment, breathing feels a bit easier again. “The World Cup is just a month away. That’s enough time to shift public opinion and prove I’m worthy of representing the country on the team.” There’s a hopeful lilt in his voice as he speaks, clinging to the belief that he might not have to bid farewell to his biggest dream after all.

But his manager doesn’t look as hopeful as Jungkook feels.

“How are we going to find a girl who will agree to this? Someone who isn’t an obsessive fan, understands this is purely professional, and can keep quiet? You won’t be able to pull this off.”

“I was actually thinking-” Jiwoo starts, but she’s cut off.

Jungkook hesitates, glancing between them before speaking. “Actually... I think I already have someone in mind.” His voice is more measured now. “That’s not the issue.” Jungkook doesn’t need to think twice.

Taesung sighs while Jiwoo looks at Jungkook apologetically.

“You can’t rebrand your entire persona from a playboy to a lover boy within a month, Jungkook. This is over.” His manager shakes his head, a sense of finality glimmering in his eyes.

One thing that Jungkook forgot to mention is that he is an extremely competitive man, too.

~

“This is ridiculous.”

You kick the laundry machine in frustration, but all you end up doing is yelping and clutching your aching foot.

“That’s the third time this month,” you mutter under your breath. “What did I even spend all that money on if it’s just going to break down whenever it feels like it?”

You shoot a death glare at the machine, teetering on the edge of losing your mind.

“Guess I’ll have to use the public laundromat again,” you sigh, grabbing the overflowing laundry basket filled with your and your roommate's clothes, and heading out of the bathroom with a huff.

On your way to the front door, the doorbell rings.

Please, you think. You were hoping for some quiet, uninterrupted time to deep-clean your dorm on this peaceful Sunday with no one around.

But when you peek through the peephole and see Jungkook standing there, your frustration melts away. You swing the door open, the laundry basket tumbling to the floor beside you in your haste.

“Jungkook!” you exclaim. “You’re timing is perfect! Can you please fix my laundry machine again? It’s been acting up, and I’m getting frustrated.” You groan annoyed.

Jungkook doesn’t share the same excitement upon seeing you.

You grow smaller and take an indecisive step back.

“What’s wrong?” you ask, noticing the tension in his features. “Did you lose the match yesterday? I couldn’t keep up because I had too much cramming to do last night.”

While studying medicine had always been your dream, the reality is less exciting. Right now, it means sleepless nights and relentless pressure. You know that pursuing this path will offer you many privileges later in life, but you have to suffer first.

“I need your help.”

His dark eyes, usually bright and full of energy, seem clouded with worry, and his hair falls messily over his forehead, like he’s run his hands through it a hundred times in frustration.

“Are you okay?” You study him closely, scanning his face for any signs of injury. Physically, he seems fine — still tall, muscular, and as fit as ever. But something is clearly off.

“You need to do something for me.”

“I can help,” you reply, your voice soft with concern. ‘But what is it…?”

“Can you be my girlfriend?”

You blink, repeatedly.

“Huh?”

You start giggling when he doesn’t add more. You expect him to clarify or laugh along, but Jungkook stays serious, stepping closer and gently taking your hands in his. You look down at them, then back up at his face, utterly bewildered.

“You’re silly, Jungkook. If someone on the team made you do this, tell them you did the punishment and quit acting so weird.”

It’s too early in the morning for Jungkook’s nonsense.

“No, ___, you don’t understand.” He squeezes your hands when he feels you trying to pull them back. “I actually need you to do it.”

“Do what?”

“Fake date me.”

[cosmos-kitty]

Do you have any tips for painting with gouache? like how do you get it to stay a nice solid color over a large swath of paper? and how do you blend it so seamlessly?

Of course, here's a few pointers off the top of my head:

1. I've used gouache for this in the past so it's possible, but the flat backdrop on my latest WIP is actually acrylic! A nifty thing I've found about putting a layer of acrylic down, is that it creates a barrier once dried and essentially makes the paper waterproof. This means you can work in gouache on top without it mixing with the background, and you can wet a section and completely wipe it clean with a cloth/tissue and it won't disturb the acrylic layer underneath. It also makes the paper more resilient, and you don't get as much pilling/tearing from the moisture

To get an even wash it's mostly getting the right consistency, I add just a little water - enough that the paint is less "tacky" as you drag your brush along paper, but not so much that it's runny or translucent. It takes a couple of attempts sometimes!

2. Also for the current WIP that I posted earlier, like the vast majority of my traditional pieces, keep in mind that it's mixed media. So I assume you're referring to the blue-green gradient on the bird and wondering how I got the gouache to blend like that - it's actually colouring pencils! I'll often switch between dry and wet media, even layer them back and forth, whatever makes the most sense to get the effect I want 😁

3. On that note, when you're working with paint, or any medium really, I can't recommend enough having a "test" sheet that you do both before and during a traditional piece. It allows you try out different medium combos, see what shade your gouache will dry into, and catch any issues before it ends up on your artwork. I often see artists being encouraged to just Bob Ross their way through a piece, the idea being that you'll just have happy little accidents that you'll naturally work into the piece - maybe, but you'll also possibly irreversibly wreck your hard work and have to start again. I don't know, I'm just a methodical person I guess, but seeing someone just directly apply something to the page when they're not sure what it's going to do makes me wince - no two art supplies are the same! All of those paints and pens have different chemical makeups, there's an unlimited number of ways what you're using could interact, good or bad.

Since it's already there, I usually reuse one of the leftover failsons from the process of making the wash background, then test everything on top of that. That way you can see exactly what shade the paint will dry on top of whatever colour the background is:

Doesn't need to look good, nobody sees it (usually) and you can also test the thickness of your brushstrokes while you're at it.

Anyway, I hope this helps!

[misscammiedawn]

Time Loops and Dissociation

CW: suicidal ideation, glitchy unreality, overt depictions of self-harm, parental abandonment

This essay contains full game spoilers for In Stars and Time.

You wake up to your alarm at the same time every day. The same view greets you from your window. Same sheets. Same outfits in your closet to get dressed in. Same choice of drinks in your kitchen to put in the same choice of cups. Same 24 hours but a different day. What better way to capture the existential horror of disconnecting from the world than to simply take away the words "but a different day" and make it the same 24 hours.

Time Loop fiction likes to capture the monotony of being caught in a rut. For some stories, like Groundhog Day, the rut could be that of not working on one’s self and accepting the eternal trappings of a never ending moment and not seeking change. For others, like Palm Springs, it is the conflict within a romantic relationship between one partner wishing to grow and find new experience while another wishes to remain in the safety of the known. Others still, like All You Need Is Kill, the conflict is a matter of maintaining one's optimism and drive in a hopeless fight against an antagonistic force that will crush their spirit upon the weight of eternity.

The constants in this genre are the forces of change and stagnation. Exit can be accomplished via self-improvement, it can be accomplished by having the bravery to risk leaving safety, it can be accomplished by killing every last time looping alien until you’re the only one left. But the allegories are always there. Tomorrow can only be attained by growing beyond Today. Change doesn’t happen in a day and as those stuck in a time loop know… a day can be an impossibly long time. And what does a person do during that impossibly long time? Repeating the same acts over and over again, where people become predictable and all the complexity of life has been stripped down until there’s nothing but cold empty and predictable monotony? You dissociate.

Dissociating is the experience of detaching from reality. Dissociation encompasses the feeling of daydreaming or being intensely focused, as well as the distressing experience of being disconnected from reality. In this state, consciousness, identity, memory, and perception are no longer naturally integrated. Dissociation often occurs as a result of stress or trauma, and it may be indicative of a dissociative disorder or other mental health condition.(*)

Every time loop story inevitably includes a segment where the pain of going around and around becomes simply too much to handle and the audience must witness the protagonist's mental health decline in real time. It is the moment in the story when they no longer feel able to connect with other humans, when they disconnect and just succumb to the weight of the eternity that they are trapped within. For most the idea of being stuck in a rut is a horrific thing. People are a social species. We seek connection and we seek change. We actively want to grow. But this is not true for everyone. Some are so scared and scarred by the world that they dare not ruin the safety that they have managed to find. Narrowing one's world down to avoid conflict and danger is a common feature in Complex Post Traumatic Stress Disorder, particularly in those with a tendency to freeze in the face of their emotional triggers.

The flight-freeze type avoids potential relationship-retraumatization with an obsessivecompulsive/dissociative “two-step.” Step one is working to complete exhaustion. Step two is collapsing into extreme “veging out”, and waiting until [their] energy reaccumulates enough to relaunch into step one. The price for this type of no-longer-necessary safety is a severely narrowed existence. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

And that is the heart of any time loop. Safety at the price of a narrow existence.

-

For this essay I want to talk about a piece of media that masterfully manages the time loop dilemma while managing to depict a remarkably strong representation of Complex Post Traumatic Stress Disorder. Today I want to talk about In Stars and Time. Because if I'm gonna highlight a time loop story for my essays on dissociative disorders then I'm going to do the one which has a "Press X to dissociate" mechanic.

In Stars and Time is an RPG Maker game in the stylings of Earthbound and Final Fantasy. The star of the play game is Siffrin (he/they), a silly little one who tells light-hearted puns and has their tongue stuck out in a :3 cat face smile.

As the thief type of the party he leads the group through dungeons to deactivate traps and find keys he can sometimes be bad at his job. They have managed to help the team get to the final dungeon and take on The King who has managed to freeze most of the nation of Vaugarde in time. Their adventuring friends are Mirabelle (she/her), the housemaiden; Isabeau (he/him), the fighter; Odile (she/her), the researcher; and Bonnie (they/them), the kid. Siffrin finds themselves trapped within a time loop. Reliving the same 2 day period as the party make their approach to The King and must defeat him to release Vaugarde from being eternally frozen in time. The game speaks frankly and kindly on many topics beyond mental health and trauma. Among the many rare and beautiful things it organically depicts it has an asexual and an aromantic discussing society's pressure to enter relationships and perform intimate acts, a trans masc discussing the destructive and yet necessary process of transitioning and two expats discussing how difficult it is to integrate their cultural roots (or lack thereof) with the values and expectations of the dominant culture of their new environment. Keep that last one in your back pocket for now. It'll be important for later. This is the last chance to check the game out unspoiled and so if anything I have said intrigues enough then please buy the game (Steam - Switch - Playstation 4 - Playstation 5 - GOG - Itch.io) and enjoy it. The game is about 20 hours at a casual pace (WR speedrun is 2.5 hours) and it has much in the way of hidden conversations and content that can help a person stick around and dig deep to find all the content in the game (but watch out). Go with my blessing and check DoesTheDogDie for content warnings if needed. For those who have played or want to read on into spoiler territory, then please forgive my long-windedness. I've too much time on my hands and have not cultivated the skills or talent to present this as a video for passive enjoyment. Let's begin. The game is split into 6 acts so in the interests of not bombarding with information. Shall we follow suit?

Act 1 - The Stage

The curtain rises and the play begins. Act 1 makes up the first loop from Siffrin's perspective. If not for the time loops then this would be a very short adventure. Siffrin wakes up from a nap in a field as they will every single loop from now on. They are in the final town before the enemy stronghold, one final day to rest and gather their strength and resolve to save the country. The group's leader, Mirabelle, has decided to have a sleepover. One final day, one final dungeon, one final fight... and then it's all over. The world will finally be saved. It'll all be over... Siffrin spends the day speaking to their friends, making a wish on the local Favor Tree to spend time with an ally after the adventure and then it's on to the adventure. Isabeau has something he wants to tell Siffrin but decides it can wait until they have saved the world. Entering the house and moving through the first few rooms all seems to be going well. The party of friends beat their first few enemies and Siffrin is sent to check for traps in a corridor leading into the main areas of the house. He checks and checks and checks and doesn't find anything so...

The trap is activated by feeling safe.

For clarity I wish to say much of the analysis and discussion is our personal read of the plot. Before writing this essay we reached out to insertdisc5 to ask about how they approached depicting mental illness in the game and they responded that it was not a matter of research as she was worried about checking off boxes rather than depicting authentic experience. Which makes it all the more impressive that the game was able to depict so many aspects of Complex PTSD so seamlessly. From Walker's book the primary symptoms of CPTSD are:

Emotional Flashbacks Tyrannical Inner &/or Outer Critic Toxic Shame Self-Abandonment Social anxiety Abject feelings of loneliness and abandonment Fragile Self-esteem Attachment disorder Developmental Arrests Relationship difficulties Radical mood vacillations Dissociation via distracting activities or mental processes Hair-triggered fight/flight response Oversensitivity to stressful situations Suicidal Ideation

Over the course of the game Siffrin displays many, if not all of these. One of the core conflicts of the game is Siffrin's feelings of loneliness and abandonment as well as their inner critic and toxic shame.

Another common trait of those with C-PTSD not referenced in the above list is a sensitive startle reflex. It is mentioned in the same book at a later point, however:

A startle response is the sudden full body-flinching that survivors experience at loud noises or unanticipated physical contact. This is usually a somatic flashback to previous abuses.

I bring this all up now because Siffrin's first death. The cause of the first loop. HIS FIRST FAILURE. Was because he let his guard down. He felt safe for even a moment. This is not a reading or something which can be brought up for debate. On floor two of the house there is a book that explains the traps and speaks of the boulder that landed on Siffrin's head earlier:

Throughout the entire adventure Siffrin will have the toxic and universe validated belief that if they ever drop their guard, even for a single moment they may die. This belief will only get worse as they progress, unfortunately. For those with Complex PTSD they walk through life in a state of hyper-vigilance. Never quite feeling safe. Siffrin died the moment he let his guard down. [Dawn here. This is turning out to be the longest Media, Myself and I article by a wide margin. For the sake of not destroying everyone's timelines I'll put the rest of the game under a readmore. I would so very much love it if you did click on, though.]

Act 2 - The Performance

The curtain rises and the play begins. Again. Much of Act 2 is spent trying to get to The King and defeat him. Mistakes such as forgetting a key on an earlier floor or taking a wrong path will cause Siffrin to need to loop back. All the while inwardly berating themselves for their carelessness, knowing that in a world without the time loops they would have been trapped and unable to challenge The King at all. We are also introduced to Loop, a star who watches over Siffrin during his journey. Loop is in the time loop with Siffrin and can follow his progress, offer advice and comment on everything. Loop is a little disaffected and likes to play things silly and coy and can be a little mean at times. But they say they're here to help Siffrin. As the adventuring friends climb to the final boss we get to see Siffrin's rapport with the party. Siffrin likes to stay on the sidelines and listen in to other people having animated conversation. Everyone is nervous to touch him having universally come to an understanding that Siffrin does not like to be touched. They make fun of Siffrin's poor memory (another common trait of those with dissociative disorders that we will talk about more in time) and they treat one another warmly. However during a bit of banter in a snack break...

(source: ISAT Script Project) Note that Siffrin internalizes the comment "we're not friends." instantly. From this point of the game until a latter moment all times that Siffrin's monologue refers to his party the word "friends" is replaced with "allies". They are so sensitive to abandonment and rejection that the they simply accept Odile's words, not even aimed at Siffrin themselves and internalizes them deep enough that the HUD of the game itself changes to accommodate this belief. It was mentioned at the start that Siffrin is a silly traveler who enjoys puns and makes light of most situations. In battles the game uses a Rock, Paper, Scissors weapon triangle and all of Siffrin's attack names are puns. In the profile menu he sticks his tongue out. His battle image is a playfully confident smirk.

During the game we always have access to Siffrin's inner monologue and can tell how they interpret the world around them but they seldom ever voice their opinions. This allows us to see how often they are convincingly laughing on the outside while hurting on the inside. Siffrin, unable and unwilling to approach their shame and self-loathing and terrified of becoming a burden to their friends allies will deflect whenever he sense that they are hurting.

A person (or dissociative part) may avoid being aware of inner experiences such as feelings or thoughts that might evoke shame. Thus, he or she is not aware of the experience of shame, typically does not acknowledge the negative experience of self, engages in denial, and attempts to distract self and others away from the painful feeling. For example, a person who felt ashamed in therapy might start making jokes or flippantly comment that the session is boring or useless, or he or she might try to change the subject entirely or even switch to another part that has a different agenda. The experience becomes neutral or positive; shame may be disowned or denied, or overridden with joy or excitement in distracting activities (joking around, talking about something else). There is little to no awareness of shame or one’s shameful actions, faults, or characteristics. The motivation is to minimize the conscious experience of shame or to prove that one does not feel shame. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The other key thing we have come to learn about how others perceive Siffrin is their memory issues. Memory issues are a constant part of dissociative disorders with a lack of childhood memories being a key feature in Complex Dissociative Disorders such as Depersonalization/Derealization Disorder and Dissociative Identity Disorder. If I am being honest about my motivations for writing this essay, while playing it I keyed in on the lack of memories early and assumed it to be an allegory for such trauma. Even made a Tumblr post stating this. On the top floor of the house of change in a secret room and only during Act 2 there is a bit of dialogue where Siffrin speaks about their childhood.

This was the moment we knew we needed to write about this game. What is missing from the text above is that when Siffrin stammers on their words there is a time loop effect. The first one in the game that is activated by something other than a death or the natural end of the loop. Siffrin edits out this conversation so that not even he can remember it.

Amnesia goes far beyond normal forgetfulness. It involves serious memory problems that are not caused by illness or extreme fatigue, by alcohol or other mind-altering substances, or normal forgetting. Amnesia falls on a continuum. People with a dissociative disorder may recall some aspects of an event but not other essential parts of it. In some cases all memory for certain events is unavailable for conscious recall. Some people with a dissociative disorder describe their memory as being like “Swiss cheese holes,” “foggy,” or “full of black holes.” They may suspect that something happened, or may have even been told by others that something happened to them, but have no personal recollection of events and often feel afraid to think about them. People may have amnesia for longer periods of time during which normal life events took place, for example, a person may report being unable to remember anything from the fifth grade, or from ages 9–12. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Instinctive use of time travel to edit out parts of a conversation that a perspective character does not wish to accept or confront is a fantastic allegory for how dissociative symptoms manifest. When a person or dissociative part stumbles too close to a severe trauma trigger. To speak from personal experience it is a moment where in a conversation a question comes up and the answer feels wrong in your mouth. Like you just lied. But you know you didn't intend to lie... so of course you interrogate the piece of information and the wall of confusion that hits can make a person feel truly powerless. Like you're not even certain of what you are saying anymore and a mixture of shame and fear flood in and tell you to stop talking, stop lying, stop exaggerating, stop speaking, stop, stop, STOP. Poor Siffrin shouldn't have their memory made fun of. But... his friends allies don't know. Do they? How could they? Siffrin doesn't speak up and when he does it tends to be a showy performance of being light hearted and silly so no one can see how hurt he is. Because if he does try to be honest... well. You saw what happened when they tried to open up. Through hard work and persistence the allies loop enough times to gain the knowledge and strength to win against The King. The King's first attack will force the allies to see a vision of the future and without a special magic shield will kill them in a single strike. Siffrin stays determined and prepares his allies. Helps them become stronger. Helps them win. The world is saved. Everyone in Vaugarde is released from the time freezing spell... But something's wrong... Siffrin is given a chance to talk to everyone as they all happily speak about what they'll do now that the country is saved but no matter what happens. Isabeau attempts to confess the thing that he wished to tell Siffrin if they won but is interrupted before he can get the words out, much to Siffrin's annoyance. The world is safe. All is well. It shall return to normal soon enough... only thing to do is speak with the head housemaiden and accept the praise and thanks for all the hard effort in saving Vaugarde... Then world starts to fall apart and... The second act comes to an abrupt close.

Act 3 - Family and Culture

The curtain rises and the play begins continues. The loop begins with Siffrin back at the start, even though the day was saved. Simply killing The King must not be enough. There must be a reason that the loops are continuing, even after Vaugarde is saved. The only way to understand is to find out more about why The King is able to freeze the country in time and if it has anything to do with why Siffrin can loop back. Speaking with Loop, Siffrin recognizes that as long as there are ideas and leads to explore then giving up is not going to happen. Loop seems reluctant to encourage Siffrin to continue, in fact Loop seems doesn't appear surprised by the time loop continuing at all. Loop is an interesting character and deserves an article unto themselves. We should focus on Siffrin right now.

Their first order of business is to attempt the Golden End exit route. It worked for Bill Murray, why not in this situation? Simply work out a way to make everyone have a perfect loop. Saving the world isn't enough. Siffrin can solve everyone's problems. Here we learn that Bonnie, the kid, harbors a deep well of shame for allowing Siffrin to be blinded in an eye while protecting them earlier in the adventure, before the loops. Siffrin, true to their dissociative nature, did not even remember the event. Siffrin also spends quality time with the adults in the party. Always hoping Isabeau would be brave enough to confess this loop. On this journey up the house of change the team are closer and more caring. No one makes fun of Siffrin for bumping into the counter. Siffrin discovers that the other party members have noticed his breathing exercises. Very helpful for those with dissociative disorders, by the way. They ground the body and allow one to ease somatic symptoms by soothing the nervous system and preventing activated sensations worsening symptoms. As they get closer to The King the warm and familial banter continues with Odile using the word 'friend' out loud. A guarded Siffrin allows themselves to confront Odile on saying that they were not friends (something she did not even say this "Golden" loop) and through an awkward but kind conversation she confesses she, a Too Old For This lady cannot feel comfortable calling a group of people with a pre-teen "friends" but she can perhaps call them "Family" The menu updates. Siffrin's Allies are now Sif's Family Members. This remains true in all the menus no matter what happens in any loop. But in this moment, there is a golden ending. There is joy. Though Isabeau is unwilling to discuss his confession when Sif is feeling vulnerable. They need to have a Feely-Feels talk. Sif hates the idea of a Feely-Feels talk. Yet, even still... In this moment Sif is loved.

Many people with Complex PTSD have attachment wounds from their family of origin. The concept of a found family is common among survivors, particularly in those who choose to go Non-Contact with the family of origin. Others, like Sif, have lost their family to tragedy and simply have no roots to return to. The role of a chosen family is vital in the healing journey. Survivors can become aggressively attached to those who they view as chosen family and are often activated by the concept of another loss. The wounds of losing one family enough to have massive impact on how the survivor handles relationships going forward. It is why unstable relationships is listed as a symptom of CPTSD and why there is such a big overlap of CPTSD and BPD diagnosis.

There’s no way around the fact that on the journey to finding your chosen family, you will get hurt. People you thought would be there for you will abandon you, people will decide they no longer have the emotional capacity to hold space for you, and… people who made promises to be by your side will betray those promises. That’s not anyone’s fault. It’s just life. Not everyone belongs on our journeys, but… when you find the right people, don’t let go of them. Nurture the relationships, reciprocate the support, and above all, respect the myriad of ways that people can and will show up for you. - (The Role of ‘Chosen Family' in Trauma Recovery - Monika Sudakov)

Sif is desperately attached to the Family Members that they travel with. In many ways the only reason they can endure the time loops is to protect them. Any time there is a prompt which threatens these relationships Sif's monologue insists that they will not abandon the script that ensures their safety and happiness. Yet despite all this power of love and Family, the loops continue. Which is fine. Golden Ending was a long shot anyway. Clearly it has to be related to The King and it's power to stop time. It seems to know the mysterious art of Time Craft. Talking to The King will help. The answers are still attainable and now Sif has a Family. To get the information required to learn about Time Craft and The King one must interact with as many books and items in the house of change as possible. In doing so we learn more about Sif and their history. By this point in the story the concept of croissants has come up a number of times for the party. In the opening town Sif has the option of buying one from a bakery and gives an uncharacteristic scowl. When they are spotted in the house Sif tends to duck out of conversations, not caring to listen to people talk about the pastry he loathes so desperately. He jokes about it and obfuscates but Sif hates croissants. With a burning passion. There is literally a food that can kill him in the game (he is allergic to pineapple and can die on a banana plantain peel) but his ire always turns towards croissants. Croissants are an emotional trigger for Sif. They harbored such a deep hatred of croissants that when, in Act 4, he is pressured to tell everyone what he wished for at the start of the game he says that they wished for croissants to disappear forever. Sif's reactivated trauma is related to croissants. Up until now he had been living his life blissfully unaware of his dissociated experiences and yet a croissant cracked the amnesia barriers that kept him safe and now each time he sees them they cannot help but be reminded of "The Incident". By examining the Silver coin in their inventory a number of times one can see "The Incident", a moment that happened days before the plot began which informs Sif's entire emotional state throughout the game...

(source: ISAT Script Project) Note the time skip at the tail end of that sequence. Sif was thinking too heavily about the trauma again and skipped time to avoid thinking about it. Dissociative barriers. He literally cannot think about it. The universe won't let him. Sif's home isn't there anymore. In the canon of the game where reality can be rewritten on the whim of a wish, the country that Sif comes from was wiped off of the map and all knowledge and memory of it has been erased, even from those who lived there. Sif's trauma is that he lost his home. His family. Everything and everyone that he ever knew. Through traveling with his family members he has gained a slither of the emotion, comfort, connection and safety that he lost and in being reminded of all that he lost so close to the end of their journey he was reminded he can and will lose it all again and the thought is too terrifying to process. This is the core conflict in Sif's heart for the entire game. The more they interact with memories of the destruction of his homeland the more keenly aware he becomes of the fact that the quest will end and his family will go their separate ways and abandon him. They have no home to return to when this is all done. CPTSD is not currently recognized by the DSM-5. An official diagnostic description can only be found within the ICD-11. On the ICD-11 page for Complex-PTSD there is a specific segment for "Culture Related Features" that reads:

Cultural variation exists in the expression of symptoms of Complex Post-Traumatic Stress Disorder. For example, somatic or dissociative symptoms may be more prominent in certain groups attributable to cultural interpretations of the psychological, physiological, and spiritual etiology of these symptoms and of high levels of arousal.

Given the severe, prolonged, or recurrent nature of the traumatic events that precipitate Complex Post-Traumatic Stress Disorder, collective suffering and the destruction of social bonds, networks and communities may present as a focal concern or as important related features of the disorder.

For migrant communities, especially refugees or asylum seekers, Complex Post-Traumatic Stress Disorder may be exacerbated by acculturative stressors and the social environment in the host country. - (ICD-11 for Mortality and Morbidity Statistics)

We do not learn much of Sif's culture of origin but we know that they were in tune with The Universe, that they had spiritual aspects that allowed them to use Wish Craft and follow when fate leads. Act 3 is an info gathering quest on The King's motivations and we discover that King and Sif both hail from the same country and have lost all their social bonds, networks and communities and cannot even recreate the specifics of their culture. It has literally been erased. No culprit is ever named for this atrocity but from Act 3 onwards Sif mourns this lack of roots and via the power of the magic that prevents anyone from remembering the country they cannot mention this tragedy to anyone. Though Odile is able to infer it. Odile is also an immigrant to Vaugarde, her mother was from Vaugarde and her father from Ka Bue. Her mother abandoned her and Odile's quest in Vaugarde is to find parts of her history within the foreign land and fill in the parts of her soul that she feels are incomplete from the lack of her mother's presence and history in her life. In Act 3 the two bond over it as part of Odile's "friendquest", in Act 4 and beyond Sif's inner monologue seethes with bitterness and envy for Odile having connections. The initial connection of them both being foreigners in an accepting land caves to the pain of loss that consumes Siffrin whole.

(source: ISAT Script Project) What's worse is that some of the things that the family members joke at Sif about for being too forgetful to know the words "Kiln" "Pottery Wheel" or "Stuffed Animal" (though they do remember on some loops) become less about silly forgetful Sif letting incidental information slide out of their dissociative mind. It becomes making fun of a person speaking a second language and not having complete mastery over it. By Act 5 Sif has no patience for the playful jabs because they happen every single loop and they hurt. Minimizing is a lot harder in a time loop. Every small moment of tiny pain repeats again and again. Every time Sif bumps their hip on a counter the party laugh at him. Well... except for the time he screamed at them for it... or the time he collapsed into a defeated pile on the floor on the verge of tears. Heaven help me if bumping into a counter hasn't been the last straw to break my facade when the weight is too much to carry. Poor Sif... As Sif learns more about Time Craft and the country that both he and The King come from, Sif starts to gain an understanding of The King's motivations. After losing one country he couldn't bear to risk losing another home. Vaugarde was so kind to him and took him in and he wants it to remain perfect and safe forever. Frozen in time like a photograph. Now that Sif has come to recognize how important his Family Members are to him, they understand. To have people you love and consider Family is so important and the idea of losing that is simply unspeakable. It is a fate worse than the time loops. By now Sif has done the Golden Ending a time or two...

He understands why The King would do this. The final loop of Act 3 allows Sif to attempt to convince The King not to fight. The pair have attempted to bond over their roots, they have tried to force The Universe to allow them to speak the name of their nation (but it refused to be said) and now Sif wants to try and use understanding. The King agrees. He stops the fight. Asks Sif to come to his side and... Then he freezes the Family Members in time. He understands now that Sif is using Wish Craft to fight him and he cannot win on traditional terms so he decides to carve it into Sif's memory, a reminder of what happens if he continues defying The King's will. He picks up poor little pre-teen BonBon... and FORCES SIFFRIN TO WATCH AS HE CRU-

Act 4 - Shame Spiral

The curtain rises. The play begins continues. And Sif is not okay. They witnessed the game break the well established rule that the kid was not able to be hurt. Even in runs where you lose to The King Bonnie always gets away. The Family will always go out of their way to ensure The Kid survives. It's happened so many times by now one doesn't even think to question it... And the player had to watch. There is no avoiding that event. Sif will lower their guard to speak with The King and offer compassion and trust to someone they thought of as a kindred spirit and no sooner had they laid down their arms for a moment they were punished for it. Brutally. It's the rock again. Feel safe, even for a moment, and it comes crashing down to crush with full weight... only this time it's not the Sif taking the hit. Sif can take all the hits in the world. It was BONNIE. Someone else was crushed because Sif trusted. From this moment on Sif's intrusive thoughts become louder and meaner. Look above at the conversation with Odile about her roots and notice the changes between Act 3's inner monologue and Act 4's. By this point in the story Sif is losing track of how many loops they have gone through. Unless you keep your Memory of Self equipped you will find that any time you loop forwards or backwards the loop counter will jump up by leaps. Sif is so numb to the cycle by now that they're just dissociating through iterations of the time loop. Other times he 'blacks out' bits of time include sleeping at the clocktower. We learn that he never ever sleeps at the tower. He just blacks out and comes to at the house ready for the next run. All Sif can remember is what the player sees. But stuff does happen besides that which we see. It's not just the amount of time that Sif has been in the loops that is causing this degradation of mental health, though. It's the continuous activation taking a toll. When a person is continiously hyperaroused they become disaffected, chronically dissociated and begin experiencing somatic symptoms. Headache, stomach ache, exhaustion with no ability to sleep, hunger without ability to eat. At this point of the story Sif is constantly hungry and is not sleeping at all. The primary cause for this is the attachment trauma being continuously triggered. Where in early acts it was a matter of worry over losing his new family while being reminded constantly of losing his old one, now he is reminded of allowing his family to die because of his actions. The shame spiral claims him and his emotions become wild, even if he is not able to express them outwardly. This level of emotional sensitivity is a primary symptom of Borderline Personality Disorder. The similarities between CPTSD and BPD are enough that much of the discussion around the potential for including CPTSD in the next revision of the DSM centers around whether it should replace or be combined with BPD. The Foundation for CPTSD writes on the topic:

At one-time, complex post-traumatic stress disorder was proposed as an alternate form of borderline personality disorder because of the shared link to severe childhood trauma. The jury is still out to recognize CPTSD as a diagnosis in the DSM, but it is believed that the symptoms and causes of BPD and CPTSD overlap substantially, but it is not warranted to replace one diagnosis with the other or conceptualize CPTSD as a subtype of BPD. Borderline personality disorder and complex post-traumatic stress disorder are commonly found together, with between 25% and 60% of people living with BPD also having CPTSD. Complex post-traumatic stress disorder is listed in the 11th edition of the International Classification of Diseases (ICD-11), and this has spurred research differentiating the two disorders. Evidence suggests that CPTSD and BPD may represent a continuum of the stress response, and both seem to have a component of dissociation involved. The most significant difference between the two diagnoses is when they form. CPTSD typically forms in early childhood, while BPD forms during early adolescence. Having both CPTSD and BPD makes life difficult, to say the least. - (CPTSD Foundation)

BPD is a personality disorder categorized by attachment wounds. Part of the diagnostic criteria includes "Frantic efforts to avoid abandonment, whether it is accurate or not, by family and friends" It is safe to say Sif feels this way about their family. They lost their entire home, their history, their family of origin. They cannot conceive of losing the family that they have gained. The concept is simply too painful for them to consider and so emotional and dissociative barriers force away anything which could potentially bring the topic of losing them to mind. Heaven knows we can understand the impulse... But since being directly responsible for failing the promise they made to protect Bonnie this is no longer a matter of fear of the unknown, it is shame in having failed to keep a promise to protect. This shame grows and cripples Sif's emotional regulation, leaving them prone to volatile outbursts of their repressed rage. Either forcing it inwards on the self or outwards on others.

When you feel chronic shame, you believe that no amount of punishment or corrective actions would be sufficient, and you are unable to forgive yourself or have any empathy for the terrible suffering shame brings to you. It is as though chronically ashamed people have received a life sentence of shame with no hope of parole, even when they are unsure of exactly why they are bad. In fact, some people will say there is no particular reason they are bad and unworthy: The mere fact that they exist and take up space on the earth is shameful enough. They believe they are not worthy of living and do not deserve anything good. In such cases, shame is an emotion of hiding: The last thing an ashamed person wants is to be open, vulnerable, and seen by others. Thus, it is an emotion that often is not addressed sufficiently in therapy, even though it is a major impediment to healing. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Act 4 is about learning the origins of the Wish Craft that rewrites the universe and allows for Sif to use Time Craft. We learn that any time they are upset they will instinctively rewrite history to prevent the things that they fear from coming to pass. This includes moments when their anger gets away from them and they lash out at their family. Some optional scenes include forcing Isabeau into a kiss or screaming at Odile when she knows too much and tries to help Siffrin. Any time these outbursts happen time rewinds and only Siffrin is left with the knowledge that they happen, deepening the growing well of shame. All the while Sif feels more hollow in the interactions he has with his Family. In forcing them to be their best selves via the "Friendquest" events every loop he starts feeling like he is manipulating them. Where he felt loved the first few times he now accuses himself of forcing them to love him.

To the degree that our caretakers attack or abandon us for showing vulnerability, to that degree do we later avoid the authentic self-expression that is fundamental to intimacy. The outer critic forms to remind us that everyone else is surely as dangerous as our original caretakers. Subliminal memories of being scorned for seeking our parents’ support then short-circuit our inclinations to share our troubles and ask for help. Even worse, retaliation fantasies can plague us for hours and days on the occasions when we do show our vulnerabilities. I once experienced this after being very honest and vulnerable in a job interview with a committee of eight. Over the next three insomnia-plagued nights, my outer critic ran non-stop films featuring my interviewers’ contempt about everything I had said, and disgust about all that I had left out. Even after they subsequently and enthusiastically hired me, the outer critic plagued me with “imposter syndrome” fantasies of eventually being exposed as incompetent in the new job. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

It doesn't matter. Sif tries everything. Learns all the things that they can learn. Explores all the hidden areas of the house of change. Nothing matters. It's hopeless.

And with each loop The King's attack shows Sif a vision of the future. What do they see? Endless looping or... does Sif see the future beyond the loops? After the party return to their various homes? Act 4 ends with The Head Housemaiden, the only one who could have potentially held answers telling Sif outright that there was no escape... Before the loop begins anew.

Act 5 - Curtains

[Hello there. It's me, Dawn. I'm pausing the essay and dropping the cute little play structure to reiterate the Content Warnings from the start of the post. During Act 5 there are options to commit self-harm that a player may stumble across unintentionally. During previous acts one has to work exceptionally hard and against the game and characters within it to unlock a means of self-harm and it is unambiguously seen as a bad thing. In Act 5 there are no external forces to comment on Siffrin's actions.] The curtain rises. No point in wasting time. Get the actors. Make them strong. Beat the king. Do it right this time. Unfortunately our star has lost all of the mental fortitude they had. They were so strong for so long but there is only so much a person can take before they let the anger win. It is all too common for people with significant trauma to harbor resentment and anger in their soul. It sometimes remains repressed under layers of emotion numbing dissociation, it sometimes turns inwards into self-destructive acts and viewpoints and it sometimes turns outwards into explosive acts of physical or emotional violence. But it's there... lurking within the injustice of all the pain a person has felt.

When you have experienced a trauma, anger often becomes the central emotion that you feel. Angry thoughts about revenge may consume you. According to Enright and Fitzgibbons (2000), your anger is more destructive if you focus it on another person or people; it is intense, even in the short term; it leads to a learned pattern of annoyance, irritation, or frustration with others who are not the source of your anger; it is extremely passive; it is extremely hostile; or it is developmentally appropriate for someone much younger than your actual age (e.g., you act like a two-year-old and have a temper tantrum). - (The PTSD Workbook Mary Beth Williams)

and so... with the 5th act of our play about to begin, the star wakes in a familiar meadow for what may be the hundredth time... and they simply cannot take it anymore.

The actor on stage has reached Rock Bottom and likely unlocked the skill Rock Bottom to go with it, though they are beyond the silly puns now. Rock, Paper, Scissors, Breathe or Heal. Just get to The King. Just kill it. One. Last. Time. The GIF above starts with the line "YOU WANT YOUR FAMILY BACK!!! NOT THE FICTIONAL CHARACTERS THAT HAVE TAKEN THEIR PLACE!!!" Up until now we have only spoken about dissociation in terms of zoning out or blocking out memory. I now want to talk about Derealization and Depersonalization. DPDR has been a subject of other Media, Myself and I essays, most notably our discussion on Night in the Woods. To be brief about it for this essay Depersonalization is a detatchment from one's sense of self and Derealization is a detatchment from reality. Our star has become so disillusioned with the endless looping that they no longer view their surroundings as real. The people in their life are just actors in a play that they are directing. Everyone says their lines. Even the star must say their lines. But there's still some stage direction. Some purpose that our hero must fulfill. They know that there is a chance if they can just kill the king without Mirabelle landing the final shot. Then. Maybe... In their disaffected state and unable to convincingly perform their lines in the play, our star manages to upset everyone else on stage causing them to doubt if it would be safe and productive to continue traveling with such a horrible disgusting unreliable stupid person. This causes the final act to be a solo performance. One final walk through the house without friends allies family actors to help. At the clocktower the other actors talk about our star and are uncertain if they can trust them any longer. Our star reacts by rejecting them entirely and going it alone. There is a concept in BPD called Splitting in which a person devalues or exaggerates the value of an individual in their compromised emotional state. It can cost a person relationships if they act out of these temporary emotions. At the start of Act 5 the actor manages to scream at the kid for getting in danger, calls the fighter a coward and mocks the researcher for her mother abandoning her. The individual, so desperate to shield their wounded heart, pushes the people they love away because their proximity is too close to their open wounds and they push away to maintain space. This is particularly true in those who struggle to create healthy emotional boundaries. This game is such a god damned call out at times. As the actor climbs the house everything is broken. The universe itself is trying to maintain the reality of two wishes that it needs to make a reality. "Save Vaugarde" and the one the main character wished for in Act 1. Do you remember what it was? The Universe cannot allow Siffrin to remain with their Family Members if they run off alone and reject them. The Universe simply cannot accomodate such a reality. Everything is falling apart. What proceeds is the ISAT equivalent of a Genocide Run in Undertale. Everything is broken and wrong. Rooms are breaking the collision boundaries of a video game, textures are cut wrong, doors lead to the wrong location, time is looping without rhyme or reason. And the menu is blunt. You cannot change your equipment, now stuck with Memory of Emptiness with the description (Nothing comes to mind, hahahahaha!) Some rooms contain hallucinations that make our star feel more abandoned and empty and mournful of their situation. In rooms where they would normally receive a modicum of physical comfort brushing against the other actors there is nothing now.

(Aaaaaaah…) (You rub your arms once, twice, thrice.) (Your throat tightens) (You feel like you're floating in your own body.) (If only someone would touch you to make sure you're real! Someone, anyone!)

This is an example of extreme depersonalization. Also the garden has a table with 4 healthy plants and 1 dying plant to the side. Our star notices it and it acts as a visual indicator of the barriers between the director and their actors. Some of the other rooms on the Act 5 climb depict overt self-harm...

It can be understood as a substitute action for more adaptive coping that attempts to deal with a variety of overwhelming problems, many involving too much feeling (for example, loneliness, abandonment, panic, inner conflicts, traumatic memories) or too little feeling (numbness, depersonalization, emptiness, feeling dead). Self-harm is thus often related to the need for regulation skills, that is, finding ways to modulate and tolerate unbearable inner experiences, such as painful emotions, or traumatic memories (Gratz & Walsh, 2009; Miller, 1994). Some people harm themselves in secret and carefully hide the inflicted wounds from others. Other people harm their bodies in places that are visible to people around them. (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The shame only increases upon doing these optional (but distressingly unprovoked) actions. Honestly, if I had one criticism of the game and its depiction of mental health it is that there is no way to know that looking at the cupboard with the eye patch conversation would cause a self-destructive action. As someone with extreme sensitivity to depictions of suicide and self-harm I felt that having no agency or warning over that (I had no reason to assume this would happen. Any other form of self-harm requires selecting a menu option. This one jumps out at a player unexpected) was... unfair. It is noted in monologue that breathing exercises no longer work by this point of the narrative and due to not being at the clocktower our star is proceeding with no food and no sleep. Their already bottomed out mental and emotional state is in sore need of external intervention. Something the actor both desires and rejects in equal measure. Upon finding and fighting The King our hero is frozen in time and locked in a dream. Placed face to face with their worst fears and worries of how their actors Family would perceive them.

(source: ISAT Script Project)

After the screen stops being blurry and the player wipes the wet spots off of their Nintendo Switch. The fear of being perceived. The fear of being seen as manipulative. Being seen as insincere. Being seen as lazy or too afraid to change. Callous. Aimless. Manipulative. So many survivors have these negative scripts and inner critics. Caught in their cycles. Their own little loops. But there's still hope. Family. The chance to be vulnerable. The game concludes with Sif's Family saving him from The King. But even though The King's spell is broken and the people of Vaugarde are unfrozen the sky has a giant red crack in it. Sif's wish is still tearing the world apart. Realizing that when the quest is over everyone will go home Sif has their temper tantrum, becoming the final boss in which every move is a choice to either lash out at the party or lash out at themselves. A boss mechanic version of the final embers of a violent extinction burst. That is to say a person who does not have control over their ability to maintain a sustained behavior will lash out and attempt to assert control in order to prevent losing the conditioned routine.

An extinction burst is characterized by a temporary increase in the frequency, intensity, or duration of behavior being extinguished through operant conditioning. This phenomenon occurs when the reinforcement for a previously learned behavior is removed, leading to an initial escalation of the behavior before it decreases and eventually ceases. While not all instances of extinction involve such bursts, they are observed in some cases, particularly during the treatment of problematic behaviors. Extinction bursts can complicate the treatment of behavioral disorders, as they may temporarily increase undesired behaviors like aggression or self-injury, making it challenging to assess the effectiveness of interventions. (*)

In this case Sif is lashing out because he has no way of preventing his Family from going back to their lives. It's a destructive and unhealthy mechanism. The fight ends with everyone refusing to let Sif run away or hide anymore. He is forced to admit that his wish was to stay with everyone. That he didn't want the family to go away. He opens himself up to the vulnerability of being seen of being understood and yes, even potentially rejected. The Family agree to travel together at least long enough to get Bonnie back to their sister. But there are no guarantees what happens beyond there. There is love. There is acceptance. There is honesty. There are no more time loops. Maybe now, finally... there can be change. Growth. Tomorrow.

In time loop fiction everything eventually loses meaning. There are no permanent consequences, no external pressures, nothing inherent to strive for, no meaning but what the protagonist(s) give themselves. The option to just accept things and remain is always there as Andy Samberg's character in Palm Springs does. The option to never stop trying to escape is there for those like Keiji in All You Need Is Kill.

The brilliance of In Stars and Time is that there are two wishes that are influencing the universe. The wish of the people to save Vaugarde from being frozen in time and Siffrin's wish to remain with his family. Change and Stagnation. That's what it always comes down to in these time loop stories and the conflict in this game is that those two forces are playing against one another. The only outcome was to give up on one or the other. As we'll learn in Act 6 there is no reality where Siffrin gets to stay with all 4 party members. They will have to separate at some point. Accepting change is accepting that things can and will and do end and life will go on and you have to be okay with it. Many of our essays have focused on representation that includes a healing journey from Ange Ushiromiya accepting the circumstances of her tragic past to Elliot Alderson's 4 season long representation of trauma therapy for dissociative clients. I think the thing I love about In Stars and Time is that it's the long and arduous process of a chronically traumatized individual asking for help. It's the first step on the healing journey. Acceptance. Siffrin spent the entire game in denial and rejection, making jokes and pushing things aside. Our long and hard journey was just getting to the point where they were able to recognize and admit it. And I really hope that Sif and their family members will be okay. I wished on my leaf for Sif to see Ka Bue with Odile. I hope they get to go. But as insertdisc5 says when asking any questions about what happens next "it's your turn" -

Stars that was a long one. Thank you for sticking with me if you read the whole thing. We like to write these essays as a matter of helping our study on dissociation (we, ourselves, are a DID patient and reading and comprehending this material is essential to our recovery and treatment) and providing a little insight to bits of media that are positive examples of what we go through. If you enjoyed always feel free to leave an ask or leave some silly tags. I never care if I get a flop post as writing is its own reward but the encouragement is good for my ego <3

Special thanks to @insertdisc5 for answering when I reached out for comment on the writing of this essay. The reply was helpful and encouraged us to take our time and write this with extra care. (In Stars and Time can be found on Steam, Itch, GOG, Nintendo Store and Playstation Store. The Prologue Game can be found on Steam and the Start Again comic on insertdisc5’s website) Media, Myself and I is a series of Tumblr Essays for positive depictions of dissociative disorders. Other essays include: A History of Murder Alters Discworld and Plurality Incidental, intentional and accidental representation Gender, Dissociation and Clinical Stigma in The Third Person Recontextualized Memories in Umineko Derealization in Night in the Woods and Metal Gear Solid The Dangers of Hypnotic Personality Play in Penlight System Origins in The Incredible Hulk Relationships with Systems in The Incredible Hulk The Healing Journey in Mr. Robot

...wait... what happened to Act 6?

I did say Loop deserved their own essay, didn't I?

[nmakii]

inspired by @kaislvves’s bastard post… ps: i acc love dior sauvage its my scent for when i go to school but its so strong HAHAHAHA

kaiser’s cologne has an overwhelming scent. not just in a way that two sprays could fill the entire bastard münchen cafeteria in his scent, but also in a way that lasts. his scent lasts on for a week before it finally wears off.

what’s his scent? dior sauvage, the scent of liars. kaiser likes the overwhelming presence of its’ scent; it’s as powerful as he is.

he loves to spray his cologne all over your closet and clothes, making sure that whatever you wear, and whatever perfume you try to wear to overpower it, you end up on the other side smelling of him.

it’s adorable how you spray on your 70 euro hermès perfume, checking out your outfit in the full-body mirror in your bedroom, before you’re coughing and choking on his overwhelming scent.

“mikka!” you shout out. “stop spraying your perfume on my clothes, it’s so strong!” you frown. his attention is finally raised away from his phone when he finally looks up to you, small circle-framed glasses starting to slide down his nose before he pushes it up with his middle finger.

“why should i? i like doing it.” he simply states. that’s just how he was; how he was raised— if he wants something, he must do everything to take it. likewise, if he wants to keep something, he has to make sure no one else steals it.

and with a job that forces him to almost always be out of country, he can’t help but worry about his rose. what if another piece of trash tries to flirt with you while you’re vulnerable? the overwhelming, almost sickly scent of citrus and pepper would be enough to tell them to back off; you’re already taken by another man.

“yeah; well, i don’t like it. it always lingers for too long.” you explain. and to kaiser, your explanation is moronic. “…that’s the point of a cologne; to linger.” he bluntly states. you roll your eyes at his smart-assed response, and scoff, “ugh— duh, but it stays on for days!”

kaiser only shrugs. “good. everyone knows you’re taken.” he’s quite adamant to telling the media what fragrance he uses. it’s odd, but he always encourages his interviewers to smell him in at least one point of the interview, giving him the chance to comment on his fragrance. it’s become a bit of a meme in his fandom that he wants to get sponsored by dior. but, no.

this isn’t about money.

it’s about everyone knowing his scent.

like a wolf marking his territory, kaiser leaves his scent on what he owns. and what he owns is you; your heart. it’s not enough that you love him with your heart as much as he cherishes you— he needs others to feel him spiritually when you’re nearby.

“this is stupid, mikka. none of my perfumes linger anymore cause of your dumb sauvage.” you scoff. and, kaiser stands up from his place in the bedroom, moving behind you. his overwhelming height makes for an awkward position when he rests his arms on your shoulders, and his jaw on your forehead. he stares at the reflection in the mirror, admiring of his and your beauty. the glint in his eyes is dangerous— as dangerous as the cheshire grin he proudly displays before he completely destroys an opponent in a match.

“would you want different kind of physical marking then?” he asks. his fingers delicately ghosting to touch the ticklish parts of your neck.

“…no.” you roll your eyes. kaiser sneers.

“then, you’ll have to stick with the cologne.”