#yoshitomonara

[skf-fineart]

Yoshitomo Nara (b. 1959)

"How did the cat get so fat?", 1996

Acrylic on canvas, 55 x 55 cm.

[cryingatclub]

Yoshitomo Nara

[niioka]

＠AMOA.

[honeyreaper]

Yoshitomo Nara (1959)

Harmless Kitty

1994

[anotherheartmurmur]

[lightbulbaction]

Yoshitomo Nara

[born222lurk]

My #yoshitomonara plush

[trancentrall]

#yoshitomonara

[d0lluded]

#yoshitomonara

[bambinart]

1) 2) #YoshitomoNara #奈良美智 #blumandpoe 3) #NamiYokoyama #横山奈美 #kenjitakigallery #ケンジタキギャラリー 4) #KoheiYamada #山田康平 #TakaIshiiGallery #takaishii #タカイシイギャラリー 5) #BusuiAjaw #ブスイ��ジョウ #nca #ncanichidocontemporaryart #nichidocontemporaryart 6) #KarenBlack #カレンブラック #yavuz #yavuzgallery 7) #HelmutFederle #foxjensen #foxjensengallery #foxjensenmccrory #pommery #pommerychampagne #champagnepommery #tokyogendai #東京現代 https://instagr.am/p/CuW2JYnyNUl/

[moma-prints]

Untitled (Annika Ström invite) from the series Time of My Life, Yoshitomo Nara, 1992–2000, MoMA: Drawings and Prints

Gift of David Teiger in honor of Agnes Gund Size: 6 x 4 1/2" (15.2 x 11.4 cm) Medium: Felt-tip pen on printed paper

http://www.moma.org/collection/works/88487

[skf-fineart]

Yoshitomo Nara (b. 1959)

Untitled, 2007

Acrylic on canvas, 57 x 64 in.

[bonguri]

20221001 Aichi Triennale Ichinomiya 4 by Bong Grit 今回の芸術祭のエースと言ってもいい、奈良美智さんの「Fountain of Life」。のぞき窓が作ってあって、そこから見ると額縁作品のように見えました。 @Toyoshima Memorial Museum, Ichinomiya city, Aichi pref. （愛知県一宮市 豊島記念資料館） https://flic.kr/p/2nW4HmG

[niioka]

＠AMOA.

[kumicontemporaryjapaneseart]

A dreamy Yoshitomo Nara work installed in the home of art dealer Marianne Boesky. Via @cromwellartathome As featured in Galerie Magazine Designed by Deborah Berke Photo by William Waldron Story by Alexandra Peers 🤎 #yoshitomonara https://www.instagram.com/p/CnMKaIkKXJi/?igshid=NGJjMDIxMWI=

[towntrendy-eng]

Ecological glamour. STELLA McCARTNEY. Ready To Wear. Spring 2023

The Paris show of the Stella McCartney collection for Spring 2023 took place in front of the Pompidou Center and it was like her kind of debut - the first show in the open air. The collection itself is - as the designer claims - the most sustainable proposition she has managed to make to her clients. According to the branch press, it was a great combination of fashion and the idea of sustainable development and at the same time - which is the norm for McCartney - an artistic presentation - this time of the work of Yoshitomo Nara, the legendary Japanese graphic artist, sculptor and author of children's literature.

Reviewers note Stella McCartney's bold references to her erstwhile vision of Chloé for 2000 - incl. combinations of metal chains as tops and men's double-breasted oversized blazers or similar chains adorning white T-shirts.

Fishnet stockings and high heels gave the figures a sensual note, and the story was told by Nara girls with wide eyes on ivory dresses with angular, asymmetrical hems and the artist's activist slogans "Change history" on deconstructed knitted sweaters.

The colors were subtly subdued, and the metallic details added three-dimensional to the palette. Sorbet yellows, lime greens and dusty roses attracted attention.

The evening set brought more dramatic cuts and bolder cutouts. Bella Hadid walked down the runway in a one-piece styling adorned with lead-free crystals, and Gigi Hadid in an elegant black evening suit with a cropped jacket, loose pants with chains simulating a belt.

Regenerated nylon, organic denim and vegan leather alternatives are some of the materials used by Stella McCartney. About 87% of the collection is created using only the so-called responsible materials, for example the t-shirt - made of bio-diverse cotton.

The collection is completed with accessories, including the S-Wave shoulder bag, made from an alternative to grape-based leather, and the Frayme Mylo bag made of mycelium-based material.

Photo: Stella McCartney