#yet another one where the images are bad quality and extremely lacking

[stemmmm]

Stem's Thoughts on Harvest Moon GBC3

Harvest Moon GB1 has a mechanic called “Harvest Sprite Help” which lets NPCs take over the work on your farm for you. I criticized it heavily for the way that it took control away from the player by encouraging a style of gameplay where you turn the help setting on and then leave your game for real life hours at a time to effectively play itself. What if there was a way you could have someone else work your farm while you can still have fun playing the game though? How could you make this mechanic work?

Generally my rule when I play a new one of these games is that I have to go in without knowing anything about it, or at least as little as possible, since I've absorbed some knowledge for the older games via cultural osmosis. I don't fully know why I broke that rule for this game, but I'm grateful that I did because everything you do here hinges off of one choice you make the instant you start your new file: will you play as a boy or a girl?

Gender selection in this game is not just an aesthetic or story choice, but a mechanical one, too. Each character is given access to different tools and is expected to do a different type of work on the farm– the boy has all the basic crop-farming implements, and the girl has all the tools for animal care, plus a few farming tools that lack the ability to be upgraded. This makes it pretty hard to do the work of the other gender from what you selected, but that’s not an issue because you aren’t meant to be doing that work anyways, they are. Whichever character you don’t choose will live on the farm to work with you.

Before you start your day, you’ll need to talk to your partner and tell them what you would like them to focus on. It’s not too complicated with the girl because you can just ask her to do general things like get milk and eggs from the animals or pet all of them, but when delegating work for the boy, it’s as complex as telling him what to do on every 9x9 section of the crop field. This isn't the first game to have work delegation, you could argue Harvest Sprite Help was the same thing, and Back to Nature had you asking Sprites to assist you as well, but this is definitely the most thought out version.

The story

The premise of the story is that the boy character and the girl character are coming together to save an old farm like usual. The difference here is each character's relationship to the farm. 

While HM64 was a sequel to SNES in that all the characters were the descendants of the original cast, this game is a sequel to GBC2 in a more literal sense. The boy character is literally the farmer who saved the farm in GBC2, called over to do the job again. He even makes references to characters from that game as if they're his old friends. It feels a little awkward narratively, since he saved that old farm from becoming new development just to abandon it again, like what benefit does that bring to anyone? Who knows. It doesn't matter here.

The girl on the other hand actually has a relationship to this farm. When you choose to play as her, the game opens with cutscenes showing her as a small child watching her father work the fields. In the current day of the game, her father has died and we enter on a scene of her arguing with the mayor that she can take the farm over, but to no avail. What wins him over is that someone else brings in the boy and proclaims he can save it instead. This is accepted without question, but at least he’ll let you live with him in your own house and pick up some of the slack. This game has somehow figured out how to turn sexism into a mechanic as well.

The girl is only expected to care for the animals, a very simple task compared to the hard labor of working in the fields. There is also only one way to get married in this game, and that is to marry your partner on the farm. If you’re playing as the girl and decide to get married, your game ends. Playing as the boy, you can keep going and even have children, but marriage for a woman is game over.

All that said, my choice was actually to play as the girl, and I think it was the superior option, at least in terms of having a good gameplay flow. You may only be supposed to care for the animals, but you still have all the tools you need to grow crops, they just aren’t the best. At the beginning of the game, your partner usually isn’t very good at their job. For me, this manifested in the boy doing effectively nothing. The game started with me doing every last bit of work on the farm– planning the field, buying seeds, weeding and clearing the field, plowing, planting, watering, caring for the one cow you start with… It was basically just the same as every other farming sim. The difference is that by the time I was sick of that grind, the boy was competent enough with his work that I could just tell him what to do and go about my business. 

A management sim

It took a minute for the management part of the game to kick in, but once it did, it ran like butter. Sure, I would have had better tools to work with had I picked the boy, so it wouldn’t be so labor intensive once I got to that point in the game playing as him either, but I still much preferred assigning him the work rather than actually going and picking every single crop. It feels a lot nicer to go out and buy the seeds while I know he’s harvesting the grown crops so I can tell him to plant them himself the next day. It also meant that for the first time, I was giving almost my full attention to the animals. They don’t have any more nuance to them compared to the usual, but I did feel inclined to keep more of them and actually try to care for them the way you’re told to. On top of all that, the boy has nothing to do in winter because there aren’t any crops that season, so at least the girl has year-round work.

I really think that to play as the boy and have to take care of all the crops actually would make the management part of the game a little overwhelming, because there’s a lot more to it than just delegating work. Your farm is located on a small island off the coast of a city, and because of that, the only way to get to any shops to buy things for work is by taking a boat to the mainland. This wouldn’t be so much of an issue if it weren’t for the boat only running two days of the week, assuming good weather. This means if you’ve got five days left in the season and you want to buy a crop that’ll grow up in four, if it’s raining on the last day you can go to the island, you’re straight out of luck. If you make good enough friends with some people in the island village, one of them can let you use his old fishing boat which lets you access the mainland whenever you want, but you’re unlikely to get that until you’re a year or so into the game. This limit makes the start of the game really complicated– in a fun way.

Shipping your produce isn’t limited by boat availability, thankfully, since your produce can rot in the storage shed. The shed is where you can hold up to 99 of every type of produce for about a week until it starts to go bad. No one automatically comes to pick up your goods like in other games. Instead, there’s a phone in your house that you can only use to call into the farmer’s union and tell them that you want to ship something. This works for one item type at a time though, so you’ll have to make a whole lot of calls if you have a lot of different things to sell. I tended to try and leave things to sit as long as I could just to make fewer phone calls. It also only works while the union is in business hours, but this is a problem I ran into more often very late in the game when I ran out of work to do early in the mornings before the union even opened.

The goal

Speaking of work, the goal you’re aiming towards isn’t something that you know straight from the beginning. In fact, for a short while playing the game, I was under the impression that there was no “goal” or real endpoint at all, because it seemed to be the case that the farm wasn’t in jeopardy at all with the two of us in charge of it. It turns out my feeling was true, because this is one of the few early games where there is no failure state. There is a winning state which is presented to you once you’ve gotten a little bit better of a relationship with your partner. You need to have three of each of the four types of animals (you have room to keep eight of each type), and you need to ship 300 crops. By the time this was brought up to me in the first summer of the game, I’d already shipped well over that many crops and had the requisite number of chickens. 

The more challenging part of the goal is definitely the animals, as they all cost money which can be a pretty limiting factor, especially early-game, but I should also note that when I’d already destroyed the crop goal, that was without any help from my partner, because he still completely sucked at gardening at that point. The game is made pretty easy to play though the task management system, but it’s also made a lot easier thanks to the way its menu works. It’s the first time I’ve seen a Harvest Moon game use a Pokemon-style menu with a dozen different options that let you check everything from your tools, to your inventory, to the individual statuses of all of your animals. Actually, this might be the first Harvest Moon to actually let you know how well your animals are doing in detail, which is really handy. The menu also lets you choose between tools on the fly without having to go back to your house for a toolbox, which makes working the field way faster than other games, at the cost of having to constantly go in and out of menus because there’s no quick-swapping function. The inventory is also the biggest it's ever been from the beginning at nine slots, including whatever you’re holding in your hands, so you’re able to carry a full seed bag’s worth of harvest back to storage at once. All of this mixed with the fact that you aren’t time-limited to make sure everything is shipped before 5PM means you’re free to work both more efficiently and more calmly to get way more work done than in previous games. The only risk is that the storage shed only holds 99 of each item, so you can lose a lot of harvest if you don’t pay attention.

The rest of the game

Other than that, there really isn’t that much else in the game. This is the first entry to have no character portraits for anyone, so even if there are other NPCs that you can build some small relationships with, it’s very hard to connect. The game exists on a tiny island with a small village of about six people you’re able to talk to every day, and you’re able to boat over to the mainland where you can talk to people and shopkeepers in the mall, but the relationships are pretty limited to only a few events for people in the village and a quest each that can be given to you by the shopkeepers. Don’t get me wrong, there is some story you can run into with a couple ongoing narrative threads, the biggest being something to do with a mysterious mermaid who you correspond with through messages in bottles found on the beach, but for how big the world is, I personally expected a fair amount more than there was.

The island that you live on has five different zones that you can visit via map selection: your farm, the village, a cliff where you can see the mainland from, a mountain path, and a labyrinthine forest. The cliff really only comes into play for a fireworks-watching event with one of the villagers, the mountain exists mostly as the only place where you can find forage to sell or gift, and the forest hides a good lake for fishing but also comes into play for one late-game event, if you manage to run into it (I couldn’t get it to trigger). The mainland works the same with its five shopping areas: the port with a weekly farmer’s market, the Farmer’s Union, the shopping mall, the movie theater, and the aquarium. Each of these areas has a good deal more going on than the island, though.

The port is obviously where you go to take the boat back to the island, but off to the right there’s an entrance to a farmer’s market area that’s only available to enter on specific days– notably, days when the ferry doesn’t run, so this isn’t something you can experience until you’ve gotten your own boat. It doesn’t work how you’d expect. The idea is that you’ll be standing at a stall with everything in your inventory on offer and people will come up looking for something very specific. If they don’t find that one thing, they’ll be disappointed and leave. Their requests aren’t locked to any season either, so someone can ask for corn in the winter, and you’ll just be out of luck.

The Farmer’s Union sells and buys animals, sells farming tools and specific seeds, and can give you part-time work which usually is a specific request to ship a certain number of a given item. It also has a bank to store excess money, which is easy to have in this game. Anything that you can’t find at the Union you can find at the mall, which sells seeds for vegetables and flowers, food, special tools, and books which teach you special tricks. The books are mostly there to teach your partner new ways to do things. For instance, I could buy a book that taught my boy to plow in a U-shape, but by the time I had the kind of money I could throw around at things as frivolous as books, he was already competent enough to handle a field full of 3x3 squares without issue.

The theater is just a place where you can watch short movies, but the aquarium actually gives you something else to do. It’s empty, much like the aquariums of the Animal Crossing series, so the owner requests that you go to all the different areas you can find and catch a variety of fish that he can populate his tanks with. This quest was a life saver to me when I completed all the goals given to me well before it was time for the game to end. There’s the river on your farm, the lake in the woods, the beaches, and the open ocean to fish in with a decent variety of fish to catch. It’s tedious and random, but the fishing mechanic is the usual timed-press type, so it wasn’t too hard, and once you’ve filled up the tanks, you can see whatever fish you caught swimming around in them which felt very rewarding!

Criticisms

If I had to criticize this game, I would say that it’s a little bit too easy and it doesn’t have enough going on narrative-wise. This is a pretty light criticism though, because at the very least, because of how easy it is, it never overstayed its welcome. This is probably the fastest I’ve ever managed to beat a Harvest Moon game and that’s definitely because it does half the work for you through the management aspects. Given my complaints about GB1’s help mechanic, it’s easy to assume that this would be a massive downside to this game, but I think the reason why it works here is because it never takes the control away from the player. It never encourages you to put the game down and let it play itself. Instead, I’m still an active participant who’s in control of everything going on on my farm. That feels good to me!

Between the management aspects and all the new things the game is playing with like the irrigation and scarecrows and new crops, I feel like this game was actually interested in doing something new and different with what farming mechanics are and always has been.

For lack of better way to get to everything in a succinct manner, here’s a list of things that show up which, as far as I'm currently aware, never return in mainline Harvest Moon: 

Pet selection that includes falcons and pigs (or either being things you can have on your farm at all)

Digging out irrigation

Sprinklers (that use this irrigation)

Scarecrows

Produce rot

Fertilizer (that’s made from the rotted produce)

Boating

A bank to store excess funds

Buying books to teach you new skills

Snowboarding minigame

Male animals and animal breeding that requires having one of each gender

Fish collection on the level of the Animal Crossing museum

Multi-seasonal crops (wheat, rice)

Things that are new here that I know come back: 

Horse breeding

Farmers market

No shipping bin (manual selling)

Part-time work

Saving the game anywhere you want

With all these crazy mechanics, this is the type of game where you need a manual that comes with it to tell you what to do. Fortunately for me since there was no chance I'd get one, this is the first game I've seen with a dedicated fansite detailed enough that I think it actually covers every single aspect of the game accurately, and that's obviously because the mechanics actually have something going on for once. If you’re curious about what all of this is, I highly recommend either playing the game or at least checking out the site to see what’s up with them.

I am infinitely charmed by the sheer quantity of weird stuff this game tries out. Truthfully, it makes me a little sad that none of it seems like it ever went anywhere based on the state of modern farming sims, not just because I wish more games would reconsider what farming mechanics could be, but also because some of this stuff is really cool and fun to consider!

I think the path of progression through this game is fascinating, and could work magnificently if it was just tuned a little bit better. The beginning of the game is incredibly hard between the lack of energy, incompetent partner, mess of a field, and hard time limit on when you’re able to get seeds to earn some money with, and I think that early game struggle is truly the most fun part of farming sims. The number of barriers keeps you in that state of constant fighting a little bit longer, but I do feel like as soon as you get a little bit of leeway, everything cascades into becoming infinitely easier. The point where you finally have a perfectly clear field, a partner who can actually do some work, and a boat to get to the mainland on your own can hit all at once, and once you’re there, the challenge is all gone. I don’t think that this point shouldn’t exist, because it’s part of what makes this kind of game satisfying in the end, but I think it could have been reworked to keep some of the challenge a little longer. At the bare minimum, they could have added some expensive items to buy at the end of the game that aren’t just stuff that generates more money like cheese makers and such, because I have no reason to try making more money when I already hardly have anything to spend it on.

Conclusion

In the end, I just think this game is neat. I don’t think it’s the best game out there, it’s certainly lacking most things I look for in farming sims (narrative), but it’s still a lot of fun to play, and even if you don’t like it very much, it’s over in a flash. If you’re the type of person who wants to make a farming sim of your own or someone who’s just interested in weird farming mechanics, I seriously insist that you should check this game out because it tries so many different things. It’s a fantastic thing to study if nothing else.

[cina-full-moon-xanadium]

What's wrong with shout's sentai subs?

So even putting aside how they straight up stole both the subs used for Dekaranger and the subs used for Ohranger, Shout's official Sentai subs are simply very subpar and very stiff.

Personally speaking, Shout almost had me dropping Carranger before I switched to the fansubs halfway through and immediately started having a much better time. This is because Shout's subs are not technically wrong, but are far too direct; failing to take into account character and accents and tone in a way that's really bad for a show as comedic as Carranger -- and honestly, Sentai as a whole.

For example:-

The fansubs (from Harorangers) are on the left, while the official subs are on the right. What stands out here is how the fansubs give a voice to the particular characters -- Blue Racer is the smart guy of the team and so the show has him speak with longer words and more 'intelligent' phrasing most of the time, which is funny in the context of quipping back in a heated battle. Green Racer is a country boy whose accent sometimes slips through when he's heated up enough, as a funny contrast to how he's otherwise (attempting to be) a smooth-talking salesman. Both of these character traits are rendered invisible in Shout's official translations of their lines, instead going for much more generic statements that could have been said by any character.

Dapp's catchphrase - he apends his own name 'dapp' to a lot of adjectives and verbs - is entirely missing, as is the tone he's going for. Even the grammar seems to be off in this example.

This also showcases another aspect of fansubs vs official -- Harorangers translated the enemy gang, 'Bowzock'; as 'Bykergang', while the official subs leave it as is. Of course as many Warring Driver-wearing Ornacs would have you know, it's best to just leave names untranslated most of the time; but in this case the point of the name Bowzock is the humour in taking the name for a biker gang and turning it into a villain organization name, which the fansubs get across perfectly.

Signalman's voice is much more distinct here; as an uptight officer it is fitting he'd say he wants to "stamp out" a criminal organization that just the generic term 'destroy' doesn't get across.

No comment.

These examples are all from the exact same episode, and the reason I have them all is that this is the episode I switched over to the fansubs on; and the difference was immediate and I was having a far far better time! Harorangers' subs simply do a great job at conveying the humour of the show overall where the official subs completely fail.

Obviously this is a more extreme example, as Carranger is a self-parody and a much more heightened comedy than even other Super Sentai shows -- any flaws I've highlighted here are much more damning when it comes to something you're supposed to find funny.

So for another example...

Now this one isn't bad per se to be clear (and they do say the whole team name in Shout's subs i just left out their saying it for mirroring), but the Hurricanegers' roll call is meant to be a stage play. It's meant to use heightened, striking phrases and the 'Asanjou!' at the end is in context of them being on stage! So the fansubs (from SS this time) yet again get across the meaning far better.

If you're flicking through these images btw, you'll also start to see that whatever masters Shout used are lower quality; and for some reason their subtitled are rendered weirdly pixel-y? So there's a few visual issues too.

If Shout is your only way to watch these I can't tell you no -- partly because it is an accessibility thing! Shout means that all of Fiveman through Dekaranger are just fully available to watch on streaming on Tubi and Tokushoutsu and Poob and whatever at the flick of a button instantly, and their versions are also the only ones you can buy and own a physical DVD of. But their translations are very lacking compared to the fansubs and sometimes even stolen to the degree that I beg if you have the option, just torrent the fansubs; those versions will give you a much better viewing experience. ... you'll also need to anyway if you're interested in any movies and specials, as Shout only subs the episodes.

I feel this is likely just a result of how fast they have to pump these out -- if you didn't know their Sentai shows released about 2-3 months apart while they were still doing them, and that's a fucking insane schedule for 50-episode shows that it's not hard to imagine their quality would be hit. When Discotek said they were doing Toku they acknowledged it would take a long time to get us so many of the shows they'd licensed because these are very long shows and hence it takes time to do subs for them, which is reasonable to expect!

I imagine this is also why subs for Kuuga and Ryuki and such turned out so much better, due to the infamously long amount of time it takes Shout to do a new Kamen Rider show. This also makes me wonder if Zyuranger (the first Sentai they did) and Fiveman (the first Sentai they did after a long hiatus) might be better than what I've shown here, I'll have to check sometime. I just wish a company like Discotek would be given the Sentai license or that at least if Shout does carry on with Magiranger and Turboranger and what have you, they get given much much more time to work on them; because these shows deserve so much better than this.

[c-ptsdrecovery]

Source: What is C-PTSD from Beauty After Bruises

From that source:

WHAT DOES C-PTSD LOOK LIKE?

   To delineate some these hallmark challenges - as outlined in the proposed Complex PTSD criteria - we'll begin with the one that shows up most frequently in day-to-day life: emotion regulation. Survivors with Complex PTSD have a very difficult time with emotions -- experiencing them, controlling them, and for many, just being able to comprehend or label them accurately. Many have unmanaged or persistent sadness, either explosive or inaccessible anger, and/or suicidal thoughts. They may be chronically numb, lack the appropriate affect in certain situations, be unable to triage sudden changes in emotional content, or struggle to level out after a great high/low. It's also very common for these survivors to re-experience emotions from trauma intrusively - particularly when triggered. These feelings are often disproportionate to the present situation, but are equal to the intensity of what was required of them at the time of a trauma -- also known as an emotional flashback.

   Difficulty with self-perception is another fundamental struggle for complex trauma survivors -- particularly because their identity development was either fiercely interrupted or manipulated by someone with ulterior motives. In its simplest form, how they see themselves versus how the rest of the world does can be brutally different. Some may feel they carry or actually embody nothing but shame and shameful acts - that they are "bad".  Others believe themselves to be fundamentally helpless; they were let down by so many who could've stopped their abuse but didn't, so it "must just be them". Many see themselves as responsible for what happened to them and thus unworthy of kindness or love because "they did this to themselves". And, countless others may feel defined by stigma, believe they are nothing more than their trauma, worry they're always in the way or a burden, or they may sense they're just completely and utterly different from anyone or anything around them - they are alien. Startling as it is, all of these feelings and more can live inside someone whom, to you, seems like the most brilliant, competent, strong, and compassionate human being you know.

   Interruptions in consciousness are also a prevalent - and at times very scary - reality in Complex PTSD. Some may forget traumatic events (even if they knew of them once before), relive them intrusively, recall traumatic material in a different chronological order, or other distressing experiences of what is called dissociation. Dissociation is a symptom that exists on a spectrum, ranging anywhere from harmless daydreaming or temporarily "spacing out"; to more disruptive episodes of feeling disconnected from one's body or mental processes, not feeling real, or losing time; all the way to the most severe, which includes switching between self-states (or alters), as is seen in Dissociative Identity Disorder. Episodes of missing time can range anywhere from a few minutes, a couple days, or even large chunks of one's childhood. The larger gaps in time are typically only seen in DID, but those with C-PTSD alone can still endure 'interruptions in consciousness' that result in memory gaps, poor recall, traumatic material that is completely inaccessible, or, conversely, re-experiencing trauma against their will (e.g. flashbacks, intrusive images, body memories, etc.)

   Difficulty with relationships may seem like a natural progression since each area mentioned thus far can affect how fruitful your relationships are. But, these challenges go beyond a lack in quality or richness. This refers more to a survivor's potential to feel completely isolated from peers and not even knowing how to engage, to harboring an outright refusal to trust anyone (or just not knowing why they ever should), trusting people way too easily (including those who are dangerous, due to a dulled sense of alarm), perpetually searching for a rescuer or to do the rescuing, seeking out friends and partners who are hurtful or abusive because it's the only thing that feels familiar, or even abruptly abandoning relationships that are going well for any number of reasons.    With this in mind, and knowing more about the depths to which C-PTSD sufferers battle with their self-perception and interpersonal relationships, it may make it easier to empathize with them on the next category, which is:

   The perception of one's perpetrators. This can be one of the most insidious battles for some survivors with Complex PTSD -- even if it seems crystal clear to those on the outside. Victims of such prolonged trauma may eventually surrender, assuming their abuser(s) total power over them, possibly even maintaining this belief once they're 'free'. "I'll always be under their thumb, they call all the shots, they may even know what's best for me more than I ever will." Others may feel deep sadness or profound guilt at just the thought of leaving them - including long after they've successfully left, if they were able. Some may remain transfixed by their abuser's charming side or the warm public persona that everyone loves; it may feel truly impossible to think ill of them. Many hold a constant longing for their abusers to just love them - craving their praise well into adulthood, slaving away in their personal lives just to make them proud. Alternatively, there are others who may obsess about them angrily, holding only hatred and disdain for them to the point of persistent bitterness and/or vengefulness. Some can even stir desires to seek that revenge. (Though, it should be clearly noted that it's not at all common for them to actually do so. It's more about the thoughts than the actions.)

   Many survivors can have a primary, more surface-layer set of thoughts and feelings about their perpetrator(s), particularly when asked. They may know what they're "supposed to say" or "supposed to feel", and then follow suit. But it's helpful to know that a collection of all these responses can, and often does, coexist within one person, vacillating between extremes underneath what's shown to the world or even to themselves. Day to day, and year to year, their feelings may shift - and - what the survivor knows to be true intellectually versus what they feel emotionally may remain incongruent for a very long time.

   One's 'System of Meanings'.  Of the many, many well-observed developmental disruptions those with C-PTSD face, one that many find to be the toughest to conquer, even with therapy, is one with which we hope to offer the most help and support. That area is what's referred to as one's 'system of meanings' ; an area that, after being subjected to such tumultuous trauma, can feel almost irreparable. What this criterion is referring to is the struggle to hold on to any kind of sustaining faith or belief that justice will ever be served to indiscretions of ethics and morality. These survivors' outlook on life and the world at large can be unfairly contorted, and understandably so.

   They may doubt there is any goodness or kindness in the world that isn't selfish-hearted. They may worry they'll never find forgiveness. Others may even believe they only came to this world to be hurt, so there can be no good coming for them. This level of hopelessness and despair, as well as these greater meanings assigned to their suffering, can fluctuate greatly over time. There may even come several years where things no longer feel so bleak or as though they were conned of a meaningful life. But, as more layers of trauma are processed in therapy, or new memories bubble to the surface, they may wrestle with it once more as new feelings strike a devastating chord inside their chest. This is a common experience for so many survivors, and can have lasting ramifications with each plunge. We want to be here to help bring pause to those deep swings into the darkness - doing what we can to keep survivors in the light a little longer. Or, better yet, support them in adding some of that light inside of themselves. That way, even if they need to hide in the darkness for a bit, the light never leaves them for good.  We're still here.

[butwhatifidothis]

So. Took a look into that fic @nilsh13 is going through the comments of. Dunno if I’ll actually go through the entire thing - 300k words is certainly a lot of words to read through, especially with it still updating, but I’ve read through/am reading through longer ones - but I jumped to the latest chapter to get a feel for where the fic’s at now.

I’m not halfway through the chapter and I have Words To Say lmao, under the cut

This is going to be as serious a critique about the sections I’ve selected as possible - I want to be clear why I think what is being written is not of high quality, pointing out specifically what I have wrong with it. 

Here are some snippets of the fic (boldened), and following those snippets are my thoughts on them:

“My actions have caused immense turmoil, pitting friend against friend, mother against daughter, and brother against sister*,” muttered Edelgard, desperately trying to drive any hint of self-pity (emphasis mine) from her voice. “My best friend has been disowned by her family, Hubert and Ferdinand’s fathers are dead or imprisoned, and the woman I love is now deemed a heretic by the Church that once offered her shelter. The weight of my decisions seems to pull down all who are caught in the shadow of the Imperial crown.” The Flame Emperor gave Professor Hanneman a wan smile. “Whatever imagined slights you believe you have committed against me, they pale in comparison to the carnage my own words and deeds have unleashed.” 

""I made my choice, the only choice I could make, and dragged this continent down to hell with me. It makes me a poor ruler, and an even baser person, but that was the path I knew I must take."" 

“"It is funny you use the word ‘choice’, Miss Edelgard. When I resigned my title to study at Garreg Mach, I lost marriage prospects, became penniless outside of a small stipend…I even renounced the opportunity to have a family.” Hanneman smiled, his whole body suffused with melancholy. “Really, how could I dare to dream of bringing a daughter into a world this senseless and cruel, knowing that someday, she too, could be hurt in such a way? I…I would not survive it.” The man’s body shook. “I sacrificed those things, things I desperately wanted, because the chance to allow my sister to rest in peace was more important. And I would make that choice again, despite all that it has cost me. You are much the same.”"

"“But your sacrifices were your own,” protested the Emperor of Adrestia. “Thousands bleed for the choices that I have made, and sacrifice themselves for the cause that I have placed before them. There is a profound difference-“"

"“We are both wise enough to know a painful truth,” said the scholar with a melancholy smile. “No matter how grave the sins, no matter how many innocents suffer…there will be countless individuals who will defend the law not because it is just, or righteous, but because it is the law. They will permit a hundred Abysses, and a thousand women to be raped, and a million dead children, as long as such actions do not disturb their order.” He placed a hand on Edelgard’s shoulder. “To stand against such moral rot, knowing that the world will despise and vilify you for it, is the truest sign of not only a just ruler, but a good woman.”"

"The academic’s words blazed with the passion of both a scholar and a man who had watched his world crumble to ash. A man who had been forced to live in the remnants of a life forever altered by the cruelty of both society and of humanity. And yet he had fought, the only way he could, to make the world better. It gave the Flame Emperor new resolve."

"“I…” He turned and looked away. “I believe in you, Miss Edelgard. When I see you, and your determination, your spirit, your bravery in choosing not what is easy, but what is right…it reminds me of her.” Fingers clenched around his locket. “I will fight for you, in the way I should have fought for my sister, long ago. My strength is meagre, and my courage more meagre still. However, all of it is yours.”" 

The author writes Edelgard as one trying to give pity onto herself for her actions, despite how negatively they affect her, due to the immense ramifications those actions have had on those both around her and those under her care. This is the appropriate response to someone who has done as morally dubious an action as starting and spearheading a war that has led to the deaths and suffering of countless innocent people, some of whom were undoubtedly already going through immense suffering without war compounding itself onto their already existing pain. She - rightfully - points as, as a negative towards herself, that she has forced thousands of people to sacrifice their lives, livelihoods, friends, family, homes, etc. in order to continue with her war. Edelgard's canonical self-justification - that she had no other choice to do this - is properly utilized, and further characterization is given to her when she herself recognizes that performing such horrendous actions on the people under her care makes her a poor ruler and terrible person. This is, in truth, a decent set-up for her to go onto a possible path of redemption or self-realization.

However, that progress is forcibly stopped and reverted by Hanneman justifying her actions and recontextualizing them in a morally good light. In fact, the entire story does this, as characters act wildly out of character in order for Edelgard to be seen as good in comparison to them. Focusing on the quoted lines, however, Hanneman relating him giving up nobility and going into momentary poverty - whether true to canon or not - to Edelgard's war actively paints her actions as something that she had a right to be making, which she does not, as they force others to make sacrifices for her cause. When she herself rightfully points this discrepancy out, Hanneman excuses her actions by pointing to another - supposed - source of turmoil and essentially saying "You are more right than x, therefore your y actions are not only better, but objectively good, and make you a good person." He says nothing of the inherent injustice of taking away the choice of the people to live as they want and fight for who they want as well as deliberately taking away any semblance of safety from them, and makes objective statements about Edelgard's moral righteousness despite her taking actions that would, by definition, make her moral righteousness a subjective matter at minimum.

Hanneman is projecting the image of his sister and his own personal sense of justice onto Edelgard, and thus sees her as just as much a victim of the war and society as everyone else. Edelgard is a young woman who has gone through trauma due to Crests, as was his sister, and he himself (in this story, though not within the quoted lines) wanted to beat the man who abused his sister to death, and so he sees Edelgard using violence as a means to achieve justice as not only not questionable, but morally good and brave, as he felt he was not brave enough to enact "justice" onto the man that caused his sister's death. Instead of this being settled, focused on, or even mentioned, despite its obvious nature due to deliberate connections Hanneman himself makes, it is used as a means to showcase that Hanneman is a, for lack of a better term, "expert" on what he is saying when speaking to Edelgard. He knows what it's like to want to force change, he has by-proxy experienced the apparent injustice of the Church - not human society, not his family's decision to allow his sister to be married off, not the man who caused her death's decision to discard her, but strictly the Church and only the Church - and so he can "rightfully" justify and excuse Edelgard's morally questionable actions and paint them in a solely positive light, with no nuance or gray whatsoever.

Edelgard, in the first quote, attempts to say her actions without a tone of self-pity, and yet the narrative itself pities Edelgard. She should be allowed to feel bad about her actions - not because they are causing unfathomable suffering on people who were underserving, but because they’re just hard decisions that she was good and brave to make and maybe she can feel a little bad for herself for making them. She shouldn't feel responsible for choosing to start the war - in fact, did she really have a choice, or did everyone else in society force her to? She shouldn't question whether she's a good person or not, because she simply is - no debate, no question. She is - “justly” - standing up against "moral rot"; that she does so with even more moral rot is irrelevant, because, according to the story, it is not as rotten as that she's up against, therefore it is no longer rotten in the first place. War has been completely justified, as it is now not the last resort of desperation that could only ever be morally grey at its absolute best, but an objectively morally white decision of an objectively morally white person who is facing an objectively morally black opponent.

The actions of other characters attempt to paint Edelgard as someone closer to the former, but I will - maybe - eventually go over how those characters are extremely mischaracterized in order to prop Edelgard as their moral superior. 

[kindaeccentric]

When I was writing my university bachelor's degree thesis (that I'm still to defend) about Penny Dreadful as a modern adaptation of Frankenstein I noticed how the original novel's homoeroticism is realized by the series in an interesting way.

In the way he is presented, it seems to me that Victor secretly desires men, but thinks that only through creating a perfect one by himself he's allowed to touch other man's skin. His endeavour to pierce the veil between life and death is an excuse, since Victor from the series grew up lonely after the death of his mother and he searches for companionship, for someone who would love him unconditionally, like his mother used to. He believes he can find such love only in a person he creates himself, brings from the dead, and who would see him as his only friend, calm and obedient. Yet his first instinct is to make a man, not a woman, and a handsome man at that.

I can imagine both Rory Kinnear and Alex Price are not everybody's cup of tea (I do find them attractive, they are quite charismatic), but the way the original Creature and Proteus are shown makes them attractive. Proteus we see through Victor's eyes, when he is tending to his body before its even reanimated, when he sketches him (a sure sign of affection) and when he teaches him how to eat in a way that becomes seductive, because of how the camera lingers on his lips and then, in a closeup, on his fingers running down his long throat, immediately bringing to mind erotic imagery. Some may argue that Victor tries to emulate the relationship between his mother and himself taking the parental role and projecting onto Proteus the role of his childhood self, and as much as it is partially true, their relationship bears these marks of hidden desire on Victor's part from the start. The image at the end of the first episode when Proteus is born shows Victor trembling, teary-eyed, looking at the body, a torn and stitched back together, but human body, of a naked man. He's afraid, but not necessarily of the man, but of finally getting what he wanted, it's a fear resulting from excitement. Then the man is touching his face tenderly and Victor, still trembling, cannot stop himself from a little smile. Their faces are softly illuminated by the orange light of the gas lamp, creating an intimate atmosphere of a warm bedroom. Victor practically gasps hearing his own name smoken by Proteus. I doubt all of it was intentional in the way I read it, but it doesn't change the fact that the final scene can be easily interpreted this way.

Then the original Creature, with the violence surrounding his return, presents him as highly masculine, smart, powerful, a direct opposite to the delicate, clueless Proteus Victor could easily form into whatever he wanted. The Creature throughout the entire series is perceived as ugly by some and easily tolerated by others, making his ugliness purely subjective, since, despite his small deformities he remains strangely alluring with his gothic qualities (black long hair, black lips, white skin, yellow eyes, proportional features) of a dark brooding gentleman. With blood on his face he becomes vampire-like (vampires always a symbol of hidden desires and 'depraved' sexuality, the Creature and Victor becoming a mirror image of Vanessa and vampire Mina, both Creature's and Mina's monstrosity an indirect result of Victor's and Vanessa's desire towards having a same-sex companion). The Creature touches Victor's face, a callback to Proteus doing it, but the Creature is not gentle, he smears blood all over Victor's face (blood in vampire narratives was always a symbol for other bodily fluids, that's why it seems so sexy, it also gained another meaning in the 80s, due to the HIV epidemic, which no filmmaker can shake off if they tried, I could discuss it more with The Lost Boys, but no time for that right now).

The dynamic between Victor and the Creature is a reversal of Victor's budding relationship with Proteus, experience winning over innocence. Victor is under another man's rule, and it terrifies him, because it would force him into a position of having to admit his attraction, whereas as the one in control he could have still easily deny it. The Creature, with all his attributes, symbolizes carnal love, he's all 'body', where Proteus was virginal, pious love (to an extent). In one of the scenes where we see Proteus he looks up into the skylight at Victor's apartment and appears angelic, as if in a halo of white light.

It's revealed Victor never had a woman, and the series wants the viewer to believe it's because of his awkwardness and passion for science that consumed him, but his dedication to creating himself male companions instead of searching for a living female one is exactly what makes him seem more queer coded.

It's clear that the lack of paternal figure results in Victor quickly becoming close with older men he encounters (Sir Malcolm, Van Helsing), but it also puts him into a position where he's constantly surrounded by men, with whom he feels more at ease, and is intimidated by women. The rivalry between him and Ethan is that of siblings, until the moment when Ethan teaches him how to shoot a gun. It might be a stretch (it is a bit of a stretch, I admit), but a gun often, especially in horror, alongside a knife, represents manhood and masculine power. Victor allows Ethan to touch him and encourages him to show off with the gun, which is a scene all too familiar from many other movies where the role of Victor is reserved for a woman and the interaction is flirtatious (can't pull examples out of thin air, but if you saw over 1400 movies like me you know I'm not lying). All this adds to the general image of Victor.

The Creature and Victor, when they are on a walk, have a very revealing conversation in which the Creature points out how quick Victor was to grow attached to his more perfect man, and Victor doesn't deny it, he admits that he did in fact feel affection towards Proteus, although the meaning of it as the scorned past partner expressing jealousy over the love he didn't get while someone else did is largely subtext. When the Creature says that he's lonely, Victor answers 'I cannot love you' (paraphrase, because I can't find the exact quote right now) and the Creature, disillusioned, mocks him, 'I do not want what you cannot give' suggesting that Victor, by making himself a meek obedient man, is selfish, cruel, manipulating, and a coward, therefore could not have loved Proteus truly. Then again, Victor cannot bring himself to love his original Creature, because he's not the ideal man he envisioned and by then the Creature being too aware of his flaws of character. The Creature/Caliban/John Clare knows that Victor is 'monstrous', not just because he's someone who desecrates dead bodies, plays God and abandons his creation, but because of his queer desire. It's important that in the case of Penny Dreadful 'monstrosity' signifies many different things, literal (being a vampire werewolf, witch, and so on), metaphorical (bad deeds, like letting your son die a horrible death, cheating, killing etc.) and wholy subjective, merely condemned by ignorant society (Sembene's blackness, Brona's sex work, Lily's want to be equal or greater than men, Vanessa's want for sexual freedom, the Creature's ugliness, Angelique being transgender and other cases), so it's NOT that much of a stretch this time.

We also have the whole problem with Lily. Victor is so attached to Lily (who takes up both Elizabeth's and creature's bride parts in the novel) because he believes that only by possessing a good woman he'll be redeemed for his 'sinful' desires, but he's foolish to think that. This belief reduces a woman to a semi-maternal, semi-virginal angelic ideal with no sexual urges or agency, like virgin Mary. Lily is a true replacement for Victor's mother, and his imagined redemption. As long as she's similar to Proteus, in that she's not sexual, and pure like an angel. Yet Lily is not a woman in that sense. She is another of Victor's creatures, so she partially also takes over the role of the original Creature from the novel, a male. She's not an ideal of a Victorian obedient wife, she has power, or tries to have it, but power in the context of patriarchal society is masculine by nature. The moment she drops her pretenses of a weak delicate wife-like girl Victor does not want her like this. He doesn't want a woman that is sexually liberated, because he doesn't like women in this way, and yet, by being similar to the first Creature (from Victor's perspective, from hers John Clare is similar to Victor-a man, I could delve into Brona's sexuality, but later, this thing is already way longer than I intended) she's 'the man' he wanted.

There is also Henry. Henry Jekyll takes the role of his namesake in the novel, Henry Clerval, Victor's closest friend, and a character most often cited to have homoerotic tension with Victor. It's true that some of the eroticism might be accidental, stemming from the prevalence of homosocial interactions in 'Frankenstein' which in turn is a result of misogynistic nature of 19th century Genevian society and in-novel universe reflecting it, but like I mentioned before, it still feeds into the queer reading of the text and translates beautifully into Jekyll and Victor being both extremely misogynistic towards Lily and their mutual homoerotic tension. In the scenes where Henry purposes his plan to Victor he practically seductively purrs it into his ear, Lily becomes merely a female buffer that allows for that interaction, a female presence which is an excuse for male closeness (here I have a couple of examples actually: Dead Ringers, Sir Gawain and the Green Knight, Scream (in a roundabout way, through murder) and a couple others, but that deserves its own article). I won't even mention more references to the novel, because that's a lot already.

Penny Dreadful, although I believe largely unintentionally, expands on what is already there through the changes it introduces in relation to the novel's plot. I have nothing else smart to say, I just think it's worth considering.

*I use the word 'queer', because that's the umbrella term we use in academic writing for years now and even our lgbt+ group at university is called 'queer', so don't come at me with stupid takes

[jikookuntold]

I Can’t Believe We Are Still Talking About This!

Disclaimer: The post you are going to read here, is my personal opinions, plus some evidence. A part of the incidents I mention in this post, is my own observation and the rest came from some trustable sources but yet I don’t claim to be 100% true because first, the sources can be wrong, second, the human mind is tricky and a long time has passed so I can’t claim everything I remember is true. Some of the incidents could get fact-checked, but some couldn’t because the receipts are gone.

First, I had no intention to write about this controversial subject because many people don’t like to bring this up, and I was with them, but it seems people have many questions about it, and they don’t know the details of the incidents. So, I concluded that maybe it’s not bad if we open up a little bit and discuss this subject from different points of view with more details.

But again, I have to clarify this post is not factual, it’s just the things I remember about the subject in a ranting way. This incident had and still has so many unclear aspects, and everything we say or claim is just a theory. I’m not intended to shade or hate anyone, therefore I’m not going to mention any full names here.

TW: Rumor, Suicide, Scandal, Conspiracy Theory

 The Break

You all might know about the break the members had in summer 2019. When their Japan tour ended, and they did some shooting and interviews (like Summer Package), the LDF concert on August 11th was their last schedule and based on BH statement, they were free for 30 to 35 days.

At this time, the members posted updates about being on vacation, but there was not much coming from JK and JM, except JK posting on weverse about staying awake and eating ramen and JM thanking him for eating ramen because of him (it was interesting that JM answered JK’s post about ramen at the same week we had the run episode moment where JK told JM “This is my heart” while putting ramen in his plate). After that, JM posted the videos of Run bottle cap challenge on August 26th.

Anyways, it was pretty clear that JM and JK were together on their days off for at least two weeks since JK mentioned in Bon Voyage 4 (their first schedule after the break) that he didn’t meet any of the members except JM and JH in his days off and since JH was the resident of the same complex, this kinda approved the theory of living with JM. JM also approved this theory, but we will go on that later.

The Rumors

In late August (27th or later) JM’s photos in Paris leaked, and JK was seen in Seoul eating churros, and a photo of his knuckle tattoos started to spread. Everyone was confused, and it was too soon to believe anything. After JM coming back from Paris for JK’s birthday, and leaving for Hawaii the next morning (as he explained in his 12th October Vlive, that year) things started to get weird. I know I didn’t bring up the Paris incidents, and I don’t want to, because it has nothing to do with the subject.

I still haven’t mentioned the subject directly, but I think most of you have guessed it right. In early September 2019, the rumors of JK going to a tattoo shop in Seoul started to spread. At first, the majority of the fandom didn’t take it seriously since the tattoo shop denied the rumors of JK being there, and even the photo of someone backhugging a short-haired girl claiming to be JK got mostly ignored because the photo was low quality and the man in it didn’t look like him that much. This was the time we heard the news about JK going to Geoje Island for vacation, alone, after visiting his family in Busan.

The real deal started when he appeared at the airport on September 16th (the day they were leaving for filming Bon Voyage4 in New Zealand) when we saw his knuckle tattoos, and the rumors turned out to be true. At first, we were excited about him getting tattoos without even knowing if they are permanent or not. But on the same day, the storm came. A photo of JK (this one was clearly him) sitting with that short-haired girl, (LM) eating lunch broke the internet.

The photo was taken from an angle to make it look like they were together alone, but at least two other people (later we found out they were more) were already there, and it was nothing like the date the person behind the camera was trying to make it look. The hugging photo which was taken from the CCTV of a karaoke room resurfaced along with the restaurant photo, and at this time, almost everyone in the fandom started to believe that they are dating.

The Statements

The mess on social media was getting bigger, and everyone was waiting for an official statement from both sides. BH released the statement a few hours later, denying the rumors and no further explanation. Almost one day passed, and there was nothing from LM, not even a single word. Finally, she posted a statement on her Instagram account (which gained a crazy amount of followers, and she didn’t even go on private the whole time).

The statement was extremely shady and been deleted a few hours later. LM claimed that she wasn’t ignoring the situation, and she was afraid to say anything because she knew we won’t believe her. “I am not dating JK” she used this sentence twice in her statement, and at the end, she said “his “J M” tattoos are not our initials!” and made the situation way worse. But the funny thing is, this wasn’t even the shadiest thing she did.

As I said, she got lots of followers (nearly 100k) and interactions on her account and started to delete the negative comments as she should, but she liked multiple comments congratulating her, saying she and JK look good together and things like that. I heard she even liked a fan-art post, but it didn’t end here. When the member came back from New Zealand she posted a selfie with the caption “I have missed you”. At this point, it was clear that she was enjoying the situation and acting shady to make it worse and fuel the rumors and stay on top of the news. But this wasn’t limited to herself because her colleagues at the tattoo shop weren’t any better.

In those days, one of the close friends of LM at the tattoo shop told an ARMY that LM has a boyfriend and there is nothing other than friendship between her and JK. And guess what? The Tattoo shop manager fired him the next day. What was the reason? Were those rumors a booster for their business, and they didn’t want them to die down? The number of followers and attention they gained at that time can approve my point. They were getting the best free promotion, any business could ever have.

Don’t Forget Me!

A few days later, when the public, started to forget the rumors, someone from the tattoo shop (I don’t remember if it was LM herself or her friend) talked to the media about the harassment they were getting from the ARMY to play the victim role. This again fueled everything and made us think over the situation. Was it all a frame for JK? The evidence suggests that it could.

Let’s go back a few days in the timeline of the events. Why JK chose that tattoo shop? Because his 97liner friends recommended him to go there (apparently this line of friends, have matching tattoos either) LM herself is a 97liner, and she is friends with plenty of idols, male and female, so they sounded pretty trustworthy. At the tattoo shop, they (LM and her tattoo shop colleagues) recommended JK to spend his days off at a guesthouse in Geoje Island, and based on LM’s Instagram posts, they were there days before JK, waiting for him, to make it look like they run into him accidentally? I don’t know, but this is a stalker's behavior

After having lunch with LM and her friends at the restaurant (where Sasaeng were there, ready to take photos), they went to a karaoke room and JK, who was pretty drunk (based on what the karaoke manager said later) backhugged LM. But the Sasaengs couldn’t be there to take photos, so they (allegedly) bribed the karaoke employee to show them the CCTV footage and took a low-quality picture of it.

The biggest question is, if the Sasaengs weren’t there, how did they know there is something worthy in the CCTV to check? The answer is they weren’t the main culprit, and karaoke or tattoo shop employees or both were cooperating with them. I mean karaoke employees definitely cooperated with Sasaengs, but the tattoo shop benefited the most. So why not? Anyways, that photo and that moment was the most “intimate” thing they could capture to use against JK.

JK went on that trip with his manager (The guesthouse manager gave out this information later, the part that was lacking in BH statement which could close the speculations way easier and earlier) and stayed at that guesthouse for two days to rest, but everything went wrong from there. This incident has three sides, LM and tattoo shop, the Sasaengs, who were following JK as their full-time job, and the media/industry which was trying to ruin JK’s image. I’m going to talk about all these three but let’s continue with the first one, LM and the tattoo shop.

Almost one month after the incident, LM’s friend interviewed with Korean media and claimed that ARMYs keep harassing her to the point that she wants to commit suicide. This was another attempt to bring everything back on top, but this time, it was disgusting because she did this interview right after one of the famous faces of Kpop committed suicide (October 14th, 2019). She used the situation and the public’s emotions to play the victim role on a higher level. Before this, many believed that she was a victim of some crazy Sasaengs, and she had nothing to do with the incident (I’m clearly talking about the people who didn’t think the rumors are true) but after that, it was clear that she is an attention seeker.

But I think she wasn’t just an attention seeker. She benefitted a lot from the situation. Her business blew up, she became one of the most famous non-celebrities in Korea (if not in the world), and she was literally shipping with one of the most popular men on the planet, who doesn’t like that? Anyways, LM had several friends, foreign older friends who were interacting with I-ARMYs for some unknown reasons, and one of them exposed something very interesting. She said she feels sorry for LM because she thought she had a chance with JK and that chance is long gone. Besides, people saw some conversations between LM and her friends on her Instagram comments about finding an idol boyfriend for her. These conversations happened before the incidents but it’s interesting since LM has several idol friends.

LM had another comeback to the media at the end of October and the next and the last update about the situation, happened in early December when BH stated that they (BH and LM!) are suing karaoke for leaking the photo. But after almost two years, we don’t know how this ended up. The last and probably the worst thing happened in the final episode of Bon Voyage when JK unnecessarily apologized for his behavior. I know JK himself, wanted to do this apology but he didn’t have done anything wrong and didn’t owe any apology to ARMY or anyone else, even if the rumors were true.

A New Ship on the Shore

After that, LM did nothing shady except posting photos of JK’s arm tattoos or someone with similar tattoos in December 2020 explaining their meanings, which was a weird action. After the rumors, JK didn’t visit that tattoo shop ever, and now, an artist who works with BH does his tattoos (the same artist who has done JM’s tattoos). LM announced on April 2021, that she has a boyfriend and some of JK/LM shippers, quitted their beloved ship after that. But not all of them.

We believed that the rumors weren’t true from the day JK and BH denied them, but many people didn’t. They were strongly believing that BH is hiding the truth because it’s Kpop and in this industry, idols are not allowed to date openly, so they had no choice but to deny any dating rumors. But this wasn’t their only reason for their denial. The main reason was the way JK was misunderstood and misrepresented by this fandom (I have a post about it, you can check it here).

At this point, there are people out there, shipping JK and LM. They bring several “proofs” for them being real such as:

1. Having similar tattoos: LM had designed and done JK’s tattoos, so it’s pretty normal for them to have the same style, especially the hand tattoos since he hasn’t changed or added anything on that part. But his arm tattoos have changed a lot, and you can’t see a similarity in them. Besides, knuckle tattoos are very common among tattoo lovers.

2. Having eyebrow piercing: This is another common trend. JK loves piercings and tattoos, and it means nothing, literally.

3. Similar drawings: This one is a little bit tricky and it needs a back story and a conspiracy theory. On 13th May 2020, BH released a Bangtan bomb from MAMA 2019 backstage, where JK drew a sketch of the moon and stars on a whiteboard. On the same day, people started to make a fuss, because LM had a design on her Instagram, very similar to JK’s improvised sketch. The date of her post was 11th December 2019, but the day JK drew that sketch, was December 4th (MAMA ceremony), and this means LM posted her design one week later. So who copied who? Does JK saw that design somewhere in that tattoo shop and had it in his mind, and drew it subconsciously? I don’t think so. Because JK improvised it in front of the camera, and it was originally his idea. Do I think BH has some insiders who took the photo of that sketch and showed it to LM, and she took the idea and made it hers? This is exactly what I think because I trust JK, not LM, nor BH. And the timing of the posts and Bangtan bomb is on my side. Preach!

That’s it. These are the only proofs people bring to say something is going on between them, and the funny thing is, this hasn’t ended even after April when LM announced that she is dating (apparently she had broken up with the last boyfriend right after the rumors started, definitely not sus, lol) The only reason people made a huge deal of those two photos, was one word: Heteronormativity. If LM were a man, none of this would have ever happened. But since this fandom is obsessed with the idea of het-JK, they bought these rumors eagerly. Back to the subject, as I said earlier, the other sides benefitted from this situation. I mean Sasaengs and the media/companies who had a part in the incidents.

Sasaengs always follow their targets and collect photos and videos of them, but they barely share anything publicly because they are criminals, and if they get busted they will be punished by the law. They have their isolated communities and share their information inside those communities. Of course, there are many accounts on social media that claim to be Sasaengs and gain lots of followers, but most of them are fake, and the real ones don’t share information for free, they sell them for high prices. So, there are two possibilities, in this case, someone bought JK’s photos from Sasaengs and published them, or Sasaengs did it themselves because someone asked/ordered them. I can’t see any other possibilities. Sasaengs wouldn’t gain anything from publishing these photos, but other people would, and they are the ones who made this happen.

Who were they? LM herself and tattoo shop? The fansite who wanted to destroy JK’s career? Or BH, who wanted to punish JK for his boldness about getting tattoos and make him more obedient? Or the media and rival companies, who wanted a scandal for their enemy? Or the people who wanted to revive the idea of het-JK? All of these are plausible and I can’t prove or disprove anything, but you can read more about this in the post I linked before.

Did This Affect Them?

Here comes the most interesting part; how did this affect Jikook? Did it affect them at all? Let’s review the timeline of the events again, from this point of view. As I mentioned earlier, we believe Jikook were together until 27th August and then JM went to Paris without any plans and came back for JK’s birthday. On the selfie, he posted that night he had written: “I’m glad to see you after not seeing you for a few days” which confirms that they were together before JM’s unplanned trip. At this point, JK had started getting tattoos and had most parts of his knuckle tattoos done.

When JM left Seoul for Hawaii the next day, JK went to Geoje, and the incidents happened, but nothing was public yet. Then he got arm tattoos and added some new parts to his hand tattoos including J which makes an obvious JM on his ring finger (The part LM claimed that is “not” their initials lol). JK’s completed hand tattoos were not exposed until September 16th when they were at the airport to leave for New Zealand. It was the day all the theories and rumors started. But in Jikook’s point of view, it happened on the second day of their trip.

Now we can start to analyze their moments on Bon Voyage 4. Of course, this series doesn’t show everything, but it gives us some clues about the dynamic of their relationship on those days. The first day of the trip when they were at the airport and Thailand (?) was pretty normal, but after that, at some moments I felt a strange atmosphere between them which I decided to not read too much on. But I found out I wasn’t wrong when in the last episode, JK talked about the awkwardness he felt about the issue with the members.

Jikook had many cute and domestic moments in the first two episodes but the grand gesture happened on the third one when JK climbed a hill without telling anyone, to bring a chunk of snow for JM as a gift, and we all know how much JM loves snow. This was an undeniable romantic act, but do I think this had anything to do with the situation? I believe Jikook was unbothered by those rumors because they completely trust each other, but the image you make for the others is different from the things you know and believe. Maybe this was a grand gesture not just for JM, but for us either.

After coming back to Seoul, there was no news from them for more than two weeks, and then they left Korea for Riyadh. The remarkable moment in the Riyadh concert was related to JM’s birthday. The members had planned a surprise for JM on the stage (The concert was on October 11th one day before his official birthday in Korea) and when it happened, JM said that he was happy because he saw JK happy and JK played a big role in that surprise. Honestly, you have to be deep in love to be happy just because your significant other is happy, even if it’s your own birthday. Let’s not forget the vlive JM did the next morning, and some pretty obvious moments happened that I can’t discuss here, but I bet you already know what I’m talking about. And also JM exposed the things he did for JK’s birthday that year.

A few hours later, on 18:22 (1+8+2+2=13) on local time and 00:22 on Korean time (only 22 minutes after JM’s official birthday in Korea started), JK tweeted one of the most amazing birthday tweets of all time which is comparable to a love letter. I’m sure you know everything about these tweets, so I’m not going too deep on this, I’m only saying that this tweet also was a grand gesture. And let me make another conspiracy theory here. After the rumors started, every time we had a big Jikook moment, something was coming from LM the next day. For example, when JK made this historic tweet, the next day LM's friend was interviewed about committing suicide. Or when SYS Seoul concerts happened (one of the biggest Jikook feasts of all time) and LM herself was at the VIP seats with her friends, the next day she did another comeback to the media. These can be just coincidences, but… never mind.

I Never Thought I Would Fall for a Man

Let’s not forget about the most obvious statements JK made on his first public appearance after the rumors. On JH’s vlive on 24th September, JK said: “I never thought I would fall for a man”. He said these words about JH dancing at CNS music video, and it clearly had nothing to do with Jikook, but it had a deep meaning. We know JK is not a shallow person, and lately, he stated that he thinks a lot before doing anything. So this didn't come out of nowhere, he didn't spit this out without thinking, in THAT situation. You never say such a thing when the internet is exploding with your dating rumors with a girl, do you?

His words can translate to “Do you ever consider the possibility of me not being straight?” This is what I read from his words and his facial expression. Maybe you think I say this because I’m a shipper, and I have this shipping goggle that makes me see everyone gay and debunk any girlfriend rumors. Some people even ask childish questions like “if they are dating why they didn’t travel together?” There are 100 explanations for that, and any couple who have been together for more than two years can answer you. When you date someone, you don’t stick together 24/7. Everyone in a healthy relationship has individuality, and sometimes they want to spend time with friends or alone, especially when they already had a world tour together lol.

Anyways, maybe I have a different point of view as a shipper, but this is not the problem. I never have a problem with my ship not being real (which they have shown enough to know they are). In fact, I will be delighted if any of them announce their relationship freely and publicly, but they haven’t done it yet. JK denied the rumors and gave us lots of hints about the truth, and I’m not delulu for believing him. But if you think he has to be het for backhugging a girl or having an eyebrow piercing, you are the one who is delusional because you are living in a heteronormative world where boys and girls can’t be friends and everyone is straight unless they come out in public.

I really can’t believe this post turning to be this long, and I thank you for reading it all. You might ask why I cared enough to write +4000 words about some stupid rumors that happened two years ago. This is the main question. This had to be ended in September 2019, but many people didn’t want it to end, because they loved it, they enjoyed it, they gained from it, so they protracted it as much as they could, and heteronormative people supported it blindly because of their homophobia or Y/N fantasies or whatever reason they had. I can’t believe we are still talking about this!

[courtneystriker]

My Thoughts on the HG Prequel

I just finished reading The Ballad of Songbirds and Snakes and I got to say, my feelings are mixed. Below I have an entire review  for the story which included how I felt, the expectations, the biases I had going into the new book, and how I felt after reading. Please note there will be spoilers. Also this review isn’t meant to hurt anyone and if you absolutely love the book so far...good! Enjoy it fully! As an aspiring writer myself and someone who studied in college/loves creative writing I’m well aware that people just have different takes on writing. Glad you are enjoying it :)

Anyways, here it goes…

The Expectations

As the Hunger Games series is one of my favorites of all time, I had a strong bias to like this book. Since it was first announced, without knowing any details, I was extremely excited and optimistic. I re-read the entire Hunger Games series twice beforehand in preparation; once with my fiancé and once on my own. The only thing I really wanted, knowing that it took place during the tenth hunger games, was that the arena reflected how new the hunger games were. Then, when we learned what the series was about, people started voicing some concerns or were disappointed by the plot, instead wanting it to be something like Finnick’s arena, Haymitch’s, Mags’, etc. etc. I was not among this group. However, I understand where they were coming from, because I always thought the idea of the first Quarter Quell (the one where the districts voted for the tributes) was an extremely interesting concept. 

Yet I think these things are best left explored in fanfiction as they add nothing to the series and Suzanne Collins did an excellent job just giving us enough information to get the idea. At that point it’d just be a book on details, which could fall short or be a gimmicky, cheap way to keep people reading the series and keep her name relevant. And wasn’t that part of the message in her series, the thing Katniss so heavily criticized that gave a great irony to the books? Who would watch children killing each other for entertainment? Meanwhile, we as the reader are reading these books as a form of entertainment. Plus, Suzanne Collins so skillfully painted the illusion of knowing but not fully knowing their stories that it’s haunting, and I think that is one of the many reasons (along with the battle royale trope being naturally compelling, liking the characters, etc.) that a lot of us are more drawn towards these stories rather than (at least for me)  a book on Snow. 

That being said, I was not against the idea of a book on Snow because I find villain characters, especially grey ones, to be very interesting to read about, and I was pretty certain Suzanne was going to handle this beautifully, especially since you could already feel this atmosphere coming off of Snow in the Hunger Games series. I know some were really concerned about a Snow redemption arc, but to me it felt very obvious that it couldn’t be and it would be more of him sliding into evil.

I did have other concerns when I read the description for the first time. I could not believe they went with the whole tribute from District Twelve thing again. I loved Katniss and District Twelve, but I did not want Katniss 2.0. I said right from the beginning to my fiancé that she’d have to make the tribute from District Twelve extremely different for me to get on board (though I was holding on faith that Collins would). It just felt cheap and gimmicky to rehash the District Twelve thing, it sort of made me feel the same way I would have if she had written about one of the games I mentioned above. Sure, it’d sell, but it wouldn’t add anything to the series. I was thinking she better not hunt, sing, or have any qualities resembling Katniss really.  

Another thing I worried about was the love story they hinted at in the description. It just didn’t make sense to me. Because how was Snow going to ever support the games if from an earlier age he fell in love with a tribute and vowed to protect her? Then later he’s all like pro-hunger games? Just this itself could weaken the entire series if done poorly, because it would weaken the main antagonist’s motives for not only the prequel but also the Hunger Games series as well. I kept thinking either the girl has to die in the arena betraying Snow somehow (which is what I was hoping for), Snow will have to betray her, or perhaps he would have been faking love for her for some sort of personal gain I couldn’t imagine. Either way, I thought it weakened the story's appeal to me. Yet overall I was still excited, desperately waiting for the book’s release. 

And now that I have read it, I have to say it felt forced at a lot of parts and lackluster overall…

*Spoilers start here*

My Review:

Suszanne Collins’ writing style is one I’ve always loved and has consistently appealed to me. Even though this book is written in 3rd person (which some may like less if you don’t particularly like third person) it holds up well against the original series. So I really had no complaints in this regard besides the excessive use of songs (felt like fanfiction a bit). I think if you liked the original series and don’t mind third person you’ll feel right at home with her style.

The concerns others had about Snow’s redemption are completely dismissed in this book. Like I had predicted, she writes about his fall into evil, and although it’s not black and white evil (as I don’t like anyways) you can very much tell he’s a bad guy and that the hardships he faced in life only further pushed him towards obtaining status and power. Overall, he feels true to the character when we end up seeing him in the Hunger Games series, and his journey to power fits the images Finnick painted in Mockingjay. He is very well characterized in the book and perfectly unlikable while maintaining an intriguing internal dialogue (although it does occasionally feel tedious, but not enough to bother me; others may feel differently).

 The way he is written is very much in line with Collin’s great characterization, one of the reasons I always loved The Hunger Games. All the characters felt like real people. They all had an extreme depth to them and I felt they all resembled people I had actually met in real life. There were little to no characters that relied solely on gimmicky personalities to get by. Even very minor characters that seemed depthless and swallow at first--like Katniss’s prep team--had more to them. So I thought going into this book I had nothing to worry about in that regard. I didn’t even really spare it a thought, but boy was I wrong. 

I think Snow and Lucy Grey were the only characters that had (at least partly) the depth that the original Hunger Games cast had. I’ll discuss Lucy Grey later but first let me talk about some side characters. Where to even begin really? There’s a LOT of characters in this book. Frankly, way too many, which I think contributes heavily to the lack of depth in the characters. Honestly there’s so many that the names of characters were hard to keep track of while listening to the audiobook (my hard copy of the book was still in the mail and I didn’t want to wait). Things got a bit clustered in my mind quickly. There were twenty-four tributes, twenty-four mentors,  Snow’s family, The Dean and Drs at the university, Snow’s Peacekeeper crew, and the Covey, and those are just the groups that I can cluster together. At least, the ones I remember having names and getting introduced, but I think that’s everyone really important. There was no real time to develop or get to know them really, which made the tributes’ deaths more meaningless as I could barely recall their names. It caused impactful scenes to weaken significantly overall and it made characters serve only to characterize and amplify Snow’s fall into evil. 

Here’s what I mean by that. The head Gamemaker, Dr. Gaul, really was the character I hated the most while reading this. She was just evil without reason (one of the weakest villain types with little to no personality besides being evil). She even made creepy rhymes as if she was in some sort of horror movie, and the entire point of her character was to contribute a lot to some of the forced plot points driving Snow’s moral decline. For example, there were all her tests, which seemed contrived and all directly connected to getting Snow to think the Hunger Games was a good idea. She was seemingly supposed to be a Dr. Mengele type character, as this book has a lot of Holocaust-esqe imagery. I’m fine with irredeemably evil villains, but instead of getting the depth that a Dr. Mengele character could offer (as some may know, many children that were part of his experiments actually said he was kind and gave them candy, and I find that deeply haunting to this day.) She is a flat, one-dimensional character whose entire personality could be described with one word: sociopath. Evil people are master manipulators, which is how they get away with evil things. I think at one of the funerals she puts on a good public face, and she seems to have power, money and influence. Yet the book doesn’t show this seemingly present quality nearly enough to make her a haunting character. Instead we get nursery rhythms and clearly driven lessons towards evil at are contrived. Like “Write about what you most liked about the war” or the assignment to improve the hunger games? Like what class is this? Why are they taking it? And why are the young kids of the influential deciding this instead of the influential people themselves?

Another character I feel was just there for Snow’s development and to represent an opposite viewpoint but lacked Collin’s usual depth is Sejanus Plinth. As a District 2 citizen whose family got rich off the war and moved to the Capitol, he is the main opposing viewpoint of the book, presenting Snow with a chance to do the right thing. I’ve seen people say he’s a Peeta-like character, but I completely reject that idea. He lacks in the charm Peeta has, relishes in self-pity (although he’s completely justified in his sadness and has a right to be upset), and while he has a heart like Peeta, he ultimately doesn’t know how to use it. Instead of working within his position to get influence like Peeta so masterfully does, he’s hot-headed and continuously makes poor decisions that ultimately don’t help anyone. It’s like he wants to help but doesn’t know how as he’s driven completely by emotion without reason. He too contributes to some forced scenes, particularly my least favorite in the book; when they sneak into the arena. Overall, he just falls flat for me. Again, I feel I don’t know anything about him beyond what he contributes to Snow’s story line and he doesn’t come across as realistic. It’s like Collins just wrote how someone would normally react to the hunger games, slapped a district number on him and went on her merry way. 

I just wasn’t prepared for these sort of characters when the Hunger Games series made even the smallest of characters stand out dramatically. I feel neutral to annoyed by most characters in this novel. I could expand this portion, and maybe if people inquire I’ll elaborate on some of the other characters as I have strong opinions on them, but this post is already getting long, so I’ll move on to Lucy Grey.

Lucy Grey is by far my favorite character even though she is bordering towards being a character from a fanfiction. Not quite a Mary Sue in my opinion but there is a certain connection to fanfiction I made with her. You may have guessed some issues I had with her by reading my expectations earlier in the post, but that has not displaced my love for her. Her personality is very different from Katniss’s, or even Peeta’s or Haymitch’s. She had a different type of charm than all of them, is a natural performer, and seemed more extroverted. Also, the whole idea of the Covey and her “not really” being district was intriguing. It really highlighted the displacement that war can cause and how people can just be in the wrong place at the wrong time. (Although I was confused on how much mobility between the districts there were….and did District Twelve have a fence or no?) It really emphasizes one of the main themes of the book, extreme prejudice against both Capitol and District. Her spot sort of in between really drives home the point that there's literally no difference except extreme poverty, and even then there was poverty in the Capitol, only better hidden. Her bright mood (and clothes), her poised attitude, and her optimism made her endearing. She was confident in her skin yet still held the fear of a sixteen year old going into the hunger games.

There were only two main things that bothered me about her, which was of course the direct connections made to Katniss (which I’ll elaborate on) and the forced “love” story between her and Snow. I suppose that has less to do with her and rather more to do with my dislike of that subplot. And I'm a sucker for some good romantic subplots, but yikes!

I think having one strong connection to Katniss was all that was really needed in this book. I really liked the idea of that connection being the Hanging Tree Song, as I can only imagine how it made Snow feel watching “The Mockingjay” sing it in the propo. Despite me not liking that fact that Lucy Grey is also an enchanting singer as that felt like directly stepping in Katniss’s territory, I did enjoy the little twist of Lucy Grey writing the song. Yet the connections between the two when the plot took us to District Twelve went too far. It felt like it took away all of Katniss’s special places and things. The lake, her katniss roots, her gift towards music, her fondness for the meadow, sneaking into the woods, etc. I think one solid connection would have solidified their bond beautifully. Having so many seemed like it was really trying to force the reader to make the connection when it was already painfully clear I guess? Plus, having Lucy stand out at her reaping ( the whole song part read like a bad, contrived fanfiction bit to me) and having people care about her in the Capitol while moral questions of the hunger games were still surfacing made me start to think...isn’t this how the rebellion for Katniss got started? At least partly. I get it’s a different time. Too close to the war. It just felt way too similar. I guess Collins was going for the idea of a lost rebellion that in a way Lucy Grey started that Katniss later revives. Yet it feels like that invalidates the specialness of what Katniss does in the original series as it’s already happened; it just got erased. I guess history repeats itself, but I really just didn’t like it. I could see the appeal to some extent, and it could be a beautiful connection, but it just wasn’t for me.

Now on to the plot, which is the last thing I’ll talk about as this post is getting ridiculously long. A lot of the plot felt very forced or contrived, which was another shocker coming from Collins because her pacing and plot was done really well in the original series. Of course, a lot of this was driven by Dr. Gaul and Sejanus Plinth as the entire plot hinged on the moral debate of the hunger games these two represent. Other plot points just hinged on what happened to establish the games. I mean the rebel bomb explosion seemingly only happened to change the terrain so Dr. Gaul can then bring up the idea of the different arena and how that made the tributes act differently, thus creating the crazy arenas we see later in the series. I do have some praise for how Collins established the disparities between the earlier hunger games and the ones we see in Katniss day. From the way they lock the tributes up, don’t feed them, the spotty coverage of the arena, etc. All of that was exceptionally well done. The only complaint I have was that so many tributes died before they even got to the arena (though not because I wanted to see them fight). I had been expecting one to escape or something to further establish that this was new territory and was waiting to see how they handled it in earlier times, but I wasn’t expecting that many to die before the arena got started. It just seemed like a huge Capitol failure that they advertised loudly. I really wasn’t expecting that level of incompetence, just an escaped tribute that threatened to embarrass or harm the fragile beginnings of post-war Panem. Instead, most of the pre-arena stuff felt disastrous. A lot of the mentors' deaths felt forced, and it was weird that the academy never really came under fire at all from all the rich and powerful parents whose children were getting killed because of the mentor experiment. Like it seemed there should have been some interaction there, but there wasn’t. Maybe some was passively mentioned but still, it could have been a whole subplot that further established the debate of the hunger games.

While the pre-arena up to the break-in to the arena felt like the most forced part of the book and certainly I felt it needed more workshopping plot wise, it also harbored some great and powerful scenes, like Arachne pulling the sandwich away from the tribute while she was starving and laughing about it. Basically, all those interactions of poverty and captivity meeting the citizens of the Capitol were done well, but nothing spectacular (unlike the scene of Katniss screaming at Buttercup at the end of Mockingjay which is heart wrenching.)

The last plot point I’ll talk about is the “love” story. I wasn’t a fan, but it was sort of what a lot of the plot hinged on and led to the great scene at the lake between Snow and Lucy Grey. How easy it was for him to betray his “love” for status. This led to some of the most interesting and evil internal monologue Snow had in the entire book. I honestly feel the ending scene, the interaction Snow had with the jabberjays and Mockingjays in District Twelve, and the lynching scenes were among the strongest and most memorable.

The love story again felt forced (sorry I’m using that word so much it’s just so accurate) into the story. This hindered the book from having a strong plot in the same way the weaker characters caused forced interactions and plot points to move things along. Yet at the same time the kind of abusive and lackluster nature of their relationship throughout the book fit perfectly with the ending. Unfortunately, it didn’t really make it very compelling for the reader. Luckily Lucy’s  personality kept my interested during these parts. I wouldn’t say their relationship was poorly written at all; in fact the way it was written makes perfect sense. I just think the plot relied too heavily on their “love”, which was gross because of the way Snow is, and the reader knew it had to inevitably end in some kind of betrayal or reveal that there was no love at all. This creates tension for the reader, but I kept wondering: if the love plot had been ditched could we have gotten a stronger plot altogether?

So overall, like I’ve said I’m really conflicted. I know I focused heavily on things I didn’t like, but honestly the book was well written in some regards, plot bouncing between really compelling and a little contrived, the two main characters being written well enough but other characters not so much. Some connections between Lucy Grey and Katniss made at the end were powerful, I loved the Covey, Collins still excelled at writing a lot of the social issues/scenes in the book, and honestly the idea of Lucy Grey being completely forgotten in the Districts that hurts my soul a little. Nothing compared to the feelings I got in any of the Hunger Games books but there’s still something there.

I really hope someone made it through this long ass post. The book was entertaining. I mean I listened to all 16 hours of the audiobook in like a day. I can’t wait until my hardcover comes so I can look through it. Maybe once I know what I’m getting into I can enjoy the book a little more than I did, because right now it’s sitting at very average for me. Maybe I went in with my expectations too high? I certainly like the Hunger Games a lot more and probably always will. Honestly, I love new content, but I’m also the type that likes firm, planned endings to stories (even though it hurts to let things end and the fandoms can suffer from lack of content). I think fans can oftentimes get caught up in what they want and pressure the writer into writing more, which ends up a disappointment since it wasn’t originally planned in the series from the beginning. While I don’t think this is by any means the case with Suzanna Collins or that Lionsgate even pressured her to write this book (I don’t like conspiracies of that sort of thing as a writer myself that plans to have a series in which a book comes out many years after the original part of the series is released), I do wonder if this is the end of the Hunger Games for good. I sure hope so, especially if she would be writing about the other victors. I love them too much and really don’t want to feel similarly about their books, and like I said at the beginning, it wouldn’t add to the series just to my guilty pleasure lol.

Hope you all have enjoyed your reading of the book more than I did :) Again sorry if I wrote anything to upset you! Please if you loved this book ENJOY IT! I’m actually kind of jealous if you did. Feels like missing out on something special.

[harrowscore]

Mikasa Ackermann, Levi Ackermann, Amane Misa, Aeron Greyjoy for the charactet ask :3

SOMEONE HEARD MY PRAYERS AND NOW MY TIME HAS COME, tysm!!!!! <3

okay, let's start with levi (my beloved):

general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life (THEE little feral anime man after my heart)

hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang (Dark, Tall and Snarky + piercing grey-blue eyes and chronic insomnia? clearly my type ❤)

hogwarts house: gryffindor (maybe....?) | slytherin | ravenclaw | hufflepuff

ugh, the hp sorting house system is way too reductive. he has qualities of gryffindor, slytherin, and hufflepuff - brave, astute, loyal to a fault, etc. so it's a hard choice. but if i really have to choose, i'd go for gryffindor. i know that his Bad Boy facade shouts slytherin, but while he has larger goals (killing all the titans, then saving the world etc.), he's got no actual ambition for himself. hufflepuff would also be a good option.

daemon (from the his dark materials series): (because i've just decided that's just way more accurate than the hp method) some kind of big feline. maybe a panther - a black panther would be the ideal - aloof, predatory, dangerous, fiercely independent.

best quality: besides his obvious strenghts as a leader and warrior, the way he cares for his comrades-in-arms. it's very hard to gain his trust and respect, but once you have it, it's forever. he's pragmatic and ruthless, yes, but he also has a huge capacity for compassion and friendship. not that he would be effusive about his affections, of course.

worst quality: none, he's absolutely perfect ❤ jklsdfhjk jokes aside, he really struggles to open up (a serious understatement), idt he ever talked about his traumatic past with anyone. i mean, maybe he mentioned it to hange and erwin (erwin knew him when he was still an undergound thug, so...), but... he's not great with feelings. despite his apathetic, intimidating mask, he feels and cares deeply, but he has a long history with losing the people he loves, so he tries to not personally care about his squadmates, which can be both a strenght and a weakness. of course, he spectacularly fails at this.

ship them with: well, it's not a secret that i'm a huge rivamika fan, this ship is almost literally consuming my waking thoughts lmao. imo they're perfectly compatible: very similar personalities (stoic, the strongest warriors, absolutely terrifying on the battlefield but with a soft underbelly), very similar pasts/experiences, so many parallels that it's actually ridiculous, etc. i love how they're both each other's equals and likeness (yes, i took it from jane eyre. no, i don't regret anything lmao). a lot of tropes i love, too: Terrible First Impression (the Pride and Prejudice vibes are so strong with these two, you have no idea), Kindred Spirits/Mirror Images, Veteran/Young Prodigy, The Last of Their Kind, even Height Difference lmao. i could write a whole rivamika manifesto, but this is already too long. (maybe for some other time 👀) i would've loved for their dynamic to be more explored in canon but alas, isayama clearly didn't give a shit about the ackerman legacy, he just used it as a plot shortcut to give them conveniently unique powers, since they never really talked about it 🙄 (and before some troll comes into my askbox shouting "you iNcEsT fReAk!!!!1!!", they're only very distantly related. we know shit about the ackermans but we know for sure that they've got at least several generations between them. biologically their shared DNA is 0%, obviously they don't see each other as family, all the eldians have a dead ass common ancestor from 2000 years ago so they're all basically ⁓related anyway. if you really wanna scream about i.ncest, go watch got/dark/the borgias and shut the fuck up please. or alternatively go outside and touch some grass) sorry for the rant, uh. anyway, i can also see levi/erwin. idk if i'd ever care enough to read a fic about them (i'm usually a huge multishipper, but for some weird reason not when it comes to rivamika? same with braime and kastle tbh), but still, i can see it.

brotp them with: hange and erwin, obv. veteran trio >>> ema trio, sorry not sorry (at least h. and e. died before yams had the chance to ruin their character arcs)

needs to stay away from: ...uh, filth, i guess? lmao

misc. thoughts: besides the stupid teenage fangirl crush i have on him, i'm genuinely fascinated by the man himself. he's a huge mess of a contradictions, and yet somehow it works: he's violent and brash and kind of an asshole, but also has a strong moral code and integrity; he's obv very skilled at all the killing/torturing stuff and yet he has a huge respect for life; he's got a potty mouth to say the least, and yet some very aristocratic manners/tastes (the way he sits, his preference for tea and usually refined clothes); he comes from what's supposed to be an illustrous bloodline, he's methodical and very precise, and yet he was born and raised in the underground, he's been used to filth and blood and poverty since he was a child, kenny of all people was his father figure, and probably has known no other life than a perennial survival mode existence. he's "humanity's strongest soldier", but while well-built he's also small, the david to the titans' goliah, and probably not what people would assume a born warrior looks like. he's also one of the few characters who stayed true to himself and his original characterization until the end, bless you smol king ❤

(okay, this is getting long!)

mikasa:

general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them (so much. she deserved better ❤️) | actual love of my life 

hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! (stunning lady ❤) | 10/10 would bang

hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff

this is actually easy: mikasa belongs to hufflepuff and no, i won't take criticism (just joking lol). enough with this "hufflepuffs are fluffy puppies/Cinnamon Rolls <3" thing: mikasa values loyalty and duty more than anything else. she's also hardworking... and fierce, strong, lethal. yes, hufflepuff and lethal are not mutually exclusive concepts.

daemon: (finally the better option) a she-wolf, fiercely protective of her pack.

best quality: loyal, brave, incredibly strong (alongside her more fragile qualities). practical and level-headed on the battlefield, at least when eren is not included in the picture.

worst quality: struggles to let go of the past (understandable, considering her trauma). tunnel-vision when it comes to eren, obv. extreme levels of delusions ("if only i spoke openly about my romantic feelings for him - as if i didn't made them abundantly clear in ⁓6 years - he wouldn't kill 80% of humanity :(((" lmao okay. just. okay), but that's more on the writing. she's sadly more static than any other main character throughtout the whole series.

ship them with: see above :) but recently i've also started to be intrigued by mikasa/annie and mikasa/sasha. also, i'm sympathetic to jeankasa fans, though i don't actually care for the ship.

brotp them with: EMA trio, especially armin+mikasa. their friendship is so beautiful and special. also sasha.

needs to stay away from: ...... eren, at least romantically. again, that's more on the writing than anything else, but e.remika unfortunately encompasses many tropes i loathe with all the strength of my old shriveled heart: childhood friends-to lovers where the (male) childhood friend doesn't acknolewdge/is completely indifferent to the other (female) friend's romantic feelings, she hopelessly pines for him for years without anything more than a cold shoulder... until in the last chapter it's revealed that he loved her all along and doesn't "want other men to have her!!! :((" (then why did you have no reaction whatsoever to jean's years-long crush on her while she was jealous of any vaguely female-shaped human being you were friendly to, including hange? are you that dumb, man?); the female character's development and entire arc 100% revolves around the male protagonist - she has no goals, no dreams of her own except staying with him forever and ever; the romance is based on an idealized childhood dream, therefore reaffirming those childish illusions would make the character regress, not actually grow up (and nope, epilogue!jk doesn’t count; that also lacks build-up - i would’ve said the same about rm as well, so it’s not about shipping, guys, it really isn’t - and mikasa needed an inner change; getting married to another man but still praying to eren’s shrine is not substitute to actual development lol). post-time skip she's never really frustrated/angry with him, they never get a confrontation about him becoming a, y'know, mass-murderer of gigantic (pun intended) proportions; she puts him on a pedestal, and never stops idealizing him/never sees him for what he actually is (the narrative framing him as some kind of tragic martyr/saint eren from paradis with zero agency and basically... no clear motivation for the abovementioned mass murder, and not the actual complex tragic anti-hero/villain motivated by revenge and righteous fury he deserved to be, does not help). it lacks a good or even decent build-up - it's basically all tell and not show. now, if they'd actually been childhood friends to enemies to lovers/mutually co-dependent... it could have been interesting. sadly, it's not my cup of tea. of course this is just my personal preference, no hard feelings to the shippers.

misc. thoughts: enormous potential. she's been my fav female character since s1 - and ah, i miss s1!mikasa, when she had actually other stuff to do besides mothering eren. i love that she's the strongest warrior (second only to levi, obv), that her skills are never called into questions despite her gender, i love how she stands up for herself and the people she loves, that she may seem cold and stoic and yet has a such a huge heart, that she's not perfect but also sometimes awe-inspiring. sadly, she never really gets out of eren's shadow; what she lacks is an arc focused on herself. that's why imo getting deeper into the ackerman lore would've helped (also, you cannot make the main female character and the most popular male character descend from the same Unique Bloodline or whatever, and never really make them acknowledge it out loud; as a writer, you just can't lol). my spite is so strong that i'm currently writing a ridiculously pretentious fic that's 70% development for her character, to give her a voice, and 30% ackerthirsting. (yes, that's the fic i'm always vagueblogging about lmao, rip @ my brain). if any other rivamika fan is interested… mind you, it’s in italian tho, and idt i have the skills to translate into english.

misa:

general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life 

hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang

hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff

daemon: mmh, maybe some kind of butterfly? beautiful, colorful, and short-lived.

best quality: glorious fashion sense, more inventive and ingenious than fans actually give her credit for.

worst quality: shallow, impulsive, and obv her dependence on/obsession with light (which stems from trauma btw, but still… the very opposite of a relationship between equals).

ship them with: rem, kinda (monster/human ftw!). also weirdly enough mogi, a little bit? she deserves someone who actually respects her… though she’s far from being a perfect angel. she may actually be crazier than light on some aspects. but in this house we stan evil ladies anyway, so i have no problem with that <3

brotp them with: uh, idk, maybe matsuda?

needs to stay away from: obv light. also takada.

misc. thoughts: a tragic victim of sexist writing. she may be… unhinged to say the least, but she didn’t deserve the abuse she got from light (and from the fans). the female characters’ writing in dn is so bad that idk if it’s on purpose, to kinda mirror the reality of women in a patriarchal society (dependent on men, housewives whose life entirely revolves around their husband/boyfriend etc.), or just casual misogyny lol. it’s even more baffling since we don’t know the author’s gender (they may be a man, a woman, nb, anything really). i tend for the latter option tho.

aegon greyjoy (now, i wasn’t expecting him lol):

general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life 

hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang

hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff

i’m so sorry, i haven’t the slightest idea lmao. maybe gryffindor? mind you, it’s been a long time since i’ve re-read the books, so i don’t have many thoughts about him.

daemon: maybe it’s cliché, but some kind of fish/squid lmao

best quality: ugh, i really can’t remember much from his chapters :(( he’s not a coward, i guess? (lame answer, sorry!)

worst quality: definitely his religious fanaticism.

ship them with: no one.

brotp them with: uh… his family, ig? except euron.

needs to stay away from: obv euron. brr ://

misc. thoughts: i genuinely like the greyjoys chapters, though i vastly prefer the martells (with the exception of theon and asha, bcs i love them). yes, they’re deranged. yes, victarion is… well, victarion lol. but the drowned god religion is actually interesting, grrm knows how to write trauma - every time aeron mentions euron and that freaking door i’m like… :// - and the tragedy of it all… just great writing all around.

okay, that’s the end lmao. thank you so much, love!!! ❤❤

[karamindia]

Unity In Diversity In India

Presentation

As we as a whole realize India is a nation of solidarity in variety. The mountain ranges, waterway flooded regions, waterways, and streams, woods, and desert all have embellished India with their extraordinary variety among individuals different races, ranks, ideologies, religions, and dialects each state and area has its uniqueness Worldwide neighborhood explorers or guests love this assortment tones, culture, and the environment, and so on Dance and music, bright celebrations and wonderfully crafted works a spell on the guests both Public and global. Seashores of Goa, backwaters of Kerala, and snow-clad heaps of Himachal, and sands, and pools of Rajasthan, world culture sights of Delhi, and so on are the image of the variety of our country. This vivid assortment of a nation makes our country a significant fascination of travelers that is advantageous for the Economy and thriving of the country.

Notwithstanding, large numbers of the distinctions in religions, customs, dialects, and societies have become so exceptional that they have expected hazardous extents for Public Solidarity and security. We do not just need to give the best offices and wellbeing to unfamiliar travelers yet additionally to keep up with tranquil and neighborly coextensive individuals having a place with various identities and societies. Without harmony, our variety is of no utilization. It is not an unexpected obligation of the public authority and individuals of India to keep the delightful variety of our country got in the card of solidarity unblemished.

Which means of solidarity in a variety

The term solidarity in variety identifies with the condition of fellowship or uprightness regardless of the presence of endless variety. Solidarity in variety depends on the idea where the individual has varieties in actual characteristics, skin tone, ranks, statement of faith, social and strict practices, and so on are not seen as a debate. Maybe, these distinctions are seen upon as assortments that work on the general public and the country overall.

In India, the public associations just can be the foundation of a solid, bound together, and prosperous Indian, typically in times of radicalism and illegal intimidation. Mahatma Gandhi forfeited his life for shared solidarity. However, there are various networks like Bengalis, Gujaratis, Punjabis, Maharashtrians, Tamilians, and so on the realities stay that regardless of divisions and contrasts, rank or statement of faith, we have lived respectively for millennia. However, there are contrasts between the Hindu and the Muslim people group concerning their societies, philosophy, and customs. They live respectively and have a profound regard for one another. The Hindus send good tidings to their Muslim companions at the hour of their Muslim celebrations like Eid, Muharram, and so on moreover, the Muslims likewise send wishes or good tidings to their Hindu companions at the hour of Hindu celebrations, for example, Diwali, Durga puja, and so on this portrays most of the solidarity among the Hindus and the Muslims in India.

On numerous subjects, they impact each other and are spurred by the goals of oriental human progress. India is a huge country. Various areas notice changes in the environment. The communication in the language of one state is very not quite the same as in different states. They wear various kinds of garments, they celebrate various celebrations and play different strict customs. Individuals having a place with various societies have a place with various strict convictions.

Beginning of solidarity in a variety

The term solidarity of variety means the solidarity between individuals with various social, strict beliefs, economic wellbeing, and other segment varieties. This articulation has its associations, since antiquated occasions, it is utilized by different political and social gatherings to show solidarity among the people or social orders. This is an antiquated articulation that was before utilized by certain social orders in North America and China, around 500 BC. Solidarity in India is the best model of solidarity in variety since individuals living with different religions and societies keep similar laws as set somewhere near the Constitution of India.

Significance of solidarity in a variety

Solidarity in variety is particularly significant for a nation for:

Public Combination

Solidarity in variety is exceptionally fundamental for a country since it is an extremely basic undertaking to partition individuals with various perspectives and thoughts. In case there is a solidarity between individuals in spite of their varieties and it is undeniably challenging to crumble the country. The solidarity among the residents of the nation assumes an extraordinary part in keeping up with harmony and thriving in the country.

Improvement and development

Solidarity in variety assumes a fundamental part in the development of the country on the grounds that the assembled nation will consistently continue on the way to improvement. It will confront some inward issues than a country that is socially feeble and conveyed on various terms.

Worldwide acknowledgment

A country that is various, yet at the same time it is joined together, joins worth to the country as well as appreciated on worldwide stages. It sets a model for all countries by featuring the qualities ​​and ethics of residents who regard and support each other notwithstanding their various foundations and societies.

Tranquil concurrence

Variety can likewise be the justification behind the beginning of inner questions however solidarity in variety assumes a major part in keeping up with serene conjunction with individuals with various societies and foundations.

The contrast between solidarity and variety

There is a feeling of fellowship and a mix of solidarity. Its soul holds individuals together and the bond that directs the way of uprightness.

Solidarity addresses the connection between the different gatherings that tie them all together. It can even be contended that the absence of qualification between individuals of various races is upheld by strict, semantic, or racial angles.

Conversely, variety alludes to something else. It is characterized on the grounds that the aggregate contrasts of different gatherings upheld religion, race or language and so forth It's a variety of classes and gatherings living in a few districts, with various societies, customs, and foundations.

Variety can be something that achieves alternate points of view, encounters, and acknowledgments among individuals. Solidarity can be a reality while variety can be a condition of division or variety. A family might have individuals with various perspectives, interests, or thoughts who express their disparities in many regards, however, as a family, they show the best approach to solidarity among themselves.

Benefits and bad marks of solidarity in a variety

Benefits

Solidarity in variety expands the resolve of people inside the work environment, association, and local area.

It assists with extending coordinated effort, connections, cooperations between individuals, along these lines further developing execution, nature of work, efficiency, and way of life.

This empowers correspondence to flourish much under the most difficult conditions.

Keep individuals eliminated from social ills and it assists with overseeing clashes all the more without any problem.

It advances solid human connections and secures the equivalent privileges, everything being equal.

Solidarity in variety gives a wellspring of the travel industry to India. Individuals from varying backgrounds, societies, religions, and attire are drawn to numerous guests and sightseers from everywhere in the world.

This, however particularly not the same as each other, brings about the act of public solidarity among the people groups of the world.

It reinforces and upgrades the rich legacy of the nation and besides as a social legacy of India.

It assists with filling the rural area with biodiversity just as monetary assumptions.

A wellspring of gifted and creating experts in different pieces of the country.

Bad marks

This can lead to numerous social strains among different states and individuals of etymological beginning.

It produces defilement and ignorance in numerous locales of the country.

Because of the lacking establishment, power insufficiency, streets, and so forth it very well may be the beginning of the helpless way of life in different peaceful regions.

Solidarity in variety in old India

Old Indian history is energizing on the grounds that many races and clans blended in early India. The pre-Aryans, the Indo-Aryans, the Greeks, the Scythians, the Hunas, the Turks, and numerous others made their homes in India. Each ethnic gathering gave its vermin to the advancement of the Indian social framework, workmanship, and engineering, language, and educated. This load of people groups and their social provisions mixed so indivisibly that they can be perceived in their unique structure.

An inconceivable element of old Indian culture has been the joining of social parts from the north to south, and the east to west. The Aryan components are evened out with the Vedic and Puranic culture of the north and pre-Aryan with the Dravidian and Tamil culture of the south.'

They represent thoughts, associations, merchandise, and settlements associated with peninsular and non-Vedic India. Moreover, numerous Pali and Sanskrit terms, inferring thoughts and associations, framed in the Gangetic fields, show up in the most punctual Tamil texts called the Sangam writing which is severely utilized for the period 300 BC-Promotion 600. The eastern region involved by the pre-Aryan clans made its commitment.

Individuals of these districts talked the Munda or Kolarian language. Various terms that infer that use of cotton, route, burrowing stick, and so forth, in the Indo-Aryan language have been followed to the Munda dialects by researchers. Despite the fact that there are numerous Munda hollows in Chhota Nagpur level, the remaining parts of Munda culture in the Indo-Aryan culture are genuinely impressive. Numerous Dravidian expressions are additionally to be situated in the Indo-Aryan dialects. It was held that adjustments of the phonetics and glossary of the Vedic dialects can be depicted as much dependent on the Dravidian significance as that of the Munda.

India on antiquated occasions has been a place where there are a few religions. Antiquated Indians saw the introduction of Brahmanism or Hinduism, Jainism, and Buddhism, yet this load of societies and religions mingled. Thusly, Indians communicate in different dialects, practice a few religions, and see different social traditions, they follow a few normal style

[garazza]

Action Comics #1023 Review

“The House of Kent: Part 2″

Action Comics #1022 “House of Kent: Part 1″ Review

Hoo-boy.

I actually appreciate this recap page, I really do, but it just rubs me the wrong way. I’m not sure if it’s the content of the recap that pisses me off or if it’s for the fact that they literally just took a page from the previous issue and slapped in some new dialogue (see Bendis’ Man of Steel mini for this to be taken to the extreme).

Most likely the latter, but there’s a good argument for the former because reading objective statements about what Bendis has done tends to do that. I guess what they could be going for is for something similar to when Svengoolie comes back from commercial break and it’s a still from the movie with Sven’s face superimposed somewhere and he makes a quip about the movie before it starts back up again.

But I digress. It fills me in on what’s been happening in the book and that’s what I needed it to do.

The art really goes down in quality since last issue. Romita, Jr.’s pencils aren’t as good, Janson’s inks are heavier and a lot more boring, and Anderson’s colors are bland and flat and not as lively. There are a few good spots and I’ll point them out, but they’re infrequent, and overall, the quality of the art is much more similar to the art in the Metropolis Doom arc than it is to last issue. This leads me to believe that editorial only gave the art team enough time over the pandemic-induced break in publishing to produce one good issue before forcing them back into a deadline where Romita, Jr.’s work is not as good and tends to suffer.

Red Cloud attacks and attempts to kill Jimmy Olsen instead of Lois Lane to send an even greater message to her and Clark.

For those of you that don’t know, the Invisible Mafia speak in code to avoid detection by Superman’s super-hearing and meet in areas surround by lead to hide from his supervision. In the beginning of this confrontation, no one says anything that Superman would respond to if he hasn’t already tuned it out, which is why Lois says out loud her nickname for her husband to get his attention.

It’s a sign of affection for them and could be utilized for such a scenario, but I don’t see why she had to say his nickname over anything else to get his attention. Maybe because since he revealed his identity to the world his real name is being said a lot more often in non-criminal ways, so he doesn’t respond to it as much as he has in the past. I’m not sure if I’m trying to come up with a rational excuse for what is actually a writer’s weird and out-of-character creative choice or if it’s what an actually competent writer intended for a discerning reader to infer and get joy from a successful analysis.

Regardless, it’s what got Superman’s attention at the end of Superman segment in the last issue. I don’t think what was supposed to be conveyed with those panels last issue was accurately conveyed by the art. Either Romita, Jr. didn’t sufficiently depict (but still beautifully rendered) what Bendis had directed him to draw, or Bendis had poorly directed Romita, Jr. in what he wanted him to draw. With this added context, however, these panels do make a lot more sense, but only with the added context. Without it, the scene is a little unclear.

You can clearly see the change in art with the two issues side by side like this. This issue, the art just doesn’t look as good. It’s just kinda blegh. It accomplishes what it needs to convey the story, but in a very boring and unspectacular way.

Also, this panel is very Harry Potter to me. Superman’s more subdued face is similar to that of book!Dumbledore in Goblet of Fire, but the almost hyperbolic dialogue is more akin to that of movie!Dumbledore. It’s very dissonant.

I really want to hate the humor of this panel, but it’s just so fun, so I won’t.

This is a really cool panel, one of the few standout moments, but I have issues.

First, I may have enjoyed the humor in the last panel, but Bendis’ attempt at humor with Jon here just makes me want to cringe. Whenever Bendis makes Jon talk, it just pisses me off and makes me want to stop reading.

Second, I see what they were going for with the glowing eyes, but this is some more of that dissonance between the art and the writing. It actually looks quite menacing, but the dialogue has a more humorous tone. Also, the actual effect for the glow is just two red circles, making their eyes look more like flashlights than radiating energy. I also want you to keep this moment in the back of your minds, I’ll refer back to it in a second.

I think the dissonance is the result of the Bendis-speak, where some of the characters are quippy, but other characters are playing the situation straight and are reacting accordingly to the incorrect behavior. There’s nothing wrong with a superhero comic being light-hearted, but it just doesn’t quite fit here. All the right ingredients are present, but they’re not all in the right proportions.

Another panel I really like. The smoke and its color are really well done, especially in contrast to the all black silhouettes except for their back logos of the Supers.

The eye glow effect looks much better here. It’s simple yet powerful.

I don’t know how important this revelation is actually supposed to be, so I’ll defer to the depiction of the comic instead of playing the fool and acting upset about something I’m ignorant about simply because I’m not a fan of the writer.

This moment is cool and all, but I don’t think Conner has super-breath. He doesn’t actually have the powers of Superman, he uses his tactile telekinesis to mimic some of the powers of Superman.

The “extreme high-velocity super-speed” was this issue’s first indication that Bendis might not know anything about this character he has stewardship over, but that can just be chalked up to Superman not remembering the powers of Conner. We don’t know the upper limit of Conner’s tactile telekinetic flight, nor should we care, it’s supposed to be a fun line.

The second indication is that Conner is shown to have heat vision when his eyes glow alongside Clark and Jon’s. He only has heat vision when he wears special goggles or a visor. Again, he doesn’t have all the powers of Superman. Tactile telekinesis only covers so much of Superman’s powers. But this can be forgiven because it is a pretty cool image.

“Once Is Chance, Twice is Coincidence, Third Time Is A Pattern.” This panel is the third instance of Bendis’ lack of understanding of Conner’s character. If this was the only instance, this would be fine, but it’s not. The moment is cool, but it’s a bridge too far.

Refer to my review of the first issue for more of Bendis not knowing anything about Conner.

EDIT: Thanks to @thebartallenblog​ for pointing out to me that Conner does in fact start developing more Kryptonian powers outside of his tactile telekinesis in the 2003 Teen Titans  book by Geoff Johns, so Bendis does in fact know more about the character than I give him credit for, which is more than I can say for myself in this instance.

Also, this moment goes on for way too long, almost two entire pages. Beautiful, the art of decompression and wasting reader’s time and money.

“Should I super-inhale?” Shut up, Bendis.

Also, why is Red Cloud is so fixated on Superman’s family instead of just Superman. Does the Invisible Mafia have something against his family as well? It was my understanding that they have it out for him specifically, anything that is ancillary to him is extraneous and not worth their time.

“Hey! It’s not my favorite super-move on a good day.” Then why the fuck did you even make him suggest it, Bendis?

I don’t know if loved ones referring to Lois as Ma is something Bendis has been trying to push as a character quirk or if it’s some sort of weird one-off. Either way, I don’t like it. It’s not bad in of itself, don’t get me wrong, it’s just not my thing and there’s nothing wrong with that.

Again, I’m not sure how significant Jimmy figuring out Red Cloud's identity is supposed to be to the plot and the narrative, but this seems to be a bit of lampshading from a writer who literally has no right to be lampshading.

Couldn’t give a shit about the plot, I’m just here to nitpick. Next.

Feels a bit janky in the art department, but the dialogue is surprisingly in character. They all feel like they have their actual voices. It’s a nice little moment.

I would address all the instances of Bendis making Jon talk, but that would make this longer than it already is, so I’ll only do it when it’s particularly egregious.

Red Cloud comes back and attacks not!Jon and I couldn’t care less. Kill the bitch. Please.

The next two pages are a lot of nothing, just a boat load of Bendis-speak.

I’m pretty sure this played out a lot differently and more humorously in Bendis’ head when he wrote it down and Romita, Jr.’s art makes it all the more funny but for all the wrong reasons.

Who’s his partner? Officer Tomasi?

You know when I said that one panel with Lois, Clark, and Jimmy was written really in-character? This panel with Conner and Jon is the exact opposite of that.

Red Cloud and Ms. Leone have a fun back and forth for two pages. It’s a good example of Bendis-speak working well.

“Black Label Club?” One meta-reference is enough, but two is stupid. I actaully feel a little conflicted nitpicking this, but Black Label is in such a weird place right now, so why reference it?

But “Clark Kent walked into a bar...” is a pretty bad ass line, very John Wick.

A very cool sequence, but it’s full of Bendis-speak and very decompressed.

Why the fake-out of the Superfamily executing a gangland-style shooting with Jon being the one pulling the trigger? I get it’s a story beat the narrative is supposed to hit, but still.

The reveal is pretty funny, shrinking the club, so it’s a little forgivable, but the set up and the pay off don’t quite match. It’s just another example of that dissonance I’ve been mentioning.

I know that “supersons” line was put there by Bendis as a deliberate dig at his detractors, so I’m not going to take the bait and get pissed. Nice try, big guy.

All in all, this issue was not as bad as I initially thought. It’s series of some really big highs and lows.

[kob131]

https://www.youtube.com/watch?v=y4DPZGlNP8I

I was watching MangaKamen’s video deconstructing Cvit’s Persona 5: Style Over Substance video and I...I just couldn’t watch it. Basically, Kamen’s own videos on RWBY and Cvit’s Persona 5 video are way too similar (in that both make logical fallacies just to avoid their assumptions.) So, despite covering this briefly, I’ll do it in full here.

And if MangaKamen himself sees this: You can’t keep responding to people, criticizing them for stuff that you do yourself. I literally couldn’t listen to your video on Cvit because of the hypocrisy. Stick to your own standards: people respect you more for it.

P.S. Don’t create a circlejerk in the reblogs and replies. I do not have the patience for it today.

Before I begin, I should point out a small bit of hypocrisy. In his “Cvit Doesn’t Understand Video”, he complains about an influx of videos all about going into unnecessary details about how X things suck, calling it the ‘Joseph Anderson effect.’ I bring this up because one of the videos he brings up is The Cosmonaut Variety Hour’s video on Kingdom Hearts (which is, being generous, 22 minutes.) MangaKamen’s video is, again generously, 38 minutes. And I do mean generaously because I automatically rounded up Cosmonaut’s and rounded down Kamen’s videos. I don’t think he should be complaining about that. 

While you could argue he was also complaining about the title as well: A. Kamen’s first RWBY video was literally titled “Whats Wrong With RWBY?!” with a title saying “Here’s why RWBY Sucks” in big bold letters. B. His video makes fun of people who are there to disagree with his title and nothing else and C. I watched Cosmonaut’s video on Kingdom Hearts: He’s actually more positive towards Kingdom hearts 3 than Kamen is to RWBY.

This is a small microcosism of he issue with his hypocrisy: it ends up affecting the quality of other videos too.

-----------------------------------------------------------------------------------------------------------

His first section is on ‘contrivances’ or ‘things that happen in a story that don’t make sense’. Before he even gives a true example, we run into yet another problem with Kamen. In his explanation, Kamen mocks the scene were Jaune gets hit on by the mothers of the kids he’s helping with an image of Miles Luna saying ‘Remember, NOT a self-insert!’.

Issue? The episode wasn’t written by Miles Luna, it was written by Eddy Rivas. How do I know?

The episode says so. This is especially egregious because he chews Cvit out for just typing in “Persona 5 sucks” into google and saying a certain source popped up...and yet typing in “Miles Luna Jaune Arc Self Insert” would actually bring up something that outright shows Miles is self conscious about Jaune to the point of avoiding his scenes (https://www.reddit.com/r/RWBY/comments/7x3w4s/crwby_ama_w_miles_luna_kerry_shawcross_and_paula/du5dnc6/?context=3). So while Cvit may have been looking for evidence instead of thinking critically: he at least took the effort of doing a search result whereas Kamen probably made an on the spot decision with no sources whatsoever. Combine this with the fact this is not the first time he’s taken potshots at Miles and you have an effectively WORSE version of what he says Cvit did.

“But this is just a joke!” Yeah, and Sham-Amon was a joke about M. Night Shamalyan by Doug Walker. That doesn’t mean it wasn’t an insult and was correct (Shamalyan was actually a reason why the Airbender movie even RESEMBLED the cartoon.) That doesn’t make this okay, especially since I know a similar ‘joke’ towards someone he’s a fan of would get you a video made on you.

Now onto one of his examples: He says it makes no sense for Robyn to be allowed to run for Atlas’ council because ‘she is stealing supplies from the government.’ Issue is: judging by the footage he’s using, he’s talking about Volume 7 Episode 5 “Sparks” where Robyn created a blockade and stopped a supply truck Qrow, Clover, Penny and Ruby were on. She never actually makes a move to steal the supplies in the episode though. While you could argue it wwas implied because she had people behind them hiding behind camoflague-

In his Cvit video, he criticized the guy for saying that we don’t know how long Futaba’s friend was abused by her parents when Cvit makes the argument that the friend was abused for over a decade, never entertaining other possibilities. You know, what he does. (P.S. Sparks is the same episode with the Jaune-Mothers ‘joke’.)

He uses this faulty and hypocritical point to jump off into how it would be a bad look for her to steal from the government even if it was for a good cause and that most government prevent people from running because of this. See, not only is this still based on a point even Kamen would argue is not enough- The context in the scene (that Mantle hates Atlas government and Robyn’s platform is based off that discontent...Huh) would show that even if she was stealing, it would HELP her image. As for the ‘governments prevent people convicted of theft for running for office’- She hasn’t stolen anything yet STILL. Also, in his Cvit video, he complains about a point where Cvit’s source edited out preceding text to make the phrasing of a certain textbox look extremely awkward. So again, hypocrisy.

Then we have...another shitty joke. A really bad one too. It’s the scene with Weiss and Winter talking the training room with the audio taken out and speech bubbles that say ‘Why are we just staring at each other?’ ‘I dunno...just to look cool?’. Not only is this blatantly not what is happening (you can tell their heads are bobbing from talking), I literally cannot take this ‘joke’ any other way than a malicious potshot at the show. It doesn’t function any other way. I’m trying to be calm and concise but this stuff really harms any benefit of doubt I can give.

His next point is-Oh god damnit, the fucking Penny frame up AGAIN. You know what is more frustrating than a shitty point? A shitty point repeated ad nauseum. Before Kamen even made this video, I had already argued every single perspective of this. There’s literally nothing new he can give?

Security? We never see how Tyrian got in and considering his immense agility and stealth: he could snuck in or hid in the warehouse.

Fanaus night vision? Not all Fanaus have night vision and most of the crowd was seen trying to rush out of the warehouse (during a scene Kamen shows no less). He also says the show alludes to Atlas being a racially biased system...even though Jacques Schnee says he pays all his workers equally (AKA he treats all his workers like shit.)

Scrolls? Again, most of the people are shown trying to run away and no one who remains is said to have brought their scrolls.

Break in the argument for a smug laugh even though all he’s done is repeat other people’s failed arguments. (Issue with either being bitch basic with your arguments or copying others? I’ll have fought the issue long before you make it.)

Ends with saying “When the lights come back on, there’s no blood on Penny’s blades!” (Cognitive bias against Atlas. Like say, calling a character a self insert over a scene that wasn’t written by the person.)

He goes onto say that this is just the latest example of contrived writing but because his points are all faulty, it doesn’t come across as contrived: it comes across as normal but Kamen is too focused on making everything look as bad as possible.

“But what about Robyn’s Semblance?!”

I dunno, why do people say that the Covington Catholic kids are still racist when we have proof otherwise? Cognitive bias is a thing. Robyn wouldn’t try testing this (even assuming she COULD since it would be logical Penny just ran off after this in fear) because it al ready confirms her own biases.

His whole temper tantrum here is all based on around pure logic...something he himself has argued against in media. This thing goes on and on and it just test my paitence and gives me more and more reason to assume Kamen isn’t just missing info, he’s indulging in willful ignorance.

Then we have him bitching about Yang and Blake telling Robyn what is going on and how it’s contrived that they would think that Robyn was on their side since she hasn’t done anything good. Issue? This is all based on KAMEN’S perspective. A perspective that, at best, is heavily biased against Robyn.

Thing is, Robyn’s thefts (which began AFTER he said they did) were to help repair the break in Mantle’s wall protecting them from the Grimm, something Team RWBY agrees with. Of course they’d assume Robyn is a good guy since she’s acting in the interests of the people, something they do as well. Robyn’s only bad when you completely ignore how James brushes over the current struggles of the people is elected to protect and serve in order for his bigger picture, a method they don’t agree with. Something the show is showing isn’t a good idea as people see him as uncaring and unfeeling to their struggles. 

“But Ironwood has been helping them!”

Cool. That has nothing to do with him alienating his own allies through his paranoia, causing Yang and Blake try and make peace with Robyn themselves. There’s also the fact that the team should be opposing this. After all, it’s the same thing Ozpin did to them and they chewed him out over it. And unlike with the lying to Ironwood, there would be no hints that this hypocrisy would be intended by the showrunners. So Kamen is literally advocating for bad writing here.

This was added in post edit by the way so the man literally shoved in a point that does nothing but push the theory he is biased without ever considering what is necessary in the show. Even though he demands it from others. It’s really inconsistent. Dare I say...the standards are contrived?

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Next is the ‘design work’ part. He’s says this is gonna be positive for a moment and it does lack his usual malice. Doesn’t mean it’s good.

He criticizes the designs of the main cast besides Ruby. He says that Blake’s design now emphasizes the color white despite supposedly being black before. Issue is that her alternate Vol.2 and Vol.4 designs also emphasized the color white and her original design has equal part black and white. Weiss’s is supposedly that her dark blue dominates her design and is too busy to be elegant. Issue is that it’s only on the jacket and it’s mostly the same color as her previous design (even having more white.) As for being elegant: I could definitely argue it goes for a military-esque elegance. And Yang is...too brown? Uh...her original outfit was dominated by being brown.

He praises Ruby’s for still having it’s red coloring but...it’s too red. Her original design was actually closer to being goth than Blake’s and was mostly black with bright red frills and her signature cloak. And her hair has drastically changed, like he complained about with Blake.  He really shouldn’t be giving Ruby a pass here.

I have nothing to say about his point ‘they’re all too busy.’ I feel like any side I take will be too heavily influenced by my own feelings at this point.

He complains about the logic behind the long fabrics being easy to grab onto and says that because they justified the new outfits with ‘it’s cold’ they should listen here. Issue- Not only are these two different trains of logic but by his own arguments, he should be arguing for all of them to wear white and wear bulky armor since that’s logical as well, following his logic. He doesn’t set what the limit should be.

Honestly this whole part is just kind of fluff. A lot of nothing was said and kind of feels like it was put in just to make the argument ‘Well I said something nice about RWBY!’

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Next up is ‘consistency’. ... Oh god.

“Aura was rewritten!’ He never cites what happened here but I know this dance so well I could get paid for it. Aura has always been a thing you needed to activate, back in Volume 1 where Jaune was cut by a branch and Pyrrha said ‘why don’t you use your aura?’. The supposed inconsistency comes from WOR: Aura saying it was passive even though certain definitions and uses of passive work under these examples. He also says that people cant use their Semblances when they run out of Aura but they still do, citing that old example of Yang’s Aura flickering in her character short. Flickering, not breaking. Meaning she still has Aura.

He also adds in that point about the WOR Atlas saying that the cold of Solitas killed the Grimm. While they are depicted as freezing here, it should be noted that the Grimm have been known to evolve and adapt. Meaning they could have easily evolved to withstand the cold. Again, editing out context which he says is bad.

“Hey, Miles. Kerry. You ever gonna acknowledge what you showed in the World of Remnant again these days?”

Dunno, are you ever gonna acknowledge what you say in your own videos? Glass houses Kamen.

I also find it funny that he calls out the ‘it’s just a cartoon!’ thing out of nowhere on a tangent even as he previously blocked me over this. Apparently contrivance is okay if it can be used as a shield. And if he has a problem with this, look over your videos not even just the RWBY ones You have said harsher- deal with it.

He goes onto criticize the argument of not all Fanaus have night vision because of specific moments...with Blake and Sun, only two Fanaus. In fact, the first example has him say that Blake and Sun used their night vision to escape a White Fang meeting. ... White Fang. Fanaus. He’s trying to argue that this is a case of Blake and Sun having night vision to contrast when she apparently ‘doesn’t’ but never notices that his own argument kind of confirms what the show said.

Then we have his other example of Blake against Illa were she couldn’t see Illa. A chameleon Fanaus. With camoflague. Where lighting up the room would alter how the colors look to see her more easily. ....

This whole point was about how the show doesn’t give strict rules to the Fanaus night vision, even though other shows with more fundamental powers (as in, the thing their premise is based on) bend these rules (like MHA with so many Quirks not being related to their physiology or Jojo bending every single Stand rule) for their plot. This isn’t directly bad as he says it is and he never emphasizes why anyone should care other than the strawman of ‘STRICT RULES!’ even as his own favorites don’t follow that.

He also says there’s no repercussions for the Penny cover up since he says it was to cause a riot to attract the Grimm but the Grimm disappear and people are being arrested for their rioting in  the next episode. ... The Grimm don’t invade until Episode 9. He’s talking about Episode 7. The arrest was for breaking curfew that Ironwood imposed afterwards to due the discontent from Jacques winning. Then we have the fact that Penny’s frame up leads to Robyn actually stealing supplies, which leads to Yang and Blake telling her about Amity, which leads to Ironwood’s paranoia taking over. So you know...kind of some of the biggest repercussions in the show.

I also remember he said it was to frame Penny in his contriavances section...which makes no sense if it was meant to cause a riot directly afterward. In trying to callout inconsistencies that don’t exist, he became inconsistent himself.

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Next part is “Don’t Show, Never Show”. .... How professional.

He begins by bitching at other people for misrepresenting his arguments about the Fanaus and how their oppression isn’t well shown. ... After he’s personally attacked the creators over a subject one of them is innocent and self conscious of and will mock that person for mocking his critics. Classy.

“Jacques is Orange Man bad stand-in-”

A. He never mentions anything about securing Atlas’ borders and in fact wants to OPEN them.

B. He’s never talked about making Atlas great or appealing to any sort of false patriotism.

C. He opposes the military whereas Trump supports them.

D. He has no slogans for his campaign, especially none like Trump’s/

E. He isn’t colluding with foreign powers aside from a generic bad guy orgnazation with no connections to the countries Trump is accused of.

F. Jacques being a slimy business man was made before Trump came into the presidency.

And G. Robyn Hill only connections to Hilarily Clinton is a gender and half a name (a name that is actually rather common in real life). In fact, considering her position is all about distrust in the government and appealing to the common man- She’s a closer stand in for TRUMP than Hilarlily. 

Again, argument’s been made a thousand times, beaten it a thousand times. 

His overall point is that Jacques is said to be a terrible parent but not shown, using the line from “This Life is Mine” ( Amazing how you conquered me, Chained me in servility) before going on to say that he ‘let her go to a different school’ (he was forced to), ‘Do whatever she wants so long as it doesn’t affect his business and reputation’ (contradicted by cutting her off, trying to limit her actions because of her ignoring his calls even though that does not affect his business or reputation), ‘spending his money at Beacon until she ignores his calls’ (finical abuse 101) and ‘she embarrassed him at a party by assaulting one of the guests.’

... The woman was outright mocking the people she knew, the ‘assault’ was an accidental summon, Jacques was trying to prevent her from just getting away from him, Jacques pressured her into singing for him despite her discomfort and never once tries to talk to his daughter like a person or calm her down, instead trying to silence her. All of THIS without getting his physical intimidation of grabbing her and slapping her, which is what Kamen strawmans the response being. Also ignoring what he did AFTER the slap, effectively trapping her in her room and spreading the idea she was unstable to save his image.

No amount of money matters here, ignoring once again that he tried withholding it once she acted outside what he wanted. That is the ‘chains of servility’ and I know you wouldn’t argue this outside RWBY. You’d be calling this ignorant beyond acception, Kamen.

“The worst examples of Jacques’ abuse happen outside the-”

Jacques’ worst abuse was being trapped in her own room for calling out the callousness of people smack talking a tragedy she went through. This is effectively mocking a war in front of a veteran then locking them in the basement while telling everyone they���re coocoo. That is in the show, stop trying to blame other materials THAT DO NOT EXIST just to appeal to a common compliant (about supplemental materials in RWBY).

“Well Winter abuses Weiss!”

So let me get this straight. A small smack on the back of the head before asking about her personal life to show she cares about Weiss (another example of cutting context) is at all comparable to abuse of parental power, controlling Weiss like a puppet and locking her up? What was your definition of contrivance and consistency again?

“Can I go off on a tangent?”

No. You have not earned that right. You have far exceeded any patience I should have given you. The fact I am STILL HERE is too much and I should just throw the rest of the video in that garbage dumb your delusion of the writing is. But I will STILL give you chance.

P.S. You use HBomberguy as an example? Even though one of the videos you chewed out in your Persona video (’Steven Universe is Garbage and Here’s Why’) is BASED OFF his work? So what? His hours long shit talking is okay? And no, this is not

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His next segment is titled ... “Okay What Is This Shit I’m Actually Cratching My Head I’m So Dumbfounded And Confused AAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHH”

... You misspelled “Scratching”.

He says the Grimm Attack after Robyn’s failed election was handled off screen. That never existed and the Grimm attacked THREE EPISODE LATER and is handled on screen.

He says that Jacques being arrested makes no sense because Watts can control technology and should have used it disable the security cameras in the Schnee Manor. As he outright says, Willow hid those cameras and Watts HACKS technology and cannot hack what he DOES NOT KNOW EXISTS. It’s outright said BY THE SHOW and SHOWN that he cannot just magically control technology.

He also questions how Willow got those cameras in there, ignoring that Jacques DOES NOT HAVE OMNISCENCE.  Why she did when she SAID it was to make sure he didn’t abuse her kids. When doesn’t fucking matter. It’s all pendantic bullcrap. You can apply this to any situation in media and I know Kamen would bitch about the show’s pacing if they did this because it would be boring as fuck.

He says that there was no foreshadowing that Willow set these cameras up which I would like to give...if not for the rest of his video which illustrates to me he would have made this point with or without foreshadowing.

“How come Robyn isn’t being arrested because she stole supplies?!”

A. Because you keep inferring she stole supplies BEFORE the election, I’ll have to assume it’s the same here and say SHE DIDN’T.

B. If you aren’t and have changed to saying AFTER the election: The show SHOWS YOU that they’ve been trying to arrest her. She’s been EVADING them.

C. If it’s at Jacques’ house: Remember what you said about image? Wanna guess how damaged Ol Jimmy’s image will be if he arrests his biggest critic while under suspicion of rigging the election against her AND being questioned for supposed abuse of power?

D. Gee, not like the heating system in an artic climate shut down, Jacques just got exposed for helping a KNOWN CRIMINAL TOO, The Grimm actually invade, they have to save all the people, things collapse between RWBY and Ironwood and a fuckton of other things of higher priority than one woman stealing supplies to fix something IRONWOOD HIMSELF SHOULD BE FIXING.

“Hur dur, Salem generic’

Says the Jojo and Yugioh fan. Say, how did your precious VRAINS turn out again hm?

“HEY, WHY NO RUBY TELL IRONWOOD AND TAKE RESPONBILITY?!”

Maybe because there’s a bunch of soulless abominations currently running amok in a city full of innocents so she should take responsibility as an official Huntress and do her damn job while the comparatively combat inept Oscar handle the non combat situation. Or did you want contrivance to work in your favor even though you’ve been proven to be a biased liar who will betray everything he stands in order to make a shit point about a flawed show he couldn’t criticize with a fucking guide on it?

“Why not have Ruby stand behind and say ‘I’ll catch up with you later’?-”

Because you’ll cut context and make her look irresponsible. Your suggestions mean NOTHING when you have proven that you have no honesty on the subject and will flip flop to suit yourself.

Also I love how you mock Mediaocrity4 for ‘treating his opposition as idiots’ as your fucking video STARTED and is littered with you doing JUST THAT. Fuck, I bet you’ll do JUST THAT with this post. 

“Oh look at this character who has been shown as overly emotional, rash and prone to not thinking when mad act in line with her character how dumb!”

Gee, like say...., A shut in otaku making constant video game and anime references in, let’s say, a JRPG filled with these references? 

Huh, guess you agree more with Cvit than you say.

“Dur, fistcuffs mean Jojo!”

Oh wait, Fist of the North Star did it first. And it’s a stable in most fighting anime. But hey, who cares in Kamen shanks Jojo in the back if it means lashing out against RWBY amirite?

“It’s like the context of the fights-”

Where the Ace Ops against RWBY are highly emotional, having felt betrayed by people they though as comrades and acting individually instead as duos or even as a team while all being people with shown emotional issues failing to defeat a far calmer and more developed team that have been working with them and are aware of their flaws?

Or that Clover tried to blindly follow Ironwood’s orders just as Qrow did in the past with Ozpin as the two characters heavily mirror each other, Qrow tried to fight Tyrian at first even as Clover attacked him and never actually helped Tyrian (in facting ATTACKING HIM at one point) after Clover tried arresting him in front of Robyn, someone known to do rash things when it comes to Ironwood?

I’m so glad you decided to FOR ONCE IN THIS ENTIRE, NEARLY FOURTY MINUTE VIDEO actually pay attention to the show and not the memes of the people who agree with you.

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“Conclusion”

‘Like I said in the Steven Universe Movie, I don’t let the fanabse dictate my opinion on something-’

Which is why there wasn’t a single original viewpoint, perspective, criticism, wording or even ‘jokes’, all shit ripped straight from the mouths of others. It’s all shit I’ve seen before by other people. If I absorbed even more of this bullshit, I’d probably be able to see exact wordings in here too, I am THAT certain you didn’t think about this for yourself.

If you did, you would have noticed that you were repeating the exact same mistakes you constantly criticize in others. You would have seen that you were making assumptions based on your preconceived notion of ‘RWBY bad’ and not what the show itself was doing. You would have seen the vidnictive smugness you decried MatPat over. You would have seen the immense hypocrisy you called out before. You would have stuck to what you called your principles.

You have the failures of your biggest targets in this very video. The bias and brain rot of Quinton Reviews, the hack job of MatPat, the manipulativeness of Verlsify, the sheer level of bullshit of Cvit. You burned every single standard you set for others here, you did every wrong thing you screamed about, you failed in the same ways as those you profited from criticizing. Again, because I said all this THE LAST TIME and yet you got WORSE. 

You mock and belittle the creators even as you give them every reason to treat you like shit because even the worst they’ve done looks justified compared to what you pulled. ‘Oh they said that people being mean is so bad!’ says the man preying on his weakness. ‘Oh he’s shit talking his critics!’ says the open liar. ‘Oh the writing was done by platypuses!’ says the man who wants to be taken seriously. ‘Oh it’s just a joke!’ Says the man who bitched out MatPat over jokes. 

And I guarantee you’ll cry foul at me if you ever find this, decrying me as just a salty RWBY fanboy. And this time, I’m not accepting any excuses. You HAD your chances. 

4chan trolls are more respectable than you. They have principles and stick to them. Fanboys are more respectable than you. They don’t claim to be anything else. And yes, your targets are more respectable than you. Their channels aren’t based on hypocrisy THIS deeply rooted.

I regret ever watching you because you were clearly speaking out of your ass.

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Post-Edit:

So i edited a couple of my less explained points to get my issue across. Just saying this here so that no one accuses me of editing the source for malicious purposes.

As for why I didn’t rewrite the last two sections to remove my anger: that stays to prove a point. I had tried to stay neutral or at least calm throughout the video. But my frustrations just kept on building as you became increasingly smug and condescending, even though you called out such shit against others. I can’t even respect your arguments as arguments because considering the erratic nature of this video as well as how out of place some of them are (”Orange Man Bad”): it sounds like you just took every single compliant ever said about Volume 7 and threw it in. 

You end all your videos saying ‘Examine Your Fandom’. Did you ever do that yourself?

[dustedmagazine]

Dust, Volume 6, Number 3

Matthew Shipp and Nate Wooley

We shoehorn another Dust into the end of a wintery month, putting politics, a global pandemic, bad weather and the final season of Better Call Saul aside to concentrate on the ever overwhelming flow of new music. This month spans the usual gamut of obscure but worthy genres, from free jazz to crunk to extreme noise to yet another take on Pachebel’s Canon. The clear star this month, though, is Matthew Shipp, who gets two slots for two different collaborations, and so commands our cover image. Writers include Bill Meyer, Jennifer Kelly, Ray Garraty, Ian Mathers, Justin Cober-Lake and Jonathan Shaw.

Lao Dan / Paul Flaherty / Randall Colbourne / Damon Smith — Live at Willimantic Records (Family Vineyard)

It’s a long way from China to Connecticut. But this quartet bridges the distance so masterfully, you would not know that it’s not only the first time they’ve played together; it’s the first time that alto saxophonist, bamboo flute, and suona player Lao Dan played in the United States. The musicians bring a combination of deep knowledge and fresh potential to the encounter. Saxophonist Paul Flaherty and drummer Randall Colbourne have been playing together for decades, keeping the free jazz torch lit in times and places around New England where no one else knew what the fuck they were doing, let alone appreciated the fact that they were doing it. Lao Dan may be half their age, but since he’s spent his musical career playing in China’s major cities, he knows the experience of playing in an uncomprehending environment just as well. When he plays alto, he certainly sounds well acquainted with the conventions of free jazz, matching Flaherty’s growls and cries with aplomb. And while the moments when he plays traditional Chinese instruments sound distanced from free jazz convention, he finds space and rhythmic footing to make real contributions within the fertile matrix of force and rhythm laid out by Flaherty, Colbourne, and double bassist Damon Smith (at the time a Massachusetts resident, since relocated to St. Louis).

Bill Meyer

 demitasse — Perfect Life (Bedlamb)

Perfect Life by demitasse

demitasse is the quiet alter-ago of Buttercup’s Erik Sanden and Joe Reyes. Though there are a couple of lo-fi rockers here, the main tenor is tremulous, emotive and rather lovely, with spider silk melodies that look wispy but turn out to have a fair amount of tensile strength. Take for instance, “Coming Out Wrong Again,” a gently delivered slip of a song framed in the barest frame of strumming, in a well-weathered voice with creaks in the corners. And yet, as it rolls on diffidently, the tune picks up momentum, and the chorus wreathes the title phrase in harmonies in a way that might remind you of Carissa’s Wierd or its successor Grand Archives. Which is to say, in a way that seems inevitable and right. In the more amplified parts, the singer picks up a bit of Jonathan Richman’s whimsied warble and drums kick through scratchier, more aggressive guitar playing. “Free Solo (for Alex Honnold)” (yes the rock climber) is perhaps the brashest and less constrained of these cuts, imbued with the muffled mania of its title character and approaching Chad VanGaalen’s whacked out tunefulness. The title cut, like most of the album, celebrates small lapidary moments – the singer’s dad cutting his hair— and their weight in memory. There’s a resonance to the smallest sounds here, and a significance in elliptical lines. demitasse is a small cup of wonder, just sitting there on the kitchen table in the midst of life itself.

Jennifer Kelly

  Duke Deuce — Memphis Massacre 2 (Quality Control Music)

After the viral hit “Crunk Ain’t Dead” Tennessee rapper Duke Deuce dropped a full tape which got endorsed by Lil Jon, Project Pat and Juicy J. These Dirty South legends jumped on the remix of “Crunk Ain’t Dead”, a song that is literally supposed to slaughter strip clubs all the way up from Memphis to Canadian border. Crunk’s been leading zombie-ish life, being if not fully then almost dead for years. It’s hard to predict if Memphis Massacre 2 will spur a wave of neocrunk but even if it won’t, it will remain a gutsy punch to the soft rap belly. The slower songs on the tape, like “Trap Blues”, are weaker efforts as they are lost among same-y Southern rap ballads.

Ray Garraty  

 Arto Lindsay / Ken Vandermark / Joe McPhee / Phil Sudderberg—Largest Afternoon (Corbett Vs. Dempsey)

Largest Afternoon by Lindsay/Vandermark/McPhee/Sudderberg

After decades of frequent partnership, Joe McPhee and Ken Vandermark have attained the level where they are being recruited for dream teams. Astral Spirits recently released Invitation to a Dream, a specially commissioned meeting between the two multi-horn players and pedal steel guitarist Susan Alcorn. And now comes Largest Afternoon, by a quartet comprising McPhee, Vandermark, drummer Phil Sudderberg (Marker, Spirits Having Fun, Vibrating Skull Trio) and guitarist Arto Lindsay (DNA, Ambitious Lovers, his own bad self) at the behest of the record label / art gallery, Corbett Vs. Dempsey. If you’re hoping for a combination of free jazz and Brazilian pop, keep your dancing shoes in their box; this CD documents a first-time, no-net encounter. On the rare occasions when Lindsay opens his mouth, it’s to emit strangled phonemes; by comparison, his utterances with DNA seem positively Dylan-esque. But if you want to hear feedback squaring off against soulful reed-song, valve-pops peppering amp-coughs and interactions between percussion, strings, and wind that verge on the tectonic, Largest Afternoon will make your day.

Bill Meyer

  Jason McMahon — Odd West (Shinkoyo)

Odd West by Jason McMahon

Odd West delivers extremely soft focus (bordering on new-age-y) instrumentals plus effected vocals from a one-time Skeletons mainstay. The main instrument is acoustic guitar, pristinely recorded and glossed with a radiant glow. McMahon, a jazz-trained guitarist, learned to finger pick for this record, and there’s something a bit studied about these cascading bouts of iridescent sound, a bit too perfect, a bit too glassy and calm. “Ambisinistrous” ebbs and flows in minor key fret flurries, McMahon all alone with the guitar and sounding rather good at it. “Sunshine for Locksmith” floats “lahs” and “ahs” and lullaby “wooh-ooh-oohs” over its placid surface, tilting golden dust-moted rays onto all natural motifs until it seems too good to be real. By the end, I’d give a lot for a string squeak or even a stray false note. It’s like the old descriptions of heaven in Sunday school, too pretty to seem like somewhere you’d want to live.

Jennifer Kelly

 Donovan Quinn — Absalom (Soft Abuse)

Absalom by Donovan Quinn

Donovan Quinn has been a mainstay of the Bay Area’s hand-made, lo-fi folk-psych-rock scene for almost two decades through the Skygreen Leopards with Glenn Donaldson, in New Bums with Ben Chasny (who also plays here) , in the one-off Fuckaroos with Sonny Smith and Kelley Stoltz and on his own in the 13th Month. Regardless of project, you can count on him for hazily soft-focus not-quite-rock, not-quite folk songs, that drone like VU outtakes wreathed in patchouli smoke, edgeless and adrift and whispery. That’s more or less what he’s doing here, with a variety of SF-adjacent talent in tow, not just Chasny and Elisa Ambrogio but Papercuts Jason Quever and underground songwriters Eric Amerman and Michael Tapscott. But it’s Quinn’s show, really, with Quinn’s soft unhurried voice, his loosely coalescing arrangements of guitar fuzz, drums and chamber strings, his subtly off center way with lyrics. “Satanic Summer Nights,” sings urgently of “a game with no rules,” but it’s not quite that; rather it’s a game where the rules are buried like power lines under enveloping clouds of free-form smoke, feeding structure and electricity into what seems like a passing daydream.

Jennifer Kelly

 Matthew Shipp String Trio — Symbolic Reality (Rogue Art)

Pianist Matthew Shipp, bassist William Parker, and violist Mat Maneri have a lengthy shared history, but Symbolic Reality is their first recording as a trio in 20 years. In its early years, this combo was the chamber music outlier of Shipp’s constellation of ensembles. But now the classical and jazz elements mix in his music like the eggs, flour and milk in your best cake batter. While it’s true that Maneri’s microtonal bowing still sets this apart from any other Shipp group, giving the music a unique pungency, the viola’s lack of auditory bulk is at least as important in defining the group sound. The presence of a third musician who is neither loud and nor chord-oriented induces Shipp to throttle back his attack a bit, which makes Parker’s foundational architecture stand out in bold relief; and the vinegary slurs in Maneri’s playing elicit a blues feeling that doesn’t often come to the fore in Shipp’s playing.

Bill Meyer

 Matthew Shipp and Nate Wooley — What If? (Rogue Art)

Pianist Matthew Shipp and trumpet player Nate Wooley know how to surprise, creating both compositions and tones that get to weird places. The two have worked together before, but recent release What If? marks their first work as a duo. Shipp provided the composition, but it's clearly a two-man answer to the question. The artists touch on some more typical jazz modes, trading leads or letting Wooley play a melody over Shipp's broad chords. More intriguingly, they feed off each other's moods. Wooley doesn't shy from abrasive sounds, and on cuts like “Ktu,” Shipp matches his grating approach. “The Angle” plays with jittery space; Shipp's chords largely traded in for flutters that go with Wooley's reserved blips. Highlight “Space Junk” puts all the musicality and the enjoyment of the odd together. The duo plays a few moments that sound trad, then go for something avant, then turn somewhere new as ideas and moods run away from them. At times Wooley sounds like he wants to soundtrack a casual night out, and at times he wants to smash it; both of them find the whole enterprise entertaining. The “What if?” question remains open-ended, but the answer comes very specifically from these two artists, and it's more than sufficient for whatever's been asked.

Justin Cober-Lake  

 Sightless Pit — Grave of a Dog (Thrill Jockey)

Grave of a Dog by Sightless Pit

Sightless Pit is a collaboration among three significant names in contemporary heavy music: Lee Buford, of the Body; Dylan Walker, singer for Full of Hell; and Kristin Hayter, who records under the name Lingua Ignota. Made over two years at Machines with Magnets, the songs were shaped, executed and revised whenever one or two of the artists could get to the studio. It’s thus a sort of experiment in asynchronously generated music. Grave of a Dog (an unfortunate title) is likely best appreciated with that unconventional approach in mind —n ot a set of songs by a band so much as an ongoing, sonically mediated conversation among like-minded creators. Not surprisingly, the record really lights up whenever Hayter’s remarkable vocals move into the music’s foreground. She’s an unusual talent, with a big voice that can do drama, intimacy and lunacy to equal effect, and a compositional intelligence that grooves with Sightless Pit’s sound-collaging sensibility. “Kingscorpse” is a stirring combination of melody and power electronics, and the record’s solemn, fragile closer “Love Is Dead, All Love Is Dead” lets Hayter show off the full range of what she can do with her instrument.

Jonathan Shaw

 Solar Woodroach — 7 Perversions on Pachelbel’s Canon (Nilamox)

7 Perversions on Pachelbel's Canon by Solar Woodroach

From the start of “How the West Was Won,” most music fans would be able to identify (if not necessarily name) the source material Solar Woodroach uses here even without the album title. Yes, Pachelbel’s Canon in D, one of the most overexposed pieces of music ever used, is getting dug up and sent shuffling our way again, this time from some enigmatic figure or figures known as Solar Woodroach. The best clue there, it must be said, is that the label is listed as “Nilamox,” also the name of whatever ex-Severed Heads man Tom Ellard is doing these days. But Ellard, or whoever, has more than just necromancy on their minds during these 7 Perversions; sometimes stretching and smearing the composition past the point of immediate recognition. But whether it’s the slow-motion glow of “Decomposition in D,” the mini-swarm of synthesized voice bits in “The Canonisation of St. Pachelbel,” or the eventual return of something like the original in the closing “The Pachelbel Spirit,” 7 Perversions proves, perversely enough, both that our takes on the Canon (or canon?) could be more inventive, and that there might be more life left in those standards than we give them credit for after an umpteenth listen. It’s a cheekily satisfying listen, maybe especially if (whisper it) you still enjoy the old Canon a bit too.  

Ian Mathers

 Rafael Toral / Mars Williams / Tim Daisy — Elevation (Relay)

Rafael Toral / Mars Williams / Tim Daisy :: Elevation :: (relay 027) by Relay Recordings

Interstellar Space. My Goals Beyond. Other Planes of There. The list of outward-bound jazz records that invite the listener to draw a bead on the furthest cosmic reaches is a long one, and despite the relative humility of its title, Elevation makes a similar request. The album’s three tracks are all named after cloud formations, and even in their most subdued moments the three musicians involved treat gravity as a negotiable notion, not an immutable law. Portuguese electronic musician Rafael Toral joined up with Chicagoans Mars Williams and Tim Daisy for just one day, during which they played one concert in a suburban library and the recording session yielded this CD. Daisy’s a highly accommodating drummer, and much of his playing on this record disperses beats and tones like a spray of cloud-born moisture. Williams balances incendiary blowing guided by the anything goes spirit he nurtures in Extraordinary Popular Delusions with little instrument forays that infuse this music with the spirit of A-list types like Sun Ra’s Arkestra and the Art Ensemble of Chicago. And Toral draws pure electricity into flashes and stretched bolts that illuminate “Stratus,” “Cirrus” and “Altostratus” from without and within. Keep your eyes and ears on the sky.

Bill Meyer  

 Tribe — Hometown: Detroit Sessions 1990-2014 (Strut)

Hometown: Detroit Sessions 1990-2014 by Tribe

This disc collects post-break-up material from the long-running Detroit cultural collective Tribe, a pan-arts organization led by saxophonist Wendell Harrison and trombonist Phil Ranelin. During its 1970s heyday, the Tribe organization put out jazz records, published monthly magazine covering black culture, collaborated with dance and theater groups and taught music in Detroit schools. This collection picks up after Ranelin moved to Los Angeles and the Tribe name had been retired. Still Harrison continued to preside over multidisciplinary creative coalition, tapping into a vibrant Detroit scene for Afro-centric visual arts, theater, dance, music and literature. Handclapped, percussive “Juba,” for instance, documents Tribe’s connections to modern dance; you can intuit movement in its chanted, panted, grunted and foot-stomped rhythms. The two spoken word pieces, “Marcus Garvey” and “Ode to Black Mothers,” showcase the works of Mbiyu Chui, a poet, pastor and founder of the Black Christian Nationalist Movement. The music, too, is very, very good, from the swaggering big band swing of “Wide and Blue,” to the smouldery sleek piano grooves of “Hometown” (Harrison’s wife Pamela Wise on keys) to the Afro-Caribbean polyrhythms that animate “Ode to Black Mothers.” Detroit was in about as bad a state as a city can be during the period this music was recorded, but art and pride and resilience run through every track.

Jennifer Kelly

 Various Artists — Back from the Canigo: Garage Punks Vs Freakbeat Mods Perpignan 1989-1999 (Staubgold)

Back from the Canigó: Garage Punks Vs Freakbeat Mods Perpignan 1989-1999 by Various Artists

 Perpignan is the southernmost French city, nestled in a curve of the Mediterranean just before it turns south into Spain. It also the unlikely headquarters of a Gallic garage rock scene centered around the Limiñanas, but incorporating another dozen or so bands represented on this compilation. (The Limiñanas themselves are absent, just to be clear.) The two oldest bands — Les Gardiens du Canigou and the Ugly Things — are the most vital, both rough-rocking outfits fond of wheedling organ fills and much indebted to the Troggs. “Baby I Don’t Want to Drive” from the Ugly Things has the grit and swagger of Wimple Witch’s “Save My Soul,” while Les Gardiens turn in a truly unhinged live cover of “Gloria.” Some of the younger bands follow this example closely. The Vox Men and The Feedback, for instance, pursue the exact same sort of screaming hedonism. However, others diverge. Beach Bitches take a day-glo, 1960s garage energy into joke-y surfy directions; their “Walking in the Jungle,” intersperses novelty record animal cries with banging drums and blasts of molten guitar. Les Buissons bustles and blares with a fully-orchestrated sound, James Brown doing battle with a community marching band and flop-haired psychedelia in “Buissons Theme I.” The whole comp is immensely enjoyable in a what-decade-is-it-anyway manner. It’s probably not what you picture when people say, “south of France,” but it rocks pretty hard.

Jennifer Kelly

[wwhkimseokjin]

highway to hell - chapter 3

pairings: bts x reader (bit of member x member too)

genres: seven deadly sins!au, devil bangtan!au, fluff, angst, smut

warnings: future smut, violence, death, swearing, NSFW, literal hell

summary: Y/N had always been the perfect daughter, the perfect student, the light in people’s life. She had always believed that she would never do anything wrong, be a perfect little angel. Until her life turns upside down, and she meets seven very handsome, very dangerous men.

The last two weeks had gone by quicker than Y/N had realized. Getting accustomed to university had been rough. Getting to sleep when there were no morning classes? Utter heaven. On the other hand, having to drag yourself up after a long night with your friends as someone forgot about their early schedule? Not exactly ideal. But alas, that was the way of the university life. Y/N promised herself to enjoy these days though, before the dreaded no-sleep, caffeine-inhaling days would commence.

Two individuals were still present on her mind however, Jeon Jeongguk and the blond stranger - who she now knew as Kim Taehyung. Her days would’ve been a tad bit more tranquil, if she hadn’t constantly been on the lookout for the two boys. To be frank, it was almost like they had disappeared. But according to Y/N’s newly acquired friend Yein - self-declared gossiper of the campus - it wasn’t actually that odd. Y/N had met Yein at another party, which she had foolishly attended, hopeful to see the boys once more. There the two girls had struck up a conversation, realizing they had a few mutual friends. But the small talk had soon turned into gossip, and a familiar name had struck Y/N’s ears. Jeon Jeongguk.

From there the conversation had steered onto him, and the rest of his friends. Because apparently there wasn’t just those two. There was seven of them. Yein had clearly noticed the look on Y/N’s face, for she instantly delved into a extensive description of the seven individuals. Apparently, it was “shocking” that Y/N didn’t know about them yet, as quote on quote Everyone knows the seven, that’s like, their whole image, but Yein would kindly let it pass since she was new. If Y/N had to be frank, “the seven” honestly just sounded like a truly bad boy band. Momentarily after Yein had started talking about them though, a peculiar feeling had crept over Y/N, like she was being observed. She had looked around, but no one was watching them, so she promptly blamed it on having too much to drink. After Yein’s whole speech, Y/N was sure, that she was more than knowledgeable about the subject: Jeongguk and friends.

There was Kim Taehyung, the blond man that had ensnared Y/N. He was apparently the most popular, pretty much being friends with everyone he encountered. But you shouldn’t let that fool you, underneath the sweet mask, he was a flirt. Taehyung had, according to Yein, slept with over half of the girls at the school. That did hurt a bit to hear, but Y/N wasn’t that surprised over it, considering you could practically sense the sex oozing from him. He was, surprisingly enough, a pretty decent friend, (that is, if you weren’t on his ‘to bed’- list), but you shouldn’t always be certain of the sweet nothings he would whisper in your ear.

Next on the agenda was his best friend, Jeon Jeongguk. The one Yein had dubbed “the cute, reserved guy, who definitely watches anime instead of studying”. (Also the one Jihyo had declared unspeakable of) He wasn’t the most outgoing apparently, but that didn’t mean, that he didn’t get around. Referencing Taehyung’s metaphorical ‘to bed’-list, rumor had it, Jeon Jeongguk genuinely had one. Maybe not precisely a list over the people he was going to bed, but that didn’t transform the fact that the boy very much so, had a register of names around campus. Also, well-known words from him consisted of That’s mine, I’m not sharing, and one Y/N could resonate with deeply, Hey, are you going to eat that? It was a mystery how the ate as much as he did, and still had a body like the gods.

Then there was Park Jimin, a Sophomore like Taehyung. He was “the cutest in the group” and immensely talented in his major which, to Y/N’s surprise, was dance. She had never encountered someone who had such a major, but seemingly Jimin wasn’t the only one in the group majoring in dancing. A certain Jung Hoseok also had dance as his major, but more on him ahead. Jimin was cute but sexy, had an amazing body, his personality was amazing and so on it went. You had to be lacking in the brain cell apartment if you hadn’t understood who Yein’s favorite was. It wasn’t like she was trying to disguise the obvious crush she had on him. Y/N had inquired about his bad qualities, since it seemed to be a recurring tendency, that the boys had at least one personality trait that wasn’t exactly ideal. But no, no, someone as flawless as Park Jimin “couldn’t possibly have anything bad about him”. And then Yein moved to the next one. Kim Namjoon.

Namjoon was the cleverest of the bunch, being in the lead in all his classes and a favorite to the professors. But apparently, he wasn’t content being one of the greatest, he had to be the greatest. He constantly desired more, and it was especially satisfying for him, if receiving number one, meant beating someone else to the ground. All in all, he gets what he wishes for. You worked hard to win this debate? Suck it, Kim Namjoon wants to win this. And each time someone takes something from him, he comes swooping in and takes it from them with a power even sturdier than before. What Yein described as his extreme ambition and determination, seemed more and more comparable towards an unhealthy greediness to Y/N.

Then there was Jung Hoseok. As previously mentioned, he was majoring in dance too. Y/N admired both him and Jimin, herself not exactly being gifted in the area of dance. Moving on, Yein described him to be a complete sweetheart. He would always aid his friends, was awfully extroverted and could light up a whole room with his smile. Nevertheless, you had to tread wisely around Hoseok, he seemingly had vendetta against everything that didn’t go his way or went as planned. He had broken a guy’s nose once, because the dude kept messing up his dance steps. After that, everybody walked on eggshells round Hoseok, which in hindsight seemed to piss him off even more. People learned to just settle with whatever Hoseok wanted - but not too much, or he would get angry too…

Second-to-last was Min Yoongi. Yein claimed that he was typically the scariest out of the group (when Hoseok hadn’t preferred to wake up with a complete hatred for everyone and everything). He hadn’t actually done anything for people to fear him, it was just sort of an automatic response when you met him. He gave off an aura that said “you could die right now, and I would continue with my nap” – if you could describe a person like that. Min Yoongi just didn’t care. He was generally the one that disappeared the most, gone for weeks at a time, not even bothering to show up to his classes. If you questioned him about it, he would give his signature glare, and folks usually left him alone afterwards. On top of that, he would hardly ever be seen out with his friends, and the six other boys would continually claim he was taking a nap. Either Yoongi adored snoozing his life away or the boy was jammed in some shady shit – or perhaps both.  

At last, there was the Great Kim Seokjin. The boy had an appearance prettier than all the girls at university combined – and he knew. Seokjin could possibly be quite pleasant to hang out with, and a great deal of people on campus spoke of him as the dream boyfriend everybody wished for. Yein said she would approve, if it wasn’t the circumstance, that Kim Seokjin couldn’t go five fucking minutes without speaking about himself. It was like he had trained over numerous years, to be so good at sneaking compliments for himself into every single pompous, arrogant, self-absorbed sentence that left his infuriatingly pretty mouth.

Yein practically had to gasp in air after her amazingly passionate outburst about Kim Seokjin, and Y/N opted to take a sip of her beverage, instead of questioning the topic any longer. Y/N always told herself to never judge a book by its cover. She always believed people were good and kind, but in all honesty, she didn’t really get why these seven boys were so popular at school, they all sounded horrid honestly. But then she was reminded of Taehyung, and how even after hearing about him from Yein, Y/N already yearned for their next meeting. 

She had never really assumed she would be one of those girls pining after guys, that they knew would leave them in the end, but perhaps she was. Yein claimed that it was like dark magic. Those boys drew everyone in, and spit them back out again, after they were through with them. You didn’t choose to come into their life, they picked who they desired, and they had nothing against breaking a couple of hearts when they threw people out of their life again.

“Seriously, you think you know them! Turns out they are someone completely different, I don’t even think they have a real self! They’re all like a bunch of devils with too much confidence. Expect for Jimin of course! He shouldn’t hang out with them, he…” Yein continued to ramble on, but Y/N wasn’t listening any longer. She believed she had seen a tuft of blond locks out of the corner of her eye. But disappointment shortly filled her, as the room turned out to be vacant of both Kim Taehyung and Jeon Jeongguk.

•

After copious amount of begging, had Jihyo finally succeeded in dragging Y/N out of their dorms, but only after the promise of lunch on Jihyo’s side. Walking across campus, the two girls discussed where to consume their next meal, a heated dispute between pizza and burgers.

“Hey, what if we just mix them! A pizzaburger, a purger!” Y/N looked at the other female with repulsion, before fake gagging at her. “You are out of this world Park Jihyo, truly” Both snickered, before Jihyo halted completely and let out a stifled groan, puzzling Y/N.

“Don’t look to the side, Jeon Jeongguk and the freaks are sitting there.” Regardless of the notice, Y/N still twisted her head to gaze at the boys. Only four out of seven were present, but she didn’t really mind, only gawking at Taehyung. He hadn’t seen her yet – not that she desired him to see her salivate stupidly – but the guy across of him had caught her eyes.

Now, if she hadn’t listened to Yein’s painful rants about him, Y/N would undoubtedly have been clueless about who she was sharing excruciatingly awkward eye contact with, but there was no denying it. That was definitely Park Jimin. Y/N would rather not disclose, that viewing the boy, she didn’t have a doubt where Yein’s crush derived from. Jimin was endearing; his cheeks prodding out slightly and his eyes scrunched. Sadly enough, had his continuous gaze at her, made the other guys present, alert of her too.

Swiftly turning her head, Y/N pleaded that Taehyung hadn’t realized it was her. But by the widening of Jihyo’s eyes and the indistinct sound of footsteps behind them, it would appear her prayers hadn’t been heard. Turning around, Y/N came face to face with the grinning face of Kim Taehyung. That stupidly attractive face. Considering what she now knew about him, she shouldn’t surrender to him so effortlessly, but as the boy in front of her presented a huge smile, she couldn’t help but dissolve.

“I haven’t seen you around, princess” Jihyo shuffled awkwardly beside them, and Y/N turned to give her a panicked expression, inaudibly asking for aid. Jihyo raised her hands slightly, as to say, ‘What am I supposed to do!’, before catching Taehyung’s eyes and abruptly starting to murmur incoherently about how she had to go. Y/N looked at her staggered, confused about why her friend would abandon her, but Jihyo only gave her look to say Sorry, before turning to tread away. Y/N was dumbfounded over the bizarre exchange but remembered the boy behind her. When she turned around to stare at him again, he hadn’t shifted, and was still blatantly ogling her.

“I think- Maybe I- I probably need to go after her…?” Y/N stammered, evading making eye-contact with the striking flirt in front of her. “Just stay a bit, princess. She won’t mind. Alright?” Taehyung draped his arm over her shoulder, directing her over to the three other males, who appeared to have resumed their previous conversation. Damn her helplessness. Damn her inability to say no. And Damn Kim Taehyung.

She inserted herself in between Taehyung and the other guy, while being embarrassingly aware about the multiple sets of eyes on her. Bracing herself, Y/N elevated her gaze slightly, only to encounter the eyes of Jeon Jeongguk. He was looking her up and down, practically like she was a meal offered to him, which – not to lie – made her greatly uncomfortable. Possibly Jihyo hadn’t been so mistaken about him. The other guy beside her, was unexpectedly offering her a smile. He had a mole dotted just above his upper lip, and his cheeks displayed cute dimples.

“Y/N” She looked at Taehyung once more, finding him pointing to her, as to introduce her to the others. Then he began pointing at them one by one, identifying them. “Hoseok. Jimin. Jeongguk. There you go” Y/N smiled awkwardly at them, rubbing her neck, feeling warm under their gazes. She heard Taehyung chuckle behind her, almost like he relished in her uncomfortable suffering. Well, this wasn’t awkward at all.

Only after almost three excruciating minutes of agonizing silence, decided Y/N, that she really needed to find Jihyo. Coughing softly, she gazed towards Taehyung, making an explanation about how she had possibly forgot to turn off the oven. He quirked an eyebrow at her, before allowing her to depart. Standing up to press a kiss to her forehead as a farewell, and his smug expression came forth again, after seeing her stiffened and panicked state. A hasty goodbye was ushered, and Y/N quickly made her way towards the direction Jihyo had went.

All four of them observed the girl hastily making her exit, and Hoseok chuckled before adding a slight remark. “She does know, that the dorms are the other way, right?” Taehyung turned to stare at him, both grinning. “Yup” He sat down again, fishing up his phone, before being interrupted by a dainty voice. “Why did you introduce us? It’s not like she’s anything special, you’ll forget her name soon enough.” Jimin’s eyes were pointed at the boy, and he huffed slightly before crossing his arms. “Calm down, Jiminie” Taehyung winked at him, before bending over to tousle his hair. “I don’t like her” No one in the group was surprised about the comment. “You never like any of our partners” Jimin glared slightly at Jeongguk but didn’t contradict the statement. “I don’t like when you touch them. They don’t deserve you. They’re nobody” Jimin seethed inaudibly, glaring at Jeongguk and Taehyung. Hoseok clicked his tongue and snickered at his three juniors. “Watch out, pretty boy, you’re turning a bit green” Jimin snapped his head towards him but chose to remain quiet. He wasn’t up for a quarrel today, and even though Hoseok seemed content right now, Jimin wouldn’t put it past him, that he wouldn’t mind delivering a few punches if someone talked back.

Taehyung eased the tension by patting Jimin on the back and laughing. “Don’t worry, darling. I practically had her the moment we met. I’m only toying a bit, she’s too innocent to say no. I’ll have a new one by the weeks end” He leaned back again, and their previous conversation issued once again.

Tags: @d-noona @rottenratatouille @bts-edits-bitch @chims-kookies💕

[loplainlointhemorning]

Omg your tags... Can you talk more about your songwriting pls? I'm at that point now where I'm just trying to finish as many songs as I can, not caring so much abt the quality bc otherwise I will never finish one. I still only have a few, I'm trying to learn the process and what works for me. But it's so encouraging to hear someone else talk abt this like I keep comparing myself to famous ppl I listen to and it feels like they just have a gift and I don't

dude, I have been comparing myself to artists I look up to constantly, ever since I got into music at fourteen, wondering why I’m not good enough. I think it’s normal. The truth is, when you stop listening so much to beginner’s self doubt, perfectionism, and in my case, chronic anxiety, everybody is the same. The people who are really good are really good because they sat down and fucked around with instruments long enough to understand them, the people who are really good are really good because they love what they do, and all of them wrote shitty songs in their late teens/early 20s/whenever they started out. I have(and still do) beat myself up for everything from writing too fast to writing too slow, for taking months long breaks because of mental health issues, for lyrics that my band laughed at, for only knowing how to play one instrument, the list goes on...But I comfort myself with facts like these:

PJ Harvey was asked about her first ever song in an interview from 1995 and that’s the closest I’ve seen her come to blushing; She said it was about a girl going on an adventure and that it was awful. She reiterated in a magazine that most of her earliest work was ‘terrible’ and heavily influenced by Irish folk music, meaning, apparently, that it was full of tin whistles. It took her years before she was comfortable playing her orginal music in front of other people(and if you watch her early Dry performances, she’s not even all that comfortable in the first place.) The important thing is, PJ Harvey hated her early songs.

Nick Cave said that he was ashamed of the Birthday Party’s discography up until Junkyard and that he didn’t like to think about those albums. Nick Cave hated his early songs- And Nick Cave is partially famous DUE to these early songs, go figure.

Courtney Love bashes Hole’s first album Pretty On The Inside nearly constantly, calling it ‘unlistenable’ and saying it was more about her persona being established than making good music. Courtney Love hated her early songs- and, once again, her band was given its name and image because of them.

I BEG you to listen to five seconds of David Bowie’s first album, which he doesn’t discuss.

If these people, who mean the world to me and have saved hoards of others from personal destruction, had given up bc they were Bad at a young and inexperienced age we wouldn’t have their music and it’s not an exaggeration to say that that would have ended in suicide for a big number of people. If you can get your ego in place, you can believe the same about your music, and the thing that’s going to keep you motivated more than anything else is Ego.

We live in a world right now where popular music lacks human hands and clumsiness and rawness and so the fact that both of us are, against the odds, composing music that still reflects those things is a rebellion. It’s important that we keep writing, not just because we deserve to be good songwriters because we care about it, but because for music to evolve there needs to be a constant underground of young people with limited skills trying their best. Plus, if we’re both lucky, we’ll end up saving people the same way we were saved and if it takes a few notebooks of three note trauma songs to get there then fine(besides, who doesn’t love a good three-note trauma song?).

But beyond the ‘glory’ of it(and I think to do anything artistic you have to romanticize it to a certain degree), I started songwriting seriously at the end of a bad relationship when I was sixteen, nearly seventeen. When that relationship ended, I wrote constantly. I wrote about everything. My main influences were Bikini Kill and The Runaways and I hadn’t developed my seriousness towards lyrics yet so anything went. I’d write three songs in a week, realize that two were bad and play the third one for my band only to get laughed at for writing something like “I swallow Clorox” which was a confessional thing about suicidal thoughts that hurt my feelings, but wasn’t articulated well.

I wrote Nirvana knock-off songs and I wrote Hole knock-off songs and I half finished at least one hundred different things and I have three notebooks filled with them, the latter half being the worst fake-Nick Cave writing I have ever read. From all of 2018, during which I probably wrote 30-35 songs, I have two that I would actually put on an album and three that I can remember/still like. Once I got my mental health under control, I did the same thing for the bulk of 2019. This stage you’re at is NOTHING TO FEEL BAD ABOUT. It’s like making stuff out of Play-Doh or fingerpainting. It’s FUN and you’re learning, Extremely Quickly, a million different skills that you’re going to need over the course of your life. Lyric writing, the classic verse/chorus/verse, how to invert that, experimental tactics, particular playing styles that you like, playing styles that you HATE, etc.

And the best part about it is that some of your songs are good! Some of them have good parts that you’ll take out later to put into better songs! You’re probably sitting on two or three good songs at the moment, maybe even more, maybe you’ve got a whole album of brilliant material and you just don’t know it. In thirty years your demos could work like Vashti Bunyan’s and be the proto-whatever of a new genre. I really don’t want to make you think that all your material right now is bad, because that idea has actually been super detrimental to me and is a shitty narrative pushed to push beginners. I’m saying that it’s OKAY for you to be bad, that even experienced people write bad shit, but that if you think you’ve written some bangers they deserve to be recognized as such.

To close, new phase that I was talking about, the quality over quantity phase, is definitely something I had to work up to. 90% of it is taking in enough new music to understand what you really want from yourself, and the rest of it is gaining enough confidence to willingly let other people hear what you do. I only started taking my shit this seriously in late December of last year because I knew people would be hearing it, and that has its set backs too: My perfectionism is crazy right now and I have to kick back against it all the time. The perks of getting to the point where you can hone yourself are that you build real relationships with your songs, and that you have some idea of what you want. But I also think that it’s healthy to go through the quantity over quality phase over and over again throughout the course of your career, because there’s no way to really write in a new style unless you keep going back to frenzied experimentation. If we both end up pursuing this long term, we’ll probably have to work on Finishing over Perfecting a million times over, and its best to make peace with it now.

I am so sorry that this is like. A million paragraphs but another important aspect of songwriting is procrastinating by being on tumblr so!!! You’re doing just fine. Keep up the good work, and feel free to talk to me or share music with me anytime. I hope this helps, or at least isn’t a boring read.

[redatuvu-blog]

Making Art for Cheap: The Current Cost of Game Development

Gamers tend to complain that gaming has become more expensive in recent years. In actuality, gaming is becoming somewhat more accessible. In parallel, game development also used to be far more expensive to get into, but in recent years, many resources have been made available to make development easier and cheaper - often even free. While originally too expensive for common hobbyists, game development has become inexpensive enough to be accessible to all, and is on the verge of becoming a popular art form, much like music and painting.

Game development is usually seen as expensive by default. Even in the 80’s, when video games first started to become widespread, they would cost a few-hundred-thousand dollars to create. Steve Theodore, a developer who worked on games such as Half-Life and Halo 3, says that nowadays, triple-A (aka “blockbuster,” but for games) budgets can reach the hundred-millions, and predicts that those numbers will continue to rise. Due to the steadily improving speeds of processors and capabilities of hardware, games are consistently expected to become more outstanding and amazing – and thus, more costly – every year.

As a result of these larger budgets, these triple-A games are also fairly expensive for gamers to play, currently selling for about $70 a copy, and not all of them live up to the demanded quality for their scale. Reviewers like Caddicarus on YouTube state in many reviews that a lot of high-budget games are “not worth the price I paid,” and players on social media tell others to “wait for a sale before buying this game.” There is almost an air of entitlement as to how much a game should cost when compared to how much a player enjoys it, and, in many ways, that makes sense. Paying $70 to a triple-A developer for a poorly-made game does not feel like a fair trade to most people.

But not every game is $70; PC games on the online distributor Steam average at around $6 - $10, and there are multitudes of games on sale for much cheaper. On the “Free to Play” page alone, there are 1,415 games listed. Players don’t need to pay a dime to be able to play even a large selection of games, and this is becoming the norm. This makes the steadily rising cost of mainstream triple-A games look a bit pricey in comparison.

But even in that case, while those prices have indeed been rising, they have not been keeping up with inflation. In 1990, the average cost of a new game to play on a Nintendo Entertainment System was $50. According to the CPI Inflation Calculator, that would be around $96 as of the time of this writing - a fair chunk more than the $70 for high-end games of today. The actual cost of video games hasn’t risen at the rate they could have - and that’s still overlooking the waves of sales and discounts that games often go through.

The lower costs of games is a result of the lower costs of game development. While triple-A budgets are obviously still rising, much of that cost is being directed toward marketing, rather than actual development. Plus, there’s many more small, independent companies making games for cheap than there used to be. Minecraft, one of the highest-profiting video games in history, was started as a hobby project, costing the developers next to nothing. While the game was in beta, it was $12 to play. This comparatively low price tag was due to that lack of a large budget. Another popular independent game is Undertale, still available for most systems at an outrageously high price of 10 whole dollars. Again, the creator of Undertale, Toby Fox, did most of the work himself, with a bit of help from friends, not expecting much of a return. Yet, because it became the source of many memes and the inspiration to countless creative projects, the game sold enough that Fox earned far more than he invested in creating it. Not all independent games get as popular as Minecraft or Undertale, of course, but that doesn’t matter much when a $5 game still results in profit.s

That’s not even touching on the 1,415 free games available on Steam. Many of them are free to download and get into, but offer upgrades or DLC as microtransactions. While a company can make a good chunk of change from these transactions, the games are still playable from the start for free, which shows that the development was at least cheap enough to suffer some sacrifice for the initial release.

Additionally, a lot of those Free to Play games are free forever. Often short and, again, independently developed, these games are made solely for the sake of the art. Some of the developers of these artistic games may have sacrificed some cash to bring them to fruition, but the majority of them were made for free, put together from homemade code and art and music.

[Bad transition, fix later] Even then, there are also many free resources available to create games with. Unity and Unreal are two of the most popular engines to start with; both are powerful, professional-level systems that let creators dive in without too much training – but they have plenty of in-depth training available as well. Aspiring creators can jump in and begin practicing with the available tutorials and tips, getting ready to dive into the advanced aspects later on. There’s also Blender 3D for making homemade assets, and plenty of cheap image editors for making 2D assets; aspiring creators do not need to purchase a pricey copy of Photoshop or Maya anymore.

These inexpensive resources are what’s making game development more popular and commonplace - and from that, even more artistic. The same rise seen in pop music, painting, and even filmmaking as popular forms of art is happening now with games. Folk music was born to poor singers playing cheap instruments, and that begat blues, and then blues begat rock ‘n’ roll, which begat pop and hip-hop and rap, which are now omnipresent in modern media. The music of the poor has always been more popular than the grand orchestras and symphonies of the rich, because anyone could pick up a guitar, raise their voice, and sing along with the folk songs, blues, and rock ‘n’ roll. Everyone could join in, and that made it popular. Now, game development is turning the same direction; almost anyone can join in. And, as more developers do join in, they pave the way to make it even easier and more accessible to an even higher number of aspiring creators.

An example of this evolution of accessibility is a hobby called “modding” – short for “modifying.” For years now, gamers have been taking games that already exist, reverse-engineering them, and then changing them for their own enjoyment. These reverse-engineered techniques are then passed on, allowing more creatively-minded fans to use those resources to make their own changes. These modifications – “mods” – have been around for decades, and have been the jumping-off-point for many fans into becoming game developers of their own. For many fans, modding is what gets them into game development as a hobby. It’s an easy way to learn the basics of game logic and asset creation without being overwhelmed by deep code and project management. These fans then transform into hopeful game devs, wanting to create their own artistic projects using what they’ve learned.

Of course, some might argue that paying for these more expensive programs and professionally-produced assets makes for a better quality game in the end, and that can be true. However, more and more affordable resources are being created and developed constantly. Even for someone who can’t draw or compose, there are still plenty of good-quality stand-ins for little to no cost, and the selection is still growing. [examples]  And, as always, practice makes perfect; with enough time and effort, someone who can’t draw well can learn to, and then create their own assets.

Yes, sometimes you can still tell when a game was made on a low budget. Shovelware games - named for the way they seem to be “shoveled” out of a failing developer’s back door – are usually horrendous. But most of the time, these games are also extremely cheap, or even free. They may not be diamonds, but at least they don’t cost as much as diamonds. In contrast, triple-A games are far more expensive, but are also frequently criticized for not being worth their price. Shovelware games are criticized for being bad, but are inevitably waved off with, “Well, you get what you pay for.”

In fact, many of these games exist almost entirely due to the fact that game development is more accessible. Hobbyists can get their feet wet and find out where they fall short without dropping too much of a budget into something that may flop. Additionally, many hobby projects turn out to be outstanding for what they are. Accessibility can surely breed low-quality content, but high-quality content will shine through and last longer. Gems hidden in the bog of ugly messes stand out and become popular, just as many artists and musicians do. When every song on the radio begins to sound the same, one that genuinely sounds new and fresh will overdrive a musician to the top of the charts. The same thing happens with these small-scale indie games.

Indie games are becoming increasingly popular in the eyes of most reviewers. Hollow Knight, Shovel Knight, Ori and the Blind Forest, Celeste, and many more have all been praised for being beautiful, fun games, and they’ve all been developed in just the last few years. Indie games are sweeping through the markets, showing up on every platform, and, since they’re fairly cheap, gamers and reviewers alike are happily claiming that they are worth buying, playing, and supporting.

The same cannot be said of the triple-A market. The publisher EA, one of the few mega-corporations behind game development, is notorious for releasing games of sub-par quality chock full of microtransactions on top of high base-game prices. The Sims series, one of their forefront staples, has hundreds of DLC packs, and those packs average at $30 - half the price of the base game. Other developers, like Bethesda and Ubisoft, are ridiculed for releasing “unfinished” games. Bethesda’s Fallout series and Ubisoft’s Assassin’s Creed series are full of bugs and glitches, and are often required to make updates and patches in order to push the games into what players call “suitable for sale” territory.

Still, not all indie games stand out. Some try their best and fall very flat. Mighty No. 9, a highly anticipated, Mega-Man-inspired Kickstarter game, was full of bugs and glitches in place of any good story or gameplay. And on the flipside, triple-A, high-budget games do not always come out as trash. There is, after all, a reason the triple-A developers are called triple-A. In general, many fans have high hopes from big-budget games; they are meant to be beautiful, powerful, fun works of art. For example, Nintendo is very well-known for putting out amazing works, to the point that “Nintendo Polish” is expected as their norm. However, that polish adds extra dollars to the pricetag, and, regrettably, Nintendo does not always live up to the the term. Lately, many of the powerful developers have been “slacking off,” and the independent devs are filling in the holes. More and more, indie games are being praised, and triple-A’s are being criticized. Again, it’s not always true, but it’s becoming more true as time goes on.

Artists through the ages have used writing, painting, movies, music, and more to express themselves. Today, they are adding game development to the list. Development in the early years of the gaming age required high levels of technical knowledge and skill, but nowadays, it has changed enough that one can take it on as a hobby. Anyone who can draw, write, or express themselves are able to get into game development.

Because the cost of getting into game development is almost nothing, if you’re willing to make assets on your own, you can start. So, what are you waiting for? Get out there and start.

[aidyjamespokemon]

Mr. Self-Destruct: Card of the Day #3

Like many of you, I’m still on a high from this past prerelease weekend. It’s one thing to read new cards in spoilers, but it’s another thing entirely to play with them! I enjoyed playing with many cards in my prerelease kit, but no card surprised me more than this guy. Some cards generate hype straight away. Others are terribly underrated. I still remember how people disparaged Buzzwole-GX on first glance; we know how that went! This card almost certainly fits in the latter camp. When this card was spoiled, it attracted the ire of many. However, those detractors seem to be changing their tune after playing with it, singing its praises loud and proud. Personally, I thought this card would be good from the moment I first saw it. However, I didn’t expect it to be the absolute powerhouse it’s turned out to be. In fact, I’m more than willing to bet that no card from Celestial Storm will surprise people more than today’s Card of the Day: Electrode-GX. (Once again, I had to take a pic of the card myself, so I apologize for the quality of the image!)

Stats

Off the bat, things don’t look so good for Mr. Self-Destruct here - 190 HP is terribly low for a Stage 1 GX. Although, 190 and 180 are worlds apart from one another, as we have already seen in dominant Basic GX Pokémon such as Ultra Necrozma-GX, Buzzwole-GX, and Lapras-GX. Being able to tank a 2 Psychic Energy Photon Geyser is very useful indeed. Of course, a Choice Band could easily ruin its day, but it would be equally bad news for it if it had 210 HP like most benchmark Stage 1 GX Pokémon. It is, however, worth remembering that a baseline Prismatic Burst hits for 190 damage - a OHKO on Electrode-GX. I could recommend Bodybuilding Dumbbells in this situation, but Electrode-GX doesn’t exactly have any long-term plans, as you’ll see later.

While being Lighting type affords Electrode-GX a lot of support (especially in the next set, Lost Thunder), the weakness to Fighting types that usually comes with it (including in the case of Electrode-GX) is problematic. Its resistance to Metal and its single energy retreat cost are certainly no reprieve from a weakness to an extremely common type, but they’re perfectly fine. That resistance in particular prevents a Choice Banded baby Celesteela (yesterday’s Card of the Day!) from scoring a OHKO, which is nice.

Ability

Extra Energy Bomb:  Once during your turn (before your attack), you may attach 5 Energy cards from your discard pile to your Pokémon, except Pokémon-GX or Pokémon-EX, in any way you like. If you do, this Pokémon is Knocked Out.

There’s nothing Electrode loves more than blowing itself up to energize its teammates since the very beginning with its Buzzap ability in Base Set! Of course, the caveat here is that Electrode-GX (just like its forebearer, Electrode ex) gives your opponent two prizes when it knocks itself out. It’s a high risk, high reward ability: you get to attach 5 energy from your discard pile onto any of your non-EX/GX Pokémon in any way you like.

Sometimes, it’s the words that aren’t there that tell you everything: note the lack of a “basic” qualifier in that ability. Indeed, with Special Charge and Puzzle of Time leaving Standard shortly, this will be the most efficient means of retrieving special energy cards from the discard pile. As Zorua isn’t a GX yet and Multi Switch is a thing, there are ways and means of getting these special energy cards onto your GX Pokémon that need them.

The main abuser of this ability that immediately comes to mind is Rayquaza-GX, as it doesn’t care where the energy cards are - it just cares about them being somewhere on your bench. It’s also a good idea to have a Vikavolt ready to attack, if you’re running that particular Rayquaza variant. Tapu Koko-GX can also make rude use of some of these energies, pilfering them with its ability.

Also, I love cards with internal synergy. The way this ability works with Electrode-GX’s Crush & Burn GX attack is as elegant as it is powerful.

Attacks

[L][C] Electro Ball: 50 

It’s better to have 50 damage for 2 energies than nothing, I guess. It won’t be scoring a OHKO on anything but the smallest basics, but it’s there if you need it.

[L][C] Crush and Burn GX: 30+ damage. You may discard as many Energy as you like attached to your Pokemon in play. If you do, this attack does 50 more damage for each Energy card you discarded in this way. (You can’t use more than 1 GX attack in a game.) 

I love cards that have internal synergy - a one card combo, if you will. Electrode-GX’s game plan is fairly straightforward to work out: you use Crush and Burn to discard energies, then you use Extra Energy Bomb or other means to redistribute them however you wish. 

It’s a great attack in its own right, too. Discarding 3 energies yields 180 damage - a magic number in the current metagame that scores a OHKO on many basic GX Pokémon. 4 energies are all that’s required to OHKO almost anything. On a conventional discard-fueled attack, this sacrifice would be rather steep. Being able to discard energy from any Pokémon on your side of the field feels a lot less hefty.

Unlike Electrode-GX’s Extra Energy Bomber ability, Crush & Burn GX doesn’t discriminate; even GX Pokémon can give their energy to the cause. Even if they can’t benefit from it in the end, it’s nice to see GX Pokémon giving their part to wealth redistribution!

Synergy

As I mentioned earlier, Rayquaza-GX instantly springs to mind as a partner for Electrode-GX, even if it can’t make the most of Extra Energy Bomber itself. Post-rotation, Rayquaza-GX won’t have Max Elixir as a means of energy acceleration, so it will require a little help from Vikavolt, Magnezone FLI, or Latias Prism Star. Vikavolt and Magnezone can make use of the energies from Extra Energy Bomber, but Latias can hold it, if needs be - whatever gets the numbers up for Rayquaza-GX. 

Of course, Extra Energy Bomber doesn’t care how the energy cards got into the discard pile, so any means of discarding them - Ultra Ball, Mysterious Treasure, TV Reporter, Sophocles, Acro Bike, etc - will work. In a “Magical Christmas Land” scenario (let’s be realistic here), you can fire off a 180 damage (or greater) Dragon Break on turn 2. Indeed, if you manage to knock out an opposing GX after this maneuver, you’ll be at prize parity with a great board position.

Another “high risk, high payoff” interaction is a little less obvious. Reducing your opponent’s prize total seems counter-intuitive, but energizing your Ultra Beasts and turning your Beast Rings and your Ultra Beasts’ prize total requirements on can enable some truly degenerate turns. I’m intrigued and excited to try an Electrode-GX Beast Box deck, to say the least.

Counters

Electrode-GX’s frailty and weakness to Fighting type Pokémon is quite a problem for it. Any deck looking to utilize it should have a means of dealing with key fighting types like Lycanroc-GX, Zygarde-GX, and - of course - either Buzzwole variant. For this reason, I would recommend using Electrode-GX as an enabler in a deck where the main attacker is not vulnerable to Fighting types.

Ability lock can also be an issue. While Garbotoxin will be leaving with rotation, Glaceon-GX’s Freezing Gaze can prevent Extra Energy Bomber from being used. Of course, a quick Guzma or Crush & Burn GX to the face can sort that problem out, provided that there isn’t another Glaceon-GX ready to take up the mantle. Even without its ability, Crush & Burn GX makes Electrode-GX a powerful one-off nuke.

In Conclusion

Sometimes, a card can look great on paper, then end up impotent in practice. For Electrode-GX’s, the opposite has been the case. When it was first spoiled, almost every reaction I saw was negative or indifferent. At prerelease, I heard many groans when an Electrode-GX was pulled - and I was one of those people who pulled one. When people used it, they quickly put 2 and 2 together and realized its potential for constructed formats. I’ve never seen such a near unanimous change of heart in such a short period of time. Some players will be put off by the high risk involved with running Electrode-GX. Those who dare to experiment with it will be rewarded handsomely, however they end up utilizing this versatile card. I can’t wait to build some decks with Electrode-GX. Dare I say - it’s going to be a blast! ...I’ll get my coat.