#yes she needs a tag

[king-vecnass]

Okay, hear me out. What if Billy survived, and was stuck in the Upside Down, fighting Demogorgons and evil bats until he accidentally helped a huge Demobeast (or Elder Demogorgon?). What if they get a tentative alliance with it because Billy is still linked to the UD by whatever is still in his stomach from his first incident? So, her name is "Chevy", and she's Billy's ride and bodyguard. Thank you for coming to my Ted talk.

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[poorly-drawn-mdzs]

Sublime Equine.

[First] Prev <–-> Next

[faunandfloraas]

Happy mother's day...

[wombywoo]

a much-needed cuddle 💛

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[shouyuus]

but popstar!reader x vi where she leaves the biggest, darkest hickey on the side of your neck the night before a big concert, and she's convinced that you'd be trying to cover it up, but when you get on stage in your usual outfit, the neckline is popped and pulled down over your shoulders so everyone can see the bright pink lipstick mark painted on your neck.

you make a bit of it, winking at the camera, tapping it with a finger before pressing the same finger to your lips like shhh as if it's a secret btwn you and the audience. everyone goes wild for it and immediately, there's speculation of what it might mean, if it means you're actually with someone or if it's just another marketing tactic to generate buzz.

when vi comes home later that day, she finds a tube of bright pink lipsick on her side of the bed, with a note that's just a giant heart around a lipstick mark that's very clearly yours.

[sadcoms]

until i recently read posts on here about how there is an inherent queerness to the doctor and rose's relationship in how it's unspoken and filled with yearning that i'd never really considered that element, despite knowing for ages that RTD is gay but. man. it's just reframed a lot of the series for me, like the idea that you have this lonely man who's just watched his people die and is self-destructive and misanthropic and traumatised and he can love again and he wants to but it has so many risks.

but especially S3 and how it adds even more weight to the doctor's grieving widower status. how he tells martha that he and rose were together but martha refers to rose as a friend to tallulah; the fact that he can only say they were together once she is gone; how the only other person that both can feel how he feels but also understands the depth of his feelings is jack, a queer man himself. and I've been thinking to myself lately oh, it's ok, the doctor and rose probably accidentally got married on at least one planet or something but also the point is that there was no official title that could convey to people the extent that they meant to each other, that the doctor can really only tell donna that rose was his friend even though it is so wholly inadequate and she comes to see that by the end of the episode (and martha too of course). how people who saw the doctor and rose together assumed they were a couple, like on krop tor, but once there's no more physical evidence of the relationship it becomes more vague (and simultaneously clearer).

anyway something about how christopher eccleston said he based his portrayal of nine on RTD and something about RTD saying that his husband is "in every good man i write now" and how the doctor and ruby seeing each other in the club mimics his first meeting with his husband aka the one moment he would use a time machine to go back to hmmm

[oceanwithouthermoon]

"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny

[peppermint-moss]

oh what a shame that you came here with someone..!

----

my DIE YOUNG Needletail AMV is finally done!!! it goes through needletail's character development through AVOS and the blue, pink, and purple colours are tied to her relationships and character (Darktail/her loneliness, Rain/her selfish joy, Violetshine/her selflessness)

I've been working on this one for more than a year and completely in a new editing program too so im soooo happy to finally have it done ;w; this might be one of my last big amvs i'll have time to make so i hope yall enjoy!! (music in the video is ‘my die young’ by penny parker @snapscube)

commission info || tip jar

[kagooleo]

johto’s champion and chronicler for the deity of the ilex shrine, it’s lyra!🌿

this one took me a while due to trying out different techniques (studying a Lot of art nouveau) and making a couple changes to her outfit (the details help), but I’d like to think she’s learned a lot in her journey and wanted to reflect her experience more in her champion fit

her specialty would be in fairy types and her meganium’s divergent evolution is grass/fairy 🧚🪷

and a bonus w/ the johto gang after the photoshoot!

[babacontainsmultitudes]

Actual footage of Tony trying to talk to Kelsey this episode:

Now what I personally need is for her to despise him for a while then for them to have some big heart to heart and them to become best friends OKAY I'm very invested in what's become of their dynamic and I'm all here for "Punished" Tony the wet cat that he is I yield the rest of my time thank you.

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[ordordordordord]

thinking about transfem sanji and "apparently-bisexual-now" zoro.

Sanji comes back to sabaody post ts with long hair and fem presenting, yet kicks zoros ass even harder than before and he's immediately smitten.

Zoro who's never been attracted to a woman before, but now all he can think of is sanjis long hair and pretty eyes and "yeah, okay, I guess this is it now."