#yes I think about spn even when I consume media that's not spn what of it
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maipareshaan · 2 years ago
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Okay i was not supposed to wank, but anyways last time, there is this way of watching spn where esp Deangirls are obsessed with hating John and also they feel like they are being not heard, like the narrative isn't being fair by being John apologetic and this makes them frustrated bcz they are woke and others are dumb and also child abuse supporters and they just aren't getting narrative satisfaction.
Also again sorry but i only wank as a reactionary wanker and i am just very reactionary about these positivity blogs trying to make fandom better that are just delusional, anyways i am probably an awful person to have in fandom due to my negative rancid aura so i do not claim to be making it better but in anycase my issue here is the weird positivity culture creation while scapegoating factions and imposing subjectivity and having no self-awareness about it.
Anyways ya...John, like i just don't care much and am very neutral about my feelings, keyword feelings, cuz its not about what takes you have, its about how much of an obsessed wanker you are, like i just don't feel the need to announce how he needs to die and go to hell esp when you know...he did...like that happened, and if i were to feel sad for Dean and Sam's childhood it will be momentarily, and if i am to be negative about someone like Dean or Sam or Cas (which really i am not about anything) ideally i should get its my problem, doesn't make these feelings nonexistent but ofcourse its better to take things lightly, you know like you should with John, but that's not what they do is it, its such a weird wanky take on crit.
If you want to be negative about him be negative but its not the savage flex you people think it is to say every deancrit and every samcrit is just johncrit. Like yes your childhood affects you deeply like not a hot take most people get it but again its this weird negativity crit thing like what does it even mean, what is the criteria of doing media right and why does it not apply to John and why can one not have takes and feelings about a character and must reroute them to 'ya its John's fault' bcz that's what you want, you want to see no negativity about Dean, you want to control feelings around it and you want it rerouted to John, bcz that's what you do and people can watch and consume things the way they want to, which if they don't want to obsess over how everything Dean and Sam do is cuz daddy issues and so they have no actual negative traits and if they don't have strong constant negative feelings for a character, then they can do that, they are not dumb and evil, its literally you who doesn't have the braincapacity to get that people can have range in how they view characters that isn't rerouting all their feelings to the dad or having severe negative feelings for the dad. Its fine. If you have an issue with this culture of Dean bashing, i get it, but you can't control it with haha dumb people don't know psychology cuz everything you do is your dad's fault and thus dean has no negative traits or actions you and have to have intense hatred and no sympathy for John and never have negative feelings for Dean.
Also its a family tragedy and John is included in it, by the show, i get not liking that s14 ep or whatever but also its not actually unrealistic to acknowledge what your dad did and then be apologetic about it, and it would make less sense for them to be confrontational about it when the love and pain and the knowledge of how rigged things were is there. So what are you even whining about? Declarations not being given when we know by flashbacks and by their actions? A personally satisfactory confrontation that would not make sense? You genuinely think Cas killing John infront of Dean is the genius fix it? The Cas that barely protects his son from Dean? Whining that John is in heaven and how Dean is not with Jack who he treated like that bcz writers and circumstances and John and so its so tragic?
Like again literally feel and like and be compelled the way you want, and i do think some people get too cruel with characters ahem but ya you are not making the point you think you are with have no negative takes and feelings for anyone besides John. Its also literally not that deep, people are hateful and negative about characters usually due to projection and personal feelings and this ranges, like i could have the exact same take as someone about a character but have different feelings or different intensity of feelings.
The point should literally be that your feelings are your own problem, if you feel slighted by something like John, people are going to get slighted by something like well Dean, and then i guess you can discourse away about how noone is the A word but also what if someone is then what? What if Sam is really abusive or Dean is really abusive bcz clearly John is abusive and deserves hate and crit? What if a show has an abusive lead so then can you hate him? Is it now hate is it now okay to hate is it now crit is it now doing media right? Also literally his dad gave him issues means nothing when you talk about someone and who they are and what they did, it can explain it sure, like that's just not how it works, how is it an own? What kind of nonsense is this?
Like what is the point of 'like what i like and hate what i hate'. Again i do think ideally people should not take things srsly at all, but ppl have feelings, that's the whole problem, and the point is to expect people to manage them well and that includes not acting like someone not feeling the way you do is an evil idiot.
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meowmeowmessi · 4 years ago
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Your post about Dean treating others like family in a different way made me rethink what he said in 15x17. He tells Sam Jack isn't family like Cass. And then later he thanks Jack for his sacrifice since he and Sam (just them) will get to live in peace. It's like Dean knew Cass wouldn't stay after Jack's gone, knew how much the kid meant to Cass and he accepted that. But he also knew how much Jack meant to Sam (they just had a fight about it). But to him, not having Sam is incomprehensible.
Well nonnie now YOUR ask is making ME think about Dean and Jack's relationship AAAAAAAAAAAA. Ok so I think the funniest thing (ok not funny? More like interesting) is that Sam and Jack's relationship is the easiest one to understand. No, I don't mean it's shallow (if I hear another "Sam is Jack's uncle!!!" I'll cut a bitch), but it's very clear why Sam took to Jack so quickly and why Jack basically imprinted on Sam. Jack is literally Sam 2.0 and he even got a whole bunch of Sam's arcs in 3 seasons lol. ANYWAY BACK TO DEAN AND JACK: I've seen a lot of Sam stans getting pissed bc the writers APPARENTLY made Jack "like Dean more all of a sudden" and I totally disagree??? I think the thing is, Sam is like the mom who is openly affectionate with Jack so Jack doesn't have to work as hard for his approval, whereas Dean is the distant father figure who is hard to please so Jack is always trying to imitate and impress him to gain his love. I believe Dean loves Jack, I really do, but in a way a stepfather does ig???  As you said so yourself, not having Sam is incomprehensible to Dean, and Sam and Jack are kind of a package deal. Dean gave Jack a chance only bc Sam puppy dog eyed him into it, but most importantly, bc Jack SAVED SAM. And I think the kid grew on him after that, until he smoked Mary (can't really blame Dean here since that's his m o t h e r that Jack killed rip). But in Last Holiday we saw that Dean was trying to forgive Jack for that, which is a pretty big deal since we all know Dean doesn't forgive easily. And then Unity happened. HERE Dean's "everyone is family to me except Sam who is so much more than just family" policy comes into play for the umpteenth time. Sam says Jack is like family to them so they shouldn't let him turn himself into a bomb, Dean says Sam is his family (and throws in a mention of Cass bc he knows Sam is selfless and mentioning only him won't sway him) (which is funnily enough the reverse of what Sam does later on, he talks about the AU hunters and Eileen but Dean won't budge, so he uses the Sammy card on Dean: "What about me? Would you trade me?" It's super effective) and not Jack. Jack can never be on Sam's level no matter what. And he later thanks Jack for willing to sacrifice himself so that he and Sam can live a normal life off of Chuck's hamster wheel (and you realize here just how desperately he needs Sam bc the WORLD is going to get destroyed if Jack doesn't sacrifice himself but Dean only cares about him and Sam wow) (and as you said nonnie, no mention of Cass either). I have a lot of conflicting feelings on Cass and Jack's relationship which I won't elaborate on rn bc this is getting way too long as is and I'm rambling (orz) but I totally agree that Dean realized Cass wouldn't stick around after Jack's gone. And he really didn't! It's canon! Jack pulled Cass out of the empty and Cass didn't bother to visit Sam and Dean between 15×19 and 15×20. Since Jack's put everything back to the way it was and Cass is in heaven and thus no longer in need of a vessel, he's most likely abandoned poor unwilling Jimmy's body and gone back to his original form aka a beam of light the size of the Chrysler Building. Back to my original point: Dean loves Jack, but that love is conditional imo, while Sam is his whole world, so it's no wonder he was okay with Jack willing to turn himself into a bomb. Sure, saving the world was important to him, but him and Sam being free from Chuck was clearly what Dean really wanted. So in conclusion, I 100% agree with you nonnie.
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olderthannetfic · 4 years ago
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It's really surprising that you're so well versed in older fandoms and yet participate in new popular ones (that cdrama, kpop) is this by design? Im in my twenties and my interest turnover is already way slower than it used to be
You know, that’s a really interesting question. I wouldn’t say it’s by design exactly in that I do tend to just follow what strikes my fancy, and I can’t force myself to want to write fic for just anything. (I find it easier to like reading fic without serious involuntary emotional investment, but writing takes more. Vidding I can do on command most of the time, but I don’t usually bother unless I have a lot of feels or I’m fulfilling someone’s prompt.)
However, me getting into BTS was 100% due to me wanting to understand BTS enough to explain to people who weren’t very interested but wanted to know what was going on in fandom lately. Under normal circumstances, I run the dance party at Escapade, the oldest extant slash con. We borrowed vividcon’s thing of playing fanvids on the wall--all of them set to dance music--as the soundtrack for the dance party. This means I’m creating a 3-hour mixtape of fannishness, which has amazing potential to make people feel in the know about Fandom Today... and equal potential to make them feel alienated if nothing they care about shows up. Only about 100-150 people attend the con, so it really is possible to make a playlist that feels inclusive yet informative--it just takes a huge amount of work.
Every year, I do a lot of research on which fandoms are getting big and look for vids from vidders people won’t have heard of, so there is an element of consciously trying to keep up with things. Generally, I only get into these fandoms myself if I had no idea what they were and then suddenly, oops, they’re my kryptonite, like the buddy cop android plot in Detroit: Become Human, which sucked me in hard for like 6 months on the basis of a vid.
(So if you’re into cross-fandom meta and associated stuff as one of your fannish interests, you tend to have broader knowledge of different fandoms, old and new, than if you’re just looking for the next place you’ll read fic. It’s also easier to love vids for unfamiliar things than fic.)
But though I was only looking for a basic primer on BTS, BTS has 7 members with multiple names and no clear juggernaut pairing, not to mention that AU that runs through the music videos and lots of other context to explain. The barrier to understanding WTF was going on at all was high enough that to know enough to explain, I had to be thoroughly exposed... And once I was over that hurdle, oops, I had a fandom.
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In terms of old vs. new, here’s the thing: kpop fandoms in English and c-drama fandoms in English right now feel a lot like anime fandom in English did in the early 00s. I had a Buddy Cops of the 70s phase in the middle, but my current fannishness is actually a return to my older fannishness in many ways.
What do I mean about them being similar?
Yes, I know some wanker will show up to say I think China, Korea, and Japan are indistinguishable, but that’s not what I’m talking about. I’m talking about the way that I used to routinely meet Italian and French and German fans, Argentinian and Mexican, Malaysian and Indonesian and Filipino too. English-language fandom of SPN or MCU may have all those fans from all those countries, but it feels very American most of the time. English-language fandom of a non-English-language canon is more overtly about using English as a lingua franca.
It also tends to attract people who as a sideline to their fannishness are getting into language learning and translation, which are my other passion in life after fanworks fandom. (I speak only English and Spanish and a bit of Japanese, but I’ve studied German, French, Russian, Mandarin, Old English, and now Korean.)
Nerds arguing about methods of language learning and which textbooks are good and why is my jam. This is all over the place in English-language fandoms of Chinese, Japanese, and Korean media. Those fandoms also tend to be full of speakers coming from a Germanic or Romance languages background who face similar hurdles in learning these languages. (In other words, if you’re a native Japanese speaker trying to learn Korean, the parts that will be hard for you are different than if you’re an English speaker, but you’re also usually not doing fandom in English.)
There’s also an element of scarcity and difficulty of access and a communal attempt to construct a canon (in the other sense) of stuff from that country that pertains to one’s fannishness. So, for example, a primer explaining the genre of xianxia is highly relevant to being a n00b Untamed fan, but just any old thing about China is not. A c-drama adapted from a danmei webnovel is perhaps part of the new pantheon of Chinese shit we’re all getting into, but just any old drama from decades ago is probably not... unless it’s a genre precursor to something else we care about. Another aspect here is that while Stuff I Can Access As A N00b Who Doesn’t Speak The Language may be relatively scarce, there’s a vast, vast wealth of stuff that exists.
This is what it felt like to be an anime fan in the US in 2000. As translation got more commercial and more crappy series were licensed and dumped onto an already glutted market, the vibe changed. No longer were fans desperately trying to learn enough of the language to translate or spending their time cataloguing what existed or making fanworks about a show they stuck with for a bit: the overall community focus turned to an endless race of consumption to keep up with all of the latest releases. That’s a perfectly valid way of being fannish, but if I wanted that, I’d binge US television 24/7.
Anime fandom got bigger, but what I liked about anime fandom in English died, and I moved on. (Okay, I first moved on to Onmyouji, which is a live action Japanese thing, but still.)
Hardcore weeaboos and now fans of Chinese and Korean stuff don’t stop at language: people get excited about cooking, my other other great passion. Times a thousand if the canon is something like The Sleuth of the Ming Dynasty, which is full of loving shots of food preparation. People get excited about history! Mandarin and Japanese may share almost nothing in terms of grammar or phonology, but all of East Asia has influence from specific Chinese power centers historically, and there are commonalities to historical architecture and clothing that I love.
I fell out of love with the popular anime art styles as they changed, and I’m not that into animation in general these days. (I still own a shitton of manga in art styles I like, like Okano Reiko’s Onmyouji series.) I’ve become a filmmaker over the last decade, and I’m very excited about beautiful cinematography and editing. With one thing and another, I’m probably not going to get back into anime fandom, but it’s lovely to revisit the cultural aspects I enjoyed about it via live-action media.
BTS surprised me too, to be honest. I really dislike that early 90s R&B ballad style that infests idol music (not just Korean--believe me, I resisted many rounds of “But Johnny’s Entertainment though!” back in the day). While I like some of the dance pop, I just don’t care. But OH NO, BTS turn out to be massive conscious hip hop fanboys, and their music sounds different. I have some tl;dr about my reactions in the meta I wrote about one of my fanvids, which you can find on Dreamwidth here.
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But back to your comment about turnover: I know fans from the 70s who’ve had one great fannish love and that’s it and more who were like that but eventually moved on to a second or third. They’re... really fannishly monogamous in a way I find hard to comprehend. It was the norm long ago, but even by the 90s when far more people were getting into fandom, it was seen as a little weird. By now, with exponentially more people in fandom, it’s almost unheard of. I think those fans still exist, even as new people joining, but we don’t notice them. They were always rare, but in the past, only people like that had the stamina to get over the barriers to entry and actually become the people who made zines or were willing to be visibly into fanfic in eras when that was seen as really weird. On top of that, there’s an element of me, us, judging the past by what’s left: only people with an intense and often single passion are visible because other people either drifted away or have seamlessly disappeared into some modern fandom. They don’t say they’re 80 or 60 or 40 instead of 20, so nobody knows.
In general, I’m a small fandoms and rare ships person. My brain will do its best to thwart me by liking whatever has no fic even in a big fic fandom... (Except BTS because there is literally fic for any combination of them, like even more than for the likes of MCU. Wow. Best fandom evar!) So I have an incentive to not get complacent and just stick with one fandom because I would very soon have no ability to be in fandom at all.
My appetite for Consuming All The Things has slowed way down, but it also goes in waves, and a lot of what I’m consuming is what I did back in 2000: journal articles and the limited range of English-language books on the history of m/m sex and romance in East Asia. It’s not so much that I have a million fandoms as that I’m watching a few shows as an expression of my interest in East Asian costume dramas and East Asian history generally.
I do like to sit with one thing and experience it deeply rather than moving on quickly, but the surface expression of this has changed depending on whether I’m more into writing fic or more into doing research or something else.
But yes, I do do a certain amount of trying to stay current, often as a part of research for fandom meta or to help other people know what’s going on. Having a sense of what’s big doesn’t automatically mean getting into all those things, but I think some fans who are older-in-fandom and/or older-in-years stop being open to even hearing what’s new. And if you’ve never heard of it, you’ll never know if you might have liked it.
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ladylynse · 3 years ago
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what are some crossovers that intrigue you in theory but that youre not sure how to make work, if you know what i mean?
*steeples fingers* Okay. I know exactly what you mean, Anon. Having more of a justification for a crossover than 'I like these two (or more) things so I want to write the characters interacting' is important to me when I'm writing a crossover fic, so I look for that in the crossovers I read. Naturally, some fandoms are ridiculously easy to cross with something else because of the nature of what goes in canon, and some are a lot trickier. It can be difficult to pull on those little connecting threads to build a story into a more believable crossover.
Now, I'll be honest with you. It's rare that I look in a crossover section for something that I just can't see working at all. I've done it, but I have yet to find something that's actually satisfying to me if it's completely random, mostly because no explanation for the crossover is ever given, or it's some outside force that is never explained, and the fics tend to be unfinished and dead because the author ran into trouble with it.
So.
Can I give you specific examples of what you're talking about? Not really, not at this precise moment--even though I've been sitting on this ask for a couple of days. There's nothing in my back pocket that I'd really like to see but doesn't have any common ground whatsoever, mostly because when I think of crossovers I might do or would like to see done, I start with the commonalities, which means I start from a point of 'how could I make this work based on what I already have?'. I am perfectly willing to fudge a bit of canon to make something work if I'm trying to do a crossover, clutching onto my common threads and going, "I can come up with an explanation for the discrepancies, just watch me." (Example: Rise of the Guardians and Narnia re: Santa Claus/North) I can talk generalities, though.
Take The Good Place, something I've no desire to write fanfic for because I like what the show did. Could you write a crossover with it? Absolutely. Could you write a crossover with it with something that shows an afterlife/heaven/hell that's contrary to what they show there, like Lucifer or Supernatural? Yes, I'd argue you could, but it's a lot harder, at least without jumping to the alternate dimension thing, which is canon for both Lucifer and SPN. Most of the commonalities are contradictory, and then you have to come up with explanations about why that is. (Well, you don't, but I like that, so I do, and I'd look for that in a fic I was reading.)
Other things that are difficult for me to figure out how to make it work in general tend to be stuff that very obviously take place in different dimensions (or time periods where the time periods are different enough it's not within the lifetimes of the characters you want to write and you want more than parallels/tangential connections). If one of the fandoms has canonical dimensional (or time) travel, regardless of how easy that is to accomplish, then all you need to do is figure out how to get the characters back to where they started at the end of it all, and you take what you're given for getting them there. But something where interdimensional/time travel doesn't exist in either one? That's hard. It means you need to create that, and depending on the fandom, that might not be easy. You need magic or tech or something beyond some force that never gets explained (preferably) to make the crossover happen and then straighten things out at the end, assuming you actually intend to straighten things out at the end and not just leave it unresolved.
To be fair, for most of the media I consume, I have magic or tech or at least some supernatural force at my disposal. I read/watch stuff that tends to involve that. Would I write a crossover between Dead Like Me and Avatar: The Last Airbender? Probably not. Could I come up with a wild explanation to make it work, or at least make it work well enough because I'm trying to tie it together? Yes. Through the spirit world and the afterlife. (Dead Like Me is all about Grim Reapers, after all.) Like so: George thought going to her own funeral was weird enough. She could've done without this shit, but turning down the promotion hadn't sounded optional, and now she's got a sticky note with an E.T.D. on it for some guy named Lu Ten--at least she has a full name to work with--at the outer wall of Ba Sing Se, wherever the hell that's supposed to be.
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lateral-org · 4 years ago
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No 13: Do you know any facts about aro history? & No 14:What piece of media that you like has a canon aro-spec character?
ask me aro things
13: unfortunately no. but i just found an interesting blog post about it!!
https://www.aromanticism.org/en/news-feed/aromantic-history
14: i literally cannot think of a single canon aro-spec character in media. i went to look some up and the only ones i found were from things i’ve never consumed, so i’m gonna give you some aro headcanons instead (my favorite aro hcs are allosexual because that’s how i am, sue me. aro/ace rights tho)
Geralt of Rivia- the witcher  bisexual/aromantic I love Geralt and his relationship to relationships. he’s definitely allosexual, but he doesn’t seem to have any drive to settle down. in the netflix show he literally has negative interest toward romantic relationships (until yennifer :/ ) i’m not mad about geralt and yennifer’s relationship, but it does feel a little ooc for both of them sometimes
Ed Nygma- Gotham bisexual/greyromantic this is cause i read a really good fanfiction about Ed being aromantic and it helped me realize that i was too. but apart from that, Ed being arospec makes sense to me because while he wants a partner in order to feel normal, he doesn’t seem to really care about the relationship itself. nygmobblepot makes just as much sense as a QPR as it does a romantic relationship, and i think that’s neat
Aziraphale- Good Omens greysexual/arospec this could be argued to be canon but as it isn’t discussed textually i count this as a headcanon. i think aziraphale is aromantic because he seems perfectly happy living a life in solitude in his bookshop. he loves crowley, yes, but that doesn’t come with a desire for romance (especially compared to crowley). i also headcanon crowley as pansexual/arospec. maybe it’s just a celestial thing?
Dean Winchester-SPN bisexual/demiromantic Ok listen i know what you’re thinking but i have reasoning- 
dean is really bad at maintaining romantic relationships, even when he loves the person he’s with
while dean wants domesticity, that isn’t attached to the ideal of romance
dean enjoys sex but generally has one night stands (demon dean especially, i could write a whole essay on that)
when sam is in relationships dean isn’t shown to be jealous or give him advice regarding wooing women. you could argue he wants his own chance at romance in season 15, but i think it has more to do with the ideal of breaking free from chuck’s narrative and living a life other than hunting. 
re: cas, i think dean started out sexually attracted to him but fell into romantic love at the end of season six, didn’t realize it until season eight (at least) and didn’t do anything about it until season eleven. also i headcanon cas as pansexual/romantic. 
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nat-20s · 4 years ago
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MEDIA THAT I RECOMMEND YOU CONSUME INSTEAD OF SUPERNATURAL FOR BOTH HEART AND HEALTH BROKEN DOWN BY TYPE OF MEDIA AND WHY YOU MIGHT LIKE IT IF AT ANY POINT YOU, LIKE MY POOR POOR SEVENTEEN YEAR OLD SELF, WERE INVESTED IN THIS ABSOLUTE GARBAGE FIRE OF A SHOW
with apologies to anyone on mobile who’s readmore function APPARENTLY doesn’t work
(I haven’t watched supernatural for at least five years and, given any sort of luck, I will never do so again, do not @ me)
hello babes. I am talking to you know bc I keep seeing supernatural, unironically, on my dash, and I think we can all do better. I see what’s happening and I think: https://www.youtube.com/watch?v=hU3i_o5Xd4g
Supernatural is fudge stripes. You are Megan. We can fix this.
So a list of alternate things that I think are overall better written/characterized/just generally more enjoyable that might scratch some of those itches:
TV SHOWS
Good Omens
okay look if u were on tumblr last year u probably already watched this show but like. If u haven’t, it’s only six episodes babe and there’s a large enough fandom that u can go down a fanart hole for days on end
Basic summary: the antichrist has reached that lovely young age where he’s supposed to bring about the apocalypse. An angel and a demon who have decided that actually they like the world as is, thank you very much, try to stop the end times. They’re not very good at it though, which makes for a comedy of errors.
Shared elements with supernatural that you might Vibe with: theologic (mostly christian) exploration/parody/imagery without inherently being a religious show. Fighting off the apocalypse narrative, which I think pretty much always goes hard as hell, but that’s just me. There’s a gay angel who’s socially awkward. There’s a fun very British demon. Touches on the hierarchies of heaven and hell, with framing Heaven as a bureaucracy and blurs the differences between angels and demons.  Pining. Tenderness. A deep nostalgia for 80s music, though in this case it’s specifically queen, and who doesn’t love queen. Main character has a weirdly strong bond with his black vintage car.  Satan is (sort of) fought.
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Gravity Falls
sometimes...things that are kids shows...with a set story and a predetermined ending...are better
(also this isn’t relevant to any of what I’m talking about but I really appreciate that Gravity Falls specifically went against the thing that most begged me about ATLA aka that a 15 year old girl would be like yeah I’m into a 12 year old boy because the 12 year old boy has a crush on me and I apparently don’t get to really have a say in this. How does that make sense.)
Basic Summary: Twelve year old twins Dipper and Mabel go to stay with their Grunkle Stan for the summer in a small Oregon town called Gravity Falls. Turns out this town is filled with all sorts of strange phenomena that they often have to confront, work around, learn about, or befriend!
Shared elements with supernatural that you might Vibe with: The core focus of the show is a close sibling duo, but like It’s obvious that the siblings actually like and love each other and while they have their spats it’s still incredibly clear that they deeply care about each other even with their differences LIKE SORRY SUPERNATURAL YOU CAN’T JUST TELL ME THAT SIBLINGS CARE ABOUT EACH OTHER AND THEN THEY SPEND ALL THEIR TIME FIGHTING AND LYING TO EACH OTHER AND GENERALLY ACTING LIKE THEY CAN’T STAND EACH OTHER’S COMPANY BUT THEN OOOHHH YOU CRY ON TOP OF THE HOOD OF A CAR EVERY THREE EPISODE AND SUDDENLY THEY’RE SOULMATES OR WHATEVER
Anyway. Yeah. GF has a solid sibling dynamic. Monster of the week that builds up to greater over-arching plot. A little bit of body horror, you know, for humor. Fair amount of meta humor playing with the tropes of the genre. A Good Ol Big Bad that tries to pit the siblings against each other. Have to fight the apocalypse (you’ll see this point on like a good half of these recs, I really like ‘what are we gonna do about Armageddon’ media). Interesting creature design. Planned, satisfying ending (which supernatural absolutely does not have, but I still think if it had ended with the season 5 finale like it uhh  pretty obviously was supposed to, that would sort of counted. Don’t revive shows that have clearly already told their stories kids.) Tie in media that gives you some fun extra stories when you miss the characters. (yes I read some of the supernatural novels when I was a c h i l d, yes I’m pretty sure there’s one or two of them still buried somewhere on my laptop, no I don’t wanna talk about it.) Older father figure (?) who owns a tbh kind of shitty shop. Both already in place and found family.
It’s a good show, and it’s two seasons. John Mulaney Voice: I dunno it’s 40 episodes
MINI REC ALERT! (mini recs are basically things that I’m not gonna go into detail about for whatever reason [probably either due to i’m not familiar enough with it OR I just don’t like. Have a bunch to say about it in regards to how it will scratch the itches presented to u by spn] but still seem like a Good Watch)
Mini Rec: Over The Garden Wall. Spooky Kids Media! Episodic! Miniseries so you can watch it in like 2 hours! Cool ass Animation! About two brothers encountering said spooky stuff! Big Bad tries to pit brothers against each other! Might haunt you for the rest of your life! Check it out!
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The Haunting of Bly Manor
I think about this show every goddamn day of my life. (Also not relevant but Greg Sestero makes a brief cameo in it and I was like hi greg my friend greg!)
Basic Summary: An girl named Dani, while staying in London, decides to take on an Au Pair job for two young children, an older brother named Miles (age 10) and the younger sister Flora (age 8) at the spoooooky and mysteeerious Bly Manor, and she gets far more than she bargained for.
Shared elements with supernatural that you might Vibe with: Okay so supernatural doesn’t actually do this but I know I KNOW why we let ourselves be queerbaited in 2012. Four words for you: CENTRAL! GAY! TRAGIC! ROMANCE! You want some pining? Some tenderness? Some LOVE? Some dealing with internalized homophobia but no, like, actual violent onscreen homophobia? HAVE I GOT THE SHOW FOR YOU. If ur favorite episodes where the ones that make you sob (for me it was kevin’s death on god), I recommend this show. If you wished that supernatural literally ever had consequences or perma deaths or didn’t retcon major plot events like every five goddamn episodes so that there could be some exploration of like grief and trauma through the lens of/ higher stakes of horror, I recommend this show. If you really do stay up at night picturing a supernatural that wasn’t made by dumbass cishettie white men hack writers but was actually allowed to have Dean and Cas be in love over the course of the show so they could have like actual development and not the most homophobic gay reveal of all time, I recommend this show. Hell, if you just want a banger ghost story in general, I recommend this show.
As for what they actually have in common: horror setting/aesthetic without actually being all that scary most of the time. A strong sibling duo, though they’re not nearly as much of the focus of Bly Manor. Found family. Strong themes of grief. Questions of what turns someone into a monster (and done much better) An actual, much better noble sacrifice done out of love. Escalation of stakes until there’s a big final confrontation. Semi-big bad trying to tear this family apart. Found and pre-installed family. Sad orphans.
Watch this show. Vibe with me. Cry with me. Yell at me about Owen Sharma
MINI REC ALERT!
Haunting of Hill House- spiritual predecessor to Haunting of Bly Manor, though they’re not actually the same universe/story. However, it’s made by the same dude and has a shared aesthetic/sensibilities/some of the cast. This is only a mini rec bc I haven’t actually seen it, but I’ve heard good things and that it, while much more heavily leaning into family dynamics, has similar themes of exploring Grief and Trauma through ghooossstttsss.
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Community
Okay I know that this may seem like a Wild rec considering community is a school sitcom with basically Zero paranormal elements but just like. Hear me out. And no this isn’t just because I think it’s a realy good show and I want more people to watch it, though that is a factor. If I was just recommending comedies that I think are good and more people should watch regardless of them serving as a replacement for supernatural I would demand you all go watch Galavant and Crazy Ex-Girlfriend. I’m gonna demand it anyway. Everyone go watch Galavant and Crazy Ex-Girlfriend. Now back to your original program:
Basic Summary: A group of students at Greendale Community College form a Spanish study group, and things quickly go Off The Fucking Rails in the best way possible.
Shared elements with supernatural that you might Vibe with: All right I’m gonna be real honest this rec is for all of my (correct) bitches who’s favorite episodes of Supernatural were French Mistake, Changing Channels, and/or Mystery Spot. You think if Supernatural would’ve been fucking fantastic if it had been a committed comedy instead of a CW melodrama that occasionally landed some admittedly really fucking funny episodes/concepts, Community (and the movies on this list) will gently take you into its loving arms and give you everything you desire. It’s about the Meta comedy. It’s about the discussion, exploration, and subversion of common tropes within the format. It’s about the grand use of group/ found family dynamics in order to max both the goofs and the heart. It’s about fantastic callbacks. It’s about having one of the few “asshole with a heart of gold” leads I can actually stand because. You know. Growth. It’s about the INCREDIBLE genre and  pop culture parody. Which genre do they parody, you ask. All of them. They parody all the genres. The glee parody episode is a fucking masterpiece of television. If you don’t want to watch a show that features a Halloween party where everyone turns into zombies and the ABBA discography blasts in the background, you can stop reading right now, because I can guarantee you won’t be interested in a damn thing I have to say.
MINI REC ALERT: The X-Files. I’ve also never seen this but a: everything I’ve seen out of context has been fantastically weird and delightful b: it appears that there’s a general consensus that Scully and Mulder are one of the only valid straight couples so it’s probably pretty fun and c: let’s all be honest. Supernatural was already basically an x-files rip off, it had like half of their original writers swiped from the x-files crew, I’m pretty sure if you liked especially the first couple of seasons of supernatural, you’re gonna like the X-files.
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Subcategory: TV SHOWS ( A WHOLE TWO OF ‘EM, OR MORE LIKE ONE AND HALF IF YOU WANNA GET TECHNICAL) I’M SPECIFICALLY RECOMMENDING FOR THAT COCAINE HIT OF PURE UNADULTERATED UNCUT 2012 TUMBLR NOSTALGIA
BBC Merlin
Yes, I know the show ended in 2010. Yes, it still provides that 2012 Tumblr nostalgia. 2012 Tumblr is a feeling, not an actual time period.
I love this stupid show. I plan on rewatching it all over the month of January. I harbor a deep amount of fondness for it. It’s why every time I see literally any depiction of Merlin I get just so fucking excited, and why I’ve consumed as many ridiculous Arthurian adaptations as I have (side note: my two favorite other ridiculous Arthurian legend adaptation are Avalon High, a DEEPLY silly DCOM that is required viewing to level up friendship with me, and The Kid Who Would Be King, which is the only movie that I think truly understands the comedic potential of playing a King Arthur Adaptation mostly straight but everyone in it is 12. I’m not sure it intended to be as fucking funny as it was, but again, they’re all middle schoolers. I have never been more jealous of an actor than I was of the 22 year old that got to play a 16 year old dumbass Merlin who was sometimes also Patrick Stewart and did all of his magic with ridiculous hand gestures That should’ve been me that should’ve been me that should’ve been me. Also Sword in the Stone by TH White is pretty good, because Merlin knows germ theory in the fantasy 400’s and he just uses it to be petty mostly. Also listen to High Noon Over Camelot by The Mechanisms. Also Also I tend to prefer family friendly adaptations because they don’t have the uhhh. You know. Incest and sexual violence of the original legend. Love to Not have that shit!) Whether you watched it initially and are due for a rewatch, or you’re intrigued enough by the concept of the show to watch it for the first time, you should join me on this wild wild ride.
Basic Summary: You know who Guinevere, Arthur, and Merlin are, come on. BBC said let’s make em all YOUNG let’s make em SEXY let’s make em FAMILY FRIENDLY and let’s make magic REALLY SEEM LIKE A THINLY VEILED ALLEGORY FOR BEING GAY BUT TO THIS DAY IM NOT SURE IF THAT WAS INTENTIONAL OR NOT BUT IT SURE SEEMS LIKE IT WAS. @ THE BBC MERLIN CREATORS WHAT IS THE TRUTH BECAUSE THERE WAS SOME INTERVI-
Basic Summary but like a bit more helpful: A BABY version of Merlin (and by baby I mean like 20 year old.) is sent from his small town to the big city the Kingdom of Camelot to find his destiny. Staying with the town physician and friend of his mom’s, Gaius, he ends up as both his assistant and personal manservant to Prince Arthur. But in a kingdom where magic is punished with death and the prince seems hell bent on getting himself into situations that are going to kill him, the young sorcerer has his more than his share of work cut out for him.
Shared elements with supernatural that you might Vibe with: Primo supremo queerbaiting. Like, yeah, okay, it’s queerbaiting, you know it’s queerbaiting, but you watch some of the scenes and ur like okay. I know why I let this bait me. Obviously with a modern show, I would expect more, I would expect better, I would raise my standards, but I gotta admit. Some of these scenes are fuckin compelling as hell, and the subtext is like barely sub. Monster of the week shenanigans. Some awful CGI creatures but like a charming awful. Like the kind of awful that tells you their very limited budget was more focused on cool swords than realistic creatures. Episodic stories build into a more overarching plot, with things getting darker in season 4/5. Shitty father that end up eating shit and while the son of said father is rightfully conflicted and upset over the death it’s cathartic and victorious as all hell for the audience. Multiple hot evil women, and I love hot evil women. There’s also nice hot women, which is a bonus. These women don’t all immediately stupidly die, so that’s a nice change. Also like a LOT of sarcastic humor and shenanigans if u like Sass Merlin is there for u personally name a more iconic line than “Oh I’m sorry, how long have you been training to be a prat, my lord?” AND THAT’S IN THE FIRST FUCKIN EPISODE brilliant amazing fantastic show stopping. Also you know those like dumb hijink episodes where like Dean was possessed by the spirit of a dog or some shit? You bet your bottom fuckin dollar BBC Merlin has those kinds of storylines. Also I know some people go to spn bc it had that HUGE fanbase and like BBC Merlin’s fanbase is still SURPRISINGLY poppin even though it’s been a decade since there was new content so like. Have fun!
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Doctor Who but Specifically the RTD Era
Look I’m not here to say that the first four seasons of reboot doctor who are the only good doctor who or inherently better than all the rest (though the RTD era is my favorite personally) BUT when ur seekin that sweet sweet superwholock frenzy nostalgia, this is the ‘who’ that is being referred to. Also like. Stan 9. We should all collectively stan the ninth doctor. Chris Eccleston, the Objectively Best Famous Chris, deserved better.
Basic Summary: An immortal alien that goes by “The Doctor” travels across time and space with a variety of different companions, often to try and save the day or fix a (sometimes self created) mess. It’s distilled campy sci-fi with a family friendly tone that has made me cry on several occasions.
Shared elements with supernatural that you might Vibe with: Monster of the week that, you guessed it, builds into bigger overarching plot style narrative. Fighting off the apocalypse, but like every couple of weeks because worlds are in danger a LOT. A semi-tragic romance that made people go absolutely buck fuckin wild bc pining n shit. Wamen, but they aren’t fridged. (actually for real though none of the main women die and I just think that’s really fun and flirty even though I could go on a COMPLETELY SEPARATE rant about the injustice of one of the character’s ending YES season 4 is my favorite season and one of my favorite pieces of media ever and I am currently actively recommending it to you  YES im still fucking pissed over how it ended YES we exist) Specifically, a Wonderful and Very Excellent woman named Donna who goes on a spa trip that doesn’t end up going very well. That seems like a highly specific example, and it is, but it did happen in both shows. (Also, to anyone that continued watching SPN after like idk season 9 what happened to Donna? I always liked her and I know she became a recurring character so like DM whatever probably injustice was the end of her story line pls and thank you) I’m also extra specifically recommending for Supernatural Fans and also The World At Large:  Season Four of Reboot Who. I rewatched it last year and it still goes so fucking hard. Donna Noble is the best character in existence. In regards to the appeal for SPN, personally I think the best part of SPN was when people who are soulmates went on adventures and tried to save the day and it was a good mix of banter and sincerity AND GUESS WHAT’S BASICALLY THE ENTIRETY OF SEASON 4 OF DOCTOR WHO. It’s so good y’all I wish Everything was about soulmates going on adventures and trying to save the day.
OKAY TV SHOWS DONE TIME FOR M O V I E S which I don’t have nearly as many recs for but uhh here goes
What We Do In The Shadows/ Shaun of the Dead
I’m lumping these two together bc my reasons for recommending them are largely the same, and I would call them tonally similar enough that if you like one you’ll probably like the other
Basic Summary (Shaun of The Dead): Uh-oh! London’s had a break out of some of that good ol’ zombieism. Shaun and friends decide to hunker down in a local bar, but they have to get there first. Will they survive? Will they fuck up some zom zoms? Who’s to say?
Basic Summary (What We Do In The Shadows): Some vampire roommates dick around. I think there’s technically, like, a plot, but it’s really just about some vampires Doin Their Thing. Vibin.
Shared elements with supernatural that you might Vibe with: This is kind of similar to the Community recommendation, in that supernatural had the opportunity to be one of those things that was both a parody of a genre but also just a really good example of the genre. WWDITS and SotD are both those things for vampire and zombly movies, respectively. Have the aesthetic and some of the themes of a horror but is not actually all that scary. Horror Comedy is a god tier genre and I don’t know why it’s not more widespread. Fun monsters/cast of characters in general, so at least one person in it is probably going to make you go “oh gender” ya know? With SotD you have the fantasy power trip that comes with like any piece of media that involves hunting monsters. With WWDITS I go “yep that’s how bisexuals dress” and I Will Not Clarify which character I’m talking about.
MINI REC ALERT: All of Taika Watiti’s filmography. Thor:Ragnarok is one of like 3 marvel movies that I consider genuinely fucking fantastic completely independent of the MCU and my own tendency to be like “hurr bdurr I love. Superheros”. For the one that is most tonally like Supernatural But Significantly Better and Written By Someone Competent I think I would say try out Hunt For The Wilderpeople. It’s got a reluctant curmudgeonly father figure and I KNOW some of you motherfuckers were so invested in spn when you were like 16 bc you had daddy issues. This is a callout post for my friend [REDACTED], who I should text to watch Hunt for the Wilderpeople, actually.  
MINI REC ALERT X2!!!: Bram Stoker’s Dracula. I’ve never seen it but it has both Winona Ryder AND Keanu Reaves so like. Goth bi rights.
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Happy Death Day (and Happy Death Day 2 U)
happy death day was one of those movies that I saw the trailer, went “eh”, heard other people say it was great, watched, and went holy fuck this slaps. Not nearly as much of a slasher film as the trailers implied if im remembering the trailer correctly
Basic Summary: Our main character Tree keeps waking up on the day she was murdered. The day resets every time that she dies. That’s right, it’s a time loop storey babey!!!!!!!!!!!
Shared elements with supernatural that you might Vibe with: If you were anything like me you were foolishly lulled into supernatural for way longer than you should’ve been on the promise that the characters would idk like grow and change and become better and learn lessons and some of that would be through the power of receiving love and kindness. You know. Like how good writers would do it especially if their main characters are kind of dicks that really should make some changes. Well, Happy Death Day fucking delivers on that promise in SPADES. It’s about growth! It’s about change! It’s about making the active decision to become a better person and putting effort into doing so! There’s heavy themes of like grief and trauma and acknowledging them and facing them head on in order to move on and the negative consequences of refusing to do so and just trying avoid it until it goes away. There’s a romance that makes my dumb little self do the pleading face emoji. Tree is also one of the only good asshole with a heart of gold characters. I also think media is improved by having at least one character that is a Good Good Boy (note: Good Good Boy character does not have to be a man.) and Happy Death Day has Carter. Oh on that note: Tree Voice: I’ve only had character for (the same repeating over and over) a day but if anything happens to him I’ll kill everyone here and then myself. Also the movie is funny so like hell yeah.
that’s all I got for relevant movies right now
BOOK RECS
jk i’m illiterate. Everyone should feel free to go ahead and add their own suggestions for this section The best I can do is uhhhh I think y’all would probably like Mira Grant’s novels, particularly the Newsflesh stories, bc sibling dynamics. Also the book The Haunting of Hill House is really good. Ballad of Black Tom slaps? There’s of course the Good Omens novel that the show was based on. I’m about to recommend some podcasts after this section which will include to Welcome to Nightvale because of course it will and the tie in novels for that slap, especially It Devours!, and I’m pretty sure they work as stories even if you know nothing about the podcast. Also also I think you should read “The Long Way to A Small, Angry Planet” by Becky Chambers It’s not thematically similar to supernatural at all but it’s one of my all time favorite sci fi novels and only like four people have read it which is a goddamn TRAVESTY.
Anyway yeah that’s it that’s all there is. Onto the medium that is like books but I can fold laundry or cook while consuming their narratives.
PODCAST RECS
Okay so this is getting uhhh wicked long so I’m gonna limit myself to only three full blown recs and a
mini rec
Alice Isn’t Dead
Fuck me running this show is so good. Literally hands down my all time favorite (and scariest!) horror podcast. Mamma mia, that’s a good fuckin story. The Book version is also good and has fewer Weird events but some further character development so I recommend them both.
Basic Summary: After her wife Alice disappears mysteriously, Keisha takes up a job as a long haul trucker, traveling all across America in order to find her, but ends up finding so much. Pursued by a deadly creature she calls The Thistle Man, the stakes of her journey are raised.
Shared elements with supernatural that you might Vibe with: okay so I have a lost of bullet points of things that appealed to me specifically about supernatural and how no other shows covers all of them which sucks bc it means I basically Yearn for a show that’s supernatural but good. Alice isn’t Dead, however, hits the most of these bullet points AND is so fucking good. It has monster hunting. It has stopping a cataclysmic event BUT also discussion of the cyclical nature of events such as these and how the fight never truly ends but you can make some fucking progress nonetheless. It has a central gay romance that’s actually a central gay romance. It’s the ONLY show on this list that really hits that the weird and dark underside of americana vibe but specifically the americana of not like suburbs and shit but that eerie haunted feeling you get when you’re hours into a late night drive on open roads with no civilization around and an expansive sky and it just Seems like something should be watching you. Have you ever been out for a walk at midnight and encountered a deer and you looked into each other’s eyes and it felt like it was telling you a message that you couldn’t possibly hope to parse? Have you ever felt an incredible sense of deja vu eating in a restaurant you couldn’t have possibly been in before, because you’ve been to a thousand diners a thousand times just like one, and there’s an incredibly sense of homogeneity even though you’re 2000 miles away from anyone and anything that could possibly know you? Have you ever traveled to an area that seems to be stuck in a bubble of time, the only thing that shows any evidence of having aged past 2006 being yourself, and you wonder how your cell phone even works around here? THAT’S the spooky americana I’m fuckin talking about! Messed up road trips! Too much goddamn space! America is scary because it’s big and Filled With Things but also Not Enough Things! Fuck yeah!!!!! That time bubble fuckin EXISTS in Wyoming the most recent song on the radio I heard was fuckin Hey Soul Sister!
Also has a thing where like are there even good guys and bad guys in a conflict or is it all just one umbrella nightmare that you’re trying to stand against in anyway possible (u kno..like how the overarching structures of both heaven and hell were kinda fucked in spn? No spoilers but similar shit be happenin in Alice Isn’t Dead). Exploration of what makes someone into a monster, like how do you go down that path? Also this is the only show on this whole damn list that southern gothic music really suits it so points for that.
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The Magnus Archives
You know I had to do it to ‘em.
Basic Summary: Jonathan Sims has just become the Head Archivist at the Magnus Institute, a “research” “facility” that looks into paranormal/esoteric/unexplained phenomena.
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John Mulaney Voice, Again: Nobody knows what the archivist is going to do next, least of all the archivist. He’s never been in an archives before, he’s just as confused as you are.
Shared elements with supernatural that you might Vibe with: Oh fuck this document is over 5k long I said I wasn’t gonna do this hhhhh so lipton lightning round: Slowburn Gay Romance but Actually Canon, Monster Hunting but Hey What Even Is A Monster Anyway, Acts Somewhat like a Loosely Connected Horror Anthology until it DOESNT, Little Things Build to Bigger Narrative, Characters Be Goin Through It (On God These People Need Therapy), Trying to Prevent/Fix The Apocalypse (X2!!!), Smug Asshole Big Bad,  Horror as a Metaphor For Various Shit, Basically if you thought that the Men of Letter concept slapped and you think it should’ve been the whole damn show including being Deeply British you would probably really fuckin like TMA. Also if ur like the ideal piece of media is a horror tragedy but also like it’s a wacky sitcom but also also fuck cops. U will like tma.
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Welcome to Nightvale
IF ANY 2012 TUMBLR FANDOM DESERVES TO MAKE A MASSIVE COMEBACK AND BE EVERYWHERE AGAIN AND ABSOLUTELY FLOOD MY DASH IT’S WELCOME TO NIGHTVALE WHY DID WE ABANDON THE SHOW THAT TREATED US THE MOST KINDLY DID YOU KNOW THAT EPISODES 108-110 ARE THE BEST FUCKING BUILT UP NARRATIVE REVEAL THAT I HAVE WITNESSED IN MY LIFE DID YOU KNOW THAT IT CONTINUED TO BE REALLY FUCKING GOOD AFTER MOST PEOPLE STOPPED LISTENING DID YOU KNOW CECIL AND CARLOS ARE MARRIED AND THEY HAVE A DOG AND A TODDLER NOW BECAUSE OF ALL THE GAY PODCAST PROTAGONISTS CECIL GERSHWIN PALMER LOVE OF MY LIFE ELDRITCHIAN CHEERLEADER AND CERTIFIED BIMBO KEEPS FUCKIN WINNIN BABY. DID YOU KNOW THAT CECIL THINKS PEANUT BUTTER IS A ROCK.
Basic Summary: Welcome to the sleepy desert town of Ņ̶̏ight V̶͚̰̮͗̔̊̊ale! Community radio how host Cé̵̟͚͕̗̞̙͂͑̽̄́c̵̤̼̞͈̪͓̍̽̋̚̕͜il Pǎ̵̧̨̢͚̻̈̂̄̇͐̇̊̀̆ͅl̶͚͎͕͉͖̬͓͑́̐̒̍̿̈́͢͜͝ͅm̸̧͙̟̖̠̳̬͋́͋́͌̚̚ͅȩ̙̖͎̖͂́̒͐͜͞r̢̢̛̰̻̮̺̩͙̼̈́͋̀͘ is here to k̠̠̰̦͙̯̥̎̄̆͌̎̀̿̔̌̚ê̷̢̬̥̞̩̯̘͒̽̈̓͐̂̔̍e̶̡̝̗̺̫̪̜͆̓̿̈͌͌̆͒͞ͅp̵̹̗̬̼̠̬͙̏͐͐̉̅͊͊́͟͞ͅͅ ỷ̛͙̞̦̦͖̑̉̌̎͞͡͡͝ͅo̧̧̥͎̻̥̲͇͋́́̔̈͌͞ǔ̸̬̯̫͇̦̮͕̤̲̯̽̔̀̔͆͋̈́͘̚ up to date all the local happenings, including w̸̢̢̢̧̡̡͍͖̻̳̹̼̼̰̬̭̱͔̲͙͍̰̠̥̺̝͖̺̖̼̮̼̞̳̞̜͉̤̯͇̖̳͖̠̙̺̲̤͇͈͚͓̮̭̱̭̩͚̟̥̬̟̻̝̼̖͚̘͐̆̅̂̃̈́͆͊̉̏͒́̈́̋͗͑̄̉́̐̌́̿̌͛̾̎̊̾̃̈́̉̔̍̐͛̕͘̚͜͜͠͠é̵̢̡̧̨̨̡̧̨̡̛̹̥̥̞̮̯͙͈̻̝͓͖͙̦̰͍̖̜̲̰̞͎͈̭̯̳͕̗͓͈̭̫̼̯̪̞̯̰̲̘̭͎̪̱̗̝̝̞̤̱͉͙̯͎̬͎̙̜̗͉̩̦͕̪̳͇͙̺̙̰̠͚͎̜̠͔̬͎̺̣͕̜̊̓̃̐̂́͂̎̐̾̔̽̀̉́̍̊̂̿̎͂͐̎̐̄̍̔̋̐̃͗̈́͂̀̒̊̎͘͘̕̚̕͜͝͝͝͠ͅͅa̸̡̧̡̡̨̡̨̛̛͙̣̘̳͎͖̥̝̟̱̩̥͙͉̝̲̙̮̩̩̹̱͔͎̥̹̻̜͚̭̬̳͚̤̙̖̯͎̱̫̞̪̻͖̱̞͔̭̻̺͚͚̯̬͓͓̳͇̳̦͓̞͈̮̤̭̣͉̲̞͚̘͗̆̃͌̅̍͊̓̈̇̌̒͊͑̊̏̊͌̈̓̿͗̒̏̒͊͒̏̃̎̒̀̅̾̍̀͘͘͜͝͠ͅt̵̛̛̛̀̏͒̆͋̈́̈́͂̔͋͆͂̅͗̍̆̍̆̔̑͊̏̈͒́̽͊́̿͂́̓͛̚͝͝��̢̡̨̧̧̯̤͓̘̻̤͓̪̰͔̪̝̫͎̻͔͈͎͔͙͕͈̰͓͍͐͌̌̐̈̇̃̓̆̍̅̃̔̕͜͝ͅͅh̸̨̨̡̢̢̡̢̧̡̧̢̡̨̡̭̜̬̬̙͕̗̙̻̯̠̘͙̻̥͉͚̼̗͚͇͉̰͍̥͉̗͎̬̫͖͉͔̼̮̯̞̫̬̟̻͉̖̙̥̫͖̬͚̟̜̭͇͎̭̘̝̲̤͕͎̰̭̗̯̮̤̙̙̯͍̞̭͚͔͎̞̹̲̟͉̩̭̖̱̠͍̺͈̟̩̋̆̈́͆̍̆̄̏͜ͅͅȇ̸̢̢̨̨̧̛̜͍̺͎̬̪͙̻̝̣͓͈̺̩̳̟̲̠̣͈͎͎͈͉̙̪͖̳̺͇̹̊̍͊͑̿͊̌͛̿̓͊̾̀͂͛̉͆̾̽͆̈̏͛̊͛̍̈́̇͋̔͂̑͐̂̿͊̽͑͘̚͘͝͝͠͝ͅͅŕ̵̨̡̨̨̢̧̡̧̨̘̟͙̦̲̲̪̦̙̼̠̳͚̞̦̞͖͚͇̳͖̲̭͕̜̫̳̖̙͖͉͎̘̘̤̠͈̬͕̝̻͚̥͍͕̠̥͙̙̪̖̯͍̘̘̲̣̹̜̪̲̭̟̮̫̖̤̰͔̩̩͉̲͚̟̝̦̬̪̘̬̮̱͔̻̦̼̃̐̂͋̐̅̋͒̉͛́̅̈́̒̒͆̑̆͊̒͒̀̍̈́̍͌̍̏̔͋͌̒̍̌͛̓̈̂̐̕͘͘͜͜͝͝͝ͅͅͅ ̶̢̡̨̛̠͇̹̯͕͍̻̟̼̼̗̩̱̗̙̱̥̜̬̫̜͎͉̺̣͓̟̯̱͖̣̞̠̝̥͍̲̳̙̠͔̹̘̲̲̻̖̈́̊͋͜͜ą̵̡̧̟͕̬̳̜͈͈̳̝̜̣̬͔͈͈͎͉͍̯̟̞̺͎̝͇̰̥͖̬̯͙̤̬̼̲̦̯̭͓̠̺̳̱̰̮̎͋͆̈́͌͆̎̉̓̇̐͋͋́̃̉̈̄̏̓̉̿̅̒̉̒̉͂͛̄̀̇̒͊͛́͊̎́͆̌̆́̌͂̈́̽̋͛͗̑̊̀́̍͊̌͆͊͐͆̅̒̊̉̾̄͛̑̕͘͘͘͘͝͝͝͝͠͠͝n̸̡̛̛̛̛̛̙͎̬̦̠̼͓͈̝̾̍͑͛̅̒̾́̌̍͛̇̋̇̓̏͛̔͛̈́͆̿̌͐̿͊̿́͒̍̃̀̈͐̐̆͐̉̒̂̉̀̅̇̾͋̍͒̋̈̌̿͒͐̍́͗̀̌̌̚̕̕̕͘̚͘͘̚͜͠͝͝͝d̴̡̢̢̛̛̛̺̠̳̬͎̞̲̣̲̱̳̪̹͉̝̠̱̗̙̫̠̹̼̙̝͉̲̟̮̙̙̮̻̹͈̦̙̞͚̜̙̖̞͓̙̭͉̃̽̌̅̔̾̈́̒̽͑́̒͋̓̈́͆͋̽̒̃̽̋̐͌͂̍͑́̽̋̍͗̋͗͂̅̽̈̈̾͐̄̃̕̕͜͠͠͝͠͝ͅͅ ̵̡̡̢̛̛̗͚͍̺͇̲̳̯͓̰͍̙̮̙̜̟̞̣̼͕̝͔͙̺̫͈͈̠̻̘̱͍̦̭͔͈̤̺̗̮͕̦̞̘͍̯̻̝͓̤̳̫͔̩͉̬̈́͋̈́̐͒́̔́́̿̓̆͐̎͆̇͒̄̈̿̓̑̾̏̔̿͊̌͆͒̒͊̓̅̓́̔̅̀̀̀̃̿̂̑͂͆̅̎̾̏̓̂̈́͛͌̇̾͌͐̈̂̆͐̅̓̍̓̃̆͗̃͛̏̒̌̀̅͊́̽̐̆̿́̌͘͘̚̕͘̕̕͜͜͜͠͝͠͝͠t̷̢̥͓̄͗̾̄̅̚͜r̵̨̡̨̧̧̢̛̛̛̛̛͍͙͚̥̱̞̜̦̜̼̺͉̠̬͎̰̻̜̼̫̤͓͖͖̤͇̞̥̖̈́͊̆̓͊̑̑̋̒̈́̔̆͆́̐͛͑͊͋̇̈́̓̑̍̏͐͛̽̋̎͑̃̈́͒̇̂̇̌͂̀̍̊̇̓̋̈́̌̏̕͘̚̕̚͝͝͠ǎ̴̡͓͓̯̘̥̱̱͖̦̺͓̘͉͖̞̟̦͈̜̥̰̘̞͈̦̠̼̯̙̭̼͚̟̖̲̠̝̜̐̅͆̏̈́̍́͂̃̾͑̓͋̽̄̾́̾̆̾͒͋̎͂̈́͘̕̕̚͜ͅͅf̷́͋̓̅̀͋͐̀̄̊̆̉̒̐͒̀̏̈̇̊̉̆̐̏̾̀̀̓͛͆̍̾͗͌̀̄̔͒̀̍̈́͆̔̒̑̏̍̏͆́̾̐̂͋̂̔̂́̓̓̌͌̉͛́̒̐̽̏́̑͊́̚̕͘̕̚͠͝͝͠͠��̢̡̡̧̢̨̡̧̢̢̧̡̧̫͖̖͇̲̫̮͕͉͓̩̪̳̹̩͎̖̟̤̤̲̟̪̫̻̻̖̟̦͉̼͎͖̭͍͖͎̖̳̳͙̜͉̝̘̺̖͚̙͉͕͙̯͖̞͚̮̲̻͉͙̺̭͓͎̤͙̦̦̺̯͕̜̰͍̳̙̦͉̪̥̆̂̑͋̇̈́͌̑̿̅͗͜f̴̨̨̛̹͌̂̓͌͛̀͑̾̓̍͗̽͆̉̊͗̇́̍͌̊͐̔̈́̊̇͆̄̃̑̕̕͘͘͘͠͝͝͝͠i̴̧̡̢̢̧̢̨̨̧̧̧̛̛͎̗̳̦̘̙͓̦̙͔̜̼̘͇͇̺̭͉̠̩̟̤̥̘͙̤̩͔̪̱̻͈̪̼̼̞̠͎̟̹͕̻̭̤̪̲͕̟̺̻̻͖͕͚̣͇̖̰̝̩͈̤͕͇͕̝͙̙̪͔̗̫͇͎̙̲̲͖̗̘͉̲̣̤͎̔̐̆͒̄̈́̀̎̃̃̅͆̌̈́̽̈́̅̈́̑̄̇͒͐̀̐̀̒̍̀̓͌͗̓̽́͗̓̎͂͛̅̑̔̀͛̈́̽̾̃̊͊͆̄̍͑̍̆̌̾͗̄̊̽̉̅̆̀̎̀͑̿̎̋̄̆̃͐̾̏͛͒̍̋̅͘̕̚̕̕͜͜͝͝͝͝͠ͅͅc̷̛̛͚̝̻̣̞̓́̃́̀̃̓͗͌̂͛́̒̊͑̓͆̇̈́͑̏̆̀͌̑͂͂̄͌̉̔̋́̎͒̿͗͒͛̇͛̿̎̍̕̕̕͝͝͝͝͝ ̴̢̧̢̡̨̢̡̨̡̢̢̛̺̘̹̯̤̩̘̯͔̞̟̬̠̣̟̻̥̜̤͔̥͕̠̥̞͎̗̩̱̮͉͔͎̲̯̱̙̜̥̳̮͔̦̣͖͔̜͉̗̪̳̹̦̤͇̣̙͕̯̫̖̝̼̹͍̠͎͓̗͎̦͓̲̯̱̠̰͇̮̹͔̝͉͙̹̜̹͈̹̥͖̣̳̲͖̓́͌̈́̈́̀͌̄͂̌̾́̍̔̊̓̿͋͂͋̈́̋́́̒̓̀̒̃͂̀͑̐͛̆̆͒̈́̅̿͊͌̍͗̌̌͆̂͌́̉̏̒̓͊̾̒̓̋̽͐̏̾͘̕͜͝͠͝ͅͅr̸̨̢̛̪̞̬͓͔̥̤̣͔̭̥̙͉̦̗̠̳̩͙̂̈́͑͑̿̋̓̀͋͆̋̕͝͝ë̴̢̡̨̬͈͉̖̞͔͎͓͖̼̘̬͕̰͈̥͈̝̩͎͉͉̫̜͚͕̤͔̟̯͓͎̟͙̜̭̩̗̮͎̗̤͇̝̩͎̜̺̯͕͇̝͎̯͙̖͙̮̗̮̘́̑͑͛̂̅̄̌̽̓̒̾̿͆̏̏͐͛̾̂̃͑͆̅̄̿͋̅͂̈́̽͋͒̎͐̒̓͆̌̉͑͊́̀̈̾͛̋͑̋̎̈̀̽̀͊̏͘͝͝͝͝͠͝ͅp̴̧̧̡̢̢̢̛̛̛͚̟͓̖̭̪̻̪̲̬̥̙̥̰̼̹͎͕̪̞̮̺̰̬̘̫̤͉̦͙̮̖̙̹̻͔̖̮̲̞̣̻̜̠͇̬͚̱̦̼̲̮̀̂͌̍̈̒̍̋̌̏͐̓͛̉̂̈̀͑̈́͊͗͋͗́̂̎̎̃͆͒̅̑̇́̈͐̾̀̔̒̉͑͒̅̓̈́̋͋̀̍̄̿̌̀̉͆̇̔̈́͗̋̄̓̇͗̎̉̆͊̒͗̚̕͘͘̕̕̚͜͜͝͝͠͠͠͠͠ͅͅͅơ̶̢̡̧̨̡̛̛͔̦̼̰̠̯̰̟̲̣̜͙̲͙̪̱̱͕̺̪͈͉̺̻̙̥̲̩̲̩͔̠͚̩͓̞̠̯̟̫̣̗̦̰͉͚͙̺͎̼͖̥̙͈̯̲̝̞͎̻͕̮͔̰̖͔̭͙̩̼͔̫̹̘͓͔̜̘͍̍̅̄͋͑̋̍̊̉̄̈̽̈͐̀͌͐̆͊͂̐̋̃̎͆͛̐̀̂̿̈́͂́̈̌͐̇̀̒͋͑͐́͌̐̇̊͆̀͂͋̏́͋͆̏͗͂͑̂̓̽͘͘̚̕̕̕̕̚͘͜͜͠͝͝ͅͅͅr̴̨̨̨̧̛̘͕͈͔͙̠̬̯̩̗̰̗̬̦͈̗̝̣͓͓̟͕͙͈̠̘̻͓̭̝̘̦̦͓̭̘͙̻̙̼̩̰̝͈̱̝̱̬͉͙̣̖̮̲͈̙̱̩̣͕͐́́̍̈͐͋̐̑̌͋̓̈́̈͗̿̈̈́͗̑̚͜͜͜͜͝ͅ��̨̰̮͔͈͓̙̮͍̳̟̠̞͎̱̣̰͕̩̝̲̝͜ͅţ̴̢̨̧͇͉͎̣̬̣̝̗̬̹͇̮̞̈́̐̌̇̈́̌͊̐̅̂̌̂͒͌́̈͌̂̊͗̍̿͑͋̎̓͂̀̎̎͒̾̏̒͌̃̄͋̌̾̍̈́̐̏͑̊̍͑͆̉̓́̆̌̾̓͊̊̈̑͘̚̕͘͘̕͝͝͝͝͝s̴̢̢̡̛̬̹͚̻͉̦̦̣̦̠̜͕̤̳͓͙̟̬͕̘̦̿͗̉̏̒͆̓̄͊͌͛͂͑̒̃͛͘͜͝͝!
Shared elements with supernatural that you might Vibe with: Honestly, probably bc Nightvale and Alice are by the Same Dudes, a lot of these points are the same as Alice Isn’t Dead, but it’s less scawy and more funney. Also hits the “horror, but make it kind of a sitcom” vibes. Doesn’t have the same road trip vibes, but DOES capture the exact weirdness of South Western USA, so I’m still giving it “fucked up americana” credit. If you’ve never been to New Mexico ur like this is an exaggeration clearly no desert town is subject to like ACTUAL cosmic horror and unexplainable sights but I’m telling you New Mexico is just Like That. (I highly recommend visiting the land of enchantment if you ever get the oppurtunity it is a deeply odd and wonderfully unsettling experience.) Look man it’s gay it’s a horror comedy cecil has a wonderfully soothing voice and it hates capitalism so fucking much like oh my god so much what more could you want.
MINI REC ALERT: Wolf 359! I have nothing deep to say about this I just like it and my gut tells me that y’all would enjoy it too I know there isnt much for physical descriptions in the show but I know in my heart that the main character is so so pretty and so so stupid. I KNOW yall like some himbos that experience character growth.
Okay since It’s my party and I’ll speak if I want to rapid fire list of podcasts I just like and want more people to listen to even though I’m behind on like all of them shhhhh: The Penumbra Podcast, BomBARDed, Dungeons and Daddies, Stellar Firma, Wonderful!
SONG RECS
okay these aren’t like replacement recs or anything they’re just really good and I almost certainly would have put them on some sort of supernatural playlist in 2013 but I don’t, like, have a good playlist for them now so I’m subjecting y’all to them also they all have the youtube link for ease of access
Woah There Kimmy-  Felix Hagan & the Family
Devil’s Backbone- The Civil Wars
Blood On My Name- The Brothers Bright
Awake O Sleeper- The Brothers Bright
The Bottom of the River- Delta Rae
Old Number 7- The Devil Makes Three
The Bullet- The Devil Makes Three
In Hell I’ll Be In Good Company- The Dead South
Bartholomew- The Silent Comedy
Pomegranate Seeds- Julian Moon
Curses- The Crane Wives
Tongues & Teeth -The Crane Wives
OKAY THAT’S IT! THAT’S ALL FOLKS! FUCK!
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prairiedust · 4 years ago
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More Last Holiday Musings...
I want to poke at that interdimensional geoscope a little more, because upon reading it over again, I think I splashed it up a little fast and there are a couple of points I’d like to be clearer about. I meant to queue this up to post last night but also want it to be up before Gimme Shelter so ¯\_(ツ)_/¯ 
This is more blue curtains lit crit with a dash of folklore and an honorable mention for post-structuralism. And we’re talking about Supernatural after all, so this is sort of... well, it’s about endings.
Last Holiday was not a typical “filler” or even a typical MOTW episode. It felt extremely insular, possibly more so than any other episode I can think at any other point in the series. As opposed to the usual crowd of “locals,” a spate of victims, and a couple of red herring suspects, the only other people in this ep besides the Winchesters (including Jack) and Mrs. Butters were the two vampires and Cuthbert Sinclair. There was no “case” as in a usual MOTW-- there was no Chuck Struggle, either, and the lack of mytharc was strange against the lack of “filler” schema. That lack of “MOTW investigation” marked this episode also as being about “curiosity”-- the Winchesters all-too-quickly took Mrs. Butters for granted-- Dean even dismissed her as a “Magic Roomba” and that seemed to settle the matter. Furthermore, the moment that Dean spotted Mrs. B in his room, the stage was set for Antics ™ when she held up his goofy Scooby boxers, and indeed a zaniness, an almost manic energy drove the action forward at a breakneck pace. [Spoiler alert, we do get “investigation” in the next episode, 15x15 Gimme Shelter, as stills and the preview show that Castiel and Jack will be teaming up together, in yet another shake-up of the usual “MOTW” template, almost like we can expect the other side of a coin when Sam and Dean switch places with Cas...] These features set Last Holiday apart as not so much “filler” as “between,” as in there was struggle before, and there will be struggle after, but for a while there was cake. (Contrast this to the usual “peril of the threshold” that usually shrouds liminality if you’d like.)
At the end of Last Holiday, however, we finally get to find out what that old blue telescope really is, and with that name we get confirmation that there are no more alternate universes-- Chuck has burned them all. Viewers are left to come to the conclusion that in retrospect the telescope-thing could have changed the course of season 13 completely. The reveal is played off as darkly funny, but it’s also kind of a gut-wrenching moment, too. All the heartbreak of the last two and a half years, reviewed now through the lens of “if only.” If only they’d known about Mrs. Butters from the time they found the bunker, “none of this would have happened”… they’d have had monster radar, they’d have had the geoscope, they would have had supernatural help of a completely different level.
The temptation to read Last Holiday as a Chuck-free episode is strong, but fraught-- the threat of Chuck’s involvement has been established by a pattern this season (well the pattern is woven throughout the whole series really but Dabb has deliberately structured these last three seasons with an exponentially increasing frequency.) I feel like we’ve been conditioned this season in particular to hold ourselves in a perpetual flinch, to be afraid of what we’ll learn “in retrospect.” That geoscope was really_good_subtext, and it is entirely possible, even encouraged, at this point in the plot to take information we’ve learned from the naming of the object, examine our own conditioned response to this episode, and apply both things to the structure of the season so far and make a prediction as to what might happen in the main plot. That’s what I mean about subtext getting loud. We’ve been given the green-light to make a prediction about The Struggle and march forward with it, and see if we will be correct by extrapolating the pattern, or if that expectation will be subverted (the twist is set up to run either way, so either outcome is satisfying.) It is Melville-esque architecture of the highest degree;I could write another thousand words just about that. So I have a prediction that I’m hanging on to, because of what we’ve learned from the geoscope, and what kinds of clues were hung up in Last Holiday, and I’m super excited to either have my hunch confirmed or be frightfully and delightedly surprised. I mean, where the fuck did Jeremy Adams even come from? He’s like our own Mrs. Butters, showing up in the last quarter to run a couple game-changing balls into the end zone, it’s bonkers. I mean, I know writing mysteries is hard and requires still AND cunning, but damn, son.
But anyway, back to the geoscope… 
I’m perplexed, from a very “lit crit” perspective, but this is where I’m at and why I referenced blue curtains-- if you shine too bright a light on subtext, does it evaporate-- like looking through an interdimensional geoscope and not seeing anything-- or is “subtext” sometimes not some ephemeral fever-dream that we as viewers conjure up through our experiential interlocution with the text but something a writer has steeped into the narrative as part of their craft? Or when you’re talking about an evolving iteration of writers, is it possible that one picks up a thread that another wove in for something else, repurposing or amplifying it? And, when perhaps is something deliberately instilled in the text in order to become “text” at just the right time? In Moby Dick, [spoiler alert lol] Quequeg’s coffin-- formerly one of many symbolic vehicles used to foreshadow the doom of the Pequod-- is repurposed as a life buoy and becomes the actual object that saves Ishmael’s life, transforming it from a portent of disaster to a symbol of salvation and then to one of Ishmael’s guilt for surviving Ahab’s madness-- the guilt that had been made text by the very opening line of the book, “Call me Ishmael.” In retrospect, the connotations of wandering, exile and salvation behind the name that the narrator gives himself become crystal clear. The problem that the post-structuralist model of “reading” as simultaneously “creating the text” has manufactured is that the idea that “subtext” can often be discounted as something dreamed up wholecloth by the reader, and thus inferior, imaginary, even delusional (and I use that last word knowing what a loaded term that is in the spn fandom, but this is not about a ship, even) where once it was considered to be a valid and measurable part of the text itself, like that dang coffin. It was the basement, the underpinnings, the catacombs below the opera house sure, but it helped to hold up the structure. And for some reason, putting subtext into a piece of media has become passe, or cringe? Anyway, not to be bitter on main but it didn’t used to be this way, at least not in the heady early days of postmodernism. So that green light? Critical hit against blue curtains. And while yes, some readings are going to be better supported than others, and the wild variety of checklists in this fandom mean that some conclusions have been drawn which can’t pan out, if you’re paying attention to the structure, the subtexts, the alchemical/psychoanalytical/postmodern themata, the ending will be very satisfying. 
So. What was once speculated to be a symbol for emotional lows or turning points (among other things) in the bunker was textually hit with a bright green light, then Dean got curious about it in text, and we were told-- in text-- that oh it’s just a fancy spyglass, and now that the other worlds are gone, it has no purpose…. that’s what I mean about the geoscope now being “pure”-- it wasn’t clear whether the telescope ever had any function, subtetxtual or not, and now that it’s certain what it’s “function” was, it’s now freed up as a “symbol”-- unless like in Moby Dick it’s new “purpose” is revealed later, but right now it’s caught in this liminal place of not-quite-clue and not-quite-metaphor... 
However, and I didn’t put this in my first post because I was trying to be fast and not a wet blanket, but I felt like finally naming the geoscope was an ending. 
This is literally Singer, Dabb, and Co tidying up the house before locking it behind them.
I think when Dean said he didn’t see anything through the “telescope thing,” that we’re to understand that maybe this was the last hurrah of the cute, zany, campy “subtext” or even “metatext” if you’d rather that so many of us have been parsing and which has gotten so weird and bright since season 12/13. I think I said in one of the folklore posts that writing about some of the things I write about feels like making daisy chains in the endzone during the big game. Which is fun, that’s how I personally got through having to be in AYSO soccer for four years, by looking for four leafed clovers and eating orange quarters. And we got a wood nymph in this episode, textually even, so I could easily check the “folklore” box on this one. But the sheer euphoria of Last Holiday and all the sparkles it brought into the story aren’t meant to last. When you look back on fifteen years of text, a lot of it is bleak, miserable stuff. That’s not to say that episodes like Yellow Fever and Hunteri Heroici and Fan Fiction et al shouldn’t be celebrated. But I think from here on out, things are going to be less “golly gee, three birthdays!” and more “There she blows! --there she blows! A hump like a snowhill!”
This episode was a gift in many ways, not just for the sense of glee it transmitted-- it also did so much work and there are things I want to yell about in the way language was hit, the red versus green lighting, the way the backwards holidays worked, the projector as a metaphor for Mrs. B projecting her regrets and fears onto Jack, the amount of food that was created and consumed, how that smoothie was also an echo of “fairy food” or an underworld pact if you squint-- but the stakes are so high now. We haven’t been shown the next valley-- there was no final scene of Chuck rubbing his hands together like the villain from a melodrama, for example-- but the last image we got was Jack blowing out a candle. After the candle is blown out, the cake is dismantled and consumed. Once the story is over, all the themes that are so hard to grapple in a text like a television show can be gathered up and analyzed. (IS that all, though? After all, Dean made his own cake later, which, like, echoes of the “oh two cakes” comic lol...)
Since I really never want to leave anything I toss out on this blog on a last note of doom and gloom, however, I do want to say that I too understand what that last image meant. It meant, as Sam said, make a wish. Think of the future, think of free will, and hope for something wonderful to happen. (or do like me and wonder what the hell Jack wished for with dread and anticipation ha ha ha.)
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guccifloralsuits · 3 years ago
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when you get invested in a show, is that the only thing you watch or do you take breaks in between seasons to watch something else?
Depends. There’s stages of my investment which ebb and flow
Stage 1: really enjoying but not fully invested. Usually from pilot—1x06, can be as early as 1x03 if they knock it out of the park or as late as mid-S2. Watching, enjoying—but also watching/consuming other media at the same time, and I haven’t Latched Into A Character or particular plot line yet.
Stage 2: Healthy Investment. I’m invested but not obsessed. I’m forming character attachments. I want to know what happens next. I’ll watch other shows & consume other fandom media/fic, but half my media is now said show. I will take occasional breaks, though.
Stage 3: Borderline New Phase. I’m invested. I’ve got Opinions. not watching many other shows at the same time. I’m starting to create HCs, or what if scenarios in the interim between watching, & am seeking out Takes about certain events, actions, or plots. (Most shows I watch don’t make it past this stage).
Stage 4: She Snapped. She’s in it now. Very rarely watching other shows or movies, and if I do it’s always a rewatch not new content. will read a little fic from outside fandoms. Also the point where I might start looking at fic for the media I’m watching (but only if I’m not trying to avoid spoilers). The Show becomes my (temporary, & Harry will always be my first first, longterm, & Main) primary Media interest. I’m listening to songs and starting to see characters or dynamics in the lyrics, etc.
Stage 5: Obsession. I’m watching a STUPID amount of it/not starting fics from other fandoms; I’m not even reading books for leisure. I am Thinking™️ abt these characters & potentials & repercussions, I’m straight up binging a season within a day. I completely drop all side-fandoms who aren’t in stage 4 (everything but Harry and Criminal Minds atm) & I don’t start consuming new media/put a pause on anything I was also watching (like the flash, for ex right now). This stage is unsustainable, and lasts 4 days to a week at most, after which I’ll settle back in stage 4.
Stage 6: Burnout. Only happens sometimes, when in cool-down. I move back to stage 4 and 3 and then just…need Some Time to process. I’ll take a break for a week or 2 before starting to watch again, prob reread some old Harry Potter fic in between
MOST shows flow between stage 1-4. My favorites will usually travel between 3-6, hitting stage 5 a max of 2 times within the entire run of show. And yes, I am mid-stage 5 with spn rn
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aroarolibrary · 4 years ago
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Oh man so, first off: congrats to angel/dean shippers on getting your canon thing in spanish but secondly:
Man this whole thing that’s been happening with this show over the last few weeks has 100% reminded me that this show and Sherlock were the two fandoms that made be super romance repulsed because of all the internalized self-hate and trauma they caused me. Like. I was romance repulsed before but those fandoms?? Jacked it up to 100% for years in which I couldn’t interact with any romantic stories or fandoms at all.
Story time!!!
Tw for: self harm, self hatred, hypersexuality, mental health issues, child neglect.
So imagine you are me: a young person who has just graduated high school and, very suddently, went from being “single mother of your little sister” who you had essentially raised on your own for the last four years when she was 5 to 9 yo to “every day college kid that sees their sibling that they raised for the last four years maybe once a month.
Also imagine that, out of all of your high school friends, none of them are attending the same university as you and so. Well.
You’re feeling pretty lonely and depressed.
Now also imagine: you didn’t really have a chance to consume media I HS because: parent. In fact 90% of what you watched was kids cartoons for your sibling +bonus Inuyasha at 3am as a...Uh....treat.....(that’s the kind way of saying ‘setting an alarm at 3am to check to make sure the parents actually got home from wherever TF they vanished to nearly every night).
But hey! You are free now and can watch/read what you want between classes! Only, well, where to start? You go to a book store and find a Sherlock Holmes book and think “okay ya I’ve always wanted to read these!” And proceed to consume them in one week flat.
They are amazing. The relationship between Sherlock and John reminds you of your and one of your best friends/honorary cousins that you haven’t seen in a while and it brings you comfort to read, but now you are out of stories so, you do what any person this day in ages does: you find fanfiction. Now, Sherlock wasn’t a thing at this point and so nearly all the fanfics were based on the books and, of those, 80-85% you gen. No romance at all. Just relaxing stories about friends and solving mysteries.
Then Sherlock happens and, don’t get me wrong, I was definitely a fan when the show started, but suddenly fanfiction was no longer mostly gen, it was shifting, becoming more and more shipping and romance related and it became harder and harder to find non-romantic stories.
Then a person I was living with suggested supernatural. “It’s a story about brothers and it focuses on them.” They said “very little romance. You would probably like it.”
And so I watched it and, they were right, I did. And ya, that one wasn’t exactly like the early Sherlock Holmes fandom, it had a lot of shipping from the get go, but I could also really easily find gen fics that focused on siblings and familial relationships and ignore the rest since there was a pretty even 50/50 split with a slight favor on the gen side.
(Keep in mind there is a LOT of other irl trauma going on in the BG of this story which I know I’ve talked about before. A lot of which is also feeding into the romance repulsion and my avoidance of romance in fandom spaces along with my “blossoming” hypersexuality)
Anyway, the familial relationship in spn was a comfort. At the point I moved from Sherlock to SPN I was in my second year on university and was doing a bit better mentally (in the “sadness” front at least) but I was still missing seeing my sister a lot and so SPN was a comfort in that sense. It was something to relax with that didn’t have romance or anything of the sort that, at that point, was only driving me further and further into hypersexuality (I was dating my first ‘official’ partner at that point and, while I can recognize it now looking back, romance in shows and movies made me feel inadequate as a partner. Like I was failing and not doing enough. Was not romantic enough. Was not showing affection enough. But physically I also couldn’t bring myself to do those things either. What I could do was sex. And, well, when that’s all you have to offer...)
ANYWAY: spn was the one show I knew of on TV that was low to no romance and that the fandom was also decently low on romance, instead focusing mostly on family and the brothers.
Cut forward a few years, I’m back into a depression, I’ve failed at a relationship again because all I can offer is sex and that’s really not enough for people that are looking for actual romance and:
And supernatural introduces an angel character to the show. It’s interesting but I’m pretty depressed and not really all that interested in the show anyway at this point-
But then the fandom happens and it’s like a flood. The romance pours in from all corners along with the absolute hate for anyone that doesn’t see anything romantic happening. It’s like watching a wild fire go through a fandom, what was once a fandom that mostly was just about siblings all of a sudden became all about this angel character and Dean. So much so that it over shadowed everything and any attempt to just enjoy the show as a gen thing or as a family-centric show became impossible.
It was also around this point that a lot of...idk what to call it really because it wasn’t exactly hate, it was like a “this is the only way to read/be in this fandom and if you aren’t we are going to harass you non-stop until you see things our way”. If you couldn’t see the romance between these two characters it was because you were homophobic. If you preferred gen it was because you were homophobic. If you focused on just the brothers and their relationship it was because you were homophobic. If you couldn’t see that Dean was better off in a romantic relationship then with his brother who he had an ‘unhealthy’ relationship with then you were homophobic.
(Keep in mind at this point I was out as bisexual and had attempted to date a woman at this point. I say attempted because, well, again: aromantic even if I didn’t know it then)
It was intense and, from the POV of an aromantic person struggling with being unable to understand even basic romance: it was traumatizing.
I tried to see it, to understand what these shippers were seeing that I couldn’t. Yes, I could see how Sam and Dean’s relationship could be viewed as unhealthy, but as someone who had lived a similar life to theirs as a kid, and to suddenly be bombarded with this idea that the “healthy” way to cope with that is a “romantic relationship” it was a lot. And by a lot I mean a death spiral.
There was...a lot of one night stands and sex and half-attempted relationships after that, in that desperate attempt to understand. There was also panic, nausea, fear that my own relationship with my sister was unhealthy. Was causing both of us harm. That the only way I could keep from hurting her further was to find a “healthy” romantic relationship instead because siblings aren’t meant to be close, not even those where one raised the other alone for years on end.
I had no context outside of fandom about what a healthy sibling relationship looked like and, hell, most TV shows at the time painted sibling relationships as antagonist 90% of the time and with them only interacting when necessary. My parents both had siblings but my dad talked to his maybe once a month and my mom faught with Hers a lot. I had never faught with my sister. We got along perfectly, mostly because from the ages on 13 - 18 I lived for her alone and so I was used to putting her first no matter what.
But this fandom, that had been a comfort for me for a while, suddenly said that was wrong. That instead romance was the way to go and I...
Well. I am conscious of myself enough now to know that I was purposely hurting myself. A lot. Punishing myself over and over and over again, not just because I couldn’t figure out how to “feel” romance like I was supposed to do but also because I was a terrible sibling. Because I had failed my sister some how and had ended up in an “unhealthy codependent” relationship with her since, if Sam and Dean’s relationship was like that according to fans, then obviously so was ours.
(God and don’t get me started on the spiral that the new Inuyasha Sequel put me into a few months ago. I’m STILL not out of that spiral yet. These last few months have not been good for the “romance isn’t important/is unnecessary” front)
I would like to say that I soon realized how terrible the fandom was for my mental health and that it was causing me to harm myself but that isn’t how this story ends. How it ends is that I Eventually I ended up not being able to watch SPN any more. Every episode was just another dagger in my side. Another failure to press my face into. Another series of interactions where I couldn’t see. Couldn’t understand. Another episode that would let to another desperate one night stand/attempt at understanding how this was better. Healthier. How this was how things were supposed to be. Another night of not talking to my family or friend and another few days of not talking to my sister because talking to her too much was wrong.
So ya. This story doesn’t end nicely. It just slowly fades to black. To a point where I hate myself so much that I can’t bring myself to interact with the fandom or internet at all. Where everything just kind of...goes away and vanished but where the trauma still exists. Where stories that start out about family and, suddenly, introduce love interests leave me nauseous and choked. Where my romance repulsion gets so strong that I can’t sleep because I just keep remembering my failures. The fact that it’s not healthy to focus or care about your family. That there must be romance. There must There must there must. Because with out it all other relationships are bad/wrong/unhealthy and you are bad/wrong/unhealthy for only having those.
Just the endless mantra. All night long.
Bad.
Wrong.
Unhealthy.
Bad.
Wrong.
Unhealthy.
Bad
Wrong.
Unhealthy.
Over and over and over again.
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gonuclear · 5 years ago
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y’know, maybe this is gonna be controversial, but i feel like spn should’ve ended with season 11.
i mean, don’t get me wrong, i love jack and he’s absolute baby, but...was it really necessary? did we really have to follow mary’s “character arc” (and i use that term incredibly loosely)? was the whole “alternate universe” plot...just bad? (answer: yes. yes it was.)
of course there were some good episodes sprinkled throughout the last couple of seasons (scoobynatual, anyone?), but as a whole they felt uninspired and bland. i don’t want to throw too much blame at the writing team, they work super hard at what they do, but i’ve honestly read fanfics that seemed more cohesive, coherent, and canonical than some of the episodes in season 14.
i watch the reruns on tnt more often than not when i’m home to see them, and every time i watch the episodes from about season 4 to 10-ish, i really start to miss the caliber of story they used to produce. i don’t fully agree with the original idea of ending it at season 5, but i do think it’s time maybe could’ve come sooner.
let me reiterate, i don’t hate seasons 12-14, but i do wish that they could’ve been, at the very least, told differently than they were. i mean, season 12/13 (i can’t honestly remember when this started) was pretty good, but i can still say that it felt like a grab for what that had with demon!dean when they had michael posses him.
and, to be completely honest, jack kind of feels like a kevin tran. they both started out as wide-eyed kids the boys had to save, and just as they started to get more powerful and more developed, they got killed off by some mystical force. (when i realized this i felt like i galaxy brained, not gonna lie.) now, this is just prediction based on how kevin’s story ended (spoiler: he went to heaven), and on promotional material i’ve seen for season 15, but i feel like at the end of the season show, jack is going to get a happy ending.
but, alternately, jack is castiel back in those early seasons. we’ve all joked about cas being jack’s dad (and misha being alex’s...the resemblance is uncanny), but i think jack is kind of a manifestation of the parts of castiel that got developed out. he’s very socially inept (i’m not even going to go into my other headcanons here), a little awkward, set in his moral ways, puppying around with sam and dean, basically a lot of what cas did in seasons 4-about 6.
and that’s totally okay.
i’m not making a dig at the writers here, i gotta make that perfectly clear, but i do think that an overarching tactic of these seasons is nostalgia.
nostalgia for season five, when they first saved the world from doom. or four, when we were introduced to the angel that gripped our boy tightly and raised him from perdition. or seven, with kevin. hell, even ten, when we all waved the “i told you so” banner for chuck being god.
as humans nostalgia is a very heavy veil on the media we consume. we feel nostalgic for the cartoons we watched as kids, so the networks release movies with new stories and the same characters we know and love. shows have revivals. musicians go on reunion tours. books release prequels.
but what supernatural has done, at least in my opinion, is made revivals within itself. no rerelease of a show is perfect, and that’s why these recent seasons have felt a little lacking. because they used nostalgia for what happened before, and they tried to do it in a new way that didn’t really land in the same place those earlier seasons did.
now, i can’t anticipate how the show will end, or even how season 15 will go, but all i can say is that i’m not as torn up about it as i would’ve been three or so years ago. it sucks that spn is ending, it’s been one of my favorite shows for years and i still love it, but i’ve finally made peace with the fact that it’s time for it to end.
i know that i’m going to cry when i see that last “the road so far”. when i hear carry on wayward son for the last time in a new finale, it’s going to hurt. but i’ll know in my heart that they had a good run. that the show kept so many people going, me included. that it’ll live on in the fanfics and the cosplays and maybe even the convention appearances.
it’ll survive in the fans, such as any culturally significant show does (looking at you, star trek). it’ll have its reruns, its new fans that discover it years after its end, and it’ll live on. and we’ll feel nostalgic for it, we’ll contest the ending and dissect the show, and we’ll tell our children about how much we love it.
because shows like that, even if we didn’t really like all the plots or the seasons or the characters, are always going to be the shows we love.
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emilywatchescursedshow · 4 years ago
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Ep 1 - Pilot
ooh starting with a flashback very good
blonde babies. wow what a happy family hopefully nothing goes wrong... oh i forgot that sam is the point of view character bc literally all the media i consume is about Destiel/Dean’s closeted bisexuality
oooo no theres SPOOKY TIMES happening in this nursery. creepy standing over cradle in trenchcoat like you do. what could be happening in this house? oh no the guy standing over the cradle was not her husband!! and Sam’s ,,, oh he’s fine apparently. hopefully he hasnt been infected by ghoul juice
oh right i forgot about this scene look at those graphics on the fire consuming her body. what was his plan and also how did he make it out of the building he got fireballed. was this just like, targeting Mary for no reason? was there a motive for this spn hijincks? also love how she’s named Mary, not subtle at all
OH MY GOD DID SAM GET INTO STANFORD I DID NOT KNOW THAT. ah yes Sam’s so smart, let’s have these college kids talk about Sam’s family so we can understand they’re not on good terms anymore
spooky bead door frame OH NO ITS JACKLES YES KICK EACH OTHERS ASS WOW
wow we’re really already going hard on the being a dick to women. “whatever you want to say you can say it in front of her” and her tiny boyshort panties apparently bc we’re not letting her go change ,,, can’t wait for this lady to be dead at some point, probably the end of the episode
a HUNTING trip
let’s go find daddy.
oh wow giving a nine year old a gun is pretty awful.
the theming of “what’s the point on trying to stop a force that we literally can barely make a dent in” is already introduced, I wonder how often that comes up later (contrast to like, Buffy and this same thing). Also interesting seeing the brothers interact now and knowing where they come from when I know how it ends. Interested to see also how they develop Sam’s relationship to his mom when he literally did not know her, he was like 6 months old when she died. So any relationship he would have to the concept of mom would be from his dad/brother talking about her/her being a symbol in his life.
Sam saying “Dad let you go on a hunting trip by yourself” when 5 minutes before he told Dean he could do it himself & Dean responded “I don’t want to” make up your mind show
oh there’s JARGON on this show “did you know there’s EVP on that?” will we learn what that is?
wow i wonder if he’s going to make his interview by monday
she’s still in her panties. i wonder if they cast her to look like his mom on purpose. i bet he did not tell her where he was going.
ooo spooky woman. i want this dress. uhoh she doesn’t show up through the windows! look at the tiiittttiiieeessssss “a girl like you” and then she proceeds to hit on him,, this man is clearly dating someone. oh i see he’s trash. uhoh she’s gone! spoooky!! attacked by bird, spooked, then promptly flees. oh oops and now he’s getting murdered. i wonder if we will understand any of the villains’ motivation.
Jackles is definitely turning in a performance. There’s a lot of lip acting happening.
stalking around the crime scene with weird vocal intonations,, i hope they do this every episode. either everyone else is short or these two are aggressively tall
the worst lit diner in all of CA. These two people are clearly witches. Interesting how local legend is just exactly what we saw happen to the guy
Dean doesn’t know how to use a computer amazing character moment
i wonder if their dad got freaky with the dead mother
obligatory family business conflict
i wonder if Jackles’ lip movements are being purposefully contrasted by Jadeleki’s total lack of lip movements
why has dean made no attempt to wipe off his face
dirty dean, uh oh this hamburger has gone bad, must be old
“woman in white” whatever that means
pentagram count 2 I think
uhoh sam is having memories about his family and smiling i wonder what this means for his INTERVIEW ON MONDAY
the brothers are separating hopefully nothing bad happens to one of them
cannot get over Jackles’ face acting. maybe i missed the jadelacki boat here only for jackles lip and eye movements on the squarest face crafted by god on man
obvious lie to the happy marriage question i hope this man didnt drown the kids “by accident.” women in white lore. happening now. oh husbands unfaithful. i see so we’re murdering unfaithful men. do they have to be unfaithful before they meet constance or does she just tempt them. 5-10 sec shot of a mans face contorting in anger lovely
oh no dont put shackles on dean in a leather jacket while he pouts his little mouth oh noooo dont you dare and then he breaks out oh nooooooooo
jadelacki,, has he been unfaithful to the mom stand in? i thought she just targeted unfaithful men why is this happening. oh i see she’s going to assault him that’s so coooooooooooh wowwwwwwwwww
wait what is happening?? oh we’re shooting a ghost and it’s working???? YESS DRIVE STRAIGHT INTO THE FUCKING HOUSE!!! AMAZING I LOVE IT GREAT THINKING
they dont have any salt how are they going to stave off the ghost
or her kids are here bc they’re also ghosts, not sure if i should be happy abt this oh there’s some melting happening those were some cool stills
uhoh dean is scowling and pouting in his leather jacket uh ohhhhhhh uh ohhhhhhhhhhhhhhhhhhhhh
yeah we shot a ghost and it worked for some reason let’s just lampshade that i guess (still dont know if im using that word right)
let’s see where daddy is. too late daddy is dean
lets go to the interview even tho we didnt find dad at all
character moment for the car, only one headlight
oh no is the lady gonna be dead. did she freeze bc all she was wearing was panties. oh wait its CA def not
“we made a hell of a team” yeah bc dean doesnt know how to use a computer
uh oh better not be his girlfriend taped to the ceiling and on fire
i wonder how long she was up there
are we going to discover why jadelackis girls get immolated?
ok so he’s on the team cool
what an episode
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lest-we-be-liars · 4 years ago
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YES!
Please please can we talk about the plant?!?
Like, I was wholly obsessed with that plant from the moment I saw it wilt until the moment Castiel cut his hand.
Look, the said jack was a bomb, but technically, that isn't entirely accurate. He was a black hole for cosmic energy. What do black holes do? Consume. They consume all light, life and energy around them. So, when he went boom, he consumed the Empty. However, there was no light, no life, no energy. He consumed literal nothingness. He consumed the opposite of everything, being nothing.
Now this is a weird line to walk here because the empty is full of dead Angel's and demons. I have bounced back and forth between different forms of theology trying to come up with an explanation how something that ceases to exist can still exist in a place that exists but is actually the opposite of existence and even typing that sentence hurt my brain so it's easy to imagine what actual research did. It's difficult because, it's easy to say a soul never truly dies, so by that logic, Demons can't really die, because in the SPN universe, Demons are just extremely tortured souls. By their own logic, that should have placed dead demons in Purgatory, but seeing as they didnt explain what happened to things that die in purgatory either....
Look, small rant. You can't say that souls are something that even God struggles to fully understand, give them that kind of power, then say "oops, but they can go bye bye super easy" no. Just no. But I digress....
The power and resilience of souls in the story is...confusing...to say the least...but them you have the Angel's. We know that they dont have forms persay...they are wavelengths of intent. So when they are gone, they should be just that gone. They shouldn't go anywhere. Just simply cease to exist. My problem with the concept of the Empty is that it is supposed to be a place where things that shouldn't exist anymore go to rest but by resting it that means that they still 3exist in somegorm making the empty they4 antithesis of its self and really it is a whole existential dilemma that I dont have the words to properly describe.
So let's just say that the empty is a place of nonexistence and not get any deeper into that because.. woof....
Back to the point!!!!
So, we have Jack, a black hole that just absorbed nonexistence. Jack, who was once the epitome of life, being the product of human and Angel, who has now consumed all of nothingness.
We have Chuck, now more powerful than ever having consumed his sister ( don't even get me started on the Empty VS the darkness rant). He is both light and darkness now. Destruction and creation. Chuck is the epitome of existence.
Which brings us to....
THE PLANT!!!!
Plants are used to symbolize life. They are used to symbolize hope and growth and perseverance. Its is a very common trope in media ( Hi Wall-E).
Jack looked confused when the plant wilted. I'm not exactly sure what his intentions were but it certainly wasn't that. Jack has used his powers to create things. To heal. To repair. If his powers aren't working the way he intends, then that explosion definitely changed his entire structure.
Now, I said before that I thought Jack could be the new death. That's still possible. Billie is gone and the role needs to be replaced. Consuming the opposite of life may have created a new death.
However, the more time I've had to think about it, the more another theory that I posed in a LITERAL crack fic might be more plausible. I hope not though, but that may also be my unwillingness to see jack die, because if what I think is another possibility is what is happening, Jack would have to die too.
Because Jack may have became the new DARKNESS.
Yes, chuck and Amara merged into one being, but who is to say that created total balance? Obviously chuck has a stronger hold on the reins. Maybe instead of balance it just created chaos. I mean hell, what if Chuck isnt even killing people intentionally and it's just a product of whatever unstable thing he has become ( that's just crazy ramblings really. He's most definitely the one that is killing everyone and 100% on purpose.) BUT I still think, since he is now Everything, he needs to be balanced out by Nothing.
It's also possible that they may not even have to kill Chuck. Just trap him in the empty, which Jack obviously has some kind of power over.
Either way, that plant told us that Jack is still the key to bringing Chuck down. Ut was buried in al the heartache and trauma of the episode ( whether that was intentional or not can't be determined quite yet) but it was so important.
As well as the implications of what is possible if that explosion woke everything up in the empty.
WE'RE TALKING ABOUT HEAVEN AND HELL BEING BACK TO FULL POWER HERE Y'ALL!!!!
I think I'll end this crazy ass rant here, but I am definitely coming back to all of this throughout the week.
*SPOILERS*
*Spn 15x18 SPOILERS *
NOBODY IS TALKING ABOUT THIS AND WE ALL NEED TO BE!!!!
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YES, I KNOW! SOME OF US ARE STILL FREAKING OUT ABOUT "THAT" SCENE!
YES, I KNOW SOME OF US ARE JOYUS, WHILE OTHERS ARE SCREAMING HOMOPHOBIC AND SOME ARE JUST PLAIN SOUR!
Yes, I know that episode gave us, shippers and nonshippers alike, ALOT to process!
This moment, right here, IS SO IMPORTANT!!!! For ALL of us!
Let's break down why:
OBVIOUSLY the empty is PISSED
Death broke her deal
Death tried to kill the empty using Jack as a bomb
The empty likes peace and quiet (that's why it wanted Castiel in the first place) and a big explosion just disrupted that.
But the empty doesn't cry
They empty is unhinged, but not completely unstable
The way it said these words ...YOU MADE IT LOUD! .....
Guys....
GUYS!!!!!
Do we think, that maybe...just maybe that explosion, that should have killed jack, that should have killed the empty, ACCIDENTALLY WOKE EVERYTHING ELSE UP?!?!?!
Here me out,
They said Lucifer is coming back.
They had a big event planned before everything shut down with a bunch of returning actors.
This was it!
Jack is the only thing that can wake up things from the empty (excluding the Lillith plothole).
I firmly believe that Jack just woke everything up!
I also believe that some meta writers may have had it backwards when they said Jack would be the new God. I think he is actually they new death
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(Excuse the terrible GIF quality but he looked genuinely concerned)
However, that's a talk for another time.
What is important, is the fact that Jack may have just woken up every Angel and Every Demon that ever died. The empty will not be happy. The empty will want justice.
WHAT THIS MEANS FOR EVERYONE ELSE:
the empty might very well toss all of the Angels and Demons out to get peace.
Heaven will go back to full power
Hell will be full of demons, some still very irate with the Winchesters
LUCIFER WILL BE BACK
And for those of you so sure that Castiel is forever dead, it may be wishful thinking or maybe delusion on my part, but I dont think so. Why would it keep one angel? One? I dont think Cas's story is over.
The boys are going to have A LOT to contend with.
Either forces will band together to take down Chuck or more chaos will erupt ending it in a not so happy way for our beloved brothers
There are literally hundreds of possibilities within each of these talking points and quite frankly I don't have time to write them all down (I will possibly come back and break down each point later) but the case remains....
WE NEED TO TALK ABOUT THIS!!!!
Because if I am right, and I've been right about how a lot of things regarding this season, this moment is, literally, a game changer.
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