#yeah so what the HELL was that scene

[xxplastic-cubexx]

Chat have we discussed drunk chess with cherik cause i just think. That would be the darnedest silliest thing they could do

[kit-screams-into-the-future]

jesus christ, doc, i thought you were a goner! warn a guy next time, will ya? jesus christ, doc. jesus christ

bonus doodle post-extra-long-hug:

(listen im a sucker for the forehead kisses alright. whenever it happens in a fic i eat that shit UP. it's the cutest thing ever idc)

[danandfuckingjonlmao]

good night and sweet dreams to the best, sexiest, sluttiest, smartest, realest, most based, valid, relatable, girlipop, sympathetic, cunt, fun, cool, feminist, aspirational girlboss character in dead boy detectives: doll spider <3

good night to her and no one else. i hope the rest of y’all have a bad night and terrible dreams.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[brotherconstant]

You have no idea who he is. You were only there when he was a baby who needed to be protected. I was there when he learned to walk. I was there when he first went out into vacuum. I was there for all the moments his mother should have been there. And I've felt guilty every day since.

THE EXPANSE ◆ Oyedeng (5.07)

[evelynpr]

FINISHED WATCHING MHA MOVIE 2: HEROES RISING!!! SPOILERS AHEAD IF YOU HAVENT WATCHED IT

OH MY FUCKING GOD THIS WAS SO GOOD YO HOLY FUCK I LOVE IT AAAAAAAAAAAAA

This was truly My Bakudeku Academia. Watching that final battle felt like a religious experience- as if I was watching the birth of Christ. Holy fuck if that really was the original ending, with Deku passing OFA to Kacchan, and the whole "Oh it actually stayed with Deku and Bkg got amnesia" didn't happen, this would have been a dramatically different story moving forward.

Horikoshi really loves Bakugou- like absolutely no question. The story following this kind of ending would be about him continuing OFA's legacy with the guilt of a thousand suns on his shoulders for "taking away" Izuku's dream. Izuku would have continued the hero course as an actual quirkless student. I would love to see aus of this being canon and continuing their story from there.

I'm guessing Nine here was supposed to be AFO, and he would basically be gone too. Katsuma is perfectly set up to be the next protagonist (I can already imagine him using Cell Regeneration as Super Regeneration- he could become invincible while also healing others. Incredibly amazing quirk).

NUMBER ONE COMPLAINT I HAD WAS ADDRESSED. THE REST OF THE CLASS ACTUALLY DO FEEL STRONG AND USEFUL AND EVERYTHING AS SHIT I LOVE IT AAAAAAAA

YES MY GIRL OCHAKO FINALLY HAS HER BIG MOMENT FLOATING SO MUCH DEBRIS!!! I'M SO HAPPY- EVEN JIRO, AOYAMA, SHOJI, TOKOYAMI AND MORE HAD LEGIT GOOD SCENES AND FIGHTS I'M SO FUCKING HAPPY YEEEEEAAAAAAAAHHHHHH THEY ARE SOOO COOLLLLL THEY GENUINELY GAVE IT THEIR ALL FUCK YEAHHHHH

(note. THAT WOLF GUY CALLED SHOJI UGLY- A FELLOW HETEROMORPH, CUS HE WAS PROJECTING HIS "MONSTER" ISSUES ON HIM HOW FUCKING DARE YOUUUUU)

THEY ALSO MAKE IT ACTUALLY MAKE MORE SENSE HOW THE WHOLE CLASS IS SEPARATED ON AN ISLAND TOGETHER AS A WHOLE CLASS THIS TIME TOO (and not just half like last movie). They even managed to tie it in to AFO, the LoV, and Hero Society. Like it actually feels more grounded and reasonable why the class would be here alone with supervision.

They even add hints of Touya Todoroki with him having a short battle with Endeavor, Hawks spying in the LoV, the HSPC head cameo, and other little things too. Man I loved this fucking movie I would watch it 10 more times right now.

[braceletofteeth]

Strangers From Hell Incorrect Quotes [13/?]

insp.

[pixelatedraindrops]

Yuma Month: Day 20: Truth

The truth…is uglier than you could have ever expected.

tw // vomit (spoilers too)

...happens only if he ate a meat bun prior to this

(all vomit in rain code is censored in pink glitter ✨)

based on this post I made long back

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[divineandmajesticinone]

Parm Pawarate as Puen

PLAYBOYY THE SERIES (2023) I 1.03

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[xxplastic-cubexx]

Why is Erik taking a shower and is fully prepared to fight naked in that panel 😭

my man turning into a baby is a typical tuesday activity but the second he wanna little naked shower fight NOW its suspicious 🤨

[setmeatopthepyre]

WIP titles game

tagged by @beanarie, thank you!

Rules: make a new post with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous and tag as many people as you have WIPs as you please. People send an ask with the title that most intrigues them, then you post a snippet or tell them something about it!

okay. so. my writing folder is an extremely chaotic collection of bits and pieces of wips strewn across various documents. and also like half or more of the documents are notes or outlines or ideas. some docs are like 4 lines of dialogue. but hey, maybe it's fun to see a little bit of my process so I'll just put a bunch of the names here and let you choose. you may not always get fic but you will definitely get something (might be plot ideas, might be research, might be fic, might be random lines of dialogue)

839 plot beats

tommy in the army notes

plot beats antarctfic

antarctfic waiting for evac

antarctfic-research-notes

2039 aka time stops shared nde notes

thoughts on tommy and the bridge -> fully shared here

helicopter info

dead probie scene vic emmerson jail

the ex - the victor saga

i know maybe you didnt think i was serious -> fully shared here

antarctfic queer notes

839 - hot people are just hot convo

antarctfic abby convo tommy lucy

antarctfic buck yelling -> fully shared here

antarctfic bubbling buck -> fully shared here & here

antarctfic tommys you dont find it you make it -> fully shared here

victor not chill -> fully shared here

okay I think that's enough :') uhh. numbered them so they're easier to send asks about.

not gonna tag 18 people but I will no-pressure tag @ambernotember @geddyqueer @sugarpenchant @leashybebes @epiphainie @screamlet @sugarpenchant

[lunar-years]

i love it in fics when Roy reacts before he's processed his feelings and says/does something he very soon after hates himself for saying or doing and then he spirals in guilt and regret and apologies. something about it resonates soooo deeply like yeah!! lets give this guy a hug and some grace!! let's shower him in it!!

[howicked]

What the hell's this?

BILL (2015) | dir. Richard Bracewell

[wasabijean]

hey osmosis jonesers you can read it here