#yeah it’s pretty comical that I have 20 gay characters and everything else just has less than 5

[livingthe24framelife]

My Cookie Run Pride Month headcanons!

[bamfdaddio]

X-Men Abridged: 1976

The X-Men, those fiery mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. Want to unravel this tapestry? Then read the Abridged X-Men!

(X-Men 97 - 102) - by Chris Claremont and Dave Cockrum

If I ever participate in Drag Race, this will be my entrance look. (“Hear me, bitches! No longer am I the woman you knew! I am fierce! I am fashion incarnate! Now and forever, the winner of season 27!” *mugs at camera* ) (X-Men 101)

It really amazes me how quickly Claremont shifts things into high gear. One year in and he absolutely does not calm down, giving us both the Shi’ar, more Sentinels and the (motherfucking) Phoenix. SO LET'S GOOOO

You’d think that, as a telepath, Charles would be used to dreaming absolutely twisted shit, surfing everybody else´s freaky dream waves, but apparently, vividly dreaming of space is so exhausting that he needs a vacation.

To be fair, I’d be exhausted too if I dreamt of schizo space bugs on detailed splash pages. Get into it, Mr. Cockrum. (X-Men 97)

Meanwhile, Alex and Lorna have absconded to the sizzling Rio Diablo to work on their doctorates. It’s unclear what they’re studying (archaeology?) and where this Rio Diablo is (Panama, Chili, Ecuador?), but considering that Rio means River, I’m unsure whether drawing a dry dry desert is the appropriate setting. But hey, this was the pre-Google era and you’re not here for topographical nitpicking, so.

Lorna is shot by an unknown assailant and continues the long, long history of Polaris being mentally overtaken by other entities. Together with the equally not-himself Havoc, they travel back to NYC and attack the plane Xavier is boarding. The X-Men battle them, until it is revealed that these former not-quite-X-Men are in league with… Eric the Red?

Scott is all: But I was Eric the Red! Also, Eric the Red does not exist!

Xavier escapes, apparently not giving a fuck that all kinds of X-Men are demolishing the JFK airport, but the still-evil Havok and Polaris also get away. The X-Men are shook!

Some time later, The X-Men celebrate X-Mas at Rockefeller Square, where Claremont skips some steps in favour of narrative expediency. Moira and Sean are apparently in a relationship, Jean and Storm are the best of friends. It’s some pretty rough telling, not showing, but we’ll allow it, but only because the Storm/Jean-friendship is one of my favourite things.

What, you think only the movies indulged in Lee/Kirby-cameos? (X-Men 98)

Anyway, Jean and Scott are attacked by the Sentinels, who continue their trend of being way too sneaky for supersized racist robots! Xavier is kidnapped on his boat trip with super-duper scientist Peter Corbeau (seriously, he has two Nobel Prizes), while they steal away Jean, Sean and Logan in NYC. When they come to, there’s some gloating from Stephen Lang.

Jean Grey being a literal pin-up while delivering nazi-burns is such a big middle finger to everything she was in the sixties and I am here for it. (X-Men 98)

When the three kidnapped X-Men make a break for it and escape the Sentinel’s clutches, they burst through a wall, only to be greeted by the cold vacuum of space! They’re not on Earth at all: they’re on a formerly SHIELD space station! GASP! (literally)

In secret, Peter Corbeau, inventor of sliced bread, helps the X-Men back on Earth board a space shuttle, where Colossus remembers his brother Mikhail (objectively the worst Rasputin), a kosmonaut who died at the launch of another spacecraft. It’s another Future Plotline Seed©.

The X-Men dodge solar storms which sounds like a made-up contrivance but aren’t, while the Sentinels try to destroy the shuttle. In what the kids these days call a pro-gamer move, the X-Men instead ram the space station and go through to these apparently sub-par Sentinels like Magma through butter. Kurt’s showmanship and Colossus’ loyalty are highlighted, while Cyclops becomes more robotic and repressed the more Jean is in danger.

Colossus’ secondary mutation is apparently BEING THE BIGGEST DORK. (X-Men 99)

Scott almost kills Stephen Lang, but then Stephen throws his ace in the hole at them: THE OLD X-MEN? This reveal throws us right in the hallmark one hundredth issue!

And, look. Stephen, this is just a terrible plan. Instead of using most of your budget on making more impressive Sentinels, you blow half of it on making janky X-Men clones to… what? Confuse the real X-Men?

It works for a hot minute, but Kurt and Ororo quickly figure out something is wrong. This Beast, for example, isn’t hairy and this Jean doesn’t remember being in Storm’s confidence. Wolverine is the first to snap: acting on instinct, he kills ‘Jean’, proving she’s an android.

Stephen Lang, foiled by the X-Men’s logical thinking skills (which, to be fair, are notoriously unreliable), spews some hatred and accidentally blows himself up. Nothing of value is lost.

Too bad the X-Men can’t return to Earth: their space shuttle is too damaged. I actually love this: going to space is kind of a big deal for most people and the fact that the X-Men have trouble because they’re stranded in space lends them a kind of vulnerability that has been lost over the recent years. Jean steps up to the plate, herds the other X-Men into the protected life cell and assumes the pilot seat of the shuttle. This is after zapping Cyclops into unconsciousness and telling the other X-Men to kindly fuck off when they try to stop her.

As the X-Men descend onto the Earth, Jean’s telekinesis isn’t enough to protect her as she’s engulfed by solar flares. OR IS SHE?

Nothing funny. All of these panels are just beautiful. Forget those robot copy X-Men, this is why this issue is worthy of being the hundredth one. (X-Men 100)

The space shuttle crashes, rolls over JFK airport before dunking in the water. The X-Men emerge, safe, sound and very lucky and then, defying all odds, Jean emerges as the Phoenix. Fire, life incarnate, etc.

After a brief but melodramatic burst of energy, Jean collapses into unconsciousness and is hospitalized. Wolverine intends to bring her flowers (aw!), before throwing them out when he realizes the gal’s taken, establishing the X-Men’s most famous love triangle. (You can fuck right off with your Scott/Jean/Warren-bullshit.)

I’m not sure what my favorite thing is here: the absolutely bonkers everybody’s-elated-panel (special mention to Kurt’s boots and his bounce) or the subtle character beat where Kurt goes all heart-of-the-team and checks on Scott, who turns out to be not so stoic. (X-Men 101)

Charles orders all the X-Men (except Scott) to go on vacation, so he can take care of Jean. Like, Charles, you’d think they could just go hang out at the X-Mansion. Instead, they go to Ireland because Sean has conveniently inherited the ancestral Cassidy Keep.

All the X-Men dress up fancy for a welcoming feast, and it seems Kurt and Ororo are flirting? But sometimes, it also seems like Ororo and Piotr are flirting? Listen, I’m not judging: I love these polycule vibes from the early X-Men. Especially because neither Kurt nor Ororo have had particularly satisfying romantic plotlines for the past 20 years.

I’m not here to insinuate nothing, but last time I said “I enjoy being with both of you”, it ended up in a spitroast. (X-Men 101)

The soiree is interrupted by… THE JUGGERNAUT, BITCH, and Black Tom, Sean Cassidy’s evil cousin. They are hired by an unknown someone to kill the X-Men! Since nobody subtle is involved, they quickly wreck the castle and everybody tumbles into the dungeons. (Local news paper reports: gay power couple harasses ill-dressed American tourists.)

This story is mostly a vehicle to tells Ororo’s backstory: Storm, one of the few who could conceivably put up a fight to Cain Marko, feels caged by the cold rocks of Cassidy Keep and is incapacitated by her claustrophobia.

Back in the USA, Charles, who’s heard Storm’s mental anguish, is furious with Scott because he doesn’t hop in a plane to save the other X-Men, even though Scott correctly points out that he’ll never get there in time if he leaves now. Meanwhile, Jean awakens, convinced she somehow brought herself back to life. Yeah, you go girl.

While the rest of the X-Men fight the evil duo in Ireland, Claremont tells Storm’s backstory in a few gorgeous spreads.

“I could write a novel about Storm’s backstory.” “You get two pages.” “Deal.” (X-Men 102)

Another classic comics trope appears here, where family members are immune to one another’s powers. I have no idea how Black Tom is immune to Banshee’s sonic scream - he has ears.

Does Black Tom just have a voice in his ears going NEENER NEENER NEENER when Sean screams? (X-Men 102)

When Storm finally pulls herself back together, it’s too late: the Juggernaut has pummeled the other X-Men into a paste and she also falls to his onslaught. IS THIS THE END OF THE X-MEN?!

Other things introduced this year:

Kurt’s image inducer, which he abuses to look like Errol Flynn. (I would abuse it to look like an amalgam of Milo Ventimiglia (ca. Gilmore Girls) and Timothée Chardonnay. OR like Emmy Raver-Lampman.)

The fastball special!

All kinds of name confusion: Lorna is Polaris, Havok is sometimes Havoc and Piotr becomes Peter.

Best new character: Phoenix. Hit me with that iconic shit.

What to read: The Stephen Lang arc is not fully necessary, just read issue 100 and 101. Don’t skip issue 102 if you want to know all about Storm’s past.

[cotncandyboifics]

1989 [High School AU]: Chapter 9

AO3 Link

Masterpost

Chapter 1 ~ Chapter 2 ~ Chapter 3 ~ Chapter 4 ~ Chapter 5 ~ Chapter 6 ~ Chapter 7 ~ Chapter 8 ~

Pairings: slight Logince, eventual Prinxiety & Logicality

Word count: 2,043

Story summary: Roman Prince is your stereotypical Jock, with everyone swooning after him. Every day a crowd of people follow him around, only to disperse at his personal whim. In reality, he's lucky to have such good acting skills that help him cover up the disdain he has for his life. He only wishes he could use his skills properly.

Patton Whitelock's always there to lend a helping hand, no matter who you are. If you need a favor or just need someone to talk to, go to him. In reality, he's been taught from a young age that kindness should be held above all else. No one suspects that he took it the wrong way.

Logan Montgomery is the smartest boy in the Senior class. He's stern, and most people are too intimidated to speak to him. In reality, he despises most all of his fellow students. He sticks to his studies and doesn't stray, for fear of being stuck in his father's shadow his whole life.

Virgil Black is the most emo kid in school, let alone 12th grade; everyone knows to leave him be. In reality, he's very fortunate. He has two parents who love him dearly. But everything beyond his life, everything within his mind, is utter chaos and turmoil.

what will happen when they're assigned a biology project together?

General CW: food, swearing, implied s-lf h-rm, non-graphic descriptions of s-lf h-rm scars, graphic and non-graphic descriptions of anxiety attacks and panic attacks, drug abuse, minor character intoxicated on heroin, non-graphic drug overdose description, sickness/description of sickness, blood, non-graphic descriptions of needles, (will be added to as I write more)

Chapter CW: swearing, food/meal mention, (let me know if i missed anything please!)

Author notes: the massive amounts of gay panic. this chapter was fun to write

...

Roman returned to find his room far less lively. The tall nerd and the short puffball have seemingly disappeared! Of course Roman knew they'd likely just gone home, but what fun is life without a little exciting drama?

The only one left was Virgil, who was curled in on himself on Roman's bed, a pillow in his lap and phone in his hands yet again. Roman sighed dramatically, sprawling out beside his darkly dressed counterpart.

"Is this what they meant when they said 'get a room?'" He commented after a long boring silence, waggling his eyebrows when Virgil looked at him with wide eyes.

"Oh shut up," Virgil looked away, slamming his pillow into Roman's face in a fit of deja-vu.

"Oh come on! Look up the word joke in the dictionary, Jack Smellington!" Roman said exasperatedly. Virgil shook out his luminescent hair, which was now out of his hood and proudly on display. Roman couldn't convince himself to look away.

"As much as I appreciate being compared to one of my favorite Disney characters, that was a bit- what?" Virgil looked at him confusedly, and that's what finally got Roman to look away.

"Nothing." He said shortly. He considered apologizing, but he figured that would make him look worse. Virgil just laughed lightly, not awkwardly. Mostly to himself about Roman's dorkiness. Roman felt his face heat up, and hated himself for it.

"Well, I should probably get home..." Virgil flopped back onto Roman's bed, stretching his arms out above his head. his shirt lifted slightly to follow, and Roman caught a glimpse of his navel, as well as some impressively sharp hip bones, and the very gentle start of a V-line. He forced himself to look away that time. Getting caught looking at someone's hair is one thing, but... but that, was something else entirely. Roman was already in dangerous waters, and he knew it.

"Ehem, well, I know you denied me last time," Roman began, flopping down beside Virgil and looking up at his pride flag, "but the offer of a ride is still up for grabs. Unless you'd rather be stuck on the bus at night for half an hour." Roman crossed his arms over his chest, and Virgil sat up to lean over him. He nearly opted to retort and deny the offer more snarkily than last time's failed attempt, but...

Roman's eyes. He'd never been close enough and calm enough simultaneously to really look at them; they were a deep melted milk chocolate brown, and held nearly imperceptible flecks of shining red. Virgil's eyebrows knit together, and he leaned closer to look into Roman's eyes more properly.

He didn't realize what he'd done until he'd started to reach down, almost putting his hand on Roman's cheek, and Roman made a small squealing noise to go with his completely tomatoed face. Virgil gasped slightly louder than he'd meant to and immediately recoiled.

"Shit, sorry, I just..." he considered shutting his ridiculous mouth and trying to move on, but he figured he couldn't leave that one without some kind of excuse. "I just haven't really looked at your eyes before. Not like, really, I mean. They're... nice. I like the little red bits." His voice grew much quieter as he spoke. He was facing away from Roman, and thank god, because if Roman could see his face he'd see peach-colored cheeks and a childish smile. And how very uncharacteristic of Virgil that would be.

"Thanks," Roman finally managed to huff. He stood slowly, trying to gather himself, and walked over to his desk, grabbing his car keys. He jangled them in his fingers, raising his eyebrows and silently asking Virgil if he'd take him up on the ride offer. Virgil, who had barely managed to discipline his face before Roman turned to him, just smiled very slightly and nodded.

Virgil grabbed his backpack, and Roman led the way from his room and out the front door to his ridiculous shiny-red mustang, which happened to have white racer stripes. Virgil thought this was pretty funny, but kept a sarcastic tease to himself for once in his life.

Virgil texted Roman his address from the passenger seat. While the bus ride to Virgil's house from Roman's was about 20-30 minutes, the car ride was less than 10. Roman considered putting on some music, but decided against it, considering what happened the last time they were alone with just music and each other. What the heckity heck is happening here?  When I imagine... love... this is what comes to mind. He cringed at himself, surprised and disgusted that he was admitting that. This doesn't feel the same as it does with Logan though... so then, maybe I truly love Logan, and Virgil just inexplicably makes my heart flutter? Of course, the only other possibility is so much worse-

Roman's thoughts were interrupted by Virgil shouting "RED LIGHT!!!" very suddenly, and Roman slammed the breaks.

"Jesus Princey, are you trying to kill me!? Is that why you were so hell-bent on driving me home??" Virgil's voice was mostly panic, but laced with some half-hearted sarcasm. He clearly had more panic and less sarcasm in it than he'd meant to. He was holding onto his seat and the door beside him for dear life, looking at Roman with wide eyes, his chest heaving comically. Roman was too dazed to laugh.

"Shit, I'm sorry," He looked up at the street light, which was in fact red. "I got lost in thought for a minute. I won't let it happen again while I'm responsible for you. My deepest apologies." Roman would have normally faux bowed and reached out for Virgil's hand to kiss his knuckles, but unfortunately Virgil was making him feel... well, bitterly jittery and not very glittery. Or maybe, too glittery. He didn't know anymore; all he knew is he had to leave his thoughts for when he got Virgil and then himself home safe.

"Lost in thought?" Virgil let that little comment slip sooner than he could corral himself, and almost brought his hand to cover his mouth, but far too late. Roman just looked at him anxiously, sighing.

"Yeah. I guess so." Roman wasn't normally this dismissive, and Virgil knew far better at this point than to press.

Before they were even on Virgil's street, he broke their awkward silence with an extremely unexpected "thanks for driving me home, Ro. You didn't have to, and I really appreciate it."

Roman was shaken to the core, partially by Virgil's sincerity and partially by the nickname. "Oh, uh, well, no need to thank me now. I nearly killed you once, and you aren't safe and sound at your destination just yet." He smiled softly over at the taller emo. Virgil just returned the smile.

A few moments later came a quiet "really though." Virgil's capacity for sincerity wasn't very extensive, and if anyone knew that it was Roman. He felt a blush creeping up his neck, and couldn't think of a good response.

Finally Roman turned onto Virgil's street, adhering to the 10 mph speed limit. He cruised to a stop in front of... what was apparently Virgil's house.

It wasn't what Roman was expecting at all. Not that his... notion, that Virgil's house looked something like Gru's house from Despicable Me, was something he thought was realistic. He just hadn't known how else to imagine it. Instead of anything close to dark and sinister, the outer walls were made of some gentle tan planks all stacked horizontally. There was a light turquoise front door with a rounded top, and to its left a large window covered most of the street-facing wall. In the window, Roman could see a round inviting table with a mother, a father and a young boy sharing dinner, all smiling and seemingly caught up in their nightly banter. They were all laughing and seemed so... happy. The house itself seemed to emanate a calm happiness.

"Is this...?" Roman gestured vaguely toward the house with the address Virgil had given him.

"Yep. There's my parents, and my brother. I guess I just missed the start of dinner." Virgil reached down between his ankles to grab his bag.

"Talk about clashing aesthetics." Roman smiled mischievously at Virgil, hoping to lighten the mood without sounding like a complete jerk, at least.

Virgil caught onto this, looking over and offering him a breathy laugh. "I know. It's almost a crime for me to live here."

Roman giggled, and they found themselves stuck looking into each other's eyes once again.

"W-well, I'd better-" Virgil turned and made to open his door, but something possessed Roman to lean over to Virgil and grab his shirt, accidentally pulling him far too close to his face. They both yelped simultaneously at the close proximity, and Virgil leapt back as far as his seat would allow him, grabbing it similarly to how he'd done when Roman had nearly driven through the red light earlier.

Virgil almost said something, but some noise outside stopped him. He turned to seek its source, giving Roman a view past him as well.

"Virgil, honey, is that you?" his mom called from the doorstep. She held Atticus on her hip, and Virgil's dad towered behind them in the doorway. all of them were waving. Virgil waved back deftly, and opened the car door. He turned to Roman once again, who looked as though someone had just stomped on his heart and twisted their foot viciously.

Virgil couldn't bring himself to smile at him, but offered instead something he hoped sounded kind. "See you in class tomorrow. And... thanks again for the ride."

With that, Virgil got out and shut the door behind him, and Roman watched as he reunited with his picture perfect family, unable to move for some god forsaken reason.

"Is that one of your friends from that biology project, Virgil? He's so cute!" Roman could hear Virgil's mom squeal at her approaching son.

"Mom, leave it be, will you? he's-" Virgil's voice was cut off as their front door was shut. Roman eventually managed to take a single deep breath.

He twisted in his seat to face forward again, gripping the steering wheel with whitening knuckles and staring blankly at the mustang logo in the wheel's center. What. Was. That.

...

Roman's ride home was fast. At least, it felt much faster than the ride to Virgil's house. He didn't come close to running any more red lights, and before he knew it he was twisting the keys out of the ignition and then stepping through his front door.

He couldn't shake the daze that was clouding all of his senses. He wasn't intercepted by either of his parents on his route from the front door to his bedroom, so there was nothing to distract him from his... distractedness. He flopped onto his bed, laying on his back the same way he'd done less than half an hour ago when Virgil had almost...

That's when the haziness suddenly sped up, and the fog in Roman's brain rapidly became a hurricane. He was so confused by his own feelings that he had to squeeze his eyes shut to will away a sob. He didn't know what he was doing anymore. He pushed the palms of his hands against his closed eyelids, trying to distract himself with the aching pain and sparkling stars they brought to his eyes.

Meanwhile, Virgil had eaten dinner, thankfully and willingly accepting the pleasant distraction of his family's company. His mom was an excellent cook, and Atticus was extra animated about the stories of his adventures at school that day. He and his best friend had apparently played by the creek during recess, and found a tadpole to poke and prod. Virgil found his brother very endearing when he told his stories.

However, as all things are, his distraction was only temporary. Soon he found himself having finished the washing up after dinner and slowly trudging his way up the stairs to his room. The moment he shut his door behind him, all of the feelings that had been kept down since he'd gotten out of Roman's car crashed into him like a 20 foot wave. He leaned back against the shut door, sinking down to sit on the floor and hold his knees.

Roman and Virgil, clueless of each other, had the exact same thought at the exact same time.

Fuck. Why do I feel this way?

[optimistic-dinosaur-nacho]

Electric Love

(Playing It Cool) Me x Fem!Reader

Warnings: Language Summary: Your fellow writer is not telling this summary. I am. Me. The girl I love works along with my friends and I can’t get her out of my damn head. My friends told so many stories about love and I call bullshit on everything. That weird photo above is my heart. Can be a pain in the ass sometimes but I’ll get to the story of how I met Her.

This is all in his head as he tells you the story.

~~~

I’m hoping this is just my conscience. If not then...

You’re hearing one of the most embarrassing or great things I’ve done that got me to say this. I’m Me. And this is a story when I met Her. This could go back a while because she’s been in my friend group for a while. Talented script writer, she had been writing since she was a kid.

Her first book was a comic book. Never read it but she claimed it was about a soldier on steroids who saves the world from Nazis. I’m certain that’s what she said.

But this is where it takes a turn.

She’s my friend’s sister, Scott.

Hopefully you know the backstory.

Do you? If not let me rephrase it in a small dialogue. The day we met, he left a package and I chased him around. That sound good? Good. Anyway, I don’t feel love like anyone should do.

I’m not even sure I’m capable of it. Those three words, I just repeat the same thing I always say before I get a cupcake to the face. 

“I just don’t see myself ever to feel the same way about you.”

Yeah. Messed up in your opinion. You see a girl, she falls in love and then it’s like a truck rams you into a pile of needles. I never get rejected. I’m the one to reject others.

But not her.

.

“Hey!” I flinched in my chair as she waved her hand, snapping her fingers. “You have to get this script done. You know how Bryan is,” She says. Shit. Got lost in thought about her.

Oh, crap. I forgot to mention her name.

“Hey, Y/N!”

There it is.

Scott comes over and spun the chair around to sit, “So, what’s going on?” He sighs. Y/N looks up to me like I was the one to tell. She was working with me on this like it was some essay for me. But her damn gaze just shuts me up.

“Um... So, the guy character has multiple personalities, he meets the girl character who has multiple personalities and one of his personalities falls in love with one of her personalities,” I said, Scott looks over to Y/N before chuckling softly.

“That sounds pretty good.”

Pretty good?

“It’s terrible,” I say. “It does not sound terrible,” Y/N says. I look over, “But it’s full of cliches. It had a gay best friend personality, it has a bitch girlfriend personality. It has a feisty Hispanic personality,” I rip of my glasses as the two laughed.

God, I loved how I make her smile. “She has a Black detective personality.” Y/N grins up at me, “You also have a scene where the actor runs through an airport,” She adds. I nod, “Yes, I forgot about that.”

Scott raises his brows, amazed, “I love running through the airport scenes.”

“I can’t do this. It’s not a good rom-com. I just want to write something as it is. I don’t want anything that’s comedy or romance. Just you know, play it out.” Y/N and Scott both sat there silently.

Great. I broke both of them.

Y/N looks over to her brother, “If I gave you 20 dollars, could you buy us lattes across the street?” She asked. God, she always knew how to cheer people up with a simple coffee.

Scott nods, “Yeah. Sure.” I looked over my shoulder and spotted my heart chilling in the corner. His lighter flicking in under his thumb as he watched me. I’m starting to think I’m going crazy.

“Hey,” Y/N spoke softly, I turned to look at her, “Let’s go over it. Okay? This is a rom-com correct?” I sighed softly and nodded. She reached across and grabbed my journal.

A journal filled luckily with no personal thoughts. Not a diary. Even if I did have one, it wouldn’t have anything to do with women or her. Maybe. She took a pencil from my book and held it in her hand.

“Have you heard about ‘10 things I hate about you’?” She asked. My brows furrow. Yeah, that Shakespeare movie about a boy who takes on a bet to take a girl out to prom just for someone else to take out the girl’s sister? 

“Yeah?”

“Well, in my thoughts. If these characters have multiple personalities there will be some conflict between their personalities,” She spoke. The way she speaks when she tries to collaborate. It’s soothing. Tantalizing.

“It can be similar to Step Brothers-Which is not a rom-com film but it’s something to put down as a thought. Some of these personalities can fight for hours, but it some times...that one personality from each of them, they build some sense and they try to work their ways through love but they know it’s not gonna be easy.”

“So... What’s the ending?” I ask. The pencil reaches up to her lips. Right now? She had to do it now in a library? Her thinking pose has me shifting my seat. She noticed.

Crap.

“I’m sorry,” She pulled the pencil away from her lips, “I’m probably ruining your ideas, I shouldn’t have spoken about it. It’s your thing not mine-”

“No, no,” I cut her off, “It’s fine. I’ll think about it.” Y/N slips the journal back and she grins up at me. “If you need anything else, I’m open for some ideas.” I nod at her, “You might expect calls in the middle of the night, probably.”

She laughs lightly at that. A few seconds later, Scott walks with three cups of coffee. “All right. Here you go,” Scott hands us our drinks, returning him with a thanks.

Y/N reaches for her phone and she gasps slightly. “Shit, I got to go. I have a meet up with a friend, Derek. I’ll see you guys.” I watch her shoot up from her chair and grabbed her bag, rushing out of the library.

I turn to Scott, “Who’s Derek?” Great. That’s one way to sound like a jealous guy. Scott looks over and laughs, “You crushing on my sister?” I shake me head immediately, “No. No, I was just asking ‘cause...” I cut myself off. Why did I?

“Look, I don’t care that you like my sister. But if you’re boning her at this moment, you got to tell me now.” I close my eyes, “I’m not boning your sister, Scott. This is all some... stupid-”

“You’re falling in love with her? Why don’t you tell her? Do you want me to?” Scott asks. I shake my head, “No! Don’t tell her! Don’t tell her anything, I’m not capable of doing that... sort of thing...”

Scott raises a brow, “You mean not capable of accepting your feelings towards her? That’s the problem. If you keep this up, you’re gonna shut her out because of it. You set boundaries and then you start to push them.”

I close my book and slipped it in my bag. “I’m going.” Scott furrows his brows, “What? So, you’re just gonna ignore this whole thing? Not even gonna tell her?”

“I’ll see you at the bar,” Was all I said before leaving him there. Not knowing that my heart in that corner had lit the romance category sign on fire.

Fuck Romance.

.

“You really fallen for her?” Mallory asks, the boys around smiled. “Well, one day he’s gonna be moving into Scott’s house and he’ll have to listen to them screaming,” Samson says.

I dropped my head on the counter. Fifth drink in hand, I felt a bit tipsy. “I thought Y/N was coming, what going on?” Lyle asks. Scott sighed, “Well, I heard her and Derek were really working on a screenplay at her apartment so we’re going on without her.”

That Derek might get a punch to the face. The thought of her and him in bed. It rotted into my mind and I caved. Lifting up my head, I downed my drink. “Another, please,” I demanded.

After that, I took many more. I was on the edge of throwing up. My friends offered to take me home due to my tipsy stance and slurred words. I just walked away and I had to tell Y/N.

Stumbling up the stairs to her complex, I ended up at the gate. I’ve been to her apartment many times. Not what you think, though. Not yet. I reached for the rocks in the plant box and shouted, “Y/N!”

I then threw the rock. It missed her window but it met it with a loud bang. The lights were on and a shadow appears behind the curtains before Y/N opens her window and spotted me.

God, she was beautiful.

“What are you doing? It’s late?” She asked, I grabbed the bar and leaned in between the two bars. “Where’s that Derek douche? Huh?” Y/N furrows her brows, “What? Are you drunk?” She asked.

Leaning back, holding the bar with one hand, I pointed up at her, “I love you, Y/N.” I swung to the side and slammed into the wall. “Who is that, Y/N? Who are you talking to?” A man asks.

“A friend, he’s drunk and-” I peered up at the man I assumed was Derek and pointed at him. “You! You don’t deserve her! You don’t love her! Sex is better with me!”

“What the hell is he talking about?” Derek asks. Y/N sighs, turning back to me, “It’s not what you think, he’s just-”

“Oh, no!” I cut her off, I began to climb the fence, “I love you! You’re amazing! One of the best people I could ever have,” I belched, “Derek doesn’t deserve you. He doesn’t love you.”

My feet shake and slipped. Y/N gasps as I slam to the ground with a thud. “He’s just a friend! He’s gay, see?” She calls. I stumble onto my feet and panted, “He’s crazy? I’ll beat his ass for whatever he’s done.”

“I’m calling the cops,” Derek says, Y/N grabs his arm, “Don’t. He’s my friend,” She looks down, “I’m coming down! Wait there!” I swiped my hands down my chest as I peered up at Derek.

“Cops... fuck the cops... I...” I felt my head spin and I began to sway. Stumbling at the slightest I felt someone grab my shoulders. My hands instantly grab their forearms and I slowly opened my eyes.

There she stood.

“Hey...” I slurred, she cracks a grin, “Hey.” My hand cups her cheek in an instant, having her to look in my eyes. “I love you... too much...” I slurred. She smiles and placed her hand over mine. “You’re not in the right state,” She says.

I shook my head, “But I’m in the right place... and that’s with you...” Y/N uses her other hand and cups my cheek. This was a sign to give her a kiss. Leaning in, I was intoxicated. Though in my mind, I needed this.

The butterflies were going off in my stomach.

Wait. Shit. Not the right ones. I gagged. Y/N pulls away and takes a step back but her hand goes for my back as I leaned over to the side and got rid of those contents I took down at the bar.

Y/N cringed but she rubbed my back softly. After I finished and spat, she lifts me up gently. “Let me get you cleaned up and you can sleep in my bed.” I didn’t have the chance to say anything, I felt like I couldn’t.

I blew it once I gagged.

Derek was nicely removed from her apartment and she gave me the chance to take a shower. Use a toothbrush under the sink to get the alcohol taste in my mouth that’s been burning inside.

After that, I nodded off.

.

The next morning, I woke up to the light shining through the window. I noticed the familiar place and realized I was in Y/N’s apartment. I sat up from her bed and stood up.

Walking through her place, I found her in the kitchen. Her head turns to me and she grins, “Morning. I have a pill for you there. I was thinking you should lay off the coffee today so...”

I walked over and reached for the pill and water. “Thank you. And good morning to you.” She looks over and leans on the counter to face me. “You okay?” She asked. I peered up at her, furrowing my brows. For some reason, I just realized how sore my body was.

Oh, yeah. Fell down the fence. “I’m fine... just...” Shit. I zoned out again. Her grin never left her face as she gazed at me. It’s like I lost my hearing to everything around me.

Everything was gone except her. I look over her head to see my heart. Full on suit with a cigarette in his mouth. Smoke emitting from him, he nodded at me. What was he nodding at me for?

Something warm and gentle lands on my side and I look down to see Y/N. Her arm out, touching my waist as she steps closer to me. I felt frozen in time with her. This wasn’t no story or dream I was being told. This was happening.

I placed the glass down and watched her as she raised her other hand to cup my cheek. This is the opportunity. Don’t blow it up with another gag. My hands go to her waist and cheek.

Cupping them gently, her lips part to collide with mine. Fuck, it’s happening. Her lips crash onto mine and I froze. This was something different. It wasn’t wrong. It didn’t feel like the other girls I’ve called and asked for sex.

This gave me the good butterflies. As if we were perfect, our lips just seem to be a perfect fit. It felt so right. I felt love. 

The loss of her lips pull away from mine so I opened my eyes. She grinned as she looks up at me. She lightly laughs, “You look sad.” I felt like I needed to hear that again because I didn’t catch it when I got lost in her eyes. But then it came back to me.

“Maybe because you pulled away,” I said.

She laughs, “Well, you almost could’ve thrown up in my face last night if I hadn’t.” I mentally felt embarrassed with that but when she smiled I guess it wasn’t bad. “I’m sorry,” I said.

Y/N shakes her head, “No. I’m glad you came up to say that. But you could’ve said it when you were sober. Would make you less of an idiot,” She says. My eyebrows perk up, “Well, either way I’d make a fool out of myself. I guess I fallen hard for you and got to upset I couldn’t tell you so I did that.”

She smiled, still chest-to-chest with her as she rubbed my side. “I’ve fallen for you, too.” I smiled at her and cupped her cheeks again, pulling her up for a kiss once again.

And that’s how I met the woman. You probably know this story already because...

You were the woman.

~~~

Woah... It’s so weird to break the fourth wall

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[ceruleanwhore]

Let’s talk about LoK’s shit worldbuilding

Technology is what I’ve seen the most people the most opinionated about, so that’s where I’ll start. Plenty of people out there share my opinion that having LoK be set in basically the American 20s is just some really shitty worldbuilding but I’ve also encountered plenty more who are of the opinion that since it’s technically possible, that means it’s good. For those who aren’t aware: just because something is technically possible does NOT make it good. AtLA is set in a more traditional fantasy world with a hard magic system where the setting, character design, and everything else are meant to feel older (even though this time it isn’t modeled after Europe). There is some technology in AtLA and what is shown works with the nature of their world and their society so it isn’t like, say, a lamppost from England being dropped right into this little fantasy world and disrupting things. The trains in Ba Sing Se are a perfect example of this with how they are operated by benders and also fit, visually, with the surrounding buildings and whatnot.

The issue with LoK is that it seems that there was no real thought around the development and incorporation of new technology in the context of the world. Instead, it’s as though they copied and pasted the American 20s in there and it’s really jarring. This would be the part where I said that just because it’s possible doesn’t mean it’s good writing- just because our industrial revolution was at breakneck speed doesn’t mean that having your fantasy world develop the same way is a good idea. For a little context, let’s compare this to the Lord of the Rings. Imagine that Christopher Tolkien one day decided to write a whole new four part series set a century after the end of Return of the King. So now, seemingly out of nowhere, boom, technology. Minas Tirith is basically 1920s Chicago, they have cars and stuff. And the thing is that there was a little bit of technology in LotR, just like with AtLA, so that is a fair comparison. 

Also, like I said earlier, it feels lazy with how they’re just throwing in some of these different types of technology. For example, a glove that electrocutes people with no explanation whatsoever on how it works doesn’t make sense. Not to mention, the fact that anything relies on lightning bending, which is SUPPOSED to be super fucking rare (more on that later) is beyond stupid. 

I think this reflects an ongoing issue with Korra where they clearly think that they should be trying to make things more “realistic” but either don’t realize or don’t care that in the process they’re wrecking that ‘fantasy’ feel their world used to have, which brings us to our next topic: people.

Just like how they decided to go the ‘realism’ route with a breakneck industrial revolution, they also decided to go that same route with homosexuality and, more importantly, homophobia. Friendly reminder that if you’re writing fantasy and you spice it some with some good, wholesome gay content, you DO NOT have to ruin it with fucking homophobia. It’s supposed to be fantasy, you dense fuck. It has its own problems but the Dragon Prince is an absolutely perfect example of how to write gayness in fantasy, i.e., perfectly common with zero homophobia to be seen. Writing it like Bryke did just to double down on “it’s been like 90 years since the war ended but did you know the Fire Nation is fucking TERRIBLE and Sozin is basically HITLER?” is weak, stupid, and fucking annoying.

The other thing I want to touch on is race. Basically, put whoever you want in your story and have them look however you want them to look but keep in mind that the way you do or do not introduce groups of people can affect the quality of your writing. What I mean is that with a fantasy universe like this, it’s all wysiwyg. When the gaang traveled around *the world* meeting and interacting with all kinds of people from all kinds of places in all 3 remaining nations (and showing memories of the air nomads that are now gone), that’s your chance to showcase all that wonderful diversity. By the end of the series, when their tour of the whole world is over, you should have a complete picture. 

Again, think about LotR for a second. By the end of Return of the King, you’ve encountered all the different types of men that ever existed in any of Tolkien’s writings (kinda sorta including the dunedain, and there’s even a reference or two in there with Aragorn tying that in all nicely), multiple kinds of elves, dwarves, goblins, hobbits, ents, huorns, the eagles, Tom Bombadil and Goldberry, the Nazgul, and multiple maiar (some good, some corrupt). The only race that hasn’t appeared in any of this that does exist in Tolkien’s other works is the valar but, otherwise, you, as the reader, along with characters like Frodo have been introduced to each and every race in middle earth, and, frankly, the Valar can be excused because they all are in the Undying Lands (plus Manwe might have been mentioned with the eagles.) Now, compare that to LoK where, with a Rowling level of retconning, they decided to just add some more races out of nowhere with no explanation 90 years or whatever after the original series. 

I just know that, for myself, I would’ve loved to see all this included from the beginning and incorporated into the original series and the travels of the gaang. Instead, we have it so AtLA is pretty set one way and then in LoK there’s just that one random dude with an afro and then, going into the comics afterwards, they decided to start incorporating different races in a way that feels like a JK Rowling tweet (“Hermione was black all along, even though I described her in the books as having light skin and picked a white actress to play her, I swear!”) So, basically, when you’re writing fantasy, you kind of have to include everything like that because that’s how the genre works and it’s not like in normal fiction where you can just have a black character without any explanation. Once again, the difference between how fantasy writing works and things being “realistic”.

As for realism, yanking the white lotus out into the open by their ear like an errant child is so unspeakably dumb and unrealistic. They’re a SECRET society who transcend the four nations and operate in SECRET jfc. After the war ended and the old folks home was no longer fighting the Fire Nation, the rest of them should’ve been able to go back into hiding no problem. But to drag their asses into this mess just to make them like Korra’s personal bodyguards and guards at high security prisons is so fucking stupid it hurts.

So then, to finish this up, let’s talk about bending. First off, there’s the issue of how bending forms have just… ceased to exist and/or been replaced with vague yet aggressive punching. Remember when Katara had to learn all those water bending stances and there was even a scroll of them? Or when Aang had to learn fire bending forms from Zuko? Well fuck that, now everyone can just punch at stuff instead. Never been able to airbend even with what should be proper form? Try waving your fist around!

The other thing is how so many of these characters are just “so naturally gifted” and can either successfully bend well with little to no experience or casually do stuff that’s supposed to be hella difficult. An example of the first point is Zaheer who just got his airbending like 3 days prior but suddenly can fucking fly and an example of the latter would be the blood bending, just all of it. That’s kind of another thing, though, how they’ve taken these things that were special and notoriously difficult and then watered them down and made it so literally everyone can do it. You know how lightning bending was a really cool thing only Ozai and Azula, the Fire Lord and princess who are both also known to be especially skilled benders, could do? Not anymore, now pretty much any fire bender with a pulse can shoot lightning out of their fingers. Same goes for blood and metal bending.

Also, can I just say that I’m mad at how pro bending was done? The earth bending stuff with the Boulder and all that worked because that framework of wrestling is really well suited to the element. Now, it’s what I’ve been saying where it’s like ‘oh yeah we can just put all the elements together in this boxing type shit because everyone in this fucking series can bend by punching, right?’ They had an awesome opportunity here to figure out different styles of fighting sports tailored to the different types of bending and they said ‘nope, fuck you’ and gave us that shit. Or just sports, in general, based around if the people playing and benders and, if so, what type of bending they have.

The last main thing with bending though is the absolute horseshit of harmonic convergence and kinda just season 2 in general. For starters, Korra getting her bending back because dead Aang was like “here ya go” was bullshit. I feel like it would’ve been better if that had been when Unalaq got introduced as her spiritual guide and, through working with him, she eventually was able to reach Wan, see his whole backstory like we got in episode 7, and then, afterwards, she could contact Raava directly and somehow with her get her bending back. Then, afterwards, she could go back to Republic City and give everyone their bending back and start helping with reconstruction from Amon. Season 2 doesn’t need a villain and it most certainly does NOT need that dumbass ‘dark avatar’ bullshit. 

Also, in terms of the air bending, seriously, fuck that shit. If air bending is going to come back then maybe, I don’t know, after following my other advice have Korra realize that not only can she take bending away (like Aang) but she can also give it so she could just go around to all the acolytes and make them airbenders. Or, if that would fuck up the balance or some shit, have her go around and make all the people who lost their bending to Amon into a fresh batch of air benders. You can’t really introduce something like energy bending and then expect us to believe that the only way to bring air bending back is for Aang to fuck a lot and then rely on following generations and subsequent incest, plus hc is fucking stupid when you have a character who can straight up just give people bending.

Oh and all that convergence shit brings up my last point of discussion, the way they retconned and fucked up the lore. Just like with what they did with lightning, blood, lava, and metal bending, they also decided to just do everything they could with those fucking turtles. Just like with Azula’s lightning bending, the entire fucking reason the lion turtle works so well is because of how it is so rare and special and all that so once you take that away, it doesn’t matter anymore smh. For most peope, champagne is special. You know why? Because most of us aren’t out here drinking the shit by the gallon every day. So yeah, between that and the way they threw away already established lore (that was further reinforced by experiences of characters in the show) makes it just a big old “yike”. All they had to do was fanagle a bit to keep Raava and Vaatu but ditch the whole hc shitshow and just maintain the parts that are already established.

[atalana]

I understand that your only source of representation is through Jughead, so how do you feel about people who ship him with other characters? Would you want them to stop?

i mean in an ideal world? absolutely yes

that said, i'm well aware i can't control much about the world outside of my own personal bubble, and people who ship jughead with other characters but stick to their own space aren't the biggest problem here? i'm not gonna go on a crusade to tear down any sectors of the archie and/or riverdale fandom with jughead ships, because honestly that sounds way too tiring and like, i'm sure i have things that i like to think and write about that other people would find infuriating, i don't wanna be a hypocrite and insist my way of doing fandom is the only way to do fandom

and the same goes for other fictional characters that are strongly implied to be aro/ace but 95% of the fandom has ships with them in, it gets on my nerves, but it isn't majorly harmful

the biggest problem, honestly, when it comes to jughead specifically, is riverdale, for bringing archie comics back into the public consciousness and pretending to be supportive of lgbt+ rights, and then at the same time erasing jughead's canon sexuality. like, this has been less of a problem in recent years bc from what i've seen the show has made a fool of itself in lots of other ways? but for people who do still watch it, just remember, no matter how many gay characters they include, they do not support this community. they include gay characters because it's become socially acceptable to include one or two and pretend like you're a paragon of representation. they're not. they're cowards who do not care about us

but when it comes to fandom, here's what is a problem when dealing with aro/ace representation, and things i'd like all fandoms to work on:

stop assuming that everyone needs sex or romance to be complete, stop assuming that any kind of positive relationship between two non-related characters must be romantic. like please. im so tired. people exist in this world who would be actively worse off in any romantic/sexual relationship, even a loving one, than they would be on their own. acknowledge these people exist, and maybe, just maybe, consider them in your sexuality headcanoning. (do you know how much it hurts to see someone make a sexuality headcanon page of a fandom with like 20+ characters and all of them are gay bi or pan? like representation for all of those are great as well, you should include them, but don't do so at the cost of excluding us. if your only reasoning behind headcanoning a character as bi is "they have Bi Vibes and I Want To", why is it so hard to make one or two of them ace or aro or both?)

people who have no interest in the opposite gender are both gay and aro/ace coded. it's something i've found constantly, whenever even a hint of aro/ace representation shows up, there's gonna be a very loud section of the fandom who insists they can't be aro/ace because they're gay coded, and making them aro/ace would deny representation. these people's only argument? they showed no interest in the opposite (binary) gender. guess what guys! that can be both! and insisting it's only gay is honestly aphobic as fuck and you will instantly lose my respect

same goes for characters who in canon show no interest in anyone at all. you'd think this would be a stronger argument for them being aro/ace than for them being gay, but not for these people! and like, this isn't me saying gay people can't relate to characters, of course do what makes you feel better, but i'm just asking for you to make space for us and acknowledge we're here. let the people with aro/ace headcanons feel just as acknowledged and validated as the people with gay headcanons, instead of shunned and like no one wants them around

(i still lose followers any time i make an aro/ace positive post. which honestly only makes me more incentivised to keep doing it. i'm here i'm queer and i'm not going anywhere, the hill i've chosen to die on is protecting younger aro/ace people and fighting for their rights and good luck knocking me down)

this does include the archie fandom, by the way. i'm assuming you sent this because you saw my post from 3-4 years ago about jughead being canonically aro/ace? well, there are plenty of people who angrily told me that jughead, a character explicitly said in the text to be aro/ace, was gay coded and i was being homophobic. like fucking stop it.

if you're genuinely interested in being a good ally to aro/ace people, and i really do appreciate that you've asked this!! here's a few things you (and the fandom at large) can do:

make space for aro/ace people in your headcanons, even if you're not aro/ace yourself. honestly, while this is a personal opinion, i don't even mind if your understanding of what being aro/ace is is slightly wrong? i mean if you wanna explore that in depth, doing research is better than not doing research (my ask box is always open), but i'm just happy to see anyone be inclusive, those people are the good people in my book

make space for aro/ace people in your jokes and memes. we like to have fun too! i'm still never really gonna get over the gay alignment chart meme, like... they had two separate squares for gay and lesbian, one for bi/pan, and none for aro or ace. that pretty much sums up everything wrong with representation at the moment. if you had to stick to three for the sake of the meme template, gay/lesbian, bi/pan, and aro/ace would have been much fairer. and yeah it's just a meme but like... we shouldn't only be on people's minds when things are serious

stop making all your aro/ace headcanons jokes. don't headcanon horrible real life people as aro/ace. be careful that your aro/ace headcanons aren't entirely children or robots. like, you can headcanon those characters as aro/ace, but if you're exclusively doing that, you're not really seeing us as people

(i have... complicated thoughts about spongebob apparently being canonically aro/ace. but i wouldn't hold that up as the pinnacle of representation)

(also despite many assholes' insistence to the contrary, being aro/ace isn't an 18+ identity. if a 12 year old can be gay a 12 year old can be aroace. they may not have discovered the sexual part yet but they can still know the romantic part. every sexuality goes through this same persecution why are even gay people still passing it down)

aro/ace people can be happy, well adjusted, non traumatised adults! many of us are! go make some headcanons of that!

while just aro or just ace people definitely do exist, and you can headcanon characters as such, some of us don't split those labels (i just use aroace for myself bc it's one thing, like how bisexual and biromantic people just go by bi). make sure you have some aro/ace people in the mix there, and you're not falling into the pitfall of using our identities only to make Gay Lite(TM)

don't let people walk all over us. we had a really thriving community back in 2013, and then the exclusionists came in and completely wiped it out. i saw it happen. they've faded into the background but only because 90% of aro/ace people are now scared to speak up on their own behalf. encourage aro/ace people to share their experiences if they want to, encourage aro/ace headcanons where you see them, make sure your fandom is a space where aro/ace people want to be. and if you see people being exclusionists (laughing at aro/ace people like they're cringy, pretending like aro/ace people are stealing non existent resources from gay people, or calling aro/ace people homophobic for existing are big weapons of the exclusionists), don't pretend it's just an argument or "discourse", let them know they don't belong. we can only fight so hard on our own behalf, we're a community for a reason. we're in this together

research, read, and most importantly, have fun with it. that's what fandom's for. if the only way you get enjoyment out of characters is by putting them in ships, try exploring a different, non romantic angle, and see what happens. encourage different forms of relationships. encourage aro/ace characters who are happy and secure in their own identity. encourage aro/ace characters having the same emotions as everyone else, just without the being attracted to people part. we're cool people! and ultimately, ship what you want. but just remember we're here, we're desperately in need of representation, and we can't make that happen on our own

[thanksjro]

More Than Meets the Eye #1- Meeting All Our New Friends

Okay, let’s see what happens when you give one man way too much power over a franchise, and he doesn’t use it for evil.

Before we get into the story, let’s take a look at the cover art! MTMTE, as well as its sister series, Robots in Disguise, started off IDW Phase Two, a brand new run of main comics to replace the by-then completed The Transformers (2009). To celebrate this momentous occasion, each comic’s first issue got FOUR separate covers, which could be combined to create a large, overarching image. MTMTE’s looked like this when all the covers were put together.

The cover art here is by Alex Milne, who is on as the main artist for the series, but he’s not on issue #1- no, for our foray into this comic run, we see the return of Nick Roche.

The last time Roche and Roberts worked together was on Last Stand of the Wreckers, and other than MTMTE #6 and the Revolution one-shot, they won’t be teaming up again within the IDW run.

On a potentially-related-but-more-of-just-a-humorous note, it seems that Roberts is a huge stickler with his scripts, going into what sounds like an honestly horrific amount of detail for each individual panel. The average comic script is either between 20-23 or 28-30 pages long, not counting title and credit pages. Roberts has been cited as sending in comic scripts that approached 50 pages.

Which, if you know anything about the scriptwriting process, is a little… yeah. It’s a very good thing Roberts seems to be able to take criticism.

ANYWAY.

IT’S TIME.

The Transformers: More Than Meets the Eye- Liars, A to D Part 1: How to Say Goodbye and Mean It- holy fucking shit that’s a long title- starts off with the Story So Far, a comic book classic to catch readers up on what’s happened prior to the issue. The very nature of a Story So Far will become plot-relevant much later down the line, but as is, it’s just reminding us what happened during Phase One, in as basic a point as it can.

And then the credits are right underneath.

I can’t even imagine how friggin’ good seeing this printed must have felt.

So, what’s going on in the premiere of the sad, gay, space comic?

Not my phrasing, by the way, but the Wiki’s.

So, the war’s over. What does that mean? Well, a lot of things, honestly, but the first thing we’re given in terms of what changes to expect with everyone’s favorite space robots is in relation to their wardrobes. Yeah, without a war to fight, what’s the point in having relatively identical blocky armor that protects all your insides? It’s time to get skimpy.

Rodimus has switched out his toned calves and discernible ankles for the Uggs that are now positively iconic to his character. Drift’s mass has almost completely gravitated to his thighs, making him the curviest thing this side of the Milky Way. Ultra Magnus didn’t get the memo about not needing to be in uniform anymore, I guess, but somehow I doubt he owns anything casual.

Rodimus, Drift, and Magnus are holding a rally to invite Autobots to come on their party-barge to find the Knights of Cybertron, in an effort to heal the planet, because Rodimus took one look at post-war Cybertron and said “no thanks.” Honestly, I think most would, if these properly colored characters are any indication.  

Just the Autobots, by the way. We aren’t ready to be friends with the ‘Cons just yet. Swindle did some major damage on that front.

Prowl and Wheeljack are off to the side discussing this turn of events, and while Wheeljack seems to think that a lot of folks will be boarding the ship and getting the hell out of dodge, Prowl’s expecting nothing to come of it.

So, that was yesterday. What’s going on today?

Inside Kimia, there’s a dead guy. He wasn’t dead when he was brought in, but he is now. Who is he, anyway?

Oh, he’s one of the NAIL protesters, and he died because he was protesting by way of transforming on the steps of Autobot HQ, until his transformation cog burn out. Yep, that can kill you. Ratchet’s the one who performed the autopsy, as per Metalhawk’s request- he only wanted the best of the best on this.

Too bad the best of the best is starting to slump. After a brief scare with Rigor Morphis- the stiffening of the corpse into the body’s preferred mode- Ratchet explains to Bumblebee that his hands have started seizing up, and that’s why he’ll be leaving on the Lost Light with Rodimus. He just can’t do the work anymore.

This news is not well received by Bumblebee, who’s just about had it with everyone up and leaving him all by himself with the mess that is Cybertron.

Phase Two will not be kind to Bumblebee.

Bumblebee accuses Ratchet of having been insnared in Rodimus’ siren song of reclaiming the Golden Age, but c’mon, this is Ratchet! He’s too cynical to fall for that. He’s more interested in finding the Autobots who’ve been lost over the millennia to the war. Ratchet’s already well aware of the true purposes of this little galactic road trip, almost like he’s read the plot outline.

It’s about helping people, and adventure, and being unapologetically gay and sad in equal measures.

Up in the sky, Cyclonus is displeased. He spent six million years in the Dead Universe, under the control of a madman, waiting for the moment he could return to his beloved homeworld, and what does he get? A ball of half-baked primordial cookie-dough, and it’s not even chocolate-chip like he was expecting; it’s fucking oatmeal raisin.

Mmm, that is some tasty panel-breaking right there.

Of course, the I/D chip might not have worked anyway, seeing as Cyclonus got a little bit of a boost when Vector Sigma ejected everyone during the Matrix incident. It’s doing some weird stuff to his body, on top of whatever nonsense existing inside the Dead Universe does to a person.

Cyclonus is about to head over to the Lost Light- apparently he and Rodimus made a little deal off-panel- when he detects a familiar life sign and decides to see what that’s all about.

Over in Prowl’s office, things are tense. He and Chromedome can’t even look at each other, as Chromedome reveals that both he and Rewind are jumping on the Lost Light. Prowl doesn’t like this, not one bit. He needs Chromedome, needs his skills, his expertise. He tries to appeal to Rewind, knowing who wears the pants in this relationship.

Or, well, he tries.

Prowl, they’ve been married for over 250,000 years.

In all seriousness, this is slightly before the first tentative steps Roberts took towards making the franchise as gay as he possibly could, at least when going by the story’s chronology. The thing about professional comic script writing is that plotting/planning goes for a ways beyond the current script one’s working on, so that everyone knows where everyone else is. Considering the somewhat congruent nature between MTMTE and RiD, planning ahead was especially important.

Chromedome and Rewind were originally (like, first draft originally) meant to be best friends. This was to fill a void in the department of close relationships Roberts felt within the Transformers franchise. Then Roberts saw how handsy he’d been writing them during plotting and realized he’d made something a little different happen. Which still sort of went with what he was going for, just in a slightly different fashion. Chromedome and Rewind are a rare case of a writer NOT leaning into the “they’re just bros, bro” mentality and just letting the characters be together as romantic partners.

Also keep in mind that it would be another three fucking years before the United States would legalize same-sex marriage, which is where the IDW offices are located. You gotta ease that sort of change in, that way nobody realizes what you’re doing until it’s already been done, then you can go hog-wild. We won’t be hitting critical mass on the homonormative civilization that is IDW1 Cybertron for a solid year or so.

So this bit of dialogue is just the start of the setup, and the “best friend” line is either a leftover from earlier versions of the script, or Prowl really just is that big of an asshole.

Rewind is, of course, recording everything taking place on his handy-dandy little head-mounted camera, because history is his business, and he’s not going to stop recording for the likes of Prowl.

Rewind doesn’t like Prowl very much.

It would seem that the feeling is mutual.

Chromedome suddenly remembers that trying to reason with Prowl is like talking to a brick wall, and the two of them leave. Prowl responds to this slight by yelling in the hallway and then flipping a table.

I sure hope y’all like running gags.

Of course, Prowl wouldn’t be Prowl without having a few contingency plans in place for when things don’t go his way, and he makes a call to his inside guys to “load the cargo.”

That’s not ominous in the slightest.

Six million years prior to all this nonsense, a tiny little dude fell in a hole and broke his legs trying to get to work.

This is Tailgate, and he’s seen better days. Not many, mind you, but at least a couple. He was making his way to the launch of the original Ark, when he decided to take a shortcut that would change the course of his life forever. Hence the whole “stuck in a hole” thing. Still, he’s got to get out of here, because without him, the entire expedition is doomed!

For being an idiot, Tailgate’s pretty smart- he figures that if he sets off his energon rations, it’ll blast up through the roof of the cavern he’s in and someone will be able to find him. Good thing energon’s so incredibly volatile.

Speaking of volatile, let’s jump back to the present and check on our buddy Whirl.

It looks like Whirl also got a makeover between series, because he’s now sporting a much sleeker, angular frame, complete with long, tapered head.

Whirl’s currently busy thanking his new friends for spending so much time with him. It really meant a lot to him, their patience. Not many folks have been patient with him before.

Of course, it probably helps that all these guys are dead as hell.

It’s time for another Roberts’ staple- the suicide attempt. We won’t be using the robot-equivalent to Multiple Sclerosis though. This go around, we’ll be using a classic: self immolation!

Title drop! Bet you weren’t expecting it to have such a dark connotation, huh?

Cyclonus interrupts Whirl’s monologue and suicide attempt. He thought he’d seen his best buddy, Scourge, on his tracker, and his immediate response is to lurk in the shadows looking like a night demon wearing a party hat.

Fun fact: a group of Sweeps is called a Spring Cleaning.

Scourge isn’t here, and he won’t ever be. Scourge most likely died off-panel, never to be seen again, assumedly because nobody wanted to write for him. I think it’s the nails, puts people off.

Whirl doesn’t take kindly to the intrusion, and responds the only way he knows how.

It’s always embarrassing when your self-immolation gets interrupted, but maybe try taking a first deep breaths before committing to more war crimes, Whirlybird.

While these two morons fill the post-Bay movie explosion quota, Red Alert’s hard at work screening the passengers on the Lost Light. Currently, he’s checking Brainstorm, who’s making it as difficult as possible, both legally and emotionally. Red Alert waves him on with a grumble, without even getting a peek at what’s inside his mysterious briefcase.

Up next is Swerve.

His legs are so jacked, it makes me a little uncomfortable. Glad to see Swerve’s body reformat went swimmingly- seems he went for the classic “tires in the shoulders and ankles” model.

Oh hey, it’s Rung! Hi Rung!

This series will not be kind to Rung.

While Cyclonus and Whirl terrorize the folks just trying to get on board the dang ship, Rodimus is feeling rather pleased with himself with the turnout. Drift strokes his ego a bit, because they support each other, but things are still weird because Drift doesn’t know who he is as a person anymore, and Rodimus has a guilty conscience mixed with being the Matrix’s golden child, which really fucks with a guy’s head.

Ultra Magnus goes through the list of the folks joining their quest, and starts running through all their demerits and crimes like it’s his job, because it is. We get a little peek into Magnus’ world view and then it’s back to the Whirl and Cyclonus show.

Also, Drift doens’t have a nose right now. He’ll get it back in time for the next issue, don’t worry.

Over with the flyboys, Cyclonus has decided to land and attempt to reason with Whirl. Not that he couldn’t totally kill Whirl if he wanted to.

He just doesn’t want to.

No, Cyclonus is far more concerned with his meeting with Rodimus, the one that he’s already friggin’ late for thanks to the detour he took checking that life signature. Whirl doesn’t care, far more worried about the fact that Cyclonus saw him talking to desecrated corpses and, far more importantly, vulnerable.

Look at this jackass’ ensemble- demon helmet, a crop top, a skirt and bellbottom pants. What an icon. He and Eugenesis Wheeljack should trade fashion tips.

Whirl still isn’t done with him, even after scraping him across the side of a mountain. Feeling especially artsy, he scoops Cyclonus up and jumps into the air, since he apparently has a hundred-foot vertical leap.

Back in the past, things aren’t going so well for Tailgate.

More cool panel stuff going on here- every time the panels have had rounded corners, it’s been when the scene takes place in the past. Now that the last panel has proper right angles to it, Tailgate’s in the present with everyone else. That middle panel probably covers a couple million years, at least. Poor guy.

Up on the surface, Ratchet’s met up with Chromedome and Rewind, and they’re all walking over to the launch site, Chromedome bitching all the while about how they’ve got to use their legs since Rewind’s alt-mode isn’t a vehicle, but a USB.

Chromedome seems to have forgotten that his tiny husband is small enough to probably just ride on top of his alt-mode, if not directly inside, most likely due to his larger-than-life personality.

Whirl and Cyclonus fall out of the sky before Chromedome can say something that’ll get his ass divorced. Cyclonus gets knocked out cold, having taken the brunt of the impact. Unfortunate, seeing as Whirl’s taking the time to make up lies about him.

You thought I was kidding when I said the armor was skimpy, but here we are, with a shot of Whirl’s battle thong.

Ratchet, who knows Whirl, because he knows everybody, tries to talk him out of straight up murdering Cyclonus. Whirl doesn’t like it when people try to talk him down, and is about to turn on the good doctor, when Tailgate enters the scene, by way of explosion.

Whirl doesn’t handle explosions terribly well. Probably why he was going to use one to kill himself.

With Whirl knocked out, Ratchet and the power couple pull Tailgate out of his hole, where he manages to ask about the launch before freaking the fuck out and fainting at the sight of a rather dead-looking Whirl. To be fair, I can’t think of a whole lot of folks who’d survive getting their tits blown off with enough force to clear a tunnel in solid rock.

You said it, Rewind.

Ratchet grabs Tailgate and Whirl and brings them onboard the ship, seeing as Tailgate seems to want to be there, and Whirl’s too dangerous to be out of sight. They just kinda leave Cyclonus on the ground. I doubt the two guys who were on Kimia last month really want to deal with him.

Rewind breaks off from the group to see his dealer. This dealer isn’t selling the good kush though. He’s got something far more incriminating to offer.

But we don’t get to find out what the fuck Rewind just bought from Swindle for a few more issues. Rest assured, it’s nothing good.

On the bridge, Rodimus is in his captain’s chair, ready to captain it up. The Lost Light raises into the air, as Bumblebee and Prowl watch on, about to exit the atmosphere and begin a adventure filled with hijinks and mild peril.

And that’s a series wrap on everyone! I hope you enjoyed this wonderful one-shot written by James Roberts.

What do you mean there’s 56 more issues?

Alright, let’s see where this goes.

Back on the bridge, there’s alarms and sirens out the wazoo, as things have pretty much immediately gone to shit. The quantum engine the Lost Light’s outfitted with apparently went off prematurely, rocketing them into a completely random quadrant of space.

Also, there’s a hole in the ship, and vacuum physics are doing their thing.

This series will not be kind to Rodimus.

The Lost Light touches down on the planet they popped back into existence over to start looking for all the guys who got sucked out of the ship. They don’t have to look long, seeing as they’re all burning up in the atmosphere.

Welcome to the Lost Light. It’s a friggin’ mess.

Back on Cybertron, the aftermath of the explosion is seen, as Bumblebee and Prowl listen to a message that seems to imply a lot more heartache in the future.

Prowl, you could at least pretend to give a shit.

That’s the end of the story, but not the end of the issue. In the back of the book, we get a welcome letter from James Roberts himself, thanking the reader for taking the time to read the beginning of MTMTE, and holy shit does he really try to sell it to you. This is a guy who wants you to be excited about the story that’s coming your way, because he’s excited about it. He’s a big dork who loves Transformers, and he gets to write about them for the next six years! That’s awesome. 

[f4liveblogarchives]

Fantastic Four Vol 1 #225

Thu Apr 29 2020 [10:09 PM] Wack'd: So the first two and two-thirds pages are something strange. Or I guess they're strange from an in universe perspective. [10:10 PM] Wack'd: It's basically a condensed version of the back half of the previous issue, rather than  a recap. So reading these back to back it feels like everyone's reliving a slightly different, slightly faster version of the same events. [10:10 PM] Bocaj: Yeah that happens [10:11 PM] Bocaj: I complain about comics not establishing context with recap pages enough that I can’t really say boo about this kind of thing [10:11 PM] Aleph Null: it’s just a jump to the left [10:11 PM] Aleph Null: and then a step to the right [10:11 PM] Wack'd: I think I might actually prefer it to the writer clumsily trying to give all of this information again in dialogue? [10:12 PM] Wack'd: It's basically a previously-on. [10:12 PM] Wack'd: Though the fact that it's not really marked as such is weird [10:12 PM] Bocaj: Like Aleph’s Japanese animes [10:12 PM] maxwellelvis: Remember recap pages? [10:13 PM] Bocaj: I’ve heard of them [10:14 PM] Wack'd: I think also what's throwing me is that they try to hit some of the same dramatic beats again? Like, you're not really going to convince me "the blind king weeps in crimson" is vital story information

[10:15 PM] maxwellelvis: Because it sounds cool [10:15 PM] Bocaj: Well that’s nightmare fuel [10:16 PM] Wack'd: Anyway, I've spent a weirdly long time talking about a recap, but I this is probably the normal amount of time I spend on the first three pages so be glad you're still getting content I guess [10:17 PM] Bocaj: I do like content [10:19 PM] Wack'd: Interesting thing about reading these blind and relaying that to you is that it's hard to know in the moment what information will and won't be relevant. For instance, I didn't really make much of this scene last issue:

[10:20 PM] Wack'd: But I wish I had, because it makes this moment look friggin bonkers in context:

[10:20 PM] maxwellelvis: "Consistency? What's that?" [10:21 PM] Wack'd: We've hit a new level of Sue as a blank-slate stock-woman-character: the same writer is making her either a nag or a worrywart one issue apart basically on a whim. [10:22 PM] Wack'd: Also: "just wants a normal life" Sue is the most boring version of Sue [10:23 PM] Bocaj: Just a receptacle for women stereotypes? [10:23 PM] Wack'd: Moreorless, yeah [10:23 PM] Umbramatic: the Ur-Woman-Stereotype [10:23 PM] Bocaj: Boo [10:23 PM] Bocaj: Defined personality women are great [10:24 PM] Wack'd: Agreed [10:24 PM] Wack'd: Moving along, we get a very long-winded explanation of the exact science of how this place works which I'm sure makes complete sense [10:24 PM] Bocaj: Science in comics is always to the highest standards [10:24 PM] Bocaj: Always [10:26 PM] Wack'd: Reed is like "I'm not really fine with being threatened and woulda saved your life anyway" and Korgon's like "y'know what, I trust you, we're cool now" [10:26 PM] Bocaj: See: he shoulda just said please to begin with [10:26 PM] maxwellelvis: "Oh, I shoulda thought'a that" [10:27 PM] Wack'd: Ha! He really does just send Vikings to go shopping for him

[10:27 PM] Bocaj: God. In a modern comic we’d see some Vikings at the supermarket and it would be great [10:29 PM] Wack'd: Have I mentioned yet Doug Moench seems to *really like science*

[10:30 PM] Bocaj: SCIENCE! :D [10:30 PM] maxwellelvis: Nah, like, not superscience. Real science. [10:30 PM] Umbramatic: i am glad that reaction image is making the rounds [10:31 PM] Wack'd: So Reed does a lot of research and asks a lot of questions and thinks really hard (all in narrative captions, you're not missing much) and eventually he's finally ready to operate! [10:31 PM] Bocaj: Woo [10:32 PM] Wack'd: Buuuuuut the Four's powers go haywire again. Korgon has a machine that cures them of the radiation to stabilize them, but Wiglif--suspicious guy from earlier--thinks they just wanna be at full strength so they can kill Korgon and escape. [10:33 PM] Bocaj: Dammit Wiglif! That’s such a Wiglif thing to think! [10:33 PM] Wack'd: To shut him up, Korgon gives Hrolf--trusting guy from earlier--a "Darkfield Rod" that will nullify their powers if they try any funny business. [10:34 PM] Wack'd: And then Korgon immediately falls unconscious. [10:34 PM] Umbramatic: that doesn't sound omnious at all [10:34 PM] maxwellelvis: I give it five minutes before Wiglif tries to steal it. [10:34 PM] maxwellelvis: NO! Five PANELS [10:35 PM] Wack'd: To be generous I will not count these three where we cut to Asgard

[10:35 PM] Bocaj: Oh hi Thor [10:36 PM] Bocaj: I didn’t know you’d be in this book [10:36 PM] Wack'd: "Just considering a crossover, m'boy! I just got the faintest whiff some other book is stealing our shtick!" [10:36 PM] Bocaj: I’m going to be imagining Odin speaking like the king of Hyrule forever now [10:37 PM] Bocaj: I want you to know what you’ve done [10:37 PM] Wack'd: I apologize for nothing [10:37 PM] Bocaj: =__= [10:37 PM] maxwellelvis: Sorry not sorry [10:37 PM] Wack'd: Anyway they do the procedure and we're not sure if it works. And then another cutaway! Sorry max it's been more than five panels [10:38 PM] Umbramatic: vsfb jnjgfdmkb ;zgl,;.' n [10:38 PM] Bocaj: To the punishment dome with you [10:39 PM] maxwellelvis: *the dome.gif* [10:39 PM] Wack'd: Hey what the heck does that third panel mean? Did...did Alicia just get a vision of the North Pole? Or, like...uh...I actually don't have a second guess

[10:41 PM] Bocaj: When did Alicia brunette [10:41 PM] maxwellelvis: She overshaded her hair this morning [10:41 PM] Wack'd: It's been orange for a while now, too [10:42 PM] Bocaj: She’s supposed to be close enough to Sue that she can be a bad imposter [10:42 PM] Umbramatic: technicolor anime hair [10:42 PM] Bocaj: It’s the foundation of a good 60% of the things I mock Johnny for [10:42 PM] Wack'd: I think we're all okay quietly forgetting that except you for some reason [10:42 PM] Bocaj: See also 60% [10:42 PM] Wack'd: Mocking Johnny is admittedly a pretty good reason [10:43 PM] Wack'd: Ben also had a crush on Sue in the very early days if you want to take that ball and run with it [10:43 PM] Bocaj: It definitely has layers [10:43 PM] maxwellelvis: You've both made it weird. [10:43 PM] Wack'd: Anyway the procedure worked! Probably! Korgon decides he's just gonna assume it worked.

[10:44 PM] maxwellelvis: Was he always that tall? [10:44 PM] Umbramatic: always a safe bet [10:44 PM] Wack'd: (Y'ever notice Reed's the only one who ever grows even a little facial hair? Did Johnny just never go through puberty from the neck up?) [10:45 PM] Wack'd: @maxwellelvis : Yeah, we've just seen him laying down on a nebulously high platform so far. Ben remarks on seeing him for the first time he's like 15 feet [10:45 PM] maxwellelvis: I think he just shaves regularly to keep up his heartthrob gimmick. [10:46 PM] Bocaj: Here’s Johnny with a beard [10:46 PM] maxwellelvis: When he gets on in years, he's probably planning to let it grow out so that the Human Torch can have a *flaming beard* [10:46 PM] Bocaj: How much do you hate this? [10:46 PM] maxwellelvis: Like that. [10:46 PM] Wack'd: Sure, but if Reed has stubble from tirelessly working on this procedure...well, I guess Johnny mighta found time to shave [10:46 PM] maxwellelvis: He can just burn stubble off and they're in a literal house of mirrors. [10:46 PM] Wack'd: That's not a bad look on him. He's like the hot version of a grizzled old sailor [10:47 PM] Umbramatic: dilf [10:47 PM] maxwellelvis: I want to imagine someone said to him at some point, "Okay, but consider: A beard of FIRE!" [10:48 PM] Wack'd: I feel like "flaming beard" is a gay joke somehow but like. If Johnny has a partner who's overtly stereotypically homosexual that's the opposite of a beard? [10:48 PM] Wack'd: Unless he doesn't want people to know he's straight, I guess [10:48 PM] Bocaj: Beard of FIRE? [10:48 PM] maxwellelvis: I mean he probably has some sort of LGBT following. [10:49 PM] maxwellelvis: Chamber? What are you doing in Japan? [10:49 PM] Wack'd: One of my earliest exposures to this character outside of the Story films was an essay on why he's definitely gay, so [10:49 PM] Bocaj: Having a flaming beard [10:51 PM] Wack'd: I tried Google to find the essay but it turned out the one piece of corroborating evidence I remember it is one that literally the entire Internet has picked up on at some point [10:52 PM] Wack'd: Do yourself a favor, google "johnny storm fire island". Or don't, and let it be a pleasant surprise in like 90 issues. [10:52 PM] Bocaj: Can doooo [10:52 PM] Bocaj: The latter [10:54 PM] Wack'd: "I think I might be Satan, we should talk about that later" is not a good way to make me eager to talk to you later

[10:56 PM] Wack'd: While everybody else is celebrating, Korgon loads up enough radiation to keep this place running for another hundred years, and then asks Reed to make him mortal again [10:56 PM] Wack'd: Wiglif ovehears and is going to do something sneaky [10:57 PM] Wack'd: The next day Reed tries it, but someone tampered with the machine overnight. Gee I wonder [10:58 PM] Wack'd: Anyway Korgon is now more powerful than ever and fucking pissed [10:58 PM] Bocaj: Dammit Wiglif! [11:00 PM] Wack'd: 'If you press this red button, you get godlike powers and life-giving laser beams, BUT everything looks real spooky forever"

[11:00 PM] maxwellelvis: *Sweating superhero guy* [11:00 PM] Bocaj: I mean you take the bad you take the good you take what’s left and there you have [11:01 PM] Bocaj: Spooky shadow monsters [11:01 PM] Wack'd: The fantasts of life [11:01 PM] Umbramatic: fucking paralasys demons [11:02 PM] Wack'd: Haha WHOOPS

[11:02 PM] Umbramatic: gee willikers, that was a curveball [11:03 PM] Wack'd: Anyway from here things get predictable [11:04 PM] Bocaj: Fucking Wiglif [11:04 PM] Wack'd: There's a fight, it looks like the Four are doomed, Thor shows up, the tide is turned [11:05 PM] Wack'd: For some reason when I first glanced at this panel I thought that second speech bubble was coming from one of the Vikings

[11:05 PM] Bocaj: Yay Thor [11:05 PM] Wack'd: "Uh, boss. Hey. You get that's the literal god of thunder, right? And you want us to, what, shoot him with lasers? Maybe think about this?" [11:06 PM] Bocaj: Lasers are just light and Thor’s Baldrother shines lights out of his armpits [11:07 PM] Wack'd: Korgon is so pissed by his impending defeat he's just like "fuck this, I'm just gonna destroy everything, including this dome" [11:08 PM] Bocaj: Hey sometimes you gotta cut your losses [11:08 PM] Wack'd: Wiglif: 😟 [11:10 PM] Wack'd: The Four and Thor are at a loss so Thor summons Odin [11:11 PM] Wack'd: 

[11:13 PM] Wack'd: This is kind of a solution for a different problem than Korgon has. Like. He doesn't want to be a God? It was kind of thrust on him? I guess it's true that God needs followers and followers need a God, but if he's content to be a follower I don't really see an issue with that [11:13 PM] maxwellelvis: He also has a responsibility to these people. [11:13 PM] Wack'd: And it's not like he abandoned his people, he left them 100 years of free energy, during which time they could've solved things on their own in any number of ways [11:13 PM] Bocaj: Yeah I don’t really understand what Odin is getting at [11:14 PM] Wack'd: Also, outside the religious philosophy stuff [11:15 PM] Wack'd: It's a bit naff to just have an all powerful being show up and solve the heroes problems. Especially if it's not with superpowers but rather with delivering the intended message of the story [11:15 PM] maxwellelvis: Have the Four solved any problems on their own this entire run? [11:15 PM] Wack'd: Like you could've had Reed talk about the responsibilities of leadership or Ben talk about being a freak or Sue talk about how sacrificing a normal life can be worth it for the people you care about [11:16 PM] Wack'd: None of those would've been fresh or original but they at least would've been, you know, the main characters solving the problem of their own book [11:16 PM] maxwellelvis: They needed Gabriel to deal with Scratch, they needed Captain Marvel to deal with the Skrulls, they needed Thor to deal with Korgon [11:16 PM] Umbramatic: geez [11:17 PM] maxwellelvis: They've been reduced to guest stars in their own book! [11:17 PM] Bocaj: Oof [11:17 PM] Bocaj: FIRST FAMILY [11:18 PM] Wack'd: Things have been kind of guest cast heavy yeah! Don't know what's up with that and I suspect if you asked Moench or Sienkiewicz they wouldn't remember, besides Gabriel being Moech's baby [11:18 PM] maxwellelvis: Are there any stories from before the hiatus by them that I missed? [11:19 PM] Wack'd: It's weird thinking about the fact that I'm currently reading a run of comics that were written by guys with social media presences who seem fairly approachable [11:19 PM] Wack'd: I don't know if it would work but I could probably just ask them things if I wasn't a dick about it [11:20 PM] Wack'd: Not sure there's a kind way to be like "why are there so many guest stars in this year's worth of comics you wrote 40 years ago" but [11:21 PM] maxwellelvis: Something like, "Hey, I'm reading through your brief Fantastic Four run you had with Bill Sienkiewicz and there seem to be quite a few stories in a row where the Four's issue is solved by someone from another book? Do you remember what was up with that?" [11:21 PM] Wack'd: (Btw Moench and Sienkiewicz were doing a *Moon Knight* run simultaniously with this which is why Sue was reading an issue to Franklin last time. Go figure) [11:21 PM] maxwellelvis: Heh [11:22 PM] Umbramatic: oh huh [11:22 PM] Wack'd: Yeah there's really no way to phrase this that doesn't sound like "why did you write this so bad" [11:22 PM] Wack'd: Ah well [11:23 PM] maxwellelvis: The best-case scenario other than getting some hot scoop on the Marvel offices at that time is probably Doug Moench suddenly realizing that himself. [11:23 PM] Bocaj: Were they long term writers or doing some fill ins and one offs? [11:23 PM] maxwellelvis: They did like ten issues. [11:23 PM] Bocaj: I’m in a period of that in avengers. There’s not a lot of guest stars but they’re a lot of inconsequential issues [11:25 PM] Bocaj: Shame because there are one off villains and characters that would have been interesting to be picked up for more stuff [11:30 PM] Wack'd: Yeah, ten issues and Moench wrote an annual. [11:31 PM] Wack'd: But also, their first issue announced that we were sticking with them for a while--I suspect it was intended to be a longer run [11:31 PM] Wack'd: And then Bryne sniped them somehow

[duhragonball]

Dragon Ball Z 261

Last time, Gotenks and Piccolo escaped the Hyperbolic Time Chamber, but not soon enough to prevent Majin Buu from turning everyone on the Lookout into chocolate and eating them.    Gotenks, now a Super Saiyan 3, is determined to avenge his mother(s), so you’d think he’d finally make some headway in this fight.  But not really.  He seems to be able to go toe-to-toe with Buu this way, but he’s not exactly dominating the guy.

At this point in the battle, Buu is using his elastic body to stretch and contort himself out of the path of Gotenks’ blows.   The first time I saw this, I wondered why he hadn’t done anything like this before, but now it’s clear to me that Buu never needed to before.   Until now, Gotenks’ punches and kicks weren’t even hurting the guy, so there was no need to dodge him at all.   The only thing SSJ1 Gotenks did that hurt Super Buu was the Super Ghost Kamikaze Attack, and even that wasn’t enough to put the guy down.  

Even now, I doubt Buu really needs to bother with this.  He’s just toying with Gotenks here.

Then Buu swings him down through the Lookout, and chases him through the hole he just made. 

Buu follows Gotenks to a lake on the Earth’s surface, and somehow Gotenks manages to sneak up on him, commando-style, which seems kind of odd considering how much power he must be putting out just to maintain SSJ3.

Then he busts out a new move: Brain Crush Hammer.   

This... cuts Buu in half, which is pretty cool, except it doesn’t exactly live up to the name “Brain Crush Hammer”.

Gotenks blasts both pieces with the “Finish Flash”, which I guess is like the Final Flash only he keeps his hands apart and fires in two different directions.  

From the Supreme Kai Planet, Goku, Kibito, and the Supreme Kai watch the battle in a crystal ball, and they’re all pleased with Gotenks’ performance.  Goku’s so high on the job he’s doing that he’s beginning to think Buu will be defeated before Gohan even gets a chance to fight.

This is especially frustrating to Gohan, because he has to sit here for 20 hours as part of the Elder Kai’s power-up spell, or whatever it’s called.   He’s got to be at like 19:57 by now, but he can’t watch the battle with his dad, and if he gets distracted, it’ll just take that much longer to finish the work.   On top of that, even the Elder Kai isn’t required to focus on this.   He’s been reading comic books this whole time.

Stop me if you’ve heard this one, but Gotenks did this big flashy move on Majin Buu, and he thought he had this in the bag, only for Buu to reassemble himself and turn the tables on him.  This is pretty much every fight Buu has been in.   The only difference is that stronger characters just manage to last longer, but the results don’t really change.

I think that’s kind of a problem with this guy.    It’s not as bad as Frieza, where people knew he was invincible, attacked him anyway, and then they were all surprised to see that he wasn’t even scratched.  It got old really fast, and that’s why I always get bored watching the Frieza Saga up to the part where Goku turns Super Saiyan.  

I’d suggest that this is part of the reason why I like the Saiyans and Androids better as villains.   We know the Saiyans are beatable, because Goku’s a Saiyan and he could be beaten, provided his opponent is strong enough.  The androids were presented as invincible, but #19 is the first one we see in action, and he gets beaten without a lot of trouble, so it offers a glimmer of hope that the stronger androids that follow have their own weaknesses.   

What makes Cell so awesome is that he’s eminently vulnerable.   He needs to feed on humans to get stronger, and then he’s dependent upon the androids to achieve his final form.  Even in his ultimate form, he still takes all sorts of hits, if only to show off his regeneration powers. He’s a daunting challenge, but there’s still lots of ways to attack him. 

WIth Buu, I think the idea is that no one really knows what they’re getting into when they fight this guy.   Dabura thought he was a joke, and even Babidi was worried when Dabura ran him through with a spear.  Except Buu could just regenerate and turn Dabura into a cookie.   Vegeta seemed to do better against Buu, almost lulling you into thinking he had a chance, but really, that fight was just a repeat of Dabura’s effort.  Vegeta could damage Buu, but Buu would just pull himself back together and keep fighting.  

This move right here that Gotenks is using is called the “Super Balloon Bomber”, but it’s basically just more exploding ghosts.   The SBB is simply Gotenks making thirteen ghosts all at once instead of making ten ghosts one at a time.  Also, he says these ghosts pack a bigger wallop when they blow up, which makes sense, considering Gotenks is at Super Saiyan 3 this time.   

And Buu can’t dodge these guys as easily as the last set, so maybe these ghosts are faster too.    Makes sense.

But the outcome is basically the same.    Buu gets blown up, but he can still pull himself back together.  

It irritates him whenever he has to do that, so I don’t know, maybe this is draining his stamina every time, but it sure doesn’t seem like it.   No one ever observes that Buu ki is getting slightly weaker.

And Gotenks is lulled into this false sense of security, because he did an impressive move on Buu, and even Buu is upset about it.  He thinks he’s winning, but when you get down to it, what did the Super Baloon Bomber accomplish that the Finish Flash didn’t? 

And this is why I have my doubts that Goku ever really stood a chance against Fat Buu back in episode 245.  He only thinks he might have been able to beat him, but all he really proved was that he could last longer against Buu than Vegeta did.   Just like Gotenks is proving that he can last longer than either of them.   But it doesn’t do any good to last longer if you can’t put the guy away.

Now, I’m pretty sure the whole fight down on Earth was filler.   If I recall correctly, Buu and Gotenks stayed on the Lookout the whole time until it was destroyed, but in the anime, Buu knocks him down to the ground, they fight there for a while, and then Buu shoots him back up to the Lookout, and they resume there.  But it’s hard for me to tell the difference, because the filler parts of the battle scenes fit almost seamlessly with the ones adapted from the manga.   It’s a simple formula. Hero does a big move, Buu either no-sells it or recovers a few seconds later.

Meanwhile, Piccolo’s been having a nervous breakdown over the Lookout getting destroyed by all this fighting.   It’s easy to lose sight of this, what with everything else getting trashed.   The world below is nearly deserted, most of the main cast is dead, and there’s really nothing stopping Buu from just blowing up the whole planet if he wants.   But the Lookout has been an institution on this show for years.    It’s pretty wild watching it get smashed to pieces like this.  It’s like Toriyama decided he would use the Buu arc to just tear down the entire world he had built over the past decade, and it’s awesome to watch it all fall apart.  Z stands for the end.

Meanwhile, Mr. Satan and Bee are still trudging through the wasteland.   Satan seems to think there should be people here, which I don’t understand, since this place looks like it would be deserted even before Buu showed up. 

Then they spot a city, and that boosts Mr. Satan’s spirits somewhat.    Surely, there must be survivors there.  

But no, this town might have been spared from Fat Buu, but Super Buu wiped out the population with the Human Extinction Attack.   Mr. Satan doesn’t realize that, because even though he saw the attack like everyone else, he never got hit, and he never saw anyone else get hit, so he doesn’t realize what it was intended to do.  

There’s something very tragic about how he calls out for a hero’s welcome.  We’ve seen before how much Mr. Satan’s self-esteem depends on his fame and celebrity.   He was terrified of being the runner-up in the 25th Budokai, for goodness’ sake.   Jewel was the runner-up in the 24th Budokai, and everyone seemed to love that dude, but it’s not enough for Mr. Satan.  Now, he’s stuck in a world where he can’t call upon his fame because all his fans are dead.  

But at least there’s food and water.   Satan loots a grocery store and gives Bee a dish of milk.  Not sure that’s good for dogs, but this is Dragon Ball Z, so who cares?   All those pterosaurs in this show have big fat bodies and tiny li’l wings and they can still fly.    Dogs drink milk here.

Satan still can’t figure any of this out.  He knows Buu was a decent person at heart, and yet he’s destoryed the entire world.    Why? It just doesn’t make sense.

Then they move on, and Satan sees Fat Buu in the clouds.   I don’t really buy into Satan/Buu slash, but I get why people do.  You could write a gay romance story about Batman wondering why Superman turned evil, and it would look a lot like this. 

Yeah, yeah, the Lookout’s destroyed.   I already covered that.    Why do some of the pieces float in mid-air, while others lie on the surface of the big piece that’s left?    How does anything in this world work?   Let’s move on.

Buu does this thing where he bends over backwards and grabs his ankles to make a ball, and then he starts crashing into the Lookout multiple times.  He’s supposed to be trying to hit Gotenks, but I think he’s more interested in breaking he Lookout down to pebbles. 

But that sets him up for Gotenks’ next move, which is...

OH COME ON, PICCOLO.   Do you really have to touch your forehead to do Special Beam Cannon?   You know how this works, so shut up and let him do his thing.

So Gotenks does “Continuous Super Donuts”, which is basically the same as the “Cosmic Halo” from a few episodes back, which made a ring around Buu that closed in on him.  Only this time, Gotenks makes multiple rings, which seal Buu up in a ball of ki energy.   But Gotenks knows he could bust out of this, so he plans to follow up with another move....

ULTRA BUU-BUU VOLLEYBALL.   Now, I know what you’re thinking, this is a lot like Tien’s Volleyball fist from the 22nd Tenkaichi Budokai.  We’ll you’re wrong, because...

DAMMIT PICCOLO STOP WHIMPERING ABOUT THE LOOKOUT AND HELP.

GOTENKS IS GOING TO PASS IT TO YOU, BECAUSE IT’S A TEAM ATTACK.   THERE’S NO “I” IN TEAM PICCOLO.   YES, THERE’S A “ME”, WE ALL HEARD THE TAYLOR SWIFT SONG, BUT THIS IS NO TIME TO BE TALKING ABOUT THAT.

LOOK, GOTENKS CAN ONLY STAY IN THIS FORM FOR A FEW MINUTES, AND IF BUU GETS OUT HE’LL KILL US ALL, PICCOLO.   WOULD YOU STOP THINKING ABOUT TAYLOR SWIFT FOR LIKE TWO SECONDS AND SAY YOUR LINE?

YES FINALLY THAT TOOK FOREVER WHAT ARE YOU DOING OUT HERE?

All right, so Piccolo sets the ball, and Gotenks spikes it down in to the earth, where it explodes and makes a huge hole.   That might have killed Buu, except Piccolo screwed up the timing so it was only 99.2% effective.

Piccolo yells at Gotenks to quit screwing around.  Yeah, you’re one to talk.

So Gotenks knows Buu survived that, and he taunts for him to come out and continue fighting.  He even says that he can’t stay in this form much longer, and it’ll take him an hour to re-fuse and do this again.  Why would you tell him that?

But Buu doesn’t show himself, and Gotenks wonders if that last attack really did finish him off.

I blame Piccolo for this.

[ohhicas]

I've only been into comics for a few years, but I've read enough of the old Flash stuff where I adore the classic incarnations of the Rogues. Honestly curious here: what's it like to be a fan of James Jesse back when he was retgonned around 10 years ago and see him brought back but now all mwahaha crazy evil? I'm way more used to Axel (and all that off-panel character development in Nu52, thanks DC) but even I find this kinda weird. Was James ever crazy evil in any arc?

^- me 90% of the time someone says James is coming back to recent media & it’s not a direct continuation of the comics prior to 2004

[ Warning: this is gonna get long and be full of a lot of assumptions. I can never form solid statements and things will get jumbled, because I suck at presenting things ]

[ this is my can of worms hill and you opened it so I’m dYING HERE ]

I mean, back in the earliest ages, no Rogue had a real personality to speak of? They were just “1960s Bad Guy in a different outfit” at the very start, with quirks! Like James having a thing for toys and nuclear powered flying tricycles. It wasn’t until that era ended that they started getting real distinct and into what a lot of ‘classic’ James fans loved and appreciated? 

(I think at least, I’m just One Person here pretending like I even understand HALF of what the ‘classic’ fandom enjoyed. I’m wildly speculating just going off what fanworks I’ve seen produced.)

(I don’t have all my scans anymore but I’ll toss in scans when I have them)

But that’s when we started getting things like James actually having specified friendships with certain people

or clear distaste towards others, and when you could tell he was more of a wild card than the others. Or when he decided to fuck off and hang out in Hollywood with Blue Devil for a bit, even siding with Kid Devil to deck out Captain Boomerang. 

Or when he decided to fuck off to Gotham, to mess with Catwoman by pretending he didn’t know who she was, but absolutely knew who she was because of how she walked and carried herself, but James being James was like “mmmmm long con, nope”

hey lil Cold, gimme all ur guns and don’t question why I’m in drag xoxo

Even then, he wasn’t shown to be vicious yet! He’d hopped around various places, was still considered A Rogue, A Criminal, and as far as any comic reader could tell by trying to count up how many civilians may have been crossfired at, he had no On Purpose deaths racked? Like, the only thing you could really argue was he may have made someone drive their car off a cliff once, but I’m like 98% sure they’re fine. He’s not a murderer, he’s just here for a laugh and a long-con for funsies because he know he can get away with it!

AND THEN WE GET A LITTLE OLDER, LITTLE DARKER

[ I’M PUTTING A CUT HERE CAUSE AFTER I THREW IT INTO DRAFTS, I REALIZED I GOT REALLY LONG, I’M SORRY IF MY LAYOUT SUCKS ASS FOR THIS. ]

little more 90s Hair. Little more 90s stereotypical “But what if EVERYONE WENT TO HELL” demon plots against Satanic Hockey Hair Neron. And James? still wasn’t evil? He was a little dismissive when everyone ELSE died sure but he still in the end turned around like “nghgng I’m THE ONLY ONE”, purposely got his ass down there, regretted it, and then beat Neron at his own game to save the entire fucking world. Because! He could! And he did it so well. STILL NOT EVIL, even when he had a chance right then and there to take over everything alongside Neron should he so desire. Like, two words, maybe some under the table BJs depending on how you feel about that pairing (I don’t), and bam. He would’ve bested nearly any other villain in the DCU save like, Satan himself. Or i guess one of those world destroyers. But we’ll get back around to those BOY HOWDY WE WILL GET AROUND TO THOSE. 

So James! Saves! The world! Sorta! Later they fight Neron again and his kid he somehow had somewhere down the road (it sounds like I’m complaining, i’m not, I love Billy and Mindy both I just wish they showed up like… ever again?) and he sTILL SAVES EVERYONE. 

Piper helps by their 90s ponytails combined. 

Somewhere around here, because dates and timing aren’t my strong suit, he also goes and messes with Bart for a bit. It’s pretty much a Spy Vs Spy episode, but with less bloodshed. 

ANYWAY IT’S AFTER THIS POINT THAT THINGS GET… where I think the majority of “James is a Low Rate Joker” comes from? 

For some unknown goddamn reason, in between issues (James wasn’t a Super Frequent Rogue? He’d show up, sure, but in the huge run of the series he’d just kind of vanish for 20 issues at a time and you’d go “welp, guess he’s still alive”) James went super-cop? like, the FBI? For some reason? Hired James “I am a probably still wanted felon, a man who has escaped jail numerous times, probably never served a full sentence, known Trickster and liar” Jesse. to the FBI. And for so many issues it’s like he legit just. Did this. He threatens to shoot Piper who he was up until this very moment, considerably very close friends with (as far as comics would show Rogue/Rogue friendships), unwilling to help his friend clearly framed for murder of his parents and losing his mind by the day. Despite James talking Hart down a little on the whole ‘THE MAYOR IS ROSCOE ADN NOBODY BELIEVES MEEEEEEEE” thing. 

Also he steals Digger’s dead ass corpse? 

FBI James is a fucking enigma. Here he is standing up for Gay Rights even though Piper is like “mm maybe I should forgive my abuser??”

BUT. AFTER THIS? WE GET COUNTDOWN WHICH IS JUST. Countdown is. IT’s a problem. James’s personality is IMMEDIATELY HORRIBLY u-turned into “well we need SOMEONE to be the Bad Guy to Piper’s Good!” DESPITE. ALL THESE YEARS OF COMICS.This is the shit you’ll see people who don’t know better or just want a reason to hate the Trickster (despite being 100% okay for them to just say he’s annoying/they don’t like his tights/acrobats are stupid) reference. James is, suddenly, very abruptly, a homophobe. Like an “ew don’t touch me” level homophobe because I’m pretty sure DC snorts cocaine and threw a dart at a board for “how could they make these two fight” and landed on GAY RIGHTS IS TRENDING. 

BUTSTILL IN THE FUCKING END OF ALL OF THIS?After so many issues of James being a complete fuckass prick? 

springboards himself from his current job of being railroad face putty to catching bullets to make sure Piper wasn’t gonna die. Without knowing the proceedings of this entire plotline, James out of nowhere after so much gaybashing, still finds it in him to leap into the path of multiple bullets and save Piper. Because, yknow, he’s evil!

Later it’s shown he’s been working to take everyone down (y’know, like when he was in the FBI) and left Piper specific helpful notes to do it himself. Because Evil Bad Guy! Helping his gone-good friend! Take down bad guys! 

DC I STILL HAVE SO MANY GODDMAN QUESTOINgsd

But yeah that’s. That’s where we last saw James. in 2007, dead, after saving Piper when he could have easily pulled a Joker and ripped HIM down to take hte bullets and etcetc, y’know. Something a Very Bad Person would’ve done, like the characterization we’ve seen now. 

His ghost (easily argued as Piper’s own mental construction of James sassing him) sasses Hartley to even, in his mental state, saw off James’s hand so Piper doesn’t have to lug his weight around and has a fighting chance at living. And in the end, when Piper’s fighting the thing that can destroy the fucking world, it’s shown only Piper was the one who could save them? Because his flute, and his musical ability, and [enter DC comic science here]. You could argue this was James, once again, somehow knowing the long-con at play here, getting screwed over at EVERY turn, and sacrificing himself so they ‘good’ team had a fighting chance.You could also argue this is me losing my mind trying to make sense of the things they made James do. (my running argument is he was purposely a prick to push Piper away, so he could keep him safe) 

Also Piper plays James a Swan Song of Queen as the final boss explodes and he’s fully prepared to die. So like. There’s that. 

AND THATS BASICALLY THE COMICS? The main, ‘canon timeline’ comics. I’m missing a LOT of little things here and there, but I’m not missing anything like body counts, or murder attempts, beyond the old Silver Age “Bad guy of the week” things like trying to make Flash’s head explode, or you know. Other “nobody really has a personality, we just have quirks”. 

MY NUMBER ONE GUESS TO WHERE THIS NEW PERSONALITY TREND COMES FROM?

Mark Hamil|’s OG run as him in the old live action show. That characterization was fun, for the time, and I even enjoyed it cause it was just that off the wall and you could tell it was what they used to decide he should be the Joker for the BATS Joker. Consider it a prototype (combined with all the previous comic jokers but that’s not for this long ass post) 

And if it’d stayed there, that’d be it! That’s it! But then JLU came along, and they referenced the old show for their version of James with a sprinkling of early-era comics, and a lot of people loved and watched that show. That was their version of the Trickster, because it was their first meeting with him! And I can’t fault that! But that guy was clearly off his rocker and I’m sure if the JLU allowed a higher rating, it would’ve been even closer to the old TV show. 

And both of THOSE were heavily, heavily referenced for the CW version, which as I’m at this point now means I need to slap my usual anti-CW tag onto things. I hate the CW James. There is so little comic in him it’s almost disgusting, and they ramped up so much of the Joker side of JLU & OGTV he might as well just be the Joker. It’s not a good representation of him at all. I have, also, only seen his first appearance episode, so maybe I’m wrong? But when you fuck up hard on the first run, why would I return for round 2? 

So with ALL THIS– 

REBOOT TIME. Whatever the newnew remake is calling itself. 

At first! With how James was! In the first panel flash of him clearly behind the scenes tugging so many wires and lines, watching everything with a bucket of popcorn while pulling others to his side, sitting pretty in an old museum? warehouse? highlighted in purples and vintage toys, I was like “holy shit this it. This is My Boy, back from the goddamn limbo-dead. It’s him.” But then“taking over the city entirely” to do? What? Turn it into the world’s biggest Trickster themepark? Make everyone wear striped leggings and combat boots? Martial Law of murder if you don’t carry rubber chickens? This is already veering from anything major James has ever done. As it stands I can’t see the gag here. Its’ weirdly dark and edgy, and way too close to something we saw the 90s TV show Trickster do, in the episode where he basically took over the place. The previews show him being what I’m assuming a Judge, Jury, & Executioner joke– and unless this spins into a Clopin song and dance number and his little hand puppet crops up to slam the button on the guillotine, I’m not having it, DC. 

They’re trying to tie him back into the CW, despite the writer saying he really enjoyed the Neron-era things with James (if I’m remembering the interview correctly). And it’s also why you may see me constantly saying “Well I sure as fuck hope Neron shows up” at anything new that’s released, to explain away all of… this.

This isn’t him. If they wanted a murderous Trickster, they should’ve just used Axel. The kid, canonly, tied explosives to stray dogs and homeless people. AXEL is the not-good Trickster, the murderous Trickster, the one you aren’t suppose to feel sorry for beyond being in way over his head due to his young age. 

i think I somehow didn’t answer your question

TL;DR

it sucks? it’s also great because there’s a .5% chance that maybe they’ll do it right and won’t reference the fucking 90s noncomic media. But then they do. And all I can do is laugh and shrug like ‘welp I expected nothing’. But when they get it RIGHT it’s like christmas came early.

[princeyitz]

[ loner | family oriented | lazy ]

GET TO KNOW ME TAG why r there so many questions </3

@viiavi​ tagged me(and mayb someone else??? i dont know tumblr notifs are awful)

uhhhmmm i tag @ratboysims​ @felicitum​ @bullsim​ @keysims​ @bratsims​ and uhhmmmmm any1 else that wants to do it just say i tag u

also here’s a bad edit of my simselfs outfit its cute and basically what i wear everyday gotta wear those nikes get some good ass arch support u feel me

1. WHAT IS YOUR FULL NAME? byrd

2. WHAT IS YOUR NICKNAME? byrdie, b

3. BIRTHDAY? june 3rd babey

4. WHAT IS YOUR FAVORITE BOOK SERIES? harry potter

5. DO YOU BELIEVE IN ALIENS OR GHOSTS? ye s

6. WHO IS YOUR FAVORITE AUTHOR? i dont think i have one. picking faves for literature has always been hard for me

7. WHAT IS YOUR FAVORITE RADIO STATION? i listen 2 podcasts

8. WHAT IS YOUR FAVORITE FLAVOR OF ANYTHING? ummm dark chocolate or mango

9. WHAT WORD WOULD YOU USE OFTEN TO DESCRIBE SOMETHING GREAT OR WONDERFUL? awesome

10. WHAT IS YOUR CURRENT FAVORITE SONG? thank you next look its a good song ok

11. WHAT IS YOUR FAVORITE WORD? ridiculous but how my mom says it like a harry potter spell

12. WHAT WAS THE LAST SONG YOU LISTENED TO? ummmm something by halsey i think

13. WHAT TV SHOW WOULD YOU RECOMMEND FOR EVERYBODY TO WATCH? im binge watching greys anatomy so that i guess but also my fave show of all time stargate

14. WHAT IS YOUR FAVORITE MOVIE TO WATCH WHEN YOU’RE FEELING DOWN? moana

15. DO YOU PLAY VIDEO GAMES? yea

16. WHAT IS YOUR BIGGEST FEAR? failure

17. WHAT IS YOUR BEST QUALITY, IN YOUR OPINION? i give good cuddles

18. WHAT IS YOUR WORST QUALITY, IN YOUR OPINION? i have no patience and i worry too much

19. DO YOU LIKE CATS OR DOGS BETTER? yes(dogs)

20. WHAT IS YOUR FAVORITE SEASON? fall

21. ARE YOU IN A RELATIONSHIP? yes! we’re getting married next october :-)

22. WHAT IS SOMETHING YOU MISS FROM YOUR CHILDHOOD? no responsibilities!!! no bills!!!! also my moms cooking

23. WHO IS YOUR BEST FRIEND? her name is lauren but also my fiance and my dog

24. WHAT IS YOUR EYE COLOR? dark green

25. WHAT IS YOUR HAIR COLOR? brown

26. WHO IS SOMEONE YOU LOVE? my fam, my fiance, my dogs, my close friends

27. WHO IS SOMEONE YOU TRUST? my fiance 100%

28. WHO IS SOMEONE YOU THINK ABOUT OFTEN? my parents i worry about their health and also my sister bc she’s in a new relationship

29. ARE YOU CURRENTLY EXCITED ABOUT/FOR SOMETHING? my sisters dog just had puppies so im excited to see them

30. WHAT IS YOUR BIGGEST OBSESSION? hmmmmmmmmmmmmmmmmmmmmmmmmmmmm rn sims

31. WHAT WAS YOUR FAVORITE TV SHOW AS A CHILD? probably rugrats and also x files

32. WHO OF THE OPPOSITE GENDER CAN YOU TELL ANYTHING TO, IF ANYONE? my dad

33. ARE YOU SUPERSTITIOUS? hell yes big time

34. DO YOU HAVE ANY UNUSUAL PHOBIAS? well i still cant drive so like. driving i guess

35. DO YOU PREFER TO BE IN FRONT OF THE CAMERA OR BEHIND IT?uhhh behind i hate when others take pics of me lol

36. WHAT IS YOUR FAVORITE HOBBY? writing and simblr i guess

37. WHAT WAS THE LAST BOOK YOU READ? actually i think it was the adventure zone graphic novel does that count

38. WHAT WAS THE LAST MOVIE YOU WATCHED? the crimes of grindelwald

39. WHAT MUSICAL INSTRUMENTS DO YOU PLAY, IF ANY? i can sing

40. WHAT IS YOUR FAVORITE ANIMAL? owls

41. WHAT ARE YOUR TOP 5 FAVORITE TUMBLR BLOGS THAT YOU FOLLOW? i feel like im on the spot ummmmm @felicitum @keysims @smart--milk @surreysimmer @hesitantpixels

42. WHAT SUPERPOWER DO YOU WISH YOU HAD? u ever seen heroes? remember how peter was like a sponge well i wish i could do that but with like, normal knowledge/skills. like if i met someone who was a carpenter or dr i could shake their hand and i knew everything they did about that and could learn new languages that way too. i wanna b a sponge

43. WHEN AND WHERE DO YOU FEEL MOST AT PEACE? in my bed w my fiance and dogs in a cuddle pile

44. WHAT MAKES YOU SMILE? when we ask blu if she’s a sleepy baby and she tilts her head

45. WHAT SPORTS DO YOU PLAY, IF ANY? none bitch

46. WHAT IS YOUR FAVORITE DRINK? water all day every day im a camel hi

47. WHEN WAS THE LAST TIME YOU WROTE A HAND-WRITTEN LETTER OR NOTE TO SOMEBODY? uhhh probably recently at work

48. ARE YOU AFRAID OF HEIGHTS? as i get older yes

49. WHAT IS YOUR BIGGEST PET PEEVE? when people talk down to me because of my identity or age

50. HAVE YOU EVER BEEN TO A CONCERT? yea!! the last one we went to was p!nk im pretty sure

51. ARE YOU VEGAN/VEGETARIAN? no

52. WHEN YOU WERE LITTLE, WHAT DID YOU WANT TO BE WHEN YOU GREW UP? a cardiologist

53. WHAT FICTIONAL WORLD WOULD YOU LIKE TO LIVE IN? hmmmmmmmm probs harry potter tbh

54. WHAT IS SOMETHING YOU WORRY ABOUT? money!!!!

55. ARE YOU SCARED OF THE DARK? yes and no

56. DO YOU LIKE TO SING? yup!!! i dont sing as often as i used to tho its sad

57. HAVE YOU EVER SKIPPED SCHOOL? no

58. WHAT IS YOUR FAVORITE PLACE ON THE PLANET? i really love big bear and catalina island

59. WHERE WOULD YOU LIKE TO LIVE? doesnt really matter as long as its not a big city and relatively close to family

60. DO YOU HAVE ANY PETS? we have 2 doggos

61. ARE YOU MORE OF AN EARLY BIRD OR A NIGHT OWL? tbh i am a mix of both now, tho i used to be a night owl

62. DO YOU LIKE SUNRISES OR SUNSETS BETTER? sunset

63. DO YOU KNOW HOW TO DRIVE? no :-)

64. DO YOU PREFER EARBUDS OR HEADPHONES? earbuds sometimes headphones hurt my ears esp bc i always wear glasses

65. HAVE YOU EVER HAD BRACES? yes and im getting war flashbacks

66. WHAT IS YOUR FAVORITE GENRE OF MUSIC? pretty much anything besides hardcore rap, country, and religious music, also nothing too poppy

67. WHO IS YOUR HERO? probs my mama

68. DO YOU READ COMIC BOOKS? ye

69. WHAT MAKES YOU THE MOST ANGRY? when they only brew decaf at work

70. DO YOU PREFER TO READ ON AN ELECTRONIC DEVICE OR WITH A REAL BOOK? both

71. WHAT IS YOUR FAVORITE SUBJECT IN SCHOOL? i really loved english

72. DO YOU HAVE ANY SIBLINGS? i have two brothers and two sisters

73. WHAT WAS THE LAST THING YOU BOUGHT? flowers for my mother in law

74. HOW TALL ARE YOU? 5′7″

75. CAN YOU COOK? yes

76. WHAT ARE THREE THINGS THAT YOU LOVE? coffee, purple flowers, the lil potbellies that all puppies have

77. WHAT ARE THREE THINGS THAT YOU HATE? decaf coffee, peas, when people say my name wrong

78. DO YOU HAVE MORE FEMALE FRIENDS OR MORE MALE FRIENDS? uhhh i guess just bc thats who im around more

79. WHAT IS YOUR SEXUAL ORIENTATION? gay af my dudes

80. WHERE DO YOU CURRENTLY LIVE? i live in southern california

81. WHO WAS THE LAST PERSON YOU TEXTED? my mom i think

82. WHEN WAS THE LAST TIME YOU CRIED? a while ago 

83. WHO IS YOUR FAVORITE YOUTUBER? garrett watts is fun

84. DO YOU LIKE TO TAKE SELFIES? sure

85. WHAT IS YOUR FAVORITE APP? digit it saves me money

86. WHAT IS YOUR RELATIONSHIP WITH YOUR PARENT(S) LIKE? im super close with my parents and relatively close w my fiances parents as well

87. WHAT IS YOUR FAVORITE FOREIGN ACCENT? hmmm probs middle eastern

88. WHAT IS A PLACE THAT YOU’VE NEVER BEEN TO, BUT YOU WANT TO VISIT? seattle

89. WHAT IS YOUR FAVORITE NUMBER? 3

90. CAN YOU JUGGLE? lmao no

91. ARE YOU RELIGIOUS? not really

92. DO YOU FIND OUTER SPACE OR THE DEEP OCEAN TO BE MORE INTERESTING? both but i tend to lean more towards the ocean

93. DO YOU CONSIDER YOURSELF TO BE A DAREDEVIL? not at all im a chicken

94. ARE YOU ALLERGIC TO ANYTHING? nope

95. CAN YOU CURL YOUR TONGUE? y...es

96. CAN YOU WIGGLE YOUR EARS? n o?

97. HOW OFTEN DO YOU ADMIT THAT YOU WERE WRONG ABOUT SOMETHING? when i am wrong lol i dont care too much about being right

98. DO YOU PREFER THE FOREST OR THE BEACH? forest 100%

99. WHAT IS YOUR FAVORITE PIECE OF ADVICE THAT ANYONE HAS EVER GIVEN YOU? trust your instincts

100. ARE YOU A GOOD LIAR? yes

101. WHAT IS YOUR HOGWARTS HOUSE? hufflepuff

102. DO YOU TALK TO YOURSELF? sometimes

103. ARE YOU AN INTROVERT OR AN EXTROVERT? v big introvert

104. DO YOU KEEP A JOURNAL/DIARY? no

105. DO YOU BELIEVE IN SECOND CHANCES? kind of

106. IF YOU FOUND A WALLET FULL OF MONEY ON THE GROUND, WHAT WOULD YOU DO? pick it up and return it to its owner

107. DO YOU BELIEVE THAT PEOPLE ARE CAPABLE OF CHANGE? yes but they have to believe in it too

108. ARE YOU TICKLISH? yes but u cant tell nobody knows ok thanks

109. HAVE YOU EVER BEEN ON A PLANE? yeah they’re cool

110. DO YOU HAVE ANY PIERCINGS? my ears and my septum

111. WHAT FICTIONAL CHARACTER DO YOU WISH WAS REAL? sam carter from stargate shes smart

112. DO YOU HAVE ANY TATTOOS? yeah i have 10 i think

113. WHAT IS THE BEST DECISION THAT YOU’VE MADE IN YOUR LIFE SO FAR? opening up to people

114. DO YOU BELIEVE IN KARMA? 110% yes

115. DO YOU WEAR GLASSES OR CONTACTS? glasses

116. DO YOU WANT CHILDREN? yeah i want 5 but i dont think i can afford that many someone start a gofundme for my future babeys

117. WHO IS THE SMARTEST PERSON YOU KNOW? my best friend

118. WHAT IS YOUR MOST EMBARRASSING MEMORY? i told my middle school crush that i liked her and then she told everyone and thats the story of how i repressed me sexuality until i was 20

119. HAVE YOU EVER PULLED AN ALL-NIGHTER? many times

120. WHAT COLOR ARE MOST OF YOU CLOTHES? black

121. DO YOU LIKE ADVENTURES? yes but carefully planned and well thought out adventures where i have a checklist and a binder of all the information i need listen i am v anxious everything is scary

122. HAVE YOU EVER BEEN ON TV? when i was a baby i was on the news lmao

123. HOW OLD ARE YOU? 25

124. WHAT IS YOUR FAVORITE QUOTE? to thine own self be true wow super lame and cliche thanks im tired is this done yet

125. DO YOU PREFER SWEET OR SAVORY FOODS? savory i dont have much of a sweet tooth

[almaasi]

reaction post typed while watching SPN 14x05 “Nightmare Logic”

oh, what a perfectly soft and emotional Destiel-parallelly piece of Meredith Glynn artwork. so precious, so loved~

03:47pm

things i know about this: meredith glynn wrote it

LET’S WATCH

-

03:50

noooo maggie don’t do things like this alooooone

-

i like the music as she enters... kinda weird and sparkly and awkward

-

03:53

sammy...... you know what you need

someone to do the night shift

if only...... you had.............. someone else........................

*looks pointedly at dean*

-

03:55

where does sam get the financial resources for shit like body cams

we never see them running credit card scams any more so........ ???????

-

03:57

i love these cable things by the roads

so aesthetic

-

03:58

even more spooky pretty music as dean and sam enter the tomb

-

03:59

dean and sam lie so effortlessly and so in sync

i always enjoy seeing them do this, ever since dean told a firefighter he needed to go back into his apartment because he has a yorkie who pees when he’s nervous

-

04:01

aw man i thought the “colleagues” would be cas and jack

bobby and mary’s cool too

-

04:02

bobby’s wearing a cap like michael’s

and mary’s wearing a coat like cas’

..does this mean this story’s gonna be about dean’s war between those two things, like the two worlds he knows

bobby’s parenting vs. mary’s parenting

michael’s need for him as a vessel vs. cas’ love for him as a bestest buddy bro friend

not sure how bobby = micheal / mary = cas but i’m sure there’ll be some kind of explanation later

OR maybe they’re just costumes and they mean nothing

but......is that ever true? trenchcoats are automatically a cas thing now. and that cap is so iconic as michael now???

-

04:09

i relate to this lady in the suit who has had Too Much Of Everything

i enjoy seeing people know their limits and expressing them to others rather than continuing past breaking point

sam’s doing great but also....... no

take a page from this lady’s book, sammy

-

04:11

mary’s walking with sam

and i just wanna take a minute to appreciate how EASY meredith glynn’s episodes are to watch

her scripts flow so gently and everything makes logical sense

and her characters are coherent

there’s just this nice touch of emotional human realism cloaking all the supernatural weirdness and i so, so appreciate that

like.. for me personally, there’s not a single writer on the current team whose writing comes close to glynn’s

i want her to write more episodes with cas though, i know she’d write him just right

i honestly feel like i’m being hugged by someone as i watch this

so soft around my heart

is good

-

04:16

sam: “you [and bobby have] gotten pretty close lately”

mary: “i thought so too”

OH WAIT I GET IT

I GET THE COAT AND THE HAT NOW

IT’S A DESTIEL THING

OH MY FUCKING GOD HOW DID I MISS THAT

IT’S SO BLINDINGLY OBVIOUS HOLY FUCKING FUCKDISAFKDSHGF

even the casual viewers will probably have noticed this one. i know it took me a second but as soon as this discussion happened it clicked

 this is probably the most obvious parallel they’ve ever done i think

i didn’t see it before because i didn’t EXPECT it, you know?? ugh this is so validating

-

04:22

now every word mary says, i’m just envisioning how it applies to cas’ perspective too

“he’s been hunting all the time, he won’t take a break even for a second. there’s something on his mind”

yeah, that mICHEAL HAT, quite literally sitting over his head like a dark halo

-

04:26

the music in this episode is just so pleasing to my ears

-

04:31

things i appreciate:

normal people being all “wtf you hunt monsters” and just being present while dean and sam talk about their shit

sam’s reference to “hunteri heroici” (my all-time fave episode besides “scoobynatural” jdgd that was five years ago what the hell)

-

04:35

me: takes screenshot of this very pretty, very anxious lady because i want my hair to do what her hair does

-

04:36

oop we just found the dean mirror and now we get to hear someone talk about the things he feels and offer advice that ultimately helps himself

god i love this

AND THE FACT I CAN UNDERSTAND THIS PARALLEL AND WHY IT’S HAPPENING

AGAIN SOLIDIFIES THE DEAN/CAS THING WITH BOBBY/MARY

because what mary said about bobby = what cas thinks about dean = what’s true about dean = this lady being overworked = dean not taking time off from hunting

(although it does seem to specifically apply to sam as well ?)

and sam mentioned earlier about how the dad he knew and the dad mary knew were different people, plus the earlier mentions this season about john’s problematic parenting (i forget when)

yeah that really makes a point of saying john abused his kids, for sure

-

lady: “he was gone all the time, working for us, he said”

yeeeeeeeeeeeeeeeeep

-

lady: “i worshipped him when i was a kid. didn’t know any better”

oh deanie

please take notes

please know it’s okay to be angry at john and not continue to love him in a way that excuses his behaviours, even 14 years after he died

-

wait wait wait

dean tells her to let it go, it’s the past, there’s nothing you can do about it now so it’s just baggage

WAIT

THAT MEANS

THAT MEANS HE LET THAT SHIT GO ALREADY???????

WHOA

OKAY COOL. COOL COOL COOL I’M PROUD OF YOU

now go be gay with cas

-

“i try. every single day.”

hell yeah dean winchester giving good mental health advice to people and also millions of depressed people with various traumas watching this

ngl this legit just helped me a tiny bit with my issues with my own dad

urhgutguugb meredith glynn you are the good we need in this world

..............suddenly getting real emotional because goddamn i wanna meet her someday ;~; i wanna meet 1. misha and 2. meredith glynn, maaaaybe 3. jensen idk

mEREDITH GLYNN IS MY KINDRED SPIRIT

and DEAN WINCHESTER HELPS ME BE A MORE SELF-ACCEPTING PERSON

yay

-

04:49

no but like.......... everyone seemed to enjoy last week’s episode, i only saw people posting good reviews. and i felt bad not not enjoying it, even though all the things people pointed out should’ve been right up my alley, something about the overall thing just fell flat for me

but this one

this one speaks to my heart

-

04:53

maggie: “i didn’t mean to get caught--”

sam: “no no no, stop that. you did nothing wrong. okay?”

sam being a better dad to maggie than john ever was to anyone

-

04:57

OH NO BOBBY!!!!!!!!!!!!!!!!!!!! OH NO!!!!!!!!!!!

-

05:01

dean: “you’re giving him transfusions?”

nurse: “keeps up his iron”

suddenly i don’t trust the nurse

trying to take over the property maybe? a la scooby-doo, it’s always about real estate

-

05:02

dean: “sasha, could you go....... make me a ....sandwich ?”

DEAN NO

(i type, in pain, as i laugh)

-

/rewatches that interaction because it was actually really sweet the way dean mouthed “go” to sasha and she understood

-

05:05

i’ve wanted a djinn story for SO LONG

(even wrote one myself - Prince of the Ether Realms)

trust glynn to be the one to re-weave the exact threads of this 14-year saga that also interest me specifically

also kudos for the fact she’s so obviously knowledgeable about the ENTIRE HISTORY of the show, as opposed to certain other writers who seem to contradict previous facts and re-reference things that were used differently before to make an important point, thereby nullifying the first point when used a second time

-

05:11

hunter with the shaved head 10/10 style

headcanoning them as non-binary and into girls because of reasons

also there was a slight continuity error, this hunter hugs maggie twice in the two consecutive shots

-

05:15

bobby: “it ends the same” [with bobby dead, i guess?]

mary: “no. you are not allowed to give up on me”

seeing this as dean and cas again

yeah i saw someone mention how at the end of last episode, dean suggesting they drive off a cliff and sam being like NOPE kind of reflected the wrongness of the they-all-die-at-the-end for the finale of SPN

and i think this brings it back to that again

i agree that the best ending is the one where they live to fight another day, not go out guns a-blazing

and this is cas telling dean he’s not allowed to give up and die because he wants to live side-by-side for as long as they can

i just really really want cas to say that to dean in a soft emotional scene like this. we don’t really get those unless they’re parallels??? and i wANT MORE DEAN AND CAS TALKING ABOUT THEIR FEELINGS DAMMIT

-

05:20

DEAN AND CAS PARALLELS um i mean BOBBY AND MARY GOING OFF TO HANG OUT ALONE IN A CABIN OF LOVE AND HEALING

GDI LET DEAN AND CAS DO THAT TOO

but also awwww i actually kinda like the mary/bobby thing? because at the core, they ARE dean and sam’s parents, really

family don’t end with blood etc

bobby was the dad john never was

-

05:23

sam: USE THE BUDDY SYSTEM

this is so satisfying

next up: hula hoops of salt and iron knuckle-dusters

-

05:25

i love love love that dean can have a healthy mental approach to this shit, finally

i’m so fucking proud of him you don’t even know

i just......... i really wanna see him not only return to baseline mental goodness, but then overcome that and become greater at his zen thing, and then AT LAST be ready to accept cas’ love for what it is: romantic and everlasting and epic, and not have to interpret it into something else or ignore it to protect himself

-

05:28

that light over dean’s shoulder is the angel on his shoulder

but is it michael or cas?

i’m going with cas, given that michael is a dark-hat-halo

-

05:30pm

it’s over

that was amaziiiiiiiiiiiiiiiing ;u;

bless meredith glynn for existing and bringing us such beautiful stories

BUT WHAT HAPPENED WITH THE GARDENER

WHY WAS HE THERE besides to ~add some colour~??? and i guess a red herring for viewers, so we have someone to suspect?

(idk. i never suspected him, because he was black and meredith glynn is better than that - unless she was trying to trick racist viewers?? (i know there's a lot of them, i saw the super-toxic comment section on instagram when jared, jensen and misha posted a “vote beto” thing the other day. and there was a poll mentioned at comic con once, half the american spn fanbase are republicans??? guess they really love guns and fascism))

i don’t really have anything to add here, i said it all as i went along

that dean/cas parallel....... oh boy

just please please please pleASE can we have Actual Destiel and not just parallels and hints. like. they barely talk???????? HOW IS THIS A SHOW WHERE TWO OF THE MAIN LEADS ARE CONSTANTLY FRAMED TO BE IN LOVE, WE’RE TOLD THEY’RE BEST FRIENDS, BUT WE ALMOST NEVER EVEN SEE THEM TOGETHER ANY MORE

HOW IS THIS HAPPENING

anyway the costuming was just so very UNSUBTLE and obvious and i think a lot of people would’ve caught that parallel even if they weren’t looking for it

music was good, directing was good, sasha’s hair was good, nobody we know actually died, that was good too

10/10

ten thumbs up

yeee

[birbofathena]

twitter has a character limit, which is why we’re here

hi there. it's been a lil while, huh.

scrolling through my twitter, i found this (seen below) and i'm in the mood for rambling on and on so woo here we go.

Have you ever

1. skipped class

never with the intent of skipping class. i've missed quite a lot of class in my time, but my brain gets awful sick in the winter, which really inhibits my ability to do "normal human" things. i see a therapist every two weeks.

2. done drugs

nah. addiction plagues my paternal family line, and we're seeing glimpses of it in my brother as well. will i try drugs? maybe weed. anything that can be a one-and-done thing, just to try it. never nicotine. never alcohol.

3. self harmed

nope. i have an irrational fear of the consequences that might come of that specifically, and frankly i'm better off for it. heaven knows i've spent enough time thinking about that for one lifetime.

4. drank

see question two. it's funny that a differentiation between alcohol and everything else exists, imo.

5. shoplifted

i don't think so. i'm really starting to wonder about the demographic that this question set was originally made for.

6. gotten a tattoo

nope! maybe one day. probably a nice little flower, with an inkling of color peeking at the edges of its petals. probably on my back somewhere, so that i'm always a bit surprised when someone points it out. "oh yeah, i have that. cool, huh?"

7. broken up with someone

once. even then, we weren't official. my reasoning was that i wasn't ready, though frankly i think we both weren't. i didn't even know what i wanted. perhaps what i do want is something that maybe not a lot of high-schoolers want - something pragmatic, honest, somewhat more private. or that could be what most people do want. i really don't get out that much.

What's your favorite

8. show

my gut response is over the garden wall. i love, love, love fullmetal alchemist: brotherhood too, though i'm waiting until i have the chance to watch it with a friend of mine to finish it. it's sooooooo intense. don't spoil me, please!

9. movie

i'm not a real movie type of person, so i always default to the movies that i grew up watching whenever this question is asked - the incredibles, the lion king, monsters inc. ...

10. song

you might as well ask, "who's you're favorite child?" there are simply too many. here, if you want to feel out my taste for music, this is my main playlist. feel free to follow that (and me) for more! i get a kick out of having followers on spotify, for some reason. (sidenote: i created a whole new account so that i could change the username, so that account really needs some love again. curse the constant state of toil for consistency i'm in. everywhere the world must know me as birbofathena.)

11. artist

i read a lot of webcomics, so while i can't speak of any historic artists, i do think you should definitely check out ari (and his comic here), owen (and the comic she writes and colors for here), toby (and his comic here), and vi (and her comic here).

12. singer / band

this is an easier question, because i can just take a look at whom i listen to the most. now, i listen to a lot of ambient music, so right off the bat, i can recommend moby, ulrich schnauss, balmorhea, and chihei hatakeyama. speaking about the more "mainstream" artists, i like marina, mgmt, elton john, the 1975, patti page, and tessa violet.

13. memory

lately i've been thinking a lot about how i, as a kid, spent my time laid on the cement by the yard of my first house, watching the bees work on the clover. from one small flower to the next. watching them dig through the petals in search of nectar. it may not be my favorite, but it's what comes to mind.

14. book

i'm reading the poisonwood bible right now, which has been so fantastic. seriously, read it if you haven't yet. aristotle and dante discover the secrets of the universe is another excellent book.

This or that

15. invisibility or the ability to fly

invisibility, because violet is my favorite character from the incredibles. she's so cool. also worth noting: you start flying everywhere, and soon enough you'll find that you've become a living carnival ride.

16. cookies or cake

when done right, cake every time. cookies produce more consistent results though - as far as pleasing me goes - so long as there's chocolate somewhere within. ~~cookies without chocolate are an atrocity.~~ EDIT (10TH MAY '19) - jamie, u ignorant slut. i completely forgot about sugar cookies, in their entirety. forgive me. cookies can live their lives as they please. i know nothing.

17. twitter or facebook

twitter. hell, anything that isn't facebook. facebook's the place that moms go to to eat each other alive. having a facebook account is plain unhealthy.

18. movies or books

depends, really. there're awful movies who have awesome book counterparts, and vice versa. and to be fair, each medium offers things that the other one can't. if you were to ask me though, i'd say books. the feeling that you get when you reach the end of a book is like no other.

19. coke or sprite

this is a lame question, and everyone knows it. the real question on everyone's mind is: coke or pepsi? and i am a pepsi drinker. though the flavored cokes that've been coming out lately are pretty tasty as well. f me up with that strawberry guava, yes please.

20. blind or deaf

anxiety or depresson? brain cancer or pancreatic cancer? alzheimer's or parkinson's? need i say more?

21. tea or coffee

i haven't actually ever tried coffee, though i've been told that i'd like it (due to my liking dark chocolate so much)! i don't really like most teas though; i'll only drink this one herbal tea called bengal spice which is a pseudo-chai tea.

What's your

22. age

i'm 18. i was born 18th february, 2001, at 18:18. whew.

23. sign

pisces sun, capricorn moon, virgo rising

24. height

5′8″ or 173 cm

25. sexual orientation

gay

26. shoe size

9.5 in US mens

27. religion

i don't associate myself with any one religion. i think it's one of those things that's good for some and terrible for others. just do what makes you happy.

28. longest relationship

tbd. the non-relationship described in question 7 went for nearly three weeks.

Opinion on

29. gay rights

i always hear that a lot of homophobic people are lgbt themselves, which is strange to me. though i suppose it's in my nature to be unforgivably confrontational when it comes to inner turmoil, so i'll never really be able to understand homophobic lgbt folk. it goes without saying, then: i support "gay rights," if that's even a differentiation we want to make. i also support "women's rights," "homeowners' rights," and "dogs' rights."

30. second chances

i think for the most part i can empathize with those whom have struggles and missteps i haven't personally experienced. i am a very feeling person. there is an exception to this, but only when one's done something so blatantly wrong - decisions driven by greed or malice.

31. long-distance relationships

tough and complicated. having a relationship through messaging allows both parties to understand how the other thinks - their opinions, their emotions. essentially how their brain functions, because there are few things more idiosyncratic than language, and writing allows one to take full advantage of that. however, having a relationship in-person grants this knowledge, and so much more. (no one said that in-person relationships can't include any messaging, anyway.) we don't speak with just our tongue. what about the silent conversations? what about physical compatibility? like i say, it's tricky, but i think it's more-or-less doable.

32. abortion

i'm pretty pro-choice. if one'd like to offer up their child for adoption, that'd be cool, but no one should feel obligated to do so. whatever you're comfortable with is what i'll support you doing.

33. the death penalty

absolutely not, not ever. it costs more to pull that trigger than it is to sentence someone to life in prison. they must be absolutely sure that they have the guilty before killing them, which takes a long time to decide, and attorneys' time is expensive. and if a mistake is made and an innocent person is killed, boy, do you have one hell of a lawsuit on your hands. not only that, but it is so hypocritical of us to be killing someone... for killing someone. the whole thing doesn't make sense, and i'll tell you why it's still around: people want to kill, kill, kill anything that is bad, bad, bad. dog bites your child? kill that monster. say goodbye to the family pet. people feel so strongly that they've triumphed over evil when they see this drastic result - a carcass underneath their feet. to hell with that.

34. marijuana

i keep saying this: do what you want. marijuana doesn't hurt anything. humans have been doing it ever since we discovered fire. it's absurd that we regulate it now.

35. love

love. it's different for everyone, but for me, it's an enhancement of life. not something necessary, but something that's nice to have. to have someone to bounce ideas off of 24/7. to have someone to turn to in a crisis. to have someone who mourns with you after a loss. indeed, one can face these alone with relative ease, but it's just easier to have someone by your side along the way.

Do you

36. believe in ghosts

yes. old houses might just as well have a mouth, they have so much to say. brand-spanking-new houses are barren, lifeless. i know you know this feeling. ghosts aren't necessarily the malicious, turbulent spirits everyone wants you to believe. they're the vestiges of life, left behind by anyone who's ever felt strong enough to leave them.

37. shower facing the shower head or away from it

away from it, always. who faces the shower head? do they shower with their eyes closed the whole time? just... what?

38. sleep with the door open or closed

i sleep with it closed, though i need to start leaving it open more. it's been getting awfully stuffy.

39. love someone

no. it's not something i'm currently looking for, though my therapist did ask in my last session... i don't know. will it be something i will ever truly look for? i hate the idea of online dating, though that's just my first impression. i just don't know.

40. still watch cartoons

of course. i watch plenty of anime, but if that doesn't count as "cartoons," i also watch and rewatch steven universe, over the garden wall (as mentioned above), and gravity falls.

41. have a boyfriend / girlfriend

nope.

42. like yourself

hell yeah.

[munchflix]

WATCHMEN - THE SUPER EXTENDED CUT

IMDB BLURB: In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.

WARNINGS: Giant blue peen, large bepis. It's blue. Malin Ackerman can't act for shit. Attempted rape. Lots of murder. Some gore. Adult themes? Zack Snyder. Repulsive sex scene. It's not gross, it's just weird and uncomfortable. And unnecessarily long.

RATING: Who watches the Watchmen? Us...unfortunately.

OBLIGATORY DISCLAIMER: All reviews are done solely for humor and should not be taken seriously ever. If you cannot handle cursing, crude humor and probably some offensive things, pls do not read this. And please please don’t watch this fucking movie.

MUNCH: I want you to know, first thing, that I will never forgive you for making me watch this for a THIRD TIME. I first saw this in the theatre on my birthday and it was awful then. I spent three hours waiting for it to get better and it didn't and now you're making us watch the super extended version with 30 more minutes of shit I DON'T WANT TO SEE. I am old and I was a fan of the comic long before this detritus was filmed. I was actually excited for this shit. This movie, like a lot of the movies we review once a year, is bad. It's pretty, it's well filmed, it has a brilliant cast, and it sucks like a Dyson trying to fellate a rubber chicken.

BISCUITS: Okay...I'm gonna be upfront about this. We're gonna have to be here for each other during this review. We need to BELIEVE in ourselves, and to share our mental fortitude. That might be the only way we'll be strong enough to make it through. Even then, there's no guarantee we'll make it...but if we do, we'll emerge from the other side as changed women, now knowing the true power that the bond of friendship can hold. Or not. Actually, we'll probably just end up sad. But the point is, we need to be here for each other.

M: The Nixon makeup is so bad. All this budget and he looks like a half melted wax statue.

These are the Nixons, folks.

B: Jeffrey Dean Morgan in old age makeup? I'd still smash that. The DOOMSDAY CLOCK! That's a reference to the comic! Get it?! We're JUST like the comic!

M: That's part of what bugs me, there's so many moments just taken straight out of the comic and then the rest of it is just Zack Snyder mentally masturbating about how cool he is.

B: Let me tell you younguns - long before the days of Suicide Squad and Batman V. Superman, Zack Snyder created the first of many tragic mistakes in the saga of "DC and Warner Bros. Attempt to Movie". It was dark, overdramatic, and had little substance behind its superficially good visuals. But Warner Bros. were all like "OMG Zach, look at all this money. Can you fuck ALL our beloved properties like this???"

M: Nostaaaaaalgia.

B: Okay, Unforgettable - this song was in the comic, it was in the book. It was playing in a scene in the comic but it was when Dan and Laurie tried to have sex for the first time. I don't understand the rationale behind using a song from the comic but putting it in a completely different scene. Why did you make that change? I don't understand why you would do that.

M: Watchmen in a nutshell. JESUS CHRIST I forgot that the explosions come in about 30 times louder than everything else.

B: Why is the Comedian wearing a smiley face pin on his bathrobe? Because of the symbolism??? Nostalgia. This is from the coooooooooomic. This is the first instance of inappropriate soundtracking, which is alright the first time but gets annoying when you do it over and over.

M: I have no idea. Oh yeah..the movie. The Comedian is fighting a mysterious figure that we'll figure out who it is later. Unless you've read the comic. It's Veidt. Slow zoom on the pin with the blood spatter because it's SYMBOLISM. Also the Comedian got thrown out a window. There's also been half an hour of slow mo and we're only 5 minutes into the movie.

B: *burps loudly* Bob Dylan, because there was a reference to a Bob Dylan song in the comic. Slow shots of our great heroes, The Minutemen. Zacc Snyder, fuck you. These were the original super hero dudes who spawned the existence of all the other masked vigilantes in this universe.

M: Gerard Butler??? Who the fuck is Gerard Butler?? Hang on, I have to look this up. Oh...he's in the Tales of the Black Freighter, which is only in this super-long ultra-extended edition.

This gif makes it look like Gerard Butler is playing Sally Jupiter. This is not the case (unfortunately?).

B: Which we're watching because we hate ourselves. Historical landmarks to set up the time period. Also Silhouette was a lesbian. Dollar Bill got killed when his cape got stuck in a revolving door. NO CAPES! Mothman went nuts and got put in an asylum. The minutemen turned out fine. Also Silhouette is dead. And Gay.

M: Bury your gays. She was only alive for two minutes of credits.

B: To be fair, she didn’t really have a role in the book either. Also, Kennedy is killed. By the Comedian. Which I suppose was implied in the comic...very vaguely. This is way too much exposition. We can read about history, we don't need a recap of every single event since 1940. We aren't that dumb, Zakk. There's more politics in this intro than exposition but Watchmen was supposed to be political. I have big problems with Matthew Goode....goode? How is that pronounced? Look at all that BEEF tho. Arby’s, I got ya new commercial right here.

I’ll take the one on the far left with cheese, please.

M: Slow the fuck down, jesus. I can't type as fast as you thirst. I'm gonna make you type this if you don't slow down.

B: Glad I'm not wearing a retainer. You think Jeffrey Dean Morgan would pay for it? Also Night Owl's costume looks so shitty.

M: Seriously, slow down. I have issues with how contoured Manhattan is.

B: And then everything went bad for the vigilantes and they got banned. This is SO LOUD. Tell Zaque Snyder I get spooked easily. I don’t like loud noises, I’m like a wild animal.

M: Oh yeah so the Comedian is dead. Two detectives wonder how he died. So mysterious. It was Veidt. Don't blame me if you didn't read the comic, it's been out for 30 fucking years.

B: My other issue with this movie, it doesn't ADD anything to it's source material. If I wanted just Watchmen I'd just read the comic. I could read most or all of it in the time it takes to watch this movie. So...Rorschach is ranting.

M: That's all he really does in this movie tho is rant.

B: All the towns in the world and I had to end up in this one. The ballsack town. Comedian kept a picture of Sally by his bed but that's backwards...she kept a picture of HIM on her bedside.

M: Rorschach found Comedian's secret closet where he went to be gay. Or a superhero. Or both. So he knows he's the Comedian.

B: Well, one or two of them were gay...a bunch of guys who wear their underwear outside their pants and this is somehow surprising? More slow mo.

M: This movie could be an hour and half shorter without all the pointless slo mo. Hollis is being played by Stephen McHattie and I love him so much.

B: Patrick Wilson (you can tell it’s Patrick Wilson because he looks exactly like Patrick Wilson) is playing Night Owl and he is a very good boy. The best boy. Although he doesn't have much competition for goodest boy, most of the boys are pretty bad. Hollis Mason is played up to be more Drunk Grandpa than caring mentor figure. Raw footage of Rorschach looking like FUCKING BIGFOOT. Your local cryptid.

*X-Files theme plays*

M: That was 20 seconds of super important extra footage that we missed from the original 3 hour long movie. Okay so movie, right. Drieberg goes home to find his home has been broken into. It's Rorschach. Eating beans. HUMAN BEANS. With HUMAN BEAN JUICE. We saw you lumbering around like Bigfoot on the news. Rorschach's mask is cool tho. One point for you, Zackk Snyder.

B: Rorschach, because he's a tinfoil hat conspiracy theorist is like " I think someone's killing masks" even tho only one mask person has died so far. Patrick Wilson is a good actor but his performance in this movie is so blech. I dunno if that was the direction he was given or...

M: Part two of things wrong with Watchmen. Lots of good actors giving boring performances. I love many of these actors but they're so dull.

B: Except Malin Ackerman. It was an experimental time, Chad! All of our Bro Moments. Our BROMENTS.

M: WHY CAN'T I QUIT YOU, CHAD?!

B: Maybe Drieberg quit on account of the Keene act because it started being illegal to do the thing, but Rorschach didn't because he’s crazy. And he's doing more edgelord monologuing.

M: Holy crap the animation.

B: And now with NO CONTEXT we get launched into the Tales of the Black Freighter. It's an anime, apparently. (makes angry angry noises ) this makes me SO mad because the Black Freighter, though a story within a story, had an explanation for its presence. It's being read by someone within the bigger story. In the movie it almost looks like it was animated by Ralph Bakshi. Like the people who did Jojo's Bizarre Adventure and Ralph Bakshi had a bad trip together.

This is what I see, every night in my dreams.

M:  I guess this is being narrated by Gerard Butler?? This is so out of place. It takes you completely out of the immersion of the movie to show you this movie. That was super jarring though.

B: The comic had a lot more leeway when it came to blending the stories together. Oh and now we get a shot of someone reading the comic to bring us back. Rorschach in the comic was described as being fascinatingly ugly. I think Jackie Earl Haley is too good looking.

M: And Veidt. I hate everything they did with this entire fucking character. I hate the way he looks, the way he talks, the way he acts, the way he Veidts. I fucking hate him so much. I hate what they did with his story and the whole Manhattan cancer thing. It's DUMB.

B: Why is Dan here? It was Rorschach who warned Adrian. And they're talking about nuclear war, very important to the crux of everything. This lighting is ugly. It makes Veidt look like a greasy boy.

M: He IS a greasy boy.

B: Meeting with Dreiberg left bad taste in mouth. Like cold beans.

M: Rorschach is expositioning everything we've already seen, dialogue straight out of the comic.

B: Rorschach breaks in to see Manhattan. Rorschach asks the real questions: Does Adrian Veidt is gay??

M: That is a HUGE ASS. Btw Manhattan is naked. He is super naked. You will never be allowed to forget that he is naked.

B: Malin Ackerman shows up...to “act”.... The mention temporal interference already, so you won't be surprised at the end of the movie. They really overemphasize Manhattan's eye things. He looks like a sad panda. I have issues with his CGI, he is really over contoured and he looks really...weird....Laurie...stop talking. PLease. Don't act, don't try to act.

Pictured: Sad Panda

M: Now he's taking Laurie on some fucking weird time trip that was supposed to happen three hours from now in the story. Manhattan is just sad in this movie. All his rage and his indifference are gone. He's just sad. He tells her the future and he's sad about it. And now, 99 Luftballoons so we don't forget it's the 80's.

B: This wasn't how this happened in the comic EITHER. Zacque Snyder and his love of throwing random songs into movies with no regard for how they might impact the mood.

M: So Lori is having dinner with Dreiberg just like Jon told her too. I'm giving up on spelling any names right as of right now.

B: They reminisce about their young days when they fought crime and dressed up like lunatics and all that stuff. Ah those days are behind us. We're in our 40's but in the movie we're like 25. Jon thinks there's gonna be nuclear war and also he can't fix my bad acting. They turned Laurie into such a sexy lamp in this movie. They strip everything away from her that made her interesting. I am laurie, I am GIRL. Who needs oxygen when you have another man's money.

You so. Fuckin. Precious. When you. Smile.

M: The Sound of Silence begins playing. We both laugh and denounce Zaeck Snyder and the horse he rode in on.

B: Should have been Take me to Church. I didn't realize how awful the soundtracking was in this movie the first time. They just throw in recognizable songs.

M: Comedian is getting buried. Rorschach is here and Manhattan and Dreiberg. And Simon and Garfunkle. It's not making this scene better. It's making it so much worse. Lori has been randomly teleported to her mothers with zero context. Her mother is Carla Gugino who deserves better than being in this fucking movie. They quote dialogue right from the comic. Did Zaquery Snyder write ANY dialogue for this movie? Her old age makeup is fucking awful and she is overacting this so hard.

B: And then we have the flashback to old days where the Comedian tries to rape her. The entire purpose of this flashback in one sentence. That's the plot point. From the comic. That we need to get into the movie somehow. I suppose they're going for show don't tell. At the moment i'm just focused on how it extends this torturous experience.

M: I have a lot of issues with this part. He beats her far more severely in the movie. They start the scene almost making it look like she did ask for it with all the slow undressing. It's so fucking unnecessary.

B: And then Hooded Justice comes in and this doesn't make sense in the movie when Comedian asks him if he gets off on this. But since they don't get into this in the movie...I think they're just trying to get us to go OH THE COMEDIAN IS A BAD GUY, HE'S SUCH A BAD GUY. We can get that. Why does everything in this movie take so long?

M: Everyone is having flashbacks to their time with Eddie. Manhattan is blowing up the entirety of the viet cong while the Comedian shoots people and Ride of the Valkyries is playing for no reason.

In awe at the size of this lad.

B: NEXT TIME YOU INVITE JON.

M: And then we get the Comedian is a horrible person but AGAIN because he's gonna shoot this woman he knocked up and Jon doesn't stop him. Jon is so fucking ripped that even fuzzed out in the background you can see every muscle.

B: They tell the story of how Eddie got his scar even though he doesn't...have it in the movie? Yeah I killed that woman I knocked up but you didn't stop me because you don't care and well...you're not wrong.

M: And now Veidt gets to have HIS flashback so we can be sure that the Comedian really was an asshole. The Comedian informs everyone that their plan is garb while Jon and Laurel Ann make goo goo eyes at each other which will become relevant an hour ago because they're obviously a couple NOW. He sets Ozymandias’ (Veidt's) map on fire to emphasize his point.

B: Ozymandias will remember that. Watchmen would make a great Telltale game. And Dan has his American Dream flashback where the Comedian is helping with crowd control and we don't care what's going on because the Comedian looks DAMN HOT. In slow mo.

M: Biscuit's thirst meter has increased tenfold.

B: What happened to the American Dream? You're looking at it. Just as beefy and greasy as I imagined it. He had a really nice arm vein going on in that scene. I have a gif of that for uh...research purposes. Very swole.

Pictured: The American Dream

M: I just realized that I don't really thirst after anyone in this movie. The comedian is hot because Jeffrey Dean Morgan but my thirst level is so low comparatively. The only main chick is Malin Ackerman and uh...no.

B: You're getting gayer the older you get.

M: I can't even deny that.

B: Moloch! He's a former supervillian of sorts and Rorschach is chasing him down because uh...I don't know. He just shows up and is like Hey fuck you buddy.

M: I still want an explanation for why Moloch alone has pointed ears. Nobody else in the entire movie has that kind of deformity.

B: And he's like The Comedian just showed up in my house! He was drunk and crying! We've all been there. We've all broken into our former nemesis's house drunk and crying. Maybe that's just me...

M: Except that's what really happened....

B: And the Comedian is like - I did some fucked up shit but this is worse! The shit this unnamed bad guy is doing worse! And he says that Moloch and Manhattan’s old girlfriend are on some mysterious list!

M: It's Veidt. Rorschach tries to nail Moloch for taking a medication made from apricot pits. Which are POISONOUS BTW, DO NOT EAT THEM. Rorschach spends fucking ten more minutes slow mo fucking monologuing about shit we already know and JUST SAW. There's so much extra shit in this movie that does not need to be here. He sounds like fucking Wolverine. Is that Hollis?

B: I can't even tell because this movie is SO DARK. We get a feeble attempt to connect newspaper man and the animated comic.

M: At least it's less jarring. Comic man drools excessively for no reason. They're even leaving bits of THIS story out and making it even weirder and more disparate than it needs to be. Fucking why.

The nightmares, they never stop.

M: Okay Jesus they went from that straight to Loorie and Jon trying to have sexxors and this is so wrong and out of place. And then Jon is six people.

B: god. jon. stop. what are u doing? I took a theatre class in high school and all those kids were better actors than Malin Ackerman. Which is bad because Laurie is an integral character in Watchmen. This happened way earlier and this is why she ran away to Dan in the comic, but it's fine. It's fine. Whatever. I don't care. She gets mad but not really because acting.

M: Jon underacts but that's his entire thing. This is so disjointed. Jon is teleporting reactors to Karnak while they argue. This will be relevant later.

B: Three bepis, no FOUR! Too much bepis for my needs. Or not enough...

M: Jesus Christ.

B: And NOW laurie shows up at dan's place. We needed to drag this out because we were REALLY stretching to get this movie to feature length, y’know?? We were really scraping at the bottom of the Watchmen barrel for content. There's just not enough material to get a good long juicy film out of it.

M: Can we just skip this whole part? I'll summarize. Laurie and Dan spend half an hour whining at each other because Laurie and Jon had a fight and they kinda wanna bang but that will take three hours to get to as well for no good goddamn reason. Meanwhile Jon is putting on a suit to do a tv interview.

B: There's a lot of scenes of Dan and Laurie but there's no chemistry at all between them and there's no buildup to their actual relationship. Even Dan is so nothing in this movie and I liked him. And there's an article from the comic because this is JUST LIKE THE COMIC.

M: Why are they...oh they're going to Hollis...but this isn't how it happened. They literally make this longer for no reason.

B: I know it would be really hard to cut anything from Watchmen, because pretty much everything is significant - there's no material that can really be removed that wouldn’t be missed in the final product. BUUUT they just added a whole ton of meaningless shit to this damn movie! At the expense of scenes we actually wanted! Dr Manhattan has his tv interview. This is not gonna go well. Everyone is like wtf are you talking about Jon. Dan and Lori beat up a bunch of thugs because uh...they're living for thrills?

M: Some reporter dude stands up and starts shit with Manhattan. He accuses him of giving everyone cancer. I'm sorry I caused all that cancer. You'd think Jon would KNOW whether or not he caused cancer...he was a fucking physicist.

B: Jon doesn't know whether or not he's radioactive. Spoiler alert: he ain't. He's just had his intrinsic fields removed - really simple procedure, like taking out the appendix.

M: *cronches pizza rolls*

B: A lot less screen time for Janey Slater in the movie, too. She's like "PRETTY PATTIES TURNED MY FACE PURPLE!!!" and then Doc Manhattan teleports everyone out of the studio because he's very emotional rn. That makes...one person in this movie with intense emotions.

M: You're right there...nobody in this movie really shows much in the way of emotion. Everyone's just sorta like "well, the world's going to shit - huh." I REALLY don't like the way they incorporated Tales of the Black Freighter into this movie.

B: Idec what's happening in this stupid anime. Man wants to get home before the freighter. Builds raft out of bloated corpses. Freaky eyes. It's supposed to parallel various elements of the 'real world' storylines but it's so jarring that drawing those connections becomes nigh on impossible. In the comic, panels from TotBF were often right alongside panels from the main story, but you couldn't really do something like that in a movie. They also still don't really do anything with the newspaper corner bits.

M: Did they actually show Dr. Manhattan leaving Earth?

B: No. Not yet.

M: So they just throw us into this scenario?

B: Yep. Dr. Manhattan got ANGERY and was like "y'know what? I'm going to Mars to deliver some exposition!! Way later than this happened in the comic, but who gives a flying fuck??" And we sorta get the explanation of the way Jon perceives time - but again, much less effective than it was in the comic. Everything in this movie is so DARK. 'Dark and gritty' doesn't usually refer to the visuals of a story.

M: Jon got stuck in an experimental machine where they were doing SCIENCE. He got disintegrated.

B: Just look at the SYMBOLISM...I mean, uh, the time. Jon's narration sounds like ASMR. He eventually manages to reassemble himself, but now he's blue....and nAkEd.

M: This giant naked blue dude shows up and Janey is just like "Jon?? Is that you??"

B: Jon is super-powerful, so the govt lords him as a weapon and uses him to help end the Vietnam war, and a lot of references to nuclear power.

M: I know his symbol is supposed to be a hydrogen atom, but it kinda looks like the power button on an Xbox.

Particle man, particle man...

B: This movie feels significantly gorier than the comic...which is not necessary. Janey is worried about how powerful Jon is - or she just wants him to put some fuckin' pants on.

M: Speaking of things that take you out of the movie - Jon's ENTIRE backstory in one flashback. Worked in the comic, not in the movie.

B: Jon macks on a 16 year old girl and is like - why is this a problem? My girlfriend is getting old, I gotta get a new one. Also I'm tired of earth. Going to mars.

M: We literally zoom out from Jon's ass crack.

B: There is no reason to put a physical or cgi camera that close to anyone's ass crack.

M: Jon has fucked off and now they're interrogating Laurie about where he went. She randomly assaults one of them because she can? Why are we having this slo mo smoking moment? And now another flashback to the Comedian... oh right, we have to have Laurie's version of why this guy was a douchebag.

B: Eddie's like, you think I'd fuck my daughter? And Sally is like - yah you might.

M: The gubmint is freaking out because their giant blue naked nuclear weapon has gone to Mars. I hate the Nixon makeup so much. He looks so fake. They wasted their budget on Manhattan's cock. I can't believe we still have 2 hours of this shit left.

B: (separate tangent about her cat) I'd rather focus on my cat than this movie. Why is this scene happening? Why is it significant? Is it supposed to increase the tension with the whole nuclear war thing??

M: I don't know. Why is it going on for so long? They figured out he's on mars because there's a blue spot? Uh...Laurie is beating up a guy and chaining him to a radiator? What....What did that have to do with ANYTHING? The gubmint is now attacking Veidt for trying to create free energy...?

B: This scene is just for Ozymandias to explain his backstory...I guess??

M: I honestly have no idea what's going on.

B: It's supposed to parallel the scene in the comic where he talks about Alexander the Great and stuff...

M: This happened at the END of the comic tho.

B: But here it's just...confusing. The choices they made just generally leave you feeling confused. Not like the comic did. It's ‘Vight’. I'm right.

Adrian Veidt is gay is the most discussed in the media in the few years ago.

M: Oh and now the scene where a hitman shows up disguised as a pizza guy so we can slow mo more totally excessive gore.

B: There was plenty of violence in the comic but...you can be dark and edgy without being this damn gory. Dan and Laurie have yet another meaningless conversation at a table and now Dan is suddenly on board with Rorshach's paranoia??

M: And Dan invites her to come over but in the comic she literally ran to him immediately after Jon left. Jesus now Rorshach is fucking monologuing again. They're fucking with the order of events again and it's pissing me off.

B: They don't seem to do it with any rhyme or reason. You have to make changes to adapt to a medium but there's zero apparent reason for the changes in chronology...

M: Rorschach breaks into Moloch's house so he can get caught again. Why the fuck would Moloch know about any of this??

B: But Moloch is dead. It was a SET UP.

M: I'm losing all plot cohesiveness because of all this nonsense. I can't remember what actually happened. Ten minutes of Rorshach slow mo fighting his way out but he's gonna get caught because Veidt organized all this but they don't tell you that in the movie because of reasons.

B: We're not explaining a lot of the plot because it's happening so slowly. They caught Rorschach. They takin' im to prison.

M: Rorschach don't care. He got shit to do. And now maybe back to the animation...? Yes.

B: They do like 1/16th of this shit with the newstand corner. They should have just not at all done it. They just seem like framing to put the Black Freighter in there.

M: Except they don't do it every time, and that makes it worse. And they made weird ass changes to this story too. It's supposed to parallel what's happening in the main story but it's making NO SENSE.

B: This also adds nothing to the story and it breaks the immersion.

M: It mostly seems like an excuse to be gross. And now for Rorschach's mental health evaluation.

B: He's psycho bonkers crazy. Part of the concept of Watchmen is that everyone has issues. The complex psychology.

Look inside your local garbage and you may find a friend and boy.

M: Aw who cares about that. Let's shoot off some more fingers! We get his entire backstory in very very short flashbacks. He's still nuts.

B: This was over the course of quite a while in the comic.

M: Yeah but suddenly we're pressed for time in the seven hour long movie so we gotta condense his entire story into a ten minute scene. Which makes this feel rushed, which is fucking weird considering how drawn out every fucking thing in this movie is.

B: The comic felt like a bunch of stories being told at once but all tying in together at a certain point. Convergent stories The movie feels like a bunch of different stories that happen and then they're over. They're not tying anything together. (Biscuits starts singing Linkin Park because this part is so fucking dark)

M: So he's telling this story about how he killed a guy for kidnapping a girl and Biscuits is looking up the name of that song because she can't remember what it's called and still singing.

B: It's called Shadow of the Day...it’s like the one Linkin Park song I know

M: Okay. And Rorschach is gonna....kill this guy with a hatchet???

B: That is NOT how that happened. He tied him up and set that house on fire. But now he's gonna hit that guy in the head 20 times. And now he's Rorschach. There is no Laura, only Zuul.

M: ...Dana!!

B: Oh...Dana....is that from...

M: Ghostbusters!

B: I didn't wanna say it and have you be like - No it's from the Exorcist!

M: That would have been pretty funny in the exorcist. There is no Pazuzu, only Zuul.

B: Rorschach delivers the iconic line - I'm not locked in here with you, you're locked in here with me. The angrier he gets the more gravelly his voice gets. Meanwhile back at the ranch...Lori looks at Dan's shit.

M: You gotta be more specific. In this movie it might be actual shit. She's looking at this ship.

B: He's got some cool etchings, and a stamp collection. She sets things on fire. In the comic she thought it was the cigarette lighter. That's not how you put out a fire.

Laurie is an expert firefighter.

M: She doesn't have any brains.

B: She's an animatronic being controlled offscreen. Everything is so bland in this movie. We really aren't given any reasons to connect with Dan and Laurie.

M: This scene isn't helping either. It's boring and we don't care what's happening because we don't fucking care about Dan and Looooooorie. I can't think of a couple with less chemistry than these two.

B: Do you know what this means??

M: Yes.

B: We're getting close to the sex scene. It's like a case study in how not to do a sex scene in a movie. It's like the most awkward horrible thing that can be done. These scenes were in the comic, but not like this.

M: They're not gonna bang right now anyway because Dan can't get it up because uh...Adrian isn't doing gymnastics in the background and Unforgettable isn't playing.

B: Patrick Wilson's titty.

M: Did we really need to...

B: It's okay. Patrick Wilson is reasonably attractive. I would give those titties a six. Maybe a seven. Compared to having to see Malin Ackerman's tits, I would give them an 11. They're better than Manhattan's tits, which are cgen and disgustingly hyperdetailed.

M: BACK TO RORSCHACH. Who is being threatened by a little person named Big Figure because that's fucking funny. I guess. But it's also canon. And now Dan's dreaming but there's no actual meaning here because they do it wrong.

B: It really would have been better to put that in there after Dan and Laurie stop trying to bang instead of going to Rorschach?

M: And then IMMEDIATELY back to the animated parts with NO warning.

B: That was the worst editing I've ever seen. Sharks are eating the corpse boat.

M: I'm so confused. How did that shark get back up into the boat thing....

B: Who the fuck cares anymore.

M: Back to reality?? Snoop Dogg threatens the comic reading man because uh...

B: Snap back to reality...OH there goes gravity...something about spaghetti. And now back to Dan who is staring naked at his suit. There's too many behinds in this movie.

M: Are you gonna rate it?

B: I like plenty of naked behinds in other contexts.

M: I'm not even gonna ask.

B: Dreiberg is pretty ripped for being supposedly flabby and old. Laurrrrrie decides they should go fight crime.

Unfortunately, Malin Akerman.

M: Night Owl's costume is so bad. Like Ozymandias’ costume and...most of the costumes.

B: Laurie's costume is mostly see through because she can't fight crime if she's not sexy. We don't get any explanation of Dan's bird love in the movie. He's a good bird boy. That's a tongue twister.

M: They're saving people from a fire. I kinda want to go take a nap.

B: Why is he shooting into the burning building???

M: I don't know! Oh it's a water tower.

B: I thought he was just shooting up a burning building.

M: I'm sorry but she would be DEAD from that backdraft. There is no way. So now they gotta drop people off so they can bang in the owlship. Which I don't wanna see. SKIP.

B: This isn't how this happened in the comic at all.

M: Back to Rorschach again. They don't do the whole language pun thing which was so fucking cool in the comic. Big Figure. Small world. Why is all Rorschach's shit cut out??? Don't tell me they didn't have time. They see one dead guy and they know Rorschach is alive?

B: Professional dead guy appraiser.

M: Oh yeah there's a whole prison riot going on but we don't know why in the movie because they don't explain it.

B: Now Dan and Lari are gonna beat up some guys but it's so fucking dark it's like I'm watching Fan4stic. More slow mo.

M: They had to cut Rorschach's story to make time for all the slow mo.

B: I hate Night Owl's outfit. Leri's doesn't look anything like the comic either. I punched that guy! I'm a strong independent woman!

M: Rorschach goes to kill Big Figure in the bathroom which also fucks up what happened in the comic. Luri calls Rorschach an idiot and they start bitch fighting but Dan is like come on we gotta go. We have an hour left. We have to start building each other up.

B: (sings Livin' on a prayer )

M: NOT HOW THIS HAPPENED EITHER. Jon shows up after they get back and kidnaps Liri to mars where there's no air because he's a dick like that.

B: Diet bepis.

M: Laurie somehow knows she's on Mars because there's a giant glass sculpture there. Like on Mars. You know. Back to Snoop and his gang who randomly decide to take out Night Owl but pick the wrong one and beat up Hollis. Poor Hollis.

Yep, definitely Mars.

B: Obviously the editors don't care about the timeline either. Liri's mother is on the phone with Hollis talking about what happened the night before but I thought this was the same night? Who genuinely cares?

M: This movie is rated almost 5 stars on Amazon. You go Hollis, punch at least one of em!

B: The gang beats up Hollis and kills him because it's JUST LIKE THE COMIC. Hollis has flashbacks while he's getting killed. And killed by his own award. But we don't get the scene where he GOT the award. It's fine. I'm not mad.

M: Back to fucking Rorschach and Dan and Laurie and I'm tired of typing that sentence. Rorschach suddenly is sure it's the pyramid people doing all the bad but he has no fucking evidence? Dan lays the smack down and the bromance can continue.

Just like back in college...

B: We're just two dudes in a rad bromance....They're going to an underworld bar because they're looking for seedy dudes.

M: How would these dudes even know about the pyramid thing?

B: That's just how Rorschach do. Follow the money. Rorschach writes a lot of youtube conspiracy videos.

M: Dan finds out some dude helped kill Hollis.

B: Also back on Mars...ugh..his dick is moving back and forth and I know that’s realistic but ugh...It’s different when it’s just a still panel in a comic and not...this...you're made of molecular nothingness, can't you just suck it up into your body or something?

M: Back on Mars Jon goes on his seven hour long predestination trip while his dick wiggles.

B: Jon I have feelings, pls believe me.

M: You can't fucking...you can't...you can't fucking take all this dialogue and re-arrange it and make it work. It doesn't work, now it just seems empty and nobody cares. Lauree was having a total breakdown because Jon wanted HER to make him save the entire earth and now just stand there looking bored.

B: Dan and Ror have broken into Veidt's office searching for answers. Dan is an expert hacker. Creator's name was Jeff Jeff, born on the eighth of Jeff, 19-Jeffity-Jeff. So I put in 'Jeff'.

M: Do they even mention in the movie that Adrian Veidt is supposed to be like, the 'smartest man in the world'? Actually, we don't really learn anything about Veidt in this movie...What do we really know about him? He's rich? He makes plans? Possibly homosexual?

B: *Hacker voice* I'm in. Boys Folder, iconic. Veidt doesn't really keep his most secret government and corporate secrets very...well-hidden. Next to his boys, yanno.

M: Adrian had a team of like three people in the comic. His suit...

B: It has nip- It has NIPPLES!!!

M: *chokes to death laughing* I've never heard anyone so angry about nipples in my whole life.

A toast, to my suit’s nipples.

B: Did Batman and Robin teach the human race nothing???!!? Nipples on superhero costumes = a bad idea. Veidt has killed all his scientists. AND NOW - My Bubastis rant. Whhyyyyy is Bubastis in this fucking movie??????? She just shows up in this scence with NO EXPLANATION. Just, "oh hey...Ozymandias has a giant mutant lynx." and why would she even EXIST in this continuity - he doesn't need the eugenics program in this version of the story. Was he just like "I want a mutant cat, please make me one."

M: How do we still have 50 minutes of movie left??? Oh, I guess...Tales of the Black Freighter. This is still going on. Crazy guy has reached land and kills some people, believing his hometown has been taken over....who really cares. Was there really anyone clamoring for them to put this into the movie?

B: *basically says nothing for this entire bit*

M: *basically says nothing for this entire bit*

B: NO TRANSITIONS, YEAH!

M: Now we're back to have the least impassioned discussion about saving the world ever. "Jon, no, everyone will die...." That's not how this happened - that's not how ANY of this happened. Y'know what, Jon, ya big naked blue freak...

B: Laurie sounds like a teenager who's mad that her parents won't buy her a car.

M: "Do that thing you do..." This is making me irrationally angry, and I've seen this TWICE.

B: This part makes me SO mad. Irrationally mad. They fuck this up so much. We do not get any context to explain how much Laurie hated the Comedian, and why him being her father is such a big deal.

M: Also, in the comic, it was a big deal that Laurie had this realization of her own volition. It came naturally as she tried to fight back her past memories (which were not at all like this), instead of just being magically brought out by Jon.

B: They completely squander Laurie's biggest moment of emotional development, in turn squandering Jon's turning point in deciding to save the world

M: I liked the whole snowglobe bit in the comic...I thought that was like really powerful, but in this she just...throws a temper tantrum.

B: Ugly cry face. At least...I think she's crying. Might just have smelled some expired doppelganger. Jon's speech about life is also...rushed. And they leave out my favorite line. “Come, dry your eyes, for you are life - rarer than a quark and unpredictable beyond the dreams of Heisenberg.”

Acting, I think...

M: Laurie looks like she doesn't understand a single thing Jon's saying to her right now. "Jon...you're talking science again, and I don't understand it."

B: I've already complained about the inappropriate scoring. It hasn't gotten any better.

M: So Dan and Ror are heading to Antartica at record fucking speed. Rorschach tries to tell Dan how to drive the fucking ship Dan designed and built. All Along the Watchtower is playing at record loudness for no reason. Somehow they made it to Antartica in five minutes.

B: They're heeeeeere.

M: If Veidt knew they were coming why wouldn't he just open the door instead of letting them fry it with lasers? Veidt is sitting there pretending that he doesn't notice them creeping in to kill him. Suddenly we are shown that Veidt is somehow some superhuman fighter and gymnast which wasn't included in the movie at all.

B: Come on and SLAM. Hello there, sailors.

M: And now for some exposition while a vigorous swordfight is going on. Not really. Veidt is still going on and on about how smart he is and how he organized all this shit.

B: As with any mystery, it ends with the villian explaining how he did everything.

M: In the comic he literally says he's not a comic villian and wouldn't do that, but you know.

B: I could have sworn there was an alien in here....like there was something vaguely about an alien?? This is alien invader erasure and I will not tolerate it. That would break the suspension of disbelief, I guess. If Veidt wanted to make an alien and use that to unite the world.

M: Yeah that would be bonkers, especially in a world where giant naked blue men with god powers exist.

B: He is smart enough not to monologue BEFORE he pulled off his evil plan.

M: And now we see earth exploding or whatever because of Veidt and uh...suddenly we're back at the fucking animated comic.

B: The whole idea of him uniting the world against Manhattan just doesn't click for me. The alien was supposed to be neutral, to be anomalous. It also doesn't make sense that he would drive Jon to leave earth.

M: Way to pull us the fuck out of the super important ending. Slow zoom back out to the kid reading the comic who complains that it makes no sense. I feel you kid.

B: They're trying to pull everything together here with the clock and the therapist guy and everything but it was all crushed by the alien invader but now it's just Dr Manhattan's..energy force?? But they'll be able to recognize that it was Manhattans? Didn't they know that Veidt was trying to use his energy too??

M: Yes.

B: Oh it's bad. Oh no.

Bubastis’ one moment in the movie...

M: Jon and Lurie return to earth post uh..time bomb or whatever. Jon realizes the energy signature is here. He is not muddled or confused or anything though like he is in the book, so he just immediately goes to Antartica to kick Veidt's ass but then immediately goes through the intrinsic field subtractor like a fucking moron. Why would this even effect Jon? Why would the smartest man alive not figure out that it wouldn't work?

B: Laurie says things....she shoots Veidt but he catches the bullet because he's uh..just that radical. Stuff is happening.

M: For not being a comic book villian Veidt is super fucking acting like a goddamn comic book villian. Jon shows up all super huge now and he's kinda mad at Veidt. But not that mad. Veidt uses his magical remote control to show melty face Nixon demanding peace.

B: And this works because...why not?

M: Because the fucking movie has to end SOMETIME. In the comic there were hundreds of screens showing everything but you know...America. Veidt is like - this is our victory Jon and Jon SHOULD be like - you used me to blow people up dude. Fuck you.

B: Uh uh, can't do that, you'll screw up the peace! Rorschach is like fuck no, I ain't keeping this a secret.

M: I'd side with Rorschach with this tbh, Veidt is a fucking madman. He's like the fucking Governor from the Walking Dead. Ror goes out to try and tell the world but Jon kills him.

B: But of course he wouldn't do that, he told the world 35 minutes ago!

M: He literally did. Rorschach explodes and Dan gets all sad. That was my favorite Rorschach! Now Patrick Wilson's ugly cry face.

I loved that Rorschach like a Rorschach...

B: Jon decides to leave and Laurie is like but why and he's like - well I can't go back to earth NOW.

M: I don't understand why Dan is trying to kick Veidt's ass now. He already agreed to let the mass murder slide. Veidt seems unconcerned.

B: We don't get the whole nothing ever ends quote either, which was a big deal in the comic.

M: They fucked the ending hard though. Like with a chainsaw.

B: They fucked the whole movie hard. With like 17 giant dicks. This shit is way fucked.

M: So I guess Dan and Lbrbbrie go back home? And visit her mom cos you know.

B: And all the reconciliation Lrry had to do in the comic is reduced to one pathetic encounter with her mother. And it means NOTHING because we only get one little scene where Loree is SAD. The whole movie is this way. It's just a bunch of stuff that HAPPENS.

M: I don't give a shit about any of these characters. There's a lot of Lyrie and Dan kissy facing and talking about stuff that doesn't matter now.

B: Nothing ever ends but that's not..at all the way it was supposed to be done...at all.

M: WHY ISN'T THIS OVER, GOD. Straight outta the fucking comic we get the last bit where the greasy kid pulls Rorschach's fucking notebook out of the crank file to publish it so 30 years later they could write the mess that is Doomsday Clock.

B: Not EVEN gonna get into that. That's a whole other screaming fit. But that’s a comic, not a movie.

M: *AGGRESSIVE HEADBANGING TO DESOLATION ROW*

B: *AGGRESSIVE HEADBANGING TO DESOLATION ROW*

M: I don't have any closing thoughts. I'm tired of typing. I hate this movie. I hate what they do to every fucking Alan Moore venture. He deserves better. Write less deep shit Alan and they might actually do you right one day.

B: I find the existence of this movie to be a highly overrated phenomenon. I do, however, fucking love the My Chemical Romance cover of Desolation Row.

Munch and Biscuits out, yo.

[coplins]

Ask the Author

I was tagged by @lucibae-is-dancing-in-hell and figured I’d shock you all by doing it. O.o’ 

1) is there a story you’re holding off on writing for some reason?

Fly Away Little Bird - a heartbreaking Samifer (+Michaen) where Sam has been sexually abused growing up and Lucifer holding off from putting the moves on Sam is the key to their future longevity as a couple. It's very much inspired by my best friends growing up as well as my parents that all have been victims of either incest or sexual child abuse. It's halfway done, but I'm holding off on continuing for now.

2) what work of yours, if any, are you the most embarrassed about existing?

The series Brothers and Mishaps. Except for the first part that I sorta like. :)

3) what order do you write in? front of book to back? chronological? favorite scenes first? something else?

Mostly chronological, but sometimes I write scenes out of order and have to suffer through the frustration of not being allowed to publish until I've written what's in between.

4) favorite character you’ve written

I need to choose? Aw shucks. Sasha, an OC in Volatile Chemistry. Michael in Little Bird. Dick Roman and Dean in Packrunners. Oh oh! Neda, angel OC in The Depraved. And Lucifer in bloody everything.

5) character you were most surprised to end up writing

Dick Roman in Packrunners.

6) something you would go back and change in your writing that it’s too late/complicated to change now

Probably lots and yet I come up blank.

7) when asked, are you embarrassed or enthusiastic to tell people that you write?

Enthusiastic. I usually ask people if they've heard of fanfiction and if they haven't it gives me the opportunity to present it to them as something else than 'gay porn'. I mean, I write explicit content by all means. But my stories are often as not book length and nothing wrong with smut but I'm not a good enough writer to write 500 pages of porn and keep it interesting. ;) If it ain't dark and plotty it isn't my jam to write.

8) favorite genre to write

Mixed. That's why I love fanfic. I don't have to pick a genre. Like in Meet the family where I got to combine dark drama/romance/mystery. But if I have to pick one? "Loving the bad guy". What do you mean, it's not a genre? Of course, it is! I love writing dark fics where the protagonist isn't a good guy and has irredeemable flaws but we love them anyway because we can understand them.

9) what, if anything, do you do for inspiration?

Everything might inspire me, but if I'm going to single out one thing... Music and lyrics. I'll put on headphones and walk back and forth in my living room with the story unfolding in my head, nudged in the direction the lyrics take me. I used to go on long walks with headphones but I can't do that anymore because I've got a dog these days and I can't have headphones while walking with him and feel guilty when going out without him.

10) write in silence or with background noise? with people or alone?

Silence unless I'm very familiar with the lyrics of the music playing. With or without people around doesn't matter. I'm good at zoning out background noise that isn't music and I like to have people around me. When I still lived in Stockholm I liked to sit in a bar or café to write, absorbing the energy of people around me and letting background chatter inspire me.

11) what aspect of your writing do you think has most improved since you started writing?

EVERYTHING! Grammar, definitely. I think I've gotten better at everything more or less, though.

12) your weaknesses as an author

Action-filled sequences. Fight scenes. They're hard, okay? 

13) your strengths as an author

Flawed characters, I think. I think I'm good at giving characters flaws and let them keep those flaws even if they risk alienating the reader.

14) do you make playlists for your current wips?

Hells yeah, I do! The Same song might end up on several playlists. If you search me out on Spotify (Helena Zeegers) you'll find several public playlist for my fics or just for pairings.

15) why did you start writing?

Arting and writing are things I've always done. But writing fanfic? I'd read a couple of fics and got inspired at the same time as I didn't find the perfect fic and... well if it isn't there you need to write it yourself. That's the law.

Also, I'm originally more of an artist and I'd been making fanart before but that was for books and I didn't feel good enough to do it for existing people where rights and wrongs were so obvious.

16) are there any characters who haunt you?

Aleksandr 'Sasha' Chaadayev.

17) if you could give your fledgling author self any advice, what would it be?

There's nothing wrong with writing 'said' or 'says'. Anyone claiming otherwise is a pretentious twat preoccupied with their own importance rather than the flow of the story. The reader doesn't care for synonyms for 'says' unless it describes a very significant way of speaking. Like 'rages', 'whispers', 'sniffles'.

Oh, and don't let anyone shame you for using italics to underline how a word is spoken or thought. Some say it makes you a bad writer, but it allows you to dictate exactly how a sentence will sound in the head of the reader. But be careful of using italics for flashbacks or dreams because long sections in italics will make a reader unfocused and lose interest.                

18) were there any works you read that affected you so much that it influenced your writing style? what were they?

George R. R. Martin because how amazing he was at not letting us choose whom to root for simply by shifting POV and thus allowing us to relate to characters we thought of as bad guys before the shift came. Robert Jordan for how well he described characters.

19) when it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, ect.?

Mostly in my head because I'm an idiot.

20) do you write in long sit-down sessions or in little spurts?

Both.

21) what do you think when you read over your older work?

HOLY FUCK THIS IS GOOD WHY DID I EVER DOUBT MYSELF FUCK YEAH THIS IS AWESOME!! *also cringes forever over bad grammar*

22) are there any subjects that make you uncomfortable to write?

Lots of things. That's why I write them. I'm not here to make you comfortable. I like to challenge myself. As such, I tend to write things that go against my nature, that makes me cringe inwardly. I do have one unpublished fic - Burn Me - where I try to make the characters be as dark as possible, doing things that make me want to hide under the bed and shake my head in denial.

Oh, also kid fics, canon'verse, and established relationships. But that's more a thing of lack of interest as well as crippling boredom.

23) any obscure life experiences that you feel have helped your writing?

Everything. I've drawn on everything and anything while writing. But my love for nature as well as every past relationship I've had, has influenced my writing a lot. You'll see how many of my fics that integrate animals because of it.

24) have you ever become an expert on something you previously knew nothing about, in order to better a scene or a story?

Bwahahaha! Yep. I know how to make poisonous gas and one type of exploding 'bomb' out of things you have at home because of my writing. Don't worry, though, my empathy levels are so high that'd it never cross my mind to actually use that knowledge.

25) copy/paste a few sentences or a short paragraph that you’re particularly proud of

Sam should wear a shirt saying ‘Fight Me!’ or ‘Come at me, Bro!’. One of these days he’s going to step on the toes of the wrong person and the results won’t be pretty. Maybe the wrong person will be Nick. Nick’s lips curve into a condescending smile. “Sounds about right.” Right now, Nick’s more amused than angry at Sam for trying to provoke him. Sam’s not stepping on his toes, only stomping around in the general vicinity of his feet.

Alright, folks. I’m tagging you lot in case you’re interested in reading my answers rather than to force you to answer. But if you’re a writer I’ll happily read them if you do answer. :)

@spnyoucantkeepmedown @askatosch @keeperofcuriousthings @archofimagine @schizonephilim @majesticduxk @allthekingsham @brieflymaximumprincess @abagel321 @rinienne @wearemykingdom @carvcredlund @robinasnyder @foreverdc-comics @uniikkizoif @78669 @punkascas @hooker-legs @coffee-queen448 @ashada

[miss-m-calling]

Shipoween 2020 letter

Canons requested: The Marvelous Mrs. Maisel, Starred Up, Witchblade (TV)

Dear writer,

Hello and thank you for writing for me. I’m very excited to read whatever you come up with.

Without further ado…

Lenny Bruce/Miriam “Midge” Maisel/Susie Myerson

Lenny Bruce & Miriam “Midge” Maisel & Susie Myerson

Lenny Bruce/Miriam “Midge” Maisel & Miriam “Midge” Maisel/Susie Myerson

I’m here for Midge’s adventures in the intoxicating, foul-mouthed, and often-frustrating world of comedy, so her dynamic with Susie and Lenny is where it’s at. I just love the interactions between these three, and between every pair combination among them: Midge and Susie bantering and swearing and tits-upping even when they irritate each other, Midge and Lenny bringing the pathos as well as the humor, and Lenny and Susie both being hardened old pros with still a little glimmer of starry eyes. I am good with either V-shaped triad/poly or hey, Susie (whom I absolutely read as gay) might find a way to be good with a full-on triangle… If you want to keep it platonic, True Companions all the way, always there for each other, even when they want to strangle each other. And as much as I like the comedy inherent in the characters, I also love that they’re all three, each in their own way, messed up people and dysfunctional to various degrees. So yeah, I just want Midge to hand the kids over to her parents, ditch Joel once and for all, marry (interpret that as literally or as loosely as you want) both Susie and Lenny, and for the three of them to ride off into the sunset to make comedy history. Canon-specific DNWs: anything above M rating, pairing any two as a / couple with the third as a & hanger-on, and while Lenny can still be his RL messed-up, drugged-up self – albeit the gentler version the show gives us – it would be good if he didn’t kick the bucket a handful of years down the line.

Most of these prompts are from before S3 dropped – feel free to work with canon or diverge however you see fit, I am all caught up now:

-Does Susie manage them both? Does Midge open for Lenny on tour? Does he open for her??? Or they become equal stars on the comedy circuit?

-Maybe Lenny joins Shy Baldwin’s tour, or they run into him while touring Europe or the US, or after Shy fires Midge, Midge and Susie cobble together a Midge-only tour of America and keep crossing Lenny’s own touring path, and they all tool around, and yes I would love as much period detail and geography porn as you can throw at me. And while Lenny and Midge have seen the world, Susie hasn’t – her reaction to different foods, languages, customs, landscapes would be spectacular to witness. Especially if “different” is someplace as close to New York as Jersey or Connecticut, or someplace as far away and different as, say, Japan.

-If they do go to Europe, somehow or other they also tour the Soviet Bloc. Cue culture clashes, getting followed (or thinking they’re being followed) by the secret police, getting hammered on vodka and herring and pickles, and then when they get back to the States, the Feds grill them. It’s all dead serious, and Midge and Lenny refuse to take it as seriously as they should, while Susie is trying but the whole thing is really pissing her off…

-Lenny’s burned out, and Midge is just getting started. This dissonance may or may not find some sort of resolution. One thing’s for sure: Susie has limited patience for both Lenny’s depression and Midge’s need to make everything pretty.

-Instead of going to Joel for a no-way-is-that-closure fling after the Steve Allen Show taping, Midge goes to have a drink or seven with the two people who have, in their own ways, always been there for her and never let her down.

-Midge goes on TV again, this time as the star: longer set, prime time slot, dressing room, the works. She’s dying of nerves. Lenny and Susie coach her through it.

-More radio work to make ends meet in between gigs: hilaribad period ads, hilaribad radio drama, running all over town to be on time, getting paid in all kinds of dubious merch…

-Midge and Susie head out west to make it big and stay with Lenny once they’re in Los Angeles, and it’s marvelous (ha ha) and disastrous in equal measure.

-More of Susie being the hypercompetent manager we saw especially in S3! (And please don’t dwell on her gambling problem, I was not a fan.)

-They all three get drunk, maybe with a hint of sadness if it’s the holidays (you can ignore my DNW about holidays, but please let that be just the background, not the lynchpin of the story) or someone’s birthday, and there’s a bar fight, running from the cops, eating greasy food at ass o’clock, and possibly kissing, not necessarily in that order.

-One or two or all three of them get arrested/have court appearances all over America and have to bail each other out, or find someone to bail them all out, or secure legal counsel – you get the drift. Or all three of them are trying to explain to a single lawyer what happened, talking over each other, the two pros not being able to resist landing zingers and Susie not being far behind, and the lawyer just getting more and more confused.

-They get in trouble some other way – offended patrons, surly management, shitty hotels, tour bus breaks down in the middle of Wyoming – and have to have each other’s backs because no one else will.

-Three-person road trip or tour, and only Susie knows how to drive. So Midge decides to learn, right then and there. And Lenny… Lenny may or may not be too lazy/hungover/lying about not knowing how. There’s supposed to be a rotation so everyone gets to stretch out on the back seat for equal lengths of time, but you know the system doesn’t work too well in practice. Also, they play games in the car to while away the time, and they do it their own way of course: I spy, cows on my side, yellow car, never have I ever, 20 questions, or riffing on whatever’s playing on the radio…

-They sit down to watch the moon landing (you can move it up a bit so it’s not happening a whole decade after S2) – by which I mean, Midge is all gung-ho about the moon landing, and Lenny and Susie are like whatever – and things don’t quite go to plan, but a good time is eventually had by all.

-It’s Yom Kippur again, and Midge wants to do the whole production: synagogue, breaking fast, the lot. Lenny and Susie would rather eat glass. Midge gets her way, of course. Does she decide to bring Susie and Lenny home to meet – or meet properly – her parents??? I bet Abe and Rose’s reactions would be something to see. (This too is an exception to my DNW about holiday settings – I just want stuff to get as crazy as it did the two times we saw Yom Kippur celebrated on the show, and for everything to still somehow turn out relatively OK.)

-Midge and Lenny have cheered each other up when the going got extra rough. I want for Susie to be especially down in the dumps – maybe her boozehound of a mother died and Susie took it worse than she does in canon, maybe some asshole told her she’s a shit manager and got her right in her insecurities – and Midge to rope Lenny into trying to cheer her up. And for Susie to fight them every step of the way but still be glad they care enough to try.

-Inspired by Susie’s brother looking just like her, by which I mean she and he and their sister look nothing alike, and by Lenny’s “she’s my mother” quip about Midge at the TV studio and then his “let me introduce my wife or maybe my sister” in Miami – Midge, Susie, and Lenny pretend to all be blood relatives, or mafiosi, or spies, or something else they’re not, while out in public, say in a restaurant. Just to be assholes and see how long they can keep it going before they break character or people figure them out, or call the cops, or something. There’s totally a bet on who corpses and breaks character first. Or, nice hotels ca. 1960 weren’t very big on letting unmarried couples, let alone threesomes stay in rooms together – pretending to be family might make that easier; forgetting what they’re meant to be to each other, or mixing up their backstories might make it harder. Or they’re just trying to save money by only getting one room, there’s only one free room in the hotel, or any other screwball reason you can invent.

-Lenny and Midge do a (comeback) tour of the Borscht Belt, and all the Steiner Mountain Resort guests (especially the gossipy old hens from the beauty salon) and staff go to see them – and heckle.

-Stuff happens and they end up performing at some hole in the wall place where no one knows who they are (or no one believes it’s really those people they’ve seen on TV) – tough crowd, but a good workout for the two comics, and if Susie gets to threaten to rip off someone’s head, all the better.

-Lenny and Midge honing their routines – and maybe developing a double act – and Susie being all “oh my fucking god, what the fuck!!! … They’re actually good. I’m so proud.”

-Sharing a bed with two other people is an ongoing project: who sleeps (or refuses to sleep) in the middle? Who gets up during the night and why? Who starfishes across most of the bed? Who snores, and how does this get handled? If alcohol or pot have happened, how does that affect the sleeping arrangements? Also, Susie and Lenny witness and react to Midge’s beauty routine, ‘nuff said. Or, for various reasons one person after another ends up decamping to another room/bed/couch, but it doesn’t help them get much sleep or even stay there very long (this is inspired by my love of Shirley Jackson and her short story/humorous essay “The Night We All Had Grippe”). If you prefer to keep it platonic, most of this would work if they’re just sharing a double bedroom on tour (I leave the reason for why Lenny is bunking with the women up to you).

Starred Up (2013 movie)

Oliver Baumer/Eric Love

Yes I do ship it, I do, I do!

Ahem. Don’t get me wrong, I liked what the movie did with the father-son relationship and its influence on both men’s character development – but I really wish they hadn’t got Oliver out of the action before the story’s climax (not like that!). The final denouement with Love father and Love son was great, as was the hint at the end that Eric learned something in anger-management group and has a support network that will help him a lot. But. I would have wanted to see more of the intriguing dynamic between Eric the intelligent, semi-feral, yet not-incorrigible, young thug and Oliver the educated, dedicated, kind yet aware of his own potential for violence (what was he on about with “I need to be here”?), slightly older counselor. They had me at Oliver’s “I want him” and Eric later telling his father that Oliver’s a better man than Love Sr. Also the not-flirting and the push-pull in the scene when Oliver picks up Eric from his cell - yowza!

For this canon, my dubcon DNW does not apply.

Prompts:

-I would love to see Oliver return to holding his group in prison, so the two of them can interact more, either in the movie’s immediate aftermath or years down the line, as it’s implied that Eric will be serving a long sentence. Give me more scenes from anger management or the ribald, honest, free-flowing conversations in group, either with the other men present (I liked Hassan and Tyrone especially, among the group members) or a one-on-one session.

-An oblique or open-but-undramatic admission/declaration that they both know there’s something there, even if they don’t know what to do with it. Or, one or both of them knows exactly what to do with it, and the push-pull that would result from that.

-Dirty talk: used for arousal, as a defense mechanism, as a form of flirtation. Eric using slurs to assert dominance, and Oliver not letting him hide behind profanity, when he can use colorful language to express emotion and/or sexual interest. There could definitely be some verbal taunting/flirting about who wants/is eager to do what or is good at doing something. There may be some sniping comments about logistics and (lack of) condoms and barebacking and what men get up to in prison. There probably wouldn’t be deep discussions about sexual identity.

-An emergency in the prison requires a lock-down, so Oliver gets temporarily stuck in Eric’s cell or another room with only Eric for company. Things get porny and/or emotional.

-Eric is eventually released (you can handwave this so it happens soon after the movie or have it happen years later) and crashes with Oliver while he adjusts to the outside world. You guessed it: things get porny and/or emotional.

-How do they get to the point where both can cross that line from friends/whatever the hell they are and become, to lovers? (There’s Eric’s personal history and general discomfort with vulnerability, plus all the ways prison sex can be or make things complicated, and if it helps, I headcanon Oliver as either gay or bi and at least somewhat closeted, at work especially.) Who initiates and “directs traffic”? How does their always-contentious dynamic shift during and after sex? Is the sex an isolated (series of) occasion(s), or a progression/escalation over multiple encounters (how would I love especially an escalating series of encounters, let me count the ways)? Eric might seem like the logical initiator and/or dominant partner as well as using the possibility of sex to manipulate and exert control, but then Oliver might (or might not!) surprise him and is definitely the one more in touch with himself as well as aware of his custodial duty toward the men in the group.

-At some point in their intimate relationship (probably not right at the start, and probably not in prison, though if you can make it happen in prison, more power to you!), Oliver decides he’s going to take his sweet time and make Eric fall absolutely apart with pleasure, while using dirty talk to both arouse and empower Eric to own his desires – by that point, Eric is in a place where he can let that happen and enjoy it, even if he still talks tough.

-Role reversal: Oliver as the con (jittery, shut off, sticking out like a sore thumb in prison with all his fancy learning, yet no pushover) and Eric as the newbie counselor (kid from the wrong side of the tracks made good? Youthful hoodlum turned around his life, now trying to help others via tough love and lots of swearing and maybe a bit of manipulation when called for?)

Witchblade (TV) Sara Pezzini/Danny Woo

I used to love this show back in the day, and loved it again in all its hokey gloriousness when I rewatched it recently. Sara figuring things out and being a principled badass, but maybe out of her depth with the Witchblade, and her dynamic with Danny, whether he’s a ghost or alive, it’s all catnip to me. Sara is not extremely quippy, she has a job to do dammit! and don’t look at her vulnerable side, just don’t look at it!, and I love that about her (she’s much harsher in S1, after Danny’s death, than in S2); ditto that Danny is somewhat softer than she is, but still can hold his own thanksverymuch (well, when the plot doesn’t require him to get nabbed by bad guys) and has a bit of a deadpan snarker side too. I’d love something that plays around with their canon dynamic from either season, or uses canon as just a starting point. Some of my prompts lean dark or horror-y, so don’t be shy about going there; I’d also enjoy a story in which the Witchblade itself ends up not being very significant (say, they start to investigate a possibly mystical case and then nope, plain murder). Canon-specific DNW: Irons and any version of Nottingham appearing (you can mention them if you need to).

Prompts:

-The Witchblade is more parasitic than symbiotic, and instead of Sara learning to control it, its feeding on Sara affects her more and more over time. Or, the visions and dreams ramp up into full-blown paranoia and/or disassociation. The Witchblade’s POV, maybe (it is sentient)? Asking for help is the hardest thing for someone like Sara, but what are (more than) friends for? I’d also enjoy a dubcon scenario (exception to blanket DNW) where Sara really shouldn’t be having sex when her head is all messed up by the Witchblade’s influence, but… well… they do. The Witchblade canonically enjoys violence and bloodshed perpetrated by its wearers, so it stands to reason that it might lower other inhibitions too.

-Witchblade v. mythological monsters. In S1, even with everything else that’s going on, Sara absolutely scoffs at the possibility of vampires. So of course I want: Witchblade v. vampires! The scarier and more feral, the better. Or, it’s implied that the Witchblade was forged from a meteorite, so it’s basically an eldritch artefact from outer space. Yes, please lean all the way into the Lovecraftian tropes! (The moon is turning red, the Old Ones are back, it’s the end of the world as we know it, but Sara’s got her partner by her side.) Or something from Chinese mythology, so Danny can kick extra ass. Or, for a silly take on Chinese culture: Sara and Danny in the world of Big Trouble in Little China, another old fave of mine, the entire plot of which revolves around… a woman with green eyes and an unwanted connection to the supernatural.

-The Witchblade has a reputation for abandoning its wearers just when they need it the most. True to form, it slips off of Sara’s fist, leaving her and Danny to save themselves with good old-fashioned guns, fisticuffs, martial arts, and of course having each other’s back.

-More of the psychedelic-ness in many of Sara’s fight scenes, where now she’s a woman in a leather jacket with a gauntlet on her arm, now she’s a knight in armor! Now her opponent is human, now he’s a wolf-shaped spirit of evil and hatred! Playing around with the characters’ senses and perceptions – yes!

-Instead of seeing only Danny and needing him to play intermediary for Sara to talk to other ghosts, the Witchblade makes Sara see ghosts all over the place, and it’s getting to her. Ghost!Danny may or may not help with that. Or, ghost!Danny is basically always around, whether Sara can see him or not. He manifests when Sara is masturbating, and you can’t really feel guilty if the ghost of your dead partner whom you’ve always had a thing for helps you out, and anyway you’re probably going crazy and none of this is real, so it doesn’t count anyway… right?

-Case fic/stakeouts and banter. Flirting to pass the long and stressful days at work. Quick and guilty sex because Danny’s married. Slow and intense sex if handwave he’s not married but “oh noes we’re partners, we shouldn’t be doing this, but somehow we keep doing it anyway.” Hooking up in the car. I’ve always headcanoned that they had a thing pre-canon which ended for Reasons, but they both kinda wish it hadn’t, hence the hand kissing, and the “I can’t even touch you,” and the coffee bringing/stealing, etc. So feel free to play around with that.

-Undercover as married, undercover as a gangster and his moll (LOL at Sara as a moll, or have Sara as the gangster and Danny as her lieutenant/enforcer/arm candy), undercover as “they think we’re fucking, better fake it real good for the people listening in, oops shit got real fast, careful don’t say each other’s real name or you’ll blow your cover.”

-More timey-wimey shenanigans with the Witchblade. Maybe it allows Sara to manipulate time more than once. Maybe she starts doing it way too often, throwing the continuum out of whack (something non-linear would be very interesting). Maybe she and/or Danny remember some or all of what happened in S1. Something about all the multiverse versions of them, possibly splitting off from a dramatic moment. Time loops and feelings are a combustible mix.

-Apart from the super obvious shippiness, what I like about S1 especially is how Sara rolls with the weirdness the Witchblade has brought into her life, instead of reaching for rational explanations. More of that (I can’t think of a better way to put it), and double extra brownie points if alive!Danny figures out at least some of what’s going on with Sara’s bracelet and somehow gets in on the action. Maybe a Danny saves the day divergence? Or how about a loophole that allows a man close to the Witchblade’s wearer to wield it temporarily, but There Is a Price to Pay.

Likes:

I love pre-canon, canon, post-canon, canon-divergent, and missing-scene stories. I love character-driven and plot-driven stories equally, and I love fics which mix humor and angst/serious business when appropriate for the canon.

I love stories about characters at work and play, group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too, etc.

I love irony, snark, humor as well as angst arising from the characters rather than the plot crowbaring it in, linear, non-linear, and 5+1 stories, hopeful endings, happy endings, bittersweet endings, worldbuilding, competence, spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, characters who are their own worst enemies as well as those who can get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other.

I especially love workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters are competent and dedicated to the job, and while they may not be exactly friends and they may well irritate one another, they still manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise and sometimes reluctance/discomfort). Or, if they can’t get along, show me why not and what’s preventing them from finding common ground.

In terms of ship dynamics, I love (where it fits the characters) banter, competitiveness or antagonism shading into attraction (this tension need not be resolved), oh-god-why-did-it-have-to-be-you-what-did-I-do-to-deserve-this, bickering yet loving couples, characters who are serious about their romantic interests, characters who think they are much better at flirtation than they actually are, characters forced to work together only to prove much more compatible than they initially assumed, fics which mix an exploration of characters’ professional and everyday lives with shipping. A dynamic I cannot resist is shipping a couple who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, one betrayed the other or they betrayed each other), and while they love and want each other they’re also not willing to change sides or surrender/compromise their identity for the other’s benefit, and how they might (or not) make their relationship work anyway.

I don’t have any very specific likes for smut, other than smut fitting the characters – show me how their canon dynamics spill over into the bedroom (or other place of congress). I also like sexual scenarios that subvert expectations a little and surprise the characters themselves (e.g., the person who’s usually quiet or more passive taking charge, the more aggressive person goes with it possibly snarking or commenting on it as long as they can). And I like sexual scenarios that contain an element of competition, antagonism, oh-god-this-is-a-bad-idea-but-we’re-going-for-it-hammer-and-tongs, not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not, or just people getting way more into it or being more affected by it than they thought they would. When it fits the characters and their canon dynamic, you also can’t go wrong with we-both-wanted-this-for-forever-and-now-we-both-know-it-so-here-we-go-diving-in-headfirst. For het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) – it’s all good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

DNWs:

MPREG, A/B/O, knotting, D/s, kinks, incest, underage, genderswap/genderbent characters, xeno, non-/dub-con, torture and abuse (this and non-/dub-con can be mentioned if the story needs it, but please don’t dwell on it in loving detail or subject any of my requested characters to it), dwelling on bodily fluids (mentions of gore/blood and come are fine), toilet humor, character bashing, issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons, unrequested ships, soulmates and soul marks, major character death (meaning my requested characters being or staying dead by story’s end), serious illness or injury, pregnancy and children, holiday or wedding setting/theme, secondary characters shipping the main pair like it’s their job, reference to RL current events, 1st/2nd person POV, unrequested crossovers or fusions, AUs which have nothing to do with canon