#yeah I'll reblog that

[bbeeew]

let it be known when I reblog it's always cause in my head I'm thinking "yeah, I'll reblogs that."

Anyways boo likes suck support artists y'know the drill

[freakedcanine]

so utterly gobsmacked by posts that have rbs turned off

[jay-wasstuff]

So no one was going to tell me Logan calls Wade daddy instead of bub/ba in the spanish dub?

[galactaknightyaoi]

🌻 Metadede Week 2024 : Day 7 - Loyalty 🌻

I'M LATE but I really wanted to make something... These two goofs mean a lot to me. So here it is! Their life together!

Individual pictures under the cut.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[transyashiro]

Hi, genuine question, why transandrophobia is not real? I just thought it was a word to describe the transphobia specifically targeted to transmascs, but if that is not the case id like to be corrected. Also your art is so beautiful I love it!

hey anon. firstly, thank you, i'm glad you like my art. secondly, i am at the end of the day just a guy who draws sometimes. this is a question which was already answered many times by transfeminists on here, and ideally you'd want to get the perspectives of tma people rather than mine. and just in general, keep up with discussions of transmisogyny and listen to transfems, yeah?

all that said, since you are asking me personally... to put it as simply as i can: transandrophobia, or transmisandry, is not real because misandry is not real. that should be the end of the discussion, really. there is no need for a special word to describe transphobia targeted at transmascs, because transphobia and/or other forms of oppression (real ones, Not misandry) depending on any particular situation already cover everything. why is there a desire for a special word to begin with, anyway? girls got one, we want one too? c'mon

but also like, all that aside, regardless of how real or not real transandrophobia is, it is a dog whistle. if someone associates with the transandrophobia crowd, they are most likely a transmisogynist. that should be enough of a reason to steer away from those guys and not trust them. sure, some posts by them might seem compelling or validating at a glance, i've definitely seen younger trans guys who don't know any better start looking in that direction because they feel like they are finally being given a tool to discuss their experiences. i assume that's partially why your question is framed like that, too, because a simple "we just want a word to discuss our oppression" is a lot more convincing than "we hate trans women and want to make them out to be the true oppressors" or "we're just men rights activists but with a trans flag, which also means that we are incapable of oppressing trans women because of our inherent connection to womanhood. don't worry about what that logic implies about our views of trans women" or... you get the picture. it's transmisogyny through and through, you don't even need to dig much

again, i hope you'll look more into what trans women have to say on this, it would do more good than my short clumsy explanation, but hopefully it at least gives you some vague idea

[imesta-quinlana]

The skeleton reminds me of a sperm whale.

biology of a stapler

[northstarscowboyhat]

Haven't been uploading art as much because I'm kind of going through an art style crisis again LOL. Not very happy with my art at the moment, so I've been trying to experiment and practice!

So I've started a new project to help work out the details of my art style. Working on my take of a Deltarune Yellow setting, so have some experimental Clovers!

[gayvampcentral]

I've seen a lot of posts (and reblogged/queued a few as you might've seen) abt the HP game recently which I'm assuming means it dropped? Anyway I don't want to put this in the tags of posts by jewish people as I don't want to add onto those even in tag form as a gentile and reblogging someone else's post that says to unfollow me if you support the game doesn't feel direct enough, so I'm making my own post for it:

Please unfollow/block me if you plan on playing this game.

Yes, pirating counts. I don't want you here. If you don't care about the safety of jewish people enough to do the bare minimum of not fucking playing this game then I'm begging you to reevaluate. If you still are into HP in the year 2023 then I don't know how to help you.

Hating nazis and terfs is not enough. You have to love transfem and jewish people more than you claim to hate their oppressors and that starts with shit like this. So once again: If you plan on playing this game because you still can't let go of a franchise the support of which directly harms the people you think you care about then never talk to or interact with me again please.

[smile-files]

nickel and balloon stuff from spring on the breakfast!!! i'm keeping in mind that in the previous episode, both of them were under the impression that their friendship wasn't real...

in a way, ii3 balloon is a lot like late ii3 cabby. of course, balloon did something indisputably immoral (manipulate and exploit others), and cabby only did something thought to be immoral (keep and use files about her fellow contestants) -- but both did something wrong and had to subsequently undergo a disproportionate amount of abuse and malignment for it, ending up with them being apologetic and submissive to avoid any chance of being framed as bad again. the biggest difference is that cabby has internalized the guilt others have attributed to her, while balloon largely hasn't -- he understands the concept of rolling with the punches for the sake of keeping good connections, but he doesn't believe he deserves it.

nickel brushes off ii2 a LOT this episode. to rid himself of his guilt regarding that time, he necessarily has to delegitimize the hatred he felt towards balloon then, thus also ridding balloon of his guilt. he expresses this all vaguely, choosing to remember ii2 fondly and saying off-hand that its baggage should be laughed off -- implying that balloon has been forgiven. reasonably, balloon is happy that nickel seems to actually believe he's changed for the better, so initially this makes him happy.

of course, though, it becomes clear that nickel just wants to shove his own actions under the rug, and balloon reasonably gets pissed off. nickel treated balloon and suitcase like complete garbage in ii2, and balloon clearly hasn't forgotten that.

"it keeps things easy." it keeps things easy to roll with the punches, to endure nickel's abuse and accept his sudden friendship. note, also, that nickel is still placing the blame on balloon: he's saying that balloon didn't want to "make things better", as if nickel and balloon ever having a rift was entirely balloon's fault, and his problem to fix.

and as we can see, nickel still hasn't fully forgiven balloon for ii1. as i've discussed before, nickel seems to secretly feel incredible guilt about how he treated balloon in ii2 (which is why he goes to such lengths to repress the whole memory of it) -- but that guilt is about the way in which he expressed his disdain and distrust of balloon, not those opinions themselves, nor the motivations for them. this is all very interesting, then -- if he still believes balloon can't change from his old, bad self, why did nickel start being friends with him at all?

i think a large part of it is his projection onto balloon. nickel sees himself in balloon: someone who screwed up big-time and isn't able to become a better person after that (according to nickel). we tend to gravitate to people similar to us, after all. i wouldn't be surprised if nickel was also trying to overcompensate for his hostility towards balloon in ii2 by being very friendly with him in ii3, thereby helping him forget that he was ever hostile to him at all.

the most fascinating thing to me about balloon and nickel's relationship is how impersonal it is for balloon. he seems to value what nickel's affection represents rather than nickel himself -- and it represents that he's been forgiven. anyone who saw balloon and nickel's conflict in ii2, which was a product of balloon's nastiness in ii1 and nickel's subsequent inability to forgive that nastiness, would likely come to accept balloon and forgive him themselves if they then saw nickel being friendly with him -- because nickel is the epitome of the ii contestants' anger at him, and nickel of all people (seemingly) forgiving him would imply that he's really changed. the relationship is almost entirely a symbol in that regard. i don't think balloon has much residual guilt about is actions in ii1 -- he feels like he's adequately addressed them and changed -- but nickel having a positive relationship would be helpful in affirming that stance and proving to himself that he really has changed.

i wouldn't say it's cruel of balloon to keep this relationship going on under that pretense, but it is backhanded, and it helps explain why he was ever willing to accept nickel's friendliness unchallenged. he wanted his crimes to finally be laid to rest once and for all, and keeping nickel on good terms with him would let that happen. people would finally shut up about it. up until now, nickel wasn't explicitly denying his past cruelty towards balloon anyway, so balloon would be able to ignore that he neglected to ever bring it up; now, though, nickel is denying not only what he did to balloon but also to suitcase, which balloon is not able to tolerate. now that he's confronted nickel about that though, nickel snaps back with his condemnation of what balloon did in ii1, thereby uprooting the social stasis balloon had been able to maintain precisely because nickel refused to bring anything up before. in a way, then, balloon is purposefully shoving the past under the rug, just like nickel is.

we can't forget, though, that nickel has his own complex about fearing that he's incapable of change and incapable of forming positive, genuine relationships with people. balloon is essentially revealing that, in a way, he wasn't really friends with nickel -- at least not in the way nickel wished and fooled himself into thinking they were. if balloon truly were friends with nickel like that, then that would mean that balloon had forgiven him for his cruelty in ii2, and perhaps that he really has changed... but no. balloon hasn't forgiven him. why should he? nickel never apologized -- and given how he never apologized, it's impossible that he could've changed anyway: nickel doesn't want to apologize because that means addressing his guilt and allowing himself to feel it. he wants the forgiveness to be handed to him on a silver platter, without him having to do all of the painful work, and he's incredibly upset when it isn't. he wants to not be a bad person, but in order to do that, he has to feel like one, and he really doesn't want to. he hates who he was and doesn't want to associate with it at all.

(note how it's the suitcase robot who says "you can say sorry" when nickel says that nothing can be done about making things better...)

there's clearly an immeasurable amount of resentment these two have been harboring for each other throughout this season, which they'd only been hiding for the sake of fooling themselves into thinking they've changed (nickel) or thinking that others think they've changed (balloon). and now that they've let themselves explode with anger, partly related to the lies they'd been telling themselves falling apart, they yell at each other and balloon drops nickel down a hole!

ah, balloon and nickel's relationship... it's bizarre, it's toxic, it's convoluted, it's shady, and it's incredibly sad. i'm glad i'm revisiting ii3, especially this episode -- i used to be utterly baffled by nickel's writing, particularly in spring on the breakfast, but now it makes complete sense to me. also, i used to think balloon was entirely the victim in this relationship, while now i know that he has his own faults and own baggage in that regard. it's weird -- they hate each other, but at the same time they're dying to be liked by one another. god i love these freaks...

[genisis-the-girlblog]

Real

historically hottest people in the world no matter how hot they actually are

lifeguard at local pool (NOT the beach)

guy who pulls the safety handle bar down for you on carnival rides

cashier at supermarket who's the same age as you

anyone nice to you at a skate park

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[wayfinderships]

💙 HAPPY BIRTHDAY DIMITRI!!! 💙

Ramblings under the read more

HAPPY BIRTHDAY TO MY BELOVED DIMITRI!!! Normally I wouldn't try to complete a whole drawing in one night but for him??? I'll push myself a little harder than usual-

I'm sleepy so I won't delve too much into the art process or else I'll start rambling about the parts I don't like about it bc I did it all in one night but I did want to just say that I love Dimitri so much <3

Dimitri is one of those f/os who's feelings I have for only grows stronger with time (Heck, I'd even say that now he's on par with Sanji). He's someone who I never expected to fall for (In hindsight it makes perfect sense) but I'm so glad I did! He's brought me so much comfort and joy and I only hope I can do the same for him <3 I love him so much that words can't even begin to describe! So many kisses for him on his birthday!

[fourswords]

to be quite honest shadow's characterization in the fsa manga was always something that raised more questions than answers for me because it's like. he's got a mile-wide inferiority complex about being link's shadow we all know this but when did he have the time to develop that inferiority complex in the first place. how long was he lurking around after ganon created him before the events of the manga actually started. what did he witness or hear or both to make him so fucking angry

[pseudowho]

SPOILER: It's Nanami Kento under there

It's definitely spooky season so I'm turning everything scary , sexy cute

[sainteclectic]

and btw since I'm posting a lot of wholesoul content (intended as platonic but still), i do want to make it clear: my analysis of whole as a character is purely within the narrative of the story! while i am aware that behind the metaphors is whole is cj himself, that's never what i'm writing whole as in my work. basically I'm using the internal logic of the fiction (whole as viewed by the characters in the album) rather than the reason for the fiction existing (as a fictionalized version of chonny's mental state), just like i do with all the other characters. it's important to make that distinction when you're dealing with a piece of fiction so heavily based on the creator i think. I'll never use cj as a basis for how I write whole because I find that a little off putting tbh ^^;

basically I'm playing with touys. ok? play touys with me