#yeah I do stuff on purpose. I know I'm doing it

[tobiasdrake]

Ranma 1/2 01x08 - Darling Charlotte

Charlotte? Wait... Hang on... Isn't that... Is she supposed to be here this early?

Oh, no, it's THIS girl. My mistake.

Okay. Yeah. I completely forgot she even existed. My memory was conflating her with the... with that one.... You know who I'm talking about....

...

*google google*

Akari. I was thinking of Akari. For some reason I thought Akari was the "CHARLOTTE!!!" girl, and I remember Akari is like endgame late introduction. But she's not the Charlotte girl.

Apparently these guys are named Shingo and Kiichi according to their photos.

The stuff in brackets isn't anything interesting. It's just quoting the dialogue they deliver here.

The two Ranma photos are Saotome Ranma, but an interesting note is that the pair have different names. They're both Ranma, yes. Both of them are 早乙女 Saotome. Which, fun fact, means "young maiden responsible for planting rice". Have fun with that, Transfem Ranma headcanon team.

But the girl Ranma is named らんま Ranma in Hiragana while the boy Ranma is named 乱馬 Ranma in Kanji. Ranma's name, incidentally, means "chaos".

When P-chan hears Akane call out to him, the kanji in his eyes flip from 気絶 kizetsu meaning "faint" to 起床 kisho which means "getting out of bed".

Wait, that's who the Charlotte girl is? I remember this guy. This is the ice skater bro who Ranma and Akane have to do a doubles match against, with him and some girl.

I completely forgot that the Charlotte girl was that girl. ...and thought she was Akari instead. Wow, my memory of this series leaves a lot to be desired.

"...they're what now?" ~Junko Enoshima, intrigued.

Look at that happy smile. Azusa really wants to bean him with that table. This is her second time reaching for it.

FACT CHECK. Let's check out the replay. Aaaaaaaaand:

Oh yeah. Without a doubt. Ignore Akane's squealing gal pals and the romantic flowers in the background and just look at that face. Akane is half a second from splitting him crotch to throat with a fucking ice skate.

Ranma's challenge fish cake saved Mikado's life.

You know what's fucking hilarious about this?

1 - It would actually make more sense for Ryoga to be Akane's partner than Ranma. Like Akane, Ryoga is very invested in Akane winning the contest and getting to keep P-chan. He doesn't want P-chan going with Azusa any more than Akane does, while Ranma's kinda rooting for the enemy team.

2 - However, despite having a compelling reason for replacing Ranma in this contest, Ryoga can't actually present that argument. The only reason to let him replace Ranma is because he is P-chan. Without that context, this is a wild-ass out-of-left-field demand for him to suddenly burst out of their bathroom and issue.

3 - But if he did explain that context to Akane... he still wouldn't get to replace Ranma, because the entire purpose of even competing in this match would be instantly voided. P-chan wouldn't be welcome in her room anymore.

So he's just. Fucked. He's just fucked. His tangled web of deceptions has left him powerless to participate in something that really matters to him.

Try not to live your life like Ryoga.

So begins the era of Ranma weaponizing his curse in order to escape the pressures of his own interpretation of masculinity. He turned himself into a girl because men shouldn't be bad at ice skating. I like that Akane's a little bit offended when she finds out why he switched.

Akane: I'm not impressed! I can do that too!

The 100-man spar is a cool demonstration of how talented these two are at ice skating as a martial art. But also, this is just a typical weekday morning for Akane.

In fact, Akane's actually more impressive because this is choreographed as shit. These guys are wearing jerseys with the number of their engagement on them. They attack in sequence so Mikado and Azusa can take down 01 then 02 then 03 then 04 and on and on until they hit 100.

This is a performance, not a brawl. Most generously, it's a training exercise to help them work on specific maneuvers. A very complex and multi-person version of practicing your kata. But it's not a real fight, where Akane's version always is.

YOU PICK THAT UP RIGHT THE FUCK NOW

I mean, the collar is actually adorable and I'm kinda with Azusa on that. It's way better than P-chan's shitty neck-rag that probably smells like three months of unwashed wandering.

BUT THAT THING IS MADE OF STABBING AND THERE'S LIKE A DOZEN OF THEM FOLDED INTO ONE

DO NOT LEAVE THAT LYING ON THE RINK FOR ANYONE TO FALL ON.

The way Ranma reacts to Mikado's advances is... honestly fascinating.

We saw Akane earlier. She was a moment away from breaking this sex pest in half. We talk a lot about Flight or Fight response, and Akane has a well-honed Fight response to sexual harassment. It's. Kind of. Been a thing for her for a very long time, both the harassment and the Fight response.

But an oft-overlooked response is the Freeze response. Both times, when Mikado moves in on Ranma, his response is to Freeze. Freeze is an involuntary stress reaction that temporarily suspends both Fight and Flight.

Once the deed is done and Ranma's able to form conscious thoughts again, then we see Flight.

Until he can reassert his masculinity, and only then does he react with Fight.

Which is itself very interesting. Not just for how it speaks to Ranma's internalization of gender norms; That he reacts with Flight when female and Fight when male. But there's more than just that going on here.

Ranma doesn't just flee from the rink. He flees to the public bathhouse and throws himself into the hot bath. He's not fleeing Mikado. He's not fleeing Akane or the situation.

Being violated in this way makes Ranma flee from femininity. His immediate kneejerk reaction when his brain retains the ability to make conscious decisions is, very emotionally and very powerfully, that he desperately wants to stop being a girl now.

A tragic choice that many women don't get to make.

Not only was Akane the only person on the rink that was able to keep up with the action here - with possible exception of Mikado but explicitly not Azusa - but she was even able to count how many hits Ranma landed.

This fight establishes that Akane and Ranma are actually more formidable than Azusa and Mikado. Like, if this were a street fight, they'd trash these suckers, no problem. Pound for pound, they're tougher.

It's only because they have to compete in Azusa and Mikado's arena that this is going to be difficult. Azusa and Mikado have the home field advantage, in a contest where mobility is intensely challenging and must be mastered and controlled in addition to the fighting.

He says while wearing the fucking collar. XD

This family needs a TV. XD

[merge-conflict]

18, 74, 26 for the fic writer asks! 🖤

Questions here

18. Do you title your fics before, during, or after the writing process? How do you come up with titles?

Yes. Yes. Yes.

I usually retitle a fic or chapter at least once. I used to sit and agonize over the coolest title and just could NOT move on until I've done it, but now I just relax because I know I can update it. Generally what it's named in my Scrivener project is just some sort of placeholder or feeling. My usual vibe is "lyrics from a song which vibes" (yes. it is often the mountain goats... but not always! sometimes it's brown bird.) or "common phrase, but changed slightly" or "technical in-joke". Whatever I find most amusing.

Recently posted a fic called "done dying" which was originally titled "anthem for the already defeated" both of them from song titles (the first is actually "When I Was Done Dying"). I wrote all of the "the binds that tie" (playing with "the ties that bind") before settling on the title, but in my drafts it was always 'sudo chown -R vim:vim .' (now the chapter title). I like to have my cake and eat it too whenever possible. For stuff I can't come up with names for I've started titling them 'scrap: brief summary' or something I think is grandiose or funny so I can stop obsessing over it and start writing lol.

74. You’ve posted a fic anonymously. How would someone be able to guess that you’d written it?

Gosh. I've been thinking about this lately, and I do think I have a distinctive style but it's hard to describe because it's just.. the way I write? I know I have a problem repeating adjectives like 'just' 'some' 'only' a lot, so that's one give away. My habit of just smash-cutting into the middle of a scene without much setup is probably another. My habit of using repetitive sentence construction to hammer in a point. My habit of writing too much damn banter.

26. Which of your fics would you call your wildest ride?

Tbh the damn things overlap was created to be each damn thing overlapping the next, a huge mess, very little time to breathe (condensing the canon timeline down to about two weeks of Valentine going through main storyline stuff. ~a week of which is actually in the the fic!) I wanted to write a story where you feel relieved when characters get to sit down or take a nap, and I think I've succeeded thus far.

Honorable mention to when her edges soften, where Johnny and Valentine hit the town and each other. Straight from "I'm not gonna fuck you" to competitively tracking the number of orgasms they've both had in the past 3 hours while fucking in alleyways and cars. That might qualify as a sort of wild ride. :3

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[lilliemadoka]

catch u on the flipside 😘✨

(cleaned up sketch under the cut because i kinda liked it a lot. please ignore the shoes i couldn't be bothered to fix them. it's all sketchy and weird just PLEASE b nice 2 me...)

[fvckw4d]

The concept of queerbaiting annoys me. I was told that it refers to a work of fiction pretending to cater to a queer audience but then pulling back from it to avoid alienating homophobes, which is an incredibly specific thing. But a lot of people seem to think that it instead means "any time there's any gay subtex, metaphor, or ambiguity" or "whenever something from 1995-2012 was being a normal amount of homophobic for the era."

[waxflowerwoes]

obviously chandrilan fashion is influenced by traditional east asian garments (the first time i was watched andor i was thinking about how much it reminded me of korean hanbok but that bias is probably indicative of how i grew up near a koreatown) and i saw someone somewhere say that it's odd that the shirts are crossed right over left (the way to dress a dead person) instead of the traditional left over right

now this could be a cultural oversight on the part of the costume designers. it wouldn't be the first time hollywood (or even star wars) appropriated an aesthetic they didn't understand. but with the line "play it how you want. but i'm going to assume i'm already dead," also existing in this show, maybe it's not.

[bigcats-birds-and-books]

Books of 2023. ONE HUNDRED YEARS OF SOLITUDE by Gabriel Garc��a Márquez.

Currently reading! This has been languishing on the TBR for a While™ and came highly recommended by a bookstore coworker. I'm only a couple chapters in, so far, and the family tree is ~Messy~, but the prose is lyrical and lovely!

[daisywords]

if youtube is going to insist on having that many ads, they should at least give me the option to do them all at once at the beginning. interspersing the ads throughout is wrong and evil. So is making them play at the end (if you do this they should be ones that don't have sound. blease.) Anyway this environment is absolutely inhospitable to someone here to listen to ambient music while working (me) or stuff specifically designed to fall asleep to. to, you know, fall asleep to (also me).

[blackvahana]

Hmm. Yeah. Didn't consider the fact that they were going to attempt (and did) to kill Grey and Black in my lifetime. so then M absolutely could've just taken my body, killed my physical family like he kept trying to do, and either offed me or kept - I mean. yeah. kept my body and made it an incarnation of him. Ahhh I love our family

[deeisace]

..

[dan-crimes]

LMAO so funny thing is everyone knows the whole Sonic and Shadow looking alike thing is total bullshit and I totally agree those comments they try to pull in the games and show(s? I'm not technically a Sonic fan I dunno if it's multiple) make basically no sense to me but then my Mom comes in while watching Sonic Prime and says "So what, Sonic has a brother or something?" and this whole other world has opened up to me and I've seen the truth of it all

[rawliverandgoronspice]

Hello.

You and gay-jesus-probably have successfully made me question everything with your view that Tears of the Kingdom is imperialist propaganda, so that's been fun.

Anyway, I decided to share this discussion with the Zelda fans on reddit, and perhaps unsurprisingly, a lot of them disagreed. Here is what they said (I'm Alarming_Afternoon44):

So what do you think? Have I and all these other people just been duped by the game's manipulative framing? Or do they actually have a point?

And if you'd rather not answer this, or would prefer if I censored the usernames, just tell me and I'll delete this.

Hey! Thanks a lot for reaching out, and I'm glad it made you think stuff through!!

Honestly, as I mentioned in this post, I am not super interested about in-world conversations about who oppresses who, because what can be assessed from the game is super vague and more vibes-based than evidence-based. Within the text, of course that the Good Zonais are good and the Bad Ganondorf is bad! But that's my whole point! The narrative has been deliberately crafted so that the zonais and Rauru (and Hyrule) are as blameless as possible (and it's not doing a great job at it overall to be frank; we would not be having these conversations about how offputting it all feels for a non-zero number of people if it did do a great job). More importantly, I want to focus on what sort of real-life narrative it all parallels. Because people make stories, and people live in the real world.

Not going after everyone's throat here, gamedev is hard and the hydras that are AAA game production do end up doing super weird stuff, especially since the thematic ramifications are absolutely never prioritized (and it's also always the same kind of people who make the final calls and push out what can and can't be talked about also). And as fans, we tend to have trouble stepping outside the lens of lore and take a look at the bigger picture sometimes; not as an attack on any individual part of that decision-making process but to just pause, stop, and question our standards, our priorities and the kind of reality (or skewing of reality) the stories we tell each other reflect.

Again: do we want to take videogames seriously or not? If we do, then we need to accept they are a vehicle for ideology, just like any other artform. And sometimes, you push out questionable ideology, sometimes without meaning to, because you didn't unpack your own biases as you did. And it's even fine to do it, nobody is perfect, a 300+ people team spread over 6 years certainly will not be that. But that it wasn't prioritized is, in my opinion, a problem. As a narrative designer, I want games (at least the narrative side) to be held to a higher standard than this. It's literally my job to work with the industry so it can hold itself to higher standards of quality --so the whole TotK situation is quite frustrating to witness from a very pragmatic, work perspective where I already spend my days trying to convince people that things mean things. I have a vested interest here in not having the companies I work for being given a free pass by gamers to do literally whatever as long as it's fun, especially when we're talking about a billion-dollars company suing its own fans left and right for any perceived slight. Nintendo are not underdogs here. It's fine to point out they cut corners and maybe promoted messy ideologies, voluntarily or not.

So long story short: no I don't believe anyone here has a point in regards to what I think is actually important, which is why these choices were made in the first place. If you look at an imperialist text expecting the text to tell you that it's imperialist instead of recognizing a framing used for propaganda by yourself, you're never gonna find any imperialist text ever, obviously not!! I'm sorry if I sound a little gngngn here, but I don't know why audiences have, at large, this feeling that lore and story beat decisions materialize themselves already formed and without any human bias, meddling, intervention, internal politics or approximations (it seems that people can only conceptualize this part if they have actual names to attach to the story, but without clear authors it's like there are no authors and so no bias, which is... a very strange bias in itself). I can promise you that it does not work that way in practice: every narrative department on every big game is a battlefield --some nicer than others, but all of them very emotionally draining either way.

So yeah, I guess that on these grounds, I disagree with every point raised here. Sorry Reddit :/

But thank you for the ask and sorry if I didn't go more into details as to why. The big Why I Dislike Rauru Post and the Gerudo Post might have some more specific rebuttals, but I am not super interested in debating small detail stuff tbh. I feel like it's no use if the frame of reference isn't being understood in the first place.

[pa-pa-plasma]

i don't think i'll ever get over how people treat kids that aren't good in school as worthless no matter what. "oh it can't be that bad" my guy idk how to tell you this but the last time i went to a normal high school the principal called me into his office to brag about how he failed me in all of my classes before the semester was even finished & i should quit while i'm ahead cuz i'm too stupid ("officially" diagnosed as such by a school counselor & a psychiatrist!!) to succeed. & this is considered normal

[salty-software-engineer]

It really sucks that military, tactical, and similar stuff is so cool and frequently very useful because not only do their fandoms suck but they're also inherently tied to systems of oppression.

[coollyinterferes]

Today, I offer you...

🌟 he 🌟

[goldentigerfestival]

Using this as an audio reference for the posts I'm making, but to summarize:

Yuri starts out mad.

Yuri tries to calm himself down with a deep breath to ask for details instead of going through it angry.

Flynn doesn't say "like a good knight" in the sense of putting himself down. He simply says "as a knight" (the tl here doesn't use that, but with that included it's basically along the lines of "even though I had doubts, as a knight, I was determined to follow my orders").

Once Yuri has answers he calms down significantly.

Yuri uses " 'ttaku", which is a shortened down version of "mattaku" (Yuri often shortens words and speaks very casually), which in this particular situation basically would mean "geez", or "good grief". In this manner, it's expressive of exasperation/frustration/etc.

Yuri never mentions that "Flynn told him what to do" like the dub does (because in fact Flynn did not ever tell Yuri what to do. He only gave Sodia and his other knights orders. He expressed his own desire to take responsibility, but never told Yuri and his friends what to do).

At this point you can tell the anger has gone out of him and that he's calmed down, now that Flynn is approaching this with admission and responsibility.

Sodia is asking that Flynn returns as soon as possible (I believe this was a general translation error).

Flynn's thank you to Yuri is tonally much more heartfelt.

Yuri's response and gratefulness at Flynn coming back to himself is tonally much more heartfelt, relieved and sincere.