#yabba dabba dinosaurs

[animated-character-of-the-day]

Today’s character of the day is: Pebbles Flintstone from The Flintstones

[elijones94]

🐾 Baby Puss rarely appeared in the original “Flintstones” series, but has been featured prominently in merchandise and the show’s opening and closing credits. He definitely takes pleasure in getting the better of Fred every time he attempts to put him out for the night, by getting Fred locked out of the house. 🐯🦴

[maddielizgames]

Yabba Dabba Dinosaurs, Thundercats roar, and Aquaman King of Atlantis deserve better than to end up as tax write offs. I feel like I’m the only fan of these 3 shows though, because everyone kinda talk shit about them when they came out.

[timmurleyart]

Gifts for Dino. 🎁🎄❄️

[kwebtv]

TV Guide - June 13 - 19, 1964

Fred Flintstone is the main character of the animated sitcom The Flintstones, which aired during prime-time on ABC during the original series' run from 1960 to 1966. Fred is the husband of Wilma Flintstone and father of Pebbles Flintstone and together the family live in their homely cave in the town of Bedrock. His best friend is his next door neighbor, Barney, who has a wife named Betty and an adopted son, named Bamm-Bamm.

Fred lives in the fictional prehistoric town of Bedrock, a world where dinosaurs coexist with modernized cavepeople and the cavepeople enjoy "primitive" versions of modern conveniences such as telephones, automobiles, and washing machines. Fred's trademark catchphrase yell is "yabba dabba doo!", a phrase that was originally his club's cheer, and later adopted as part of the theme song from the third season on and used in the 1994 live-action Flintstones film.  (Wikipedia)

[tarotbycecelia]

Card of the Day - King of Pentacles - Friday, October 11, 2024

  He works hard for the money, and enjoys the fruits of his labors.  Like many, I grew up watching ‘The Flintstones’  and “Yabba Dabba Doo!” was Fred’s catchphrase, exclaiming his joy every payday when he jumped off his dinosaur. These days, payday varies, but the sentiment is much the same. And the King of Pentacles is known for being the best to bring home the bacon. So, whether you are working…

[popculturebuffet]

Finally for Warner Bros Animation, favorite character from their latest animated shows from 2021 onward (though things have been turbulent for them since this is when Zaslav entered the picture to ruin everything): Little Ellen, Yabba Dabba Dinosaurs, Bugs Bunny Builders, Batwheels, Velma, Gremlins Secrets of the Mogwai, My Adventures with Superman, Tiny Toons Looniversity, Kite Man Hell Yeah, and Batman Caped Crusader?

Yup David Zaslav: Warner Brothers Mummy Curse. And okay elemnating some more: LIttle Ellen< YDD, Bugs Bunny Builders, Gremlins and Kite Man Hell Yeah. THe latter i've gone back and forth on about trying as like harley I like the concept, but it feels like they go too broad with it. Could be wrong.

Velma: The final scooby doo show for now, i'm relived and amazed we're getting another one an dfittingly best boy wins again: this is Fred's third win. Fred is just the most consiently entertaining of the group, with fred as a spoiled man baby who can't function somehow working. He also is the first fred we've got proof killed a man. So there's that.

The show itself.. welllll

Yeah having seen part of season 1 with @jess-the-vampire after we put it off, and i'm slow balling it as too much of this show infurates me... this show is bad. Maybe it gets better, big maybe, but the first few episodes are pure torture. Now some of the backlash was just racist dogwhistling. Making the gang not as white as the purest driven snow was a good choice and the cast ofr them are all great: Mindy Kahling has great comedic timing (and didn't write this mess), Constance Wu does her best as Daphne and Sam Richardson isn't great as shaggy, but has been proven elsehwere he's a comedic god

The problem is the writing. The writing falls into ALLLL the traps of adult animation, from stupidly dark jokes just to be edgy, to sexualizing minors. HOly crap does this series not get how to write minors in a way that isn't creepy. We get fanservice stuff with daphne and some other teens at the school, a LOT of jokes about Fred's penis and the infamous bit of velma bragging about her ass. I'm not saying a teen show can't talk about or joke about sex, it'd be dishonest not to at least hint at it, but you shoudln't objectify minors and I don't think that should be that hard a thing to grasp in 2023/2024.

The writing is mean spirited, not funnya nd velma oscelates between way too put upon and kind of an asshole. It's also very clear the creators have not watched anything past where are you. Look am I asking them to do this?

No. You don't have to watch every episode of the franchise ever and I get they probably don't have time for that. Me and jess have binged large swaths of the franchise entirely for fun and at our own pace. But google.. exists. You can google the franchise, comb through the wikis, maybe watch a handful of eps from each series. You can do research to make sure you and your writers don't retread old jokes that have been told a million times. HA HA SHAGGY ISN'T A STONER, isn't funny. Mkaing Shaggy nothign LIKE the character isn't funny. The Franchise has already done most obvservations this series tries. The Scooby Doo Franchise is entirely meta and it's what makes it work: i'ts aware of i'ts own tropes and finds ways to play with them in each series. This is just a good setup, the gang in an adult series with real murders, that wastes it on stupid shit. It's bad and hopefully won't get renewed

My Adventures with Superman: Now this is the shit. Full disclosure a tthe time of this article I haven't watched season 2. Procastinations a bitch. Anyways Jimmy. Clark and Lois are both close, ebing a good soft boy and his excited yet complex partner in both sense of the words, but Jimmy is probably the best version of this character. After in name only attempts form supergirl (Which I need to watch at some point) and batman v superman (Which didn't even name him on screen) this feels like jimmy: Getting into weird shit (If not the todd chavez levels silver age jimmy did), being kinda funny.. but also being a kind vunerable guy. He's a good friend to clark, sharp (him having figured it out is brilliang and i'm tired of jimmy not knowing half the time), and a good straight man to his nervous and overconfident besties, while being just irresponsible and overenthuastic enough at times to still feel like a person.

This show is fantastic, a well done reboot of superman that takes the character to his core to tell a great immigrant story, a story that grows more and more timley. Is the "superman as an alien in both senses" metaphor new? No Superman Smashes the Klan also used this well and I wouldn't be shocked if it was an influence on the crew given the similar narrative of Clark being actively scared of his alien heritage. Is it subtle? no. But given what's going on as I write this, Trump and his beta male making up bullshit about immigrants that's putting lives at risk, it feels entirely warranted and timely.

Having a young clark works as while superman in STAS was starting his career, this clark really feels young, scared of what he is and grappling with questions DCAU clark was more at peace with when he starte dth eplanet. Lois is a good counterpoint, wanting the truth sometimes to ohard and trying to ballance being supportive with her own ambition and Jimmy.. again Jimmy goat. The show has beautiful action, designs and astetic and is a joy to watch, getting the hopeful core of supes down to a science.

The show isn't perfect: The designs for the bulk of the villian are pretty bland and lack color, which makes sense in universe but at the same time... spraypaint exists. Clark keeps his colors flying high, but the villians mostly wear grey tactical gear, with Deathstroke being one of the only ones with an actual costume. I'm not saying yo ucan't anime it up, king kai mxy looks dope, but you can do better and have in the same series. But it's flaws are minor comapred to just how great an adaptation this is and how much a breath of fresh air it feels. Stoked for season 3 and for my boy.

Tiny Toons Loonversity: Plucky. Sweetie was close and I love her.. but making plucky a theater kid was fucking genius, a way to seperate him from his ol dself (basically daffy but a teenager) while still keeping Plucky's ego fully in tact. My punk daughter is a close second though.

Looniversity is a reboot I REALLY need to finish and a great show. The show revamps the setting for college, updates the characters for the 2020s and gives them a fresh coat of paint while keeping who they are: Babs and Buster are still tricksters, Hamilton's still a clean freak, and Plucky's still an egotisit, but the added layers of the two being siblings (Which is still a weird choice but one that somehow works and gives the more more to do), and Hamilton being a legacy student who isn't great at the looney antics. They also take sweety from "not quite as bad but still awful tweety", to " queer punk rocker clearly in love with her roomate whose hilarious and you will repeat everything she says". The series clearly loves the original , it simply takes a more structured appraoch to vary it up and it works. It also gave us the pencil reaper.

Sharpen your pencils with his death blades kids!

Batman Caped Crusader: Clayface. Fun gimmick, great look and a hell of an episode. Caped Crusader is an excellent show and i'm pleased as punch to talk about it before the end of the year list. Caped Crusader is a lot like it's spirtual predecessor BTAS ,having paul dini work on it, a habit for good mostly standalone episodes, and some really big tearjerkers. But it zigs in a lot palces: The setting is the 40's (if one that's more diverse and less homophobic) instead of just using the astetics, the designs rather than boil a character down to their core go back to their roots, and it's allowed to do all the stuff standards wouldn't allow: death, child endagerment and more than implied corruption. The result is dark, moody an dtruly excellent. It's a show that isn't afraid to try new things, a more standofish bruce, even by his standards, a vastly diffrent but still engaging harley, Barbra Gordon not as a vigilante but a defense attorney. It's so damn good and I recommend finding it and watching it.

[moonspower]

An old lover... Fred Flinstone

✨ anonymous. meme. still accepting!

❝Yabba dabba doo, more like yabba dabba doo me. Flintstones, meet the Flintstones, I'll homewreck a stone-age family. From the town of Bedrock, I'll bedrock myself to history. Fred is a traditional working man.❞ Virote could've sworn he had an entire PowerPoint presentation on this! He made it earlier this year. Just for this. Just for this moment. ❝I'm sure he smells like dinosaur bones, sweat, and alcoholism, but I'd treat him right. Wilma and her ginger state couldn't do what I do. She's an unga bunga, ooga wooga version of Lois Griffin minus any of the sauce.❞

[nightwhispcrs]

"i yabba dabba don't believe my eyes ," fred whistled with a shake of his head as he eyed the other man . it'd been a while since they'd seen each other — not since their emotionally and physically charged argument a few months prior . now that the dinosaurs were gone , fred felt a little more out of his element in this modern world , though he wouldn't admit that nigel now held the higher ground . "where the hell have you been ? off on some pointless trip studying invisible bacteria on the head of some hippopotamus or something ?" / closed starter for @vcndetta ( frednigel ur welcome )

[animated-character-of-the-day]

Today’s character of the day is: Bamm Bamm Rubble from The Flintstones 

[elijones94]

🦴 Teenage Pebbles is fond of her Leonard Bernstone records. The episode “Groom Gloom” is the only episode of “The Flintstones” that depicts Pebbles as a teenager. It predates the spinoff series “The Pebbles and Bamm-Bamm Show” by eight years. 🎶🎵

[dalmek]

modern flintstones:

Fred is addicted to yabba-dabba-doomscrolling.

Barney gets really into AI only to eventually find out inside black box is just a tiny dinosaur ("it's a living").

Wilma invents a special glue.

[therealbrainlessshow]

The Yabba Dabba Do Party

The US political system is often criticized for being dominated by two major parties, the Democrats and the Republicans, that do not adequately represent the interests and needs of the diverse and dynamic American population.

Many people feel disillusioned, disenfranchised, and dissatisfied with the status quo, and yearn for a viable alternative that can challenge the established power structures and offer a fresh vision for the future.

That is why I propose the creation of a new political party, one that is devoted to the working class and inspired by the iconic cartoon characters of The Flintstones.

The Yabba Dabba Do Party.

The Yabba Dabba Do Party would be based on the following principles:

Yabba Dabba Do: This is the party’s motto, slogan, and cheer, derived from Fred Flintstone’s trademark catchphrase. It expresses the party’s enthusiasm, optimism, and determination to overcome any obstacle and achieve any goal. It also reflects the party’s sense of humor, fun, and adventure, as well as its appreciation for the simple joys of life. Like following right behind Fred on another one of his get rich quick schemes.

Working Class: Because nobody slides down the back of a dinosaur when it's quitting time better than Fred. The Yabba Dabba Do Party would represent the interests and needs of the working class, the backbone of the American economy and society. The party would advocate for fair wages, decent working conditions, affordable health care, quality education, and social security for all workers, regardless of their occupation, industry, or background. The party would also support the rights of workers to organize, bargain collectively, and strike if necessary. Included in all of those rights would be the dinosaurs that are all of the machinery and tools.

Prehistoric: The party would draw inspiration from the prehistoric era, as depicted in The Flintstones. The party would embrace the values of community, cooperation, and creativity, as well as the virtues of courage, loyalty, and honesty. The party would also promote environmental sustainability, respect for nature, and harmony with animals. The party would reject the excesses of modernity, such as consumerism, materialism, and militarism, and instead focus on the essentials of human happiness, such as family, friends, food and having words like rock, rubble, granite or stone somewhere in your name.

Flintstones: The party would model itself after the Flintstones, the beloved cartoon family that has entertained generations of Americans. Wilma and Betty would set the fashion trends. Barney's laugh would become everyone's ringtone. Fred would produce instructional videos for first time bowlers. The party would celebrate the diversity and drive of the American people, and welcome anyone who shares the party’s vision and values, regardless of their race, gender, age, orientation, fashion sense, chuckle or bowling score.

The Yabba Dabba Do Party would offer a unique and appealing alternative to the American voters, who are tired of the same old politics and the same old politicians. The party would inject some much-needed humor, energy, and innovation into the political arena, and challenge the status quo with bold ideas and actions. The party would also inspire and mobilize the American people to participate in the democratic process, use their bare feet as automobile brakes and to work together for a better future.

So, what do you say? Are you ready to join the Yabba Dabba Do Party? Then let’s make some noise and let the world know!

YABBA DABBA DOO!

[sciencestyled]

Yabba-Dabba-Whoa: We’ve Unearthed a Flintastic Tale of Dino Demise!

Well, aren’t we the luckiest pebbles in the quarry! We’ve just hit the rock-jackpot, unraveled the Stone Age equivalent of a Hollywood blockbuster, a saga that makes the echo of our dino pals’ last roars sound like a kitty’s purr. You know Fred Flintstone, right? Of course you do, we wouldn't dare to insult your encyclopedic knowledge of all things cool. Well, sit back and get comfy on your rock-hard seats because Fred’s yabba-dabba-delving into the mystery that’s been bugging us since the dawn of, well, us!

Imagine, if you will (and of course you can, your imagination is as boundless as the skies over Bedrock), a time where our esteemed narrator, the iconic Fred Flintstone, channels his inner Sherlock Holmes. Oh, don’t act surprised - we know you’ve seen him don that detective cap! He’s on a quest, but not for a runaway Dino or a misplaced club – it’s something far grander and chillier, echoing with the haunting roars of our long-lost reptilian companions.

Ever wondered how the mighty dinosaurs, rulers of the Earth, masters of all they surveyed, met their rock-hard end? And no, it’s not a tale spun around a campfire, whispered by the elders of Bedrock. It’s the chronicles of Fred Flintstone, the unlikely narrator, unearthing (quite literally) the echoes of a catastrophic ballet between the Earth and sky.

Let’s rewind to a time when rocks rumbled and skies were as moody as a teenager denied their rock music. The Deccan Traps – and no, that’s not a trendy new band from downtown Bedrock – were the stairways of doom spewing nastiness into the atmosphere. Fred, with a narration smoother than Barney’s attempts at flattery, takes us on a wild, shiver-inducing revelation of an Earth that was neither friend nor foe but a frenemy of epic proportions.

Who needs mundane theories, humdrum stories, when the events leading to the dinos’ grand adieu were more dramatic than a soap opera? No alien invasions or intergalactic wars here – we’re talking volcanoes with anger issues and asteroids with zero social skills. It's almost like a plot twist authored by the twisted love child of a geologist and a soap opera writer. Exquisite, isn’t it?

In the poetic prose of Mr. Flintstone, every belch of the volcanoes and every ominous skyward shadow is a haunting refrain of the Earth’s tumultuous ballad. A serenade of doom and gloom, where every spew of carbon dioxide and sulfur dioxide wrote the verses of extinction. You see, our dino pals, they didn’t just face a sky boulder of annihilation or a fiery breath of terrestrial terror – they faced an encore of cataclysmic climactic calamities.

With Fred as our esteemed guide, we’re not just tracing the footprints of the colossal beings that once roamed our Earth. We’re sifting through the rubble of an apocalyptic sonata where the skies, lands, and seas were composers of a tragic yet awe-inspiring symphony. And in those enigmatic echoes, between the roars and the silences, a story of catastrophic beauty unfolds – an ode to the giants that walked before us.

So, esteemed readers with your impeccable taste, prepare to be regaled, astonished, and possibly flabbergasted. We’ve got front row seats to the world’s first end-of-times spectacle, narrated by none other than the iconic, the legendary, the unexpectedly eloquent, Fred Flintstone. Yabba-Dabba-Doo, let the rocky revelations roll!

[transparentgentlemenmarker]

Les personnages principaux des Pierrafeu sont: Fred Pierrafeu, Wilma Pierrafeu, Pépite Pierrafeu, Dino, Barney Laroche et Betty Laroche. Il faut remonter à la préhistoire comme si on y était ! À Caillouville, Fred Pierrafeu mène une vie au demeurant bien paisible. Après sa journée de grutier à extraire de la pierre, il rejoint sa Wilma dans à la maison. Télévision, aspirateur, machine à laver : ici, on retrouve tout le conforme moderne, à ceci près que ce sont les animaux, et plus particulièrement des dinosaures, qui remplacent les mécanismes ! Et pour démarrer sa voiture ? Et bien, Fred doit d’abord prendre un peu d’élan et... courir ! Inséparable de son meilleur ami, et voisin, Barney Laroche, il trouverait n’importe quelle excuse pour aller faire une petite partie de bowling... « Yabba-Dabba-Doo ! » Jusqu’au succès des Simpson, Les Pierrafeu (The Flinstones) détenait le record du dessin animé le plus long de l’histoire de la télévision en prime time. Diffusée sur ABC en septembre 1960 la série a duré jusqu’en septembre 1966, proposée à une heure de grande écoute. C'est Tom et Jerry, William Hanna et Joseph Barbera qui sont les créateurs et à l’origine de très nombreux dessins animés, tout droit sortis de leur studio Hanna-Barbera Productions : Wally Gator, Capitaine Caverne, Les Jetson, Les Schtroumpfs, Popeye, Pac Man, Scooby-Doo, Les Snorky ou Yogi l’ours. Les Pierrafeu est l’un de leur plus grand succès. Les quatre personnages principaux du dessin animé sont directement inspirés de ceux de la sitcom The Honeymooners, créée au milieu des années 1950. La série réunissait notamment Jackie Gleason, Art Carney and Audrey Meadows sur CBS. Le pilote des Pierrafeu, non diffusé, s’intitulait « The Flagstones ». Il a été produit en 1959.

Trick'r treat y'all 🎃😁

[dongcena]

I'm glad that Mark Marek's out here getting to make projects and you can recognize his style well if you've seen the Henry & June segments of Kablam!