#yaaneea bharadwaj

[critic-corner]

‘Made In Heaven’ Style: A Marriage of Convenience

Last post was rather short, I know. So, get ready with a drink of your liking because this time, I have a lot to talk about! Even though, this time around, there is no fashion moment that has everyone talking on social media, there is still a lot of great costuming going on here.

The episode starts with an ultra cringey contest where Sukhmani wins to get married to Jeet. Sukhmani is wearing red and gold for the Indian and Western rounds, respectively and she stands out from her fellow contestants because of the cliche color choices. Her dresses were just as filmy and orthodox as her answers were, which was smart because she knew the psychology of her ‘judges’ and what they would consider ideal. She came looking like a less-classy version of a shining trophy and that obviously did the trick. Keep these two colors in mind as they will be repeated again!

For the Sangeet, both Sukhmani and Tara are seen in blue ensembles but what adds to the irony is while for Sukhmani, the color communicates her stable future that also has a lot of freedom, for Tara it only speaks of her melancholy.

Tara’s next ensemble is interestingly a maroon top. It’s a color which is synonymous to Autumn, a season where the leaves are changing colors. This shade will continue to play it’s course for the next few scenes.

She continues that color, this time, just in a more professional manner. Maroon represents sacrifice and bravery and while I’m sure these two terms wouldn’t pop up instantly during this scene, there are undertones of them because she is the victim here.

In a flashback, we find Tara and Adil (when he was already engaged), going to his room and we already know what Tara’s intentions are here. She is wearing a soft pink shirt which is as romantic as it is sophisticated. 

I think it’s a good place to say that I really like the placements of the flashbacks in the show. It seemed effortless and helped greatly as an overall narrative device. Everytime one starts questioning why doesn’t she just leave Adil, we get a flashback that answers that question.

In the next scene, when we find Faiza, recovered after her accident, wearing (surprise! surprise!) a maroon top. Not only is it again connecting her with Tara because all she can think about is her at the moment, but it also denotes to her life changing it’s colors (like the leaves in Autumn).

Taking a minor break from Tara and her troubles, let’s just talk about Shibani and her troubles. She wants a raise and is extremely conflicted about her loyalty towards Tara and Karan and joining Made In Heaven’s rival company who are ready to give her what she deserves.

Her first look is a red printed kurta which perfectly captures her frustration from the casual sexism which is delaying the work. Then while talking to her daughter as she promises her the Paris trip, we find her in a gray outfit because that is how unsettled she is feeling. The succeeding blue kurta is screaming “I’m loyal” as she snaps at Karan for offering to pay for the Paris trip and her last look is a maroon suit as she drinks and gathers enough courage to finally send Mani a message to get on-board. Once again, maroon denotes to her changing life; even the lighting of that shot is intense.

As Jeet and Sukhmani get married, both of them are wearing colors that denote to royalty, wealth and extravagance, that sits perfectly with Punjab’s general culture of showing off. Not to mention, Sukhmani is repeating the gold color from the contest in which she was basically walking the ramp saying, “don’t you want me to be your wife”? Mission accomplished, girl!

After the wedding, Tara is in her room wearing a green dress as she finally breaks down in front of Karan in a heart-breaking scene. Green is a color that helps alleviate depression and nervousness, so her wearing this color in front of Karan, arguably her closest friend, seems about right.

At that exact moment we get a flashback to when Tara and Karan first met and it’s kinda sweet that Karan is wearing what seems like the same shirt here from the previous scene, over a printed t-shirt whose color story matched Tara’s top.

Let’s take another minor break here and check out what’s up with Jazz. She is on a search for her brother. We first see her in a sweet and almost delicate pink top, then she leads to a maroon which has all the traits of bravery and when she finally finds her brother, she is wearing a blue flannel shirt that denotes to her wisdom and depth in soul. These three tops perfectly captured Jazz’s storyline.

As for Sukhmani, for her Vidhai, she wore a classic red suit that was again, repeated from the contest but this time, there’s an intense sadness to it because of how hopeless she feels about her future with a man she can’t have an actual relationship with.

Moving on, we get a second appearance from Faiza who is wearing a comfortable set of pajamas in the shades of gray, as she and Adil decide to separate.

And that gray is continued on to Tara which obviously connects the two former-friends but also convey her restless feeling about her life and marriage. Even the production design of the last shot, where she tells Adil to get a check-up, is dominated by gray color.

Pictures - Amazon Prime/Critic Corner

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[indulgexpress]

actor Yaaneea Bharadwaj, last seen in Made in Heaven, says, "Homosexuality is absolutely normal. We all belong to a human race and it's important to treat everyone equally despite their sexuality