#y u gotta have black bars in the official music video
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chevelleonline · 4 years ago
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chevelle existing in their own music video worlds point #1. the red. vitamin r. well enough alone. the fad. jars. face to the floor. hats off to the bull. door to door cannibals. self destructor.
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leverage-ot3 · 4 years ago
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notable moments from The Three Days of The Hunter Job
leverage 2.05
hunt for the truth = fox news
you can’t change my mind, sorry
- - - - -
Nate: Here's what we can do. We can probably get you enough money to save the house and pay for medical bills--
Sarah: We aren't interested in money, Mr. Ford. This woman took my father's self-esteem. She took his reputation. She took his good name. That's what he needs back.
someone needs to make a compilation of their clients being noble as hell
- - - - -
Sophie: I wanna take the lead on this one. I wanna do what you do.
Nate: Yeah, listen, I know breakups can be very difficult, Sophie.
Sophie: Whoa. No, that's not what this is about.
Nate: I know that you have this need to be in control right now, you know.
Sophie: I don't have any such need.
Nate: But you can't project that onto the con.
Sophie: Excuse me? This, coming from the man who spent an entire year drunk, working out his obsessive vengeance on every dimwit in a suit who happened to cross our line of vision.
Nate: Hey, you put some thought into that one, didn't you?
Sophie: You know, I'm not tryin' to control the universe just because some guy dumped me. I-I appreciate the concern. I just, I need a new challenge.
Nate: Okay. (hands Sophie the files) This is your job.
Sophie: Thanks. Now, let's go get this bitch. (walks away)
Nate: Oh, boy
fucking get rekt nate you’re the literal last one to talk
- - - - -
huh nate is wearing flannel in this one
- - - - -
Sophie: Exactly. And then to protect themselves, they issue an apology to Mr. Pennington and then they throw Monica Hunter into the jaws of the very media machine that she bent to her own malicious will.
Parker: Wow. I gotta say, Sophie's briefings are much more dramatic.
Eliot: And poetic.
parker and eliot are cute
- - - - -
Sophie: But we can sell a story that commands respect. A story that she's gonna chase to get the respect she craves. Hm? Pack your bags, everyone. We're going to D.C. to make news.
(everyone continues sitting, looking uncomfortable)
Nate: That's when you wanna...
Sophie: I wanna do that bit again. Pack your bags, everyone. We're going to D.C. to make news. (leaves room)
Nate: She's walking into the closet
SOPHIE ITS OKAY YOU DONT NEED TO GO IN THE CLOSET
- - - - -
Parker: I got the pass. Easy.
Sophie: Parker, we went over this.
[Exterior Studio]
Sophie: You're not supposed to take it. Get caught with it.
Parker: I don't know how to get caught.
Sophie: Yeah, I know it's difficult to steal badly. Just, just try
- - - - -
Monica (grabs Parker): Hey. Hey. I will have you arrested for trespassing if you do not tell me what you are doing here.
Parker: Technically, you can't have me arrested for trespassing because you don't own the station.
Sophie: Parker, tell her the story
parker: TRY ME BITCH
- - - - -
hardison doing crazy tinfoil hat guy is iconic
+ parker and hardison’s high five and “that’s what I’m talkin about!” ADORABLE
- - - - -
Parker: Eliot, these conspiracies aren't real, right?
Eliot: What do you mean?
Parker: Like that one over there that says all the major wars of the past 50 years were ordered by members of The Council.
Eliot: Parker, I'm not at liberty to discuss that with you. (walks away)
Parker: You're not a member of The Council, are you? Eliot? Is he?
Nate: Oh, I don't know. (walks away)
Parker: Huh? Uh, Nate, is he?
parker looked so vulnerable asking it and eliot’s just like,,, imma fuck with her LMFAO
also this is another chaotic ot3 scene that I’d die for
- - - - -
eliot taking the general’s id with his pencil and handing it off to hardison? SMOOTH AS FUCK
- - - - -
Parker: But what if he won't talk to us?
Monica: Then we celebrate.
Parker: Celebrate?
Monica: Denial means guilt. Refusal means more guilt. Punch out my cameraman, and I'll kiss you on the mouth.
Camera Man: Mm-hm.
parker: 👀👀👀
- - - - -
parker gets hit with a car ,,, how many times in this series does she get hit with a car ??
- - - - -
monica’s face when she sees parker get hit by a car is LITERALLY the exact same as the surprised pikachu face
+
bruh imagine you see this happening ,,, like a girl get hit by a car, a suit running out, grabbing stuff of her body, then running away ???
her playing dead on the ground for a hot minute before “waking up”, dusting herself off and walking away ???
- - - - -
Hardison: Move. Don't stop. Come on.
Monica: They ran her over.
Hardison: I know, but we gotta go. Security cameras, the ATM cameras, the traffic cameras. We're always being watched. Just put your head down. Act natural.
Monica: Why are you dressed like a mailman?
Hardison: Invisible man, mailman, nobody notices the mailman. He blends right in. Just like a circus clown.
- - - - -
Parker: We totally went to the moon.
Eliot: Movie sets. I've seen 'em. They're outside of Albuquerque.
Parker: Why would there still be sets there?
Eliot: Because they're gonna reuse 'em for the Mars mission. Repaint it all red.
her bumping shoulders with eliot and leaning on him? the casual intimacy that nourishes my S O U L
- - - - -
Sophie: She has to have corroboration from her own sources. She has to craft the narrative. Monica Hunter has to be the author of her own personal nightmare.
Nate: Do I sound that creepy when I...?
Eliot: Hell yes.
Parker: Mm-hm.
Nate: Really?
Eliot: You do
- - - - -
Sophie: The only question is whether Hardison guessed her sources right.
Hardison: G-guess? Guess?
Sophie: Well, you know.
Hardison: Woman, my name Alec Hardison. I do not guess, OK? Look, journalists, they're lazy. They always go back to the same sources. I compared Monica Hunter's stories for the last ten years and created a heuristic model based on her sources. I-I filtered by story type, priority and evidentiary chain. Look, (pulls up info on laptop) sex scandal: 87 percent chance she goes to these sources. Serial killer scare: 90 percent she contacts these sources for confirmation. Government secrets and health scare intersects: Ninety-five percent chance she goes to these sources. Look, look. Right there. She's emailing them right now. Look.
- - - - -
Hardison: Get me out of here.
Sophie: Yeah, I'm working on it.
Parker (comes out of back room pulling on jacket): I'm on it.
Sophie: No, no, no, no, no, you cannot go. You're dead. Monica Hunter sees you and the whole con is blown.
Parker: Right
PARKER WAS R E A D Y TO GO IN AFTER HIM WE LOVE A PROTECTIVE OT3
- - - - -
Hardison: Damn the con. I'm a black man caught on an Army base with a video camera. I am going to jail forever.
the realest part of the show
- - - - -
Hardison: Eliot, get me everything you can on a Lieutenant Abbot.
[Apartment]
Hardison: Just-just do what I taught you.
Eliot (typing on laptop): Now, the "http" thing comes before—
[Interrogation Room 2]
Eliot: --the "www-dot," right?
Hardison: Eliot!
[Apartment]
Eliot: Which one's the forward slash?
Sophie: Oh, come on.
[Interrogation Room 2]
Hardison: It ain't the time, Eliot. It ain't the time.
[Apartment]
Eliot: It's not fun when you're hanging out there in the wind and there's a dude behind a laptop cracking jokes, is there?
Parker: (holding a gas mask over her face before looking over it) I like it when we switch jobs. It's exciting
someone PLEASE make an eliot-being-bad-at-technology compilation I’m begging
also it’s officially canon that hardison tries teaching eliot about technology
- - - - -
Eliot: No, that's everything on this guy.
Lieutenant: Sir, I need to know why you're on this base.
Hardison: Yes. Why am I on this base?
Lieutenant: I'm asking you.
Hardison: No, I'm asking you. Why am I on this base? Why am I in this room?
Lieutenant: So I can ask you questions.
Hardison: Or maybe it's so I can ask you questions, Lieutenant Kyle Abbot, Social Security 823-24-6270?
Lieutenant: I don't know what you're up to.
Hardison: Maybe you’re not cleared to know. Two disciplinary actions? That one in Germany? Maybe you're just too much of a security risk.
(lieutenant goes to leave and Hardison slams his fist on the table)
Hardison: Did I say you could leave?
(lieutenant swallows nervously)
T H I S
S C E N E
T H O
- - - - -
[Army Base Gate]
Nate: Not gonna work.
Eliot: It's all in the salute, man.
[Apartment]
Sophie: Just work the stars and bars. Nobody wants to--
[Army Base Gate]
(a soldier moves to the side of the car and leans in, saluting Nate)
Sophie: --look a general in the eye.
Nate: Uh, good form soldier. As you were.
Soldier: Clear.
(the gate goes up and Nate pulls into the base, parking near a building. He gets out of the car and walks toward the door)
- - - - -
Nate: We hunt for the truth through many dark places. (approaches Monica menacingly) I am a patriot, Ms. Hunter. I'm sorry. (to Eliot) Earl.
(Monica takes a can of pepper spray from her purse and sprays it in Nate’s face, driving him back. She runs out the door as he groans in pain. Eliot goes to pat his back)
Eliot: Good thing Parker switched that with water.
Nate: Didn't! Didn't switch. (they both start coughing)
LMFAO
- - - - -
Monica: My friends, this is the enemy. Our water has been poisoned.
(an aide spits out a mouthful of water)
JFNSKDKEJWJNFJ
- - - - -
(Eliot is cutting vegetables while Nate opens a bottle of wine and Hardison swirls orange soda in a wine glass)
hardison is literally swirling his neon orange soda in a wine glass as eliot cooks actual food for the fam I CANNOT
- - - - -
Parker (holds up photo): Loch Ness Monster.
Hardison: Loch Ness submarine.
Parker: No!
Eliot: Scottish waters are cold and deep. It's a perfect place to test.
Parker (holds up photo): Area 51.
Eliot: True.
Hardison: False.
Eliot: That's true.
Hardison: False. She said Area 51, 51.
Eliot: I'm sorry. False. Area 52.
Hardison: Been there.
Eliot: Yep
I’m crying the ot3 was top tier chaotic this entire episode and parker was having A Time™ with all these conspiracies
someone make a compilation of these scenes overlayed with the wii music. pls.
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