#xiao ao jiang hu

[kdram-chjh]

Cdrama: New Smiling Proud Wanderer (2018)

Gifs of Intro of cdrama “New Smiling Proud Wanderer”

【MULTI SUB】 State of Divinity EP01 | Ding Guan Sen, Xue Hao Jing, Ding Yu Xi | A Swordsman’s Legacy

Watch this video on Youtube: https://www.youtube.com/watch?v=v568qWKPZOY

[tavina-writes]

is it possible for a woman to inherit a sect or only sons?

Hi nonny!

I wrote about this a bit here, but traditionally to like, the wuxia genre: 1) this was (depending on the sect in question of course) mostly a meritocracy, so it's not strictly true that the daughters or sons of the former sect leader is inheriting the sect but also 2) the gender for many sects is entirely irrelevant, many prominent jianghu families in many many wuxia books aren't exactly like, desperate for sons even if they have (1) child and that child is a girl, like what will girl do? girl will learn martial arts. like it's hard?

In fact in classical wuxia it's actually quite...common to have female sect leaders (either of entirely female sects or of mixed gender sects) because sects are kind of, things you join rather than things you're born to and you inherit them because shifu said so, not due to biology.

For example, Huang Rong in Legend of the Condor Heroes and Return of the Condor Heroes, is the sect leader for the Beggar Clan, which is the largest and most powerful sect in the wulin instead of her husband Guo Jing, who was also a disciple of the previous sect leader.

Xiao Longnv from Return of the Condor Heroes comes from the Ancient Tomb Sect which, only accepts women btw, so all of their sect leaders have been women.

Yuan Ziyi's shifu, Baixiao Shenni, from Young Flying Fox was the sect leader of the Tianshan sect and a Buddhist Nun.

Dingxian from Xiao Ao Jiang Hu and her sisters, Dingjing and Dingyi, form a group called the "Three Elder Nuns" who are the leaders of the Northern Hengshan Sword Sect. Also from XAJH, Lan Fenghuang is the leader of the Five Immortal's Cult.

I'm not going to keep going down the list of like, female sect leaders in the traditional sense of the jianghu (for the record, all of the above books were written and published in the 1950s-1970s so it's not a recent phenomenon at all), but like, wuxia as a genre has in general, been surprisingly egalitarian on matters of gender. The fact of the matter is, this was the genre that first told me, at 7 or 8 years old that like, women can be powerful and intelligent and unhinged, whether they're villains or heroes or anywhere in between.

So uh, I think the reason you might not be aware of this Nonny (which is not a strike against you in any way!) is because danmei is primarily what's popular right now and danmei as a genre from what I've seen does not have uh, a great track record of bountiful female characters who are well rounded and extant or in positions of power.

[arktaisch]

Bring on the mutant clones!

So apparently, the way to get a good, 'proper' wuxia drama these days that isn't yet another Jin Yong or Gu Long adaptation is to make a well-constructed fanfiction-style re-imagination of a JY or GL classic. That way it can be simultaneously fresh and familiar. And if the writing, acting, action sequences, etc. are good, it's so much fun and I love it. These past few years, I really enjoyed watching "Word of Honor" and "Mysterious Lotus Casebook", both of which are clear cases of this. (Note: I haven't read the books for WoH or MLC, so this is based on the dramas only.)

"Word of Honor" is obviously heavily inspired by Jin Yong's "Smiling Proud Wanderer" (Xiao Ao Jiang Hu), except redone as a BL/danmei. It even keeps the various orthodox sects from XAJH (the Five Mountains Sword Schools Alliance! plus the Shaolin, Wudang, Beggars, etc.) as part of the setting, features a hunt for a MacGuffin (key to some ultimate power or other), and is full of that flavor of treachery and scheming for power reminiscent of XAJH. It's been a while since I watched WOH, so I've forgotten most of the details, but I remember getting a strong XAJH vibe from it.

"Mysterious Lotus Casebook", which I just finished watching and loved even more than "Word of Honor", has more of the feel of Gu Long's "Sentimental Swordsman, Ruthless Sword" (Xiaoli Feidao series, book 1). Come on, the protagonists even have the same surname: Lotus Li (Xiangyi/Lianhua) vs Flying Dagger Li (Xunhuan)!

Both of them can pass as scholarly types (though Gu Long's Mr. "Number Three in the Exams" Li more so) and went from a high status position to retiring from the jianghu for ten years. Both are clever, tricky types who live by their wits.

Both of them pushed their female love interests (and deceived them) onto their 'friend' who actually hated/plotted against them. The protagonist comes off better (as in, I don't want to punch him in the face quite as much) in MLC than in "Sentimental Swordsman" --- he doesn't treat her as his property to be traded away. And in theory the female character had more agency in MLC, though I felt let down by the actor here. I think she was supposed to be more driven by guilt (because she broke up with the male lead right before his supposed death) rather than sadly pining after and still in love with him. It would have worked better if she came off as being genuinely in love with the other character, but on screen it feels like she was just worn down and never liked him that much. So as a 'fix-it' to that aspect of "Sentimental Swordsman"… maybe. In theory.

They both get the "enemy is someone you thought you had good relations with" trope (admittedly a common one in wuxia)…

…While their real friend is called "A-Fei" and is a top-notch swordsman. And both A-Fei's are plagued by a professional seductress (who uses drugs and poisons) who clings to/falls in love with them!

They both meet their number one fans. Dagger Li actually marries his in the end, but in MLC that only happens in the eyes of the real life fans (the subtext is definitely there, though I prefer to read it as platonic bromance). The whole thing is funnier in MLC, with Fang Duobing starting out as a naive doofus who claims to everyone he's a disciple of (supposedly dead) Li Xiangyi, including to the man himself and to A-Fei who knows the truth. Then he feels so betrayed when he finds out the truth, and that was all done really well in the show. Another similarity: the girl in "Sentimental Swordsman" has a kick-ass granddad, while Fang Duobing has his mom (another great character), the leader of Tianji Hall (I love a good mechanism specialist).

There's an actual book in-world that lists the top-ranked martial artists! The MLC one seems to be updated regularly, even. That was also a thing in "Sentimental Swordsman", with characters constantly citing the book at each other, and some were completely obsessed. It's kind of a running joke in both.

Solving all the mysteries (and the tomb raiding!) was reminiscent of Chu Liuxiang, another Gu Long protagonist (my childhood favorite). And for non-wuxia influences, Li Lianhua reminded me of Howl from "Howl's Moving Castle" with the lying and slithering out of situations, not to mention the cool-looking mobile home!

So yeah, instead of trying to get a fresh take on adapting a book that's already been adapted like twenty times and offending the purists if you make too many weird changes, file off the serial numbers and take a few steps to the side for a more interesting and coherent re-mix! And set it in a fictional dynasty so you can use fake historical figures and kingdoms to suit your plot without worrying about slandering real people (while I love Jin Yong's use of actual history, even he ended up changing some characters in later revisions because of that) or how much the characters are allowed to affect things on a bigger scale. Plus you can update and improve on the things that were annoying or outdated in the "classics". You're free to change the meaning of the tale to suit yourself without any need to distort the intentions of the original writer.

That's not to say it's impossible to come up with completely new wuxia stories, but building new variations on old stories is worthwhile, too. And beneath any surface similarities, each version has its own story to tell. That said, ninety percent of everything is crap… so besides these two shows I liked, there were a bunch of ones I didn't, whether an adaptation of an old wuxia classic or something newer. (Some of those may improve in later episodes, but I guess I'll never know…)

Long live the mutant clones!

[shookethdev]

a o e i i er ai ei ao ou an en ang eng ong i ia iao ie iu ian in iang ing iong u ua uo uai ui uan un uang ueng ü üe üan ün a o e er ai ao ou an en ang eng yi ya yao ye you yan yin yang ying yong wu wa wo wai wei wan wen wang weng yu yue yuan yun b ba bo bai bei bao ban ben bang beng bi biao bie bian bin bing bu p pa po pai pei pao pou pan pen pang peng pi piao pie pian pin ping pu m ma mo me mai mei mao mou man men mang meng mi miao mie miu mian min ming mu f fa fo fei fou fan fen fang feng fu d da de dai dei dao dou dan den dang deng dong di diao die diu dian ding du duo dui duan dun t ta te tai tei tao tou tan tang teng tong ti tiao tie tian ting tu tuo tui tuan tun n na ne nai nei nao nou nan nen nang neng nong ni niao nie niu nian nin niang ning nu nuo nuan nü nüe l la le lai lei lao lou lan lang leng long li lia liao lie liu lian lin liang ling lu luo luan lun lü lüe g ga ge gai gei gao gou gan gen gang geng gong gu gua guo guai gui guan gun guang k ka ke kai kei kao kou kan ken kang keng kong ku kua kuo kuai kui kuan kun kuang h ha he hai hei hao hou han hen hang heng hong hu hua huo huai hui huan hun huang z za ze zi zai zei zao zou zan zen zang zeng zong zu zuo zui zuan zun c ca ce ci cai cao cou can cen cang ceng cong cu cuo cui cuan cun s sa se si sai sao sou san sen sang seng song su suo sui suan sun zh zha zhe zhi zhai zhei zhao zhou zhan zhen zhang zheng zhong zhu zhua zhuo zhuai zhui zhuan zhun zhuang ch cha che chi chai chao chou chan chen chang cheng chong chu chua chuo chuai chui chuan chun chuang sh sha she shi shai shei shao shou shan shen shang sheng shu shua shuo shuai shui shuan shun shuang r re ri rao rou ran ren rang reng rong ru rua ruo rui ruan run j ji jia jiao jie jiu jian jin jiang jing jiong ju jue juan jun q qi qia qiao qie qiu qian qin qiang qing qiong qu que quan qun x xi xia xiao xie xiu xian xin xiang xing xiong xu xue xuan xun

NAKU 🫵

[eyenaku]

Ji ji fu ji ji

a o e i i er ai ei ao ou an en ang eng ong i ia iao ie iu ian in iang ing iong u ua uo uai ui uan un uang ueng ü üe üan ün a o e er ai ao ou an en ang eng yi ya yao ye you yan yin yang ying yong wu wa wo wai wei wan wen wang weng yu yue yuan yun b ba bo bai bei bao ban ben bang beng bi biao bie bian bin bing bu p pa po pai pei pao pou pan pen pang peng pi piao pie pian pin ping pu m ma mo me mai mei mao mou man men mang meng mi miao mie miu mian min ming mu f fa fo fei fou fan fen fang feng fu d da de dai dei dao dou dan den dang deng dong di diao die diu dian ding du duo dui duan dun t ta te tai tei tao tou tan tang teng tong ti tiao tie tian ting tu tuo tui tuan tun n na ne nai nei nao nou nan nen nang neng nong ni niao nie niu nian nin niang ning nu nuo nuan nü nüe l la le lai lei lao lou lan lang leng long li lia liao lie liu lian lin liang ling lu luo luan lun lü lüe g ga ge gai gei gao gou gan gen gang geng gong gu gua guo guai gui guan gun guang k ka ke kai kei kao kou kan ken kang keng kong ku kua kuo kuai kui kuan kun kuang h ha he hai hei hao hou han hen hang heng hong hu hua huo huai hui huan hun huang z za ze zi zai zei zao zou zan zen zang zeng zong zu zuo zui zuan zun c ca ce ci cai cao cou can cen cang ceng cong cu cuo cui cuan cun s sa se si sai sao sou san sen sang seng song su suo sui suan sun zh zha zhe zhi zhai zhei zhao zhou zhan zhen zhang zheng zhong zhu zhua zhuo zhuai zhui zhuan zhun zhuang ch cha che chi chai chao chou chan chen chang cheng chong chu chua chuo chuai chui chuan chun chuang sh sha she shi shai shei shao shou shan shen shang sheng shu shua shuo shuai shui shuan shun shuang r re ri rao rou ran ren rang reng rong ru rua ruo rui ruan run j ji jia jiao jie jiu jian jin jiang jing jiong ju jue juan jun q qi qia qiao qie qiu qian qin qiang qing qiong qu que quan qun x xi xia xiao xie xiu xian xin xiang xing xiong xu xue xuan xun

[xz1005fanblog]

2020-06-25 New Xiao Ao Jiang Hu mobile game event Wallpapers

[touchmycoat]

Linghu Chong: shit fam, you mean you've never heard the ancient chinese proverb, "avoid arsenic, snakes, and nuns?"

[the50-person]

生活百般滋味，人生需要笑对。

笑傲江湖 (金庸)

[scrmwrks]

[luna-rainbow]

Thanks for the tag @tealmoonlight!

Share ten different favourite characters from ten different pieces of media, in no particular order, then tag/send to ten people (anon or not).

Hijikata Toshirou - Gintama (anime/manga)

Maemiya Eriko - BOSS (jdorama)

Ichihara Yuuko - xxxHOLIC (manga)

Hiyama Mihoko - Code Blue (jdorama)

Ziva David - NCIS (US TV)

Bucky Barnes - MCU (US movies)

Shen Lang - Wu Lin Wai Shi (Chinese novel)

Kira Yamato - Gundam Seed (anime)

Linghu Chong - Xiao Ao Jiang Hu (Chinese novel)

Sam Vimes - Discworld

*** EDIT: OH NO I FORGOT VIMES HE DEFINITELY NEEDS A PLACE.

Tagging: @feralgoblintea @ashacrone @possibleplatypus and anyone else who wants to do this.

[kdram-chjh]

Cdrama: New Smiling Proud Wanderer (2018)

Gifs of Ending of cdrama “New Smiling Proud Wanderer”

【MULTI SUB】 State of Divinity EP01 | Ding Guan Sen, Xue Hao Jing, Ding Yu Xi | A Swordsman’s Legacy

Watch this video on Youtube: https://www.youtube.com/watch?v=v568qWKPZOY

[tavina-writes]

this entire thing below is a meta essay I wrote in response to my NHS post canon mental breakdown fic (which I also never uploaded anywhere until now bc lolsob writing meta about your own fic and its influences...) which I think is the fic that I wrote that is CLOSEST to Jin Yong vibes and register that I've written. At least, the closest one that I did on purpose:

Hooooboy where to even begin on my thoughts regarding the combined MDZS+XAJH universe. Anyway there has to be a note re: my thoughts about the combined MZDS XAJH universe, starting from the first part of CQL where WWX talks about duguqiuyibai. (look up what episode this is in btw). In my brain, CQL takes place in a post XAJH world, where both the five great sword sects (what little remained of them after XAJH lmao) and the sun-moon sect (what little remained of IT after Yingying kind of disbanded it and ran off) are both long gone. 

My nerd brain also says that because this is a combined universe, people are more often than not to learn uh, well, not entirely accurate versions of history and also to take the wrong lessons from it. XAJH is a story about how “orthodoxy” and “unorthodoxy” aren’t as important as one’s personal choice to be a good person. Liu Zhengfeng and Qu Yang died due to powerful men on both sides of the “orthodoxy” and “unorthodoxy” debate persecuting them because such friendships between the two sides undermined their personal power, but with the strict way that the MZDS jianghu views orthodoxy = good — and the way that history distorts after the years and the confusion surrounding the Liu family massacre — it’s entirely possible that the MZDS society centuries later remembers this whole thing as a cautionary tale, and Linghu Chong as an unfilial disruptive bastard rather than a hero. Now, of course, in a cycle of repetition and tragedy, the story of Liu Zhengfeng and Qu Yang are a cautionary tale in parallel to Linghu Chong and Ren Yingying who escape the troubled and doomed fate of their elders by permanently leaving society. However, WWX and LWJ are yet another inversion of this parable regarding orthodoxy and unorthodoxy and persecution, and end up needing a second lifetime to be able to escape from the confines of societal persecution.

I cannot stress enough how much Jin Yong’s works — and Xiao Ao Jiang Hu especially — have influenced me as a writer and as a result, this fic, where so much of the concept of chivalry, revenge, and deceit are present. I have always thought that XAJH’s themes — of hypocrisy, of loss, of being banished from one’s sect, of maintaining heroism, of the sheer crippling sorrow of having lost almost the entirety of the older generation, of destruction, of powerful older men browbeating young sect leaders into committing or at least ignoring horrific acts of destruction and violence — have in a lot of ways, resonated with the themes of MZDS and CQL. There is a loss of innocence, of horrifying, terrible hypocrisy, of being taken advantage of, of being sent to the slaughter when all you wanted was to do the right thing present in XAJH’s political allegory, which parallels much more WWX’s character arc in this situation than NHS. And yet, something about NHS’s extended grief arc here represents so much of hypocrisy and deceit, both in what he dealt and what he was dealt.  WRH’s descent into madness arc comes from my love for another one of Jin Yong’s side characters, this time Huang Yaoshi from LOCH and ROCH (legend and return of the condor heroes respectively) and how his hubris and indeed, greed for certain martial arts techniques led directly to the loss of his wife and his mental breakdown which saw him break the legs of all his disciples and banish them from Peach Blossom Island, in a move that would haunt him (and kickstart some vital events of both novels) for years to come. HYS and WRH are paralleled in my mind as eccentrics, brilliant inventors, and heretics, deeply proud, deeply esoteric in their martial leanings, and deeply deeply complex.

They’re, at least in my brain, both characters that are not easily taken apart and consumed. Besides, I have a deep and long abiding love for brilliant, arrogant, slightly insane polymaths who might also be single fathers who dote on their children, and HYS is the original and the most brilliant of them all lmao. 

Some of the writing style of the more narratively distant scenes in this story are also inspired by the style of Jin Yong, especially the scene of the introduction of Hai-shi or Madam Lan, and to that end, I owe very much the friends at spcnet.tv forums who were my first gateway into fandom spaces, and the amazing and wonderful fan translator friends I made there, whose work I spent much of the early 2010s reading and who wholeheartedly welcomed my efforts in learning how to translate wuxia novels. Thank you so much to Ken and Lanny and all the other friends from there, who were so very patient with a much younger member of fandom. 

The sects themselves in my mind, and in this fic, also operate a little bit more like a typical Jin Yong wuxia genre setting that what is normal or typical of what I’ve seen in the fandom, and I could probably write a whole paper on the way that bloodline sects have enforced a terrible burden on the young people in this series and how it may have solved SOME jianghu problems but invented a whole bunch of others, and how as with any society that deals primarily with inheritance through bloodlines it eventually revealed a rot that has less to do with a specific person who has a lot of personal ability getting greedy, but a solidification of social status, inability to advance one’s social status, and placing much more emphasis on blood connections rather than any form of competency and what that has done to the characters of the Untamed (mostly grind them through a grist mill of misery caused directly by their social statuses and the stratification thereof) which is entirely atypical of the wuxia genre, BUT, I will spare everyone the screaming about that especially in the notes of a fic lol.

idk strictly if I can actually essay this in any way that makes entire sense but this bit of the recent mxtx interview sticks out to me bc I've been talking about how both cql (in many ways) and mdzs the book itself has in ways echoed Jin Yong novels (for me I primarily see the influences of XAJH and LOCH in MDZS) AND how the world of mdzs and its jianghu is so specifically and purposefully different than the typical jianghu you'd find in a wuxia (taking its primary influences from Jin Yong and Gu Long) that it has to be a purposeful departure against genre convention (I have a meta post about this somewhere in me that I have half written and I want to scream about it later when I have more braincells) and it's just!!!

it's so validating to know that THIS IS TRUE.

idk!!! idk!!! I'm just so excited!!!

[screaming-apple]

TOP 5 TV DRAMA EACH YEAR WITH THE HIGHEST BAIDU INDEX RANKING

(from 2011 to 2021/known internationally)

🔥2011:

No.1: Scarlet Heart (Bu Bu Jing Xin)

No.2: The Temptation To Go Home (Hui Jia De You Huo)

No.3: The Lock Heart Jade (Gong Suo Xin Yu)

No.4: The Glamorous Imperial Concubine (Qing Shi Huang Fei)

No.5: Palace (Gong)

🔥2012:

No.1: iPartment season 3 (Ai Qing Gong Yu)

No.2: The Magic Blade (Tian Ya Ming Yue Dao)

No.3: Locked Beaded Curtain (Gong Suo Zhu Lian)

No.4: Empresses Of The Palace (Hou Gong Zhen Huan Zhuan)

No.5: Xuan-Yuan Sword: Scar Of Sky (Xuan Yuan Jian Zhi Tian Zhi Hen)

🔥2013:

No.1: Little Daddy (Xiao Ba Ba)

No.2: We Get Married (Zan Men Jie Hun Ba)

No.3: Prince Of Lan Ling (Lan Ling Wang)

No.4: Swordsman (Jin Xiao Ao Jiang Hu)

No.5: Legend Of Lu Zhen (Lu Zhen Chuan Qi)

🔥2014:

No.1: iPartment season 4 (Ai Qing Gong Yu)

No.2: My Love From The Star (Byeoreseo On Geudae)*

No.3: Swords Of Legends (Gu Jian Qi Tan)

No.4: Boss & Me (Shan Shan Lai Le)

No.5: The Empress Of China (Wu Meiniang Chuan Qi)

🔥2015:

No.1: The Legend Of Mi Yue (Mi Yue Zhuan)

No.2: My Sunshine (He Yi Sheng Xiao Mo)

No.3: The Journey Of Flower (Hua Qian Gu)

No.4: The Lost Tomb (Dao Mu Bi Ji)

No.5: Nirvana In Fire (Lang Ya Bang)

🔥2016:

No.1: Ode To Joy (Huan Le Song)

No.2: Love O2O (Wei Wei Yi Xiao Hen Qing Cheng)

No.3: The Princess Weiyoung (Jin Xiu Wei Yang)

No.4: Go Princess Go (Tai Zi Fei Sheng Zhi Ji)

No.5: Descendants Of The Sun (Taeyang-ui Huye)*

🔥2017:

No.1: In The Name Of The People (Ren Min De Ming Yi)

No.2: The First Half Of My Life (Wo De Qian Ban Sheng)

No.3: Eternal Love (San Sheng San Shi Shi Li Tao Hua)

No.4: Princess Agents (Chu Qian Zhuan)

No.5: Ode To Joy season 2 (Huan Le Song)

🔥2018:

No.1: Story Of Yanxi Palace (Yan Xi Gong Lue)

No.2: The Story Of Minglan (Zhi Fou? Zhi Fou? Ying Shi Luo Fei Hong Shou)

No.3: Ashes Of Love (Xiang Mi Chen Chen Jin Ru Shuang)

No.4: Legend Of Fuyao (Fuyao)

No.5: Ruyi’s Royal Love In The Palace (Ruyi Zhuan)

🔥2019:

No.1: Joy Of Life (Qing Yu Nian)

No.2: Go Go Squid! (Qin Ai De, Re Ai De)

No.3: Hope All Is Well With Us (Wo Men Dou Yao Hao Hao De)

No.4: The King’s Avatar (Quan Zhi Gao Shou)

No.5: The Untamed (Chen Qing Ling)

🔥2020:

No.1: The Bad Kids (Yin Mi De Jiao Luo)

No.2: Nothing But Thirty (San Shi Er Yi)

No.3: Go Ahead (Yi Jia Ren Zhi Ming)

No.4: Find Yourself (Xia Yi Zhan Shi Xing Fu)

No.5: I Will Find You A Better Home (An Jia)

🔥2021:

No.1: Crime Crackdown (Sao Hei Feng Bao)

No.2: My Heroic Husband (Zhui Xu)

No.3: You Are My Glory (Ni Shi Wo De Rong Yao)

No.4: Word Of Honor (Shan He Ling)

No.5: Rattan (Si Teng)

(*) Korean dramas. I have no idea why there are two of them on this Chinese dramas list but okay, they are still accepted here.

The list in picture form: (You can see the Baidu index of the dramas here - click in to see better)

---

So, what do you think of this ranking? How many of these dramas do you know of/have you watched? Which is your favourite?

(The tags can not cover every drama. So I have tried my best to pick out some I think would be more well-known among international fans.)

[k1201a]

@orion-flux sorry I couldn’t reply to you on the OG thread because OP blocked me lmao. Yes you’re right in wuxia novels, personal loyalty is held up to a very high standard. Liu Zhengfeng 劉正風 in xiao ao jiang hu 笑傲江湖 didn’t betray his friend Qu Yang 曲洋 from the demonic sect even when people held his family hostage and eventually killed them. And our protagonist wwx is a classic wuxia hero. As for collective punishment like “抄家“，it’s usually carried out by the government in 權謀 novels, and it’s sometimes portrayed as unjust, other times, an necessary evil for the government to keep powerful political clans and generals under control. Regardless of the historical background or genres, harming innocent elderly and children or your benefactors is frown upon

[shijiegongzi]

All the Chinese Dramas/Movies I’ve Watched or Started (85 Listed Here)

Painted Skin 1 (Hua Pi 1) (movie)

Painted Skin 2 (Hua Pi 2) (movie)

She Diao Ying Xiong Zhuan 2008 (Legend of the Condor Heroes)

Shen Diao Xia Lv 2006 (Return of the Condor Heroes)

Xiao Ao Jiang Hu 2013 (The Smiling, Proud Wanderer)

Tai Zi Fei Sheng Zhi Ji (Go Princess Go)

Huan Cheng (Ice Fantasy)

Hua Qian Gu (Journey of the Flower)

San Sheng San Shi Shi Li Tao Hua (Ten Miles of Peach Blossoms)

Chu Qiao Zhuan (Princess Agents)

Shuang Shi Chong Fei (The Eternal Love)

Legend of Fu Yao

Yan Xi Gong Lve (Yanxi Palace)

Ruyi Zhuan (Ruyi’s Royal Love in the Palace)

Zhen Hun (Guardian)

Zhifou Zhifou Yin Shi Lv Fei Hong Shou (Story of Minglan)

Xu Ni Fu Sheng Ruo Meng (Granting You a Dreamlike Life)

Bian Cheng Lang Zi (Border Town Prodigal)

Xia Zhi Mo Zhi (Rush to the Dead Summer)

Shuang Shi Chong Fei 2 (The Eternal Love 2)

She Diao Ying Xiong Zhuan 2017 (Legend of the Condor Heroes)

Xiang Mi Chen Chen Jin Ru Shuang (Ashes of Love)

Dong Gong (Goodbye My Princess)

Mei Zhe Wu Jiang (Bloody Romance)

Legend of Yunxi

Dugu Tianxia (Legend of Dugu)

Xiao Nv Hua Bu  Qi (I Will Never Let You Go)

Qin Shi Li Ren Ming Yue Xin (King’s Woman)

Huan Le Song (Ode to Joy)

Huan Le Song 2 (Ode to Joy 2)

Qin Ai De, Re Ai De (Go Go Squid)

Ying Xiong 2002 (Hero) (movie)

Shi Mian Mai Fu (House of Flying Daggers) (movie)

Zhi Wo Men Dan Chun De Xiao Mei Hao (A Love So Beautiful)

Bai Fa (Princess Silver)

Zhen Huan Zhuan (Empresses in the Palace)

Bubu Jing Xin (Scarlet Heart, Chinese version)

Zhi Wo Men Nuan Nuan de Xiao Shi Guang (Put Your Head on my Shoulder)

Bai She: Yuan Qi (White Snake) (animated movie)

Chen Qing Ling (The Untamed, live action)

Mo Dao Zu Shi (Grandmaster of Demonic Cultivation, donghua)

Jing Ying Lv Shi (The Best Partner)

Qing Yun Zhi (Noble Aspirations aka Legend of Chusen)

Qing Yu Nian (Joy of Life)

Meng Hui Da Qing (Dreaming Back to the Qing Dynasty)

Legend of Hao Lan

Jiang Ye (Ever Night)

Fa Yi Qin Ming (Medical Examiner Dr. Qin) (2016 version with Zhang Ruoyun)

Wu Xin Fa Shi (Wu Xin: The Monster Killer)

Gu Hua (Talking Bones)

Xin Ling Fa Shi (The Listener)

Jiu Zhou Tian Kong Cheng 2016 (Novoland Castle in the Sky)

Wu Dong Qian Kun (Martial Universe)

Wo Zhi Dao Ni De Mi Mi (I Know Your Secret)

Da Song Bei Dou Si (Plough Department of Song Dynasty)

Ai Qing Jin Hua Lun 2018 (Evolution of Our Love)

Da Wang Bu Rong Yi (King is Not Easy)

Qing Ping Yue/Gu Cheng Bi (Serenade of Peaceful Joy/Held in the Lonely Castle)

Lang Ya Bang (Nirvana in Fire)

Xia Tan Jian Buzhi (Ancient Detective)

Gu Jin Da Zhan Qin Yong Qing (Fight and Love with a Terracotta Warrior)(movie)

Shen Tan (Detective L)

Min Guo Qi Tan (My Roommate is a Detective)

He Shen (Tientsin Mystic)

Zui Ye Wu Jian (Evil Nights)

Jue Ji Lin Jie Tian Xia (LORD Critical World)

Xiong An Xian Cheng (The Truth)

Wei Zhuang Zhe (The Disguiser)

Chuan Shuo Zhong de Chen Qianqian (Romance of Tiger and Rose)

Ru GUo Wo Niu You Ai Qing (When a Snail Falls in Love)

Xi You Ji 2019 (Tian Zhen Pai version) (Journey to the West)

Dian Xia Gong Lue (To Get Her)

Hong Lou Meng (Xiao Xi Gu version) (Dream of the Red Chamber)

Ming Xing Da Zhen Tan (Who’s the Murderer)

Hong Lou Meng 1987 (Dream of the Red Chamber)

Xiao Huan Xi (Little Reunion)

Fei Ren Zai (Non-human) (animated series)

Da Song Shao Nian Zhi (Young Blood)

Lang Ya Bang 2 (Nirvana in Fire 2)

Hei An Zhe (Death Notify: The Darker)

Hen Ji (Trace)

Jin Yi Zhi Xia (Under the Power)

Wai Ke Feng Yun (Surgeons)

Shao Nu Da Ren (Maiden Holmes)

Ren Zha Fan Pai Zi Jiu Xi Tong (Scum Villain Self-saving System)

[tiffanys-guzheng-journey]

My first practice piece: Xiao Ao Jiang Hu (笑傲江湖）