#write about us

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[fromcainwithlove]

author’s notes today: hey guys so just a warning there isn’t 100% explicit verbal consent even though they’re both really into it so remember this is FICTION, also they don’t use a condom :((( but in real life safe sex is important!!! please be safe out there everyone

a/n back in the day: kept thinking about ____ stabbing knives through both of _____’s hands to pin him in place while they fucked so here you go lol =P

[artemisdesari-blog]

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[maeamian]

If you saw me agreeing with being annoyed about wasted helium in a fictional context and were like "I bet she has some more helium based anger in her life" good news LAPD fucked up a raid on a medical facility they thought was a pot farm and flat out ruined thousands of gallons of the stuff.

[genderqueerdykes]

it/its pronouns are not inherently dehumanizing, unless the user wants them to be. it/its pronouns aren't weird. it/its pronouns aren't too hard to use. people who only use it/its pronouns need to have this be respected no matter what your beliefs are. you don't get to single out people with "weird" pronouns and misgender us and use incorrect pronouns. accept someone who uses it/its as you support someone who uses they/them. there's nothing wrong with it/its pronouns. respect its users.

[frost-writes-stuff]

will you write about us?

"Will you write about us too?" he asked curiously, she wrote about everything and anything. Happy little stories about animals, sad short stories about families and friends, made up cute stories about couples...

"Of course I will! You're my inspiration," she presented a smile so pure, angels would envy. He was her inspiration, indeed. The love she saw in his eyes made her want to write cute stories about the couples she saw on the streets. Spoiler alert, they always had a happy ending. Even the couples she saw fighting would make up and have their happy ending in her stories.

"You never wrote about us," his whispering voice held no emotion.

"I couldn't bring myself to write an ending for us. No matter how happy, I couldn't put an end, I wanted it to be forever. I wanted us to be never ending," her voice cracked under the weight of the tears that made her vision blurry.

"Well, that problem is solved," he sighed heavily before walking away, his hands buried in his pockets. "Write about us."

She watched him disappear into the crowd. "I will," she whispered a promise he would never hear. But a promise was a promise, and she always kept her promises.

The crystal glass shattered on impact, amber liquid washed the wall and the floor. "Seven years!" she yelled in her empty room. "Seven years and I still resent you! I still miss you! I miss you even after you cheated on me! Lied to me! You tricked me! You said you loved me and I believed you! I loved you!" Her body slowly slid down with her back against the wall, tears rolling down her cheeks. "I cried myself to sleep night after night for years! I trusted you! I let you have my first kiss! Seven years since you left and I still can't forget about you! I still dream about you! Fuck you! You knew I was scared of getting hurt and you said you would never hurt me! You promised! And I believed you! And you still hurt me!" Her tears mixed with her mascara and washed her cheeks with black streaks.

She wrote about them. For seven years, all of the stories she wrote were about them. She wrote tens of stories for every day they spent together and hundreds for every day they spent apart from each other. She kept her promise and wrote about them. Unlike her other stories, these were kept hidden. Water marks of her tears on the pages of her notebooks kept her from sharing her pain with the world the way she shared her happiness.

"Why can't I free myself from you? After all these years... Why- Why can't I just forget about you and be happy? Why can't I fall in love again? Why do I keep dreaming about you?" Her weak whispers and hiccups could melt the iciest heart and make the toughest man cry with her. But she was all alone in her hotel room.

She put down the pencil and closed the notebook before putting it away with the others so she could begin to clean the room. She had no idea how she could clean the whiskey stain off the wall but she would try her best now that she was calmed down. Writing always helped her calm down and think straight. Sometimes her stories had only tiny fractions of her reality and sometimes they were word for word the same as her reality, just like her latest piece.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[nibbelraz]

OG Shang Qinghua loves his brother even if he says nonsense most of the time

[bioethicists]

it's very important to understand how a personality disorder diagnosis functions in the psychiatric system, even if you identify with the diagnosis or find it useful.

personality disorders on your medical record will be used to discredit anything you say or do. they indicate "don't bother listening to this person; apply treatment regardless of their wishes but also they're probably manipulating/attention-seeking so maybe don't bother treating them". needing support becomes attention-seeking. behaviors that would be treated + supported in someone without this diagnosis are ignored or treated as manipulative. providers are instructed to "withdraw warmth" (a real thing in the DBT provider's manual, btw) in response to self-injury or suicidal ideation.

if you have been dx'd with a personality disorder professionally, you likely understand this.

now, here's the important part: this is not an issue of 'stigma' against a politically neutral, pre-discursive True Disease which is being Unfairly Maligned. these diagnoses were formulated based on the idea that some patients cannot be trusted, that some patients seek care too much. they are applied to patient charts as a justification for withdrawing care or as a dismissal of someone "not getting better" fast enough. in the uk, they are often employed by the nhs to shame or problematize people who use large amounts of nhs resources, arguing that receiving a lot of care through the nhs is a negative behavior stemming from a disordered personality.

there are elements of personality disorders which resonate strongly with many people, including myself, but you need to be clear-eyed about the origins + functions of this diagnosis. as a whole, they were created + function as ways to discredit + mistreat noncompliant or "difficult" patients. 'reclaiming' them is not going to change how they function systematically- it is going to make it easier to engage in this systematic neglect by evoking 'ableism' or 'stigma!' when people question the utility or application of the diagnosis.

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[corkinavoid]

DPxDC More Shit Fae!Danny Has Said While Living With Waynes

Dick, opening his arms wide and going for a hug: hey, Danny!

Danny, looking him in the eyes without blinking: did you know that centuries ago fae really liked to crawl inside human bodies and use them as nests? I heard human insides are really warm and squishy.

Dick, sweating, frozen in place: ...no?..

Danny, smiling and cheerfully jumping to hug Dick: I didn't either!

Jason, because he is feeling adventurous today: I have a question. Where do Fae come from?

Danny: Ah, so B hadn't had the Talk with you yet, what a shame. So when a woman and a man love each other very much-

Damian: Enough of your foolish jokes, I do not wish to hear the sex talk from you. To answer your question, Todd, Fae come from the dreams.

Jason, deadpan: ...really?

Danny, very awkwardly: Um. Dami. Brother to my soul. I'm so sorry.

Damian: What?

Danny: I told you we come from dreams only because you were four. That's not actually how it works. We just fuck.

Duke, narrowing his eyes at Danny suspiciously: So, for the past week and a half, I've been having this recurring dream about you eating my brain with a fork like spaghetti. I was wondering, is it, like, a you thing or a me thing?

Danny, very offended: Duke! Not every weird thing that happens in this house is my fault! That is very rude of you!

Cass, after Duke had apologized profusely and left: You.

Danny, rolling his eyes: Yeah, okay, I did do that. In my defense, his fear tastes like the perfect greasy cheeseburger, and I have to get my fair share of junk food somehow.

Cass: >:(

Danny: Okay, I'll stop. Eventually.

Bruce, in his nth attempt at gaining information from Danny: How do you know if someone is a Fae or not?

Danny: Throw a fish at them.

Bruce: ????

Danny, not even looking up from his phone: Fish are scared of the Fae. So if you throw a fish at someone and the fish gets scared, they are Fae.

Gotham Rogues a week later: We have no idea why Batman keeps throwing guppies at us, but we collectively suspect his new child is to blame.

Danny: Oh, I'm forbidden to enjoy caraoke nights.

Steph, who suggested he join: What? Why? Is it some kind of punishment for the pizza incident?

Tim: No, it's because if he starts singing, we all lose our grip on reality.

Damian: And our dignity.

Danny: They mean they start dancing whether they want it or not, and I have videos to prove it. Wanna see Jason twerking? Or I have one with Tim and Bruce waltzing through the manor.

Steph, as everyone else bemoans their fate: With great pleasure.

| <- prev | next ? |

@violet-foxe

[littleogreboii]

i see a lot of people talk about edward being disabled in fma, but it's less often talked about how alphonse is also disabled. i think it's partially because alphonse doesn't experience physical pain like edward so for a majority of the series, he's not having any of those kind of symptoms, but he is still disabled. also because alphonse's experiences are unique. like you don't see ant walking, talking suits of armour in real life (unless they're piloted by a human being physically inside them) and in world, there are about 3 others like alphonse).

alphonse is dependent on edward's survival to function. after fighting scar for the first time, alphonse is literally in pieces. he can't walk or anything until edward is in a position to fix him. similarly his body is dependent on nutrients from edward's body. like there's the point towards the end where edward gets impaled and alphonse collapses. furthermore, these periods where alphonse collapses start to become debilitating towards the end of the series and massively alter his daily living.

also, alphonse constantly talks about how upsetting it is for him to not feel any physical sensations. yeah, he's not feeling physical pain, but he's also not feeling the warmth of a fire, the sun on his face, or the fluffiness of the cats he keeps petting. he talks a lot about not being able to eat or sleep, and how there's a lot of foods he wants to try.

there's another thing that highlighted by edward at one point. alphonse's body doesn't regenerate at all. the parts scar destroys are gone forever; edward stretches out the metal that alphonse has left to repair his body. and obviously human beings don't regrow limbs, but imagine if your skin didn't ever heal over a cut. how long would your body last?

also alphonse gets told several times that his body is great throughout the series, and he literally argues against it every time, because to him it is shit. like he is missing some of his senses just for some supposedly immortal body that isn't even immortal.

even once alphonse gets his own body back, the amount of physical therapy the boy has to go through. his body has essentially been doing nothing and only receiving what nutrients it can get from edward for years. by the end of the series, he's still using a cane as a walking aid. it's unknown whether he requires that cane for the years to come, but for at least a period of time he requires a mobility aid. I don't know enough to say what effect muscle decay from inactivity and severe malnourishment during a major portion of his teenage years would have long term.

[just-a-whumping-racoon-with-wifi]

Some small details for a character learning sword fighting for the first time:

- sore wrists

- blisters on hands

- every movement opens you up to be hit

- they will hit the tops of their arm and own sides with the sword while learning

- there is a primal sixth sense when you know you’re being toyed with

And, for your typically nonviolent characters.

You don’t aim for the swords. You aim for the person holding the sword.

It sounds so obvious but needs to be accepted. Actively. When holding a sword you have to understand you’re attacking another person. Even to block you have to aim your blocks at the other person or they won’t be strong enough to actually protect yourself.