#wouldn’t say no to seeing it again

[freakrenaissance]

These are allllll facts! 😆 🤣 ok. Back on my dinosaurs again, & my Neverending quest to collect clawen fics! I need the gradys (including Maisie) to be happy forever!!

Jurassic World Dominion spoilers ahead

Ellie Sattler said “break into this facility with me as if we’re super secret spies even though neither of us are remotely qualified to do so” and Alan Grant simply smiled and couldn’t follow her quickly enough…

Seriously though, can’t stop thinking about how Alan was all 😍 whenever Ellie was around and then super protective when things inevitably went sideways and then just came out with “Ellie, I am coming with you…” as if it wouldn’t make me sigh and grin like an idiot in the cinema.

Also bless Maisie for instantly shipping it and making the pair of them face the truth we’ve all seen for nearly 30 years 😄

(Non - AxE side note: legitimately thought Ian was going to sacrifice himself like an idiot during the run in with the giganotosaurus and got all worried. It was the only time in the film I was genuinely concerned about someone. Also when Rexy was fighting and I thought they’d kill her off to ‘end’ the franchise. So glad both made it out of the film alive 😂)

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[throwawayasoiafaccount]

‘the black bastard of the wall’ moniker is the exact opposite of the ‘white wolf’ moniker and this perfectly highlights the irreconcilable differences between book Jon and show Jon

[danandfuckingjonlmao]

good night and sweet dreams to the best, sexiest, sluttiest, smartest, realest, most based, valid, relatable, girlipop, sympathetic, cunt, fun, cool, feminist, aspirational girlboss character in dead boy detectives: doll spider <3

good night to her and no one else. i hope the rest of y’all have a bad night and terrible dreams.

[clonedchaos]

Welp, as I was googling some images for Yasammy week, I came across a thread and turns out one of my favorite Jurassic YouTubers is homophobic and a Yasammy hater…

(More ranting in the tags)

[hikaruchen]

I believe the king of Wessex cares for you.

[nonas-third-tantrum]

i’m reading the traitor baru cormorant and the best way i can describe the experience is that it’s like if gideon the ninth was told from harrow’s pov. i do not know what’s happening. i need an unreliable jock narrator to gloss over all the political machinations and tell me how hot (or not) everyone is

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[theloveinc]

Unlike divorced!Kirishima (who told you he wanted to try taking a break before making anything official), I think Deku doesn’t mention anything at all before he tries to remove himself from your life.

Goes straight from simply acting busy and being distant to suddenly, fully ignoring you at home and over the phone; I don’t even think he tries to serve you divorce papers before he moves out entirely, so desperate to… what? You don’t know and probably never will.

(That is, until he returns after years of silence with tears in his eyes asking for you to take him back.)

[maywardbestboys]

was thinking about jjpope the other day and i haven’t even watched obx3 but after hearing other people talk about the absolute character/friendship assassination that occurred i don’t think i ever will and it just makes me so sad

like it’s one thing for all the straight people in the fandom to make fun of us for “making a gay ship out of thin air” and shit but there was so much potential… the DRAMA that could have went down…. it would have been magnificent for the romantic plot and also for representation but the show runners didn’t give a shit they just wanted to pander to the j*aras (no hate to the ship but some of the fans were so awful). i’m not surprised just disappointed etc homophobia etc

[sunburstsky]

So in this last episode we had confirmed:

1. Indri, who 2/3rds of the party is infatuated with, is Big BAD Lady in a very real way and can call down the memories of stars, including the ones shining into her library

2. If you “flee” (and i just feel that the definition of that might be a little squishy in this specific scenario) *within a mile* of Grimore, you are as good as dead

oh this is DELICIOUS

[cowchickenbeefpork]

every day without fail I pace and talk to myself like I’m fucking gollum thinking about how much the Isabella arc could’ve been a amazing arc where Edward goes through a scenario deeply similar to what he did to Kristen if given the right buildup (aka making him slowly get to the mental state where he would date a girl who looks exactly like his first girlfriend no questions asked)

it’s not just the fact Oswald killed Edward’s lover to get to him just what Ed did to Kristen. It’s also the power dymantic, how this was the first person they truly felt like cared for them deeply, the exception. It’s about how they both have power above that emotional investment (Edward being psychically stronger than Kristen, Oswald having financial power over Edward since he is his boss and Edward also lives under him). It is about how they both decided to keep a part of them after the fallout whether it be Edward with Kristen’s glasses or Oswald with Edward’s frozen body. A perverse trophy. IT IS ABOUT HOW BOTH FALLOUTS WERE TAKEN AS A LESSON ABOUT LOVE TO JUSTIFY WHAT THEY DID.

I’m so mad that they fumbled this arc on both sides. I am in deep unspeakable agony as I type this. Honestly their first mistake was writing Isabella to be someone who matched Edward’s freak since they quite literally had that with Oswald. But whatever I don’t care for this mid show

[secondstar-acorn]

current dndads brainrot is stud coming back and seeing willy again. can you imagine

[msfcatlover]

Putting both hands on your shoulders. Hey, listen. Sometimes, characters have tragic backstories. A lot of villains are victims. It’s reasonable to see that, and it’s good to acknowledge what made them the way they are. I completely understand wanting to give them a happier story, where they get the love & support they needed to live a healthier, more fulfilling life. Especially if you relate to their troubles, giving them an unhappy ending can feel like the author is condemning you for what you’ve gone through.

But—listen—I need you to understand: You are not the character. You can connect with them, relate with them, love them even, but you are not them. And a lot of the time, the thing that drives them to that unhappy ending isn’t actually the trauma they went through—it’s an inability to change. They don’t grow, they don’t get better, they don’t learn the thing the story is trying to say. And it sucks to see yourself in a character like that, but you are not the character, and you can change, learn, grow, and constantly be bettering yourself. Because humans have that capacity.

But also, the same way you cannot save someone who doesn’t want saving, it’s important to recognize that in fiction. Would this character want to change? Can they see anything wrong with their methods? Their goals? Because if the answer is no, while you can feel free to write happier AUs (I certainly do!) then they were never going to get ‘better’ in canon.

Because they don’t want to.