#would anyone even care?

[amazingmsme]

What if… o brother where art thou fic? 🥺

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[puppetmaster13u]

Prompt 312

You know what I never see used in crossovers? The fact that the Rogues, Flash’s rogues specifically, will not only hold a funeral for any central city rogue that passes, but several, if not all, will don their costume and commit one final crime in their name, so their rap sheet has one final score. Like can you imagine that for a final send off?

Can you imagine being a ghost and seeing that?

The Rogue doesn’t even have to be liked by the others, they can be an utter asshole. And the tradition is still done. And I just think that’s beautiful in a way. 

[mylordshesacactus]

Like when I talk about the level of negligence here, please understand.

These are a group of the most obnoxiously privileged people in the universe, who paid obscene amounts of money for the sole purpose of gawking at a mass fucking grave and acting like this made them Awesome Explorers Who Did Totally Real Science while gushing about how it’s just like a movie with zero respect or reverence for the reality of what they were seeing. Just for the cool factor.

So when I say that the level of arrogant disregard for their safety on the part of the company that knowingly, willingly sent them down there in unsafe and unrated death cannisters while lying to them about it is so egregious that the entitled billionaire pricks who fucked around and found out have my complete and total sympathy as victims?

It’s that bad. It’s very, very fucking bad.

[longelk]

kaycee "off the wall"

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[deoidesign]

47 episodes later

I am completely normal

(webcomic)

[afterthelambs]

We were totally robbed of an Akechi x Sumire showtime attack. Why do the phantom thieves each get two except for Akechi and Sumire when they literally have the most distinct fighting styles in the entire game. Can you imagine combining the rage frenzy battle monster that rips everything to shreds and the graceful acrobatic elegant girl that specializes in performance? Their showtime would've slayed

[turtleblogatlast]

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

[puppetmaster13u]

Prompt 209

Now Jason was planning on, well, a lot of things, when he came back to Gotham. He had a lot of plans, several of which had to do with the old man and even more that had to do with cleaning up Crime Alley, making it safer and all that. 

What he was not planning on was to find some sort of lab in the basement of where he was planning on setting up a safehouse. Nor was he planning on finding several literal children in cages inside said lab. Oh and Lazarus Waters- but children! With muzzles! Being experimented on!

Now he’d like to say he had a plan in what happened next, but if he’s honest everything had gone Green and he didn’t remember what happened next, only that he’s back home with said children and covered in blood. Oh and everything smells of smoke. 

… And apparently there’s more of these things dotted around Crime Alley with the rest of these kids, er, siblings? Family? Fright does mean family? Okay kids, he’s not turning into Bruce but you can stay here while he deals with this… however long that takes. 

He better not be turning into Bruce he swears-

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[ohnopeh]

daydreaming about ian and mickey made me realise how mickey knows ian so well he can tell if he’s having an episode or not. considering how in s11 they discussed a lot about finding a job, money stress and what else, mickey did his best to fix things and make ian happy, less stressed.

the only moment he pushed ian not to dwell on his feelings was when he noticed how he ate and drank a lot in the morning, he probably also realised he was awake and stiff that day in bed— he tried to push him out of what could have been the start of a depressive episode by playing it cool, knowing ian gets defensive when it comes to his disorder. and i love so much how at the end of day, once they were back home, ian seemed sad so mickey voiced his concerns for him, probably wondering if he managed to help him feel better or not, how it’s important for both of them to communicate about their feelings but still trying to give ian time to understand it himself.

they have each others back and i love them so much.

[sockatoothewafflebird]

after seeing a bunch of stuff in the fandom related to how touch-starved ragatha really is, i just had to go back and count every time she touches herself or looks like she wants to touch someone else in episode two. and guess. just guess.

i counted eleven different times on-screen that she's rubbing her own arm, fiddling with/ holding her own hands, hugging herself, etc. eleven times is way more than i was expecting (i was thinking five at first) but it's literally almost every time she's on screen. and i didn't count how eager she was to take princess loolilalu's hands in her own.

and i also felt obligated to overanalyze the way pomni acts, especially around gummigoo... this is more about ragatha though i think? idk either way this will be long so buckle up and grab some popcorn

ragatha is the kind of woman to need to be touched, with every fiber of her being, but never ask for it, because she doesn't want to bother anyone. she needs physical affection, and she would accept it from literally anyone, but she also needs people to like her. she needs people to rely on her. ragatha stays optimistic to a scarily unhealthy degree jist to make sure no one hates her. and somehow it works.

she doesn't ever cross anyone's boundaries, she doesn't dare even imply that she wants to, even though she needs it more than anything. she just projects her insecurity and self-loathing in the form of "cupcakes and sprinkles and petting kitty-cats" and "if you're feeling sad just do a little dance!!" like girl is suppressing so much... the mass of all her suppressed emotions has ti have become a singularity by now.

anyway, with pomni canonically just disliking being touched, ragatha only suffers more. she seems like she's attached herself to pomni, in a sense? she's desperate to try and make pomni feel extra comfortable, for some reason. and i think i know why.

all the other members of the circus already know her. she already knows what they think of her to an extent, and she already knows how much or little her happy-go-lucky demeanor does for them all. and no one there seems to really be a genuine friend to her other than kinger. and, y'know, he's... kinger.

so ragatha has no one to really confide in, and i assume no one else confides in her other than the occasional need for encouragement or reassurance. and as previously stated, she needs people to lean on her.

then pomni shows up! and she seems like a somewhat nice person. so ragatha tries her absolute hardest to get pomni to like her. because no one else in the circus seems to care.

this dynamic seems like such a good opportunity for gut-wrenching angst and tension. maybe even a horrible scene in which ragatha tries to make pomni feel better with her debilitatingly unhealthy and unrealistic optimism im a situation that absolutely does mot call for it-- and pomni just can't deal with it anymore. because she's smart enough to know that ragatha is only using it as a decoy and a tool to hide something deep, dark, terrible, within her... and snaps at her.

full-on yelling, pointing, walking towards her all in a blind, devastating rage, because pomni is smart enough to see that it's just a way to get her self-worth from somewhere other than herself, and that it's all a facade, and she hates that ragatha thinks that's the only reason people care about her... and ragatha is dumbfounded, because in her entire life, in and out of the circus, no one has ever been able to see through it. not a single soul.

this eventually leads to a heart-to-heart, and apologies, truths, lies, and everything in-between fall out of their mouths like waterfalls. and it all leads to the best friendship either of them have ever had.

pomni is no therapist, no professional. but she's been through some bad places before, as seen in ep 2 with her conversation with gummigoo. sometimes we just need to be realistic about things, and acknowledge that things aren't okay. and pomni seems like she can keep things real. which is something ragatha desperately needs.

and when pomni is about to explode from the insanity of the world, ragatha can be there as comfort and reassurance, because pomni's always drowning in the bad possibilities so much and being so skeptical of everything that it's debilitating. ragatha can see the bright side of things no matter what (even if it's unhealthy most times), and with pomni seeming like an overall more down-to-earth person, they can balance things out really well. ragatha's got the heart to keep everyone's spirits high, and pomni can stay real with everyone to make sure they're prepared for whatever might come barreling towards them. i think this is what makes them so perfect for each other.

and the connection, the deep emotional understanding of each other leads to something... more.... homosexual. yeah i'm a chronic jesterdoll shipper of course it would lead to this

---

all the funny ha-ha aside, this dynamic is so fun to brainstorm about. i'm in love with how deep this could get. some of this might be pretty far from cannon, as only episode two is out when i write this, but i'm trying to interpret their characters as accurately as possible from what little we have so far. i think i did pretty well for a random gay bird with internet access

i'm half-tempted to incorporate a scene like this into my au. like it's soooo juicy i love it i want to write it i need to see it realized

[ominous-horse-noises]

main takeaway from certain fan reactions to the finale is this:

the final scene with ankarna was so meaningful to the bad kids' arcs and how they made peace with being wronged by people they loved, and if all you can focus on is that the rat grinders didn't get much screentime, then you don't love dimension20 and you don't love this world: you want to be playing your own hs themed dnd campaign and you're mad the oc versions of the rat grinders you made up in your head acted ooc. these are not your characters and this is not their story.

[moved-to-aromanticsuzuya]

what do you do when you want to talk about your kin experiences very much but you just don't have anything relateable or funny to say

like yes I want to write a paragraph about my memories. I just don't think anybody would read it