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letterboxd · 4 years ago

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Halfway—2021.

Two Filipino indies lead the Letterboxd Top 25 at the 2021 halfway point, as the coronavirus pandemic continues to shake—and reshape—the film industry. Jack Moulton and Gemma Gracewood take stock.

Cleaners, Glenn Barit’s photocopied, hand-colored, stop-motion feature about high schoolers in the northern Philippines city of Tuguegarao, is the highest-rated 2021 film on Letterboxd at the halfway point of the year, with a weighted average of 4.3 out of 5 stars. Ode to Nothing, by Barit’s fellow countrywoman Dwein Baltazar, is in second place, and Shaka King’s two-time Oscar-winner Judas and the Black Messiah rounds out the top three.

Last year was a transition year in many ways: for the world, a pandemic-led move away from cinema screenings to at-home virtual theaters and streaming-first releases; for Letterboxd, a move away from US-led release dates in our annual calculations. This has opened the way for notable films from around the world to be included on our lists far sooner than their oft-delayed American releases (which had resulted in, for example, Brazil’s Bacurau not making the 2019 Letterboxd Year in Review).

Both of these factors help to explain why we have two Filipino independent features leading our midway Top 25. “Cleaners and Ode to Nothing are exactly the kind of small Filipino films that would have struggled to get national distribution in theaters in the before times, despite the buzz that they garnered,” writes Manila-based film critic Philbert Dy in his companion essay to the Top 25, in which he explains how the Philippines’ particularly long and harsh Covid lockdown has “led to smaller, quirkier films being made accessible to more Filipinos, whose consumption of cinema were once beholden to the whims of conglomerate cinema owners”.

‘Cleaners’, written and directed by Glenn Barit.

When we shared the good news with him, a delighted Cleaners director Glenn Barit specifically shouted out his nation’s film lovers: “It is a testament to a vibrant Filipino film community still actively watching and supporting films of our own. Especially with a film like ours set in a small city far from the capital, it is amazing to read in reviews that it resonates with a lot of people (sometimes even outside our country).”

From this year forward, our mid-year rankings include films that have been released in any country, with at least a limited theatrical, streaming or video-on-demand run, and a minimum of 1,000 views on Letterboxd. These new rules allow us to celebrate the love for Katie Found’s lesbian romance My First Summer—released in Australia in March—without having to wait for the US to catch up. It joins indie highlight Shiva Baby, Michael Rianda’s animated hit The Mitchells vs The Machines and Heidi Ewing’s swooning romance, I Carry You With Me, on the Top 25 in putting young, queer characters on the screen.

‘My First Summer’, written and directed by Katie Found.

As expected, many films on the list have suffered pandemic delays. We use premiere dates to mark the year of record for each film, so A Quiet Place Part II will always be attached to its March 2020 red-carpet screening, despite the fourteen-month hibernation that followed. This is Not a Burial, It’s a Resurrection by Mosotho director Lemohang Jeremiah Mosese screened at 2019’s Venice Film Festival and had a very long festival run until Mubi picked it up for streaming in the UK this year. The film’s lead, Mary Twala, passed away a year ago, July 4, 2020 (see her also in Beyoncé’s Black is King). Gabriela Cowperthwaite’s Our Friend—one of the eight women-directed films on the list—went to TIFF, London, and AFI before being released this January without screening once in 2020.

More than half of our Top 25 films are directed by BIPOC directors, nearly a dozen of whom are of Asian descent, illuminating a key benefit of the new eligibility system. Challenging the US for the most represented country is India with five films in the list, taking advantage of Amazon’s distribution deal and creating greater accessibility for Hindi, Tamil and Malayalam-language films at home and abroad.

‘Red Post Post on Escher Street’, written and directed by Sion Sono.

Also among the Asian directors making the list are legends Tsai Ming-liang and Sion Sono. Tsai’s Days recently received a limited run in Spain (it will be brought to the US by Grasshopper Films this August), while Sono’s Red Post Post on Escher Street had a quick VOD run in February courtesy of Japan Society Film.

Produced in the US and directed by Japanese-Brazilian Edson Oda, Nine Days qualifies due to an exclusive run at the Singapore arthouse theater The Projector in May—it’ll be released in the US later this month. Finally, Asian American director Jon M. Chu makes the list with his adaptation of Quiara Alegría Hudes and Lin-Manuel Miranda’s In the Heights. We are also happy to see a couple of Letterboxd members in the halfway 25: Cleaners’ Barit and Chad Hartigan (Little Fish). If you’d like to discover more 2021 releases by our member-filmmakers, we have a list for that.

The Top 25 is, of course, solely made up of narrative feature-length films. On the documentary front, Flee is currently the highest-rated non-fiction feature of 2021. Neon is expected to release the film in the US for an awards run later this year, but it’s eligible now due to a release earlier this month in director Jonas Poher Rasmussen’s homeland of Denmark.

‘Flee’, directed by Jonas Poher Rasmussen.

Fellow Sundance Film Festival winner Summer of Soul (or… When the Revolution Could Not Be Televised) is currently the year’s highest-rated documentary in general, but was 48 hours shy of eligibility for the halfway list, releasing in theaters and on Hulu on July 2. The runners-up are: Sir Alex Ferguson: Never Give In, directed by the notorious football manager’s son; David Attenborough’s The Year Earth Changed, directed by Tom Beard; and rock-docs TINA and (in his doc-directing debut) Edgar Wright’s The Sparks Brothers.

In other categories, It’s a Sin is the highest-rated narrative miniseries at the midway point, Can’t Get You Out of Our Head by Adam Curtis is the highest-rated documentary miniseries, Bo Burnham: Inside is the highest-rated comedy special, Blackpink: The Show is the highest-rated music film, Save Ralph is the highest-rated animated short film, and Four Roads, by Alice Rohrwacher, is the highest-rated live-action short film.

With Cannes underway and more festivals to come, it is still a long road to the 2021 Year in Review for these films—but given the journey most of them have already travelled, it is pleasing to celebrate the filmmakers’ success. Ang galing ninyong lahat!

On top of its meticulously bonkers production process, our highest-ranked film, Cleaners, had a long journey to its first theatrical distribution, and it’s far from over. The film premiered at the QCinema International Film Festival in October 2019, to raves from Filipino Letterboxd members, and it still holds a firm grasp on its high rating nearly two years later. Ultimately, the first non-fest release for Cleaners occurred when Singapore’s Asian Film Archive screened it for a week in April, thus qualifying the film for our 2021 lists.

‘Ode to Nothing’, written, directed and edited by Dwein Baltazar.

Ode to Nothing has been on an even longer journey. The film also debuted at the QCinema Festival, but in 2018, and finally arrived on local streaming services iWantTFC and KTX.PH earlier this year.

Being celebrated by their countryfolk on Letterboxd is one thing, but how can those of us outside the Philippines see these top two films? Perhaps we need to give our local distributors a nudge. As Cleaners director Barit explains: “We are a team of three first-time filmmakers and producers. We are still learning the ropes of film distribution and marketing—and it’s been very hard. I just want to shamelessly say that our doors are wide open for distribution and acquisition; we are not yet available on any streaming platforms locally or internationally [winks nervously].”

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See the Halfway 2021 list on Letterboxd and watch the Top 10 countdown on YouTube

Follow Jack and Gemma on Letterboxd

#letterboxd #letterboxd top 25 #letterboxd 2021 #cleaners #filipino film #philippines cinema #filipino cinema #glenn barit #sion sono #tsai ming liang #celine sciamma

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stainedglassgardens · 4 years ago

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Some filmmakers I really got into in 2020

I’m famous amongst my friends for hating “all” of the famous film directors but there are, in truth, even more directors whose work I really love. I had so much time to myself in 2020 that I was able to really get into the work of filmmakers I already love, and also to discover new favourites.

Denis Côté

I discovered this director from Québec this year as Ghost Town Anthology appeared one day on Mubi. It looked interesting so I decided to watch it, not knowing anything about it. I’ve now seen three of Côté’s feature films but I think Ghost Town Anthology remains a favourite. I could try and explain what his films are about but I don’t think it would convey quite accurately what it is that I love about his films. It’s in the atmosphere, the dialogues -- the magical realism -- the quiet (and sometimes not so quiet) tragedy.

Seen this year: Curling (2010) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, 2013) Ghost Town Anthology (Répertoire des villes disparues, 2019)

Agnès Varda

Before the year started I had only seen two of Agnès Varda’s films, Cléo from 5 to 7 an Vagabond. I thought the former was overrated but fell in love with the latter. But these were made more than twenty years apart, an Varda is a legend, so when a lot of her films became available on Mubi I dove in (I even decided to watch all of them, but I’m not there yet). Varda made a lot of shorts and I generally like those, especially Black Panthers and Uncle Yanco, both documentaries, but the two films that really punched me in the gut this year were Le Bonheur, a drama from 1965, and The Gleaners and I, a documentary from 2000. It’s hard to believe those were all made by the same person and yet there are in Varda’s films a commitment, an honesty, a quirkiness sometimes, that make them completely unique.

Seen this year: La Pointe-Courte (1955) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Diary of a Pregnant Woman (L'Opéra-Mouffe, 1958) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald (ou Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Salut les Cubains (1964) Le Bonheur (1965) Elsa la rose (1966) Uncle Yanco (Oncle Yanco, 1967) Lions Love (Lions Love... And Lies, 1969) Black Panthers (1970) The So-Called Caryatids (Les Dites Cariatides, 1984) Jane B. par Agnès V. (1988) The Gleaners and I (Les Glaneurs et la glaneuse, 2000) Les 3 Boutons (2015)

Peter Strickland

Before 2020 I’d seen Berberian Sound Studio, which I loved, and The Duke of Burgundy, which is one of my favourite films ever. I went into The Duke of Burgundy knowing nothing about it except that the band Cat’s Eyes had made the soundtrack, which was what made me decide to see it. Today I’m not sure whether or not I like Katalin Varga even more -- let’s say I like them both equally. Katalin Varga is Strickland’s first feature film an, how can I describe it? I could say it’s a rape-revenge drama focused on female anger but it’s a lot more than that.

Seen this year: Katalin Varga (2009) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) In Fabric (2018) GUO4 (2019) Cold Meridian (2020)

Céline Sciamma

I watched all four of Céline Sciamma’s films, in order of release, this year. I’d been feeling as if I was missing out on something for quite a while and finally decided to dive in this year. I really liked all of them, even though I’ll admit it, I thought Portrait of a Lady on Fire was overrated -- but I’m so glad this film exists, all the same. In fact, I don’t think Sciamma will ever be a favourite of mine but I am very glad she’s out there, making the films that she’s making, and I do think the world needs more people like her.

Seen this year: Water Lilies (Naissance des pieuvres, 2007) Tomboy (2011) Girlhood (Bande de filles, 2014) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, 2019)

Andrey Zvyagintsev

I first heard about Zvyagintsev when his film Loveless (which I still have not seen) was nominated for an Oscar. Then I started learning Russian and I thought, I need to watch more Russian cinema, and that’s how it started. I didn’t like The Banishment, I thought it was just one big unnecessary display of violence against women. I didn’t like Leviathan much, for the same reason. But Elena was very good, and The Return, in my opinion, is a true masterpiece.

Seen this year: The Return (Возвращение, 2003) The Banishment (Изгнание, 2007) Elena (Елена, 2011) Leviathan (Левиафан, 2014)

#agnes varda #andrey zvyagintsev #peter strickland #celine sciamma #céline sciamma #denis cote #denis côté #films #2020 in review #watched in 2020

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aion-rsa · 3 years ago

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How The Empty Man Became the Ring Video of Streaming

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Have you seen The Empty Man? For a while there, Fox was probably hoping you would. Probably when it acquired the rights to the graphic novel from Boom! Studios. Probably when it gambled millions of dollars on David Prior’s big-screen horror debut. Probably before it knew that The Empty Man would be the last film to accidentally feature the original 20th Century Fox logo. Probably way before some very particular world events affected the global theatrical release schedule as we knew it.

Probably before all of that.

Have you seen The Empty Man? Prior and the former executive vice president of production at Fox, Mark Roybal, really wanted you to. The pair knew they were embarking on delivering a unique and ambitious horror movie, and Roybal was its studio champion – instrumental to getting that important initial greenlight. But during the final week of production when filming had to be halted due to bad weather, Roybal was out at Fox, and the behind the scenes struggles to get the film finished and released began.

A rushed test screening cut, negative audience reactions, a tax rebate panic, and studio nerves would be just some of the debilitating factors that would keep The Empty Man on the shelf for years, with Prior – a long-time David Fincher collaborator – still determined to get his film out into the world. Unfortunately, when it was finally unleashed during the “release something! Anything!�� content chaos of 2020, there weren’t many people willing to give it the time of day, but those who did knew exactly what the film’s future would be.

“Years from now, we will no doubt look back on an entire generation of great films that were lost to the ever-shifting chaos of the industry over these past few years,” wrote Leonard Zelig at The Fincher Analyst. “What does feel safe to say is that when we are discussing the great works lost to this strange time, 2020’s The Empty Man will be in the conversation.”

Have you seen The Empty Man? If you have, the plot is tough to describe. If you haven’t, it’s a little easier when your only frame of reference is the film’s trailer. Knowing nothing else, perhaps you’d say it looks like another Bye Bye Man or Slender Man. A throwaway creepypasta movie.

If you blow into a bottle when you’re on a bridge, you summon the spooky Empty Man? Ok, sure. Teens in danger? Obviously. But very few people who see the trailer get what they expect from the movie. Very few people who saw its piss-poor Rotten Tomatoes or audience score got what they expected. The Empty Man sits and waits, like a strange skeletal creature in a mountain cave or a random videocassette with no label, ready to be explored and discovered by a new person who has no idea what they’re getting themselves into.

Have you seen The Empty Man? On paper, perhaps you shouldn’t need to. James Badge Dale (Iron Man 3, Rubicon) leads the cast as James Lasombra – a grizzled, depressed ex-cop who is barely going through the motions of what you might call “living.” A family tragedy has left him a shell of his former self, but when a friend comes to him for help with finding her missing daughter, he becomes entangled in the world of a very weird cult that seems to have sunk its hooks into a gaggle of local teenagers. Lasombra then sets out on a mission to try and get to the bottom of it all. That sums up the movie well enough.

Have you seen The Empty Man? If you have, you’ll know that the plot summary above doesn’t do the film the least bit of justice. Cosmic horror, a 22-minute cold open you’ll never forget, imagery that will haunt you forever, philosophical questions of deconstruction, nihilism, the nature of religion and being, simulacra and simulation, and what lies beyond the veil are just some of its themes, and form just the tip of the iceberg. Those themes are just starting to inspire endless conversation – and a burgeoning stack of essays – among those who have seen the film and have realized that it was misjudged many times by people who really should have known better on its rocky road to their screens.

“The story lying beyond The Empty Man’s gorgeous anamorphic frames is also akin to a kind of koan,” mused Adam Nayman for Notebook at MUBI. “If a great cosmic horror movie gets (barely) released in the middle of a global pandemic, and nobody sees it, does it really exist?”

Have you seen The Empty Man? Now that the film is streaming globally on the likes of HBO Max in the US and Disney+ Star in the UK, the number of people who have is only growing. It is finally starting to find its audience.

Quickly becoming an internet talking point, the movie’s spread often feels like that of the strange, disturbing video from the Ring franchise. The only way to lift the “curse” of having seen The Empty Man is to desperately find someone else to share it with. “You’ve gotta watch The Empty Man!” If there is such a thing as an instant cult classic, The Empty Man has managed to become one by way of its disastrous release, the quality of its genuinely unsettling visuals, sound design and themes, and its subsequent wide streaming availability.

“I’m glad that it’s slowly being revived and spread through my little corner of the internet,” wrote Jen at Cinema Etc. “I can’t wait to see revival screenings of this come up. The great thing about this film is that it exists in a place beyond comprehension. I heard about it. Then I saw it. Then it found me.”

But it didn’t need to be this way. In the last gasp of the ’90s, The Blair Witch Project found a wicked strategy to get around the Hollywood PR system by laying the groundwork for its release using a cheap website, a fake documentary and some message boards, using whispers of the film’s mythology to drum up anticipation ahead of the world discovering its ground-breaking (but not entirely original) shaky-cam genre pleasures.

If Fox hadn’t lost interest in promoting The Empty Man all these decades later, the studio could have had a whale of a time setting tongues wagging on social media by commissioning weird tie-ins and appealing to fans of “elevated horror” – though we’re always reticent to apply that phrase.

What kind of treatment would a company like A24 have given this movie? You can only wonder. Instead, The Empty Man’s champions will have to use social media, blogs, and whatever else is at their disposal to push for a comprehensive physical home release package as a kind of consolation prize.

And that’s assuming they can get enough people on board to accomplish the task. There have been plenty of people watching The Empty Man via streaming this summer who won’t hesitate to tell you all the movie’s perceived failings. For every viewer that gets caught up in its psychological web, there are five who turn it off after the film makes its first handbrake turn 22 minutes in.

Have you seen The Empty Man? It’s throwaway creepypasta. It’s a Fincher-esque noir detective movie. It’s a waste of time. It’s a mind-bending rumination on what it means to be hollow and fill the void. It’s garbage. It’s a masterpiece. It’s way too long. Actually, the running time flies by. You’d rather swim in shark-infested waters than see it again. You need to share it with a friend. You’d never recommend it to anyone. You’d recommend it to everyone.

Ultimately, The Empty Man is what you make of it and what it means to you, and if it has burrowed deep inside your mind, the only way to cope with the questions you now have is to make someone else watch it.

Have you seen The Empty Man?

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The post How The Empty Man Became the Ring Video of Streaming appeared first on Den of Geek.

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hadarlaskey · 4 years ago

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Christmas gift guide 2020 – 10 ideas for film lovers

It’s safe to say that Christmas 2020 is going to feel very different. But if you’re still in the mood for gifting this year (and let’s be honest, who couldn’t use a bit of retail therapy right now) then we’ve got just the thing for you. Below we’ve hand-picked 10 film-related gifts which are currently available to order through some of our good friends, as well as one or two items of our own.

1. A Little White Lies gift subscription

It goes without saying that this has been an incredibly challenging year for independent magazine publishing. If you love what we do, then please support us by taking out a subscription for you or a friend – for just £27 you’ll receive five issues a year, delivered direct to your door with free UK delivery.

Subscribe here

2. ‘Paul Thomas Anderson: Masterworks’

As well as magazines we also publish beautiful film books. Our latest, made in collaboration with Abrams Books, is an illustrated mid-career monograph exploring the 30-year creative journey of director Paul Thomas Anderson, covering all of his feature films, as well as his shorts and music videos.

£30 at abramsandchronicle.co.uk

3. Illustrated movie puzzles

We’ve partnered with publisher Laurence King this year on a series of movie-themed puzzles, the first two of which are now available to buy. ‘Stallone’s Big Fight’ allows you to go the distance with Rocky Balboa and Apollo Creed, while ‘Inside the Chocolate Factory’ throws open the doors to Willy Wonka’s fantastic candy-coated world.

£14.99 at laurenceking.com

4. A Girls on Tops t-shirt

A celebration of female voices in film, Girls on Tops is a simple yet stylish way to display your cinephilic credentials. From Sofia Coppola and Céline Sciamma to Haifaa Al Mansour and Lulu Wang, there’s something for everyone in their collection. All Girls on Tops tees are made from 100% organic cotton, and they also sell e-gift cards.

From £22 at girlsontopstees.com

5. ‘The Star Wars Archives 1999–2005’

Made in close collaboration with George Lucas and Lucasfilm, this second volume of Taschen’s coffee table tome covers the prequel trilogy: The Phantom Menace, Attack of the Clones and Revenge of the Sith. A fun visual trip through the Star Wars galaxy packed full of script pages, concept art, on-set photography and more.

Approx. £150 at taschen.com

6. Assorted A24 apparel

Our pals over the pond have upped their merch game this year, releasing a range of film companion books alongside accessories and their own clothing line. We’ve got our eye on their pullover ‘Party Fleece’; perfect for those long winter movie nights.

Shop now at shop.a24films.com

7. Limited edition MUBI swag

Streaming service and distributor MUBI has launched its very first online pop-up shop, stocked with a selection of limited edition items designed in-house by the MUBI creative team. The shop launches with six exclusive items, including litho printed posters for two recent MUBI Releases, Pablo Larraín’s Ema and David Robert Mitchell’s Under the Silver Lake

Shop now at shop.mubi.com

8. Illustrator art prints

This year we’ve been lucky enough to work with some supremely talented designers and illustrators, many of whom have made their first contributions to our magazine and website. Our Mank cover artist, Katherine Lam, sells gorgeous prints of her work on her online shop, while Hayley Wells has her own Etsy store with loads of charming greetings cards and prints.

And if you’re looking for something extra special, Laura Callaghan, who designed our Promising Young Woman cover, sells her original paintings – so you could purchase your very own piece of LWLies history.

9. Goodbye, Dragon Inn on Blu-ray and DVD

No two ways about it: Tsai Ming-Liang’s 2003 lover letter to cinema is a modern classic everyone should see. Newly restored in ravishing 4K, the film is finally available to own on region-free Blu-ray and DVD courtesy of Second Run, with both editions featuring a new and exclusive filmed interview with Tsai, plus the world home video premiere of his 2009 short Madam Butterfly and a personal appreciation by Apichatpong Weerasethakul.

£19.99 at secondrundvd.com

10. The Cinephile Game

Trust us when we say that we know a thing or two about movie card games – and this one from the good folk at Cinephile is one of the very best. Beautifully designed and easy to play, this really is a must-have for any self-respecting film nerd.

Approx. £20 at cinephilegame.com

The post Christmas gift guide 2020 – 10 ideas for film lovers appeared first on Little White Lies.

source https://lwlies.com/articles/christmas-gift-guide-2020-ideas-for-film-lovers/

#movie

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breakthesilencefilm-pogledajte · 4 years ago

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breakthesilencefilm-film · 4 years ago

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ads-show · 5 years ago

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For a monthly fee of £9.99 (or £7.99 monthly/£79 annually for Prime members) Amazon Music Unlimited subscribers are able to: Listen, ad-free, to over 40 million songs, online and offline, through the Amazon Music app Use an Echo device to take advantage of voice-controlled playback through Amazon’s Alexa voice assistant Choose from additional payment plans to best suit their needs, including a family plan option Sign Up (adsbygoogle = window.adsbygoogle || ).push({}); Facebook-f Twitter Google-plus-g Instagram Pinterest Whatsapp Skype Viber Snapchat Wordpress

During the 30-day trial and then, for £7.99/month, Amazon Prime members get all the standard Prime benefits – but can also: Enjoy unlimited streaming of thousands of movies and TV shows Watch anywhere, anytime, with unlimited access throughout the UK Download movies and TV to their mobile or tablet to watch offline Sign Up (adsbygoogle = window.adsbygoogle || ).push({});

Audible is the publisher and distributor of the world’s largest selection of digital audiobooks and spoken-word content. Audible customers can listen anytime and anywhere to professionally narrated audiobooks across a wide range of genres, including bestsellers, new releases, sci-fi, romances, classics, and more. An Audible Trial offers a great way for a customer to try audiobooks. With their Trial, customer will receive: One free audiobook of their choice The ability to choose from 200,000-plus titles, including bestsellers, new releases, sci-fi, romances, mysteries, classics, and more After 30 days, if they choose not to cancel, they will receive one book each month for just £7.99/month The option to cancel easily, anytime; audiobooks already purchased are theirs to keep, even if they cancel Note: You can earn £8.00 when an eligible customer takes a full price £7.99/per month membership. <a href="https://www.amazon.co.uk/Audible-Free-Trial-Digital-Membership/dp/B00OPA2XFG?tag=adsshow-21" target="_blank" role="button" rel="noopener noreferrer"> Sign Up </a> <a href="https://www.facebook.com/adsshow1" target="_blank" rel="noopener noreferrer"> Facebook-f </a> <a href="https://twitter.com/AbouEleash" target="_blank" rel="noopener noreferrer"> Twitter </a> <a href="https://plus.google.com/b/109549423823782296849/" target="_blank" rel="noopener noreferrer"> Google-plus-g </a> <a href="https://instagram.com/adsshow2018/" target="_blank" rel="noopener noreferrer"> Instagram </a> <a href="https://www.pinterest.com/abou_eleash/" target="_blank" rel="noopener noreferrer"> Pinterest </a> <a href="https://web.whatsapp.com/" target="_blank" rel="noopener noreferrer"> Whatsapp </a> <a href="https://www.skype.com/en/" target="_blank" rel="noopener noreferrer"> Skype </a> <a href="" target="_blank" rel="noopener noreferrer"> Viber </a> <a href="https://www.snapchat.com/" target="_blank" rel="noopener noreferrer"> Snapchat </a> <a href="https://wordpress.com/" target="_blank" rel="noopener noreferrer"> Wordpress </a> <a data-elementor-open-lightbox="" href="http://www.amazon.co.uk/trynow/?tag=adsshow-21" target="_blank" rel="noopener noreferrer"> <img width="300" height="134" src="https://ads-show.net/wp-content/uploads/2020/01/amazon_fire_for_kids_logo.jpg" alt="" /> </a> <p>Starting September 5, 2018 you are eligible to earn £3.00 for visitors referred from your site who sign up for the Fire for Kids Unlimited Free Trial.<br />Fire for Kids Unlimited gives you endless access to thousands of kid-friendly books, movies, TV shows, educational apps, and games. Fire for Kids Unlimited has so much to offer, including:</p><ul><li>A world of content for kids to explore within a completely kid-friendly environment</li><li>Promotion of reading and math with educadtional apps and thousands of books</li><li>Flexible parental controls where you can choose what content each child sees, set educational goals and time limits. You can manage these settings from their device, or remotely from our Amazon Parent Dashboard</li><li>Ability to personalize each kid’s experience with profiles, and let them watch where they want to – on Fire Tablets, or Kindle eReaders</li></ul><p>After the trial, monthly subscriptions start at just £1.99/month! Sign Up

The Kindle Unlimited Free Trial is a great way for customers to explore over 1 million books, thousands of audiobooks, and popular magazines on any device. Great benefits of Kindle Unlimited include: Unlimited Access to over 1 Million eBooks Rotating selection of popular magazines Thousands of books with audible narration Read anytime, on any device with the free Kindle app After the 30-day free trial, the monthly subscription fee is £7.99 and members have the option to cancel their subscription anytime. <a href="https://www.amazon.co.uk/kindle-dbs/hz/signup?tag=adsshow-21" target="_blank" role="button" rel="noopener noreferrer"> Sign Up </a> (adsbygoogle = window.adsbygoogle || ).push({}); <a href="https://www.facebook.com/adsshow1" target="_blank" rel="noopener noreferrer"> Facebook-f </a> <a href="https://twitter.com/AbouEleash" target="_blank" rel="noopener noreferrer"> Twitter </a> <a href="https://plus.google.com/b/109549423823782296849/" target="_blank" rel="noopener noreferrer"> Google-plus-g </a> <a href="https://instagram.com/adsshow2018/" target="_blank" rel="noopener noreferrer"> Instagram </a> <a href="https://www.pinterest.com/abou_eleash/" target="_blank" rel="noopener noreferrer"> Pinterest </a> <a href="https://web.whatsapp.com/" target="_blank" rel="noopener noreferrer"> Whatsapp </a> <a href="https://www.skype.com/en/" target="_blank" rel="noopener noreferrer"> Skype </a> <a href="" target="_blank" rel="noopener noreferrer"> Viber </a> <a href="https://www.snapchat.com/" target="_blank" rel="noopener noreferrer"> Snapchat </a> <a href="https://wordpress.com/" target="_blank" rel="noopener noreferrer"> Wordpress </a> <a data-elementor-open-lightbox="" href="https://www.amazon.co.uk/tryAB/?tag=adsshow-21" target="_blank" rel="noopener noreferrer"> <img width="300" height="56" src="https://ads-show.net/wp-content/uploads/2020/01/amzn-business-logo_180802-300x56.png" alt="" srcset="https://i1.wp.com/ads-show.net/wp-content/uploads/2020/01/amzn-business-logo_180802.png?resize=300%2C56&ssl=1 300w, https://i1.wp.com/ads-show.net/wp-content/uploads/2020/01/amzn-business-logo_180802.png?resize=1024%2C190&ssl=1 1024w, https://i1.wp.com/ads-show.net/wp-content/uploads/2020/01/amzn-business-logo_180802.png?resize=768%2C143&ssl=1 768w, https://i1.wp.com/ads-show.net/wp-content/uploads/2020/01/amzn-business-logo_180802.png?w=1250&ssl=1 1250w" sizes="(max-width: 300px) 100vw, 300px" /> </a> <p>Amazon Business is changing the way companies buy supplies. For most small businesses, buying supplies can be time-consuming and frustrating. Finding the best product at the best price with the most convenient payment terms can be a challenge, especially when they have other tasks that need to be completed. Amazon Business is the solution and brings big benefits to businesses of all sizes and industries. Sign Up (adsbygoogle = window.adsbygoogle || ).push({});

AmazonFresh members can do their entire weekly shopping on Amazon.co.uk. The range includes a wide selection of fresh produce and daily necessities. The offer on Amazon.co.uk for existing and new AmazonFresh areas is constantly being expanded. Huge selection of over 300,000 items, including fresh foods, daily necessities and a wide selection of non-food products, such as: Kitchen and sporting articles and playthings and stationery. Prime members can try AmazonFresh for 30 days for free – after the trial membership, AmazonFresh will be available to Prime members for £6.99/month. Flexible delivery options: One-hour slots from 7AM-11PM every day, including same day. Top brands, favourites from Whole Foods Market and specialities from local shops all together in one basket. Top brands on AmazonFresh are at least 15% cheaper than leading supermarkets. Sign Up Facebook-f Twitter Google-plus-g Instagram Pinterest Whatsapp Skype Viber Snapchat Wordpress (adsbygoogle = window.adsbygoogle || ).push({}); (adsbygoogle = window.adsbygoogle || ).push({});

Prime Video Channels is a TV streaming service that allows Prime members to add channel subscriptions for a low monthly subscription fee, available individually without the need for a bundle and without a contract. Amazon Prime members can now add channels like ITV Hub+, Discovery, Eurosport, Hayu, MUBI, BFI Player, MGM, Hopster, and Shudder across all devices with the Prime Video app, including connected TVs, streaming media players, mobile devices, Amazon Fire TV, Fire TV Stick, Fire tablets, and online at Amazon.co.uk/amazonvideo. This is the first time certain channels, including Discovery, have been available independently of any ‘bundle’ deal, enabling customers to pay for the premium TV they want to watch. Customers can click to start and begin enjoying the channels immediately, without having to wait for any installation. Sign Up

Amazon Wedding List offers couples access to over 250 million products, from glassware to guitars, and toasters to trampolines. With lots to choose from, spouses-to-be can create a wedding gift list that’s as unique as they are. Benefits of Amazon Wedding List include: Recommendations of popular wedding gifts Share your wedding list with friends and family at the click of a button, via social media or email Downloadable thank you list to easily track gifts Free shipping for Prime members or on orders over £20 (restrictions apply). Use Amazon’s Universal Wish List tool to add gifts from around the web to one wedding list. Personalise your list with pictures and notes, and highlight the items that you love the most. Sign Up Facebook-f Twitter Google-plus-g Instagram Pinterest Whatsapp Skype Viber Snapchat Wordpress

Prime Student gives students all the benefits of Prime membership, with a 6-month trial and then 50% off the normal price of Prime, including: Get unlimited One-Day Delivery on millions of items Stream thousands of movies and TV shows with Prime Video Access exclusive student offers including 10% off textbooks from Amazon Listen to over 2 million songs on Prime Music After the trial, students get Prime for just £3.99/month (50% off regular Prime). <a href="https://www.amazon.co.uk/gp/student/signup/info?tag=adsshow-21" target="_blank" role="button" rel="noopener noreferrer"> Sign Up </a> <iframe src="https://rcm-eu.amazon-adsystem.com/e/cm?o=2&p=48&l=ur1&category=amazon_student&banner=159PP9MQ6JYSJZKDC6G2&f=ifr&linkID=5e9079a013a785c99b27d83b99a74e10&t=adsshow-21&tracking_id=adsshow-21" width="728" height="90" scrolling="no" border="0" marginwidth="0" style="border:none;" frameborder="0"></iframe> <a href="https://www.facebook.com/adsshow1" target="_blank" rel="noopener noreferrer"> Facebook-f </a> <a href="https://twitter.com/AbouEleash" target="_blank" rel="noopener noreferrer"> Twitter </a> <a href="https://plus.google.com/b/109549423823782296849/" target="_blank" rel="noopener noreferrer"> Google-plus-g </a> <a href="https://instagram.com/adsshow2018/" target="_blank" rel="noopener noreferrer"> Instagram </a> <a href="https://www.pinterest.com/abou_eleash/" target="_blank" rel="noopener noreferrer"> Pinterest </a> <a href="https://web.whatsapp.com/" target="_blank" rel="noopener noreferrer"> Whatsapp </a> <a href="https://www.skype.com/en/" target="_blank" rel="noopener noreferrer"> Skype </a> <a href="" target="_blank" rel="noopener noreferrer"> Viber </a> <a href="https://www.snapchat.com/" target="_blank" rel="noopener noreferrer"> Snapchat </a> <a href="https://wordpress.com/" target="_blank" rel="noopener noreferrer"> Wordpress </a> (adsbygoogle = window.adsbygoogle || ).push({}); <iframe src="//rcm-na.amazon-adsystem.com/e/cm?o=1&p=12&l=ur1&category=amzn_ftve_sg_20&banner=0KV1BRP9BMVSH05V2802&f=ifr&lc=pf4&linkID=5aed295d13dec987157209c82dca38c3&t=ads0a70-20&tracking_id=ads0a70-20" width="300" height="250" scrolling="no" border="0" marginwidth="0" style="border:none;" frameborder="0"></iframe> <iframe src="//rcm-na.amazon-adsystem.com/e/cm?o=1&p=12&l=ur1&category=amzn_firetv_eg_101618&banner=07Z1A8KKG3NGABM31PG2&f=ifr&lc=pf4&linkID=c5628f54b2bb1782fcb72209584d9ac6&t=ads0a70-20&tracking_id=ads0a70-20" width="300" height="250" scrolling="no" border="0" marginwidth="0" style="border:none;" frameborder="0"></iframe> <iframe src="//rcm-na.amazon-adsystem.com/e/cm?o=1&p=12&l=ur1&category=primediscounted&banner=0B1ZM2WXBW6G511AGG02&f=ifr&lc=pf4&linkID=52ce931796c7d88d0f875a16e986b623&t=ads0a70-20&tracking_id=ads0a70-20" width="300" height="250" scrolling="no" border="0" marginwidth="0" style="border:none;" frameborder="0"></iframe> <iframe src="//rcm-na.amazon-adsystem.com/e/cm?o=1&p=12&l=ur1&category=gift_certificates&banner=127JF9E4530CSFRCY4R2&f=ifr&lc=pf4&linkID=5e7312a07e098c7ba163bba2db045384&t=ads0a70-20&tracking_id=ads0a70-20" width="300" height="250" scrolling="no" border="0" marginwidth="0" style="border:none;" frameborder="0"></iframe> <iframe src="//rcm-na.amazon-adsystem.com/e/cm?o=1&p=12&l=ur1&category=gold&banner=1XD8WGXBAZC9QME1TFG2&f=ifr&lc=pf4&linkID=942e7addd3356a1150334711b8fe2083&t=ads0a70-20&tracking_id=ads0a70-20" width="300" height="250" scrolling="no" border="0" marginwidth="0" style="border:none;" frameborder="0"></iframe> <iframe src="//rcm-na.amazon-adsystem.com/e/cm?o=1&p=12&l=ur1&category=hotnewreleases&banner=00GP90RCZFRVTGTTPT02&f=ifr&lc=pf4&linkID=9a50c301799a6d332df97f404fef9e69&t=ads0a70-20&tracking_id=ads0a70-20" width="300" height="250" scrolling="no" border="0" marginwidth="0" style="border:none;" frameborder="0"></iframe> <a href="https://amzn.to/2QSRa7C" target="_blank" rel="noopener noreferrer"> </a> <h1><a href="https://amzn.to/2QSRa7C" target="_blank" rel="noopener noreferrer"><b><i> US </i></b> </a></h1> <a href="https://amzn.to/2QSRa7C" target="_blank" rel="noopener noreferrer"><img src="https://m.media-amazon.com/images/G/01/associates/network/mpc/banner_graphic_2x._CB498419431_.png" alt="Mpc Banner Image" width="85" height="41" align="left" border="0" /></a>Amazon Promo CodesPromo codes give customers a discount on eligible items at checkout. Brands create promo codes and share with you to refer customers. You can share promo codes to delight your audience and earn fees on qualifying purchases*. Please do not share upcoming promo codes until after they start.<br /><br />You may see recommended promo codes if available for items that are similar to purchases made after clicking your links. If no relevant promo codes are available right now, check back soon! 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bigyack-com · 5 years ago

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Mubi India January 2020 Releases: 62 Indian, World Films Announced

New streaming entrant Mubi has announced the list of 62 movies — 31 from India, and 31 from the rest of the world — that will release in January 2020 on its platform. That includes films from the likes of Satyajit Ray, François Truffaut, Hrishikesh Mukherjee, Raj Kapoor, Gulzar, Bimal Roy, Shekhar Kapur, Shyam Benegal, Nandita Das, Alejandro González Iñárritu, Noah Baumbach, Yûzô Kawashima, Olivier Assayas, and Ram Gopal Varma among others. One film — Ladj Ly's Les Misérables — exclusive to Mubi, is currently shortlisted for Best Foreign Language Film at the 2020 Oscars. Mubi Lets You Watch Art Films, and Offers Free Movie Tickets In keeping with its policies, two new films — one Indian and international apiece — will be added every day, with each movie available for the next 30 days. While most Indian films, save for two — Benegal's 1975 drama Nishant, and Sai Paranjpye's 1980 drama Sparsh — are already available on other streaming services in India, the opposite is true for the international fare. Five of Truffaut's and three of Kawashima's previously unavailable movies are coming to Mubi India in January 2020. A few films premiered at the International Film Festival Rotterdam last year. In India, Mubi is currently available at an introductory price of Rs. 199 for three months. After that, it costs Rs. 499 per month. Here's the complete list of Mubi titles for January 2020: Mubi India January 2020 moviesDate Movie Director January 1, 2020 Do Bigha Zameen Bimal Roy January 2, 2020 Mera Naam Joker Raj Kapoor January 3, 2020 Ghare Baire Satyajit Ray January 4, 2020 Koshish Gulzar January 5, 2020 Manorama Six Feet Under Navdeep Singh January 6, 2020 Gumnaam Raja Nawathe January 7, 2020 Jajantaram Mamantaram Soumitra Ranade January 8, 2020 Bawarchi Hrishikesh Mukherjee January 9, 2020 Shool Eeshwar Nivas January 10, 2020 Anarkali Nandlal Jaswantlal January 11, 2020 Masoom Shekhar Kapoor January 12, 2020 Guddi Hrishikesh Mukherjee January 13, 2020 Satyam Shivam Sundaram Raj Kapoor January 14, 2020 Namak Haram Hrishikesh Mukherjee January 15, 2020 Bioscope K.M. Madhusudhanan January 16, 2020 Karamati Coat Ajay Karthik January 17, 2020 Shiva Ram Gopal Varma January 18, 2020 Sadma Balu Mahendra January 19, 2020 Anand Hrishikesh Mukherjee January 20, 2020 Woh Kaun Thi Raj Khosla January 21, 2020 Paar Goutam Ghose January 22, 2020 Satte Pe Satta Raj N Sippy January 23, 2020 Nishant Shyam Benegal January 24, 2020 Sparsh Sai Paranjpye January 25, 2020 Golmaal Hrishikesh Mukherjee January 26, 2020 Firaaq Nandita Das January 27, 2020 Chalti Ka Naam Gaadi Satyen Bose January 28, 2020 Julie K.S. Sethumadhavan January 29, 2020 Thodu Akkineni Kutumba Rao January 30, 2020 Khoobsurat Hrishikesh Mukherjee January 31, 2020 Mandi Shyam Benegal Mubi World January 2020 moviesDate Movie Director January 1, 2020 L'eclisse Michelangelo Antonioni January 2, 2020 Katalin Varga Peter Strickland January 3, 2020 Two English Girls François Truffaut January 4, 2020 The City of Lost Children Marc Caro, Jean-Pierre Jeunet January 5, 2020 Biutiful Alejandro González Iñárritu January 6, 2020 Boarding Gate Olivier Assayas January 7, 2020 Deadlock Roland Klick January 8, 2020 Les Misérables Ladj Ly January 9, 2020 The Cow Dariush Mehrjui January 10, 2020 Love on the Run François Truffaut January 11, 2020 Neon Bull Gabriel Mascaro January 12, 2020 While We're Young Noah Baumbach January 13, 2020 Everywhere We Are Veronika Kaserer January 14, 2020 Suzaki Paradise: Red Light Yûzô Kawashima January 15, 2020 The Nun Jacques Rivette January 16, 2020 A Family Submerged María Alché January 17, 2020 The Last Metro François Truffaut January 18, 2020 In Bloom Nana Ekvtimishvili, Simon Groß January 19, 2020 Macbeth Justin Kurzel January 20, 2020 A Time for Drunken Horses Bahman Ghobadi January 21, 2020 Tales of Ginza Yûzô Kawashima January 22, 2020 To the Ends of the World Guillaume Nicloux January 23, 2020 The Woman Next Door François Truffaut January 24, 2020 Sons of Denmark Ulaa Salim January 25, 2020 Carnal Knowledge Mike Nichols January 26, 2020 The Bare Necessity Erwan Le Duc January 27, 2020 Rabbit Hole John Cameron Mitchell January 28, 2020 Till We Meet Again Yûzô Kawashima January 29, 2020 Mute Fire Federico Atehortúa Arteaga January 30, 2020 The Beast in the Jungle Clara van Gool January 31, 2020 Confidentially Yours François Truffaut For the latest tech news and reviews, follow Gadgets 360 on Twitter, Facebook, and subscribe to our YouTube channel.

Akhil Arora Akhil identifies himself as a stickler for detail and accuracy, and strongly believes that robots will one day take over most human jobs. In his free time, you will find Akhil beating the computer at EA Sports FIFA or streaming new highly-rated TV series. More

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mrhotmaster · 5 years ago

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Mubi World 2020 February Movies Releases

Date

Movie

Director

February 1

One Shocking Moment

Ted V. Mikels

February 2

Promised Land

Gus Van Sant

February 3

Dead Souls (Part 1)

Wang Bing

February 4

The Balloon

Yuzo Kawashima

February 5

The Fish Child

Lucia Puenzo

February 6

A Family Submerged

Maria Alche

February 7

Too Late to Die Young

Dominga Sotomayor Castillo

February 8

Cecil B. DeMented

John Waters

February 9

Schools Out

Sebastien Marnier

February 10

A Couch in New York

Chantal Akerman

February 11

Aawara

Raj Kapoor

February 12

Burden of Love

Yuzo Kawashima

February 13

Demolition

Jean-Marc Vallee

February 14

A Kind of Loving

John Schlesinger

February 15

The Staggering Girl

Luca Guadagnino

February 16

The Swallows of Kabul

Zabou Breitman, Elea Gobbe-Mevellec

February 17

Billy Liar

John Schlesinger

February 18

Our Town

Yuzo Kawashima

February 19

Foxcatcher

Bennett Miller

February 20

The Children of the Dead

Kelly Copper, Pavol Liska

February 21

Darling

John Schlesinger

February 22

Journey to the Shore

Kiyoshi Kurosawa

February 23

Mughal-E-Azam (b/w)

K. Asif

February 24

So Pretty

Jessie Jeffrey Dunn Rovinelli

February 25

Hungry Soul

Yuzo Kawashima

February 26

The Awakening of the Ants

Antonella Sudasassi

February 27

Talking About Trees

Suhaib Gasmelbari

February 28

Selfie

Agostino Ferrente

February 29

Zero Dark Thirty

Kathryn Bigelow

#mubi #mubi india #mubi world releases #mubi india releases #mubi new releases #mubi february 2020 #mubi february 2020 movies list #technoxmart #mrhotmaster

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joburbans · 5 years ago

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Mubi India February 2020 Releases: Don, Chupke Chupke, Mera Naam Joker Among 56 Movies

New streaming entrant Mubi has announced the list of 56 movies — 29 from India, and 27 from the rest of the world — that will release in February 2020 on its platform. That includes the likes of Mughal-e-Azam, Zero Dark Thirty, Don, Gol Maal, Devdas, Chupke Chupke, Neecha Nagar, and Mera Naam Joker. There are films from directors such as Satyajit Ray, Hrishikesh Mukherjee, Gulzar, Shyam…

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aion-rsa · 4 years ago

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Upcoming Horror Movies in October 2020: Theaters, Streaming, and VOD

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October is here, which means it’s the time of the season for getting scared. With Halloween gradually becoming a month-long celebration over the past few years — even if the coronavirus has put a damper on many activities such as trick-or-treating — one thing we can always look forward to during these 31 days is a deluge of horror movies old and new, whether via streaming, cable network marathons or even fleeting theatrical releases.

Horror is already a reliable genre both at the box office (under normal circumstances) and in the digital space, so it’s no surprise that even in these compromised times, scary movies are coming at us hard and fast in October. Below is a round-up of fresh horror releases arriving either at your local multiplex (and we urge you to keep the risks of going to the theater in mind) or right in your living room. Ironically, even in decidedly unnerving times, scary movies can still be a hell of a lot of fun.

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Shudder

Scare Me

Available on Shudder on October 1

The October genre onslaught gets underway right at the sound of the starting gun with this Shudder original. Josh Ruben writes, directs and stars as Fred, a frustrated copywriter who retreats to an isolated cabin to write a novel and meets a successful horror author named Fanny (Aya Cash) while out jogging. She challenges him to a scary storytelling contest, and the spooky games begin. Ruben makes his feature directorial debut on what is billed as a “metafictional horror comedy” with social underpinnings.

Magnet Releasing

12 Hour Shift

Out on VOD and in theaters on October 2 (US only, UK TBA)

We reviewed this dark-as-pitch comedy at September’s Fantasia Festival and enjoyed its macabre humor immensely. Angela Bettis (May) stars as a night nurse in a Texas hospital running a side business in organ harvesting with her supervisor and her dumb-as-rocks cousin. Grisly mayhem and gooey twists ensue, with Bettis delivering a fantastic deadpan performance at the center of it. Writer/director Brea Grant allows herself a few self-indulgent moments, but overall this is a lot of fun.

Neon

Possessor

Out in theaters on October 2 (US only, UK TBA)

Eight years after his debut, 2012’s Antiviral, Brandon Cronenberg again proves why he could be a natural heir apparent to his father David’s body horror crown. Andrea Riseborough (Mandy) stars as Tasya Vos, an assassin who is employed to take out high-level corporate clients by implanting her mind in the brain of someone close to the target. But Tasya’s increasing instability might threaten her latest mission. Jennifer Jason Leigh and Christopher Abbott co-star in this grisly tale of murder, vengeance and violation that does not pull any punches.

Saban Films

Death of Me

Out in theaters, on VOD and digital October 2 (US), VOD November 23 (UK)

Darren Lynn Bousman (Saw II – IV) directs Maggie Q (Fantasy Island) and Luke Hemsworth (Westworld) as Christine and Neil, a couple who awaken hungover during an island vacation with no memory of the previous night. But things take a turn for the bizarre when footage on Neil’s camera apparently shows him murdering Christine. Bousman’s stint with the Saw franchise makes him perfect to helm this sort of horror mystery — which will no doubt take some mind-bending twists and turns before it’s over.

Epic Pictures

The Curse of Audrey Earnshaw

Out in theaters October 2, on VOD and digital October 6 (US), VOD November 16 (UK)

Folk horror is one of our favorite subgenres, which is why The Curse of Audrey Earnshaw immediately caught our eye. Writer/director Thomas Robert Lee has apparently set out to capture that sweet spot of religious paranoia, occult folklore and supernatural terror as a young woman and her mother are suspected of witchcraft when an unknown pestilence descends on their remote Protestant town. The film world premiered to strong reviews earlier this month at Fantasia Fest 2020.

Amazon Prime

Welcome to the Blumhouse

Available on Amazon Prime on October 6/October 13

Leave it to terror factory Blumhouse to give you more horror than you can handle. The mini-studio is developing a slate of genre entries that it will premiere on Amazon Prime, with four of them making their debut this month. Black Box and The Lie launch on October 6, while Nocturne and Evil Eye turn up on October 13. All four look promising, so we’ll see if this is the start of a whole new anthology franchise for producer Jason Blum and his team.

Hulu

Books of Blood

Available on Hulu on October 7 (US Only, UK TBA)

Inspired by author Clive Barker’s groundbreaking 1984 collection of short stories, this anthology film from writer/director Brannon Braga (FlashForward) features three mostly original stories (one is loosely based on the tale that kicked off Barker’s collection, “Book of Blood”). All three tales weave in and out of each other, incorporating both human depravity and supernatural malignancy even if they’re not right out of Barker’s text. Britt Robertson (Tomorrowland) and Anna Friel (Pushing Daisies) lead the cast.

Saint Maud

Out in theaters on October 9 (UK only, US TBA)

This feature debut from Brit director Rose Glass is an absolute tour de force which ran the festival circuit in 2019 and was initially planned for release in the Spring. Morfydd Clark plays Maud, a pious young nurse who believes she talks directly to God and who thinks her mission is to save the soul of former dancer Amanda (Jennifer Elhe) who is dying. Body, mind and soul are in conflict in this haunting and terrifying elevated horror which boasts terrific performances and has picked up many plaudits on its long road to release. We’ve seen it and we loved it, check out our five star review.

Orion Classics

The Wolf of Snow Hollow

Out on VOD and in theaters on October 9 (US only, UK TBA)

Like Scare Me, this is mostly another one-man-band type of movie, this time from writer, director and star Jim Cummings (Thunder Road). He plays John Marshall, a small-town sheriff and recovering alcoholic who faces a series of gruesome murders that keep occurring on the full moon and seem to be the work of a werewolf. But werewolves don’t exist — or do they? The film is also notable for being the final screen appearance of the late, legendary Robert Forster (Jackie Brown).

Carmilla

Out in theaters on October 16 and VOD from October 19 (UK only)

This reimagining of the Sheridan de Fanu classic vampire story is a coming of age tale which sees a young girl (Hannah Rae) brought up in isolation and beginning to explore her sexuality become enchanted by the mysterious stranger (Devrim Lingnau) who enters her life after a carriage crash. From writer-director Emily Harris, this adaption strips back the supernatural elements and focuses more on a forbidden love made harder by Lara’s strict governess (Jessica Raine).

The Other Lamb

In theaters and on MUBI on October 16 (UK only)

An all female cult headed up by a solitary male leader is the setting for this horror starring Raffey Cassidy as a young woman raised from birth in this strange sect. All of the women in the group are either ‘wives’ or ‘daughters’ of Michiel Huisman’s Shepard and Selah (Cassidy) is about to transition between the two. A coming of age story set against a rural backdrop, this is the English language debut of Polish director Małgorzata Szumowska – released in America in the Spring it’s now coming to the UK via MUBI.

Paramount

Love and Monsters

Available on digital and VOD on October 16 (US only, UK TBA)

Originally titled Monster Problems, this project has been in development since freakin’ 2012, with Shawn Levy (Stranger Things) producing it all along. Dylan O’Brien (The Maze Runner) stars as Joel, who has been living underground with the rest of humanity for seven years after an event called the Monsterpocalypse. With giant creatures roaming the land, Joel starts out on an 80-mile quest to reunite with his high school girlfriend (Iron Fist’s Jessica Henwick). The movie bounced around several release dates this year before Paramount Pictures settled on a VOD arrival.

Netflix

Rebecca

Available on Netflix on October 21

Alfred Hitchcock’s 1940 version of the classic Daphne du Maurier novel won Best Picture. Can iconoclastic British filmmaker Ben Wheatley’s new vision of the material do the same? Um…maybe not, but we applaud Wheatley for putting his own stamp on this intensely Gothic story of jealousy and obsession. The cast is aces too, with Armie Hammer as Maxim de Winter, Lily James as the second Mrs. De Winter and, best of all, Kristin Scott Thomas as Mrs. Danvers.

Well Go USA

Synchronic

Out in theaters and on VOD on October 23 (US only, UK TBA)

The indie horror writing, directing and acting team of Justin Benson and Aaron Moorhead, creators of the striking Spring and The Endless, have come up with perhaps their most ambitious film yet in Synchronic. More sci-fi than horror, the movie still has plenty of unnerving touches as it unspools the story of new drug that causes its users to disappear — and sometimes come back dead or mutilated. Anthony Mackie is superb as a paramedic who literally races against time to stop the spread of the drug and save someone close to him. This one comes strongly recommended.

Hulu

Bad Hair

Available on Hulu on October 23 (US), in cinemas on November 27 2020 (UK)

Dear White People writer/director Justin Simien takes a wide left turn into the genre space with his second feature, a horror satire set in 1989. Elle Lorraine plays an ambitious young woman who learns that the hair weave she gets to succeed in the image-obsessed world of music television may have a mind of its own. This looks like bizarre fun, with a sparkling cast that includes Vanessa Williams, Lena Waithe, Laverne Cox, Jay Pharoah, Kelly Rowland, Blair Underwood, James Van Der Beek and Usher.

Blumhouse

The Craft: Legacy

Available on premium VOD on October 28 (US) and in cinemas October 28 (UK)

You can read more here about this long-awaited sequel to/remake of the formative 1996 teen witch movie, but the basics are that this is set in the universe of the first film while essentially retelling and expanding upon its original premise. Cailee Spaeny, Gideon Adlon, Lovie Simone and Zoey Luna star as the quartet of young women who find a book of spells and begin wielding its power. Originally slated for theatrical release, it’s premiering as a PVOD offering just in time for Halloween.

Netflix

His House

Available on Netflix on October 30

Remi Weekes directs this unsettling tale about two South Sudan refugees (Wunmi Mosaku and Sope Dirisu) who escape their war-torn nation but unwittingly bring a supernatural presence with them as they try to resettle in London. Matt Smith (Doctor Who) also stars in the film, which combines real-life and unreal horrors while tackling the continuing geopolitical and social plights of people unwittingly displaced from their homes.

Focus Features

Come Play

Out in theaters on October 30 (US only, UK TBA)

Gillian Jacobs (Community) and John Gallagher Jr. (Westworld) play the parents of a lonely young boy (Azhy Robertson) whose tablet and smartphone are the means by which a mysterious creature attempts to break into our world — unless the boy’s parents can stop it. Will writer/director Jacob Chase go for simple thrills or use the horror genre as a way to comment on young people’s ever-increasing addiction to their screens? And by the way, we’re done here, so get off your screen and go get some fresh air.

Relic

Out in theaters October 30 (UK only)

Dementia is at the heart of this very eerie chiller where three generations of women convene in an old family home which seems to be rotting from the inside. Robyn Nevin, Emily Mortimer and Bella Heathcote star in a slow build drama which delves into the horror of losing your sense of self, as Nevin’s matriarch goes missing for days and can’t remember what happened while her house is filled with odd notes, black mold and snippets of a life slipping away from her grasp. This is the feature debut of Australian-Japanese director Natalie Erika James and it’s a stylish, chilling and confident first feature with a final act that veers into full blown horror. Out already in the States on VOD it has a UK theatrical release in the UK.

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Best of the Fests 2020.

From 17th-century werewolves to WWII gremlins to present-day nomads, the stripped-back, mostly virtual 2020 fall festivals still managed to bring the goods. Our team rounds up the very best titles we saw at TIFF, NYFF, the BFI London Film Festival and beyond.

LISTEN: Gemma Gracewood and Ella Kemp chew over their festival favorites in the latest episode of The Letterboxd Show.

Kudos to the teams at the Toronto, New York and BFI London Film Festivals for pulling excellent hybrid festivals together in extremely weird, not-at-all-ideal circumstances. From the always-excellent conversations (and Cameron Bailey’s always-excellent suits) to the hybrid options for viewing, we left feeling hope for our favorite art form.

We have been keeping track, over on our Twitter account, of the many film festivals going online, and it’s safe to say that virtual film festivals—and the wider accessibility they offer—have been a silver lining to this mostly awful year. Indeed, the 58th NYFF was one of Film at Lincoln Center’s most-attended festivals, with 70,000+ attendees in all 50 states and beyond. (We participated in a NYFF Industry Talk, along with MUBI and Rotten Tomatoes, about the future of online film conversation, moderated by Indiewire’s David Ehrlich.)

Attempting to replicate the extreme fatigue of the real thing, our festival team (Ella Kemp, Aaron Yap, Kambole Campbell, Jack Moulton and Gemma Gracewood and—helping us bridge the geo-locked divide—Canadian TIFF regular Jonathan White) disregarded international date lines and dove right in. We saw many films to love, but by consensus (and a poke around your Letterboxd reactions) these are the ones we’re still thinking about.

Lovers Rock Directed by Steve McQueen, written by McQueen and Courttia Newland. The ‘Small Axe’ anthology will be released on a weekly rollout on Amazon Prime Video beginning November 20 with ‘Mangrove’, then ‘Lovers Rock’, ‘Red, White and Blue’, ‘Alex Wheatle’ and finally ‘Education’. Seen at: NYFF, BFI London Film Festival.

Lovers Rock, the first part of Steve McQueen’s ambitious, multi-part film project Small Axe, feels like a massive stylistic departure for the filmmaker, in a manner that completely transfixes and astounds. It’s no wonder that this one turned heads at multiple festivals, as it’s immediately warmer, more freewheeling and sensual than any other McQueen work. It’s defined by a hypnotic focus on sound and touch, represented in its earliest scenes with a tactile close-up of a heated comb working its way through hair, and later with its focus on hands wrapped around shoulders, moving across shirts and dresses, people joining together and/or colliding through song and dance. Despite being made for television, it’s astounding how little Lover’s Rock feels that way. Often impressionistic and unbound to the kind of urgency or efficiency that naturally comes with having to adhere to a time-slot, it simply rests in the moment. With the seismic protests being undertaken by Black people this year, Lovers Rock feels like more than welcome respite from a hateful populace—visually rich, gorgeously soundtracked Black joy and love. Also, man, those shirts are incredible. —KC

Nomadland Written and directed by Chloé Zhao. In US theaters December 4. Seen at: TIFF, NYFF, BFI London Film Festival.

“I am already convinced that Chloé Zhao deserves the whole world,” writes Jaime of Nomadland, the TIFF People’s Choice winner. Personal security is something we don’t think about on a daily basis. We have shelter, we can buy food, anything else is bonus. But what if those two basic tenets vanish? While the global financial crisis affected all in 2008, it affected retirees more. Supposedly secure retirement investments vanished; security no more. What do you do? Survive. Zhao’s adaptation of Jessica Bruder’s 2017 non-fiction masterpiece Nomadland: Surviving America in the Twenty-First Century is a beacon of human spirit and survival. It may not be pretty, but it’s real. It’s not something to be embarrassed about, it’s something to be proud of. Those that let this happen to good, honest working people should be the ones embarrassed. —JW

Minari Written and directed by Lee Isaac Chung. No release date announced. Seen at: Middleburg Film Festival.

Minari is the medicine for these tough times. It’s a wonderful, wonderful, deeply personal, utterly serene and metaphysical portrait of America—freedom, faith, superstition, forces of nature, and ambition collide with the costs of intoxicating capitalist dreams, but not without a whole lot of heart. This is elegantly crafted, at once organic in its approach and always sweepingly cinematic. The film’s gentle sense of humor ensures that it never takes itself too seriously and allows the weight of its poetic images and juxtapositions to guide the narrative. The brilliant ensemble should grow to join Steven Yeun as household names (well, cinephile households). Youn Yuh-jung and Alan Kim are bright sparks as the latest classic duo of sassy grandma and precocious grandchild, but it’s Han Ye-ri—taking on the surrogate role of director Lee Isaac Chung’s mother—who provides an overlooked and tender sounding board for familial bonds in fraction. Minari is truly one of 2020’s most invaluable and essential pieces of art, living up to the hype built since Sundance. Korea came to the USA for the Oscars earlier this year, and if 2021 shows similar mercy, there’s a chance you’ll see this home-grown Asian-American picture mounting that stage in future. —JM

Wolfwalkers Directed by Tomm Moore and Ross Stewart, written by Will Collins with Moore and Stewart. Recently released in UK theaters; coming to Apple TV+ December 11. Seen at: TIFF, BFI London Film Festival.

The much-anticipated Cartoon Saloon adventure Wolfwalkers was met with only joy around here. A fable about what happens when a colonizing force tries to tame a wild forest, set during Oliver Cromwell’s Siege of Kilkenny, Wolfwalkers builds to “one of the most sensational animated third acts I’ve seen in years,” according to Animatedantic. The film’s themes are embedded in every hand-drawn line and stroke. “It’s not sleek and seamless and modern,” writes Cow Shea. “This is transparently a true work of art where all the work of that art is part of the finished product.” Mebh and Robyn are animated action heroes for the ages, and you’ll hear a lot about ‘Wolfvision’ in the weeks to come—for very good reason. Werewolf films have, for years, tried different ways to put us inside the beast’s mind, but Tomm Moore and Ross Stewart followed their noses and it’s as thrilling as things get. —GG

David Byrne’s American Utopia Directed by Spike Lee. On HBO and HBO Max now. Seen at: TIFF, NYFF, BFI London Film Festival.

David Byrne’s American Utopia is well on track to join Jonathan Demme’s film of another Byrne stage outing, Stop Making Sense (1984), as one of the highest-rated anythings on Letterboxd. We’re still deciding whether this film is sublime because the stage show itself is sublime, or because Spike Lee has sublimely captured the whole joyous thing for us to inject into our eyeballs, time and again, for far less than the price of a Broadway ticket. Let’s be honest: it’s due to both, and more besides. It’s a blessing upon 2020, of that we are certain. As Clint writes, “The phrase ‘this is the film we need right now’ is such a creaky cliché, but there’s an ineffable feeling that, if David Byrne and Spike Lee can’t heal the world with grey suits, bare feet, and some of the most all-encompassing works of music ever written, no one can.” As my colleague says, “will rewatch to death”. —GG

Shiva Baby Written and directed by Emma Seligman. On the festival circuit. Seen at: TIFF, LFF.

A girl walks into a shiva and bumps into her sugar daddy. What sounds like a joke sets up 77 minutes of note-perfect comedy horror in Emma Seligman’s Shiva Baby, her feature debut adapted from her dissertation short of the same name. It’s funny, horrifying, excruciating and so painfully, accurately Jewish. Isaac Feldberg calls it “cruelly hilarious about everything smothering and inevitably miserable about Jewish family gatherings”, but Seligman’s sharp eye for comedy, her affection for her teen hero Danielle (Rachel Sennott, a bona fide star) just figuring her career out and owning her sexuality (Molly Gordon playing Danielle’s overachieving ex-girlfriend Maya is a highlight) cuts straight to the core, however you relate. Matt Neglia points out how Shiva Baby “captures the behaviors of its characters with the same level of dry wit and detail as the Coen Brothers would”. What a thrill for a young, smart, Jewish, bisexual woman to be setting the pace now. Keep an eye on Seligman’s bright, bright future. —EK

Tove Directed by Zaida Bergroth, written by Eeva Putro. Released in Finland; on the festival circuit elsewhere. Seen at: TIFF.

If there was a film swoony enough to fill the Portrait of a Lady on Fire-sized hole in your heart this year, it’s Zaida Bergroth’s Tove, a bewitching biopic of Finnish author and illustrator Tove Jansson, creator of the beloved Moomin cartoon characters. Set in Helsinki during and post-World War II, the film orbits around her boho world, flitting between her creative struggles as a painter and deep sexual awakening with married theater director Vivica Bandler (Krista Kosonen). As Lillian says, “Lesbians and Moomins is such a huge fucking mood I never wanted it to end.” Alma Pöysti shines effortlessly in the lead role. “The film happens on her fantastic face,” writes Hannu. Seth agrees: “a captivating first-class drama about a world-renowned talent in search of her own identity, love and freedom.” A cozy fall-season perfection. —AY

Shadow in the Cloud Co-written and directed by Roseanne Liang. Slated for a summer 2021 release. Seen at: TIFF, AFI Fest.

A proud addition to the “she did that!” canon, the single downside of Roseanne Liang’s genre-perfect, “deliciously fearless” Midnight Madness winner Shadow in the Cloud is that there was no Midnight Madness to experience it at—but thanks to a juicy sale out of TIFF, we can look forward to a premiere next summer. Chloë Grace Moretz is Maude Garrett, a WWII pilot assigned to transport a highly classified package over the Pacific. The all-male crew of the B-17 Flying Fortress banishes her to the lower ball turret, where they harass, gaslight and leer over her—and that is nowhere near the worst part of this bonkers, non-stop hell flight, which Moretz carries like the future action hero she must now become, if the movie goddesses are listening. —GG

Pieces of a Woman Directed by Kornél Mundruczó, written by Kata Wéber. Coming soon to Netflix. Seen at: TIFF, NYFF.

You will be hearing a lot about Vanessa Kirby in the months to come. Pieces of a Woman is an arresting, often taxing watch, but few actors have delivered a performance as utterly overwhelming as Kirby portraying Martha, a grieving mother processing the loss of her baby. The filmmaking team (Mundruczo and Weber share a “film by” credit) zoom in on deep, jagged pain, and tease out some of the most affecting moments put to screen this year. Jack calls the film “an intensely intimate depiction of mental and marital deterioration caused by tragedy” and nods to master Howard Shore’s “subtle yet potent” score. It’s poetry in motion, with stunning turns from Shia LaBeouf, Ellen Burstyn, Sarah Snook and Benny Safdie also. But proceed with caution: “this film will destroy you”, Alisha Tabilin warns. —EK

Underplayed Directed by Stacey Lee. On the festival circuit. Seen at: TIFF. (Also recommended in our music movies round-up.)

Women-in-the-workplace movies aren’t usually this banging. Stacey Lee’s documentary Underplayed focuses on one corner of the still wildly sexist music industry—the dance-music scene—and lays out both the facts and feelings regarding why women still, always, deserve better. A number of key names guide the story—Rezz, Alison Wonderland, Nervo, TokiMonsta—giving the viewer a taste of what we’re missing out on while booking the same old men, over and over. And it’s not just because of the stats or the injustices that this is a must-watch: in times of limited social interaction and when the feeling of an adrenaline-fuelled crowd feels like a foggy memory, Lee captures some truly electric moments of these women thriving, captivating thousands of music lovers at once. “Buy yourself good speakers and turn them up because this movie is fun and it deserves it,” writes Matt Brown, and he’s absolutely correct. Underplayed is essential and exciting. The most entertaining education of the year. —EK

Another Round Directed by Thomas Vinterburg, written by Vinterburg and Tobias Lindholm. Awaiting new UK date due to lockdown. In US cinemas soon. Seen at: TIFF, LFF.

Another Round reunites filmmaker Thomas Vinterberg with his muse Mads Mikkelsen, in a lads-on-tour buddy movie, except the lads are four middle-aged high-school teachers, and the tour features a very casual, very constant level of intoxication each man commits to in the name of a social experiment. What could possibly go wrong, you ask? Plenty, naturally—but Vinterberg marries the slapstick moments of bumbling drunks falling over themselves with more mature, poignant scenes that question just how far you can or should go to feel that little bit more alive. There’s a lot to love here, but if we’re being very precise, it’s “rock-solid proof that Mads Mikkelsen is one of our greatest actors,” says Karen Han. Come for the wise, contemplative study of youth and spontaneity, stay for rock-solid proof that Mads Mikkelsen is also, somehow, one of our greatest contemporary dancers. —EK

One Night in Miami Directed by Regina King, adapted by Kemp Powers from his own stage play. In select US theaters December 25, coming to Amazon Prime Video January 15, 2021. Seen at: TIFF, NYFF.

Ladies and gentleman, Regina King has arrived. The actor wastes nothing in her feature directorial debut, bringing to the screen Kemp Powers’ vivid stage play of the same name with a heavyweight cast of greats. Kingsley Ben-Adir, Eli Goree, Aldis Hodge and Leslie Odom Jr. are Malcolm X, Cassius Clay (before he took the name Muhammad Ali), Jim Brown and Sam Cooke respectively, as the four men celebrate Clay’s victory over Sonny Liston in February 1964, during One Night in Miami. Rachel Wagner notes how “they all feel like friends and have chemistry, but each with a unique perspective”. This chemistry comes from King’s perfect alchemy of mood, design and structure; she lets her men speak, but her voice is never lost. “Queen King never wavers on her vision until every bit of flesh is torn off each man,” Ben notes, admiring a film that shines for all its famous faces, but stands the test of time for its rich, piercing empathy for every other one waiting in the shadows. —EK

Supernova Written and directed by Harry Macqueen. Awaiting UK and Ireland release due to lockdown; in select US theaters January 29, 2021. Seen at: BFI London Film Festival.

Colin Firth at his very best, Stanley Tucci losing his grip on himself, the luscious Lake District and endless cozy, delicious, warm knitwear. Supernova is every bit as beautiful as it sounds, but also packs a major punch when it comes to mapping a lifelong love story, and the cost of loyalty and pride when you’re fighting against pain nobody can control. As Sam and Tusker, devoted to one another for decades, come to terms with Tusker’s diagnosis of early on-set dementia, there is as much care and sadness as is to be expected, but it still feels brand new and cuts deep. Every good love story is its own. Director Harry Macqueen and his two shining stars understand this better than anyone. —EK

French Exit Directed by Azazel Jacobs, written by Patrick DeWitt. Scheduled for US release January 21, 2021. Seen at NYFF.

Armed with acerbic wit and sharpened claws, Michelle Pfeiffer delivers a vulnerable close-to-career-best performance in French Exit as a mother free-falling from wealth and reconciling with her son, an expertly cold Lucas Hedges. What appears to be formal and dry (“rich white-people stuff”, blegh) is actually wonderfully weird and surprisingly spiritual. There’s a divisive scene at the half-way point that instantly unroots the movie from any grounding we assumed it had established. In any other film, it would open up an entire world of possibilities, but French Exit decidedly treats it as matter-of-fact in order to focus on the emotional journey. It’s the decisive moment—you’re on its wavelength, or you’re overboard—and the rewards for staying aboard are plentiful. Patrick DeWitt’s adaptation of his own novel is in good hands with director Azazel Jacobs. —JM

Still Processing Directed by Sophy Romvari. On the festival circuit. Seen at: TIFF.

A final, honorable mention for Sophy Romvari’s Still Processing, the highest-rated short film out of TIFF, and an excavation of grief like no other. “You’ve got to watch this one twice,” writes Martyn. “First viewing to just weep every two to three minutes. Second viewing to really appreciate how great it is.”

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