#work-related stress

[oodlenoodleroodle]

From the perspective of occupational health, work-related stress constitutes a hazardous exposure and significant safety risk for the health care workforce. Due to an onslaught of work-related stressors, from staffing shortages to resource constraints to entrenched social injustices, most of the U.S. health care workforce currently practices in unsafe conditions. It is time to see clinician burnout for what it is: a problem of hazardous work environments.

I had never thought of it, but it makes so much sense: if your work is causing you stress (which is bad for your health, we know this), then your workplace has unsafe conditions. The article is talking specifically about healthcare workers, but it applies to all workplaces, imo. And instead of externalising it to the workers and telling them to do mindfulness or something, we need to change the workplace and its culture to make it so that it isn't stressful for the workers anymore.

[townpostin]

Tata Steel UISL Holds Condolence Meet for Sr Sanitary Supervisor Late Om Prakash

Tata Steel UISL holds a condolence meet in memory of Late Om Prakash, a Senior Sanitary Supervisor who passed away recently. Tata Steel UISL organized a condolence meeting today to honor the memory of Late Om Prakash, who served as a Senior Sanitary Supervisor in the Public Health Services department and passed away at the age of 56. JAMSHEDPUR – Tata Steel UISL today held a condolence meeting…

[emed123]

Maintaining Your Mental Health as a Healthcare Professional | eMedEvents

Discover vital tips for healthcare professionals to maintain mental health. Stay resilient and balanced

[herespaaa]

Combat Work-Related Stress: The HereSpa Guide to Stress Relief at Home.

Work-related stress is an all too common problem in today's fast-paced world. The demands of the modern workplace can leave you feeling overwhelmed, exhausted, and mentally drained. If you're dealing with desk-bound discomforts, work-related stress, back pain, neck tension, and poor posture, HereSpa has the solution you've been looking for. Our at-home massage therapy techniques provide effective relief, allowing you to combat stress and rejuvenate your body from the comfort of your own home.

Desk-Bound Discomforts and Work-Related Stress.

Desk-bound discomforts and work-related stress often go hand in hand. Long hours spent sitting at a desk can lead to physical discomfort and mental strain. The tension in your back, neck, and shoulders can be unbearable, affecting your overall well-being and productivity. At HereSpa, we understand the toll that desk-bound discomforts take on your body and mind.

The Power of At-Home Massage Therapy.

Our at-home massage therapy techniques are designed to target and alleviate the specific issues associated with desk-bound discomforts, work-related stress, back pain, neck tension, and poor posture. With HereSpa, you have the opportunity to experience the benefits of professional massage therapy without leaving your home.

Relief and Relaxation.

Our mission is to provide you with relief and relaxation when you need it most. Whether you're dealing with the constant ache of back pain, the stiffness of poor posture, or the stress of a demanding work environment, HereSpa's at-home massage can help. Our expert therapists use proven techniques to release tension, improve circulation, and promote overall well-being.

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At HereSpa, we take pride in offering a holistic approach to stress relief and wellness. We believe that a relaxed body leads to a relaxed mind, and our at-home massage therapy is the key to achieving that balance. Say goodbye to work-related stress and desk-bound discomforts. Say hello to a healthier, more relaxed you.

Visit our website at https://www.herespa.com to learn more about our at-home massage therapy services and discover how we can help you combat work-related stress, relieve back pain, ease neck tension, and improve your posture. Take the first step towards a stress-free, pain-free life with HereSpa.

In Conclusion, work-related stress and desk-bound discomforts are challenges that many of us face. However, with HereSpa's at-home massage therapy, relief is within reach. You no longer have to endure the physical and mental strain of work-related stress. Visit our website and start your journey toward a more relaxed and healthier you today.

[familydocblog]

Managing Work-Related Stress for Better Mental Health

Feeling stressed at work? 😩 Don't let it get you down! 💪 Discover the surprising ways to manage work-related stress and boost your productivity 💼💻 #stressmanagement #workrelatedstress #productivity

Introduction Are you tired of feeling overwhelmed and stressed at work? Do you find it difficult to manage your workload, meet deadlines, and maintain a healthy work-life balance? If so, you’re not alone. Work-related stress is a common problem that affects millions of people worldwide. In this article, we’ll explore the causes, consequences, and management strategies for work-related stress, as…

[fastlivenostress]

Understanding Stress: Exploring Different Categories and Coping Strategies

Subscribe to get access Read more of this content when you subscribe today. Subscribe Stress has become an inevitable part of our fast-paced lives. It can stem from various sources and affect us in different ways. In this article, we will delve into the categories of stress, gaining insights into the areas that commonly trigger stress responses. By understanding these categories, we can…

[sleepy-bebby]

[rincaruries]

Let It Consume You | link

When I first pitched the idea of a Kaishin murder mystery inspired by the classic Noir films of the ‘30s for this year's Kaishin Big Bang 2024, I had no idea that this would be the direction this project would go in. It’s grown into a world and story I never thought I’d have the chops to visually develop, all thanks to the hard work of the incredible @kinsdura in bringing this story to life on paper and bearing with my crazy ideas. Most of the work has been quite technical and bts, but it has truly been a team effort to get this done.

Let It Consume You has become a collaboration I can definitely say I am very proud of. As always, thank you to Mac @kaishinbigbang for hosting this wonderful event! Additionally, I want to take the time to hype up our story, the link to which is here! You won’t regret having a look at @kinsdura’s fic; it’s a joy to read and full of suspense, great pacing, and a flirtatiously dangerous predator-and-prey dynamic between Kaito and Shinichi.

This will not be the last you will hear of LICU! Hope to continue developing our little harbour town and this au into something we can all step back and appreciate in the future :) Maybe I’ll post those too 😂

[luxaofhesperides]

For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?

He has no idea how his parents did it. 

Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 

Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.

That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 

This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 

So here they are. Standing in the empty living room of their new apartment in Gotham. 

Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 

Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.

It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?

Ellie smacks a small palm against his cheek and babbles lightly.

“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”

He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 

“Can you be good for five minutes?” he asks Ellie. 

She babbles again and smacks his shoulder.

“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”

Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 

He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 

This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 

He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.

He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.

Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 

“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.

It���s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 

A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 

It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 

Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 

Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 

Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.

He’s finally feeling more settled, energized from sleep and food.

In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 

. . .

Four months ago, Danny had hope. He was optimistic. 

Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.

He had just gotten Ellie to sleep. She was actually peacefully taking a nap.

And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.

They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 

“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 

Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 

“I know it was scary, but you’re alright. You’re always safe with me, El.”

Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.

The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 

“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”

“Hey, you alright?”

Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 

The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”

Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”

“I’m Duke, by the way. I don’t think I’ve seen you around here before.”

“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”

“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”

Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”

“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.

“I’m so sorry. That drive by woke her up and it’s really rattled her.”

“Hey, no need to apologize. I get it, Gotham is rough to kids.”

Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.

Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”

“Thanks. Um, actually, I might need help opening mine?”

Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 

“If I could just get my keys,” he starts.

“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 

Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 

“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”

Ellie babbles lightly, and Duke turns his head to futilely hide his grin.

He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 

“I can’t believe this. Betrayed by my own blood.”

Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”

“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”

“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”

“Family,” Danny says in a tired, fond tone.

“Family,” Duke agrees.

With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.

The key word being tries. 

Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.

“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”

Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 

She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 

“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.

Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”

“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”

“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”

“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”

Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 

As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 

It should make him nervous, but Duke is calm and easy going and kind. 

He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 

Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.

All he needs to do is take that first step, reach his hand out, ask Duke to stick around.

He can do this.

[batwingsandblackcats]

I am absolutely fascinated by the implications of, as the web of PCs grows, who among the main cast chooses to play who.

Particularly considering Downfall.

Taliesin and Ashley are both playing the gods that their past PCs followed. Taliesin said in the cooldown that Asha, specifically, is Caduceus’ Wildmother.

Pike helped reconstruct a temple to Sarenrae in Vassalheim, and her relationship with Sarenrae is an absolutely intrinsic part of Pike’s character. Intentional or not, Trist’s daughter Haylie sounds a lot like Pike’s step-daughter Kaylie.

Laura as the Matron in particular though, is making me a little insane, and that’s because the connections are indirect. None of Laura’s PCs have a direct, sustained link to the Raven Queen, and yet somehow the connections are more numerous.

Emhira walked beside Purvan, the man who originally wore the armor that would eventually be trapped in a sunken tomb and kill Vex almost a thousand years later.

Emhira walked beside Purvan, the man who originally wore the armor that Vex briefly claimed after the tomb before giving it to Vax, who would wear it as part of the deal he struck with the Matron to resurrect Vex.

Emhira walked beside Galdric, Purvan’s wolf who later rested in a pocket plane attached to a crystal. A crystal that would later hold Trinket.

Emhira walked beside Galdric, Purvan’s wolf who was later released into the Parchwood to protect Vex’s chosen home.

Vex would later have a son named Wolfe.

Vex speaks to the Matron directly only once while striking a deal for Vax’s life.

The Matron appeared at Vex and Percy’s wedding, delivering Vax to Vex one last time via Scanlan’s last Wish spell.

In C3, Vex no longer wears two blue feathers in her hair, but two black raven feathers.

In C3, Imogen spends a long moment standing between (and potentially deliberating between) the temple of the Dawnfather and the Duskmeadow in Whitestone before ultimately deciding to appeal to the Dawnfather for help in saving Laudna.

I’m sure I’m missing other connections but it’s 1am and my C1 lore is a little rusty.

It’s one thing to start reaching back to past campaigns for cornerstones of new characters (I could talk about the ripples of connection concerning Orym and Laudna all day) but considering that Taliesin, Ashley, and Laura are playing gods right now, the backwards ripples stretch almost infinitely.

Do any of these connections actually mean anything within the narrative? Nah. They’re professionals and compartmentalizing different characters is what they do.

I just find it absolutely fascinating, on an above-the-table meta level, that as more and more stories across Exandria and across different times in Exandria are being told around the table, and the more characters are introduced, the bigger the house of mirrors grows.

[xieliancore]

a quick sigma i just drew at 2am<3

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[cookkoo]

#shumakoxmas23 Day 1: Drinks

"How about we get something to drink in Shinjuku later? Lala-san also taught me how to make fancy drinks for x'mas you know?"

"STOP asdfghhj"

[jasontoddenthusiastt]

Batman Annual #25

Before Talia took him in, before he was dunked in the pit to have his memories restored, even when operating purely on survival instinct, he always split a meal with the other homeless people. It may not have been essential to his survival, but caring about and helping other people when he couldn’t even help himself was just always such an intrinsic part of Jason’s core.

[jellyjamheadobb]

Not this being me at a local grocery store earlier :D

[skitskatdacat63]

Happy 5/14!!!!

Aaaaahh not sure if this is my best work 😭 I just really wanted to draw smth for vettonso day but my brain hasn't really been functioning well LOL so I kept dreading working on this, especially bcs its so important to me, y'know? I hope it's good????? I'm happy with the concept, but I was just so unsure on so many of the angles and it was killing me. I did the color thing bcs I thought it'd add something interesting to it :) since I didn't paint it as I usually would

Anyways! Process!

Now I will explain all of them:

Boy king au is where it all starts of course. I think their relationship is the most developed in this compared to the others, but at the same point, they just start from such a different point, especially affection-wise. All of these kinda have a power dynamic, except the last one, and this is the most imbalanced. Fernando is being subservient, the only part of Seb he may kiss(in public lol) is his hand.

Matador au next. They hurt themselves when they try to be affectionate, because they live in the culture of a sport of violence and death. The sword separates them, their love for the sport keeps them apart, in fear that they hurt each other. Seb, yet again, looks down upon Fernando. Seb haunts Fernando's whole career, the constant overhanging presence. Also aside from that, shame that you can't see his three musketeers look bcs of the black background 😔

2012 core!!! I think this one is pretty easy to understand. Both of them often kiss their trophies, more so than any driver. So they're both trying to claim the wdc trophy by kissing it. Maybe you guys should just get rid of the trophy altogether and claim each other! But yes, just like the sword in the matador au one, the trophy and their ambitions divides, keeps them from ever bridging the vast gap between them, at least at that point in time.

The conclusion! Aka what I wish we will get at Imola 2024- kidding kidding. But it is 2024. Finally there is no conflict between them, there's no big thing keeping them in conflict, they can finally come together. Finally they can touch, there is no gap to bridge, they can appreciate each other, and appreciate what they failed to in years past.

The thesis is basically that they always have their aspirations between them, and their aspirations happen to be basically the same thing. Until those are resolved, the gap between them is too vast for them to recognize and/or find any commonality. How do you get along with someone when you're both fighting for the same thing? How do you get along when it feels like one of you is winning more? How do you get along when there's such a vast gap?

In boy king au, it's going to take a while before they both feel settled about the issue of the throne. That's what makes that au interesting, they're trapped in this state of non-closure and they have to actually solve their issues without the matter of one of them simply removing themselves from the equation. They have to find a way to get over themselves and their aspirations, because like it or not they're stuck with each other. I think with the hand kissing, it represents how Fernando, at that point, is only willing to play along with the game if it's tradition, and he often won't budge in other ways. Yes, I will show subservience, but only in this detached, formal way that I don't connect personally to. He's still holding his own bitterness over meaningfully appreciating Seb. Though it's not like Seb isn't at fault. It takes a while for him to not hold things over Fernando, and constantly humiliate him. One day they will meaningfully show affection, and it won't be some sort of power play.

I think matador au is pretty similar to real life, and the 2010s era(it's basically just their actual plot line but in the context of bullfighting.) They're forever going to have this big elephant in the room, and it only really gets resolved when one of them leaves the sport. Once they're not fighting directly against each other, they realize what they've been missing out on and what they were not appreciating for so many years beforehand. They finally come together because they can't just rely anymore on the sport keeping them together. They actually have to make that step to be in each other's lives, rather than just taking their presence for granted.

Also the text on the comic. "We keep missing, and missing, and missing, and finally kissing." It's basically: we keep missing the point of it all, we keep failing to appreciate each other presence in our lives and in our own individual grand stories. But when we're not forced together anymore, we have to make the choice to come together again ourselves. We keep missing what we actually need to do. Missing each other in favor of our aspirations. Etc etc. One day we will finally embrace and there will be nothing keeping us apart.