#wonder girl meta

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[suzukiblu]

. . . honestly if I end up doing anything more than sketches/design work with that YJ magical girl AU concept, the temptation to make Cassie just NOT actually be a magical girl and just be running around in safety goggles and knee pads fighting monsters of the week with scavenged magic weapons or something just 'cuz they're THERE is, like . . . very high, ngl, haha. At least to start, anyway. Kinda feels like a better adaptation of her OG canon origin anyway, really?

Will Cassie get her own innate magical girl powers EVENTUALLY? Who knows, but she's def gonna be weaseling them out of a god or something if she does.

( or out of annoying animal sidekick Earth!Krypto. one or the other, lol. )

Seriously though I mean LOOK at this design, it was NOT intentional on my part but Cassie def DOES look like she didn't get an invite to the magical girl collection party but just decided not to wait for one, haha. And, like, that seems very Cassie to ME . . .

Plus honestly, giving someone a different motivation/backstory from the rest of the cast is a pretty solid way to solve a "fuck their design doesn't REMOTELY mesh with the rest of the group's" type of issue, sooooo . . .

[sanjiaftersex]

Sanji during Water 7 and Enies Lobby :

"Who the hell are you?"

GET HIM, CUNTJI

I firmly stand by the point that the strawhats would fall apart and Robin would be taken if sanji (and zoro) were not present during water 7 and Enies lobby. These are some of the things i loved the most about sanji during Water7 and Enies Lobby arcs :

(1) Protecting the captain AND the crew : When Luffy and usopp were fighting over merry, at one point sanji instantly kicks Luffy to shut him up.

His empathy, protectiveness and foresight really shines here. He knew that Luffy wouldnt be able to forgive himself if he kicked Usopp out, but at the heat of the moment he was about to do just that. So he protected Luffy and became the voice of reason in Luffy's incredibly vulnerable moment.

At the same time, sanji showed empathy towards Usopp by standing up for him. During this fight, Usopp was physically and mentally weak, and seeing that at least one of his crewmates stopped the captain actually helped usopp feel like less alienated in the crew. This way Sanji became the (violent) rock for both Luffy and usopp in that moment.

(2) Trust : Some people make fun of this panel but all the Strawhats were deeply CONFUSED with Robin's participation in iceburg's assassination (which is normal cz she hadnt been with them for long and she was an enemy before joining the crew). But sanji could tell that she was lying and he trusted his crewmate (NOT BECAUSE SHE IS A WOMAN). Sanji never doubted Robin's intentions for even a moment and he was fully prepared to go save her (not question or clarify with her like the others wanted to) from the very first moment.

(3) Bravery :

Robin was scared out of her skull during this arc even though she was putting up a tough front at first. But sanji understood her desperation and the urgency of the situation. And like a dumbass, he got on the train ON HIS OWN after leaving a message to nami. Franky and usopp being there was his dumb luck but he would've been dead with the choice he made in water 7.

(4) Chivalry : It can't be a sanji admiration post without mentioning his endless chivalry. People may call him a pervert (which he is). But he actually respects women and he stood firm on his morals even in the face of death. This is a real Prince like man he didn't counter-attack kalifa even though she broke his teeth, turned him into a block of soap and pushed him from a high floor.

(4) in a crisis situation sanji showed Usopp that he believed in his capabilities, not with sympathy but with logic. Even in the face of danger he was sharp in the mind and empathetic towards his friend. This eventually led to Usopp actually succeeding to snipe the keys to robin and franky on the bridge of hesitation and that move is what saved Robin from being dragged to the gates of justice.

We can see how Sanji's words encouraged Usopp and propelled him into action.

(5) Intelligence :

While on the train, sanji devised a plan to rescue Robin before reaching Enies Lobby.

At enies lobby when they were up against the the Government's elite assassinators, Sanji came up with the plan to collect the keys and save Robin.

The strawhats would be deadmeats if sanji didnt sneak out mid fight to close the gates of justice. The whirlpool is what let the strawhats escape. So, Sanji's foresight and intelligence is what finally saved his crew from a national level buster call.

(6) Emotional Intelligence :

Sanji quietly kept tabs on Usopp from time to time the entire period he was out of the crew. Let's all acknowledge Usopp would've probably died in that Aqua Laguna if sanji (and chopper) didn't go warn him about it. And he was very considerate in the way he didn't do it directly to not hurt usopp's pride.

Moreover in the water 7 filler arc we can see how sanji was still keeping an eye on Usopp and that he was planning to return to the crew. He didn't cut off his friend just because the crew was going through a rough phase.

(Someone joked how Usopp probably had to be put on suicide watch during water 7 and i was like THAT'S EXACTLY WHAT SANJI HAD BEEN DOING THE ENTIRE TIME THANKS FOR NOTICING )

[kobochasketch]

A cool Lady rockin’ a fur coat! (inspired by @fabdante‘s lovely Devil May Cry art of all the various fun alternate outfits and fabulous fur coats!!!) ;D

[raelle-writing]

Was it even Jin's video that got posted???

I've been staring and trying to make sense of the angles in Keng's office for the past hour so I decided to do a write up and see if I can make sense of it... something is WEIRD.

WARNING: this post contains screenshots of SA, all those will be below the cut:

So when we as the audience are shown the shots of Keng and Non, we're shown two different angles. The first one, when Jin first opens the door, is of Keng and Non's legs. The second is of their heads/faces.

In earlier episodes we're shown a bit more of the layout of Keng's office, shown here:

But the angles just... don't make sense? When you analyze them. Like for example, here's what we see in episode 6 when Non comes to see Keng. The angle shown is of Non leaning decently far into the room, and then still only being able to see Keng above the barrier

When the video is uploaded to social media, we see this as the thumbnail, which appears to be shot at a low angle BETWEEN the two barriers. But that angle doesn't make sense when shot from the door.

You can see it in this shot of Jin recording, it looks like the extruding corner is in the way of whatever he's shooting.

Not to mention, in the shot of Non showing up to that office, the book shelf is pretty obtrusive of the view of what's happening. It seems like, in order for the shot of their heads to be what's shown in the thumbnail, the person would've had to be further into the room

Add on to that, the couch itself is way too small for someone to be able to see around the barrier one way AND the other way. So basically it was impossible for someone at Jin's angle to see BOTH the legs around one end of the barrier AND the heads around the other.

With the corners, the bookshelf, and the angle in mind, it seems to me that the only angle it makes sense for Jin to have seen and recorded without going further into the room is that of the legs, not their faces...

Especially since he records low, but the thumbnail picture is basically the same height as the couch... which to me, looks lower than where Jin is holding the camera

Conclusion: ????

Honestly I'm not sure. Maybe this was just BOC getting clever with their angles and shooting and they didn't think people would dissect the layout of the room this hard. I AM sure that Jin could only reasonably see the legs or the faces and not both.

And as I said above, the angle of the door and bookshelf and barriers lead me to believe that Jin could've only really seen their legs But then that brings up the question of how did Jin even know it was Non? He's angry enough that it seems like he did... unless he's angry in a completely different direction and is mad that a teacher is taking advantage of a student, but that doesn't seem to fit either, since the anger on his face seems personal...

Plus I want to bring this back. Top saw Keng and Non together and texted Tee that he knew where Non got the money. They could've guessed or spied on them to guess what Keng asked for in exchange. And who has the money to set up a hidden camera JUST to screw over Non? Por. I'm not saying that's definitely what happened, but Por HATES Non and wanted to get rid of him. I don't doubt Por/Top/Tee would hesitate to release that tape of Non if they got the opportunity...

I'm definitely grasping at straws, but something about this whole situation doesn't feel right. Jin isn't shown to post the video himself, in fast there's discrepancies from what's shown on his computer screen vs what's shown of the person uploading the video.

Changing a computer from light mode to dark mode is incredibly easy so I don't know why they would've left a mistake like that instead of fixing it in post-production. Plus it looks to me like Jin is looking at the already-posted video and crying over it, not that he's posting it himself (first screenshot is from the BTS for this episode btw).

I've been on the "Jin didn't post the video" train the entire time for a couple of reasons:

Jin isn't shown to click the button, only sit at his laptop, cry, and then eventually spill alcohol on it and short it out. If the writers wanted us to hate Jin then they would've just shown him posting it so that we could deal with the fact that he's a shit person. They didn't do that, so I don't think that Jin posted the video.

Because in episode 4, Flukes yells at Tee that he knows what they did, and he names both the broken camera AND the released video... but Jin wasn't present in this scene. Why yell it at Tee if Jin is the one who both took the video and posted it?

But with the question of all the angles shown and the doorway and bookshelf it makes me wonder... was the video even Jin's?

[whinlatter]

do you ever just think about how ginny weasley is the only other person in harry potter’s life who knows what it’s like to go to your death staring into the face of tom riddle

like, we talk about harry and ginny both knowing what it is to have riddle in their heads but, after the war, there’s this new other thing: that they both know what it feels like to suddenly realise you’re going to die, there’s nothing you can do to stop it, and to go through this terrifying process of accepting you’re about to be murdered?

“So I made Ginny write her own farewell on the wall and come down here to wait. She struggled and cried and became very boring. But there isn’t much life left in her... She put too much into the diary, into me. Enough to let me leave its pages at last...” - CoS

ginny weasley at eleven years old writing her goodbye on the wall and thinking she was never going to see her mum and her dad and her brothers again. slipping unconscious, everything fading to black, thinking she was going to die as a little child, no one to tell her she was loved and forgiven as she slipped from this world. that the last face she thought she would ever see was the boy who murdered her and mocked her as she lay dying. waking up and coming back from the brink of death with harry staring back at her

harry potter at seventeen years old counting his own remaining heartbeats, slipping away to the forest, having to walk calmly away from the people he loves without saying goodbye to stand in front of riddle and let him kill him. looking into riddle’s face and having his be the last face he thought he’d ever see, all hope of a family and a future stolen from him. closing his eyes and thinking of gin as that flash of green light seems to end it all

(also that the only other people harry knows who went to their deaths that way, feeling that panic and grief and terror, are lily and james…….)

anyway i just think that that’s huge and awful and important ok!!!

[unordinary-diary]

Blyke and John: the Followup

In my last entry, I pointed out the similarities between chapters 249 and 121, but I had hit the image limit and wasn’t able to embed screenshots. I got around this by linking the chapters, but this is probably my favorite parallel, and to do it justice I think I need to really put them next to each other.

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

It’s the same fucking scene but backwards and in a different font.

They’re the SAAAAAAAAAAME!!!!!!!!

This was definitely on purpose. Shit like this ^^ doesn’t happen by accident.

[disregardcanon]

thinking about that interview with jasmin savoy where she talks about how tai losing her sense of fashion as the wilderness story line progresses shows a loss of her sense of self, and like. if we assume that's an intentional costuming choice, that is soooo interesting with adult! tai.

before the crash, tai dressed in a way that was bright and bold and stylish. like it was feminine, but it was very bold. child! tai had brightly colored ponytail holders. she didn't dress in a way that made her... smaller, even though it was also more "feminine".

adult tai in season 1 when she's really in her I Am Going to be a State Senator and I Have This Figured Out, Yeah! it's feminine and professional and most of all unimposing. i think it's a great way of showing how much she's melted into simone in trying to shape what the adult tai she might have been would look like.

in later season 2, when she's back with van, we see her in all of van's clothes: 90s butch aesthetic. which is just another indication of that loss of identity. tai had a solid idea of who she was and who she was going to keep being before the crash, but she's spent so much time repressing everything that now she doesn't have a clue, it's just modeling herself off the women in her life. like ann perkins from parks and rec but with way more lesbian trauma

[pluckyredhead]

so what did you not like about worlds finest teen titans? There were a lot of dropped plot threads and bits I expected Waid to develop more (Roy and Ollie conflict, Roy, Garth and Wally never resolved their sleepover argument, Karen's reaction at the con to nearly being unmasked, Wally's parents, ect) and also the queerbaiting with garth (and his eyes changing colour halfway through???) was annoying. I thought it was cute overall but maybe I'm not familiar enough with some of the characters?

I held on to this ask because I was going to reread the miniseries to answer you more accurately, and then I decided to not put myself through that, so...hopefully my memory is accurate lol.

(I should note before I get into it that none of my quibbles are with Emanuela Lupacchino's art. She's a treasure and we're thrilled that she's here.)

But yeah, you've put the nail on the head with a lot of it. It was just terribly paced, like Waid didn't know how many issues he had or something. Aside from all the dropped threads you mentioned, it felt like the main bad guys were...pretty much hastily introduced, or at least assembled, in #5? There didn't seem to be any kind of...well, point to this miniseries. There was no theme. There was nothing Waid was trying to say, as far as I could tell, except "Fuck Roy Harper." (Oh, we'll get to that.) It wasn't an origin story for the team. It wasn't about adolescence or coming of age or learning who you are, except maybe a little bit for Garth. It was just...there.

And I want to be clear here: Mark Waid is one of my favorite comic book writers of all time. When he hits, he hits. The regular World's Finest book and his Shazam are wonderful. I just think this wasn't the right match of writer/characters, because he didn't handle these very well. Taking them one by one:

Dick: DC is fully in their "Dick the unbearable Mary Sue" era and this book is no exception. If I never see another comic where a whole team of experienced superheroes with major league powers and training stands around like incompetent jackasses until a Bat comes along and tells them what to do, it'll be too soon. I'm here to read about an ensemble book where everyone is a three-dimensional character, not The World's Most Perfect Boy and his loser sidekicks. Not only is it unfair to everyone else in the cast, it's doing a disservice to Dick, who is a much more interesting character than this book (or Tom Taylor, ahem) gives him credit for.

(There's also something very weird and inconsistent Waid is doing across his books with Dick - WF, WFTT, and BvR - where sometimes he's throwing a tantrum because he doesn't get to be a circus star with everyone looking at him all the time, and sometimes he's screaming at Roy for filming them, and both feel utterly arbitrary to me as well as contradictory.)

Donna: Donna's characterization in this was just...bizarre. I was a little worried about how Waid would handle her, since he has a tendency to turn more quote unquote "wholesome" female characters into the Mom Friend (see: his Champions run, where he tries to get away with it by having Kamala announce that she's not going to be the Mom Friend because she's the only girl on the team...and then immediately becoming the Mom Friend), and Donna's already very much a Mom Friend, and I didn't know what Mom Friend Squared would look like. But instead he went for this...Manic Pixie Nightmare Girl approach? Where she's really into bungee jumping and monster trucks? I'm not offended by it, it's just so utterly random. This isn't who Donna is? It's never been who she is? Baffling.

I am offended (I mean, mildly, but still) by the fact that she and Garth are shoehorned together in this. He's the only boy on the team she's never been romantically linked to, even in dreams/hallucinations/whatever, so completing the set feels very much like Donna's only narrative worth is in being a love interest, which...gross.

Garth: Garth probably got the best treatment of the bunch, to be honest. He was in character as the shy little weirdo he was in the Silver Age and in pretty much every flashback we've ever seen. He's smart and perceptive and bad at saying what he wants and generous towards those who have hurt him, all of which is very Garth. I have no complaints about him except the weird queerbaiting, and I'm not blaming Waid for that because from what I understand, solicits are written by editorial working off of a pitch, potentially before the comic is even written, so who knows what happened there? It might have been a stupid joke that didn't land, it might have been a story that was pitched and then a higher up vetoed it, it might have been a story Waid was going to write and then changed his mind. I'm not going to say it's his fault when I have no idea if that's true. Otherwise, I think he handled Garth well.

Wally: Wally was another one where I was just like ??? the whole time. He didn't feel like Wally, he felt like Bart. But, like, fanon's innocent child version of Bart and not the actual canon character, who has a lot more backbone. Why is he hero worshipping Dick like that? Why is he so docile? What was up with that weird line where Dick's like "you're the youngest?" Yes, historically Dick had already dropped out of college while Wally was still in high school, but otherwise they've always been portrayed as the same age. And if it's a reference to debut year, Donna's the youngest. It's such a random throwaway line dumped in at the very end for...why? Confusing me personally?

The worst, though, was whatever the hell was going on with Wally's parents. Wally's parents are not an idyllic suburban couple! They are not the Kents! Rudy West is only not classified as a supervillain because he doesn't have a costume! Even if he hadn't tried to kill Mary, sold the Earth out to alien robots, faked his own death, or run a deadly labor camp for children at this point in the timeline, he definitely hit Wally and, uh, poisoned Wally's Little League coach. I don't think Mary is as bad as some of fandom does, but she's certainly a difficult person. Wally was desperately unhappy at home as a child, which is why he latched on so hard to Barry and Iris. And Waid knows this, because he wrote a lot of that canon. If it's a retcon, it's such a strange, pointless one that makes all of them a lot less interesting. Just baffling.

Karen: I think it was a very smart choice to add Karen to the founding roster and make the team slightly more gender-balanced and not all-white. It's kind of a wasted choice, though, when she's so aggressively sidelined. All she does in this book is hang around with Mal and the support staff. She isn't looped into any of the major emotional conflicts - Garth and Donna, Dick and Roy, Roy and Wally and Garth. She's not treated as a headliner in the same way the others are, and that really sucks.

Roy: Hoo boy.

When Waid was announced as the writer of Batman vs. Robin, I was worried, because I had a feeling he didn't like Damian. I couldn't put my finger on why, it was just a feeling I had. And boy howdy, was I proved right! Damian is treated like shit in that book.

I had the same feeling with this book and Roy, and...let's just say I'm two for two, okay?

Here's the thing. I'm okay with Roy being written as kind of shitty, especially during his period of his life. Teen Titans: Year One writes him as an utter fuckboy, and I love that comic. The Mal and Karen issue of The Other History of the DC Universe retells the Bronze Age Titans era from their perspective, and it pulls absolutely no punches regarding Roy being, well, kind of an asshole...and it's right to do so, because it's drawing very directly from those 1970s comics, and he was often awful in those.

But Waid writes him as a generic 80s movie villain. He's a human popped collar. He's a stereotype of a bully. My problem isn't that I need him to never do anything wrong, it's that nothing in this book is specific to Roy, his history, or his established personality.

For instance, all of his bragging about how much money he has? He comes off like a kid who was born into wealth and has never known anything else, but that isn't true. He was at best middle class before Ollie, probably more likely working class given the economic situation on most reservations - but there's no indication that he's responding specifically to that shift in circumstances. He's just, like, Draco Malfoy with arrows. Also, Dick has a nearly identical history but none of the same issues. He even says "Roy and I have the same background but he sucks." Why is one of them a perfect angel untouched by filthy lucre, and the other is Bradley Uppercrust III?

And then there's the subplot with Ollie neglecting Roy, which fizzled out to a real wet fart of a resolution. But honestly, at no point did I know where Waid was going with that, because...well, if you know Roy's history, you know Ollie neglecting him is what leads directly to Roy getting into drugs. And like...first of all, the timeline here is off, because historically Ollie didn't ditch Roy until after he lost his money, and he still has it here. (How interesting would it have been to have Roy pretending he was still rich in addition to pretending Ollie was around?) But also, this comic ends on an "and now everything is fine!" note, but it isn't! It really, really isn't. So Ollie showing up at the end and being like "I'm here for you, buddy" doesn't ring true, because he is demonstrably not in this very comic, and we also know he won't be in the future. And Roy getting what he wants doesn't feel like a satisfying resolution either because we don't actually get to see changed behavior from him, and again, we know this won't last. (Again, TT:YO handles this dynamic very well, where we see that Ollie is an affectionate but negligent guardian who Roy is learning some very bad habits from.)

And to top it off, constantly contrasting Terrible Roy to Virtuous Dick and simultaneously pretending that Ollie was at this point a responsible guardian has the (I hope unintentional) effect of implying that Roy will eventually become an addict because he's just a bad and weak person, instead of a struggling teen who needed support and didn't get it. I would have actually preferred a story that hinted at the beginning of Roy's addiction and how he hides it from the Titans, because we've never had that story told in comics, but I don't think Waid's the one to write it. Instead we get a conflict that's out of character for Roy, a resolution that doesn't feel at all earned, and the looming threat of Roy's immediate future which Waid refuses to address.

In conclusion, this book was a mess, and you should all read Teen Titans: Year One instead.

[cinnbar-bun]

Okay, here it is!!! Her ✨ The first one I attempted to emulate in Araki’s style (using Trish as a base) the others are my sketches ��� I love making her outfits aahhhhh

[m0netsberm]

I'm beginning to think the constant edits, gif and long meta posts *keep catching my eye* everywhere when scroll through my feed are meant to be taken as a sign that I must watch fangs of fortune. Oh, the shots I've seen are such beauties... also this ⬇️

[suzukiblu]

So like . . . if I was the sort of person to write a DC version of Lilo and Stitch . . . like just if I was . . .

Kon is, obviously, the rude and temperamental and poorly-socialized and destructive alien experiment who just crash-landed in Hawaii. Is Tim "weird little stalker child" Drake Lilo? How is that even a question, come on.

(his version of Scrump is almost definitely named either Robin or Spoiler)

Dick is Nani, Babs and Wally can fight it out for who's got fancy enough hair to be David and get swept by Kori, Grand Councilman Kal-El is very stressed about the living weapon that just escaped the Galactic Federation, and professional evil genius Lex Luthor is absolutely exasperated that he's been sicced on his own masterpiece with, of all things, a pair of children as his backup. Cassie and Bart just think he's weird and stupid but whatever, at least they're on a Federation mission, and Earth is cool and full of things!!

Bruce is Cobra Bubbles. That is all.

[deancasforcutie]

AU where SPN actually makes the obvious references to Rocky Horror like you'd expect and we have to fight to convince people "yeah it's because camp horror but HERE'S WHY it's also in a gay way" instead of just accepting we can never make anyone understand the unhinged Queer Cinema of their Pink Flamingos reference rabbithole that extends through IYKYK references coding Dean and Ash as queer apart from Sam and the twitter background of SPN's first openly gay writer Eric Charmelo whose co-authored episodes kept throwing in queer film references just because they could and all throughout the set dressing of s10 as they canonized Dean and Crowley fucked and oh my god open the schools this show is deep-cut queer poetry and assimilationist lgbts can't READ 😭😭😭

[moonrosegirl]

Sometimes I’ll see a post where the person clearly consumed Utena totally uncritically and didn’t question the motivation behind anything happening on screen and I just remember that “the curtains are blue” post. We really live in a world where people don’t consume media critically or know what a metaphor is.

[soleminisanction]

Got the time and focus to start digging into some of the DC trades I picked up at the con a few months back, starting with Wonder Girl: Homecoming.

It's interesting to see the parts of this series that are almost certainly remnants of the original intent for Yara to be Wonder Girl only on the CW and for her comics incarnation to be the 5G Wonder Woman. Like, Yara's 21 -- does mean she's older than Cassie? Based on the early design from her original announcement, I'm guessing she was initially going to be younger. And it's never actually mentioned in the book that she "grew up in Boise," it's only on the blurb in the back. After the first two pages or so, that part of her life is just kinda forgotten entirely, at least in this first series.

If it wasn't for the first two pages where she's show saying goodbye to her aunt and uncle -- whose place in her backstory, as of the end of the trade, have not been explained either -- I'd kinda be expecting the twist that Yara was transported onto that plane to Brazil by magic after being secretly hidden away in a pocket dimension for thousands of years. It would certainly make the timeline involving her mother make more sense, as well as the "everyone dramatically senses her arrival" spreads (side note: I laughed very hard at them including Bitewing in that scene for some reason).

Overall though, I'm glad this is what we got instead. Yara's quite interesting. "Brash" is an accurate descriptor, and she's also got a good heart, and her design is great -- all of the Esquecida's designs are great, honestly. And having Cassie along as... not quite a deuteragonist, but something very close (especially since she's the one who ultimately resolves the big conflict at the end, and the only one who actually gets called Wonder Girl) was a good call, since it helps soothe the ruffled feathers of people (like me) who resented her and Donna getting shoved to the side without taking the emotional spotlight off Yara.

That said, I do think the emotions in the book suffer a lot from "informed attributes." Like, yeah, there's only so much space to tell the story, but it takes a lot of the punch out of being told that Yara doesn't have a place in this world and feels like an outsider until she finds her people again when she just, tells us that, instead of getting to see it, even in flashback, y'know?

And it honestly gets silly with the love interest. So much of the drama hinges on Yara being head-over-heels in "true destined love" with... a bus driver that she met completely at random like a day ago. Like, it makes perfect sense how he would be in love with her because he clearly thinks she's hot and then sees her being a heroic badass who rushes out to save lives like it's instinctual, but when she turns around and is like, "Thank god... I thought I lost you...!" in issue 3 it's like... Jeez, girl. At least with the Eros side of that love triangle there's the magic arrow excuse.

Still, not a bad start all things considered. Interesting that Diana only a one-panel cameo. I'll have to make sure to grab Trial of the Amazons when I get a chance.

[kingthunder]

I know that this is, like, an old idea at this point. But I'm still kind of obsessed with how Astarion thinks he's presenting himself as a Normal Elf Who's Totally Not a Vampire (tm) simply because he can't see his own fucking reflection.

Babe, if you could only see yourself. Oh boy.